20 septembre 2007

From toddler to temptress

Newly discovered photographs show the making of an American idol: how Norma Jeane Baker grew up to become Marilyn Monroe
August 18, 2007
From The Sunday Times
By Mark Edwards

Poor little Norma Jeane - a lost little girl, unloved, unwanted, abandoned by a crazy mother, dumped on foster parents. Was it any wonder she grew up into the troubled woman we know as Marilyn Monroe? Actually, yes. As these rare images show, the reality of Marilyn’s early life was far sunnier than we have been led to believe. Far from being neglected, she was well looked after. As her foster mother said later, “We treated her like our own child because we loved her.”

The young Norma Jeane Baker showed few signs of the dazzling beauty that eventually made her one of the 20th century’s most talked-about women. As these previously unpublished photographs show, she was an ordinary Californian girl who went to the beach, played with animals, married young and got herself a job at a factory. But she had extraordinary ambition. And then Hollywood got hold of her.

The Monroe we know was moulded, manufactured and processed by the Hollywood studios. The cinema tycoons even made a claim on her past: it was important, from a marketing perspective, that the sex siren be portrayed as an impoverished urchin. Marilyn was a red-hot Cinderella, plucked from a near-destitute childhood. The truth is actually more prosaic.

Norma Jeane Mortenson was born on June 1, 1926. Her father played no part in her life – some believe him to be Charles Stanley Gifford, one of the bosses at Consolidated Film Industries who had an affair with her mother, Gladys – and she took her surname from her mother’s husband, Martin Edward Mortensen (her mother changed Mortensen to Mortenson on her birth certificate). Gladys left Mortensen in 1925 and Marilyn was fostered out to the Bolender family, who lived in the blue-collar LA suburb of Hawthorne.

Contrary to the stories later put out by the Hollywood machine, Norma Jeane enjoyed a close relationship with both her mother and her foster parents; as these pictures show, her childhood was full of happy moments playing on the beach and in the fields.

Gladys, meanwhile, worked in Hollywood as a film cutter, and the attendant razzmatazz filtered down into their otherwise ordinary lives. At the Hollywood Bowl Easter Sunrise Service in 1932, Norma Jeane and dozens of her classmates formed a choir dressed in black and then white robes – pure showbiz. Yet not all was glossy contentment.

In 1933, Gladys arrived at the Bolenders to reclaim her daughter. Norma Jeane hid in a cupboard with the Bolender children, but Gladys insisted they should move in together. Financially, things were looking up – she presented her daughter with a white baby grand piano that Norma Jeane/Marilyn was to treasure for the rest of her life.

Within months, however, Norma Jeane’s world had shattered. Already troubled by the suicide of her grandfather, Gladys received another body blow when she learnt of her brother’s death from tuberculosis. The two events sent Norma Jeane’s mother over the edge; in her autobiography, My Story, Marilyn describes her mother being dragged off “screaming and laughing” to an asylum.

Her subsequent rootlessness became an imprimatur of much of Marilyn’s later life. She was moved from a succession of foster homes to an orphanage; not for the last time, she believed that marriage might offer at least a temporary escape from her unhappiness.

Her first marriage was to a local boy, James Dougherty. Norma Jeane was just 16, naive and unworldly. Neither was she housewife material – her cooking was catastrophic, and on one occasion Dougherty came home to find his wife trying to persuade a cow to come into the house so that it could get out of the rain.

The marriage soon foundered, as Norma Jeane made her first steps, initially into modelling and then on to Hollywood. The rest is well documented; the husbands, the lovers, the dependency, the squalid ending in Brentwood. Was she ever as happy as she seemed in those sun-kissed pictures from the 1920s and ’30s?

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>> descriptifs / légendes des photos:
1/
Norma Jeane on Catalina Island off the coast of California, where she was living with her first husband, Jim Dougherty. The couple moved to the island around 1943, the year after they were married. Dougherty once described their life there as being 'very normal'. 'Norma cooked and cleaned and I was the breadwinner'. Photograph from Marilyn Monroe: Private and Undisclosed, by Michelle Morgan, published by Constable & Robinson on September 13, at £30. It is available at the BooksFirst price of £27, including p&p. Tel: 0870 165 8585
2/
Norma Jeane (right) and two other children. Her unsettled childhood made it hard for her to make friends. This got worse after her mother suffered a mental breakdown. On one occasion, when a boy tried to talk to her, his friend warned: 'Don't bother her. She's just like her mother...crazy'. Photograph from Marilyn Monroe: Private and Undisclosed, by Michelle Morgan, published by Constable & Robinson on September 13, at £30. It is available at the BooksFirst price of £27, including p&p. Tel: 0870 165 8585
3/
Norma Jeane outside the home of her much-loved foster mother Ana Lower. She moved here in September 1938. Photograph from Marilyn Monroe: Private and Undisclosed, by Michelle Morgan, ublished by Constable & Robinson on September 13, at £30. It is available at the BooksFirst price of £27, including p&p. Tel: 0870 165 8585
4/
Norma Jeane crouches beside a woman believed to be her foster mother Ana Lower, or 'Aunt Ana' as Norma Jeane called her, and who she once described as 'a wonderful human being'. Ana greatly encouraged Norma Jeane's acting career. Photograph from Marilyn Monroe: Private and Undisclosed, by Michelle Morgan, published by Constable & Robinson on September 13, at £30. It is available at the BooksFirst price of £27, including p&p. Tel: 0870 165 8585
5/
The Doughertys by the docks on Catalina Island. Jim, whom Norma Jeane had married in 1942, worked for the Maritime Service Training Station as a physical instructor. Marilyn once said of her marriage to him: 'Instead of going back into a boarding house or with another set of foster parents, I got married'. Photograph from Marilyn Monroe: Private and Undisclosed, by Michelle Morgan, published by Constable & Robinson on September 13, at £30. It is available at the BooksFirst price of £27, including p&p. Tel: 0870 165 8585
6/
Norma Jeane (second from left) and her colleagues from Radioplane, July 1944. Her job at the Radioplane company, taken when her husband left to serve in the second world war, was exhausting, involving spraying aeroplane parts with fire retardant. She was pleased when her career as a model meant she could leave. Photograph from Marilyn Monroe: Private and Undisclosed, by Michelle Morgan, published by Constable & Robinson on September 13, at £30. It is available at the BooksFirst price of £27, including p&p. Tel: 0870 165 8585
7/
Norma Jeane visits the penguins at the bird park on Catalina Island. Weekends there were often low-key, with days spent horse-riding, fishing or exploring. Photograph from Marilyn Monroe: Private and Undisclosed, by Michelle Morgan, published by Constable & Robinson on September 13, at £30. It is available at the BooksFirst price of £27, including p&p. Tel: 0870 165 8585

>> source: article sur TimesOnline accompagné du diaporama Picture Gallery

Posté par ginieland à 19:55 - - Commentaires [3] - Permalien [#]
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Photographe J.R. Eyerman

 Marilyn par J.R. Eyerman

J.R. Eyerman prit Marilyn Monroe en photographie de 1948 à 1953: un reportage photographique en novembre 1948 pour le magazine Life (séance en studio -pour "Love Happy"- et à ses cours de chant et d'art dramatique), au restaurant. L'année suivante, il la photographie en cours de danse. Puis en 1951, des prises de vues extérieures sur les collines d'Hollywood; enfin, sur le tournage de "La Rivière sans retour"-. Récapitulatif:


logo-JR_Eyerman-1948-11-love_happy

.1948, Novembre: Love Happy (La Pêche au Trésor) - portraits publicitaires en studio, Los Angeles.
.1948, November: Love Happy - studio publicity portraits, Los Angeles.
(> blog séance photos Novembre 1948 Love Happy par J.R Eyerman )


logo-JR_Eyerman-1948-11-lytess

.1948, Novembre: Marilyn et Natasha Lytess , sa coach - en cours d'art dramatique, Los Angeles.
.1948, November: Marilyn with Natasha Lytes , her drama coach - studying class drama, Los Angeles.
(> blog séance photos Novembre 1948 Marilyn et Natasha Lytess )


logo-JR_Eyerman-1948-11-mocambo

.1948, Novembre: Cours de chant pour Ladies of the Chorus (Les Reinesdu Music-Hall) - au Mocambo Club avec Phil Moore, Hollywood.
.1948, November: Singing and Voice Lessons for Ladies of the Chorus - at the Mocambo Club with Phil Moore, Hollywood.
(>
blog photos Novembre 1948 Pendant Ladies of the Chorus par Eyerman )


logo-JR_Eyerman-1948-gala

 .1948: Au restaurant (non daté) - probablement au restaurant des studios de Los Angeles.
.1948: At the restaurant (undated) - probably at the studios' restaurant in Los Angeles.
(>
blog photos 1948 Marilyn à une réception )


logo-JR_Eyerman-1949-02-11-dance

 .1949, le 11 février: Cours de danse , avec le professeur Nico Charisse, Los Angeles.
.1949, February, 11: Danse Class , with teacher Nico Charisse, Los Angeles.
(> blog photos 11/02/1949 Marilyn au cours de danse par J.R Eyerman )


logo-JR_Eyerman-1951-hollywood

.1950: Sur les collines d'Hollywood - des poses sexy en mini short, Los Angeles.
.1950: On the Hollywood Hills - sexy poses in mini shorts, Los Angeles.
(> blog photos 1950 Marilyn sur la baie d'Hollywood 1 )


logo-JR_Eyerman-1951-hollywood-2

 .1950: Sur les collines d'Hollywood - poses en chemisier , Los Angeles.
.1950, On the Hollywood Hills - blouse poses , Los Angeles.
(> blog photos 1950 Marilyn sur la baie d'Hollywood 2 )


logo-JR_Eyerman-1954-ronr

 .1953: River of no return (La Rivière sans retour)- photos de la scène où Marilyn (Kay) chante "River of no return" au saloon.
.1953: River of no return - photos of the scene where Marilyn (Kay) sings "River of no return" at the saloon.
(> blog photos Photos de River of no return 15 )


 >> blog posts tag J.R Eyerman


J.R Eyerman
(1906 - 1985)
photographe américain

JReyerman 

J.R Eyerman est né à Butte, dans le Montana (aux USA) le 9 octobre 1906. Ses parents étaient tous deux photographes. Il étudia l'ingénieurie à l'Université de Washington, faisant du design structurel et supervisa la construction de l'autoroute de Seattle avant d'établir sa propre firme d'ingénierie.
Il commenca à prendre des photos lors d'audiences à la cour de justice, puis enchaîna en s'occupant des architectures de théâtres, autant que de la photographie scènique que publicitaire.
En 1932, sa compagnie d'ingénieurie se changea en une compagnie de photographie illustrative. Sa première photo pour le magazine LIFE était pour une fête de 1938 du tramway de Tacoma. Dès lors, il rejoint l'équipe de photographes dans le bureau de la presse de San Fransisco en 1942, ses photos seront publiées dans une douzaine de publication du journal: ses sujets ont porté sur l'attribution de la côte Ouest incluant les plantations de guerre de Kaiser, puis publiées en Une ses photos sur l'aide des infirmiers et l'infanterie des Mountains. En 1943, Eyerman fut affecté sur la flotte atlantique, embarquant avec un convoi pour Casablanca, il couvra les opérations de la flotte pendant les campagnes de l'Afrique du Nord et de la Sicile, avec ses deux appareils photos. Il retourne rapidement au travail de reporter pendant le combat au Golf de Salerno. Après un bref retour aux USA, il repart en mars 1944 dans le Pacifique auprès de l'armée, couvrant la première attaque jamais alors photographiée, celle de Manille en novembre 1944. Puis il rejoigna la flotte d'Honolulu en mars 1945. Ses photographies de l'installation de Guam firent l'objet d'un reportage de 13 pages dans le LIFE du 2 juillet 1945.
Après la guerre, Eyerman travailla pour la presse de New York pendant deux ans, puis il rejoint le bureau de LIFE à Los Angeles en 1947.
Parallèlement, il photographiait les stars de cinéma sur leur lieux de tournage: James Stewart, Kim Novak, Gene Kelly, Walt Disney, Ava Gardner, Humphrey Bogart et Lauren Bacall...
Ses innovations techniques exceptionnelles ont été largement répandu dans les capacités photographiques. Pour photographier les tests de la bombe atomique dans le Nevada avant la guerre, il perfectionna un oeil mécanique électrique sur l'obturateur de neuf appareils pour capter l'instant où le crash du souffle se produit. Il fit lui même le design de ses appareils et équipements.
Il meurt le 7 décembre 1985 d'une insuffisance rénale et d'une insuffisance cardiaque chez lui à Santa Monica, en Californie.


>> sources:
Biographie sur Time
photos d'Eyerman sur Getty Images : recherche "j r eyerman"


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copyright text by GinieLand.

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Posté par ginieland à 17:48 - - Commentaires [1] - Permalien [#]
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