23 juin 2013

Décès de Kenneth

 Décès de Kenneth Battelle

Kenneth Battelle, coiffeur qui s'occupa de la chevelure de Marilyn, est décédé à New York le 12 mai 2013, à l'âge de 86 ans.
Dans les années 1950, il travailla dans le salon d'Helena Rubinstein à New York et parmi ses clientes, figuraient notamment Jacqueline Kennedy, Audrey Hepburn et Judy Garland. Il coiffa Marilyn à partir de 1958, jusqu'à sa mort, en 1962 (on lui doit la célèbre coiffure de Marilyn lors du gala d'anniversaire du Président Kennedy).

kenneth1 kenneth2 kenneth3


> source web:
la bio de Kenneth sur tarahanks.com

Posté par ginieland à 14:59 - - Commentaires [0] - Permalien [#]
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13/09/1954 Sur le tournage de The Seven Year Itch 15 - partie 1

Sept ans de réflexion
Sur le tournage - scène 15

Le 13 septembre 1954, Marilyn Monroe tourne ce qui sera la scène finale du film "Sept ans de réflexion", celle où elle est en peignoir dans l'appartement de Richard Sherman (Tom Ewell); et lui lance ses chaussures par la fenêtre. Il s'agit de la première scène tournée en extérieur, à New York, dans l'appartement situé au 164 East 61 Street. Près de 1000 personnes (des photographes, gens de la presse et beaucoup de passants et de fans), se sont amassés devant l'immeuble.

In September, 13, 1954, Marilyn Monroe shoots what will be the final scene of "The Seven Year Itch", the one where she is in a white robe in the apartment of Richard Sherman (Tom Ewell); and she throws his shoes from out the window. This is the first scene shot on location in New York, in an apartment located at 164 East 61 Street. Nearly 1,000 people (photographers, press people and a lot of shoppers and fans), were raised in front of the building.

> 1ère partie:
- Tournage de la scène
 
film_7yi_scene_robe_window_out_set_020_014_by_shaw_1   film_7yi_scene_robe_window_out_set_020_015_by_shaw_1
 film_7yi_scene_robe_window_out_set_020_013_by_shaw_1 syi_sc15_on_set_filming_010_1_in_1954_09_13 syi_sc15_on_set_filming_011_1 syi_sc15_on_set_filming_013_1
syi_sc15_on_set_filming_012_1 syi_sc15_on_set_filming_012_1a syi_sc15_on_set_filming_014_1

-Marilyn à la fenêtre
syi_sc15_on_set_window_020_1  syi_sc_window 
syi_sc15_on_set_window_020_2 syi_sc15_on_set_window_010_1
 
syi_sc15_on_set_window_051_1 syi_sc15_on_set_window_021_1 syi_sc15_on_set_window_022_1
syi_sc15_on_set_window_023_1 syi_sc15_on_set_window_024_1
syi_sc15_on_set_window_031_1  
syi_sc15_on_set_window_030_1  syi_sc15_on_set_window_050_1 
 syi_sc15_on_set_window_040_1
film-7yi-window syi_sc15_on_set_window_041_1
 syi_sc15_on_set_window_050_2a syi_sc15_on_set_window_050_2b syi_sc15_on_set_window_050_2c 
syi_sc15_on_set_window_052_1 syi_sc15_on_set_window_052_2 

> photographies de George Barris
syi_sc15_on_set_window_by_barris_010_1 syi_sc15_on_set_window_by_barris_010_2 
syi_sc15_on_set_window_by_barris_011_1 syi_sc15_on_set_window_by_barris_011_2 syi_sc15_on_set_window_by_barris_011_2a
syi_sc15_on_set_window_by_barris_011_3 syi_sc15_on_set_window_by_barris_011_3a
syi_sc15_on_set_window_by_sam_shaw_serie1_013_1 syi_sc15_on_set_window_by_sam_shaw_serie1_013_2
syi_sc15_on_set_window_by_barris_012_1 syi_sc15_on_set_window_by_barris_012_1a syi_sc15_on_set_window_by_barris_013_1
syi_sc15_on_set_window_by_barris_020_1 syi_sc15_on_set_window_by_barris_020_2 syi_sc15_on_set_window_by_barris_020_3
syi_sc15_on_set_window_by_barris_020_4 syi_sc15_on_set_window_by_barris_020_5
syi_sc15_on_set_window_by_barris_020_6 syi_sc15_on_set_window_by_barris_020_7 
syi_sc15_on_set_window_by_barris_021_1 syi_sc15_on_set_window_by_barris_021_2 syi_sc15_on_set_window_by_barris_021_3

> photographies de Bob Henriques
syi_sc15_on_set_window_by_bob_henriques_1_1 syi_sc15_on_set_window_by_bob_henriques_1_2 syi_sc15_on_set_window_by_bob_henriques_1_3

> photographies de Garry Winogrand 
syi_sc15_on_set_window_by_gary_winogrand_1  
syi_sc15_on_set_window_by_gary_winogrand_2  

> photographies de Myron Ehrenberg
film-7yi-by_MYRON_EHRENBERG_SEVEN_YEAR_ITCH176 

> photographies de Milton H. Greene
syi_sc15_on_set_window_by_mhg_020_1  
syi_sc15_on_set_window_by_mhg_010_1

> photographie de Sam Schulman
syi_sc15_on_set_window_by_sam_schulman_1 

 > photographies de Sam Shaw  
syi_sc15_on_set_window_by_sam_shaw_serie1_010_1 syi_sc15_on_set_window_by_sam_shaw_serie1_010_2 syi_sc15_on_set_window_by_sam_shaw_serie1_010_3
syi_sc15_on_set_window_by_sam_shaw_serie1_011_1 syi_sc15_on_set_window_by_sam_shaw_serie1_012_1 syi_sc15_on_set_window_by_sam_shaw_serie1_012_2

syi_sc15_on_set_window_by_sam_shaw_serie1_011_1a syi_sc15_on_set_window_by_sam_shaw_serie1_014_1a
film_7yi_scene_robe_window_out_set_031_010_by_shaw_1 syi_sc15_on_set_window_by_sam_shaw_serie1_017_1a
syi_sc15_on_set_window_by_sam_shaw_serie1_014_1 syi_sc15_on_set_window_by_sam_shaw_serie1_015_1 syi_sc15_on_set_window_by_sam_shaw_serie1_016_1
syi_sc15_on_set_window_by_sam_shaw_serie1_018_1 syi_sc15_on_set_window_by_sam_shaw_serie1_018_1a syi_sc15_on_set_window_by_sam_shaw_serie4_010_1  
syi_sc15_on_set_window_by_sam_shaw_serie2_010_1 syi_sc15_on_set_window_by_sam_shaw_serie2_010_1a syi_sc15_on_set_window_by_sam_shaw_serie2_011_1
syi_sc15_on_set_window_by_sam_shaw_serie2_012_1 syi_sc15_on_set_window_by_sam_shaw_serie3_010_1 syi_sc15_on_set_window_by_sam_shaw_serie3_010_1a

> photographie de Walter Jacobsen 
syi_sc15_on_set_window_by_walter_jacobsen_1 

> photographie de Elliott Erwitt
by_elliott_erwitt-MARILYN-MONROE-NEW-YORK-1956-2-BHC0340 

 


 > planche contact
syi_sc15_set_contact_sevenyear13 


> dans la presse
syi_sc15_on_set_window_mag_danois_norma_ray_04 


> captures
syi_sc15_set_cap_01 syi_sc15_set_cap_02 syi_sc15_set_cap_03
syi_sc15_set_cap_04 syi_sc15_set_cap_05 syi_sc15_set_cap_06
syi_sc15_set_cap_07 syi_sc15_set_cap_08 syi_sc15_set_cap_09
syi_sc15_set_cap_10 syi_sc15_set_cap_11 syi_sc15_set_cap_12
syi_sc15_set_cap_13 syi_sc15_set_cap_14 syi_sc15_set_cap_15
syi_sc15_set_cap_from_the_legend_of_MM_01 syi_sc15_set_cap_from_the_legend_of_MM_02 syi_sc15_set_cap_from_the_legend_of_MM_03
syi_sc15_set_cap_from_the_legend_of_MM_04 syi_sc15_set_cap_from_the_legend_of_MM_05 syi_sc15_set_cap_from_the_legend_of_MM_06
syi_sc15_set_cap_from_marilyn_in_manhattan_01 syi_sc15_set_cap_from_marilyn_in_manhattan_02 syi_sc15_set_cap_from_marilyn_in_manhattan_03
syi_sc15_set_cap_from_marilyn_in_manhattan_04 syi_sc15_set_cap_from_marilyn_in_manhattan_05 syi_sc15_set_cap_from_marilyn_in_manhattan_06
syi_sc15_set_cap_from_marilyn_in_manhattan_07 syi_sc15_set_cap_from_marilyn_in_manhattan_08 syi_sc15_set_cap_from_marilyn_in_manhattan_09
syi_sc15_set_cap_from_the_legend_of_MM_07 syi_sc15_set_cap_from_the_legend_of_MM_08 syi_sc15_set_cap_from_the_legend_of_MM_09 

1954-09-13-ny-tsyi-set-cap_by_jules_schulback-02-1 1954-09-13-ny-tsyi-set-cap_by_jules_schulback-02-2 1954-09-13-ny-tsyi-set-cap_by_jules_schulback-02-3 
1954-09-13-ny-tsyi-set-cap_by_jules_schulback-02-4 1954-09-13-ny-tsyi-set-cap_by_jules_schulback-02-5 1954-09-13-ny-tsyi-set-cap_by_jules_schulback-02-6 


> video

> video (color footage in Kodachrome by Jules Schulback)


> source captures:
Documentaires "The Legend of Marilyn Monroe", "Marilyn in Manhattan".


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copyright text by GinieLand.

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