12 août 2013

Sur le tournage de The Seven Year Itch 10 - partie 1

Sept ans de réflexion
Sur le tournage - scène 10

Tournage de la scène de Marilyn Monroe en nuisette dans l'appartement situé au 164 East 61 Street, à Manhattan, New York.

Filming the scene of Marilyn Monroe in white gown in the apartment located at 164 East 61 Street, Manhattan, New York City.

> 1ère partie:
- Tournage de la scène
film_7yi_scene_nightie_window_out_set_020_010_by_shaw_1 film_7yi_scene_nightie_window_out_set_020_011_by_shaw_1 film_7yi_scene_nightie_window_out_set_020_012_by_shaw_1 film_7yi_scene_nightie_window_out_set_020_013_by_shaw_1 
1954_syi_2 1954_syi_2a

> photographies de Sam Shaw
syi_sc10_on_set_010_1_by_sam_shaw_1 syi_sc10_on_set_010_1_by_sam_shaw_1a syi_sc10_on_set_010_1_by_sam_shaw_1b
syi_sc10_on_set_010_2_by_sam_shaw_1 syi_sc10_on_set_010_3_by_sam_shaw_1


- Marilyn à la fenêtre
syi_sc10_on_set_011_1 syi_sc10_on_set_012_1a 
syi_sc10_on_set_011_2 syi_sc10_on_set_012_1 syi_sc10_on_set_030_1

> photographie de Garry Winogrand
syi_sc10_on_set_by_garry_winogrand_1  

> photographies de Sam Shaw
syi_sc10_on_set_011_3_by_shaw_1 syi_sc10_on_set_013_1_by_sam_shaw_1 syi_sc10_on_set_013_1_by_sam_shaw_1b 
syi_sc10_on_set_020_1_by_sam_shaw_1 syi_sc10_on_set_020_1_by_sam_shaw_1a syi_sc10_on_set_020_1_by_sam_shaw_1b syi_sc10_on_set_020_1_by_sam_shaw_1c
syi_sc10_on_set_031_1_by_shaw_1 syi_sc10_on_set_031_1_by_shaw_1a syi_sc10_on_set_031_2_by_shaw_1  
syi_sc10_on_set_031_3_by_shaw_1 syi_sc10_on_set_031_4_by_shaw_1  

> photographies de Nick de Morgoli
syi_sc10_on_set_by_nick_de_morgoli_010_1 syi_sc10_on_set_by_nick_de_morgoli_010_2 syi_sc10_on_set_by_nick_de_morgoli_010_3
syi_sc10_on_set_by_nick_de_morgoli_010_4 syi_sc10_on_set_by_nick_de_morgoli_010_5 syi_sc10_on_set_by_nick_de_morgoli_010_6

> photographies de Bob Henriques
film_7yi_scene_nightie_window_out_set_010_013_by_shaw_1 film_7yi_scene_nightie_window_out_set_010_039_by_shaw_1
film_7yi_scene_nightie_window_out_set_010_010_by_shaw_1 syi_sc10_on_set_by_bob_henriques_1 film_7yi_scene_nightie_window_out_set_010_011_by_shaw_1 film_7yi_scene_nightie_window_out_set_010_012_by_shaw_1
film_7yi_scene_nightie_window_out_set_010_014_by_shaw_1 film_7yi_scene_nightie_window_out_set_010_027_by_shaw_1 film_7yi_scene_nightie_window_out_set_010_028_by_shaw_1 film_7yi_scene_nightie_window_out_set_010_029_by_shaw_1
film_7yi_scene_nightie_window_out_set_010_030_by_shaw_1 film_7yi_scene_nightie_window_out_set_010_015_by_shaw_1 film_7yi_scene_nightie_window_out_set_010_016_by_shaw_1 film_7yi_scene_nightie_window_out_set_010_017_by_shaw_1
film_7yi_scene_nightie_window_out_set_010_018_by_shaw_1 film_7yi_scene_nightie_window_out_set_010_019_by_shaw_1 film_7yi_scene_nightie_window_out_set_010_020_by_shaw_1 film_7yi_scene_nightie_window_out_set_010_021_by_shaw_1
film_7yi_scene_nightie_window_out_set_010_022_by_shaw_1 film_7yi_scene_nightie_window_out_set_010_023_by_shaw_1 film_7yi_scene_nightie_window_out_set_010_024_by_shaw_1 film_7yi_scene_nightie_window_out_set_010_025_by_shaw_1
film_7yi_scene_nightie_window_out_set_010_026_by_shaw_1 syi_sc10_on_set_by_bob_henriques_2 syi_sc10_on_set_by_bob_henriques_2a syi_sc10_on_set_by_bob_henriques_3
film_7yi_scene_nightie_window_out_set_010_031_by_shaw_1 film_7yi_scene_nightie_window_out_set_010_032_by_shaw_1 film_7yi_scene_nightie_window_out_set_010_033_by_shaw_1 syi_sc10_on_set_by_bob_henriques_4
film_7yi_scene_nightie_window_out_set_010_034_by_shaw_1 film_7yi_scene_nightie_window_out_set_010_035_by_shaw_1 film_7yi_scene_nightie_window_out_set_010_036_by_shaw_1 film_7yi_scene_nightie_window_out_set_010_037_by_shaw_1
film_7yi_scene_nightie_window_out_set_010_038_by_shaw_1 film_7yi_scene_nightie_window_out_set_010_040_by_shaw_1 film_7yi_scene_nightie_window_out_set_010_041_by_shaw_1 
film_7yi_scene_nightie_window_out_set_010_042_by_shaw_1 film_7yi_scene_nightie_window_out_set_010_043_by_shaw_1  syi_sc10_on_set_by_bob_henriques_various_1 syi_sc10_on_set_by_bob_henriques_various_2 
syi_sc10_on_set_by_bob_henriques_contact_1954_09_13_a1 syi_sc10_on_set_by_bob_henriques_contact_1954_09_13_a2 syi_sc10_on_set_by_bob_henriques_contact_1954_09_13_c
syi_sc10_on_set_by_bob_henriques_contact_1954_09_13_b


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