07/06/1951, Los Angeles - Fête d'anniversaire au Cocoanut Grove
Le 7 juin 1951 Marilyn Monroe fait partie des invités à la soirée d'anniversaire de Lester Cown (homme d'affaires, dont le beau père J. Myer Schine, était le propriétaire de l'hôtel Ambassador) au club de l'hôtel Ambassador, le Cocoanut Grove.
Marilyn a emprunté sa tenue aux studios de la Fox, une robe en satin noir de la costumière Renié, qu'elle porte dans le film Rendez-moi ma femme.
On June 7, 1951 Marilyn Monroe is one of the guests at the birthday party of Lester Cown (businessman, whose father-in-law, J. Myer Schine, was the owner of the Ambassador hotel) at the hotel club Ambassador, the Cocoanut Grove.
Marilyn borrowed her outfit from the Fox studios, a black satin dress by costume designer Renié, which she wears in the film "As young as you feel"
Marilyn est à la table de Lester Crown, avec l'avocat des célébrités Greg Bautzer, l'actrice Ginger Rogers, et l'ancien patron de la Fox Joseph M Schenck.
Marilyn is at Lester Crown's table, with celebrity lawyer Greg Bautzer, actress Ginger Rogers, and former Fox boss Joseph M Schenck.
> Source Web
article "Happy 90th Birthday, Lester Crown" sur Chicago Business
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copyright text by GinieLand.
21/02/1951, Beverly Hills Hotel - LOOK Awards
C'est dans le salon Rodeo du Beverly Hills Hotel, le 21 février 1951, que se tient la cérémonie des prix du magazine américain Look qui récompense l'industrie cinématographique américaine. Et c'est en tant que représentante des studios de la Twentieth Century Fox que Marilyn Monroe participe à cette soirée et accepte le prix d'excellence de l'industrie cinématographique décerné à à Darryl Zanuck qui n'est pas présent.
Marilyn porte le robe en satin noir (création de la styliste Renié) du film Rendez-moi ma femme.
It is in the Rodeo room of the Beverly Hills Hotel, on February 21, 1951, that the awards ceremony of the American magazine Look, which rewards the American film industry, is held. And it is as a representative of the Twentieth Century Fox studios that Marilyn Monroe participates in this event and accepts the all industry achievement award given to Darryl Zanuck who is not present.
Marilyn wears the black satin dress (creation of the stylist Renié) from the film As young as you feel.
- photographie de presse de Phil Burchman -
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copyright text by GinieLand.
14/06/1951, Los Angeles, Studios de la Fox - Essais pour "Let's Make It Legal"
Le 14 juin 1951, Marilyn Monroe et Robert Wagner jouent une scène en essai pour le film "Chérie, divorçons" dans les studios de la 20th Century Fox. Si les deux acteurs jouent tous les deux dans le film, ils ne partagent aucune scène ensemble dans le montage final.
Robert Wagner racontera dans son livre autobiographique "Pieces of my heart" publié en 2009: "Au début de ma carrière, à la Fox, j'étais impatient d'expirer et je suis devenu connu comme le "gars des essais". C'est-à-dire que je jouerais le rôle principal masculin face à n'importe quelle actrice testée pour un contrat potentiel. J'ai fait des essais avec Marilyn deux fois : une fois, lorsqu'elle a obtenu son premier contrat avec la Fox, et une autre fois en 1951, lorsque nous avons partagé la vedette dans Let's Make it Legal. Marilyn et moi n'avions pas de scènes réelles ensemble dans le film final, mais pendant notre test, elle semblait légèrement nerveuse."
L'une des photographies est publiées dans le magazine Look du 23 octobre 1951, sous le crédit du photographe Earl Theisen.
On June 14, 1951, Marilyn Monroe and Robert Wagner play a test screen scene for the film "Let's Make It Legal" in the 20th Century Fox Studios. While the two actors both star in the film, they do not share any scenes together in the final cut.
Robert Wagner will tell in his autobiographical book "Pieces of my heart" published in 2009: "Early in my time, at Fox I was eager for expire and became known as the "test boy". That is, I would play the male lead opposite any actress being screen-tested for a potential contract. I tested with Marilyn twice: once, when she first got her contract at Fox, and another time in 1951, when we co-starred in Let's Make it Legal. Marilyn and I had no actual scenes together in the final film, but durong our test, she seemed slightly nervous."
One of the photographs is published in Look magazine in October 23, 1951, with the credit of photographer Earl Theisen.
- Dans la presse -
1 - photographie de Look, 23/10/1951 - USA
- magazine Look 23/10/1951 -
2 -photographie de Filmland, 04/1952 - USA
- magazine Filmland 04/1952 - 
Marilyn reçoit des 100aines de lettres de fans.
Marilyn receives circa 100 fans mails.
- - - - Dans la presse - - - -
1 - photographie de Look, 23/10/1951 - USA
2 -photographie de Filmland, 04/1952 - USA
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copyright text by GinieLand.
16/06/1951, Long Beach, retour du USS Manchester
Le 16 juin 1951, le navire USS Manchester est de retour aux USA, à Long Beach, en Californie, après avoir passé près d'un an de service au combat dans la guerre de Corée. Quatorze stars d'Hollywood, des acteurs et actrices, sont présents pour saluer l'équipage et leur offrir un spectacle. Parmi les actrices figurent Dorothy Lamour, Virginia Field, Marilyn Monroe, Helena Carter, Carole Morton, Monica Lewis et Joyce Mackenzie.
On June, 16, 1951, the USS Manchester is back in USA and arrives in Long Beach, California after nearly a year on combat duty in the Korean War. Fourteen Hollywood actors and actresses are on hand to greet the returning officers and men and perform a show for crew members of the navy. Among the actresses, there are Dorothy Lamour, Virginia Field, Marilyn Monroe, Helena Carter, Carole Morton and Joyce Mackenzie.
> L'arrivée du USS Manchester et le public
The arrival of USS Manchester and the audience
> Salutations des actrices
Greetings of the actresses
Marjorie Reynolds, Margaret Sheridan (front row, third from left),
Lisa Ferreday, Marion Marshall, John and Bobbie Sutton,
Patricia and Arthur Lake, Charles Irwin, Alan Mowbray, Marion Davies,
Dorothy Lamour (front row, fifth from right),
Virginia Field (second row, behind Lamour, partly obscured),
Marilyn Monroe (front row, fourth from right),
Helena Carter (front row, third from right),
Carole Morton (front row, second from right),
and Joyce MacKenzie (front row, right):
Dorothy Lamour, Virginia Field, Marilyn Monroe,
Helena Carter, Carole Morton, and Joyce Mackenzie:
> Le spectacle
The show
> Monica Lewis
(Marilyn est assise derrière)
(Marilyn is sat in the background) 
> Dorothy Lamour 
(Marilyn est derrière, à droite)
(Marilyn is in the background, at right) 
> La fête
The party
> Monica Lewis 
> Monica Lewis et le capitaine Lewis S. Parks
> Dorothy Lamour et le capitaine Lewis S. Parks 
> Monica Lewis et la chanteuse Jane Wyman (à l'extrême gauche)
Monica Lewis and singer Jane Wyman (far left) 
> source images trumanlibrary.org
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copyright text by GinieLand.
15/06/1951 - Marilyn élue "girl we should most like to get a bear hug from"
Le 31ème régiment des "Ours Polaires" en Corée ont élu Marilyn Monroe "La fille avec qui nous aimerions le plus faire un câlin d'ours", devancant Corinne Calvet et Mitzi Gaynor.
The 31st "Polar Bear" Regiment in Korea elected Marilyn Monroe "girl we should most like to get a bear hug from", ahead of Corinne Calvet and Mitzi Gaynor.
Presse: article du "The Pacific Stars And Stripes" du 30 juin 1951
Miss Monroe Still 31st Girl
SOMEWHERE IN KOREA
(Pac. S&S)—-Beauty judges of the 31st "Polar Bear" Regiment are beginning to doubt their choice of feminine pulchritude.
They selected beautiful Marilyn Monroe as the "girl we should most like to get a bear hug from." She outpointed curvacious Corinne Calvet and Mitzi Gaynor for the title.
The day after the selection, a GI in the regiment received a photograph from a Los Angeles paper covering the return of the USS Manchester from Korean waters. Smack in the middle of the picture was Marilyn Monroe—with three sailors. The trio and Marilyn were engaged in —a bear hug. The bosomy screen star is still number one "Polar Bear," but the boys hope she confines her hugging in the future to the regiment and lets the Navy find their own pin-ups.
> source presse: forum everlasting star
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copyright text by GinieLand.
1951 - RKO Studios
Instantané de Marilyn Monroe aux studios de la RKO, vers 1951
Snapshot of Marilyn Monroe at RKO Studios, circa 1951
- de la collection de Frieda Hull, une fan des Monroe Six
-from the personal collection of Frieda Hull, one of the 'Monroe Six'
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copyright text by GinieLand.
03/12/1951, Tests Costumes pour Don't Bother To Knock
Le 3 décembre 1951, Marilyn Monroe pose pour des 'tests' costumes pour le film Don't Bother To Knock. Le costumier est William Travilla.
On December, 3, 1951, Marilyn Monroe poses for wardrobe 'tests' for the movie Don't Bother To Knock. The designer is William Travilla.
© All images are copyright and protected by their respective owners, assignees or others.
copyright text by GinieLand.
06/12/1951, Tests Costumes et Maquillage pour Don't Bother To Knock
Le 6 décembre 1951, Marilyn Monroe pose pour des 'tests' costumes et maquillage pour le film Don't Bother To Knock. Le costumier est William Travilla.
On December, 6, 1951, Marilyn Monroe poses for wardrobe and makeup 'tests' for the movie Don't Bother To Knock. The designer is William Travilla.
© All images are copyright and protected by their respective owners, assignees or others.
copyright text by GinieLand.
05/04/1951, Tests Costumes pour Love Nest
Le 5 avril 1951, Marilyn Monroe pose pour des 'tests' costumes pour le film Love Nest. La costumière est Renié.
On April, 05, 1951, Marilyn Monroe poses for wardrobe 'tests' for the movie Love Nest. The designer is Renié.
- vêtements / wardrobes - 
- blouses - 
- chapeaux / hats - 
© All images are copyright and protected by their respective owners, assignees or others.
copyright text by GinieLand.
12/04/1951, Tests Costumes et Chapeaux pour Love Nest
Le 12 avril 1951, Marilyn Monroe pose pour des 'tests' costumes et chapeaux pour le film Love Nest. La costumière est Renié.
On April, 12, 1951, Marilyn Monroe poses for wardrobe and hat 'tests' for the movie Love Nest. The designer is Renié.
© All images are copyright and protected by their respective owners, assignees or others.
copyright text by GinieLand.
