05 mars 2012

Photos de How to marry... scène 2

 Comment épouser un millionnaire
  
Photos scène 2

Pola (Marilyn Monroe) et Schatze (Lauren Bacall).

sc02_htm_film_01_1 film_htm_6497_0009 sc02_htm_film_02_1c
sc02_htm_film_02_2 sc02_htm_film_02_1 sc02_htm_film_03_1 
film_htm_1 sc02_htm_film_03_1a sc02_htm_film_03_3 sc02_htm_film_03_2

Sur le tournage de How to Marry scène 2

 Comment épouser un millionnaire
S
ur l
e tournage - scène 2


Photographies de Jean Howard

> Jean Negulesco (le réalisateur / the director) & Marilyn Monroe
htm-sc02-set-by_jean_howard-various-with_negulesco-1 

> Jean Negulesco (le réalisateur / the director),
Marilyn Monroe, Lauren Bacall & Betty Grable
htm_sc02_set_1 

htm-sc02-set-by_jean_howard-various-with_negulesco-2 

> William Powell, Marilyn Monroe & Lauren Bacall
htm-sc02-set-by_jean_howard-various-with_william_powell-1 
htm-sc02-set-by_jean_howard-various-with_william_powell-2 
htm-sc02-set-by_jean_howard-various-with_william_powell-3 
htm-sc02-set-by_jean_howard-various-with_william_powell-4 


© All images are copyright and protected by their respective owners, assignees or others.
copyright text by GinieLand.
 

03 mars 2012

Photos de How to marry... scène 3

 Comment épouser un millionnaire
  
Photos scène 3

Pola, Schatze et Loco au restaurant.

sc03_htm_film_01_1 sc03_htm_film_02_1 sc03_htm_film_03_1
sc03_htm_film_04_1 
film-htm-mirror sc03_htm_film_05_2 sc03_htm_film_05_1 
sc03_htm_film_05_3a sc03_htm_film_05_3b sc03_htm_film_05_3c sc03_htm_film_05_3d
Betty_grable_Millionaire sc03_htm_film_06_2 film_htm_bacall

Sur le tournage de How to Marry scène 3

Comment épouser un millionnaire
S
ur l
e tournage - scène 3

> Marilyn avec Alex D'Arcy et sa femme Arleen Whelan
sc03_htm_film_set_MM_with_alex_darcy_wife_arleen_whelan_1

  > Marilyn et Irene Crosby (sa doublure, à gauche)
sc03_htm_set_MM_with_irene_crosby_doublure_mm_1  

   > Marilyn et un homme non identifié
sc03_htm_set_MM_with_man_1

01 mars 2012

1953, Portraits Publicitaires pour "How to marry a Millionaire" - scène 3

Comment épouser un millionnaire
Photos Publicitaires  

Scène 3


 Portraits de Marilyn Monroe
Photographies de John Florea

Portraits of Marilyn Monroe 
 Photographs by John Florea

1953-06-COLLIERS_sitting-dress_htmam-sc_03-010-1  1953-06-COLLIERS_sitting-dress_htmam-sc_03-010-2  1953-06-COLLIERS_sitting-dress_htmam-sc_03-011-1 
1953-06-COLLIERS_sitting-dress_htmam-sc_03-020-1-by_florea-1a  
1953-06-COLLIERS_sitting-dress_htmam-sc_03-020-1-by_florea-1  1953-06-COLLIERS_sitting-dress_htmam-sc_03-020-2-by_florea-1  1953-06-COLLIERS_sitting-dress_htmam-sc_03-020-3-by_florea-1 
1953-06-COLLIERS_sitting-dress_htmam-sc_03-020-4-by_florea-1  1953-06-COLLIERS_sitting-dress_htmam-sc_03-030-1  1953-06-COLLIERS_sitting-dress_htmam-sc_03-040-2b 
1953-06-COLLIERS_sitting-dress_htmam-sc_03-040-1  1953-06-COLLIERS_sitting-dress_htmam-sc_03-040-3  1953-06-COLLIERS_sitting-dress_htmam-sc_03-040-2 
1953-06-COLLIERS_sitting-dress_htmam-sc_03-040-2a  1953-06-COLLIERS_sitting-dress_htmam-sc_03-041-1  1953-06-COLLIERS_sitting-dress_htmam-sc_03-041-2 
1953-06-COLLIERS_sitting-dress_htmam-sc_03-050-1  1953-06-COLLIERS_sitting-dress_htmam-sc_03-050-1b  1953-06-COLLIERS_sitting-dress_htmam-sc_03-050-2 
1953-06-COLLIERS_sitting-dress_htmam-sc_03-050-1c  
1953-06-COLLIERS_sitting-dress_htmam-sc_03-060-1  1953-06-COLLIERS_sitting-dress_htmam-sc_03-060-3-GF  1953-06-COLLIERS_sitting-dress_htmam-sc_03-060-2 


- En coulisses: le photographe Gene Trindl dirige Marilyn -
- Behind the scenes: photographer Gene Trindl directs Marilyn -

1953-06-COLLIERS_sitting-dress_htmam-sc_03-set-with_trindl-010-1-by_florea-1a 
1953-06-COLLIERS_sitting-dress_htmam-sc_03-set-with_trindl-010-1-by_florea-1  1953-06-COLLIERS_sitting-dress_htmam-sc_03-set-with_trindl-010-1-by_florea-1b 
1953-06-COLLIERS_sitting-dress_htmam-sc_03-set-with_trindl-020-1-by_florea-1 
1953-06-COLLIERS_sitting-dress_htmam-sc_03-set-with_trindl-020-2-by_florea-1  1953-06-COLLIERS_sitting-dress_htmam-sc_03-set-with_trindl-020-2-by_florea-1a 


- credit photographe -

1953-06-COLLIERS_sitting-dress_htmam-sc_03-020-1-by_florea-1b1  1953-06-COLLIERS_sitting-dress_htmam-sc_03-020-1-by_florea-1b2 


  - colorisations -

sc03_htm_st_by_john_florea_010_1c  sc03_htm_st_by_john_florea_012_3 


 - Magazines -

Movies, 06/1954 - USA
Movieland's, 1954 - USA

1953-06-COLLIERS_sitting-dress_htmam-sc_03-mag-1954-06-movies-usa-1  1953-06-COLLIERS_sitting-dress_htmam-sc_03-mag-1954-movieland-usa 

Mon Film, 01/12/1954 - dos couverture - FRANCE
Cinema, 1954 - CUBA
1953-06-COLLIERS_sitting-dress_htmam-sc_03-mag-1954-12-01-mon_film-france-back_cover  
1954-cinema-cuba 

Liberty, 07/1955 - CANADA
Tempo, 04/11/1958 - ITALIE
Gaceta Ilustrada , 02/1971 - ESPAGNE

1953-06-COLLIERS_sitting-dress_htmam-sc_03-mag-1955-07-Liberty-canada  1953-06-COLLIERS_sitting-dress_htmam-sc_03-mag-1958-11-04-italie  1953-06-COLLIERS_sitting-dress_htmam-sc_03-mag-1971-02-gaceta-espagne 

titre et année inconnus ?  - JAPON
1953-06-COLLIERS_sitting-dress_htmam-sc_03-mag-japon 


  Portraits de Marilyn Monroe
Photographies de Sam Shaw

Portraits of Marilyn Monroe 
 Photographs by Sam Shaw

 sc03_htm_st_by_sam_shaw_010_1 ph_shaw_Htm40 sc03_htm_st_by_sam_shaw_011_1 


 - Magazines -

 Movieland, 11/1954 - USA

sc03_htm_st_by_sam_shaw_011_mag_movieland_1954 


  Portrait de Lauren Bacall

lauren_BacallMillionaire 


© All images are copyright and protected by their respective owners, assignees or others.
copyright text by GinieLand.

Pendant How to Marry... par Frank Worth

 Comment épouser un millionnaire
S
ur l
e tournage - scène 3

Marilyn Monroe sur le tournage du film How to Marry a Millionaire (Comment épouser un millionaire) en mars 1953; dans les coulisses et loges du plateau avec sa coiffeuse Gladys Rasmussen, et les actrices Lauren Bacall et Betty Grable. Photographies prises par  Frank Worth.
Marilyn Monroe on the shooting of the movie How to Marry a Millionaire in March 1953; behind the scenes and dressing-room with her hairdresser Gladys Rasmussen and actresses Lauren Bacall and Betty Grable. Photographs taken by Frank Worth.

1953_HTMAM_publicity_on_set_011_010_by_frank_worth_2 
sc03_set_For_My_Friends__Frank_Worth__Marilyn_candid_on_the_set_of_HTMaM 1953_HTMAM_publicity_on_set_012_010_by_frank_worth_11953_HTMAM_publicity_on_set_011_010_by_frank_worth_1
1953_HTMAM_publicity_on_set_010_010_by_frank_worth_2a sc03_set_HTMAM_7 sc03_MarilynMonroe_HowToMarryAMillionairePhotoshoots_7_1953_03   
1953_HTMAM_publicity_on_set_012_020_by_frank_worth_1 1953_HTMAM_publicity_on_set_013_010_by_frank_worth_1 1953_HTMAM_publicity_on_set_013_020_by_frank_worth_1
1953_HTMAM_publicity_on_set_013_030_by_frank_worth_2 sc03_set_MarilynMonroe_HowToMarryAMillionairePhotoshoots_7_1953_01 ph_frankworth
ph_frankworth2 1953_HTMAM_publicity_on_set_013_030_by_frank_worth_1 1953_HTMAM_publicity_on_set_013_020_by_frank_worth_3 


Le photographe Frank Worth, qui travaille en free-lance, se trouve à cette période sous contrat avec la 20th Century Fox, et il travaille aussi pour mettre en scène les véhicules Singer. Pendant le tournage de Comment épouser un millionaire, dans les studios de la Fox, il photographie Donald O'Connor et Debbie Reynolds sur le parking.
Frank Worth, who works as a freelance photographer, is on that time, on contract with 20th Century Fox, and he has also the job to shoot Singer cars. During the shooting of How to marry a millionaire, in the parking lot of Fox studios, he photographs Donald O'Connor and Debbie Reynolds.

1953_HTMAM_publicity_on_set_030_OConnor_Reynolds_by_frank_worth_1 

Il a besoin d'une image plus iconique et glamour destinée à faire la couverture du magazine Motor World (édition du 19 juin 1953) pour mettre en scène la voiture Singer roadster. Il convie Sammy Davis Jr. (qui en plus d'être acteur, chanteur, danseur et musicien, s'intéresse à la photographie en collectionnant les appareils photos et pratiquant la photographie en amateur). Sammy vient accompagner d'Arthur Silbert, son meilleur ami et associé. Et ils posent ensemble avec Marilyn Monroe devant la voiture.
Arthur Silbert racontera: "N'ayant normalement rien à faire la journée car nous travaillons la nuit dans toutes les boîtes de nuit à travers le pays, c'était dans notre habitude de passer pas mal de temps dans les studios à rendre visite à des amis."
He needs a more iconic and glamorous image to make the cover of Motor World (published in June, 19) magazine to emphasis on the roadster Singer car. He invites Sammy Davis Jr. (who, besides being an actor, singer, dancer and musician, is interested in photography by collecting cameras and practicing amateur photography). Sammy comes with Arthur Silbert, his best friend and business partner. And they pose together with Marilyn Monroe in front of the car.
Arthur Silbert later tell: "Normally having nothing to do during the day as we worked at night in all-night clubs around the country, it was our practise to spend a lot of time hanging out at the studios visiting friends."

lot128386 1953_HTMAM_publicity_on_set_027_020_by_frank_worth_1   

Sur l'une des photographies, Marilyn dédicace une photo d'elle à Arthur Silbert: "To Art, Love and kisses, Marilyn Monroe".
Arthur Silbert expliquera: "Après la courte séance photo, le photographe a pris une photo de nous trois devant la voiture. Sammy et moi avions eu chacun une photographie de Marilyn et nous lui avons demandé de nous la dédicacer."
On one of the photographs, Marilyn signs a photo of her to Arthur Silbert: "To Art, Love and kisses, Marilyn Monroe".
Arthur Silbert will explain: "After the brief shoot, the photographer took a picture of all three us standind and sitting on and around the car. Sammy and I each had been given a pictures of Marilyn and we asked her to autograph the for us."

1953-03-by_frank_worth 
1953-03-by_frank_worth-autograph 


Frank Worth photographie Marilyn, qui se fait photographiée par Sammy Davis Jr.
Frank Worth takes this photograph of Marilyn, being shot by Sammy Davis Jr.

1953_HTMAM_publicity_on_set_020_020_by_frank_worth_1 


Les photographies en noir et blanc sont de Frank Worth
The black and white photographs are by Frank Worth 
 1953_HTMAM_publicity_on_set_025_010_by_frank_worth_1 1953_HTMAM_publicity_on_set_025_010_by_frank_worth_2 1953_HTMAM_publicity_on_set_025_020_by_frank_worth_1 
1953_HTMAM_publicity_on_set_026_010_by_frank_worth_1 ph_worth_monroeoncarsmall_282441gm_e
1953_HTMAM_publicity_on_set_026_010_by_frank_worth_2 
1953_HTMAM_publicity_on_set_026_020_by_frank_worth_1 1953_HTMAM_publicity_on_set_023_010_by_frank_worth_1 1953_HTMAM_publicity_on_set_023_020_by_frank_worth_1 
1953_HTMAM_publicity_on_set_024_010_by_frank_worth_1 
1953_HTMAM_publicity_on_set_020_020_by_frank_worth_1 


Les photographies en couleur sont de Sammy Davis Jr.
The color photographs are from Sammy Davis Jr.
1953_HTMAM_publicity_on_set_020_010_by_frank_worth_1  sc03_set_htm_set_0930mm1  1953_HTMAM_publicity_on_set_026_030_by_frank_worth_1 


Marilyn pose avec la voiture rare (500 séries) de Frank Worth, une Riley RMD DHC de 1951 (coupé décapotable) - Photographies de Sammy Davis Jr.
Marilyn posed next to Frank Worth's rare (only 500 made of that model) 1951 Riley RMD DHC (drop-head-coupe) - Photographs taken by Sammy Davis Jr.

 1953_HTMAM_publicity_on_set_023_030_by_frank_worth_1  1953-03-by_frank_worth-car 
1953_HTMAM_publicity_on_set_022_010_by_frank_worth_1 1953_HTMAM_publicity_on_set_022_020_by_frank_worth_1 1953_HTMAM_publicity_on_set_022_030_by_frank_worth_1 
 ph_worth_10 1953_HTMAM_publicity_on_set_022_020_by_frank_worth_2
 

- Frank Worth & Marilyn -

1953_HTMAM_publicity_on_set_021_010_with_frank_worth_1  1953-03-by_frank_worth-car2 


> planche contact
1953 


> dans la presse
sc03_set_mag 


>> sources web :
article sur Serviside 
anecdote Art Silvert autour de la vente de l'autographe sur Arcadja


© All images are copyright and protected by their respective owners, assignees or others.
copyright text by GinieLand.

Photos de How to marry... scène 4

Comment épouser un millionnaire
  
Photos scène 4

Pola s'endort et plonge dans un rêve.

sc04_htm_film_01_1 sc04_htm_film_03_1 sc04_htm_film_03_1a
sc04_htm_film_02_1 sc04_htm_film_04_1

Posté par ginieland à 19:12 - - Commentaires [0] - Permalien [#]
Tags : ,

27 février 2012

Photos de How to marry... scène 5

Comment épouser un millionnaire
  
Photos scène 5

La scène du rêve... Pola imagine recevoir des bijoux de sultans.

sc05_htm_film_01_1 sc05_htm_film_01_3 sc05_htm_film_01_2 
sc05_htm_film_02_1 sc05_htm_film_02_4a 
sc05_htm_film_02_2 sc05_htm_film_02_4 sc05_htm_film_02_3

Sur le tournage de How to Marry scène 5

Comment épouser un millionnaire
S
ur l
e tournage - scène 5

film-HTMAM 

> Marilyn Monroe et Lauren Bacall
film-htm-11  
sc05_htm_set_MM_with_lauren_1

> photo datée de mai 1953
MONROE__MARILYN_-_HOW_TO_MARRY_A_MILLIONAIRE_MAY_21_1_62258 MONROE__MARILYN_-_HOW_TO_MARRY_A_MILLIONAIRE_MAY_21_1_17588

25 février 2012

1953, Portraits Publicitaires pour "How to marry a Millionaire" - scène 5

Comment épouser un millionnaire
Photos Publicitaires  

Scène 5


 Portraits de Marilyn Monroe
Photographies de John Florea

Portraits of Marilyn Monroe 
 Photographs by John Florea

1953-06-COLLIERS_sitting-dress_htmam-sc_05-010-1-by_florea-1  1953-06-COLLIERS_sitting-dress_htmam-sc_05-011-1-by_florea-1  1953-06-COLLIERS_sitting-dress_htmam-sc_05-011-1-by_florea-1a 
1953-06-COLLIERS_sitting-dress_htmam-sc_05-010-1-by_florea-1GF 
1953-06-COLLIERS_sitting-dress_htmam-sc_05-011-1-by_florea-1GF  1953-06-COLLIERS_sitting-dress_htmam-sc_05-013-1-by_florea-1  
1953-06-COLLIERS_sitting-dress_htmam-sc_05-012-1-by_florea-1  1953-06-COLLIERS_sitting-dress_htmam-sc_05-013-1-by_florea-1a 


- En coulisses: le photographe Gene Trindl dirige Marilyn -
- Behind the scenes: photographer Gene Trindl directs Marilyn -

1953-06-COLLIERS_sitting-dress_htmam-sc_05-with_trindl-011-1-by_florea-1a 

1953-06-COLLIERS_sitting-dress_htmam-sc_05-with_trindl-010-1-by_florea-1  1953-06-COLLIERS_sitting-dress_htmam-sc_05-with_trindl-011-1-by_florea-1 
1953-06-COLLIERS_sitting-dress_htmam-sc_05-with_trindl-011-1-by_florea-2 


Certaines photographies sont publiée dans des article des magazine américains Collier's (du 27 juin 1953) -magazine pour lequel travaille le photographe John Florea- et Eye (septembre 1953) pour promouvoir les films Les hommes préfèrent les blondes que Marilyn a terminé de tourner en mars 1953, et Comment épouser un millionnaire dont elle débute le tournage quelques jours après.

Some the photographs are published in articles in the American magazines Collier's (June 27, 1953) -magazine for which the photographer John Florea works- and Eye (September 1953) to promote the films Gentlemen Prefer Blondes that Marilyn has finished shooting in March 1953, and How to marry a millionaire that she begins filming some days after.

(> 27/06/1953 Collier's )
(> 09/1953 Eye )

mag-1953-06-27-colliers-p16-17-c  mag-1953-09-eye-vol03-num09-p10 


© All images are copyright and protected by their respective owners, assignees or others.
copyright text by GinieLand.