15 mai 2016

Catalogues "Marilyn Monroe" 2016 Box Set Auction Juliens

2016-11-juliens-marilyn-monroe2 

Les 4 catalogues sont en vente dans une boîte en lot au prix de 250 $ sur le site de juliensauction:
- " Marilyn Monroe Property From The Collection of David Gainsborough-Roberts "
- "Marilyn Monroe Property From The Estate of Lee Strasberg" en 2 volumes
- "Déjà vu Property From The Life and Career of Marilyn Monroe

Ces catalogues sont issus de la vente aux enchères consacrée à 'Marilyn Monroe' qui se déroulera le 19 novembre 2016 par Juliens Auction à Los Angeles, aux Etats-Unis.


Mise à jour le 09/09/2016
changement du visuel de l'un des catalogues

marilyn-monroe-catalogs2 

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Affiche Festival Cinéma Franco-américain

2016-06-07-festival_champs_elysees  C'est une Marilyn Monroe graphique (représentée en robe blanche de Sept ans de réflexion) qui figure sur l'affiche de la 5ème édition du Festival de cinéma franco-américain (Champs Elysées Film Festival) organisé du 7 au 14 juin 2016.
> site officiel champselyseesfilmfestival.com

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08 mai 2016

Expo Femmes en Dior Sublime élégance d'un portrait

2016-expo-110495665_o  Du 5 mai au 25 septembre 2016, exposition Femmes en Dior au Musée Christian Dior de Granville. 

Description:
FEMMES EN DIOR
- Sublime élégance d'un portrait -
Exposition printemps-été 2016

Dans le cadre du festival Normandie Impressionniste 2016 consacré au thème du portrait, le musée Christian Dior présente l’exposition FEMMES EN DIOR. Sublime élégance d’un portrait.
Cette exposition propose de découvrir l’œuvre et les sources d’inspiration du grand couturier et de ses successeurs à travers l’évocation de personnalités emblématiques du monde de l'aristocratie, du spectacle, du théâtre ou du cinéma, ainsi que des figures de l'élégance française et internationale : la princesse Grace de Monaco, Joséphine Baker, Marilyn Monroe, Charlize Theron, Marion Cotillard...
Un ensemble exceptionnel de quatre-vingt-dix robes de Haute Couture, des photographies, des dessins et des tableaux mettent en lumière l’élégance des femmes en Dior et les moments où la création Dior fait corps avec leur apparence et leur personnalité.

2016-expo_dior 

Lieu et adresse: Musée Christian Dior, Villa les Rhumbs, Rue d'Estouteville, 50400 Granville
Le musée n'est pas accessible aux personnes à mobilité réduite.

Horaires: Tous les jours de 10h à 18h30 - Fermeture de la billetterie à 18h00 - Durée estimée de la visite libre: environ 45 minutes
Tarifs: plein : 8 € / réduit (étudiants, demandeurs d'emploi, visiteurs handicapés) : 4 € / Gratuit pour les enfants de moins de 12 ans
Entre les musées : le billet d’entrée au musée Christian Dior donne accès à un billet tarif réduit pendant une semaine au Musée d’art moderne Richard Anacréon pour visiter l’exposition Belles de nuit. Portraits de femmes sous la plume et le pinceau. 1905-1940 (Festival Normandie Impressionniste 2016).

Site: musee-dior-granville.com

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Vente aux enchères et Expositions "Marilyn Monroe" Property from David Gainsborough-Roberts

2016-11-juliens-marilyn-monroe-catalogue  Vente aux enchères 'Marilyn Monroe' de la collection de David Gainsborough Roberts le 19 novembre 2016 par Juliens Auction à Los Angeles, aux Etats-Unis.

Le catalogue est en vente dans une boîte en lot avec 3 autres catalogues (et non à l'unité) au prix de 250 $ sur le site de juliensauction 
> Bientôt les lots en ligne 
sur le site de juliensauction 

Présentation: Auction includes David Gainsborough-Roberts curated collection of Marilyn Monroe film worn costumes, personal wardrobe, jewelry, and personal items. The sale features film costumes that represent an extensive portion of Marilyn’s acting career, from Niagara (20th Cent., 1953) to Some Like It Hot (United Artists, 1959). The auction celebrates Monroe’s life and consists of film costumes, designer wardrobe and costume jewelry, personalized gifts from Monroe, documents, personal correspondences and personal items.
Collector David Gainsborough-Roberts is known to have amassed the world’s largest collection of Marilyn Monroe memorabilia which he has carefully and lovingly curated for years.

Costumes et Accessoires portés dans des films / pour des photos:
Highlights from this historic sale include Seven of Marilyn’s most notable films are represented in this auction with many created by award winning designers and well known costumers of Hollywood yesteryear :
- a sheer black beaded and sequined dress worn by Monroe in her Golden Globe winning role Sugar Kane as she crooned “I’m Through With Love” in the award winning 1959 film Some Like it Hot;
- an elaborate embellished stage gown worn by Monroe as she sang “After You Get What You Want You Don’t Want It” in the 1953 comedy There’s No Business Like Show Business which was designed by one of Marilyn’s all-time favorite designers, William Travilla;
- a pink linen halter wiggle dress designed for Monroe by Dorothy Jenkins for the 1953 thriller Niagara;
- a green satin one-piece with black sequins and gold fringe worn by Monroe as she sang “That Old Black Magic” in the 1956 film Bus Stop;
- the white full-length gown of satin with sheer overlay embellished with faux pearls created by Academy Award nominated designer Beatrice Dawson and worn by Marilyn in “The Prince and The Showgirl,” the second of two films produced by Marilyn Monroe Productions.
- Additional film pieces offered include costumes from Gentlemen Prefer Blondes to Let’s Make Love and The Misfits, along with a pair of rhinestone earrings worn by Monroe in How To Marry A Millionaire and a pair of sequin embellished opera gloves from the Rachmaninoff scene of The Seven Year Itch.
- Publicity worn items include the 19th century style bodice Monroe wore when she was photographed by Jack Cardiff in 1957, and also the lilac colored satin leotard Marilyn wore to be photographed by Richard Avedon when she posed as Lillian Russell for a 1958 feature in Life magazine.

Vêtements et effets personnels:
Monroe’s personal style is represented by :
- a figure hugging black cocktail dress by Ceil Chapman, a favorite of Monroe;
- a slender fitting bias cut crepe evening gown worn by Monroe to the 1955 premiere of The Rose Tattoo;
- an embellished slubbed silk Lanvin gown;
- rhinestone jewelry;
- evening gloves;
- shoes.

Personal items include:
- prescription pill bottles,
- Victoria and Albert museum exhibited high heels,
- a plastic doll in the likeness of Monroe given as a souvenir at her 34th birthday party;
- documents and correspondences;
- household items;
- and Monroe’s Detroit Free Press “New Faces Award” from 1952.

juliens-bus-stop-cosume juliens-monroe-no-business-like-show-business-gown juliens-monroe-some-like-it-hot-cocktail-dress 
juliens-bus-stop-cast-signed-stetson  juliens-seven-year-itch-gloves  
juliens-how-to-marry-a-millionaire-earrings  juliens-marilyn-monroe-new-faces-award  


Exposition des lots :

> Londres - du 25 mai au 20 juin 2016
Design Centre, Chelsea Harbour
Lots Road
London
SW10 0XE

> Irelande - du 25 juin au 25 juillet 2016
Museum of Style Icons
Newbridge Silverware
Newbridge
Co. Kildare
Ireland

> Voyage en mer sur le QUEEN MARY 2
Depart de New York le 9 août 2016
Arrivée Southampton le 16 août 2016


> Los Angeles - du 14 au 18 novembre 2016
gratuit -Julien’s Auctions
741 North La Cienega Boulevard
Los Angeles, California 90069 

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06 avril 2016

Au théâtre: Norma Jeane

Norma Jeane
pièce musicale

theatre_Affiche_Norma_Jeane__AUROREPièce écrite par Pierre Glénat.
Mise en scène par Rubia Matignin.
Avec Luana Kim, Sonia Hell, Robert Aburbe, Pierre Glénat, M. Christine Glénat.

La pièce, qui se focalise sur le dernier mois de la vie de Marilyn Monroe, a déhà été jouée en juillet/septembre 2011 et en juin/août 2012,; elle est à nouveau rejouée cette année, mais que pour quelques dates. 

Peech: A l'intérieur de la même personne vivaient deux êtres : Marilyn Monroe icône blonde et Norma Jeane femme enfant.
Oui Norma Jeane étant le prénom d'état-civil de Marilyn, elle était aussi cette femme fragile et pleine de doutes qui souffre derrière le masque platine de la Star dont le strass vire au stress ! Le spectacle alterne des scènes avec des séquences musicales sous forme des meilleurs standards de Marilyn :
 " I wanna be loved by you ", " My heart belongs to Daddy ", etc.  Ainsi la magie de Marilyn renaît avec la sensualité des chansons même si l'angoisse n'est jamais très loin…

Dates et Horaires: du 12 au 16 avril 2016
Durée du spectacle: 1h15
Tarif : 21.00 - 15.00 - 12.00 - 10.50 €
Lieu: Salle Labo au Théâtre de Ménilmontant, 15 Rue du Retrait, 75020 Paris (site web Théâtre de Ménilmontant).
Sur le web: interview de la metteure en scène Rubia Matignon sur micmag.net

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05 avril 2016

Au théâtre: Shooting Stars

Shooting Stars
spectacle

theatre-mm_cobain Spectacle conçu par Nevche (Frédéric Nevchéhirlian)
Voix, guitare : Nevche
Guitare : Christophe Rodomisto
Batterie, percussions, harmonium : Gildas Etenenard

Marilyn Monroe et Kurt Cobain (Nirvana), deux stars au destin tragique, nous ont légué leurs journaux intimes, leurs réflexions sur les femmes, leurs conditions, leurs désirs, mais aussi sur le succès et ses travers, les addictions, l’injustice.

Entre concert littéraire, lecture musicale et poème rock, Frédéric Nevchéhirlian nous attire de l’autre côté du miroir, où, au-delà des apparences, nous croisons aussi Arthur Rimbaud, Vincent Van Gogh, Sylvia Plath, Antonin Artaud, Virginia Woolf, Pier Paolo Pasolini, Nicolas de Staël...

« Marilyn Monroe n’était pas seulement une blonde platine, symbole d’un idéal sexy féminin photogénique et posée là, une “sois-belle-et tais-toi” à qui l’on demande de ne surtout pas penser.
De même pour Kurt Cobain. Il n’était pas juste ce junkie fébrile et nihiliste symbole d’une jeunesse désœuvrée ». Nevché

Production : LES DITS SONT DE LA, Zamora.Coproductions :Le Théâtre d'Ivry-Antoine Vitez Le Train Théâtre de Portes-lès-Valence, Le Merlan-Marseille, Le Semaphore-Cebazat et La Coopérative Internexterne.
Avec l’aide de la DRAC PACA, la Région PACA, le Conseil général des Bouches-du- Rhône,  la Ville de Marseille, l’ADAMI, la SPEDIDAM et le CNV.
Affiche: © Peinture: Clara Le Picard - Graphisme: Denis Carrier

Dates et Horaires: vendredi 8 et samedi 9 avril 2016 à 20h
Tarif : 15 €
Lieu: Théâtre d'Ivry Antoine Vitez, 1, rue Simon Dereure, 94200 Ivry-sur-Seine
Sur le web: site du theatredivryantoinevitez.ivry94.fr

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20 mars 2016

A la TV - Tony Curtis, le gamin du Bronx

gif_tvmarilyn

 Lundi 21 mars 2016 - 22h50 - Arte
- à revoir en replay pendant 7 jours-
Rediffusion ?

Documentaire - Tony Curtis, le gamin du Bronx

Durée : 56 minutes
Année et origine : 2011, France
Réalisateur: Ian Ayres

De la tragédie de l'enfance à l'apaisement des dernières années, de "Certains l'aiment chaud" à "Amicalement vôtre", un voyage intime avec Tony Curtis (1925-2010), l'un des premiers sex-symbols masculins d'Hollywood.

tonycurtis-01  tonycurtis-02 
tonycurtis-03  tonycurtis-04 

Yeux de braise, coiffure de rebelle et torse lisse, qu'il dénude volontiers: à l'aube des années 1950, à 24 ans, Tony Curtis, né Bernard Schwartz, fut l'un des premiers sex-symbols masculins d'Hollywood. Dès son plus jeune âge, sur le pavé du Bronx, il a misé sur son charme et son énergie pour échapper aux naufrages de son enfance: une famille d'émigrés juifs hongrois engluée dans la misère, une mère schizophrène qui le bat, un petit frère tendrement aimé, renversé à 9 ans par un camion. Engagé volontaire dans la marine pour combattre le nazisme, ce mordu de cinéma apprend après la guerre les rudiments du métier d'acteur. Repéré par Universal avant même de décrocher son diplôme, il échappe assez vite à l'anonymat du menu fretin des studios, marigot impitoyable éclairé par une brève liaison avec la starlette Marilyn Monroe. En 1951, son mariage avec Janet Leigh, l'une des stars de la MGM, lui permet d'accéder à de vrais rôles de composition, notamment Trapèze, puis Le grand chantage. S'il se prête goulûment aux diktats de la célébrité, il n'hésite pas à afficher son combat contre la ségrégation (notamment lors du tournage de La chaîne, avec Sidney Poitier) ou à défendre l'ambiguïté sexuelle d'un rôle (Spartacus). Et son irrésistible prestation dans Certains l'aiment chaud (1959), aux côtés de Jack Lemmon et de Marilyn, qu'il en vient à haïr pour ses retards légendaires, est entrée au panthéon du septième art.

Fantômes
À ces années flamboyantes succède un long et douloureux déclin. Même s'il tourne encore quelques grands films (Le dernier nabab, L'étrangleur de Boston) et savoure un grand succès de télévision avec Amicalement vôtre, Tony Curtis est rattrapé par les fantômes de l'enfance. Avant de trouver, sur le tard, une forme de sérénité auprès d'une énième conquête, loin du cinéma. Et c'est en paisible retraité qu'il témoigne dans ce film tourné peu avant sa mort, en 2010. Entre ombre et lumière, archives et témoignages (outre Tony Curtis, Debbie Reynolds, Piper Laurie, Harry Belafonte...), un voyage intime avec l'une des dernières icônes de l'âge d'or hollywoodien.

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06 mars 2016

Les révélations morbides du croque-mort de Marilyn Monroe

vanity_fair_logoFaux-semblants
Les révélations morbides du croque-mort de Marilyn Monroe
publié le 10/06/2015
en ligne sur vanityfair.fr

vf_cover_monroe  

Un mythe s'effrondre. Après avoir conduit des stars à la morgue toute sa vie, Allan Abbott, le croque-mort de Hollywood, a publié ses mémoires dans un livre intitulé Pardon My Hearse. Et stupeur entre deux anecdotes à propos de John F. Kennedy ou Nathalie Wood, il dresse un portrait morbide du sex-symbol américain : fausses dents, lèvres gercées, jambes mal épilées, faux seins, peau abîmée, pédicure douteuse...

« Elle ne ressemblait pas à Marilyn Monroe mais à une femme banale, qui prend de l’âge et qui ne prend pas beaucoup soin d’elle », raconte Allan Abbot, qui s'est dit choqué par l’état dans lequel il a retrouvé la jeune femme, décédée à 36 ans d'une overdose de barbituriques.

Le croque-mort explique que, compte tenu de la position de Marilyn Monroe à sa mort, son visage n’était plus reconnaissable : « Marilyn est morte face contre terre. Elle avait des taches violettes sur ses joues et son cou était particulièrement enflé. » Ses cheveux, eux, étaient courts et crépus. « Ses jambes n’étaient pas épilées, ses lèvres en mauvais état. Elle avait besoin d’une manucure et d’une pédicure », continue-t-il.

L’état de sa poitrine a laissé les employés des pompes funèbres perplexes : « Elle ne ressemblait pas à Marilyn Monroe », révèle la femme du thanatopracteur, qui a rembouré le soutien-gorge de coton pour lui donner plus de formes.

Des révélations surprenantes pour cette incarnation du glamour, qui aurait néanmoins confié plusieurs fois à son psychiatre s'examiner régulièrement devant son miroir pour constater les effets de l'âge sur son corps.

> A lire sur le Daily Mail


logo_molEXCLUSIVE: Marilyn Monroe had purple blotches on her face, falsie breasts and 'didn't take care of herself' reveals mortician who prepared her and other stars for burial
Article published in 9 June 2015
by Caroline Howe - online on dailymail

  • Allan Abbott and Ron Hast first job delivering flowers from the mortuary to the cemetery led to top funeral company - and limo service
  • They picked up Marilyn Monroe's remains and Abbott describes the  shocking state of her body in new book
  • 'She looked like a very average, aging woman who had not been taking very good care of herself,' he writes
  • They drove Natalie Wood's mother and her sister, Lana Wood to Natalie's funeral in 1981
  • Their limos drove John F. Kennedy and his entourage all over Los Angeles during the 1960 Democratic Convention
  • They picked up Elizabeth Taylor and Richard Burton in 1963 at the San Bernardino train station for an incognito arrival into Los Angeles 

From Marilyn Monroe's hairy legs, to Natalie Wood's bruises, two morticians to the stars share their last unique and final glimpse of some of the cream of Hollywood.
Abbott & Hast became the funeral service of choice for Los Angeles' rich and famous during the 1960s.
When celebrities died, the firm would be relied on to pick up the bodies and chauffer them away.

So it was perhaps unsurprising when, on August 5, 1962, the company received a call to pick up the body of Marilyn Monroe after she was found dead in her home from a suspected overdose.
Abott revealed they had been shocked by the state of the starlet who bared almost no resemble so her stunning onscreen persona.

DM-01 
Fallen star: Allan Abbott and Ron Hast were shocked when they saw the condition of Marilyn Monroe's body. Abbott and his brother write about it in gruesome detail in new book Pardon My Hearse

DM-02 
Marilyn's bedroom: The room where film actress Marilyn Monroe's body was found on August 9, 1962

He added that her face had been marred by purple blotches, her roots were showing and she was in need of a manicure and pedicure.

The company also transported screen stars Clark Gable and Ernie Kovacs to their respective funerals, with Frank Sinatra and Jack Lemmon serving as pallbearers at the latter.
But it wasn't just the dead famous they transported.
Their limo service chauffeured married actors Elizabeth Taylor and Richard Burton and even presidential nominee John F. Kennedy.

High school friends Allan Abbott and Ron Hast had bought their first old hearse to use on camping trips while prospecting rocks and fossils in the 1950s.
It also brought their first summer job during college, delivering flowers from the mortuary to the cemetery.
From standard hearses, to flower trucks, to rental limos, to an 'air hearse', a boat for scattering ashes at sea, funeral prop rentals - the company that Abbott and Hast created evolved into the leading hearse, mortuary and funeral service company in Hollywood.
Allan Abbot candidly writes about transporting famous corpses as well as driving celebrities and renting his cars and props to movie studies in Pardon My Hearse, a Craven Street Books publication to be published on June 15.

A 1941 morbid-looking black Packard hearse the pair purchased for a mere $40 started it all. They fitted what they called the 'black elephant' with a mattress and used it for long camping trips.
It felt creepy knowing that it had a history of transporting corpses and 'it took awhile to get used to seeing people make the sign of the cross or remove their hats as we drove by', Abbott writes.
Even Ron's parents made him park it a block away from their house.
When they were offered $400 for it, they sold it, bought two more hearses so that each of them owned their own hearse as their personal vehicle.
Their lucrative move to a venture in undertaking was serendipitous and began when they accepted a summer job to deliver flowers from a mortuary to a cemetery.
That segued into a request to pick up bodies for $95 - a big sum of cash for the two, new to the shroud business. They practiced on Abbott's mother – picking her up off the floor and placing her on an old ambulance cot.

'Now the time had come for us to decide if we were really prepared to be in such a predictably disquieting line of work, and we needed to know if we were mentally resolved to deal with what was sure to come', Abbott writes.
They rented an old building on the west side of Los Angeles in an area dubbed 'Death Row', zoned for mortuary operations and set up shop. In the basement they found old mortuary paraphernalia that included artificial arms, legs, dentures, wicker caskets, early embalming equipment.
And they were in business with calls from San Quentin State Prison to remove bodies after executions. They were called to remove a body at a candy factory after the worker had fallen into a vat of chocolate and drowned.

Movie studios starting calling requesting funeral cars to use in films.
The pair added a large flower truck in their fleet of vehicles using it for funerals of Jack Warner, head of Warner Brothers, actor Jimmy Durante, singer Mario Lanza, to name a few.
They were called on in the early 1960s to pick up Swedish film actress, Inger Stevens who was in a popular television show at the time, The Farmer's daughter, and drive her to Los Angeles International Airport.
When Abbott knocked on the door of her Hollywood apartment, he was informed by a man on the other side of the door that she had left for the airport in her own car.

DM-03 
Rigor: Marilyn Monroe's body was first taken to the Los Angeles County Medical Examiner's office. Early stages of rigor mortis had begun indicating she had been dead longer than the presumed three hours.. Monroe was found dead of a suspected  barbiturate overdose

DM-04 
Shock: The body of actress Marilyn Monroe arrives at the mortuary. 'When we removed the sheet covering her, it was almost impossible to believe this was the body of Marilyn Monroe,' writes Abbott. 'She looked like a very average, aging woman who had not been taking very good care of herself'

DM-05
All-purpose: Allan Abbott and Ron Hast first job delivering flowers from the mortuary to the cemetery led to top funeral company - and limo service

Abbott and his girlfriend took it upon themselves to investigate the unidentified voice. It turned out to be Isaac Jones, President of Nat King Cole's Kell-Cole Productions and the first black person to produce an A-list picture when he was a producer of 'A Man Called Adam', starring Sammy Davis Jr.
Jones and Stevens had secretly married in Mexico in 1961 and kept it a secret believing an interracial relationship would ruin her career. Nine years later, after dating Burt Reynolds for a year in a reportedly volatile relationship, she was discovered unconscious on her kitchen floor and died of acute barbiturate intoxication en route to the hospital.
Friends never believed that she took her own life. She was still married to Jones at the time of her death.
Abbott & Hast were called for cars and drivers for Inger's funeral.

The following year, a call came into the West Los Angeles Police Station in the early hours of August 5, 1962. Dr. Hyman Engelberg identified himself to Sergeant Jack Clemmons on the desk and stated that Marilyn Monroe was dead in her house at 1230 Fifth Helena Drive in Brentwood.
Engelberg said Dr. Ralph Greenson had informed him that her death was from an overdose of Nembutal and stated it was suicide. Clemmons jumped into a squad car and headed out to her house.
The Los Angeles County Coroner's Office called Westwood Village Memorial Cemetery and instructed them to remove her body. Manager Guy Hockett took the assignment and discovered her body was in the early stages of rigor mortis, a condition that typically begins six to eight hours after death but he had been informed that death had occurred three hours prior to his arrival.
Hockett delivered her body to the mortuary.

DM-06 
Ron Hast and Allan Abbott stand next to Monroe's casket prior to the service at the cemetery crypt. Their hearse drove Marilyn Monroe's casket in her funeral procession on August 8, 1962 to Westwood Village Memorial Park Cemetery in Los Angeles

DM-07 
Incognito: Richard Burton and Elizabeth Taylor arrive in San Bernadino in 1963 by train in an effort to avoid large unruly crowds in LA. But Liz was put off that there weren't more fans waiting to see her

DM-08 
The mortuary men picked up bodies for $95 - a big sum of cash for the two new to the shroud business. They practiced on Abbott's mother – picking her up off the floor and placing her on an old ambulance cot

Abbott's company was called and they sent Leonard 'Chris' Kreminski to assist in removing the body. It was later transported downtown for the postmortem.
'Because of the tremendous implications of this case, it took much longer for Coroner Theodore Curphey to finally make some statements. His best and most dedicated pathologist, Thomas Noguchi, known to some as 'The Knife,' spent about three times as much time as it usually took him to do a full postmortem.
'The deputies at the coroner's office informed me that Dr. Noguchi had been extremely thorough with his examination of her body. He spent a great deal of time looking for hypodermic needle marks, which he did discover in her arm pit, but this area is often used by doctors when treating female movie stars.
'He continued to search in unusual places like inside her nose, between her toes and fingers, under her tongue, and in her genitals, but was unable to discover any additional injection points', Abbott writes.

Abbott was present and entered the embalming room with the embalmer, identified only as 'Frenchie'.
'When we removed the sheet covering her, it was almost impossible to believe this was the body of Marilyn Monroe. She looked like a very average, aging woman who had not been taking very good care of herself. Obviously, the circumstances surrounding her death had greatly exacerbated her poor appearance and she was unrecognizable.

DM-09 
Abbott drove the hearse for the 1962 funeral of actor Ernie Kovacs with Frank Sinatra and Jack Lemmon serving as pallbearers. Kovacs had been killed in a Chevrolet Corvair, one of the early rear-engine American cars that were discontinued because the car was known to go out of control after hard braking

DM-10 
Their limos drove John F. Kennedy and his entourage all over Los Angeles during the 1960 Democratic Convention. Abbott says they had a hard time collecting payment from the candidate

'When someone dies, gravity causes the blood to settle to the lowest point of the body. This condition is called lividity, and considering that many people die lying on their backs, the discoloration that occurs is seldom visible.
'In Marilyn's case, she died face down, so there were purple blotches on her face, and her neck was very swollen. They had bathed her at the coroner's office, and her hair was frizzy and fairly short.
'You could tell she had not bleached it for some time, because the roots were darker and had grown out about half an inch.
'Her natural hair color was a light brown, not blonde. Her legs hadn't been shaved for at least a week, and her lips were badly chapped. She was also in need of a manicure and pedicure.'

'We began discussing the terrible swelling in her neck, and Frenchie decided that a surgical procedure was needed. This was out of my area of expertise, so I deferred to his decision. Frenchie knew how to correct the problem, but it wasn't going to be pretty.
'He instructed me to hold her on her side so he could make an incision in the back of her neck in the shape of a marquis diamond and remove about two square inches of skin. He then pulled the sides together and stitched it up. It wasn't pleasant to watch, but it was quite effective in reducing the swelling.
'Marilyn's executrix had just brought in her clothing, so Mrs. Hockett, wife of the cemetery's manager, rang me to come up to the office and pick up the package. She also informed me that the lady said Marilyn didn't wear panties, and she couldn't find any among her clothing.

DM-11 
In 1981, Natalie Wood mysteriously drowned in the waters off of Catalina Island, California where she and her husband Robert Wagner and guest and actor Christopher Walken had been partying . Natalie's body was bruised from hitting the rocks and the coroner's pathologist chose to surgically remove some of that tissue to examine closely. Natalie was dressed in a full-length fur coat so that the bruising was not visible when the casket was open

DM-12 
Robert Wagner comforts his daughter Courtney Brooke Wagner at Natalie's funeral.  The casket was carried from the hearse to the device used to lower it into the grave. Moving over to stand next to Abbot who was at the head of the casket was Christopher Walken – separated from the other attendees

'I also noticed that among the items was a small pair of false breasts. I had seen falsies before, but these were much smaller than any I'd seen'.

'That doesn't look like Marilyn Monroe,' Mrs. Hamrock stated. 'What happened to her boobs ?' In his own defense, Frenchie told her that the cutting of the ribs during the autopsy had caused this condition. He further stated that he had even used the falsies that were brought in with her clothing, but they had been much too small to enhance her physique'.
Mrs. Hamrock reached down and pulled at the neck of the dress, which was a very springy material. She reached in with her other hand to remove the falsies and threw them into the trash can. She then pulled some clumps of cotton off a roll and formed much larger breasts by stuffing her bra. At this point she stepped back and proudly exclaimed, 'Now that looks like Marilyn Monroe !'
Abbott later retrieved the falsies from the trash and took them home.

Sydney Guilaroff, Monroe's makeup man, and Allan 'Whitey' Snyder, arrived at the mortuary. Sydney brought the wig that was made for her for the film, Something's Got to Give, and Whitey applied her makeup.
Whitey told Abbott that Marilyn's breasts at age thirty-six were beginning to sag. She wore a bra but placed the little falsies between her bra and the sweater to make it look like she was unsupported and braless.

Joe DiMaggio kept a vigil at the mortuary. He stood by the casket for a while and then he walked in the cemetery outside and cried. They had married in January 1954 and Marilyn had filed for divorce 274 days later. They remained close and Joe never stopped loving her. Monroe was buried in Westwood Cemetery.

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Eventually the mortuary partners bought a plane and a boat so they could offer burial at sea or to have ashes scattered from the air or over the water

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That same year, 1962, Abbott was called to drive the hearse for actor Ernie Kovacs funeral. He directed pallbearers Frank Sinatra, Jack Lemmon and four others during the funeral ceremony with actress Kim Novak in attendance.

Kovacs had been killed in a Chevrolet Corvair, one of the early rear-engine American cars that were discontinued because the car was known to go out of control after hard braking. Ralph Nadar's book Unsafe at Any Speed sped up the demise of the Corvair.

In 1981, Natalie Wood mysteriously drowned in the waters off of Catalina Island, California where she and her husband Robert Wagner and guest and actor Christopher Walken had been partying. The call came in to Abbott to drive the family car and pick up Natalie's mother as well as her sister, Lana Wood.

The casket was carried from the hearse to the device used to lower it into the grave. Moving over to stand next to Abbot who was at the head of the casket was Christopher Walken – separated from the other attendees.

Natalie's body was bruised from hitting the rocks and the coroner's pathologist chose to surgically remove some of that tissue to examine closely. Natalie was dressed in a full-length fur coat so that the bruising was not visible when the casket was open.

'People have often asked me if my line of work was depressing. Sometimes that was the case but all things considered, it was certainly never dull'. Abbott admits to developing a gallows sense of humor. If asked how's business, he answered, 'Dead'. A slogan for the company was 'We'll be the last ones to let you down'.

- - - - -

A MORTICIAN TO THE STARS
- They picked up Marilyn Monroe's remains and helped prepare it for burial, witnessing the shocking state her body was in at the time of death.
- Two years earlier, Abbott drove a family car for screen star Clark Gable's funeral at Forest Lawn in Glendale, California in 1960.
- Abbott drove the hearse for the 1962 funeral of actor Ernie Kovacs with Frank Sinatra and Jack Lemmon serving as pallbearers and attended by Kim Novak.
- They drove Natalie Wood's mother and her sister, Lana Wood to Natalie's funeral in 1981.
- Their limos drove presidential nominee John F. Kennedy and his entourage all over Los Angeles during the 1960 Democratic Convention – and had a hard time collecting from the candidate.
- They picked up Elizabeth Taylor and Richard Burton in 1963 at the San Bernardino train station for an incognito arrival into Los Angeles sixty miles away, to have Elizabeth complain of no stargazers and Richard needing a drink
- They drove Carly Simon and a girlfriend to the Shrine Auditorium in Los Angeles in the Sixties listening to her complain that her new boyfriend resented her latest song. Carly then pulled two joints out of her handbag and the girls lit up. Allan didn't want to be high while driving but neither did he want to close the divider and not hear their gossip.

- - - - -

Pardon My Hearse by Allan Abbott and Gregory Abbott published by Craven Street Books is available on Amazon June 15, 2015

A la TV - Révélations sur la mort de Marilyn

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 Vendredi 26 février 2016 - 15h40 - France 5
- à revoir en replay pendant 7 jours-
Rediffusions: Samedi 12 mars à 1h00
Dimanche 20 mars à 14h45

Documentaire - Révélations sur la mort de Marilyn

Durée: 50 min
Réalisation: Renny Bartlett , Ed Hower

Année: 2014, Grande-Bretagne
>>  site france5.fr
Résumé: Cette série propose de décrypter des affaires célèbres encore non élucidées, à l'aide de nouveaux éléments scientifiques et de pièces à conviction inédites qui relancent l'enquête. 5 août 1962, Marilyn Monroe est retrouvée morte à son domicile de Los Angeles. L'autopsie conclut à un suicide probable. Mais cette version des faits n'a jamais totalement convaincu. Une rumeur vient de refaire surface. Le soir de sa mort, Marilyn Monroe se serait disputée avec un homme dont le nom reste absent du rapport d'enquête. La confrontation se serait soldée par l'assassinat de l'actrice. De mystérieux enregistrements et des témoignages passés sous silence apportent un nouvel éclairage.
Intervenants:
Chris Eptin (écrivain et journaliste)
Richard Buskin (co-auteur de "The Murder of Marilyn Monroe: Case Closed")
Darwin Porter (biographe)
Robert Watson (historien spécialisé dans les Présidents USA)
Buddy Greco (Historien, ancien chanteur au Cal Neva)
Jack Clemmons (ancien policier - extrait interview de 1992)
George Masters (coiffeur de Marilyn - extrait audio de 1988)
Jeff Platts (expert en sécurité, neveu de Masters)
Sam York (préfet Police - extrait interview de 1985)
Raymond Strait (écrivain, ancien attaché de presse)
Fred Otash (extrait interview de 1985)
James Hall (ancien ambulancier - extrait interview de 1992)
Jay Margolis (co-auteur de "The Murder of Marilyn Monroe: Case Closed")

 

05 mars 2016

A la TV - Personne ne Bouge

gif_tvmarilyn

Dimanche 6 mars 2016 - 17h00 - Arte
- à revoir en replay pendant 7 jours-
Rediffusion: Mercredi 9 mars à 06h30

Magazine - Personne ne bouge
"Spécial Marilyn Monroe"

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Durée: 35 min
Réalisation: Philippe Collin, Xavier Mauduit et Frédéric Bonnaud

Année: 2016, France
>>  extraits sur arte.tv

Un spécial Marilyn Monroe avec un retour sur le tournage en 1961 des "Misfits" ("Les Désaxés"), son dernier rôle ; l'anniversaire de JFK le 19 mai 1962 ; le clip "Marilyn Monroe" de Pharrell Williams ; sa rencontre avec la brune incendiaire Jane Russell dans "Les Hommes préfèrent les blondes" ; un entretien avec sa professeur d'art dramatique, Natasha Lytess

Story : The Misfits
On lui préfère souvent sa blondeur angélique, ses poses de ravissantes idiotes. Pourtant quand, en 1961, elle tourne The Misfits, son dernier rôle, on découvre une Monroe crépusculaire dans la peau d’une divorcée éprise d’une bande de cow-boys à bout de souffle. Autopsie d’une désaxée.

Garderobe : le soutien-gorge
Marilyn avait, en plus de son immense talent, deux arguments de taille qu’elle sut mettre en valeur en usant de soutiens-gorge de compèt’ qui contribuèrent à sa légende.  Tour d’horizon de cet élément de lingerie qui fait partie du quotidien des femmes.

Scandale ! : Le Madison Square Garden
Le 19 mai 1962 au Madison Square Garden, JFK fête ses 45 ans. Pour l’occasion, Marilyn Monroe chante, dans un souffle, un joyeux anniversaire dont on découvre tout à coup le puissant potentiel érotique alors qu’une rumeur raconte que JFK tromperait sa femme Jackie Kennedy avec la star. Scandale !

Clipologie : « Marilyn Monroe» de Pharrell Williams
Nous sommes en 2014 et après "Happy", Pharrell Williams sort un single qui porte le nom de la star la plus malheureuse du XXe siècle : Marilyn Monroe. Le message est simple : nul besoin d’être une icône ou une héroïne telle Marilyn pour plaire à Pharrell, amoureux des femmes en général sans distinction de taille, de race ou de religion.. mais si possible quand même ultra-canon !

Star System : la méthode Marilyn
Aucune star n’aura autant incarné l’essence de la pop culture que Marylin Monroe, icône éternelle qui a atteint le plus haut niveau de célébrité qui existe : celui de produit de merchandising en licence libre qui lui confère un caractère immortel. Vous voulez devenir célèbre ou le rester ? Découvrez la méthode Marilyn.

Icône : Les Hommes préfèrent les blondes
En 1953, le réalisateur Howard Hawks réunit pour la première fois la blonde peroxydée Marilyn Monroe et la brune incendiaire Jane Russell dans Les Hommes préfèrent les Blondes. Jean-Marc Lalanne revient pour nous sur ce buddy movie au féminin dans lequel Marilyn Monroe, elle, préfère les riches.

Perle Rare : Natasha Lytess
La première fois qu’elle a vu Marilyn, elle ne l’a pas trouvée jolie. En 1948, Natasha Lytess est engagée par la Colombia comme professeur d’art dramatique. Pendant presque dix ans et vingt films elle fut le coach, la confidente, la colocataire et aussi un peu la maman de Miss Monroe. Pour les caméras de "Cinq colonnes à la Une", Natasha Lytess se souvient de Marilyn.


BONUS

>> infographie via arte.tv
arte-infographie_marilyn 

>> BD "Marilyn, Sang Chaud
Marilyn devient victime de suceurs de sang...
une "Vampire opéra" imaginée par Leslie Plée.
sur arte.tv

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arte-marilyn2 
arte-marilyn3 

 

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