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Divine Marilyn Monroe

NAVIGUATION
DIVINE MARILYN

BLOG-GIF-MM-KOREA-1 
Marilyn Monroe
1926 - 1962
BLOG-GIF-MM-PREMIERE-2 

Identités

Norma Jeane Mortenson
Norma Jeane Baker
Norma Jeane Dougherty
Marilyn Monroe
Marilyn DiMaggio
Marilyn Miller
Jean Norman
Mona Monroe
Zelda Zonk

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Archives
1 novembre 2016

Marilyn Monroe Auction - 11/2016 - docs papiers 2


Documents papiers - MM Prod.
Papers documents - MM Prod.


Lot 312: MARILYN MONROE SIGNED CHECK TO THE IRS
 A check signed by Monroe in blue ink, with bank stamp dated November 16, 1959, paid to the "District Director of Internal Revenue" in the amount of $10,947.60. The check is drawn on her Marilyn Monroe Productions, Inc. account with Colonial Trust Company. Calculating for inflation, this amount would be in excess of $90,000 in 2016.
3 by 8 1/2 inches
 Estimate: $3,000 - $5,000
245627_0 


Lot 416: MARILYN MONROE 1958 SIGNED CHECK WITH CORRESPONDING INVOICES
A Marilyn Monroe Productions canceled bank check dated August 22, 1958, in the amount of $42.88, written to Dave Bernstein, signed by Monroe, together with a statement from Dave Bernstein Catering and 10 receipts for food Monroe ordered ranging in date from August 19 through September 4, 1958. Monroe started filming Some Like It Hot on August 4, 1958. This lot is significant in that Monroe and then husband Arthur Miller discovered she was pregnant in October. These receipts possibly detail Monroe’s diet at the onset of what would be her final pregnancy. Sadly, she miscarried on December 16.
 Estimate: $2,000 - $3,000
245774_0  


Lot 474: MARILYN MONROE 1960 SIGNED CHECK WITH CORRESPONDING INVOICES
A Marilyn Monroe Productions canceled bank check dated May 14, 1960, in the amount of $6.20, written to Century Messenger Service, signed by Monroe, together with two carbon copy invoices and an original month-end statement from Century Messenger Service. Both invoices are addressed to Marilyn Monroe Productions, 444 E. 57th Street, #13E, one of which is signed by May Reis, Monroe’s secretary.
 Estimate: $1,500 - $2,500
245879_0   


Lot 537: MARILYN MONROE FAN MAIL EXPENSES
 An expense report for Marilyn Monroe Productions prepared by Hedda Rosten, with itemized listing of fan mail expenses for June 1962 totaling $66.46. The expenses show that they were reimbursed July 26, 1962.
9 by 6 inches
 Estimate: $200 - $300
245972_0  


Lot 897: MARILYN MONROE PRODUCTIONS CHECKS AND RECEIPTS
 Two checks from Marilyn Monroe Productions Inc. to A.J. Bauer & Co Apothecaries for $8.15 and $17.25, both signed by Milton Greene and dated June 22, 1955, and June 20, 1955; and two related receipts from A.J. Bauer & Co Apothecaries showing the breakdown and balance due.
Checks, 3 by 8 1/2 inches
 Estimate: $800 - $1,200
246515_0 246516_0 246517_0 


Lot 898: MARILYN MONROE PRODUCTIONS BANK STATEMENT
 A Colonial Trust Company bank statement for Marilyn Monroe Productions Inc. for January 1957, showing a series of withdrawals throughout the month with a balance of $47,768.62 on January 1 and $27,671.40 on January 31. There are handwritten calculations are in pencil on verso in an unknown hand. Together with a credit receipt from the same bank dated February 1, 1957, that states that $54.64 was credited back to the account.
10 by 7 inches
 Estimate: $600 - $800
246518_0 246519_0 
246520_0 


Lot 899: MARILYN MONROE PRODUCTIONS INVOICE
 An invoice from Luria's Wine & Spirits in New York City billed to Marilyn Monroe Productions and sent to "Mr and Mrs Paula Lee Strasberg [sic]." The invoice is for 12 bottles of Piper-Heidsieck champagnes totaling $73.08. Together with a statement from Luria's showing $3.55 credit for Marilyn Monroe Productions. Dates unknown.
Larger, 9 by 5 3/4 inches
 Estimate: $400 - $600
246521_0 


 Lot 974: MARILYN MONROE BANK STATEMENT, MARCH 1961
 A Marilyn Monroe Productions Inc. bank statement from Bankers Trust Company of New York showing credits and debits for the month of March 1961.
11 by 9 inches
 Estimate: $400 - $600
246625_0 


Lot 975: ENVELOPE ADDRESSED TO MARILYN MONROE
 An envelope addressed to Marilyn Monroe Productions Inc. The envelope is postmarked January 5, 1961, and is from Magnum Photos Inc. Two “Fragile Handle with Care” stickers are affixed to the envelope. Many of Monroe’s most famous photographs were taken by Magnum photographers, including Eve Arnold, Philippe Halsman, and Inge Morath. This item came from the estate of May Reis, Monroe’s assistant and private secretary from 1958 to 1961.
12 by 15 1/2 inches
PROVENANCE Partial Lot 120, "Julien's Autumn Sale," Julien's, Las Vegas, October 29, 2005
 Estimate: $50 - $100
246626_0 246627_0 247314_0   


Documents papiers - Carrière
Papers documents - Career


Lot 70: MARILYN MONROE PROGRAM FROM PRESIDENT KENNEDY'S 1962 BIRTHDAY CELEBRATION
 A program from the fundraising gala titled "Happy Birthday Mr. President" that took place at Madison Square Garden in New York City on May 19, 1962. The event featured Marilyn Monroe's now legendary performance of the song "Happy Birthday" to the president in her form-fitting Jean Louis gown. The program lists the other performers that night and is being sold together with Frieda Hull's ticket from the performance. The ticket cost $10, is numbered 827, and is listed as General Admission and additionally stamped "Standing Room" with right side of ticket torn off.
Program, 10 1/2 by 8 1/4 inches
PROVENANCE From the Estate of Frieda Hull
 Estimate: $1,000 - $2,000

245179_0 
245180_0 


Lot 74: MARILYN MONROE CORRESPONDENCE WITH LESTER MARKEL
 A series of letters including five unsigned file copies of Marilyn Monroe's letters to Pulitzer Prize-winning journalist Lester Markel of the New York Times together with five typed, signed letters from Markel on New York Times letterhead. The two had a friendship and an interesting series of communications dated between August 6, 1959, and June 30, 1960, including the now famous letter in which Monroe demonstrates her humor and comprehensive understanding of the politics of their time. On the subject of Fidel Castro, Monroe writes, "Now, Lester, on Castro. You see, Lester, I was brought up to believe in democracy, and when the Cubans finally threw out Battista [sic] with so much bloodshed, the United States doesn't stand behind them and give them help or support even to develop democracy." She also discusses possible presidential candidates and offers slogans for their campaigns in the post script: "Nix on Nixon" and "Back to Boston by Xmas - Kennedy." Two of the five pages of Monroe's file copies contain three drafts of the same letter that is left unfinished.
8 1/2 by 11 inches
PROVENANCE From the Estate of Lee Strasberg
 Estimate: $600 - $800
245197_0  245205_0 
245198_0 245199_0 245200_0 
245201_0 245202_0 
245203_0 245204_0 


Lot 75: MARILYN MONROE SIGNED TILE FROM PRESIDENT KENNEDY'S 1962 BIRTHDAY CELEBRATION
 A pair of celebrity signed ceramic tile displays with inscriptions to event producer Clive David. Each framed display consists of 16 tiles. The top six decorative tiles of each frame combine to read “1962.” The remaining 10 tiles of each display are covered with signatures and inscriptions to David, including an inscription from Marilyn Monroe. Monroe’s inscription reads “To Clive Love & Kisses Marilyn Monroe” and was obtained by David at the Madison Square Garden birthday celebration of John F. Kennedy held on May 19, 1962. Other performers who signed the tiles at this event include Maria Callas, Jack Benny, Jimmy Durante, Henry Fonda, Bobby Darin, Ella Fitzgerald, Shirley MacLaine, Sally Ann Howes and Dick Adler. Other celebrity signatures include Gloria Swanson; Paulette Goddard; Ray Bolger; Tab Hunter; Hedda Hopper; Una Merkel; Audrey Meadows; Earl Wilson; Ginger Rogers; Olivia de Havilland; Anita Loos; Lucille Ball; Carol Bruce; and Tallulah Bankhead; among others.
Each, 39 by 14 1/2 inches, framed
 Estimate: $8,000 - $10,000
245206_0  245207_0 


Lot 83: MARILYN MONROE JOHN F. KENNEDY 1962 BIRTHDAY GALA TICKET
 A ticket to the May 19, 1962 Birthday Party Gala held for President John F. Kennedy at Madison Square Garden. The ticket is marked for section 112, with a suggested contribution of $25.
3 3/4 by 8 inches
 Estimate: $3,000 - $5,000
245234_0  


Lot 96: MARILYN MONROE DOUBLE SIGNED 1947 DOCUMENT
 A single-page mimeographed letter dated June 11, 1947. The letter was drafted by Twentieth Century Fox Film Corporation for Monroe to sign and reads in part, "Whereas, I did heretofore enter into a personal services contract with you, dated August 24, 1946, and, whereas at that time I was a minor, and whereas I did, on June 1, 1947, become twenty-one (21) years of age, please be advised that I do hereby ratify and confirm all of the terms." The letter is then signed by Monroe in blue ink, both "Marilyn Monroe" and "Norma Jeane Dougherty." Together with a plain associated envelope.
8 1/2 by 11 inches
 Estimate: $5,000 - $7,000
245263_0 


Lot 132: MARILYN MONROE SIGNED 1949 CONTRACT
 A standard contract dated March 2, 1949, with the William Morris Agency Inc. for a period of six years with 10% terms. The contract is signed on verso in green ink "Marilyn Monroe." Accompanied by original letter from the agency that accompanied the contract dated March 10, 1949, addressed to Monroe at 1215 Lodi Place in Hollywood, California, reading "Dear Marilyn:/ Enclosed please find executed copies of your authorization with our office. Best regards" and signed Norman Brokaw.
8 1/2 by 11 inches
 Estimate: $3,000 - $5,000
245318_0  245319_0 


Lot 156: MARILYN MONROE NOTES WRITTEN ON BACK OF 1952 MENUS
 Two menus dated March 26, 1952, featuring notes on verso in blue ink in Monroe's hand that appear to have been taken during a meeting with someone advising her about her career. The menus are dated just 10 days after Monroe's nude modeling shots were made public by the media. Monroe had recently appeared in a number of films in small parts and had received positive mentions from critics. Monroe had just started dating Joe DiMaggio, and she was to appear on the cover of LIFE magazine the following month. This was clearly an important and pivotal period in her career, and it appears as though she was meeting with someone in the industry who gave her counsel. One of the warnings appears to come from Johnny Arnez; Monroe put's his warning in quotations: "you'll have to protect yourself or your throat will be cut/ watch out for Jerry Webb." It continues, "you'll prepare the test & Webb shoots it and if something is wrong it will [be] your fault." A great deal of the notes reference Webb and things he has said behind her back. Berniece Miracle mentions seeing Webb, the test director, in the Fox commissary in the late 1940s when she snuck onto the lot with Monroe to spend the day with her half-sister. The notes also contain thoughts from Monroe reading in part, "I need a great deal of work - and will always/ its the right kind of work/ -the more I will be able to stand on my feet." and "think with your body/ let go physically to ick up emotionally" and "you want me to be a star/ and I can be one of your greatest stars/ when I'm doing the right/ work and know I'm doing." Just over two months after these notes were written, Monroe learned that she had gotten the part of Lorelei Lee in Gentlemen Prefer Blondes.
10 1/2 by 5 inches
 Estimate: $4,000 - $6,000
245351_0  245352_0 


Lot 173: MARILYN MONROE HANDWRITTEN ACTORS STUDIO CLASS NOTES
 A single sheet of hotel stationery from the Waldorf Astoria, New York, where Monroe stayed between April and September 1955, with the opening salutation and start of a letter "Dear Art" that has been scratched out. The page is covered on recto and verso with notes, recounting the goings-on in one of Monroe's acting classes with Lee Strasberg. The notes begin with Monroe quoting something said by Strasberg: "I want you all to know that this exercise went on for/ 1/2 hour and her concentration did not/ give way or slip once-and Marilyn there/ will be very few times ever on the/ stage where it will be/ necessary to keep/ such a concentration/ for one half hour/ straight." Monroe then asks herself, "Why did it/ mean so much to me." On the back she continues to ruminate about class, writing, "Strasberg/ it makes me (him he said) feel badly (and sadly) for you that you do/ things out of fear/ You must start to do things out of strength-/ (my question: where do I get the strength)-he said-by not looking for strength/ but only looking & seeking tecnical [sic] ways and means." This presents a fascinating demonstration of how seriously Monroe took her formal acting training in New York.
LITERATURE Monroe, Marilyn, and Bernard Comment. Fragments: Poems, Intimate Notes, Letters. Pages 78-81. New York: Farrar, Straus and Giroux, 2010. 1-237. Print.
10 1/2 by 7 1/4 inches
 Estimate: $10,000 - $15,000
245376_0 245377_0 


Lot 174: MARILYN MONROE HANDWRITTEN SONG LIST
 A single sheet of hotel stationery from the Waldorf Astoria, New York, where Monroe stayed between April and September 1955. The verso of page contains a long list of song titles in pencil with some numeric references to a song standard book. It is presumed these were possibly songs that Monroe wanted to perform.
LITERATURE Monroe, Marilyn, and Bernard Comment. Fragments: Poems, Intimate Notes, Letters. Pages 82-83. New York: Farrar, Straus and Giroux, 2010. 1-237. Print.
10 1/2 by 7 1/4 inches
 Estimate: $3,000 - $5,000

245378_0 


Lot 192: MARILYN MONROE HANDWRITTEN NOTE
 A single sheet of unlined paper with serrated left edge and faint coffee mug stain. The page contains pencil notations, including the numbers "262" and "263," which are believed to be references to a collection of song standards, [see Lot 256] and would correspond to "While We're Young" and "Wonderful Guy." The body of the text reads "Dec 11/ See in older journal-/ always admired men who had many women./ It must be that to a child of a dissatisfied woman/ the idea of monogamy is hollow."
LITERATURE Monroe, Marilyn, and Bernard Comment. Fragments: Poems, Intimate Notes, Letters. Pages 164-165. New York: Farrar, Straus and Giroux, 2010. 1-237. Print.
8 by 4 7/8 inches
 Estimate: $4,000 - $6,000
245412_0 


Lot 193: MARILYN MONROE HANDWRITTEN NOTE
 A single page torn from a lined spiral-bound notebook, stained in red ink. Presumably torn from the same notebook as the similarly stained pages also included in this sale that also date to 1956. The page contains dialogue from Monroe's film, Bus Stop as she portrays Cherie, who asks Elma for help: "Pardon me I'm sorry to wake you/ But I wonder if you could help/ me/ I'm being abducted/ you know-kidnapped-by-him/ I thought maybe as soon as/ we got some place I'd ask the/ driver to stop and let me off/ But we been driving for hours/ and we still don't seem to be/ nowhere at all-not only that/ but I'm freezing to death-I/ ain't got much on under/ my coat."
LITERATURE Monroe, Marilyn, and Bernard Comment. Fragments: Poems, Intimate Notes, Letters. Pages 166-167. New York: Farrar, Straus and Giroux, 2010. 1-237. Print.
8 1/2 by 11 inches
 Estimate: $6,000 - $8,000
245413_0  


Lot 194: MARILYN MONROE NOTEBOOK PAGES
 Two pages torn from a lined spiral-bound notebook, both stained in red ink. The first page was published in the book Fragments and contains references to "The Sleeping Prince," an early production title for Monroe's film The Prince and the Showgirl, dating these writings to 1956. The notes show Monroe becoming her own task master, reminding herself "don’t stop myself," "learn - lines logically," "I can't do more than/ one thing at a time/ make map tonight," and "take my time to think." She instructs herself to make a list of tasks and work on exercises, which perhaps explains the cryptic writings on the second page that did not appear in Fragments, reading in full, "From Ridding partly/ T Nautiousness [sic]/ Place/ personalization (A)/ weariness/ (J)/ (Ar).""
LITERATURE Monroe, Marilyn, and Bernard Comment. Fragments: Poems, Intimate Notes, Letters. Pages 168-169. New York: Farrar, Straus and Giroux, 2010. 1-237. Print.
8 1/2 by 11 inches
  Estimate: $3,000 - $5,000
245414_0 


Lot 195: MARILYN MONROE HANDWRITTEN NOTE
 A single lined page torn from a Steno notebook with ragged spiral tab top edge. The note in pencil appears to be Monroe jotting down notes regarding the reasons Elia Kazan did not want to cast her In the title role of his 1956 film Baby Doll, written by Tennessee Williams. One of the notes reads "He said that I've become so deified as a sex symbol that public never except [sic] me as a virgin and as a nineteen/twenty year old."
LITERATURE Monroe, Marilyn, and Bernard Comment. Fragments: Poems, Intimate Notes, Letters. Pages 170-171. New York: Farrar, Straus and Giroux, 2010. 1-237. Print.
8 3/4 by 6 inches
 Estimate: $3,000 - $5,000
245415_0  


Lot 196: MARILYN MONROE 1960 NOTE FROM THE SET OF THE MISFITS
 A single-page letter written in pencil outlining Monroe's thoughts regarding how the film should be shot to convey the presence of Clark Gable's character in the film The Misfits Gay Langland. The note reads in part, "I feel the camera has got/ to look through Gay's/ eyes whenever he is in a/ scene and even when he is/ not there still has to be a sense of/ him/ He is the center and the/ rest move around him."
LITERATURE Monroe, Marilyn, and Bernard Comment. Fragments: Poems, Intimate Notes, Letters. Pages 172-173. New York: Farrar, Straus and Giroux, 2010. 1-237. Print.
8 by 5 inches
 Estimate: $4,000 - $6,000
245416_0  


 Lot 200: MARILYN MONROE HANDWRITTEN NOTE TO LEE STRASBERG
 A single page of lined paper from a Steno notebook with doodles of faces in pencil below a quick note about punctuality references Monroe's role as the routinely tardy Miss Lois Laurel in her 1952 film Monkey Business. Below this note is a note in Lee Strasberg's hand reading "Don't be nervous Marilyn/ you are doing swell &/ you look wonderful."
LITERATURE Monroe, Marilyn, and Bernard Comment. Fragments: Poems, Intimate Notes, Letters. Pages 186-187. New York: Farrar, Straus and Giroux, 2010. 1-237. Print.
8 3/4 by 6 inches
 Estimate: $4,000 - $6,000
245422_0  


Lot 201: MARILYN MONROE HANDWRITTEN NOTE TO LEE STRASBERG
 An undated handwritten note by Monroe to mentor Lee Strasberg, on a single sheet of lined notebook paper torn from a spiral-bound Steno book, reading “Dear Lee/ One of the most personally helpful things I’ve heard so far in my life was what you said in class Friday afternoon – it was helpful in that I feel as though I’m a little bit freer – also more – I can’t think of any I mean by that more relaxed 2 and 2 don’t necessarily make 4.
LITERATURE Monroe, Marilyn, and Bernard Comment. Fragments: Poems, Intimate Notes, Letters. Pages 188-189. New York: Farrar, Straus and Giroux, 2010. 1-237. Print.
9 by 6 inches
 Estimate: $10,000 - $20,000
245423_0 


Lot 203: MARILYN MONROE LETTER TO LEE STRASBERG
 A two-page typed letter, signed, to mentor Lee Strasberg, dated December 19, 1961, with original transmittal envelope addressed to Strasberg's Central Park West address, postmarked Beverly Hills Calif. December 21, 1961. The letter, addressed "Dear Lee," asks Strasberg’s wife Paula and children Susan and Johnny to consider relocating to California to be part of a new production company Monroe was developing in partnership with fellow Actors Studio alumnus Marlon Brando. The letter is signed in blue ink in Monroe's hand simply "Marilyn."
LITERATURE Monroe, Marilyn, and Bernard Comment. Fragments: Poems, Intimate Notes, Letters. Pages 196-197. New York: Farrar, Straus and Giroux, 2010. 1-237. Print.
 Estimate: $7,000 - $9,000
245425_0 
245426_0  245427_0 


Lot 211: MARILYN MONROE NOTE FROM ROBERT MITCHUM
 A typed, signed letter from Darryl F. Zanuck dated December 10, 1953, addressed "Dear Bob:" for Robert Mitchum. The letter thanks Mitchum for his cooperation in connection with shooting retakes for the film River of No Return and in turn apologizes: "I am also very sorry about the delay with Marilyn. We could not possibly anticipate such action." Mitchum has written in quite large letters in blue ink "Dig!!!" above the note, and on verso he has written "Marilyn/ Your girl is my/ girl and my girl is/ you - Ever Bob." The note documents Mitchum's loyalty to Monroe, having first met her when she was married to Jim Dougherty, revealing Zanuck's speaking ill of her.
10 1/2 by 7 1/4 inches
 Estimate: $500 - $700
245438_0  245439_0 


Lot 249: MARILYN MONROE PHOTOGRAPHS AND LETTER FROM REPORTER
 A typed letter signed by St . Petersburg Times photographer George Sweers dated March 23, 1961. The letter thanks Monroe for allowing him to ask a few questions and take a few pictures the previous day and goes on to reminisce about spending time with her when she entertained the troops in Korea. He writes, "This, as you probably remember, was the shot we had made on the Eastern Front after the last show." He included two copies of the photograph, requesting that Monroe sign one and send it back to him. Together with both copies of the photos that accompanied the letter.
8 1/2 by 11 inches
 Estimate: $400 - $600
245495_0 
245496_0  245497_0 


Lot 250: MARILYN MONROE CARD FROM ELLA FITZGERALD
 A vintage Hallmark Christmas card, undated, wishing a "Merry Christmas To Someone Nice," signed in blue ink "Ella Fitzgerald." While it is often reported that Monroe helped to get Fitzgerald a booking at the Mocambo club in Hollywood, due in large part to Fitzgerald's own recollections, documentary evidence supports the fact that Monroe actually attended Fitzgerald's performances at The Tiffany Club in 1954.
7 by 6 inches
 Estimate: $500 - $700
245498_0 
245499_0  245500_0 


Lot 251: MARILYN MONROE SECRETARIAL MEMO REGARDING ELLA FITZGERALD
 A typed memo dated February 15, 1955, on the letterhead of business manager Inez Melson, titled "Memo of conversation with Jo Brooks." Brooks was the husband of Julies Fox, who handled publicity for Ella Fitzgerald, and the memo says that, "A few months back, Miss Monroe visited the Tiffany Club on West 8th Street where Ella Fitzgerald was playing. Miss Fitzgerald talked of a possible future date at the Mocambo and Miss Monroe said when this happened, she would like to give a party for Miss Fitzgerald./ Miss Fitzgerald will open at the Mocambo on March 15 and Miss Brooks wanted to know if Miss Monroe was serious about giving a party." This memo further explains the sequence of events and the fact that Monroe did not in fact play a part in getting Fitzgerald booked at the Mocambo as she stated to the press at one time.
6 1/4 by 7 1/4 inches
 Estimate: $100 - $150
245501_0  


Lot 252: MARILYN MONROE NOTE TO LEE STRASBERG
 A small note in pencil in Monroe's hand on the back of a piece of paper taken from a visitor's log. The note appears to be a draft written to accompany a book Monroe was giving to Lee Strasberg as a gift, reading in part, "For Lee/ I wanted to give you something for your library - you are giving me a way in which to work and the hope to be human -/ Love Marilyn." Multiple additions and strikethroughs with changing of wording.
6 by 3 1/4 inches
 Estimate: $1,500 - $2,000
245502_0  


Lot 253: MARILYN MONROE GIFT NOTE TO PAULA STRASBERG
 A small piece of plain white paper folded into a card reading "Dear Paula,/ I'm glad you were born because you are needed./ Your warmth is both astonishing and welcomed./ Love & Happy Birthday/ Marilyn."
6 by 4 inches
 Estimate: $3,000 - $4,000
245503_0  245504_0 


Lot 254: MARILYN MONROE ACTORS STUDIO NOTES
 Two sheets of paper from a small spiral-bound planner dated April 3 and 4 as well as a sheet dated April 7 and 8. The pages contain notes in pencil in Monroe's hand reading, for April 3, "Remember - the actors concentration is the only thing between him and suiside [sic]/ try not to come to the scene too late - (exploration - sensory process Home work - after on stage - carry it on (on stage)"; April 4, "Everybody want to be happy (to be good actors) to make money (in my case) and look how miserable we make one another"; April 7, "Nothing can get through tension - what ever you might want to do/ the effort is the only thing the human being (the actor) has between himself and God knows what!"; and April 8, "Just do tecnical [sic] exercises as fully as I can."
3 1/2 by 2 1/2 inches
 Estimate: $4,000 - $6,000
245505_0  245506_0 


Lot 255: MARILYN MONROE NOTEBOOK WITH NOTES FROM ACTING CLASS
 A black board notebook with red spine containing lined notebook paper with notes in Monroe's hand. A very large letter "M" is drawn inside the front and back covers. There are multiple notes written in another hand on the first page of the book, but the next page contains notes in Monroe's hand in pencil with ideas for a "Street Car Scene" reading in part, "begin with ? (1st grade happening Mexican boy accuses me of hurting him - having to stay after school it was nite [sic] outside - have place - concern because of Stan K. accusations plus - getting dress for Mitch trying to look nice especially since what Stan K. has said." The note also suggests she hum "Whispering while you hover near me," which is a song standard found in her notebook of standards in the following lot, only the lyric is "Whispering while you cuddle near me." The front and back of the last page of the book contain notes from acting class, including "during exercise - lee said let the body hang"; "2 exercises at one time/ cold & Touch/ one might not be enough for what's needed"; and "sense of oneself/ first thing a child (human being) is aware of (making a circle) touching ones foot knowing himself is separate from the rest of the world," among others.
8 by 6 1/4 inches
 Estimate: $4,000 - $6,000
245507_0 245508_0 
245509_0 245510_0 245511_0 
245512_0 245513_0


Lot 256: MARILYN MONROE SONGBOOK
 A three-ring binder, in black laminated board, both front and back covers detached but present. The binder contains more than 369 indexed pages of song standards with front table of contents page dividing them into broad categories: "Standard Foxtrots and Show Tunes," "Latin American Tunes" and "Foreign Songs." One page has a pencil notation beneath the song "You Do Something To Me" by Cole Porter; the writing is quite small and difficult to identify the hand. It is from this book that certain three-digit numbers mentioned in some of Monroe's notebooks were thought to have originated, like the numbers 262 and 263 in Lot 192.
11 1/4 by 10 inches
 Estimate: $400 - $600
245514_0 245515_0 
245516_0  245517_0 
245518_0  245519_0 


Lot 258: MARILYN MONROE LETTER FROM EDWARD R. MURROW
 A single-page typed, signed letter dated November 7, 1955, on Edward R. Murrow's personal stationery addressed to Marilyn Monroe in care of Mr. Green in Weston, Connecticut. The letter was sent in advance of Monroe receiving a complimentary copy of Columbia Records album compilation excerpts from some of Sir Winston Churchill's speeches. The letter is signed "As ever yours, Ed/ Hope you like it!" Together with original transmittal envelope with CBS Radio stamp, postmarked November 7, 1955.
10 1/2 by 7 1/4 inches
 Estimate: $300 - $500
245521_0  


Lot 260: MARILYN MONROE HANDWRITTEN LINES FROM A SCENE
 Two lined notebook pages with block letter “MMM” printed to left margin. The pages contain most of the dialogue from Act I, Scene 4, delivered by the character Lorna in Clifford Odets’ 1937 play Golden Boy. The second page contains the same lines written out twice and traced over multiple times, likely part of Monroe’s process of trying to memorize the lines for a scene performed in one of her Actors Studio classes.
12 3/8 by 8 inches
 Estimate: $2,000 - $3,000

245523_0  


Lot 263: MARILYN MONROE BUS STOP SIDES AND NOTES
 A group of 16 pages containing some of Monroe's lines from the film Bus Stop. Five of these pages have the lead in to Monroe's lines added in red ink in another hand, likely Paula Strasberg. Together with a single half page entirely filled with notes in Monroe's hand in pencil and red ink. The notes read in part, "Waking up - scene/ Headache/ tiredness - headache / go to sleep/ I don't want to be here" and "first scene with Vera/ I tell it as a/ told as a fairy tale/ Once upon a time."
5 1/2 by 8 1/2 inches
Estimate: $10,000 - $20,000
245530_0  245531_0   


Lot 264: MARILYN MONROE ANNOTATED BUS STOP SCRIPT SIDES
 A small bound group of 31 mimeographed half pages containing Monroe's dialogue for the film Bus Stop. Ten of the pages contain notes in Monroe's hand in pencil. Additional notes in the hand of Paula Strasberg and an administrative hand. A note in Monroe's hand on the first page next to lines about her character Cherie wanting to be respected and tired of being "pawed at and pinched at" reads "Fight with manager/ A.M. H. Cohn middle of dinner party" clearly references incidents Monroe wished to draw upon from her life in the scene. Another note in Monroe's hand written beneath the line "Oh - it's you!" reads "(Good God it's you)."
5 1/2 by 9 1/2 inches
 Estimate: $10,000 - $20,000
245532_0 245533_0 245534_0   


Lot 265: MARILYN MONROE ANNOTATED BUS STOP SCRIPT SIDES
 A group of seven half sheets of paper, held together with a straight pin, containing some of Monroe's lines from the film Bus Stop. Six of the seven pages contain notes in Monroe's hand. This is the first film Monroe made after beginning to study at the Actors Studio in New York City with Lee Strasberg, and the notations in these script sides demonstrate her method. Some of the notes are sense memories, like the following notation written after the line "I can't look": "Effective memory (use Lester - hurt on lawn)," most likely referencing Monroe's childhood playmate Lester Bolender, who was in the same foster home with Monroe. Another note adds "(almost to myself)" before a line to inform her delivery or "Scarfe [sic] around my arms) Embarrassed."
5 1/2 by 8 1/2 inches
 Estimate: $10,000 - $20,000
245535_0 245536_0 245537_0 


Lot 300: MARILYN MONROE LIST OF APPROVED DIRECTORS
 A single piece of hotel stationery paper from The Towers of the Waldorf Astoria in New York City containing a list of directors' names titled "OK List" in another hand with pencil notations in Monroe's hand throughout. Monroe's comments are simple, in some cases listing other works by the director, like "(Bus Stop)" next to Josh Logan's name and "(Musical)" next to "Vincent Minnelli." Jean Renoir is crossed out with a bubble reading "subject to material." A note at the bottom of the page reads "submit other names/ open for suggestions other than these."
10 1/2 by 7 1/4 inches
 Estimate: $3,000 - $5,000
245615_0  


Lot 301: MARILYN MONROE SAG CARD AND RECEIPT
 A Screen Actors Guild membership card for the period beginning May 1, 1959, and ending November 1, 1959. "Marilyn Monroe" is typed onto front of card as well as her membership number. Together with Monroe's carbon copy receipt for payment of $80 on May 11, 1959, listing her home address as 444 East 57th Street, New York City.
Card, 2 1/2 by 3 1/2 inches
 Estimate: $3,000 - $5,000
245616_0  


Lot 302: MARILYN MONROE AFTRA CARD AND RECEIPT
 An American Federation of Television and Radio Artists membership card for the period ending November 1, 1958, with typed "Marilyn Monroe" on front, unsigned on back. Together with the receipt dated May 23, 1958, for payment of the dues for period ending November 1, 1958, in the amount of $38, which included overdue payment and penalty. Monroe's address is listed as 444 East 57th St. New York on the receipt for payment.
Card, 2 1/2 by 3 1/2 inches
 Estimate: $2,500 - $3,500
245617_0  


Lot 308: MARILYN MONROE NOTES ON ACTING
 A single sheet of lined yellow paper with notes in blue ink, in Monroe's hand, reading in part, "keeping all of the changes of pantomime & grimaces etc inside, then it forces the eyes - it all comes through the eyes" and "Constantly practicing that letting go/ in which you don't do in life which isn't necessary or something/ feeling how it feels and practicing that/ your spirit speaks."
12 1/2 by 8 inches
Estimate: $3,000 - $5,000
245623_0 


Lot 313: MARILYN MONROE MOTION PICTURE ACADEMY CARD AND CORRESPONDENCE
 A series of letters, the first on Academy of Motion Picture Arts and Sciences (AMPAS) letterhead signed by then president George Stevens, dated October 28, 1958, inviting Monroe to become a member of the Academy. The second letter is an unsigned file copy of Monroe's response dated January 12, 1959, reading in part, "I have been indisposed and away and did not see your letter until now." She asks for further details regarding the by-laws. The next letter on AMPAS letterhead is signed by then executive director Margaret Herrick, dated January 19, 1959, accompanied a copy of the Academy by-laws. The last letter, on AMPAS letterhead, signed by Stevens, dated March 5, 1959, welcomes Monroe to the Academy and is accompanied by Monroe's Academy membership card for the year 1959 on the original card, still in the holder in which it was sent.
Largest, 8 1/2 by 11 inches
 Estimate: $8,000 - $12,000

245628_0  245629_0  


Lot 368: LAURENCE OLIVIER LETTER TO MARILYN MONROE
 A seven-page autograph letter on four leaves of paper in the hand of Sir Laurence Olivier on blue stationery with Olivier's Lowndes Cottage address and original envelope addressed "For Miss Marilyn Monroe from L.O." in Olivier's hand. There are numbered notations throughout the letter in red wax pencil, underlining words that were difficult to make out. The letter is together with a three-page typed transcription of the letter with corresponding numbered blanks for each of the difficult words, which have been filled in by hand. The letter is dated simply June 9, and it accompanied the latest version of the script for The Prince and the Showgirl. Olivier discusses Monroe's dialogue and that he has "written some extra dialogue and a direction or two." He reports on where they are in the script writing process and that they have cut the script down from "well over 3 hours" to 2 1/2, to 2 hours 10 minutes. He continues about the scenes that were and were not cut, including "The Duke of Strelitz is, I think essential, as otherwise they will be saying 'what's the matter with them - why the heck can't they get married' particularly in view of Grace Kelly and all that, and our only answer to that question must be 'Yes but Look at the poor Windsors' do you see?"
On an amusing note, Olivier mentions, "By the way Lady Maidenhead has degenerated to Lady Swingdale because I am assured the Hayes Office will not believe there is also a place in England of that name." He closes "I just called up Vivien at the theatre ... and she said to be sure to give you her love. So here it is and mine too. Longing to welcome you here. Ever, Larry."
Largest, 8 1/2 by 11 inches
 Estimate: $1,800 - $2,200
245701_0 
245702_0 245703_0 
245704_0 245705_0 245706_0 


Lot 369: ARTHUR MILLER LETTER TO MARILYN MONROE
 A single piece of lined yellow paper, torn in half, with an autograph letter in Miller's hand addressed "Dear Poke." The letter outlines Miller's thoughts about the script for The Prince and the Showgirl as well as his feelings about Monroe taking on the project, reading in part, "Some of your dialogue is stiff. Also some expressions are too British. If you want me to, I can go through the script and make the changes - - in New York./ I think the part - on one reading, is really the Best one ... especially with you playing it. You are the one who makes everything change, you are the driving force ... The basic problem is to define for yourself the degree of the girl's naivete. (It could become too cute, or simply too designing.) It seems to me, at least, that they have not balanced things in Olivier's favor. ... It ought to be fun to do after Bus Stop. From your - (and my) - viewpoint, it will help in a small but important way to establish your ability to play characters of intelligence and cultivation. ... Your loving Papa - (who has to rush now to make the plane - see you soon! - free!) - Art." The back of the page has the name Sydney Guilaroff, famed MGM hairdresser, and his phone number written large in red wax pencil.
8 1/2 by 11 inches
 Estimate: $2,000 - $3,000
245707_0  245708_0 


Lot 370: LAURENCE OLIVIER LETTER TO MARILYN MONROE
 A single-page autograph letter on personal stationery, undated, from Laurence Olivier to Monroe reading in part, "Dear Marilyn/ It was so sweet of you to send the enchanting wires. … I am extremely excited at our prospects - You were so angelic in New York. Thank you for all your sweetness/ I think with great joy of our future meeting./ Ever, Larry."
6 7/8 by 5 1/8 inches
 Estimate: $800 - $1,200
245709_0 245710_0 


Lot 371: LAURENCE OLIVIER FLORAL ARRANGEMENT CARD TO MARILYN MONROE
 A simple plain white card with autograph message to Monroe in the hand of Sir Laurence Olivier reading "Marilyn, It has been so lovely meeting you, knowing you and now knowing that such exciting things and such fun are ahead. Love and Thank You, Larry."
2 1/4 by 3 1/4 inches
 Estimate: $300 - $500 
245711_0  245712_0 


Lot 378: MARILYN MONROE ROYAL FILM PERFORMANCE LETTERS
 A group of documents regarding Monroe's attendance to the Royal Film Performance at the Empire Theatre held October 29, 1956. This is where Monroe was formally presented to Her Majesty, Queen Elizabeth II. The first document, two pages, is dated October 2, 1956, and contains general information about the proceedings and rehearsals for the evening with time schedules. The second document is addressed to Monroe at Parkside House in Surrey, England, and advises Monroe that she is to be included in the presentation to Her Majesty, The Queen. This single-page letter has a small slip of paper stapled to the upper left reading "Dress/ Full Evening Dress/ No decorations/ No gloves for Gentlemen/ White gloves for Ladies." Together with Monroe's presentation card.
Largest, 8 1/2 by 11 inches
 Estimate: $400 - $600

245722_0 245723_0 245724_0 


Lot 381: MINUTES FROM A MEETING WITH MARILYN MONROE
 Two small unlined pages from a six-ring binder, with typed notes from a meeting held April 3, 1958, at 2:30 pm at Monroe's 444 East 57th Street apartment. The notes list attendees as Lew Wasserman, Mort Viner, Marilyn Monroe and Arthur Miller. Among the topics discussed were how to handle Monroe's stalling of Billy Wilder regarding accepting the assignment for Some Like It Hot, one note reading "MCA on the Coast has told Wilder that there are 'legal technicalities holding up her decision' so as not to offend Wilder. Actually, she is waiting for Sinatra to enter the picture. She still doesn't like Curtis but Wasserman doesn't know anybody else."
6 by 3 1/2 inches
 Estimate: $300 - $500
245728_0   


Lot 412: MARILYN MONROE ANNOTATED SOME LIKE IT HOT SCRIPT SIDES
 Two half sheets of paper with green and black typed text containing some of Monroe's lines from the film with notations in Monroe's hand. One notation above the line mentioning the most wonderful dream reads "100 Cary Grants." Above the line of dialogue reading "He was the first nice guy I ever met in my life and the only one who ever gave me anything," Monroe has written simply "Jake."
5 1/2 by 8 1/2 inches
 Estimate: $3,500 - $4,500
245764_0  


Lot 413: MARILYN MONROE SOME LIKE IT HOT SCRIPT PAGES
 A red paperbound folio containing seven typed pages for Monroe's scene with Tony Curtis in Some Like It Hot on the yacht. The pages are clean with the exception of two pencil lines drawn next to two of Monroe's lines.
9 by 11 1/2 inches
 Estimate: $2,000 - $3,000
245765_0 245766_0  


Lot 414: MARILYN MONROE SOME LIKE IT HOT PRODUCTION PAPERS
 A group of production documents including a call sheet for the film Some like It Hot dated November 7, 1958, with additional "Last Day" written in red pencil indicating that it was the last day of shooting. Together with a two-page yellow staff sheet for the film and a three-page cast sheet listing contact information for the entire cast, including Marilyn Monroe's secretary May Reis.
8 1/2 by 11 inches
 Estimate: $400 - $600
245767_0  245768_0  


Lot 415: MARILYN MONROE SOME LIKE IT HOT MEAL RECEIPTS
 A large group of 32 meal receipts from the MGM Studios cafe dated between September 5 November 10, 1958, with itemized listings of the food and beverages Monroe ordered while filming Some Like It Hot at the studio. Some receipts have delivery notations "to Stage 3" and "to dressing room." On one receipt dated September 25, 1958, the order includes two hamburger steaks, "1 well done/ 1 rare/ 2 cottage and fruit salads/ 1 ice coffee/ 1 milk/ well done lunch send on stage 3/ rare lunch send to dressing room." Some of the receipts indicate that meals were for others, including "Lunch for Miss Reis - Lunch for Maid." All but one receipt is dated, and frequently ordered items include ice cream, double sirloin, ham and cheese, pot of coffee, lox and cream cheese, donuts, pie a la mode, meatloaf, pastrami, Danish, and many other items.
Largest, 7 3/4 by 4 1/4 inches
 Estimate: $500 - $700
245769_0 
245770_0 245771_0 245772_0 
245773_0   


Lot 417: MARILYN MONROE SOME LIKE IT HOT PRESS RELEASES
 A group of three press releases, five pages total, from United Artists Corp. dated March 24, April 6, and June 16, 1959, announcing record box office numbers as well as an extended run in theaters. Together with a five-page cast list and synopsis with cover page sent out for press purposes.
8 1/2 by 11 inches
 Estimate: $200 - $300
245775_0  


Lot 418: MARILYN MONROE RESPONSE TO TONY CURTIS QUOTATION
 A small piece of paper with note in pencil in Monroe's hand reading "There is only one way he could comment on my sexuality, and I'm afraid he has never had the opportunity!" This comment has been reported to be in response to the now famous glib remark made by Tony Curtis in a screening room during production of Some Like It Hot , where he famously said that kissing Monroe was "like kissing Hitler." Curtis said this in a private setting to crew and other people present during production, including Paula Strasberg. Despite the fact that he denied the comment when it got back to Monroe, later in his life he did reportedly admit to saying it.
5 by 8 inches
 Estimate: $2,000 - $3,000
245776_0  


Lot 426: MARILYN MONROE TRADE ADS
 Two pages torn from the March 9, 1960, issues of The Hollywood Reporter and Variety featuring an appreciative "Love and Kisses/ Marilyn Monroe" message from Monroe in appreciation of winning the Best Actress in a Comedy or Musical Golden Globe award.
12 1/4 by 9 1/4 inches
 Estimate: $200 - $300
245790_0  


Lot 432: MARILYN MONROE AFTRA CARD AND RECEIPTS
 An American Federation of Television and Radio Artists membership card for the period ending November 1, 1959, still attached to the larger receipt for payment card. The card is unsigned, and Monroe's address is listed as 444 East 57th St. New York. The receipt portion of the card is for a payment in the amount of $23 dated June 15, 1959. Together with a receipt dated December 1, 1958, for payment of dues in the amount of $16.
Largest, 4 by 9 inches
 Estimate: $3,000 - $5,000
245799_0  245800_0


Lot 435: MARILYN MONROE RECEIPT FOR CECIL BEATON PHOTOGRAPH
 A shop receipt from Peter A. July & Son photographers of fine arts in New York City in the amount of $165.44. The receipt is dated January 19, 1960, and is written in the name of Mrs. Marilyn Monroe of The Beverly Hills Hotel for 24 matte copies of "Beaton Photos" plus United Parcel Air Service delivery. It has been widely reported that Cecil Beaton's portrait of Monroe was her favorite portrait of herself and that she kept copies on hand to sign for people.
8 1/2 by 5 3/4 inches
 Estimate: $200 - $300
245807_0  


Lot 436: MARILYN MONROE INVOICE FROM CECIL BEATON
 A "Copy Invoice" in the amount of 37.16 British pounds dated August 2, 1957, on a single sheet of Cecil Beaton's stationery. The receipt is written in the name of Marilyn Monroe Productions Inc. and is billing work that occurred in November 1956 listed as, "Photographs supplied for Miss Marilyn Monroe:- 12 prints No. 109 8" X 10" mounted." It has been widely reported that Beaton's portrait of Monroe was her favorite portrait of herself and that she kept copies on hand to give to people.
8 by 6 inches
 Estimate: $300 - $500
245808_0  


Lot 437: MARILYN MONROE LETTERS FROM FAMOUS PHOTOGRAPHERS
 Two letters and two telegrams from photographers with whom Monroe had famous collaborations: a single-page autograph letter on personalized stationery dated October 28, 1959, from Philippe Halsman commenting on the famous LIFE magazine cover, saying "It could have been printed better, you could have been better centered - but nevertheless it is the most charming and unusual cover LIFE has had in years. Everybody loves it."; a two-page typed, signed letter from Cecil Beaton dated May 9, 1956 regarding a shoot and other catching up; a telegram from Richard Avedon dated July 9, 1958, regarding the photos from one of their recent shoots needing to be re-shot; and a telegram from Avedon dated simply July 10 regarding working on a television show.
Largest, 10 by 8 inches
 Estimate: $400 - $600
245809_0  


Lot 439: MARILYN MONROE CORRESPONDENCE WITH PORTRAIT ARTIST
 Two typed and signed letters from artist Jon Whitcomb to Monroe regarding his original painting of Monroe used for the March of 1959, cover of Cosmopolitan magazine, the first dated June 22, 1959, reading in part, " Cosmopolitan has returned the painting of your cover which was on the March issue. I haven't forgotten that I promised it to you; so if you still want it, how do I make delivery?" The second dated October 6, 1959, proposes a plan to drop off the painting at Monroe's building. Together with a typed, unsigned file copy of a response from Monroe dated September 24, 1959, reading in part, "Please forgive the long delay in answering, but I have been up to my derriere in preparations for two movies for the near future; public-relations, home-relations -- please understand./ I would love to have the picture from you and I repeat 'at last to be a Whitcomb girl!"
8 1/2 by 11 inches
 Estimate: $300 - $500
245812_0   


Lot 440: MARILYN MONROE ACTING EXERCISE AND NOTES
 A single sheet of lined yellow paper with dialogue written out in pencil in Monroe's hand: "Where did he go? He told you I know he did/ If you'd only have given me a little longer - He was in love with me - we'd have been married you didn't want me to have him from the beginning/ you wouldn't let me wear those pretty things/ Even when I told you about the doll - you/ sent those people around/ He died! But he said/ he came back - Tell/ Me - tell me -." The front and back of the page is then covered with small performance notes, including "The thought focus on partner not on word then let go of word"; "don't do with words & voice"; "Let go everything elastic keep the pick up lay on the horse"; and "to be as relaxed let go of mouth speech thought," among many others.
12 1/2 by 8 inches
 Estimate: $6,000 - $8,000
245813_0 245814_0   


Lot 441: MARILYN MONROE BREAKFAST AT TIFFANY'S SCRIPT AND REPORT
 A clean copy of the screenplay for Breakfast at Tiffany's written by George Axelrod and dated July 9, 1959. Monroe was considering the part, and she sought the opinions of her professional team including the Strasbergs, her husband, and management team. The script is accompanied by a single-page, typed "report" dated September 23, 1959, which also has the name "Parone" typed to the left of the date. Literary luminary Edward Parone was at the time running Monroe's production company and most likely is the one who wrote this single-page, scathing review of the script, leading with the simple sentence, "I think not." It goes on to criticize the screenplay, determining, "I can see Marilyn playing a part like Holly and even giving this present one all the elan it badly needs, but I don't feel she should play it: it lacks insight and warmth and reality and importance." It has been long reported that Monroe declined the part upon the advice of Lee Strasberg, but this document provides further evidence that other people in her inner circle advised her not to take the role. Together with a four-page shooting schedule for November 4, 1960, for the film.
Largest, 14 by 8 1/2 inches
 Estimate: $1,500 - $2,500
245815_0 245816_0   


Lot 442: MARILYN MONROE ACTORS STUDIO NOTEBOOK
 A small six-ring binder containing lined notebook pages in a black and red vinyl case by National. The small notebook contains 10 pages of notes in Monroe's hand, in pencil, on eight leaves of paper. The notes were taken during a class with Lee Strasberg and record bits and pieces of things that "Lee said," as is repeated on many pages, which include "For yourself not for us - or one doesn't use own sensitivity/ girl crying continuously Lee said - There should be a certain pleasure in This, in acting - we don't stop these things - she stoped [sic] crying only at those times"; "problems-all the more to be solved got to keep swimming/ criticism can be taken - to incite the will not self criticism"; "the actor has to do what the character has to do - let the author worry about his words"; "Life of - reality of champagne (you don't open every bottle the same) actor in scene took for granted (girl is going to be good (New). Boy - said lines no effort - like crossing street - Lee said he wants - Behavior - When someone is trying to make someone (love etc.) how does one go about it/ Lee said - girl simplicity good honesty, to begin (New) with - but..." The last notes are taken on two sides of one leaf of paper and read "My heart Belongs To Daddy Number/ Remember always left -" and "While tearing off/ caddy-move head a little/ Daddy R. shoulder up/ call dog in closer"; clearly, these notes are for Monroe's musical number in Let's Make Love (20th Century Fox, 1960). The notes correlate with the lyrics of the song, and indeed Monroe does move her head a little during the first verse that mentions the caddy, and she does raise her right shoulder up the first time she says "Daddy" in the chorus.
5 1/4 by 4 inches
 Estimate: $20,000 - $30,000
245817_0 

245818_0 245819_0 245820_0  


Lot 445: MARILYN MONROE RECEIPTS FOR 34TH BIRTHDAY CELEBRATION
A receipt from Gill’s Old Fashioned Ice Cream, dated June 1, 1960, for 100 ice cream treats, together with a receipt from Paper Unlimited, Inc. for forks, spoons, napkins, plates and a tablecloth, dated May 24, 1960. Both receipts are addressed to Hazel Washington, Monroe’s studio maid at Twentieth Century Fox. Monroe celebrated her 34th birthday on the set during filming of Let’s Make Love .
 Estimate: $400 - $600
245827_0  


Lot 446: MARILYN MONROE TAXI RECEIPT
A receipt from the Yellow Cab Company dated February 4, 1960, in the amount of $1.50. The cab lists a trip from simply “904” to “20th Century,” presumably 20th Century Fox, where Monroe had already begun filming the 1960 release Let’s Make Love .
 Estimate: $150 - $250
245828_0  


Lot 447: MARILYN MONROE PAYMENT MEMOS
 A group of five pages of documents concerning the deduction of money from one of Monroe's payments from Fox Studios for her work on Let's Make Love . The first letter, dated February 16, 1960, from Mort Viner at MCA is addressed to Monroe's secretary, May Reis, explaining that Sydney Guilaroff wanted more money than Fox was willing to pay him for his services in styling Monroe's hair in Let's Make Love and that "Marilyn had asked me to have Fox pay it by deducting it from her checks as she didn't want Sidney [sic] to know. " Accompanied by a two-page letter from Monroe's law firm concerning the deduction, a check stub, and an invoice explaining the payment and deductions.
Largest, 8 1/2 by 11 inches
 Estimate: $200 - $300
245829_0 


Lot 451: MARILYN MONROE ACTING NOTES ON ENVELOPE
 An unpostmarked envelope addressed to Monroe at 2 Sutton Place South in New York City from the Radio and Television Executives Society Inc. The back of the envelope has a linear thought written in Monroe's hand in pencil reading "I somehow am seeing with my body also and when I am truly listening/ What is the matter with my voice - Maybe just let the voice come out of my body however it does under certain circumstances." The thought continues on the front of the envelope "… and in - what ever the given situation." The remainder of the notes are more frenetic, reading in part, "Strassberg [sic] says we remember with our senses - Not brain or mind (remember with Body" and "Tell Hohenberg about the period during when I stopped secreatly [sic] play acting so fully/ it was the time I got my first job acting at 20." The notes covering the envelope, overlapping and intertwining, were likely taken during an acting class and demonstrate the unbridled energy Monroe felt toward her study of acting.
4 by 9 1/2 inches
 Estimate: $4,000 - $6,000
245838_0  245839_0   


Lot 483: MARILYN MONROE RECEIVED LETTERS FROM DESIGNERS
Two unsolicited letters from designers who wished to work with Monroe. The first, dated February 26, 1958, from Tony Savini, gives his background and qualifications and explains that he has completed a number of original gowns and dresses expressly for Monroe and would like to offer them to her free of charge. The letter is accompanied by an original watercolor and ink on paper design sketch. Together with a letter dated February 4, 1962, from Paul Zastupnevich, a designer who had credits to his name with Fox Studios. He expresses his interest in designing for Monroe and includes a clipping of Rhonda Fleming wearing one of his gowns.
Largest, 8 1/2 by 11 inches
 Estimate: $100 - $150
245892_0 


Lot 508: MARILYN MONROE ANNOTATED THE MISFITS SCRIPT SIDES
 Two half sheets of paper containing some of Monroe's lines from the film The Misfits with notations in pencil, in Monroe's hand. One of the half pages is dated October 6, 1960, and it has lines from the climax of the film when Rosalyn, played by Monroe, pleads with Gay, played by Clark Gable, not to kill the horses. The notes include "almost in wonder to myself/ you liar all of you liars/ to perce/ Christ/ whisper" in reference to parts of her line reading "You're only living when you can watch something die Kill everything that's all you want why don't you just kill yourselves and be happy (to Gay) you with your God's country freedom." Another notation has the word "shiver" inserted before the line "I pity you all." Another emotional line written in the script as "How much do you want for them I'll pay you I'll give you two hundred dollars Is that enough" has a number of alternatives written in Monroe's hand, including "I'll give you money" or I'll give "you anything anything" or "you want my blood I don't need it anymore take my blood." The pages are accompanied by eight additional full script pages featuring the dialogue that leads up to Rosalyn's pleading with Gay not to kill the horses, beginning with the close shot of the mare stepping into the noose with her forefeet. These notes are a window into Monroe's process in creating one of the most emotionally painful and poignant scenes of her career.
Half sheets, 5 1/2 by 8 1/2 inches
 Estimate: $6,000 - $8,000
245928_0 245929_0 245930_0   


Lot 511: MARILYN MONROE NOTES ON HER MISFITS CHARACTER
 A piece of plain paper with holes punched along left edge with notes in red ink in Paula Strasberg's hand reading "searching and yearning/ standing alone/ mood - I'm free - but freedom leaves emptiness./ Rosylin [sic] - flower opens bees buzz around/ R is quiet - the others buzz around." This provides an insightful look at how Strasberg helped Monroe to build her character in The Misfits.
9 1/2 by 6 inches
 Estimate: $200 - $300
245933_0   


Lot 512: MARILYN MONROE RECEIVED LETTER FROM DOROTHY JEAKINS
 A typed letter signed by costume designer Dorothy Jeakins dated May 3, 1960, and addressed, "Dear Marilyn," and reading in part, "Although I really feel I should be replaced--I will continue with your clothes for "The Misfits" because they are under way and nearly ready to fit./ If you like them, I will see them through to completion. If you are disappointed, someone else can then take over./ I am sorry I have displeased you. I feel quite defeated--like a misfit, in fact. But I must, above everything, continue to work (and live) in terms of my own honesty, pride and good taste." The letter is accompanied by an unsigned file copy of a letter from Jeakins to Mr. C.O. Erickson stating, " ... [C]ircumstances make it clear to me that I am unsuitable for this assignment and perhaps should be replaced. ... [U]nder these circumstances, I intend to accept no remuneration for my work and prefer to be omitted from the credits also. ... "
8 1/2 by 11 inches
 Estimate: $500 - $700
245934_0 


Lot 517: MARILYN MONROE FAMOUS ARTISTS SCHOOL CORRESPONDENCE
 A group of documents regarding Monroe's enrollment in the Famous Artists School of Westport, Connecticut, a distance learning program designed to further students’ fine art skills. The first letter, dated October 24, 1958, from the school's director, acknowledges Monroe's communication with "Jon Whitcomb who tells me you are quite interested in painting. He also tells me that you would like too [sic] take the Famous Artists Painting Course. At Jon's request we are making you a scholarship student but I am at a loss as to where to forward the textbooks since, as I understand it, you will be in Hollywood for sometime before returning to New York City." The next letter is an unsigned file copy of Monroe's response requesting the books be sent to 444 East 57th Street. Also included are a series of follow-up letters, six pages total, welcoming Monroe to the program, explaining the logistics of how the program works with critiques conducted via mail, and a full list of instructors. Also included are a blank Student Information Record and "Rate Yourself Progress Chart" forms with accompanying letters and a postage-paid envelope. The documents clearly demonstrate Monroe's interest in painting and the fact that she sought formal instruction.
Largest, 8 1/2 by 11 inches
 Estimate: $600 - $800
245946_0  245947_0 
245948_0 245949_0 245950_0 


Lot 575: MARILYN MONROE AFTRA CARD
 An American Federation of Television and Radio Artists membership card for the period ending November 1, 1962, with handwritten "Marilyn Monroe" on front, unsigned on back. Because the membership to AFTRA was renewed bi-annually this is Monroe's last membership card for the organization.
2 1/2 by 3 1/2 inches
 Estimate: $4,000 - $6,000
246021_0  


Lot 576: MARILYN MONROE'S LAST SAG CARD AND RECEIPT
 A Screen Actors Guild membership card for the period beginning May 1, 1962, and ending November 1, 1962. “Marilyn Monroe” is typed onto front of card as well as her membership number. Together with Monroe’s carbon copy receipt for payment of $125 on May 22, 1962, listing her address as "P.O. Box 64721, Los Angeles 64, Calif."
Card, 2 1/2 by 3 1/2 inches
 Estimate: $4,000 - $6,000
246022_0 


Lot 577: MARILYN MONROE NOTATIONS ON TELEGRAM
 A Western Union telegram from Nunnally Johnson dated April 16, 1962, a week before production was to begin on Something’s Got To Give. Johnson was one of the screenwriters on that film and sent the telegram care of producer Henry Weinstein, misspelled "Wernstein." The telegram from Johnson reads "In Revised script you are child of nature so you can misbehave as much as you please love - Nunnally." Monroe has quickly written a note in pencil for reply reading "Where is that script - is the child of nature due on the set - Hurry Love & Kisses M.M." "Love and Kisses" is repeated, and additional illegible notations have been crossed out. The lighthearted response foreshadowed what was to come with Monroe frequently not reporting to the set as she was scheduled to appear, leading Fox Studios to fire her from the production.
5 1/2 by 8 inches
 Estimate: $1,500 - $2,500
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Lot 578: MARILYN MONROE SOMETHING'S GOT TO GIVE SCRIPT AND PAGES USED ON SET
 20th Century Fox, 1962, mimeographed screenplay by Nunnally Johnson, 149 pages, blue cover dated March 29, 1962 reading "Final Confidential For Planning Purposes Only." The script contains two paper-clipped inserts, memos from the production addressed "To All Secretaries," the first dated April 23 and the second dated April 27, 1962, each accompanying blue revised pages 91 and 92 for the script. The script, marked final, also dated March 29, 1962, contains notations in Monroe's hand throughout in pencil and green ink on 18 pages. Some of the notations are from Monroe's work with a Swedish dialect coach.
In addition to these notations, two typed pages of Monroe's dialogue are bound between pages 107 and 108 of the mimeographed script. These two pages contain Monroe's dialogue from one of the few scenes captured on film, with her extensive pencil notations. Raw footage of Monroe performing with Tippy the cocker spaniel and the children in this scene exists, and Monroe's notations are evident in the footage. The top of the page reads "Real Thought/ Mental Relaxation/ substitute children - B & J if necessary/ feeling - place the pain where it is not in the brow." B & J likely refers to Arthur Miller's children Bobby and Jane. Another notation next to one of Monroe's lines of dialogue reads simply "Mona Lisa," which does in fact mirror the expression she uses when delivering this line. Even the exaggerated "Ahhhhh---" that Monroe does at the beginning of each take in the raw footage is written on the page in her hand, reading in full, "Ahhh--Look for the light.”
The notations throughout the script also include notes in an unidentified hand criticizing certain points of the story, including "Too Harsh," "Naggy," "Dull" and many other comments. Overall, the notations in both the script and on the dialogue pages used by Monroe to film the scene with the children and Tippy the dog tell the story of a tedious script writing and editing process. Her dialogue notations are a revealing window into her process in performing some of the last scenes she ever recorded on film.
 Estimate: $15,000 - $20,000
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Lot 580: MARILYN MONROE NOTES ON SOMETHING'S GOT TO GIVE SCRIPT
 A Millers Falls EZERASE pad of typewriter paper with prepunched three-ring binder holes. The cover is detached but present, and the pad contains four pages of notes, two now detached, in Monroe's hand in pencil outlining her issues with the script for the film. The notes and criticisms include "logical drama but doesn't move on the screen/ leads him on than [sic] said not until"; "instead using the talents/ he's stuck/ imagine being married to MM and she comes back and he is stuck/ he'd dying to go Bed with her but can't because"; "more entertaining/ keep it on an edge/ if it isn't that kind of picture it won't go -/ only if script is acceptable." Then come Monroe's suggestions for a scene with check marks next to the ideas: "When Dean first see's Ellen -me- in nurses uniform - (as nurse) he could say - upon arrival - slouching ‘I don't feel so good nurse (weakening in the knees how could she do this to me/ I am telling her/ Beanka kind of stiffening up to hold him & the situation (the nite [sic] before) together he then pulls up but Dean will do this superbly/ He sings little song when drunk & frustrated." She also lists specific passages: "Page 73 (yes? - No? you understand Dean!)/ Page 76 children scene (in comparison to rewrite)." A small note on the last page of notes reads "Funny line writers Herb Gardner / Mel Brook [sic]."
These notes present a very astute Monroe who clearly had serious concerns with the quality of the script, demonstrating that her refusal to appear on set was grounded in these concerns and not simply the actions of a petulant star.
8 1/2 by 11 inches
 Estimate: $5,000 - $7,000 
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Lot 581: MARILYN MONROE WORKING SCRIPT FOR SOMETHING'S GOT TO GIVE
 A 149-page screenplay for Something's Got To Give by Nunnally Johnson dated March 29, 1962, in blue paper wrappers, marked final. There are notations in Monroe's hand in pencil on approximately 42 pages in the script, some simple dialogue corrections and other more in-depth sense memory notes for her to remember when doing the scene to evoke the right emotional frame of mind. A simple note on the back of the last page of the script reads "Joke writers/ Mel Brooks/ Herb Gardner/ Need spice/ raisins/ Need some funny lines." In a notation next to the stage direction for her character's anticipation and excitement about calling home after she has been rescued, she writes of Arthur Miller's children, "Bobby M./ and early Janie/ except their [sic] mine." In the scene where she is kissing her husband again and excuses herself to "get fixed up a little," she writes, "[L]et me get into something more comfortable/ leading him on -" and "[I]n other room throwing out piece of clothing" and below she writes "[L]ike F.S. when ingaged [sic]." Over an entire passage of dialogue she makes a stage direction note to herself that reads "Ellen looking speculative champain [sic] glass/ finger going around rim." In another scene she writes, "Have the Mask - face relaxed" and "shaking head when he leaves room sly smile/ fat on the fire/ he's on the grittle [sic]." She continues with the fat sizzling on the griddle metaphor, later writing next to a line that jabs at Nick, "Nicely/ He frys on grittle [sic]/ butter melting/ then it sputter/ him."
Notes on the last page of the screenplay read "Act only in beginning/ Then tempting him/ then act when nurse/ on balcony at hotel/ speculative looks/ always tempting him/ always saying yes/ but N/ I've only been away 5 min./ her point of view." Together with a small card with call times and scenes to be shot and a small scrap of paper with quickly written note in Monroe's hand wondering why they are jumping to shoot indoors when they could shoot in sequence as well as notes about using Miss vs. Mrs.
11 1/2 by 9 1/2 inches
 Estimate: $15,000 - $20,000

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Lot 820: MARILYN MONROE TWENTIETH CENTURY EMPLOYEE STARTING CARD
 A Marilyn Monroe Twentieth Century Fox Employee starting card dated May 11, 1950. The card rate line lists Monroe's weekly salary as $500 a week but notes that she was laid off after working 40 out of 52 weeks. This marked the end of Monroe's work on the film All About Eve (20th Century, 1950) and her return to stock pool for the studio.
4 by 6 inches
 Estimate: $600 - $800
246387_0 


 Lot 823: MARILYN MONROE SIGNED ADVERTISING RELEASE
 A Marilyn Monroe signed advertising release with Twentieth Century Fox and The House of Westmore for cosmetic advertising. The contract is dated July 3, 1952. Monroe was featured in a number of Westmore ads in the mid-1950s that also advertised her Twentieth Century Fox films.
13 1/2 by 8 1/2 inches
 Estimate: $4,000 - $6,000
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Lot 875: MARILYN MONROE MISCELLANEOUS PAPER ARCHIVE ITEMS
 A collection of Marilyn Monroe envelopes, messages and notes, including a florist's enclosure card with envelope addressed to Monroe and a message that reads "To make up for the ones you didn't recall receiving at the hospital. Please stay well so we won't go through this again" and signed by Arthur O'Connell - Virgil Blessing." Virgil Blessing is the name of O'Connell's character in the film Bus Stop (20th Century, 1956). Also included are five handwritten notes in an unknown hand that reference Clifton Webb, Lew Wasserman and "Paula"; two hotel phone messages for "Monroe"; four envelopes, two addressed to Monroe; and one blank Colonial Trust Company check.
Sizes vary
PROVENANCE Partial Lots 748, 794 and 968, "Icons & Idols: Hollywood," Julien's, Beverly Hills, December 6, 2014
From the lost archive of Marilyn Monroe
 Estimate: $400 - $600
246484_0 


Lot 836: MARILYN MONROE ANNOTATED GENTLEMEN PREFER BLONDES SCRIPT
 A script for Gentlemen Prefer Blondes (20th Century, 1953) used and annotated by Marilyn Monroe. The incomplete script totals 68 pages and has notations from Monroe on approximately 22 pages. The first page, dated November 26, 1952, reads “Gentlemen Prefer Blondes”/ (Revised Final Script……13 Nov. 1952)/ To all Secretaries:/ Please place these/ Additional Pages at the back of your script of the above date./ This Is Important!” Film production began on November 17, 1952. Monroe’s notations include revisions to the text, in pencil, "Oh he wasn't barking that was Swahili," and direction, in blue ink, "sense the feeling with the body." The name of Monroe's character, Lorelei, has been circled in pencil on a number of the pages. The script is contained in a black plastic folder.
9 1/2 by 11 1/2 inches
PROVENANCE Lot 160, "Film and Entertainment," Christie's New York, Sale number 1681, June 22, 2006
 Estimate: $50,000 - $60,000
246408_0   

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Lot 915: MARILYN MONROE LETTER FROM PERSON TO PERSON
 A typed, signed letter written to Marilyn Monroe by Jesse Zousmer of the television program Person to Person (CBS, 1953-1961). The letter, dated June 25, 1959, is written on Person to Person stationery. In the letter, Zousmer thanks Monroe for her appearance on the television program and announces his departure from the show. A check mark has been written across the letter in an unknown hand. The letter is accompanied by a page from Variety. The headline of the page reads “Thank You from ‘Person to Person’ ” with a list of the program’s guests from 1953 to 1959.
10 1/2 by 7 1/2 inches
 Estimate: $300 - $500
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Lot 918: MARILYN MONROE INTERVIEW TRANSCRIPT
 A 32-page transcript of an interview with Marilyn Monroe by Georges Belmont. Accompanied by nine pages of thoughts about Marilyn Monroe written by Arthur Miller. The information was sent to Jack Hamilton at LOOK magazine by Lois Weber, with cover letter from Weber and an undated memo response from Hamilton returning the information to Weber. Accompanied by two newspaper clippings, one from 1956 and one from after Monroe's death in 1962.
11 by 8 1/2 inches
PROVENANCE From the Estate of Lois Weber
 Estimate: $800 - $1,200
246547_0  


 Lot 858: MARILYN MONROE THERE'S NO BUSINESS LIKE SHOW BUSINESS PROP PROGRAM
 A prop program from There’s No Business Like Show Business (20th Century, 1954). The front of the blue, white and red program reads “Actors Benefit Fund/ Greatest Stars of Stage & Screen/ Hippodrome/ Sixth Avenue 43rd – 44th” in gold metallic ink. An extra holds the program in a scene backstage just before Ethel Merman and Marilyn Monroe have a heart to heart in their dressing room. The program contains repeating nonsense ads in black and white.
11 by 8 1/2 inches
 Estimate: $2,000 - $3,000
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Lot 970: MARILYN MONROE SIGNED GIFT TO WILFRID HYDE-WHITE
 An original artwork given to Wilfrid Hyde-White on the set of Let's Make Love (20th Century, 1960) and signed by the film’s cast and crew including Marilyn Monroe, Yves Montand, Arthur Miller, George Cukor, Tony Randall, Allan “Whitey” Snyder, Marjorie Plecher, Paula Strasberg, David Bretherton, David Burns, and Ray Foster, among many others. The ink on paper artwork was created by the art department for the film and given to Hyde-White as a going-away present. The image shows Hyde-White waiting at a cab stand. A billboard in the background reads “Let’s Make Love/ Cukor Co.” and titled at the top “Happy Show/ From the Kids.” Housed in a frame; not examined outside of frame.
15 by 15 inches, framed
PROVENANCE From the Collection of Alex Hyde-White
 Estimate: $20,000 - $30,000
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 Lot 979: MARILYN MONROE LETTER FROM HENRY WEINSTEIN
 A typed, signed letter from producer Henry Weinstein on Twentieth Century Fox Film Corporation letterhead, addressed to Marilyn Monroe and dated February 5, 1962. The letter discusses preparations before the shooting of Something's Gotta Give, a film that was never finished due to Monroe's illnesses and untimely death.
10 1/2 by 7 1/4 inches
 Estimate: $600 - $800
246632_0 


Documents papiers - Autographes / Fans
Papers documents - Autographs / Fans


Lot 212: MARILYN MONROE JACK DEMPSEY LETTER REQUESTING MARILYN MONROE'S AUTOGRAPH
 A single-page autograph letter on recto and verso dated October 14, 1954, addressed "Dear Jerry," possibly Joe DiMaggio's Yankee teammate Jerry Coleman. The letter reads in part, "Have been reading a lot about Marilyn, Joe and yourself, here in the east. Best of luck to you and your family, and send Marilyn's autograph along." Signed "Sincerely Jack Dempsey."
8 by 6 inches
 Estimate: $150 - $200
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Lot 259: MARILYN MONROE LETTER FROM JOHN STEINBECK
 A secretarial typed and signed letter dated April 28, 1955, addressed to Monroe at the Waldorf Towers in New York. The letter is a charming and bashful request for an autograph, reading in part, "In my whole experience I have never known anyone to ask for an autograph for himself. It is always for a child or an ancient aunt, which gets very tiresome as you know better than I. It is therefore, with a certain nausea that I tell you that I have a nephew-in-law ... he has a foot in the door of puberty, but that is only one of his problems. You are the other. ... I know that you are not made of ether, but he doesn't. ... Would you send him, in my care, a picture of yourself, perhaps in pensive, girlish mood, inscribed to him by name and indicating that you are aware of his existence. He is already your slave. This would make him mine. If you will do this, I will send you a guest key to the ladies' entrance of Fort Knox."
8 1/2 by 11 inches
 Estimate: $300 - $500

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Lot 708: MARILYN MONROE AND ARTHUR MILLER SIGNED MENU
 A menu from the Gladstone Hotel where Marilyn Monroe lived briefly during the 1950s. The menu is signed on the cover in pencil "Marilyn Monroe" and "Arthur Miller." The inside back cover of the menu also contains a fashion design sketch of a woman in a form-fitting gown with vermicelli beading, in pencil in an unknown hand.
13 by 10 inches
PROVENANCE From the Estate of Frieda Hull
 Estimate: $2,000 - $3,000
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Lot 775: SECRETARIAL LETTER ON MARILYN MONROE STATIONERY
 A typed letter signed by one of Marilyn Monroe's secretaries dated July 1, 1959, with original transmittal envelope. Both letter and envelope are Monroe's custom stationery. Transmittal envelope is addressed to Miss Edith Pitts of Richmond Hill, New York, and is postmarked July 2, 1959. The letter thanks Pitts and Frieda Hull for their card and good wishes during Monroe's illness.
Letter, 9 by 6 inches
PROVENANCE From the Estate of Frieda Hull
 Estimate: $200 - $300
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Lot 816: MARILYN MONROE SIGNED INDEX CARD
 A Marilyn Monroe signed and inscribed index card that reads “To Emily/ Best Wishes/ Marilyn Monroe.” The message was written in green ballpoint ink, and a small magazine image of Monroe has been affixed to the index card. Housed in a frame with a black and white image of Monroe.
19 1/2 by 13 inches, framed
 Estimate: $2,000 - $3,000
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Lot 829: MARILYN MONROE AND OTHERS FAN MAIL ENVELOPES
 A group of five envelopes, addressed to Marilyn Monroe, Jane Simmons, Cornel Wilde, Edmond O’Brien, and Jeffrey Hunter. Mailed to each actor, at their respective studio by fans in Africa, Argentina and the Philippines. The legible postmarks date from 1954.
Largest, 5 by 6 inches
 Estimate: $200 - $400
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Lot 830: MARILYN MONROE AND OTHERS FAN MAIL ENVELOPES
 A group of four envelopes, addressed to Marilyn Monroe, Audrey Hepburn, Donna Reed, and Pat Crowley. Mailed to each actress at her respective studio by fans in Argentina and the Philippines. The legible postmarks date from 1954.
Largest, 3 1/2 by 6 1/2 inches
 Estimate: $200 - $400
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Lot 854: MARILYN MONROE, FRANK SINATRA AND OTHERS SIGNED ALBUM
 An autograph album signed by Marilyn Monroe; Frank Sinatra; Bing Crosby; Ray Bolger; Maurice Chevalier; Hedda Hopper; Louella Parsons Herbert Hoover; Harry Truman; and Edward, Duke of Windsor, among others. The bound brown leather album belonged to Henry Tekkel, a maître d’ at the Waldorf Astoria New York. Monroe, who lived at the hotel in the mid-1950s, has inscribed the book “Warmest Regards, Marilyn Monroe.
5 by 6 1/2 inches
Estimate: $1,000 - $2,000
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Lot 864: MARILYN MONROE SIGNED BOOK
 A copy of the Bement Centennial souvenir book titled "The Bement Story" and signed on the cover by Marilyn Monroe. Monroe visited Bement, Illinois, in August 1955 to celebrate the city's centennial.
11 by 8 1/2 inches
 Estimate: $2,000 - $3,000
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Lot 906: MARILYN MONROE SIGNED METROPOLITAN OPERA PLAYBILL
 A Marilyn Monroe signed Metropolitan Opera playbill from the 1958-1959 season. The 44-page playbill is signed on the cover in blue ink and is accompanied by a black and white image of Monroe signing a playbill. This is believed to have been signed on February 10, 1959, when Monroe and her husband Arthur Miller attended a performance of Macbeth.
6 1/2 by 9 inches
 Estimate: $4,000 - $6,000
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1 novembre 2016

Marilyn Monroe Auction - 11/2016 - docs papiers 3


Documents papiers - Santé
Papers documents - Health


Lot 134: MARILYN MONROE HANDWRITTEN AND SIGNED CHECK
 A check written entirely in Monroe's hand, in blue ink, dated January 18, 1951, and paid to Dr. A. Gottesman, in the amount of $100. The check is drawn on Monroe's Bank of America account. Monroe lists her address as the Beverly Carlton Hotel.
3 by 8 inches
 Estimate: $2,500 - $3,500
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Lot 176: MARILYN MONROE FREE ASSOCIATION NOTES
 Four pages torn from an Italian agenda, dating between 1955 and 1956. It is believed that the pages correspond to Monroe's work with Dr. Hohenberg in which she began practicing self-analysis and working on her repressed memories. The notations in pencil jump from one topic to the next, wandering around the physical pages themselves and even passing from one page to the next and then back again. It is difficult to follow, but the topics include examining her childhood need to lie to her teacher, her physical insecurities, self-conscious thoughts of what others think of her drinking, speculation that "Peter" is capable of violence and possibly gay as well as a touching passage about Arthur Miller: "I am so concerned/ about protecting Arthur/ I love him-and he is the/ only person-human being I have/ ever known that I could love not only/ as a man to which I am attracted to practically/ out of my senses about-but he is the only/ person-as another human being that I trust as/ much as myself-because when I do trust my-/ self (about certain things) I do fully, and I/ do about him also." Another revealing passage reads in part, "… fear to touch my own body/ after Buddy (I started to write Bad instead of Buddy-/ slip in writing?)/ because A.I. punished me/ with fear and whipped me-/ ‘The bad part of my body’ she said-/ must never touch myself/ there or let anyone." It is believed that "A.I." refers to Aunt Ida Martin, a foster mother who punished Monroe as a child, possibly after a sexual abuse incident, with the "Buddy" mentioned here.
LITERATURE Monroe, Marilyn, and Bernard Comment. Fragments: Poems, Intimate Notes, Letters. Pages 89-101. New York: Farrar, Straus and Giroux, 2010. 1-237. Print.
6 1/2 by 4 1/8 inches
 Estimate: $20,000 - $30,000
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Lot 189: MARILYN MONROE HANDWRITTEN NOTE
 A handwritten note on unlined paper, annotated “for Kris,” dated September 9, most likely used as a reminder for Monroe to discuss the noted issue with her psychoanalyst, Dr. Marianne Kris. The note reads "Remember, somehow, how Mother always tried to get me to 'go out' as though she felt I were too unadventurous. She wanted me even to show a cruelty toward woman [sic]. This in my teens. In return, I showed her that I was faithful to her. Also written on the note is the passage “Jane’s 10th Birthday on 7th same year,” obviously regarding Jane Miller, Arthur Miller’s daughter, who was born on September 7."
LITERATURE Monroe, Marilyn, and Bernard Comment. Fragments: Poems, Intimate Notes, Letters. Pages 156-157. New York: Farrar, Straus and Giroux, 2010. 1-237. Print.
8 by 5 inches
Estimate: $10,000 - $20,000
245408_0  


Lot 204: MARILYN MONROE HANDWRITTEN LETTER TO DR. HOHENBERG
 A single sheet of lined paper from a six-ring agenda, with a draft of a letter written, on two sides, to Monroe's psychoanalyst, Dr. Hohenberg, 1956. The letter skips through many topics and references Monroe's difficulties in breaking ties with her former acting coach, Natasha Lytess, and her optimism in beginning to work with Paula Strasberg. She is also buoyant in her mention of Arthur Miller, stating, "Arthur writes me every day-at/ least it gives me air to/ breathe-I can't get used to the fact/ that he loves me and I keep waiting/ for him to stop loving me-though I/ hope he never will-but I keep telling/ myself-who knows?"
LITERATURE Monroe, Marilyn, and Bernard Comment. Fragments: Poems, Intimate Notes, Letters. Pages 202-203. New York: Farrar, Straus and Giroux, 2010. 1-237. Print.
6 3/4 by 3 3/4 inches
 Estimate: $8,000 - $12,000
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Lot 205: MARILYN MONROE TYPED LETTER TO DR. RALPH GREENSON
 A vintage file copy of a six-page typed letter from Monroe to Dr. Ralph Greenson, the California-based psychiatrist who treated Monroe in the period leading up to her death. This deeply emotional letter, dated March 2, 1961, was written while Monroe was staying at Columbia Presbyterian Medical Center for three weeks of recuperation following her stay at New York’s Payne Whitney Psychiatric Clinic. The letter is done as a stream of conscious recollection of Payne Whitney.
Passages in the letter include:
There was no empathy at Payne-Whitney — it had a very bad effect — they asked me after putting me in a 'cell' (I mean cement blocks and all) for very disturbed depressed patients (except I felt I was in some kind of prison for a crime I hadn’t committed. The inhumanity there I found archaic. They asked me why I wasn’t happy there (everything was under lock and key; things like electric lights, dresser drawers, bathrooms, closets, bars concealed on the windows — the doors have windows so patients can be visible all the time, also, the violence and markings still remain on the walls from former patients). I answered: 'Well, I’d have to be nuts if I like it here.'"
I sat on the bed trying to figure if I was given this situation in an acting improvisation what would I do. So I figured, it’s a squeaky wheel that gets the grease. I admit it was a loud squeak but I got the idea from a movie I made once called Don’t Bother to Knock. I picked up a light-weight chair and slammed it, and it was hard to do because I had never broken anything in my life — against the glass intentionally. It took a lot of banging to get even a small piece of glass – so I went over with the glass concealed in my hand and sat quietly on the bed waiting for them to come in. They did, and I said to them 'If you are going to treat me like a nut I’ll act like a nut.' I admit the next thing is corny but I really did it in the movie except it was with a razor blade. I indicated if they didn’t let me out I would harm myself — the furthest thing from my mind at that moment since you know Dr. Greenson I’m an actress and would never intentionally mark or mar myself. I’m just that vain.”
The letter also takes several sentimental turns with Monroe fondly referencing Joe DiMaggio and Yves Montand. Monroe closed the letter with “I think I had better stop because you have other things to do but thanks for listening for a while. Marilyn M.”
LITERATURE Monroe, Marilyn, and Bernard Comment. Fragments: Poems, Intimate Notes, Letters. Pages 207-213. New York: Farrar, Straus and Giroux, 2010. 1-237. Print.
8 1/2 by 11 inches
Estimate: $8,000 - $10,000
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Lot 206: MARILYN MONROE HANDWRITTEN INTERVIEW NOTES
Three unlined oversize pages containing answers to a reporter's interview questions in preparation for a press interview. She writes her numbered responses in blue ink and pencil. Answer number 11 explains her stay at the Payne Whitney clinic, writing, "Payne Whitney gives me a pain/ It was obviously an error of judgment to place me in Payne Whit. and the doctor/ who recommended realized it and tried to rectify it. What my condition warranted/ was the rest and care I got [at] Presbyterian Hospital." Number 19 states, "[M]y sleep depends on my state of satisfaction and that varies with my life-my dreams/ are too intimate to be revealed in public/ My nightmare is the H Bomb."
LITERATURE Monroe, Marilyn, and Bernard Comment. Fragments : Poems, Intimate Notes, Letters. Pages 217-223. New York: Farrar, Straus and Giroux, 2010. 1-237. Print.
15 3/4 by 11 inches
 Estimate: $8,000 - $12,000
245431_0
 


Lot 346: MARILYN MONROE HANDWRITTEN AND SIGNED SCHWAB'S CHEECK
 A check written entirely in Monroe's hand, in blue ink, dated April 10, 1952, and paid to Schwab's Pharmacy, in the amount of $10. The check is drawn on Monroe's Bank of America account. Monroe lists her address as the Beverly Carlton Hotel.
2 5/8 by 5 7/8 inches
 Estimate: $2,500 - $3,500
245675_0 


Lot 347: MARILYN MONROE HEALTH CARD
 A Blue Cross insurance card for Monroe provided through the S.A.G. Welfare Plan. The effective date of the plan is January 1, 1961, for Monroe.
3 1/4 by 7 1/4 inches
 Estimate: $300 - $500
245676_0  


Lot 350: MARILYN MONROE PHARMACY STATEMENT AND INVOICE
 A handwritten itemized listing of goods sold to "Mrs. Arthur Miller" by Pollock-Bailey Pharmacists in New York City between October 1-30, 1959, totaling $220.58. Together with a follow-up statement in the same amount dated December 1, 1959. The items purchased include Revlon lotion, ACE bandage, vitamin B1 tablets, styptic pencils, bedpan, Revlon eyeliner, Revlon eye shadow, nasal jelly, and shadow stick, among other items.
11 by 5 3/4 inches
 Estimate: $300 - $500
245679_0 


Lot 916: MARILYN MONROE PRESCRIPTION RECEIPT
 A pink carbon receipt for Mrs. Arthur Miller from the Fairfax Drug Company, dated “10/15/1958” in the amount of $17.68. The receipt lists Marilyn Monroe's address as the Bel Air Hotel.
4 by 6 inches
 Estimate: $200 - $400
246545_0 


 Lot 988: MARILYN MONROE PHARMACY RECEIPT
 A receipt from Vicente Pharmacy to Marilyn Monroe for RX 19329 totaling $7.75, dated "6-8-62." Receipt number 12542.
7 by 5 1/2 inches
 Estimate: $400 - $600
246644_0  


Lot 992: MARILYN MONROE RECEIPT AND LETTERS
 A Marilyn Monroe receipt from Vicente Pharmacy dated June 18, 1962, in the amount of $9.40 for two prescriptions. Accompanied by a letter addressed to Milton Greene dated October 10, 1955, in an unknown hand, regarding expenses for a Marilyn Monroe dress; and a letter typed on hotel stationery by May Reis regarding a check for Paula Strasberg dated September 23, 1960.
Largest, 10 1/2 by 7 1/4 inches
 Estimate: $800 - $1,200
246650_0  


Lot 993: MARILYN MONROE PHARMACY RECEIPT
 A receipt from Vicente Pharmacy for "M. Monroe" from April 16, 1962, for two medications including a sleep aid. The amount totals $4.01.
7 by 5 1/2 inches
 Estimate: $400 - $600
246651_0 


Documents papiers - Finances, Dépenses diverses
Papers documents - Finances, Various Spendings


Lot 71: MARILYN MONROE FINAL CHECKBOOK 1962
 Dated February 2, 1962, this vinyl covered; wire bound checkbook was for Marilyn Monroe’s personal account at Irving Trust Company in New York City, labeled “MM Personal” on the cover. The checkbook covers Monroe’s New York expenses from February 2 through August 31, 1962, check numbers 2102 through 2251, and offers a fascinating look at her expenses during the final year of her life.
Recipients of payments from Monroe’s personal account during her final six months include Saks Fifth Avenue in Beverly Hills, the Mexican Government Tourist Bureau, Flatiron Window Cleaning Company, Hedda Rosten, New York Telephone Company, J. Ricky - for “face treatments,” Lena Pepitone, Hattie Stephenson, Empire State Drycleaners and Hand Launderers, Century Furniture Repairs, Exec-U-Car Service, Globe-Star Travel Service, Pollock-Bailey Pharmacists, Marie Irvine - make-up for special appearance at Madison Square Garden, Sutton Wines & Liquors, Madison Avenue Florist, New York State Income Tax Bureau, Department of Labor, and State Unemployment Insurance Fund, among others.
The final check from this checkbook written while Monroe was alive was to Hattie Stephenson, Monroe’s East Coast housekeeper, on August 3, 1962. Checkbook activity resumed on August 10, through August 31, 1962, with payments made to Stephenson and Hedda Rosten.
Several Marilyn Monroe signed checks are included, some actually written in Monroe’s own hand, with her signature having been ripped from the check so it could not be cashed. However, in some cases the remnants of Monroe’s signature are still present, as the complete signature was not torn away from the check.
7 1/2 by 8 3/4 inches
PROVENANCE From the Estate of Lee Strasberg
 Estimate: $8,000 - $10,000
245181_0 245182_0 245183_0 
245184_0 245185_0 245186_0 


Lot 72: MARILYN MONROE COMPLETE 1962 FINANCIAL STATEMENTS
 An extraordinarily detailed record of Monroe's financial transactions via prepared report statements reflecting the activities in Monroe's bank accounts at City National Bank and Irving Trust Company from January 1, 1962, to August 3, 1962, 99 pages total. The monthly statement reports include all "withholds," receipts, and disbursements broken down by type of expense for each account. Of particular interest is the state of Monroe's accounts at the time of her death, including a balance of $1,337.53 in her City National Bank account on August 1, 1962, with an overdraft of $4,208.34 in the same account on August 3, 1962. The Irving Trust Account shows a balance of $1,472.41 on August 1, 1962, and a balance of $111.71 on August 3, 1962.
The January 1962 statement includes a charge for "Household-Miscellaneous/ Jan. 30 Southdown Kennel - N.Y./ "Maf" board - 8/3 to 12/17 $330.00" and income from Some Like It Hot reported as $100,000.00 and from The Misfits as $150,000.00 against which Monroe paid a total of $45,000.00 in federal taxes. The March 1962 statement lists a total of $2,459.43 in beauty expenses, including hairdressing, cosmeticians, skin treatments, hair coloring, manicures and supplies. The May 1962 statement has a separate expense category titled "New York Birthday Salute to the President" with expenses listed as "May 18 New York's Birthday Salute to the President $5,000.00/ May 16 Hazel Washington - come to NY for above - business maid, plane fare, expenses, salary $1,000.00." The same statement lists a $300 deposit with Western Costume Company and the June 1962 statement lists a payment of $1,140.33 to Western Costume Company as "balance on gown." Payments made to Dr. Ralph Greenson during the period of these statements total $8,450. The statements also show a great number of meals coded as "Entertainment" at Chip's Steak House and La Scala.
The statements are accompanied by a file copy of a typed, unsigned letter, dated September 6, 1962, from Monroe's secretary, Cherie Redmond, who prepared the statements, to secretary Inez Melson, who requested the statements. Together with five additional pages prepared by Redmond listing all outstanding checks drawn on both accounts as well as those not honored by the bank as of August 15, 1962. The lot includes another file copy of a typed, unsigned letter from Melson to attorney Aaron R. Frosch dated September 11, 1962, that accompanied the same monthly statements sent by Melson for purposes of preparing Monroe's final tax filings and for probate purposes. This two-page letter discusses measures taken to maintain the security of Monroe's Brentwood, California, property on Helena Drive and is accompanied by a seven-page report prepared by Melson giving greater detail regarding all of the outstanding checks and bills due with explanations of each payment, including what it was for and to whom it was made.
8 1/2 by 11 inches
PROVENANCE From the Estate of Lee Strasberg
 Estimate: $3,000 - $5,000
245187_0 245188_0 
245189_0 245190_0 245191_0 
245192_0 245193_0 245194_0 


Lot 99: MARILYN MONROE 1952 SIGNED CHECK TO HER MOTHER
 An oversized counter check dated July 25, 1952, completed fully in Monroe’s own hand, written to Mrs. Gladys P. Eley in the amount of $150.00. The check has been endorsed by Monroe’s mother and is signed “Mrs. Gladys P. Eley.” Monroe has given her address at the time this check was written as “Hotel Bel Air, L.A. Calif.” This is an exceptionally rare document containing both Monroe’s signature as well as her mother's. The check also documents the fact that Monroe began to help her mother financially at the earliest stages of her career.
 Estimate: $3,000 - $5,000
245268_0 245269_0 


Lot 104: MARILYN MONROE 1952 SIGNED CHECK TO GRACE GODDARD
An oversized counter check dated April 26, 1952, completed fully in Monroe’s hand, written to Grace Goddard in the amount of $50.00 and signed by Goddard on the reverse with a handwritten address of 6707 Odessa Avenue, Van Nuys, Calif. Goddard was significant in Monroe’s early life and formative years and even became her legal guardian. Monroe lived with the Goddard family off and on over the years, and it was Goddard who arranged her marriage to James Dougherty in 1942 when she was just 16 years old.
 Estimate: $1,500 - $2,500
245277_0  


Lot 133: MARILYN MONROE AUTOMOBILE INVOICE
 A customer copy of an invoice from Beverly Motor Co. of Beverly Hills dated July 1, 1950. The invoice is for a new 1950 Pontiac Chieftain Deluxe sedan coupe sold to "Miss Marilyn Monroe," address "1301 N. Harper Ave. Los Angeles, 46, Calif." The car had some optional equipment and accessories and totaled $2,729.69 including delivery and tax charges. This is most likely Monroe's first new car.
8 by 9 1/2 inches
 Estimate: $400 - $600
245320_0  


Lot 157: MARILYN MONROE FINANCIAL LEDGER 1953-1955
 A comprehensive financial ledger documenting presumably every Marilyn Monroe financial transaction from January 1953 through March 1955. The hardbound ledger contains handwritten entries, all of which are presumed to have been made by Monroe’s business manager, Inez Melson, covering in great detail Monroe’s cash received and disbursed, assets and liabilities, capital, income, expenses, and general financial transactions for the years in which Monroe completed Niagara, Gentlemen Prefer Blondes, How to Marry a Millionaire, River of No Return, and There’s No Business Like Show Business. This is an incredible look at Monroe’s finances during the years she was propelled to stardom as she completed some of her most famous films.
7 3/4 by 11 3/4 inches
 Estimate: $8,000 - $10,000
245353_0 245354_0 245355_0 


Lot 158: MARILYN MONROE HANDWRITTEN AND SIGNED CHECK TO ANN KARGER
 A check written entirely in Monroe's hand, in blue pen, dated May 12, 1952, and paid to Anne Karger, in the amount of $16. The check is drawn on Monroe's Bank of America account, with normal cancellation stamps and also endorsed on verso by Karger. Karger was the mother of Fred Karger, one of Monroe's early vocal coaches and also one of her first loves. Monroe remained quite close to Anne Karger and, according to reports, valued her as a mother figure.
2 5/8 by 5 7/8 inches
  Estimate: $2,000 - $3,000
245356_0  


Lot 167: MARILYN MONROE BILL FOR THE BEVERLY HILLS HOTEL
 A two-page itemized invoice for Monroe's stay during her 35th birthday, May 30 through June 5, 1961, at Bungalow B1 A/B at The Beverly Hills Hotel, together with envelope addressed to "Miss Monroe." The balance owed as of June 5, 1961, totals $3,734.93 and includes charges for not only the room but television rental, tips, limo drivers and other fees. The invoice does list a charge noted as "limo driver" in the amount of $55 on her birthday.
6 3/4 by 6 1/8 inches
 Estimate: $400 - $600
245366_0 


Lot 168: MARILYN MONROE SIGNED CHECK
 A Marilyn Monroe Productions canceled bank check dated May 6, 1960, in the amount of $1,423.20, written to The Beverly Hills Hotel, signed by Marilyn Monroe. The check is additionally annotated "Bungalow 16, (Room 204 W.E. 5/1/60)."
3 by 8 1/2 inches
 Estimate: $2,500 - $3,500
245367_0 


Lot 213: MARILYN MONROE HANDWRITTEN AND SIGNED CHECK IN GREEN INK
 A check written entirely in Monroe's hand, in green ink, dated July 2, 1952, and paid to Vic Massy [sic], in the amount of $50. The check is drawn on Monroe's Bank of America account. Vic Masi was a friend of Joe DiMaggio's. Monroe and DiMaggio were friendly with the Masis during their relationship.
2 5/8 by 5 7/8 inches
 Estimate: $2,000 - $3,000
245442_0 


Lot 217: MARILYN MONROE RECEIPTS AND DISBURSEMENT DOCUMENTS
A typed statement of receipts and disbursements for Monroe for the period January 1, 1955, through March 17, 1955. Monroe’s starting bank balance was $1,800.55, and her ending balance was $3,530.55. The document clarifies deposits, disbursements, and accounts payable. Payees of note include Schwab’s Pharmacy, the IRS, Screen Actors Guild, Saks Fifth Avenue, Rockhaven Sanitarium, Twentieth Century Fox “Old Cafe,” and Rosalee Conover for “Partial payment on settlement of damage at 508 N. Palm Drive, Beverly Hills,” which was the address of the home Marilyn shared with Joe DiMaggio following their January 1954 marriage.
 Estimate: $800 - $1,000
245448_0  


Lot 311: MARILYN MONROE AND ARTHUR MILLER 1959 FEDERAL INCOME TAX RETURN
 A 1959 federal income tax return for Marilyn Monroe and Arthur Miller, including Form 1040, Schedule C, and Form 1116, together with five typed pages documenting income for Monroe and Miller, along with business expenses and deductions, contributions, taxes paid, medical expenses, and other items. These documents show that the combined income for Monroe and Miller for 1959 was $323,453.00, of which $103,362.50 was income from royalties for Miller’s plays, including Death Of A Salesman, The Crucible, and A View from the Bridge, among others. The Millers were required to write a check to the Internal Revenue Service for $30,338.55, the balance due for taxes on their income. Monroe’s marriage to Miller ended in 1961.
 Estimate: $1,500 - $2,500
245626_0  


Lot 327: MARILYN MONROE UNUSED CHECKBOOK
 An unused vinyl covered spiral-bound checkbook for Monroe’s personal East Coast account at Irving Trust Company in New York City.
7 1/2 by 8 3/4 inches
 Estimate: $1,000 - $2,000
245645_0 245646_0 245647_0


Lot 351: MARILYN MONROE LIQUOR RECEIPTS
 Two carbon copy receipts, the first from the Jurgensen's grocery liquor department for a bottle of Cutty Sark dated January 27, 1960, sold to Marilyn Monroe at The Beverly Hills Hotel, the second from Mac's Liquors in Beverly Hills listing caviar as well as three bottles of hard alcohol signed by Monroe's housekeeper, Hazel Washington, dated February 5, 1960. Together with a handwritten invoice for the month of June 1958 from Sutton Wines and Liquors in New York City.
Largest, 8 1/2 by 5 1/2 inches
 Estimate: $200 - $300
245680_0  


Lot 353: MARILYN MONROE CHAMPAGNE RECEIPT
 A carbon copy receipt from the Jurgensen's grocery liquor department, Beverly Hills, listing an order for 12 splits of Piper Heidsieck Champagne, for a total of $26.21. The receipt, dated December 2, 1959, lists a delivery date of "Thurs AM" to Marilyn Monroe at The Beverly Hills Hotel, Bungalow 21.
8 by 5 1/2 inches
 Estimate: $200 - $300
245682_0  


Lot 358: MARILYN MONROE HANDWRITTEN AND SIGNED LIQUOR LOCKER CHECK
 A check written entirely in Monroe's hand, in blue pen, dated September 29, 1955, and paid to the "Liquor Locker" in the amount of $14.20. The check is drawn on Monroe's Bank of America account, Sunset & Laurel branch, and has normal cancellation stamps. A small notation in the lower left of the check reads simply "Gift," and Monroe has written her address as "508 N. Palm Drive."
2 3/4 by 6 1/4 inches
 Estimate: $3,000 - $5,000
245689_0 


Lot 429: MARILYN MONROE COFFEE RECEIPT
 A simple restaurant receipt with secretarial writing recording the items as coffee, tea and milk for a total of $2.03 and Monroe's name recorded at the bottom for accounting purposes. The undated receipt is a small record of one moment in Monroe's life.
3 by 2 1/4 inches
  Estimate: $80 - $120
245795_0 


Lot 438: MARILYN MONROE UNUSED CHECKBOOK
 A hardcover wire bound checkbook for Monroe’s account at City National Bank in Beverly Hills, California. While there are no handwritten annotations in the checkbook, several checks are missing. One hundred and ninety-seven personalized checks remain in the book, with “Marilyn Monroe” printed twice on each check.
9 1/2 by 14 inches
 Estimate: $1,000 - $2,000
245810_0 245811_0   


Lot 473: MARILYN MONROE CHECKBOOK AUGUST 8,1960 – JANUARY 27, 1961
 A cardboard covered wire bound checkbook for Monroe’s account at Irving Trust Company in New York City. The cover is incorrectly labeled as being from the “Colonial Trust Company,” 4/30/58 – 7/31/59. The checkbook covers Monroe’s expenses from August 8, 1960, to January 27, 1961, with check numbers 1253 through 1483, offering a fascinating look at Monroe’s expenses in 1960 and 1961.
Recipients of payments from Monroe’s personal account during this period include The Mapes Hotel in the Nevada hotel (where Monroe and Arthur Miller stayed while filming The Misfits ), Erno Laszlo Institute, Paula Strasberg, Ralph Roberts, I. Magnin + Co., Dorr Optical Co., Beverly Pets, Arthur P. Jacobs Co., Beverly Hills Hotel, West Side Hospital, Ferragamo, Jurgensen’s Grocery, Hollywood Reporter, AvisRent-A-Car System, Bergdorf Goodman, Carey Cadillac Rending Co., Yankee Traders, Variety, Riverside Flower Shop, Marilyn Monroe Productions, Hattie Stephenson, Ralph Greenson, M.D., Modern Auto Rental, T. Anthony - luggage, La Scala Restaurant, Schwab’s Pharmacy, New York Telephone Company, J. Ricky, Screen Actors Guild, Lee Siegel, M.D., Leonard H. Schuyler, M.D., Bloomingdale’s, Flatiron Window Cleaning Co., Jax Beverly Hills, Inc., Martindale’s Bookstore, Plaza Hotel, Louis Finger, M.D., Rexford Kennamer, M.D., Berkley Square Cleaners, Sutton Wines and Liquors, Beverly Hills Music Co., MCA Artists Ltd., Marianne Kris, M.D., Actors Studio Inc. - contribution, Agnes M. Flanagan, Mrs. Michael Chekhov, Rudolph J. Kautsky, Evelyn Moriarty, Allan Snyder, Hazel Washington, Gucci, Patricia Newcomb, Maximilian Fur Company, Academy of Motion Picture Arts and Sciences, Norman Norell Inc., and Western Costume Co., among others.
9 3/4 by 6 inches
 Estimate: $6,000 - $8,000

245876_0 245877_0 245878_0  


Lot 475: MARILYN MONROE SIGNED TAX FORM
 A Form 1096 tax form from the U.S. Treasury Department Internal Revenue Service dated 1960 and addressed to Marilyn Monroe Productions in New York, signed in black ink "Marilyn Monroe."
3 1/2 by 7 3/4 inches
 Estimate: $1,500 - $2,000
245880_0  


Lot 513: MARILYN MONROE CHECKBOOK SEPTEMBER 9, 1960 – FEBRUARY 20, 1961
 A cardboard covered black plastic comb bound checkbook for an unspecified Marilyn Monroe account, presumably Irving Trust Company in New York City based on similar payees named in other checkbooks.
Recipients of payments from this Monroe checking account include May Reis, Hedda Rosten, The Mapes Hotel in Nevada (where Marilyn and then husband Arthur Miller stayed while filming The Misfits), New York Telephone Company, La Scala Restaurant, Holiday Hotel, New York State Income Tax Bureau and Department of Labor, California Department of Employment, Beverly Hills Hotel, Ralph Roberts, MCA Artists Ltd., Internal Revenue Service, and Marilyn Monroe Productions. Christmas bonuses for Rosten and Reis are also annotated in this checkbook.
9 1/2 14 1/2 inches
 Estimate: $6,000 - $8,000
245935_0 245936_0 245937_0 
245938_0 


Lot 532: MARILYN MONROE RECORD RECEIPT
 A receipt from Raf's Record Bar on South Beverly Drive, dated February 25, 1960. The receipt is in the name of Miss Marilyn Monroe at The Beverly Hills Hotel and is signed by Monroe's assistant, Hazel Washington. The records purchased are noted as Frank Sinatra's "Come Back to Sorrento," "Swing Lovers" and "Swing Affair."
8 by 5 1/2 inches
 Estimate: $100 - $150
245967_0  


Lot 533: MARILYN MONROE RECORD ALBUM MEMO
 A pink credit memo from Sam Goody music store at 250 W. 49th St. in New York City. The memo is dated April 9, 1962, and has an accompanying note addressed to Cherie Redmond, one of Monroe's secretaries, stating that Monroe was charged twice when she bought only one copy of the record. The item that she was double charged for is listed as SWBO 1569, which is the Capitol Records catalog number for the double LP set Judy At Carnegie Hall - Judy in Person. This Judy Garland performance took place April 23, 1961, and the album spent 13 weeks at the top of the Billboard charts and won four GRAMMY Awards.
8 1/2 by 5 1/2 inches
 Estimate: $200 - $300
245968_0  


Lot 601: MARILYN MONROE CHECKBOOK SEPTEMBER 25, 1961 – FEBRUARY 23, 1962
 A vinyl covered wire bound checkbook for Monroe’s personal account at Irving Trust Company in New York City, annotated “MM Personal” on the cover. The checkbook covers Monroe’s New York expenses from September 25, 1961 through February 23, 1962, with check numbers 1802 through 1951, offering a fascinating look at Monroe’s expenses as she entered the final year of her life.
Recipients of payments from her personal account during this period include Taft Garage - RR car storage, Bloomingdale’s, Hammacher Schlemmer, Hattie Stephenson, Arthur P. Jacobs, Lena Pepitone, RCA Services - for 1 year contract, Ralph Roberts, Elizabeth Arden Beverly Hills, Mrs. Jane Zigler - rent-Calif. Apt, Schwab’s Pharmacy, Maximilian Fur Company - fur storage, Anna’s Housewares, I. Magnin + Co., Beverly Hills Call Board - answering serv., A. Fitz + Sons, Berkley Sq. Cleaners, Saks Fifth Avenue Beverly Hills, Ralph Greenson, Harold Tribune Fresh Air Fund, Internal Revenue Service, Cedars of Lebanon Hospital, Jax - Manhattan, Jurgensen’s Grocery, New York Telephone Company, Malone Studio Service, Erno Laszlo Institute, Beverly Hills Flowers, Abercrombie + Fitch, Bedford Prescription Pharmacy, Hyman Engelberg, M.D., Pioneer Hardware, Screen Actors Guild, Philip R. Reuben, M.D., and Edward J. Simons, M.D. among others.
Interestingly, a typed reconciliation of Monroe’s account, stapled to the inside of the checkbook, indicates that she was overdrawn by $991.41 on December 31, 1961. Several Marilyn Monroe signed checks are included with her signature having been ripped from the check so it couldn’t be cashed. However, in one case, the remnants of Monroe’s signature are still present.
7 1/2 by 8 3/4 inches
 Estimate: $7,000 - $9,000
246075_0 246076_0 
246077_0 


Lot 824: MARILYN MONROE SIGNED CHECK
 A Marilyn Monroe handwritten and signed check. The check is written from an account with Bank of America, Laurel/Sunset branch, in the amount of $15.00, dated October 29, 1951, and paid to J.J. Haggarty Stores, Inc. The information is handwritten aside from the establishment's name, which is stamped. The check is endorsed by the store on verso with an additional note that reads “Reg Patron.”
3 1/4 by 8 inches
 Estimate: $2,000 - $3,000
246392_0  


Lot 841: MARILYN MONROE SIGNED 1953 CHECK
 A Marilyn Monroe handwritten and signed check from a Bank of America Los Angeles account, dated March 21, 1953, in the amount of $50.00 paid to Mr. John R. Tilley. The check is housed in a frame with an image of Monroe taken by Cecil Beaton, said to be her favorite photograph of herself.
14 3/4 by 22 inches, framed
Estimate: $4,000 - $6,000
246418_0 
246419_0  


Lot 900: MARILYN MONROE PRODUCTIONS BANK STATEMENT
 A Colonial Trust Company bank statement for Marilyn Monroe Productions Inc. for December 1959 showing the balances throughout the month. The account had $56,503.35 on December 1st and $65,838.55 on December 31.
10 by 6 1/4 inches
 Estimate: $600 - $800
246522_0  


Lot 904: MARILYN MONROE AND ARTHUR MILLER CHECK
 An unwritten check from Marilyn Monroe and Arthur Miller's joint account at The First National City Bank of New York. The check is numbered 44 on the top right and still has the attached ledger on the left.
2 3/4 by 8 inches
PROVENANCE Partial Lot 142, "Property from the Estate of Marilyn Monroe and Other Collections," Julien's Auctions, Los Angeles, California, June 4, 2005
 Estimate: $150 - $300
246526_0  247300_0   


Lot 907: MARILYN MONROE RECEIPT FOR STATIONERY
 A receipt from A. Webster & Company in London, England, addressed to Mrs. Arthur Miller and dated August 8, 1956. The receipt is for note paper and envelopes totaling £6.76. Together with a receipt for the check dated September 12, 1956, to Mrs. Arthur Miller. Marilyn Monroe was in London at the time shooting Prince and the Showgirl (Warner Bros., 1957).
6 3/4 by 8 1/4 inches
 Estimate: $1,000 - $2,000
246532_0  


Lot 987: MARILYN MONROE FINANCIAL DOCUMENTS
 A group of four documents relating to Marilyn Monroe's finances: a memo from Monroe's attorney Mickey Rudin typed on Gang, Tyre, Rudin & Brown memo stationery dated July 9, 1962, regarding a deposit slip from City National Bank in the amount of $4,000, accompanied by a carbon duplicate of the deposit slip dated July 6, 1962; a carbon copy of a letter written by Monroe's secretary to City National Bank; and a carbon of a deposit slip from City National Bank for a mail deposit made on May 8, 1962, in the amount of $23.47. Also present is a blank City National Bank change of address card.
Largest, 11 by 8 1/2 inches
PROVENANCE Partial Lot 977, "Icons & Idols: Hollywood," Julien's, Beverly Hills, December 5, 2014
Ex-Collection Lois Banner
 Estimate: $300 - $500
246643_0 


Lot 990: MARILYN MONROE DELIVERY RECEIPT
 A delivery receipt from Abbey Rents for a lamp delivered to "Miss M. Monroe" on May 17, 1962. The total amount including tax is $71.92.
8 1/2 by 8 1/2 inches
 Estimate: $200 - $400
246647_0 


Lot 991: MARILYN MONROE HANDWRITTEN NOTE
 A Marilyn Monroe handwritten note to her secretary. A typed message from her secretary reads “Is this to be held or check issued?” Monroe responded in green ballpoint ink, “I have to check something about it.” The note is signed either “M” or a quick partial “Marilyn.” Housed in a frame with a color image of Monroe.
23 1/2 by 16 1/2 inches, framed
 Estimate: $1,000 - $2,000
246649_0 

246648_0  247315_0  247316_0 


Documents papiers - Maison
Papers documents - Home


Lot 109: MARILYN MONROE SIGNED HAMMACHER SCHLEMMER RECEIPT
An original Hammacher Schlemmer receipt, addressed to Mrs. Arthur Miller, 444 E. 57 St., NYC, dated July 9, 1959, for the purchase of “Herbs and Spices” and “The Gold Cook Book,” hand signed “Mrs. A Miller.” During this period, Marilyn’s husband, Arthur Miller, was finalizing his screenplay for The Misfits.
 Estimate: $1,000 - $1,500
245290_0 


Lot 282: MARILYN MONROE SIGNED RECEIPT
 A receipt from Bloomingdales for a black leather and Rosewood lounge chair and matching ottoman on March 31 (no year listed) to be delivered to Marilyn Monroe at 444 East 57th Street with notation reading "Please Rush." Receipt is signed in blue ink "Marilyn Miller."
7 by 5 1/2 inches
 Estimate: $2,000 - $3,000
245576_0  


Lot 283: MARILYN MONROE JAPANESE SCREEN PAPERWORK
 An invoice from Parke-Bernet Galleries Inc., New York, for lot 409 from sale number 1861, December 4-5, 1958, for a "6 fold screen" in the amount of $1081.50. The invoice is addressed to Monroe's secretary "Miss Mary [sic] Reis for Mrs. Arthur Miller" at 444 East 57th Street." Together with a letter addressed to May Reis concerning the sale of the screen in October 1959 to Marsden J. Perry for $750. Perry was the son of a prominent Rhode Island collector.
Largest, 8 1/2 by 11 inches
 Estimate: $200 - $300
245577_0 


Lot 284: MARILYN MONROE INTERIOR DESIGN DRAWING
 A pencil on paper rendering of an elaborately carved headboard, together with accompanying letter from Daniel Lavezzo of Lavezzo Inc. Antiques of New York City dated March 4, 1958. The letter is addressed to Mrs. A. Miller of 444 East 57th Street and describes the proposed custom piece as "... carved wood frame. Finished with sterling silver antiqued, upholstered back." The quote for the job is $1,200.
10 1/4 by 7 1/4 inches
 Estimate: $300 - $500
245578_0 


Lot 285: MARILYN MONROE FABRIC SAMPLES AND PAPERWORK
 A large group of documents, including four customs and import forms, one in duplicate, from Eagle Star and American Express Company regarding the import and customs clearance of 70 meters of Italian silk satin. Together with four letters from Filippo Haas & Figli of Italy regarding the purchase of the material, two small fabric samples attached to cards of the fabric purchased, and four file copies of messages from Monroe's secretary regarding payment and purchase of the fabric.
Largest, 8 1/2 by 11 inches
 Estimate: $400 - $600 
245579_0  245582_0 
245580_0  245581_0 


Lot 286: MARILYN MONROE INTERIOR DESIGN DOCUMENTS
 A proposal sent to Normal Norell from Thomas DeAngelis Inc. for Mrs. A. Miller's bedroom. The proposal gives estimates to custom upholster a settee, headboard, bedspread, pillows and box spring drop using the fabric ordered by Norell from Italy, samples of which are included in the previous lot. The estimate is accompanied by six invoices from De Angelis, an invoice from Scalamandré Silks, and an invoice with Scalamandré silk fabric sample.
Largest, 8 1/2 by 11 inches
 Estimate: $300 - $500
245583_0 
245584_0 245585_0 245586_0 


Lot 287: MARILYN MONROE INTERIOR DESIGN DRAWING
 A letter from Amelia Wilcox of Earnshaw Inc. that accompanied photographs and sketches of potential pieces of furniture for Monroe's review. The letter, dated September 12, 1961, is addressed to Mr. John Moore, the fashion designer who at one time worked with Norman Norell and Mattie Talmack. Other documents show that Norell was also assisting Monroe with the interior decoration of her New York apartment. The letter is accompanied by an original pencil and gouache on card painting of a coffee table with attached information sheet.
Painting, 5 by 7 inches
 Estimate: $400 - $600
245587_0 245588_0 245589_0 


Lot 288: MARILYN MONROE NEW YORK APARTMENT DECORATING DOCUMENTS
 A group of three invoices dating from February and March 1958 from Oskar Barshak Interiors, New York, for a variety of improvements made to Monroe's 444 East 57th Street apartment. Together with four account statements listing a total of $7,262.07 in charges for the work.
8 1/2 by 11 inches
 Estimate: $200 - $300
245590_0 


Lot 289: MARILYN MONROE CARPET CARE DOCUMENTS
 A group of five invoices dating from June 6, 1958, to November 14, 1958, from Renofab, Colonial Carpet Corporation and Chambers-Eaton Co. of New York for various carpet cleanings and treatments, including reburling of cigarette burn, steel combing, shearing of stained areas, and application of Karpet Kare with moth proofing. Together with Karpet Kare proposal form for dining room, living room, bedrooms and hallway of the apartment Monroe shared with Arthur Miller at 444 East 57th Street.
Largest, 8 1/2 by 11 inches
 Estimate: $200 - $300

245591_0 


Lot 290: MARILYN MONROE NEW YORK APARTMENT PAINTING DOCUMENTS
 An unsigned file copy of a letter from Monroe dated November 1961 to the management company of 444 East 57th Street regarding the painting of her apartment, with a response from the management company. Together with three detailed invoices from Roth Painting Co. and Don Adame painting, each with a detailed accounting of painting work performed in the apartment in March 1958 together with two handwritten documents listing additional painting work.
Largest, 8 1/2 by 11 inches
 Estimate: $200 - $300

245592_0  245593_0 


Lot 291: MARILYN MONROE INTERIOR DESIGN DRAWING AND PHOTOGRAPHS
 An original pencil on paper sketch of a steel finish table prepared by Earnshaw Incorporated of Madison Avenue. The drawing is accompanied by four additional photographs of potential coffee table options with attached information cards also sent by Earnshaw.
Largest, 8 by 10 inches
 Estimate: $300 - $500 

245594_0 245595_0 245596_0  


Lot 292: MARILYN MONROE CUSTOM FRENCH FURNITURE PAPERWORK
 A series of documents including eight pages of customs and import forms from foreign freight company Inter-Maritime Forwarding Co. Inc. and customs agent A. & G. Valcke & Co. regarding the import of a custom set of three lacquered nesting tables from French designer Leleu. The forms are accompanied by three letters from Leleu addressed to Mrs. Arthur Miller at 444 East 57th Street regarding the order and expressing his pleasure at knowing one of his pieces will be in her home and offering further design services. The group also includes two invoices for the tables from Leleu, one in triplicate, in the amount of $300, two file copies of communications sent to Leleu regarding the order, and a brochure from Leleu showcasing his work.
8 1/2 by 11 inches
 Estimate: $300 - $500

245597_0 
245598_0 


Lot 293: MARILYN MONROE INTERIOR DESIGN INVOICES
 A large group of documents detailing custom beveled mirror wall panels installed in Monroe’s 444 E. 57th Street apartment in New York City. The documents include two diagrams of wall installations with accompanying job quote dated March 28, 1958; a file copy of a letter dated April 1, 1958, from Monroe's secretary giving approval to begin work on the job quoted at $669.50; an invoice in this amount dated "4/10/58"; an additional invoice in triplicate for a 22 by 72 1/2-inch mirror dated March 18, 1958 in the amount of $49.44; a handwritten invoice in the same amount; and a letter from a competing contractor who quoted $826 for the same mirrored wall panel job.
Largest, 8 1/2 by 11 inches
 Estimate: $400 - $600
245599_0 245600_0 
245601_0 245602_0  245603_0 


Lot 515: MARILYN MONROE INVOICE FOR OIL PAINTINGS
 An original invoice dated February 24, 1962, from the Galeria Bryna in Mexico listing three paintings purchased by Monroe for her home on Fifth Helena Drive. The paintings are listed as a Nude oil on Masonite by Rogelio Hermosilla Rembrud, "Window" oil on canvas by Olga Mendez, and "Thistles" oil on canvas by Nova Taylor for a total of $850. The invoice is accompanied by an original shipping form from the gallery. All three of these paintings were hanging in Monroe's home at the time of her death.
8 1/2 by 11 inches
 Estimate: $200 - $300
245942_0  


Lot 516: MARILYN MONROE ART COLLECTION PAPERWORK
 A group of documents regarding works of fine art purchased by Monroe. The papers include the original certificate issued by the Musee Rodin in Paris, November 17, 1960, for a bronze work titled "L' Emprise," inventory number 236 A. The certificate is issued to the Edgardo Acosta Gallery in Beverly Hills, California, which staged an exhibition of Rodin's work in March 1962, when Monroe purchased the sculpture. Together with a letter from Edgardo Acosta, a gallery receipt listing the sculpture as well as an oil painting by Poucette titled "Le Taureau," and a handwritten payment receipt dated May 5, 1962, in the amount of $962 for both works.
Largest, 8 1/2 by 11 inches
 Estimate: $400 - $600
245943_0 
245944_0 245945_0   


Lot 518: MARILYN MONROE POTENTIAL HOME LISTING
 An original letter from John E. Holland of the Charles F. Noyes Real Estate Company dated October 18, 1961, addressed to Miss Marilyn Monroe, 444 East 57th Street, New York, "Attention: Miss Marjorie Stengel" (Monroe's secretary). The letter reads in part, "[L]ast summer Mr. Ballard of our office, and I showed you the house at the corner of 57th Street and Sutton Place and Mr. Arthur Krim's house on Riverview Terrace. I spoke to Miss Stengel yesterday and told her of a house which we have just gotten listed for sale at 241 East 61st Street. She asked me to send you the particulars on this house as she thought you might be interested in it. I am enclosing our setup. ... The garden duplex apartment is now occupied by the owner and would be available to a purchaser for occupancy. You may possibly have been in this apartment as Miss Kim Novak ... just moved out in September. Before that it was occupied by Prince Aly Khan." The letter is accompanied by the setup sheet listing the details of the property as well as the price of $200,000.
8 1/2 by 11 inches
 Estimate: $200 - $300
245951_0 


Lot 519: MARILYN MONROE ARCHITECTURAL DRAWINGS FOR 61st STREET MANHATTAN PROPERTY
 An original letter from John E. Holland of the Charles F. Noyes Real Estate Company dated November 15, 1961, addressed to Miss Marjorie Stengel, Monroe’s secretary, at Marilyn Monroe Productions, Incorporated, 444 East 57th Street, New York, stating, “I am enclosing herewith Photostats which I had made of the drawings adding a stairway which would include all or half of the third floor with the duplex garden apartments. These sketches may be somewhat confusing, but I could easily explain them if you would like to have me do so,” together with six Photostat copies of original architectural drawings for the redesign of an apartment located at 241 East 61st Street in New York. The drawings go into great detail as to the redesign of the apartment, with space for an art studio and specific notes stating, “This could be another bedroom or boudoir, or health studio with 'massage' table, 'chaise lounge,' private living room…or…with numerous 'closets.'”
Interestingly, these architectural drawings from November 1961 imply that Monroe was considering relocating from the home she shared with husband Arthur Miller on East 57th Street to a three-story apartment on East 61st Street. Monroe and Miller divorced earlier in 1961. Even more interesting is the fact that, as Monroe considered a new apartment in New York City near the end of 1961, she made an offer on January 12, 1962, on a house in Brentwood, California. She moved into 12305 Fifth Helena Drive in Brentwood in March 1962.
 Estimate: $700 - $900
245952_0 


Documents papiers - Divers
Papers documents - Various


Lot 120: MARILYN MONROE JURGENSEN’S GROCERIES RECEIPT
 A receipt from Jurgensen’s Groceries for food delivered to Monroe at The Beverly Hills Hotel, Bungalow 51. Dated March 2, 1960, the receipt was for a container of lard and a package of bacon. Monroe was filming Let’s Make Love at this time.
 Estimate: $300 - $500
245304_0  


Lot 188: MARILYN MONROE HANDWRITTEN TO-DO LIST
 A single page of lined paper from a Steno notebook with notes in pencil on recto and pen on verso. The notes reference a wide range of people in Marilyn Monroe's life including dress designer Ceil Chapman, Paula and Lee Strasberg, designer John Moore, publicist Arthur Jacobs, business partner Milton Greene, analyst Dr. Hohenberg, and press agent Lois Weber.
LITERATURE Monroe, Marilyn, and Bernard Comment. Fragments: Poems, Intimate Notes, Letters. Pages 154-155. New York: Farrar, Straus and Giroux, 2010. 1-237. Print.
8 3/4 by 6 inches
 Estimate: $4,000 - $6,000
245406_0  245407_0   


Lot 198: MARILYN MONROE HANDWRITTEN TO-DO LIST AND MENU
 A single page of lined paper from a Steno notebook with extensive notes in pencil on both sides, heavily creased in multiple places. The front contains a long list of things Monroe needed to buy for a household as well as household things to do: "dry clean comforter/ have wash-bathroom rugs/ send out laundry" among other things. The other side has a proposed menu and guest list for a dinner party most likely dating to 1955 or 1956. The dinner menu even included items needed for the bar, including "buy - champagne? at least some kind of wine with dinner, liquor-scotch-gin-vermouth."
LITERATURE Monroe, Marilyn, and Bernard Comment. Fragments: Poems, Intimate Notes, Letters. Pages 176-179. New York: Farrar, Straus and Giroux, 2010. 1-237. Print.
8 3/4 by 6 inches
 Estimate: $8,000 - $12,000
245418_0  245419_0 


Lot 199: MARILYN MONROE HANDWRITTEN STUFFING RECIPE
 A single page torn from a notepad from the City Title Insurance Company of San Francisco with a recipe for stuffing, written entirely in Monroe’s hand. The recipe calls for a loaf of French bread with a note above reading "sourdough." The verso of page offers instructions for roasting a chicken or turkey with reminder that poultry cooks "30 min to 1 lbs."
LITERATURE Monroe, Marilyn, and Bernard Comment. Fragments: Poems, Intimate Notes, Letters. Pages 180-183. New York: Farrar, Straus and Giroux, 2010. 1-237. Print.
6 1/4 by 4 inches
 Estimate: $10,000 - $20,000
245420_0  245421_0  


Lot 269: MARILYN MONROE ARTHUR MILLER HANDWRITTEN BOOK DEDICATION TO MARILYN MONROE
 A single piece of lined paper torn from a spiral-bound notebook, heavily stained, containing a notation in Miller's hand reading "This book is being written out of the courage, the widened view of life, the awareness of love and beauty, given to me by my love, my wife-to-be, my Marilyn. I bless her for this gift, and I write it so that she may have from me the only unique thing I know how to make. I bless her, I owe her the discovery of my soul." Although the note is undated, Miller refers to Marilyn Monroe as his wife to be, indicating that it was written prior to their marriage on June 29, 1956. Although this dedication did not appear in any of Miller's books it was possibly intended to be used in A View from the Bridge, which Miller was rewriting as a two-act play during his courtship with Monroe. Because Miller was not officially divorced until June 1956 it is possible that the dedication was not used due to timing.
8 1/2 by 11 inches
 Estimate: $1,500 - $2,500
245554_0 
245555_0  


Lot 270: MARILYN MONROE CORRESPONDENCE WITH XENIA CHEKHOV
 A single-page typed, unsigned file copy of a letter dated December 19, 1958, to "Mrs. Chekhov" reading "My husband and I were so happy with the pictures you sent us of Mr. Chekhov. We will treasure them forever./ I am not able to shop for Christmas, as you may already know I have lost the baby, so I would like you to use this check as my Christmas greetings with all my most affectionate good wishes./ My husband sends you his warmest regards." The letter is accompanied by Xenia Chekhov's response written on a notecard dated January 10, 1959, reading in part, "[Y]our personal sad news affected me very much and I could not find the courage to write you sooner. All my warmest feelings of sympathy go out to you and Mr. Miller." This is a deeply personal note with an acknowledgement of a miscarriage in Monroe's own words.
Largest, 8 1/2 by 11 inches
 Estimate: $600 - $800
245556_0  


Lot 272: MARILYN MONROE HANDWRITTEN SIGNED CHECK TO BOOKSTORE
 A check written entirely in Monroe's hand, in blue ink, dated August 20, 1955, and paid to Martindale Books, in the amount of $2. Monroe has filled out the blank counter check listing her address as "508 N. Palm Dr."
2 5/8 by 5 7/8 inches
 Estimate: $2,000 - $3,000
245558_0  


Lot 273: MARILYN MONROE BOOKSTORE RECEIPTS
 An assortment of receipts from seven different bookstores: including: Doubleday Book Shop, Beekman Place Bookshop, and E. Weyhe Inc., all of New York City, and Wepplo's Book Store, Lee Freeson, Martindale's Book Stores and Hunter's Books, all of Los Angeles. Titles include The Great Gatsby; Van Gogh's Great Period; I , Rachel;  An Encyclopedia of Gardening; Hi - Lo's - Love Nest; a book listed simply as "Yves Montand," among others. The receipts are dated 1958 and 1960, and the receipt from Hunter's Books includes a pink carbon copy.
Largest, 10 1/2 by 7 1/4 inches
 Estimate: $400 - $600
245559_0  


Lot 275: MARILYN MONROE ARTHUR MILLER TYPEWRITER RENTAL RECEIPT
A receipt from the Beverly Hills Typewriter Shop dated September 1, 1960, addressed to Mr. Arthur Miller, Room 356, Beverly Hills Hotel, for rental of an Olympia typewriter. Marilyn Monroe was admitted to Westside Hospital in Los Angeles on August 29, needing a break from filming The Misfits in Nevada as she was suffering from exhaustion. Interesting to note that Miller attempted to write in his room at The Beverly Hills Hotel while his wife convalesced in a Los Angeles hospital.
 Estimate: $150 - $250
245562_0 


Lot 309: MARILYN MONROE HANDWRITTEN NOTATION
 A single page of typed lines comprising "City Ballad" with "(preferably with music)" written below. The lines are arranged in five stanzas. A note in pencil in Monroe's hand in the upper left corner of the page reads "I must stop staring out of the library window!"
8 1/2 by 11 inches
Estimate: $1,000 - $1,500
245624_0  


Lot 500: MARILYN MONROE PERSONAL STATIONERY
 A large group of 50 sheets of stationery paper and 250 matching ivory envelopes in original packaging. The envelopes are contained in their original Strathmore box listing the paper as "Strathmore Bond 25% Cotton Fiber Ivory Laid" made by the Old Colony Envelope Company. The box originally contained 500 envelopes and now contains 250 "Marilyn Monroe" blind embossed envelopes. Together with 50 sheets of matching stationery paper still in the original brown paper bag, each sheet with "Marilyn Monroe" blind embossed in the now iconic font. Together with a file copy of a letter dated April 18, 1962, addressed to Hedda (Rosten) from Cherie (Redmond), Monroe's friend and secretary in New York City and Monroe's secretary in Los Angeles, respectively. The letter instructs Hedda to order more stationery for Monroe from the Chase Press at 247 Park Avenue in New York, "... if the information under 'Stationery' in the telephone book is right." Redmond continues, "I would think about 250 sheets and envelopes would suffice for sometime, but usually it costs very little more to get 500 of each... (I just has a call from Pat Newcomb for 50 sheets of each and that doesn't leave much more on hand in case she again asks me for that amount." The box of envelopes included in this lot is half full and indeed was a box of 500, quite possibly the very order mentioned in this letter written less than four months before Monroe's death.
9 by 6 inches
 Estimate: $8,000 - $12,000
245913_0 245914_0 


Lot 501: MARILYN MONROE PERSONAL STATIONERY
 Five sheets of custom ivory stationery with five matching envelopes, each personalized with a simple "Marilyn Monroe" blind stamp.
9 by 6 inches
 Estimate: $1,000 - $1,500
245915_0 
245916_0 245917_0 


Lot 502: MARILYN MONROE PERSONAL STATIONERY
 A single sheet of custom ivory stationery with a matching envelope, each blind embossed simply "Marilyn Monroe."
9 by 6 inches
 Estimate: $500 - $700
245918_0 245919_0 245920_0 


Lot 503: MARILYN MONROE INVOICE FOR STATIONERY
 An invoice from Chase Press Inc. printers, engravers and stationers on Park Avenue in New York City dated March 31, 1958. The invoice lists "500 pieces of note size letter heads 6 x 9 engr. Blank" and "500 6 3/4 engr. Envelopes flap," each at a cost of $12.50 for a total of $25.75 with tax. Together with a statement of account as of the same date in the same amount and a past due notice dated April 30, 1958, for the same bill.
Largest, 6 1/2 by 8 1/2 inches
 Estimate: $200 - $300
245921_0 


Lot 504: MARILYN MONROE STATIONERY
 A single sheet of custom stationery with personalized embossed name at top reading "Mrs. Arthur Miller" in black. Together with four sheets of Arthur Miller's stationery paper reading "Arthur Miller" at the top of each page.
Smaller, 8 by 6 inches
 Estimate: $500 - $700
245922_0 245923_0 


Lot 506: MARILYN MONROE NOTEPAD
 A blank notepad from Parkside House, Englefield Green, in Surrey, England, with 29 pages and loose paper cover. Parkside House is where Monroe and then husband Arthur Miller stayed while Monroe was filming The Prince and the Showgirl . Some of the notes included in the book Fragments were written on pages from this pad.
7 by 5 1/4 inches
 Estimate: $150 - $250
245926_0 


Lot 845: MARILYN MONROE IDENTIFICATION CARD SIGNED "NORMA JEANE DiMAGGIO"
 A Marilyn Monroe signed United States Department of Defense Noncombatant’s Certificate of Identity. The card is signed “Norma Jeane DiMaggio” and countersigned by the issuing officer. It is additionally marked “Void.” Monroe’s fingerprints are stamped on the back of the card, but no other information has been entered. It is well known that Monroe was issued an official Department of Defense identification card dated February 8, 1954, with a card serial number of 129278. This card’s serial number is 129279. The same issuing officer signed this card as well as Monroe's official ID card. Monroe visited Korea to entertain the troops while on her honeymoon with Joe DiMaggio in February 1954.
2 1/2 by 3 3/4 inches
 Estimate: $15,000 - $30,000
246424_0  246425_0  


Lot 848: MARILYN MONROE DEPARTMENT OF DEFENSE PERFORMER ID CARD
 A Marilyn Monroe signed United States Department of Defense Identification Card used in 1954 while in Korea. The card is issued to Norma Jeane DiMaggio, her position listed as “USO Entertainer,” and the card is dated February 8, 1954, serial number 129278, with a black and white photograph of Monroe in the upper left corner. Monroe signed the card in blue ink “Norma Jeane DiMaggio.” It is additionally signed by the issuing officer. Monroe’s fingerprints have been stamped on the back of the card and her descriptive information typed. In 2008, an almost identical card was sold at auction; however, that card did not list Monroe’s position. Both that card and this have the same serial number. Novelty cards replicating this card have been produced but entirely in black and white.
2 1/2 by 4 inches
 Estimate: $10,000 - $20,000
246431_0  246432_0 


 Lot 849: MARILYN MONROE HOTEL RECEIPT
 A receipt from the Beverly Hills Hotel for "Dimaggio Mrs JP" for $576.59 accrued between March 15 and March 17, 1954. Marilyn Monroe had married Joe DiMaggio two months earlier, on January 14, 1954.
7 by 6 1/4 inches
 Estimate: $800 - $1,200
246433_0 


Lot 908: MARILYN MONROE PERSONAL STATIONERY
 A sheet of Marilyn Monroe personal stationery with envelope. Both are unused and blind embossed "Marilyn Monroe."
9 by 6 inches
 Estimate: $200 - $300
246533_0  246534_0  


Lot 994: MARILYN MONROE LIMOUSINE RECEIPT
 A carbon copy of a receipt from Carey Cadillac Renting Co. of California to "M. Monroe" on "3/4/62" for $100. The charge was for a 14 1/2 hour use of a limousine. Ticket number 21076.
8 1/2 by 6 1/4 inches
Estimate: $400 - $600
246652_0  


Lot 995: MARILYN MONROE AIRLINE TICKET RECEIPT
 A Rand-Fields ticket service receipt addressed to Marilyn Monroe for a one-way first-class ticket from Los Angeles to New York purchased for "Mrs Lee Strasbourg" [sic] for $205.59, on July 30, 1962. The receipt was issued less than a week before Monroe's death.
6 3/4 by 6 inches
 Estimate: $400 - $600
246653_0 


Lot 1004: MARILYN MONROE FUNERAL CARD
 An original card from the funeral of Marilyn Monroe, held on Wednesday, August 8, 1962, at the Westwood Village Mortuary in Los Angeles. The front of the card bears an image of the Bok Singing Tower. The inside reads in part, "In Memory of/ Marilyn Monroe/ Born June 1st, 1926/ Passed Away/ August 5th, 1962,” and includes the details of her funeral service. Facing page is printed with Psalm 23. Accompanied by an information packet about the services for Monroe that includes the eulogy given by Lee Strasberg, a list of invited guests, and a letter to those not invited to the service. Inez Melson gave funeral card and accompanying packet to a friend, and it has remained with that family until this time.
Card, 5 1/2 by 3 1/4 inches
 Estimate: $1,000 - $2,000
246669_0 

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24 octobre 2016

Timbres Mozambique 2016

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stamp-mozambique-2016-a1 
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24 octobre 2016

Gif Première "Some Like It Hot" (1)

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23 octobre 2016

1957, New York, The Prince and The Showgirl au cinéma

Marilyn Monroe avec Arthur Miller et Hedda Rosten à une représentation au cinéma du film Le Prince et la Danseuse en 1957 à New York.
Marilyn porte une robe rouge orangée de Jax. Photographies de Frieda Hull, membre de la bande de fans des 'Monroe Six'.

Marilyn Monroe with Arthur Miller and Hedda Rosten at a showing of The Prince and the Showgirl at a cinema in New York in 1957.
Marilyn wears a red-orange dress by Jax. Photos taken by Frieda Hull, a fan member of the 'Monroe Six' band.

1957-ny-the_prince_and_the_showgirl_showing-by_frieda_hull-01 1957-ny-the_prince_and_the_showgirl_showing-by_frieda_hull-01-2 1957-ny-the_prince_and_the_showgirl_showing-by_frieda_hull-02 
1957-ny-the_prince_and_the_showgirl_showing-by_frieda_hull-03 1957-ny-the_prince_and_the_showgirl_showing-by_frieda_hull-03-2 
1957-ny-the_prince_and_the_showgirl_showing-by_frieda_hull-04 1957-ny-the_prince_and_the_showgirl_showing-by_frieda_hull-05 1957-ny-the_prince_and_the_showgirl_showing-by_frieda_hull-06 
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> source: enchères Marilyn Monroe Auction, 2016 November


© All images are copyright and protected by their respective owners, assignees or others.
copyright text by GinieLand.
  

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23 octobre 2016

A la TV - Personne ne Bouge

gif_tvmarilyn

Dimanche 23 octobre 2016 - 19h05 - Arte
- à revoir en replay pendant 7 jours-

Magazine - Personne ne bouge
"Spécial Célibat"

Depuis la fin du siècle dernier, la célibataire ultime a un nom : Bridget Jones - Scandale : en 1953, Marilyn est nue à la une du premier numéro de Playboy - Clipologie : "Single ladies" de Beyoncé - James Bond est l'archétype du célibataire - Perle rare : un entretien de 1976 avec Warren Beatty, l'acteur aux 12 775 conquêtes...

Story : Bridget Jones
Depuis la fin du siècle dernier, la célibataire ultime a un nom : Bridget Jones. Une héroïne de livres au succès planétaire, incarnée par Renée Zellweger à l'écran.

Garde-robe : le jogging
C'est bien connu, les célibataires n'ont que deux options vestimentaires : le look "prêt à choper tout ce qui bouge" ou... le jogging !

Scandale !
En 1953, Hugh Hefner lance" Playboy". Pour son premier numéro, le patron de presse frappe fort : il achète des photos dénudées de Marilyn, shootées juste avant sa célébrité, et les met en une.

Clipologie : "Single ladies"
Avec "Single ladies", Beyoncé signe un tube intersidéral emmené par une chorégraphie devenue instantanément iconique.

Star system : la méthode du "célib céleb"
Pour entretenir leur image, les vedettes mettent en scène leur(s) couple(s), leur(s) mariage(s), leur(s) séparation(s)... Vous voulez devenir une star ou le rester ? Découvrez la méthode du "célib céleb".

Icône : James Bond
Archétype du célibataire, James Bond incarne le mythe de la séduction au masculin. Mais ce serial tombeur a connu ses peines de coeur et a même eu un jour la bague au doigt.

Perle rare
En 1976, Warren Beatty répond aux questions de Garry McDonald alias Norman Gunston. Selon la légende, l'acteur aurait accroché 12 775 conquêtes à son tableau de chasse, ce qui ne lui a pas laissé beaucoup de temps pour expérimenter le célibat...

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23 octobre 2016

Marilyn Monroe Auction - 11/2016 - effets personnels 1


Vêtements
Clothes


Lot 15: MARILYN MONROE ROBE
 A cream cotton mandarin style robe owned by Marilyn Monroe and gifted to her personal assistant Vanessa Reis, sisterin-law of May Reis. The robe has seven self-frog closures, an internal label reading “Tuji” and the collar stamped "REIS." Accompanied by a copy of a letter to Reis dated August 14, 1993, in which Ralph Roberts writes, "Reference Marilyn robe and bracelet. As best I recall, late one Saturday afternoon Marilyn and I were in the dining area of the Miller 9th floor suite at the Mapes Hotel. She had just changed into a robe, sitting on one of the chairs and I was massaging her back and shoulders. She showed me a bracelet she'd brought to Reno with thought of possibly wearing it as a (undecipherable) comment for Roslyn. Upon discussing it, she and Paula had decided somehow it wouldn't be appropriate. Just then May Reis entered with Vanessa Reis (the widow of Irving Reis, May's greatly loved brother and film director). Vanessa had come up from LA for a long weekend visit - there'd been some talk of our going out to some of the casinos to do a bit of gambling. Vanessa told Marilyn how lovely she looked in that robe. Marilyn thanked her + impulsively held out the bracelet, Take this + wear it as a good luck charm. I was wearing it during dance rehearsals for Let's Make Love, smashed into a prop, so a stone is loosened. I wish I could go with you, but Raffe is getting some Misfits knots out. And I should go over that scene coming up Monday.' They left. Marilyn asked me to remind her to have the robe cleaned to give to Vanessa. Whitey, Agnes, May - all of us - knew from experience we couldn't compliment Marilyn on any personal items or had to be very careful. She'd be compulsive about giving it, or getting a copy - to you."
 Estimate: $5,000 - $7,000
245026_0 245027_0 


Lot 23: MARILYN MONROE IVORY KNIT TOP
 A knitted mohair and wool vest-top in cream owned by Marilyn Monroe. A label reads “Hand Knitted, Made in Italy." Accompanied by an original Christie’s sale tag.
PROVENANCE: Partial Lot 160, "The Personal Property of Marilyn Monroe," Christie's, New York, Sale number 9216, October 27 & 28, 1999
 Estimate: $2,000 - $4,000
245046_0 


Lot 24: MARILYN MONROE TURQUOISE KNITTED TOP
 A knitted mohair and wool vest-top in turquoise owned by Marilyn Monroe. A label reads “Hand Knitted, Made in Italy.” Accompanied by an original Christie’s sale tag.
PROVENANCE: Partial Lot 160, "The Personal Property of Marilyn Monroe," Christie's, New York, Sale number 9216, October 27 & 28, 1999
 Estimate: $2,000 - $4,000
245047_0   


Lot 25: MARILYN MONROE LANVIN GOWN
 A Castillo for Jeanne Lanvin circa 1950s gown owned by Marilyn Monroe. The ivory silk gown is embellished with gold bullion embroidery, simulated pearls, and faceted glass in a tri-squared classical cascading foliate motif. The boned bodice has a silk lining. Hand finishing work is present to the interior. “Jeanne Lanvin” and “Castillo” labels are present.
PROVENANCE: Lot 13, "The Personal Property of Marilyn Monroe," Christie's, New York, Sale number 9216, October 27 & 28, 1999
 Estimate: $20,000 - $40,000
245048_0 
245049_0 245050_0 245051_0 


Lot 27: MARILYN MONROE CEIL CHAPMAN COCKTAIL DRESS
 A Ceil Chapman black figure-hugging cocktail dress worn by Marilyn Monroe on December 19, 1953 when she appeared at the Ambassador Hotel in Los Angeles to receive the Miss Press Club Award and to the restaurant, La Rue. The ruched jersey dress has a black silk taffeta three-tiered detail attached to the hip and a Ceil Chapman label. Chapman was one of Monroe’s favorite designers. A Christie’s lot tag and an in-house inventory tag inscribed “Strasberg #16” with an inventory number to the verso are present.
PROVENANCE: Lot 210, “The Personal Property of Marilyn Monroe,” Christie's, New York, Sale number 9216, October 27 & 28, 1999
 Estimate: $30,000 - $40,000 -> SOLD $50,000
245056_0 245057_0  245061_0 
245058_0 245059_0 245060_0 


Lot 28: MARILYN MONROE ROSE TATTOO PREMIERE GOWN
 A black slender-fitting evening gown worn by Marilyn Monroe while accompanying Marlon Brando to the New York City premiere of The Rose Tattoo (Paramount, 1956) in December 1955. The jersey bias-cut gown has spaghetti straps, a décolletage neckline, and a graduated weighted hemline. The gown is believed to have been custom made for Monroe by the studio wardrobe department and has silk lining and hand finishing work to the interior. Monroe was photographed numerous times at this event, interestingly with studio rival Jayne Mansfield, quite possibly the only time the two were photographed together. Accompanied by the original Christie’s lot tag.
PROVENANCE: Lot 217, “The Personal Property of Marilyn Monroe,” Christie's, New York, Sale number 9216, October 27 & 28, 1999
 Estimate: $50,000 - $70,000
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Lot 84: HISTORIC DRESS WORN BY MARILYN MONROE WHEN SHE SANG HAPPY BIRTHDAY TO JFK AT MADISON SQUARE GARDEN IN 1962
 A Jean Louis designed illusion gown worn by Marilyn Monroe at Madison Square Garden in New York City on May 19, 1962, at a Democratic fundraiser and 45th birthday celebration for President John F. Kennedy.
Early in 1962, Monroe asked famed Hollywood costume designer Jean Louis to create a dress “that only Marilyn Monroe could wear.” The nude soufflé chiffon gown, perfectly matching Monroe’s skin tone, was embellished with hand-sewn round crystals, carefully placed since the dress was created with no underlining layer. Monroe wore no undergarments that night, instead relying on Louis’ masterful swirls of crystals in precisely the right places. Under the stage lights of Madison Square Garden, the fabric of the dress appeared to melt away, leaving only twinkling rays of light from the crystals reflected by the spotlight covering Monroe. The gown was designed as a sleeveless column dress with a scoop neck and open back with clear zipper, covered by hook and eye tab closure and a small train at the back hem. Despite the zipper and closures, the gown was so form fitting that Louis later disclosed that Monroe had to be sewn into the back closure. His hand stitching is still evident beneath the lower back hook and eye tabs. Since 1999, the dress has been displayed on a custom conservator mannequin.
In this dress, Monroe sang her unique version of “Happy Birthday” to President Kennedy and a crowd of 15,000 well-wishers. Some have posited that Monroe’s delayed appearance on stage and her breathless performance can be attributed to getting lost and racing to the stage as Peter Lawford joked about Monroe’s penchant for never being on time.
The effect of her performance was far reaching – not only for Monroe but also for American 1960s culture. Monroe’s seductive serenade remains a crossroads of Hollywood and political touch points more than 54 years later. Part of the appeal may be the intrigue: Were Monroe and Kennedy having an affair? Did she just stand up in front of 15,000 people and sing him that song that way ? The performance has taken on a life of its own, outside the context of the gala. While Monroe’s performance is instantly recognizable and the most memorable of the night, it was one of many that night that included Jack Benny, Ella Fitzgerald, Henry Fonda and Maria Callas. However, it is Monroe singing in this dress that is remembered. It has come to epitomize who Marilyn was in popular culture, including the lyrics she wrote herself for the evening:
Happy Birthday to you
Happy Birthday to you
Happy Birthday Mr. President
Happy Birthday to you
Thanks Mr. President
For all the things you've done
The battles that you've won
The way you deal with U.S. Steel
And our problems by the ton
We thank you so much
Everybody! Happy Birthday!
As an enormous birthday cake was wheeled onstage, President Kennedy commented on Monroe’s performance, joking, “I can now retire from politics after having had ‘Happy Birthday’ sung to me in such a sweet, wholesome way.”
On that special evening, Monroe could not have known that she would live fewer than three months. Perhaps she thought another future performance would replace this as the moment that would epitomize her and her life. Sadly, John F. Kennedy was assassinated eighteen months later, and if tragedy had not intervened, this may not have been the singular iconic moment we associate with Monroe and Kennedy.
Although Monroe could not have known that this performance would be the last image of her remembered by so many following her untimely death, she expended a great deal of effort and money to bring this moment to life. Monroe’s financial statements from this period reveal a great deal about the extraordinary amount of money she put behind her performance. Her May 1962 financial statements list a special expense category titled “New York Birthday Salute to the President” with a $5,000 expense, Monroe’s ticket/donation made to attend the event. Expenses also include $1,000 listed as pertaining to the birthday gala for her maid, Hazel Washington, to accompany Monroe to New York. The expense is coded as “business maid, plane fare, salary.” Her last checkbook also records a check paid to Mary Irvine for makeup for “special appearance at Madison Square Garden.” Monroe’s financial statements also list a $300 deposit paid to Western Costume Company to create this gown with matching shoes in May and a payment for the remaining balance of $1,140.33 in June 1962. There were no doubt other expenses involved in Monroe’s appearance, but the ticket to the event, dress, and the expenses listed above total more than $7,000 in 1962, which with inflation would equate to $60,000 in 2016.
These costs do not begin to take into account the cost Monroe paid professionally for her appearance. At the time she was filming Something’s Got To Give, and Twentieth Century Fox executives would not give Monroe permission to leave filming to attend the event. According to some sources, the employees on the crew were aware, in advance, that Monroe was traveling from Los Angeles to perform at the celebration. Whatever miscommunication or machinations there were behind the absence, it became another strike against the actress on an already contentious film set. Monroe’s unauthorized departure was used against her as she was ultimately fired from the film.
The performance that night in May also had an impact on Monroe’s personal life. Monroe biographer Lois Banner, in her book Marilyn: The Passion and the Paradox (New York: Bloomsbury, 2012), asserts that Monroe told the event planners that she would dress discreetly. When viewed under normal lighting, the dress did appear modest, but under the glare of the Madison Square Garden stage lights, the Jean Louis creation magically transformed into a sparkling second skin. The dress and the song were too much for the political dynasty, and according to Banner, that evening ended whatever relationship Monroe and John F. Kennedy shared and severed her from the rest of the Kennedy family. The magic and myth of Marilyn Monroe as legend was certainly sealed that evening in May 1962, made permanent by her mysterious death a short time later. The fact that she remains a contemporary role model and muse all these decades later is extraordinary and a feat achieved by few. Ten years after her death, Elton John and Bernie Taupin penned “Candle in the Wind” about Monroe, repurposing the lyrics twenty-four years later for the funeral of Princess Diana. From Andy Warhol to Cindy Sherman to Richard Avedon and Bert Stern, the art and photography world has always taken Marilyn Monroe seriously. In fact, it was Monroe’s death in 1962 that inspired Warhol to create the “Marilyn Diptych” among more than 20 silkscreen paintings of her, all based on the publicity photograph from her 1953 film Niagara, plucking her from pop culture, forever immortalized as art.
PROVENANCE Lot 55, “The Personal Property of Marilyn Monroe,” Christie’s, New York, Sale number 9216, October 27–28, 1999
 Estimate: $2,000,000 - $3,000,000
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Lot 218: MARILYN MONROE MINK COAT
 A three-quarter-length mink coat with bell sleeves, wide lapel, two front velvet lined pockets and rose form buttons edged in citrine rhinestones. Label has been cut from front right lining.
It was and still is customary for furriers to embroider an owner’s name onto a label that is attached to the lining or directly onto the lining of high-end fur jackets. Due to the fact that Inez Melson and her family held this and other furs that belonged to Monroe and her estate for many years in violation of Monroe’s wishes as outlined by her will, we believe that the label, which likely featured Monroe’s embroidered name, was removed from the jacket in an effort to conceal the fact that it was a fur owned by Monroe. The labels cut from these furs have never been recovered.
 Estimate: $20,000 - $30,000
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Lot 221: MARILYN MONROE FUR JACKET
 A tourmaline mink, cropped jacket with three-quarter-length sleeves, two plastic gold colored buttons and front inside left seam pocket. Label has been cut from front right lining.
It was and still is customary for furriers to embroider an owner’s name onto a label that is attached to the lining or directly onto the lining of high-end fur jackets. Due to the fact that Inez Melson and her family held this and other furs that belonged to Monroe and her estate for many years in violation of Monroe’s wishes as outlined by her will, we believe that the label, which likely featured Monroe's embroidered name, was removed from the jacket in an effort to conceal the fact that it was a fur owned by Monroe. The labels cut from these furs have never been recovered.
 Estimate: $10,000 - $15,000
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Lot 222: MARILYN MONROE FUR CAPE
 A chinchilla cape with wide lapel, front vertical seamed pockets and notched sides. Label has been cut from front right lining.
It was and still is customary for furriers to embroider an owner’s name onto a label that is attached to the lining or directly onto the lining of high-end fur jackets. Due to the fact that Inez Melson and her family held this and other furs that belonged to Monroe and her estate for many years in violation of Monroe’s wishes as outlined by her will, we believe that the label, which likely featured Monroe’s embroidered name, was removed from the jacket in an effort to conceal the fact that it was a fur owned by Monroe. The labels cut from these furs have never been recovered.
 Estimate: $10,000 - $15,000
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Lot 223: MARILYN MONROE CARDIGAN WITH FUR LAPEL
 A white wool cardigan with lace and tulle lining, rhinestone button closure and rhinestone cufflinks. The cardigan features a removable white and lunaraine mink shawl collar lapel attached with small snaps. Label inside sweater reads "Bonnie Briar Full Fashioned Fur Blend 10% Angora 70% Wool."
 Estimate: $10,000 - $15,000
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Lot 224: MARILYN MONROE STOLE
A white fox fur stole with white silk lining and single hook and eye closure.
 Estimate: $8,000 - $12,000
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Lot 294: MARILYN MONROE PORTRAIT DRESS
A red-orange dress worn by Marilyn Monroe in a 1957 portrait and to a circa 1957 event with Arthur Miller that appears to be a showing of The Prince and the Showgirl (Warner Brothers, 1957). The dress has a fitted jersey halter bodice with a layered silk crepon full skirt. A "Designed by Jax" label is present.
 Estimate: $60,000 - $80,000
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Lot 295: MARILYN MONROE JAX KNITTED TOP
A black sleeveless knitted top with plunging V to front and back. A Designed by Jax label is present.
 Estimate: $3,000 - $5,000
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Lot 296: MARILYN MONROE JAX TOP
An ivory jersey sleeveless cropped top. The top has large pearlized buttons to the back and a Jax label.
 Estimate: $3,000 - $5,000
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Lot 376: MARILYN MONROE JACKET
A black wool tailored jacket. The fitted jacket is lined with pale pink and ivory striped silk. Monroe wore the jacket with a fur lined collar while attending a meeting to launch the New Watergate Club in London with Arthur Miller on September 10, 1956. The unfinished collar indicates that it was originally lined with fur.
 Estimate: $8,000 - $12,000
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Lot 377: MARILYN MONROE LAMB JACKET
 A broadtail lamb cropped long-sleeve jacket with fox fur collar and single black velvet with braided cord trim, front button closure. Label has been cut from front right lining.
It was and still is customary for furriers to embroider an owner’s name onto a label that is attached to the lining or directly onto the lining of high-end fur jackets. Due to the fact that Inez Melson and her family held this and other furs that belonged to Monroe and her estate for many years in violation of Monroe’s wishes as outlined by her will, we believe that the label, which likely featured Monroe’s embroidered name, was removed from the jacket in an effort to conceal the fact that it was a fur owned by Monroe. The labels cut from these furs have never been recovered.
 Estimate: $15,000 - $20,000
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Lot 382: MARILYN MONROE SATIN COAT DRESS
An ivory satin coat dress. The dress has mother of pearl buttons and a self-tie belt. A Rudi Gernreich design for Walter Bass label is present.
 Estimate: $8,000 - $12,000
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Lot 388: MARILYN MONROE SUNDRESS
A silky ivory sundress. The dress has bows to the shoulders and a silk lining.
 Estimate: $8,000 - $12,000
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Lot 427: MARILYN MONROE IVORY DRESS
A figure-hugging ivory silk dress worn during a 1959 photo shoot with Manfred Kreiner while in Chicago promoting Some Like It Hot as shown in photograph at left. The short-sleeve dress has a weighted hem.
 Estimate: $8,000 - $12,000
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Lot 480: MARILYN MONROE SILK WRAPPER
An ivory silk wrapper with ruffle trim.
 Estimate: $5,000 - $7,000
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Lot 889MARILYN MONROE PURPLE BLOUSE
A Marilyn Monroe purple cotton short-sleeve button-down blouse. Label reads “Gabey Original.” The fitted shirt has cuffed sleeves and four-button closure, size 12.
PROVENANCE Partial Lot 50, "Property from the Estate of Marilyn Monroe," Julien's, Los Angeles, June 4, 2005
 Estimate: $2,000 - $4,000
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Costumes Séances Photos
Shooting Sitting Costumes


 Lot 58: MARILYN MONROE PORTRAIT BODICE
 A 19th Century-style bodice worn by Marilyn Monroe in a 1956 Jack Cardiff photo session. The boned faille bodice is embellished with ivory lace, black silk velvet, and jet-like foliate buttons. Originally from The Jack Cardiff Collection. Accompanied by a piece of the original missing button and a copy of Cameraman: The Life and Work of Jack Cardiff (Modus Operandi Films, 2010).
PROVENANCE: Lot 93, “Film and Entertainment,” Christie’s, South Kensington, Sale number 9538, December 17, 2002
 Estimate: $20,000 - $40,000

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Lot 61: MARILYN MONROE RICHARD AVEDON PHOTOSHOOT COSTUME AND LIFE MAGAZINE
 A costume worn by Marilyn Monroe as Lillian Russell for a pictorial feature in the December 22, 1958 issue of Life magazine, photographed by Richard Avedon. The lavender satin, boned leotard has a décolletage neckline trimmed with bouquets of fabric flowers and pink, lavender and cream draped chiffon sashes across the front, embellished with pink satin bows and trimmed in lavender, pink and cream chiffon. The costume has minor post-photoshoot alterations. Monroe also dressed as Theda Bara, Clara Bow, Jean Harlow, and Marlene Dietrich for this series of photographs. Accompanied by a copy of the magazine.
PROVENANCE: Lot 748, “Collectibles & Hollywood Entertainment,” Christie's East, New York, Sale number 7513, December 18, 1993
 Estimate: $20,000 - $40,000

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Costumes de films & Bijoux
Movies costumes & Jewels


Lot 30: MARILYN MONROE HOW TO MARRY A MILLIONAIRE EARRINGS
 A pair of simulated pearl and simulated diamond costume earrings worn by Marilyn Monroe in How To Marry A Millionaire (20th Century, 1953) and in numerous publicity photographs. Monroe also wore the earrings to a St. Jude charity event at the Hollywood Bowl in September 1953 and to Charles Coburn's birthday Party on June 17, 1953. Accompanied by the Christie’s lot card.
Length approximately 2 1/2 inches
PROVENANCE: Lot 230, "The Personal Property of Marilyn Monroe," Christie's, New York, Sale number 9216, October 27 & 28, 1999
 Estimate: $80,000 - $100,000

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Lot 38: MARILYN MONROE STUDIO EVENING GOWN
 A black velvet evening gown with plunging neckline from an unknown production with a bias label inscribed "M. Monroe 1 27 3 0396." Accompanied by a matching black velvet belt.
PROVENANCE: Lot 225, "Collector’s Carrousel, Including Dolls, Toys, Slot Machines, Hollywood and Rock ‘N’ Roll Memorabilia," Sotheby's New York, Sale number 6384, December 17, 1992
 Estimate: $20,000 - $30,000

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Lot 39: MARILYN MONROE NIAGARA NEGLIGEE
 A slender-fitting black chiffon negligee with an applied silk red rose made for Marilyn Monroe as Rose Loomis in the thriller Niagara (20th Century, 1953). The gown is trimmed with lace and has a flesh tone chiffon underlayer. A bias label is inscribed “1-69-1-1180 Marilyn Monroe A-678.” Monroe’s role in this film established her as a star and showcased her dramatic acting abilities. Costume design by Dorothy Jeakins. Post-production alterations are present. The dress is not in the final cut of the film but is documented on Monroe in wardrobe test shots.
PROVENANCE: Lot 224, "Collector’s Carrousel, Including Dolls, Toys, Slot Machines, Hollywood and Rock ‘N’ Roll Memorabilia," Sotheby's New York, Sale number 6384, December 17, 1992
 Estimate: $20,000 - $40,000

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Lot 40: MARILYN MONROE SOME LIKE IT HOT COCKTAIL DRESS AND STUDIO IMAGE
 A figure-hugging sheer black and nude embellished cocktail dress worn by Marilyn Monroe while singing “I’m through with Love” atop a grand piano in Billy Wilder’s Some Like It Hot (United Artists, 1959). The dress is composed of black souffle and nude silk jersey embellished with columns of jet-like beads and sequins, scattered beaded butterfly appliques, and beaded fringes. The dress has a built-in bra and an illusion of a deep plunging back that was considered extremely daring for its’day. Hand finishing work is present to the interior. A Western Costume label inscribed “Marilyn Monroe 1575-1” is attached to the interior of the bra. Legend tells that Monroe had to be lifted to the piano for this scene as the dress was very form fitting. Some Like It Hot is considered to be one of the greatest film comedies of all time. It was voted as the top comedy film by the American Film Institute on their list on AFI's 100 Years...100 Laughs poll in 2000. The film won the 1960 Golden Globe awards for Best Motion Picture-Comedy or Musical, Best Actress in Motion Picture-Comedy or Musical for Monroe, and Best Actor in Motion Picture-Comedy or Musical for Jack Lemmon. Orry-Kelly won the 1959 Academy Award for costume design for his work on this film. Some restoration work is present. Accompanied by a black and white publicity image.
PROVENANCE: Lot 586, “Entertainment, Memorabilia & Collectibles,” Christie's, New York, Sale Number 7327, June 29, 1992
 Estimate: $400,000 - $600,000

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Lot 41: MARILYN MONROE NIAGARA DRESS
 A carnation pink linen halter-style “wiggle dress” made for Marilyn Monroe as Rose Loomis in the thriller Niagara (20th Century, 1953). The dress has pearlized magenta buttons, silk lining and a bias label inscribed “1-27-1-7790 Marilyn Monroe A678-05.” Monroe’s role in this film established her as a star and showcased her dramatic acting abilities. Costume design by Dorothy Jeakins. The dress is not in the final cut of the film but is documented on Monroe in wardrobe test shots, publicity images, and public appearances. Some post production alterations are present.
PROVENANCE: Lot 226, "Collector’s Carrousel, Including Dolls, Toys, Slot Machines, Hollywood and Rock ‘N’ Roll Memorabilia," Sotheby's New York, Sale number 6384, December 17, 1992
 Estimate: $30,000 - $50,000

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Lot 46: MARILYN MONROE JANE RUSSELL GENTLEMEN PREFER BLONDES EMBELLISHED GOWN AND MAGAZINE COVERS
 A ruby red sequin embellished figure-hugging crepe gown worn by Jane Russell in the opening scene of Gentlemen Prefer Blondes (20th Century, 1953) while performing "We're Just Two Little Girls from Little Rock" with Marilyn Monroe. The gown has a built-in leotard with boning, sequins and paillettes in a vermicelli pattern, a high front slit, and a graduated hemline. Hand finishing work is present. Costume design by Academy Award winner William "Billy" Travilla. Accompanied by a cover of the May 25, 1953 issue of Life magazine and a cover of an August 15, 1953, issue of Picture Post. Necklace not included.
PROVENANCE: Lot 245, “Collectors' Carrousel,” Sotheby's, New York, Sale number 5956, December 15, 1989
 Estimate: $30,000 - $50,000

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Lot 47: MARILYN MONROE JANE RUSSELL GENTLEMEN PREFER BLONDES COSTUME
A black sequined dance leotard made for Jane Russell as Dorothy Shaw in Gentlemen Prefer Blondes (20th Century, 1953). The costume consists of a black satin boned leotard embellished with jet-like sequins in a vermicelli pattern and rhinestone trim and a matching sequin bicorne hat. The costume is not seen in the final cut of the film. Russell and Marilyn Monroe wear the costumes in the film’s official trailer and many publicity images. Post-production alterations present. Costume design by Academy Award winner William “Billy” Travilla.
 Estimate: $8,000 - $10,000

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Lot 48: MARILYN MONROE GENTLEMEN PREFER BLONDES COSTUME AND STUDIO IMAGE
A black sequined dance leotard worn by Marilyn Monroe as Lorelei Lee in Gentlemen Prefer Blondes (20th Century., 1953). The costume consists of a black satin boned leotard embellished with black sequins in a vermicelli pattern and rhinestone trim with dangling teardrop rhinestones and a matching black sequin covered bicorne hat. The leotard has a bias label inscribed “1-25-1-4288 Marilyn Monroe A698-69." The hat has a bias label inscribed “1-25-1-4288 M. Monroe A698-69." Costume design by Academy Award winner, William “Billy” Travilla. The costume is not in the final cut of the film, but Monroe and costar Jane Russell wear these costumes in the film’s official trailer and several publicity images. Accompanied by artificial pink roses that are not original to the costume and a studio image.
 Estimate: $20,000 - $40,000

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Lot 49: MARILYN MONROE NO BUSINESS LIKE SHOW BUSINESS GOWN
 A figure-hugging embellished gown worn by Marilyn Monroe while singing “After You Get What You Want You Don’t Want It” in the musical There’s No Business Like Show Business (20th Century, 1954). The flesh tone crepe gown has a netting overlay and is generously embellished with silver and pearlized bugle beads in a starburst and foliate motif, scattered rhinestones, bouquets of bugle beads top with sequins and seed beads, with a cluster of monofilament fiber with silver and glittering flowers to the waist-high left leg slit. A sheer pleated vanity panel is present to the slit and was added post production for alternate filming and publicity images for release in countries that forbade such a revealing costume. Hand finishing work and a couture waistband are present to the interior. A 20th Century label with no inscription and a bias label inscribed “1-25-1-4692 M. Monroe A-729-28” are present. Costume design by William Travilla. Accompanied a matching headpiece of silver and glitter flowers, accented with a spray of monofilament fibers with a bias label inscribed “1-25-4-4692 A729-29 M.Monroe.” Accompanied by a pair of strappy satin Pacelle Saks Fifth Avenue high heels that are not original to the costume.
PROVENANCE: Lot 105, “Television and Film Memorabilia and Posters,” Christie's, New York, Sale number 7741, June 28, 1995
 Estimate: $100,000 - $200,000

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Lot 50: MARILYN MONROE NO BUSINESS LIKE SHOW BUSINESS SWIM COSTUME
 An embellished one-piece swim costume made for Marilyn Monroe as Vicky Hoffman in the musical There’s No Business Like Show Business (20th Century, 1954). The costume consists of a black cotton boned bathing suit with scattered polka dots, two matching bows, a matching belt and a wrap of white cotton decorated with black polka dots. The swimsuit has a couture waistband and a bias label inscribed “1-18-3-1221 A729-41 M.Monroe.” Together with an ivory sequined bathing cap in the form of a flower, with edges trimmed in silver bugle beads with a bias label inscribe “1-25-4-4691-A729-29 M.Monroe.” Costume design by Academy Award winner William "Billy" Travilla. Sir Elton John donated this piece to a charity auction in 1990.
PROVENANCE: Lot 104, “Pop,” Christie's, South Kensington, Sale number 4259, April 25, 1991
 Estimate: $20,000 - $40,000

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Lot 54: MARILYN MONROE BUS STOP COSTUME, STUDIO IMAGE AND TEAR SHEET
 A jade green embellished satin leotard worn by Marilyn Monroe while singing “That Old Black Magic” in a saloon scene in Joshua Logan’s Bus Stop (20th Century, 1956). The film was based on William Inge’s play. The boned leotard has black netting overlay to a nude wire brassiere, jet-like sequins in a fish scale pattern, scalloped gold bullion fringe trimmed with topaz-colored faceted glass. A bias label inscribed “Marilyn Monroe” and a 20th Century label inscribed “A-769-03” are present. Post-production alterations are present. The film’s costume designer is Academy Award winner William “Billy” Travilla. Monroe received a Golden Globe nomination for Bus Stop , and the film was nominated for the Best Motion Picture-Musical or Comedy Golden Globe. Accompanied by a studio publicity image and a tear sheet from PhotoPlay magazine.
PROVENANCE: Lot 386, Christie’s Collectibles, Christie's East, New York, Sale number 6841, June 21, 1989
 Estimate: $80,000 - $100,000
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Lot 55: MARILYN MONROE AND BUS STOP CAST SIGNED STETSON AND FRAMED IMAGE
 A tan felt Karam’s Stetson purportedly worn by an extra in the rodeo sequence of Bus Stop (20th Century, 1956) and signed in black ballpoint pen by 11 members of the cast and crew of the film, including Marilyn Monroe, Don Murray, Joshua Logan, George Axelrod, Robert Bray, Arthur O'Connell, Betty Field, Eileen Heckart, and Hans Conried, among others. Accompanied by a copy of a letter from the original consigner regarding the provenance of the Stetson and a framed image of Monroe on the set of the film.
Stetson, approximately 5 by 15 by 13 ½ inches; Framed image, approximately 25 by 25 inches
PROVENANCE: Lot 119, “Film & Entertainment,” Christie's, South Kensington, Sale number 9771, December 16, 2003
 Estimate: $8,000 - $10,000

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Lot 56: MARILYN MONROE BUS STOP STUDIO PROMOTIONAL BODICE AND MAGAZINE COVER
 A pale green bodice with black floral lace overlay created by 20th Century Fox in the style of a bodice worn by Marilyn Monroe in Bus Stop (20th Century, 1956) and given away as a promotional prize. The fitted bodice has ribbon ties to neck and sleeves, a snap back closure, an interior bias label inscribed “Marilyn Monroe,” and a 20th Century Fox label inscribed "A-769-04.” The bodice was offered to Picture Show & Film Pictorial magazine in 1956 as the grand prize for a reader contest and was originally described as the blouse Monroe wore in the film. While the blouse contains a 20th Century Fox studio label with Marilyn’s name the and the studio’s accurate production number for Bus Stop, the blouse does not match the costume Monroe wears in the final production of the film or in publicity photos. Accompanied by an original Picture Show & Film Pictorial magazine cover, a clipping announcing that Mrs. Fulcher had won the bodice, the original letter from the magazine addressed to the contest’s winner, Mrs. A.M. Fulcher, reading, “My very sincere congratulations on your postcard entry which wins this unique prize of Marilyn Monroe’s blouse, worn by her during the filming of 'Bus Stop.' I hope you will tell the friends to whom you show your prize that regularly something worn or used by a British or American star in a film will be offered in a free competition to be won by a reader of Picture Show. Again my congratulations. Yours sincerely, The Editor. P.S. If you would like to send an acknowledgement to Marilyn Monroe I will see that it is delivered to her.”
PROVENANCE Lot 471, “Film and Animation Art,” Sotheby's, London, June 8, 1993
Estimate: $5,000 - $10,000

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Lot 57: MARILYN MONROE FUR STOLE
 A Russian sable fur stole originally acquired by costume designer Beatrice Dawson for Marilyn Monroe to wear in The Prince and The Showgirl (Warner Bros., 1957). Accompanied by documentation from Betty Highwood, an associate of Dawson’s who purchased the fur post production from Dawson. Highwood notes that, according to Dawson, Monroe declined to wear the fur due to its dark color. In scenes near the end of the film, Monroe wears a white fur that more closely matches her costume, a full-length white evening gown.
PROVENANCE: Lot 246, “Film & Entertainment,” Christie's, South Kensington, Sale number 3577, December 20, 1989
 Estimate: $5,000 - $10,000

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Lot 59: MARILYN MONROE THE PRINCE AND THE SHOWGIRL GOWN AND WINDOW CARDS
 A figure-hugging ivory gown worn by Marilyn Monroe throughout the majority of the romantic drama The Prince and The Showgirl (Warner Bros., 1957). The satin gown has a draped souffle overlay that is adorned with simulated pearls, pearlized bead and faceted glass florets, and beaded fringe and has a weighted mermaid tail. Though Monroe was not nominated for an American Academy Award for this film, she won the French and Italian equivalents for her portrayal of Elsie Marina in this film opposite Sir Laurence Olivier. Costume design by Beatrice Dawson. Accompanied by three window cards.
PROVENANCE Lot 2000, ”Marilyn Monroe: The Red Velvet Images,” Butterfields, Los Angeles, Sale number 7232B, March 22, 2001
BIDDING ON THIS LOT WILL REQUIRE SPECIAL REGISTRATION REQUIREMENTS. Please email info@juliensauctions.com or call 310-8361818 for additional information and approval for this lot.
 Estimate: $60,000 - $80,000

245147_0  245152_0


Lot 60: MARILYN MONROE SEVEN YEAR ITCH GLOVES
 A pair of custom-made opera gloves embellished with graduated rows of jet-like sequins worn by Marilyn Monroe in the "Rachmaninoff" scene of The Seven Year Itch (Warner Bros., 1955). Hand finishing work is present. A leather label reads “Made for Marilyn Monroe by Billi Cheatwood Beverly Hills.” Accompanied by a copy of the film.
PROVENANCE Lot 142, “Entertainment Memorabilia,” Christie's East, New York, Sale number 7565, June 2, 1994
 Estimate: $4,000 - $6,000

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245156_0


Lot 64: MARILYN MONROE LET’S MAKE LOVE BLOUSE
 A custom-made pale pink silk blouse worn by Marilyn Monroe as Amanda Dell in Let’s Make Love (20th Century, 1960). The fitted blouse is tailored with simulated pearl buttons and hand finishing work to the interior. A Twentieth Century Fox label with no inscription is present. Accompanied by a copy of the fim.
PROVENANCE Lot 238, “Film and Entertainment,” Christie's, South Kensington, Sale number EPH 3127, December 16, 1988
 Estimate: $20,000 - $40,000

245163_0 245164_0 245168_0 
245165_0 245166_0 245167_0 


Lot 65: MARILYN MONROE LET'S MAKE LOVE WRAP SKIRT
 A vibrant orange wool wrap skirt worn by Marilyn Monroe in Let's Make Love (20Th Century, 1960). The tailored skirt is lined with pink cotton and has hand finishing work. A Twentieth Century Fox label inscribed “F-13 M. Monroe” is present. Costume design by Dorothy Jeakins. Accompanied by a copy of the film.
PROVENANCE: Lot 143, “Entertainment Memorabilia,” Christie's East, New York, Sale number 7565, June 2, 1994
 Estimate: $10,000 - $20,000

245169_0  245170_0 
245171_0 245172_0 
245173_0 245174_0 


Lot 774: MONTGOMERY CLIFT THE MISFITS SHIRT
 A western style shirt worn by Montgomery Clift in The Misfits (United Artists, 1961). The shirt has pearlized snap closures and is labeled "Panhandle Slim." Accompanied by a copy of the book The Making of The Misfits by James Goode, a December 1960 issue of Cosmopolitan , and an August 29, 2004, article from the Los Angeles Times .
PROVENANCE From the Estates of Jack Larson and James Bridges
 Estimate: $4,000 - $6,000

246309_0  246310_0 
246311_0 246312_0 246313_0 
246314_0 246315_0 246316_0  


Chaussures
Shoes


Lot 21: MARILYN MONROE SALVATORE FERRAGAMO HEELS
 A pair of white leather heels owned by Marilyn Monroe, originally from the estate of Marilyn Monroe. The three-inch spiked heels have perforated dot detailing. Size 7.5B. The heels were originally donated by Anna Strasberg for the benefit of the Hereditary Disease Foundation in Los Angeles, California. Accompanied by a copy of a letter of authenticity signed by Strasberg, dated March 10, 1986. Previously exhibited at the Victoria and Albert Museum in the “Shoes: Pleasure and Pain” exhibit, June 13, 2015- January 31, 2016.
PROVENANCE: Lot 483, “Entertainment & Sports Memorabilia," Christie's East, Sale number 7073, June 20, 1990
 Estimate: $2,000 - $4,000

245042_0 245043_0  


Lot 101: MARILYN MONROE SANDALS WORN AS A MODEL
A pair of simple brown leather platform sandals with crisscrossing ankle straps by Cabalano, with 3 1/4-inch heels. Monroe can be seen in a number of early modeling photographs wearing these shoes. Impressions of Monroe's feet are well worn onto the insoles, demonstrating how frequently she wore them.
 Estimate: $4,000 - $6,000

245271_0 245272_0   


Lot 276: MARILYN MONROE FERRAGAMO SHOES
 A pair of white leather stiletto heels, hand made in Italy by Salvatore Ferragamo. No size is stamped to leather sole of shoe, but handwritten notations on interior of each shoe read, "AL 3678 7 1/2 B 899." The shoes are heavily scuffed, and the uppers have been polished with white shoe polish while the heel is a couple of shades darker.
Size 7.5
 Estimate: $3,500 - $4,500

245563_0  245564_0 


Lot 390: MARILYN MONROE FERRAGAMO SHOES
 A pair of white silk satin stiletto heels, hand made in Italy by Salvatore Ferragamo. The number six is stamped to leather sole of each shoe.
Size 6
Estimate: $4,000 - $6,000

245738_0  


Lot 394: MARILYN MONROE WHITE SATIN SHOES
A white satin right-foot shoe by I. Miller Beautiful Shoes with "Marilyn Monroe/ 433/ 22004" handwritten inside and 3 3/4-inch heel. Together with a single white satin shoe by Dal Co. from the Rome boutique, with 3 3/4-inch heel and handwritten notation inside shoe reading "1619."
 Estimate: $1,000 - $1,500

245739_0  


Lot 393: MARILYN MONROE FERRAGAMO SHOE
A single white leather left-foot Ferragamo stiletto heel with scuffed heel, sides and toe. Handwritten notation inside shoe reads "PE-925-7 1/2 B- 899."
 Estimate: $500 - $700

245741_0 


Lot 396: MARILYN MONROE BURGUNDY SATIN PLATFORM SANDALS
A pair of custom handmade sandals with 1 3/4-inch platforms and a heel measuring more than four inches. The bespoke shoes were made by Anello & Davide of London, perhaps most famous for hand crafting the Beatles boots worn by the Fab 4 in the 1960s. Together with two pink plastic and metal shoe forms. Sole of shoe is stamped with maker's mark and UK size 4 1/2. Monroe custom ordered the shoes to match the dress she wore to the premiere of then husband Arthur Miller's play A View From The Bridge in London in October 1956.
 Estimate: $4,000 - $6,000

245744_0  245745_0  245746_0 


Lot 397: MARILYN MONROE RED LEATHER DAL CO. HEELS
A pair of red Italian leather heels by Dal Co. listing a boutique address in Rome. Significant wear to heels and soles with nonslip inserts at heel. Leather soles stamped with a "1" and "38," presumably a European size 38.
 Estimate: $4,000 - $6,000

245747_0   


Lot 398: MARILYN MONROE RED I. MAGNIN HEELS
A pair of red canvas heels from I. Magnin & Co. of California with 3 1/2-inch heels. Soles of shoes have handwritten notation reading "1-12-3-7440 M Gaynor" and inside strap with handwritten notation reading "5m D6298 01-698."
 Estimate: $3,000 - $5,000

245748_0


Lot 399: MARILYN MONROE BEIGE DAL CO. SHOES
A pair of beige heels by Dal Co. with no-slip heel inserts, worn heels and soles, and very scuffed toes and sides. The shoes are stamped both "38" and "15."
 Estimate: $2,500 - $3,500

245749_0  


Lot 400: MARILYN MONROE WHITE LEATHER SANDALS
A pair of white leather open-back sandals with 3 1/2-inch heels. The back of one heel is separating from shoe with multiple scuffs to leather. Handwritten notations inside shoes read "7 1/2 S 30338."
 Estimate: $2,500 - $3,500

245750_0 


Lot 404: MARILYN MONROE PURPLE ALIATA SHOES
A pair of handmade Italian purple leather shoes by Aliata with 3 1/3-inch heels. Sole is stamped simply "8."
 Estimate: $3,000 - $5,000

245755_0  


Lot 405: MARILYN MONROE GREY ALIATA HEELS
 A pair of grey suede stiletto heels with inset cutouts featuring colorful embroidered paisley designs by Aliata. Each shoe, with 4-inch heel, is hand inscribed "ART 705 8 B 899."
 Estimate: $3,500 - $4,500

245756_0   


Lot 406: MARILYN MONROE BLACK ALIATA HEELS
A pair of handmade Italian black leather stiletto heels with leather lacing detail and cutaway arch by Aliata. The shoes have a 3 3/4-inch heel and size stamp on interior of shoe reading "7 1/2 with (AA 899)" and lavender and brown leather detail on sole of shoe.
 Estimate: $3,000 - $5,000

245757_0  


Lot 407: MARILYN MONROE BLACK SATIN DAL CO. HEELS
A pair of black satin Italian shoes by Dal Co. with 4-inch stiletto heels. The shoes list the address of the company’s Rome boutique, and each shoe contains handwritten notation in black ink reading "1360."
 Estimate: $2,500 - $3,500

245758_0


Lot 408: MARILYN MONROE BLACK OVERSHOE
A single black, snap-front overshoe with manufacturer’s mark on bottom reading “Goodyear’s I.R.G.M. Co. Glove Brand” as well as a size “5 1/2” stamped to bottom. Together with red and grey plastic spring-form shoe stretcher.
Estimate: $300 - $500

245759_0  


Lot 410: MARILYN MONROE PLATFORM SANDALS
A pair of woven straw platform summer sandals by Fortuna Shoe of Trieste, Italy, with 3-inch platform heels. Both uppers completely detached at toes.
 Estimate: $400 - $600

245761_0  


Lot 428: MARILYN MONROE WHITE SATIN DELMAN HEELS
A pair of white satin pumps by Delman of New York and Paris with "Especially for Marilyn Miller" embossed in gold inside. Handwritten notation inside each shoe, with 3 1/2-inch heel, reads " BP79741 - 7 1/2 aaa – Venetian."
 Estimate: $2,500 - $3,500

245794_0 


Lot 493: MARILYN MONROE FERRAGAMO SHOES
 A pair of beige leather stiletto heels, hand made in Italy by Salvatore Ferragamo. No size is stamped to leather sole of shoe, but handwritten notations on interior of each shoe read, "PE 925 7 1/2 B 899." The shoes are heavily worn, and the left shoe is missing the tip to the stiletto heel.
Size 7.5
 Estimate: $3,500 - $4,500

245904_0 


Lot 494: MARILYN MONROE FERRAGAMO SHOES
 A pair of beige leather stiletto heels, hand made in Italy by Salvatore Ferragamo. No size is stamped to leather sole of shoe, but handwritten notations on interior of each shoe read "PE 925 7 1/2 B 899." The shoes are heavily worn and are missing the tips to the stiletto heels, revealing the inner metal structure of the heels.
Size 7.5
 Estimate: $3,000 - $5,000

245905_0  


Lot 395: MARILYN MONROE SHOE FORMS
 A pair of quilted champagne silk satin shoe forms.
4 inches
 Estimate: $300 - $500

245743_0 


Accessoires
accessories


Lot 303: MARILYN MONROE EVENING GLOVES
 A pair of white cotton ladies evening gloves featuring an elaborate floral pattern done in white seed beads, minor 1 1/2-inch area of discoloration on back of left glove, although gloves have been cleaned and pressed.
12 inches
 Estimate: $1,500 - $2,000
245618_0 


Lot 304: MARILYN MONROE EVENING GLOVES
 A pair of white cotton ladies evening gloves featuring a cuff with white cotton bows. Label reads "K Gloves The Hand of Fashion."
Size 6.5
 Estimate: $800 - $1,200
245619_0 


Lot 306: MARILYN MONROE LACE GLOVES
A pair of black lace gloves. The gloves are labeled "Cornelia James Made in England." Size 7 1/2.
 Estimate: $3,000 - $5,000
245621_0  


Lot 307: MARILYN MONROE GLOVES
 A pair of black cotton ladies evening gloves featuring elaborate custom beading with black seed and bugle beads throughout. Label reads, "100% double woven cotton made in the British Crown."
8 1/2 inches
 Estimate: $1,500 - $2,000
245622_0 


Lot 145: MARILYN MONROE FUR HEADBAND
A mink fur headband.
 Estimate: $500 - $700

245334_0  


Lot 146: MARILYN MONROE VELVET HAT
A black velvet hat with black satin ribbon trimmed velvet bow at front. Label inside reads "Dawson New York."
 Estimate: $2,000 - $3,000

245335_0 245336_0   


Lot 147: MARILYN MONROE FUR TOQUE
A mink toque, no label present.
 Estimate: $4,000 - $6,000

245337_0  


Lot 148: MARILYN MONROE FEATHER HAT
A lace-lined, white feather covered hat. Label inside reads "Emme Boutique."
 Estimate: $1,800 - $2,000

245338_0 245339_0   


Lot 150: MARILYN MONROE OWNED WOOL DRIVING CAP
 A houndstooth wool driving cap. The interior has a label that reads "By appointment to the Majesty the Queen Hatters Herbert Johnson (Bond Street) Ltd. Made in England for Brooks Brothers."
Size 6/8.
 Estimate: $2,000 - $4,000

245341_0 245342_0  


Lot 151: MARILYN MONROE HAT BOX
 A cardboard hat box with lid from Harryson Fifth Ave. New York. Top of lid is detached from frame.
Estimate: $300 - $500

245343_0   


Lot 152: MARILYN MONROE SATIN HAT
A white satin pillbox hat, with bow at front ornamented with three faux pearl pins. Label inside reads "Fashioned by Ronnie" with two small hair combs sewn to inside brim.
 Estimate: $3,000 - $5,000

245344_0 245345_0 


Lot 153: MARILYN MONROE FEATHER CLOCHE
A two-tone tan wool cloche hat with peach ostrich feather spray. Label printed on hat reads "100% wool, Glenover Henry Pollak, Inc. New York." This was a family business in Manhattan that imported raw materials for hats and knitwear from 1928 to 1958.
 Estimate: $3,000 - $5,000

245346_0 245347_0 


Lot 837: MARILYN MONROE VELVET HAT
 A Marilyn Monroe scarlet velvet pillbox hat with pendant hearts trimmed with black beads to either side and combs on the interior. No size present.
PROVENANCE Partial Lot 165, "The Personal Property of Marilyn Monroe," Christie’s, New York, Sale number 9216, October 27 & 28, 1999
 Estimate: $1,000 - $2,000

246409_0  


Lot 963: MARILYN MONROE WINTER ITEMS
 A group of three Marilyn Monroe winter items: a Scottish maroon wool and cashmere blend scarf, label for Johnstons of Elgin; a grey wool cashmere scarf, label for Frank Brothers of New York; and a cornflower blue wool cap.
PROVENANCE Lot 13, "Property from the Estate of Marilyn Monroe," Julien's, Los Angeles, June 4, 2005
 Estimate: $1,000 - $2,000
246612_0  


Lot 16: MARILYN MONROE NUDE STOCKINGS AND PARKSIDE HOUSE TABLE NAPKIN SIGNED BY VISITORS
 A pair of sheer, seamed nylon thigh-high stockings gifted by Marilyn Monroe to Marianne Geltner, the cook at Parkside House, Englefield Green, Surrey, where Monroe resided with her husband Arthur Miller during the shooting of the film The Prince and the Showgirl (Warner Bros.,1956). Accompanied by a linen table napkin that was signed for Geltner and her husband by approximately 50 visitors to Parkside House between the years 1956 and 1958, including Lee, Paula, and Susan Strasberg, Jack Cardiff, Mrs. Milton H. Greene, Jean Stein, Barbara Hutton von Cramm, Zachary Scott, Charles Coburn and others; a letter from Geltner stating that Marilyn Monroe gave her several things from her wardrobe, including these stockings; and five reproduction images of Geltner and her husband Frank at Parkside House.
Napkin, 22 by 23 1/2 inches
PROVENANCE: Lot 109, “Film and Entertainment,” Christie's, London, Sale number 9287, December 12, 2001
 Estimate: $300 - $500
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245034_0 245035_0 245036_0


Lot 34: MARILYN MONROE FISHNET STOCKINGS
 A pair of black fishnet thigh-high stockings with elastic leg bands owned by Marilyn Monroe. A Christie’s tag is pinned to garment intended to be sold in 1999 The Personal Property of Marilyn Monroe sale.
PROVENANCE: Lot 85, Property from the Estate of Marilyn Monroe, Julien's Auctions, June 4, 2005
 Estimate: $600 - $800
245077_0  


Lot 912: MARILYN MONROE NYLON STOCKING
 A Marilyn Monroe sheer nylon stocking with light blue stitching at the top hem and stitchmarked “60.” Monroe gave the stocking to Marianne Geltner, the English cook who worked for Monroe while she was in London shooting The Prince and the Showgirl (Warner Bros., 1957).
PROVENANCE Partial Lot 89, "Film and Entertainment," Christie's, London, Sale number 9538, December 17, 2002
 Estimate: $200 - $400
246538_0 


Lot 954: MARILYN MONROE SILK SCARF
 A Marilyn Monroe black silk scarf embellished with red and silver beads. Accompanied by Christie's 1999 lot tag.
Approximately, 26 by 26 inches
PROVENANCE Partial Lot 135, "The Personal Property of Marilyn Monroe," Christie's, New York, Sale number 9216, October 27 & 28, 1999
 Estimate: $1,000 - $2,000
246601_0  246602_0   


Lot 568: MARILYN MONROE PURPLE MARABOU FEATHER FAN
 With a faux tortoiseshell handle.
Length, 26 inches
 Estimate: $600 - $800

246006_0  


Lot 569: MARILYN MONROE GROUP OF FIVE LOOSE BROWN FEATHERS
 Vintage marabou.
Length, 16 inches
 Estimate: $400 - $600

246007_0 


Lot 570: MARILYN MONROE VINTAGE BLACK OSTRICH FEATHER FAN
 A folding hand fan made of ostrich feathers and faux tortoiseshell handle. (Feathers damaged, glass lacking.)
13 1/4 by 21 by 2 inches
 Estimate: $400 - $600

246008_0 


Lot 571: MARILYN MONROE WHITE MARABOU FEATHER FAN
 Four feathers bound by a gold fabric fastener.
Length, 20 inches
 Estimate: $400 - $600

246009_0 


Lot 488: MARILYN MONROE VINTAGE BLACK MINI PARASOL
 With a Bakelite tip and wood cane handle, the fabric marked "NYLON" around the edges.
Length, 37 inches; Diameter, 18 inches
 Estimate: $600 - $800

245897_0    


Lot 486: MARILYN MONROE GARMENT HANGERS
A pair of gold velvet covered padded hangers with matching ribbon bows.
 Estimate: $800 - $1,200

245895_0  


Lot 487: MARILYN MONROE FUR HANGERS
Three hangers from Meshekow Bros. wholesale furs featuring extended hooks to accommodate the bulk of a fur coat. Each is branded with the Meshekow Bros. logo, a Los Angeles based wholesale furrier established in 1937.
 Estimate: $1,000 - $1,500

245896_0 


Sacs
Bags


Lot 137: MARILYN MONROE HANDBAG
 A gold metal and transparent plastic ladies evening purse bordered with round prong set rhinestones and a rhinestone accented snap closure.
5 by 8 inches
 Estimate: $3,000 - $5,000

245324_0   


Lot 215: MARILYN MONROE TRAVEL BAG
 A navy vinyl Japan Airlines carry-on bag, with shoulder strap and outside pocket. Bag reads "JAL Japan Air Lines" with white piped trim. Possibly a bag used during Monroe's honeymoon in Japan with Joe DiMaggio.
9 1/2 by 14 1/2 inches
 Estimate: $1,500 - $2,000

245446_0   


Lot 237: MARILYN MONROE COIN POUCH
 A red satin and gold thread hinged coin pouch.
2 3/4 inches square
 Estimate: $100 - $150

245472_0 


Lot 489: MARILYN MONROE CLUTCH
 A ladies snap closure evening clutch with silver metal closure mounted with two round rhinestones. Bag is lined with white silk, and a label reading "Hand Made In Japan." Exterior completely beaded in white and clear seed beads in a scalloped pattern.
4 1/2 by 10 1/4 inches
 Estimate: $4,000 - $6,000

245898_0 


 Lot 490: MARILYN MONROE CLUTCH
 A ladies snap closure evening clutch with gold metal closure, mounted with two clear cabochon stones. White silk lining with label reading "Bags by Josef Hand Beaded in France." Bag completely covered in white seed beads with gold bugle bead meandering pattern.
3 1/2 by 8 1/2 inches
 Estimate: $4,000 - $6,000

245899_0  245900_0  


 Lot 456: MARILYN MONROE CLUTCH
 A silver swirled plastic clutch with metal clasp closure and interior mirror. Clutch is stamped "Wilardy" on interior below mirror.
4 1/4 by 7 1/2 inches
 Estimate: $4,000 - $6,000

245857_0  


 Lot 453: MARILYN MONROE DESIGNER HANDBAG
 A chocolate brown 1950s alligator handbag with interior stamp that reads, "I. Magnin & Co." as well as a metal insignia mounted to the inside of the bag with lions flanking a crest that reads "Elegance" and a banner that reads "Evans" below. The handbag features gold metal hardware and burgundy leather interior with purpose-built pockets to accommodate matching accessories, including faux tortoise plastic comb, matching leather covered gold metal flint lighter, matching lipstick case containing an unused stick of bright red lipstick, and a matching leather powder compact with mirror.
9 by 9 1/2 inches
 Estimate: $15,000 - $20,000

245850_0 245851_0 
245852_0 245853_0   


 Lot 454: MARILYN MONROE DESIGNER HANDBAG
 A burgundy leather handbag with interior stamp reading "I. Magnin & Co. Rendl Original." The handbag features gold metal hardware, white leather interior and matching change purse chained to the bag's interior.
9 by 10 inches
 Estimate: $8,000 - $12,000

245854_0 245855_0 


 Lot 457: MARILYN MONROE HANDBAG
 A green swirled plastic ladies handbag, with gold metal clasp closure and hardware and mirror mounted to the inside lid with "Wilardy" stamped on the inside metal frame.
9 inches
 Estimate: $3,000 - $5,000

245858_0  245859_0  


 Lot 491: MARILYN MONROE HANDBAG
 A white leather ladies handbag with peach silk interior and gold metal hardware and frame with elastic gold handle. Interior has stamped gold label reading "Duette," which was a model offered by the Evans Company in the late 1940s and early 1950s. Interior pockets hold clear plastic comb and small compact mirror.
10 by 10 inches
 Estimate: $3,000 - $5,000

245901_0  245902_0 


Lot 492: MARILYN MONROE HANDBAG
 A confetti box style Lucite ladies handbag with gold metal hardware and interior sticker label that reads "Gilli Originals New York."
8 3/4 by 3 1/2 by 4 inches
 Estimate: $3,000 - $5,000

245903_0 


 Lot 585: MARILYN MONROE MEXICAN HANDBAG
 A grey pony handbag with gold metal front closure and black leather interior with label reading "Productos Overa, S.A. TEL 17.14.99 Hecho En Mexico D.F." The handbag contains a plastic faux crocodile bi-fold wallet containing three one-peso Mexican bills. It is well documented that Monroe made frequent trips to Mexico for holidays and to purchase furnishings for her Los Angeles home.
7 by 13 inches
 Estimate: $4,000 - $6,000

246058_0  246059_0 


Bijoux
Jewels


Lot 29: MARILYN MONROE SIMULATED DIAMOND EARRINGS
 A pair of simulated diamond, triple drop, mixed cut fringe ear pendants with clip fitting worn by Marilyn Monroe to the world premiere of The Seven Year Itch (20th Century, 1955) on June 1, 1955, in New York City. Accompanied by the Christie’s lot card.
Length, approximately 3 ½ inches
PROVENANCE: Lot 4, "The Personal Property of Marilyn Monroe," Christie's, New York, Sale number 9216, October 27 & 28, 1999
 Estimate: $80,000 - $100,000

245065_0 245067_0 
245066_0 


Lot 31: MARILYN MONROE SIMULATED DIAMOND BROOCH
 A floret styled brooch of simulated diamonds owned by Marilyn Monroe. Accompanied by the Christie’s lot card.
Diameter, 2 inches
PROVENANCE: Lot 249, "The Personal Property of Marilyn Monroe," Christie's, New York, Sale number 9216, October 27 & 28, 1999
 Estimate: $5,000 - $10,000

245073_0 245074_0  


Lot 32: MARILYN MONROE RHINESTONE BRACELET
 A rhinestone bracelet owned by Marilyn Monroe and gifted to Vanessa Reis, the sister-in-law to May Reis, Monroe’s personal assistant and secretary. The bracelet has eight rectangular jeweled panels, each centered with a rounded faceted glass and linked with square rhinestone. The clasp is embossed with Bogoff. In a letter to the consigner dated November 28, 1994, Ralph Roberts, Monroe’s masseur, writes, “Reference Marilyn robe and bracelet. As best I recall, late one Saturday afternoon Marilyn and I were in the dining area of the Miller 9th floor suite at the Mapes Hotel. She had just changed into a robe, sitting on one of the chairs and I was massaging her back and shoulders. She showed me a bracelet she’d brought to Reno with thought of possibly wearing it as a [undecipherable comment] for Roslyn [Monroe’s character in The Misfits]. Upon discussing it, she and Paula [Paula Strasberg was Monroe’s acting coach and friend] had decided somehow it wouldn’t be appropriate. Just then May Reis entered with Vanessa Reis (the widow of Irving Reis, May’s greatly loved brother and film director). Vanessa had come up from LA for a long weekend visit – there’d been some talk of our going out to some of the casinos to do a bit of gambling. Vanessa told Marilyn how lovely she looked in that robe. Marilyn thanked her + impulsively held out the bracelet, ‘Take this + wear it as a good luck charm. I was wearing it during dance rehearsals for Let’s Make Love, smashed into a prop, so a stone is loosened. I wish I could go with you, but Raffe is getting some Misfits knots out. And I should go over that scene coming up Monday.’ They left. Marilyn asked me to remind her to have the robe cleaned to give to Vanessa. Whitey, Agnes, May – all of us – knew from experience we couldn’t compliment Marilyn on any personal items or had to be very careful. She’d be compulsive about giving it, or getting a copy – to you.” Accompanied by a copy of the letter.
PROVENANCE Lot 587, “Western Costume ‘Star Collection’ Part II and Entertainment Memorabilia,” Butterfield & Butterfield, Los Angeles, Sale number 6083B, July 17, 18 & 19, 1994
 Estimate: $3,000 - $5,000

246704_0 


Lot 227: MARILYN MONROE BLANCPAIN PLATINUM AND DIAMOND WATCH
 A ladies platinum and diamond Art Deco cocktail watch by the Swiss watchmaking brand, Blancpain, the oldest watch brand in the world. The watchcase is stamped "KO 900 Plat 100 Irid" and numbered "115557." The watch and bracelet are set with round cut and marquise diamonds. The watch face reads Blancpain and the movement is signed "Blancpain, Rayville Watch Co.” The bracelet has two safety chains with fold over clasp featuring additional round diamonds. Despite her famous portrayal of the diamond obsessed Lorelei Lee in the 1953 film classic Gentlemen Prefer Blondes, Monroe owned very few pieces of fine jewelry.
6 1/4 inches
 Estimate: $80,000 - $120,000

245459_0  


Lot 228: MARILYN MONROE ART DECO WATCH
 A ladies Art Deco white gold wristwatch set with round cut diamonds. The watch is mounted on a newer gold tone metal bracelet with later movement by Marvin.
5 1/2 inch wrist
 Estimate: $15,000 - $20,000

245460_0   


Lot 229: MARILYN MONROE TRIFARI COSTUME NECKLACE
 A silver tone metal necklace featuring a single strand of small round rhinestones with a double circle clasp design signed, "Trifari."
15 inches
 Estimate: $10,000 - $15,000

245461_0  245462_0 


Lot 230: MARILYN MONROE WEISS COSTUME NECKLACE
 A rhinestone necklace featuring a continual strand of alternating and round prong-set stones set into plated rhodium with hood and chain clasp. Founded in New York City in 1942, Weiss was created by former Coro employee Albert Weiss. Weiss, whose height was during the 1950s and 1960s, offered high-end costume jewelry featuring high-quality Austrian rhinestones with exceptional clarity.
Adjustable 15 3/8 inch maximum length
 Estimate: $8,000 - $12,000

245463_0  245464_0 


Lot 231: MARILYN MONROE SIGNED COSTUME JEWELRY BRACELET
 A vintage rhinestone bracelet circa 1940s featuring alternating baguette set rectangles with small round stones, with box clasp and safety chain. Signed "EB Pat Pending" for Engel Bros. of New York founded circa 1931.
7 inches
 Estimate: $6,000 - $8,000

245465_0  245466_0   


Lot 232: MARILYN MONROE COSTUME BRACELET
 A vintage rhinestone bracelet with a central row of baguette stones lined on both sides by round cut stones with box clasp closure, unsigned.
7 inches
 Estimate: $5,000 - $7,000

245467_0  


Lot 233: MARILYN MONROE NECKLACE
 A strand of faux pearls with fishhook clasp.
16 inches
 Estimate: $4,000 - $6,000

245468_0  


Lot 234: MARILYN MONROE BRACELET
 A four-strand, faux pearl bracelet with four rows pearls with 14k gold stamped clasp featuring ornate foliate engraved surface mounted with a faux pearl.
7 inches
Estimate: $4,000 - $6,000

245469_0  


Lot 235: MARILYN MONROE NECKLACE
A strand of faux 10mm pearls with fishhook clasp.
29 inches
Estimate: $5,000 - $7,000

245470_0  


Lot 236: MARILYN MONROE EARRINGS
 A pair of silver tone metal drop earrings with faux pearls and marquis cut stones and screw-post backs.
1 1/16 inches
 Estimate: $3,000 - $5,000

245471_0 


Lot 238: MARILYN MONROE EAR CLIPS
 A pair of signed Eisenberg ear clips with crystal beads and round cut rhinestones. Block lettering signature dates the earrings to between 1945 and 1950.
1 1/4 inches
 Estimate: $3,000 - $5,000

245473_0  


Lot 239: MARILYN MONROE BROOCH
 A silver tone metal brooch signed Eisenberg with crystal drops, each terminating in a prong set pear-shaped rhinestone, one drop detached. Bar closure features rhinestone rhondelle.
2 3/4 inches
 Estimate: $2,000 - $3,000

245474_0  245475_0 


Lot 458: MARILYN MONROE HOBE PARURE
 A vintage costume parure, signed "Hobe", including wide costume bracelet, ear clips, necklace and brooch featuring fuchsia oval cabochon and emerald and round cut rhinestones. Hobe et Cie was founded in Paris in 1887 by Jacques Hobe. Brought to America in 1915 by his son William, Hobe jewelry was popular not only with everyday customers but also with the Hollywood stars.
Necklace, 8 1/2 inches
 Estimate: $15,000 - $20,000

245860_0 


Lot 458A: MARILYN MONROE BRACELET
 A costume bracelet featuring round cut rhinestones, with fold over rectangular hook clasp.
6 3/4 inches
 Estimate: $4,000 - $6,000

246698_0 


Lot 459: MARILYN MONROE BROOCH
 A silver tone metal brooch with rhinestone brooch in a starburst design, including combination of round and marquis cut stones, with bar closure.
3 1/2 inches
 Estimate: $3,000 - $5,000

245861_0 


Lot 460: MARILYN MONROE EAR CLIPS
 A pair of rhinestone ear clips each with concentric circles of alternating round and oval cut stones.
1 1/4 inches
 Estimate: $2,000 - $3,000

245862_0 


Lot 461: MARILYN MONROE NECKLACE
 A strand of faux 6mm pearls with fishhook clasp.
17 3/8 inches
 Estimate: $2,000 - $3,000

245863_0 


Lot 462: MARILYN MONROE EAR CLIPS
 A pair of silver tone metal ear clips signed "Japan" with faux pearls and round cut faux diamonds in a floret design.
1/2 inch
 Estimate: $3,000 - $5,000

245864_0 


Lot 463: MARILYN MONROE EAR CLIPS
 A pair of curved rectangular rhinestone ear clips each with emerald and round cut stones. One piece missing clip on the back.
1 5/8 inches
 Estimate: $1,500 - $2,000

245865_0 


Lot 465: MARILYN MONROE BROOCH
 A gold tone metal starburst brooch accented with round cut rhinestones and bar closure.
2 inches
 Estimate: $3,000 - $5,000

245867_0 


Lot 466: MARILYN MONROE BRACELET
 A costume bracelet featuring round cut rhinestones, with fold over rectangular hook clasp.
 6 3/4 inches
 Estimate: $4,000 - $6,000

246706_0  


Lot 467 : MARILYN MONROE BROOCH
 An ornate foliate brooch of gold tone metal, signed "483/60 Boucher 7704," dating it to between 1955 and 1958, set with round cut stones.
3 inches
 Estimate: $8,000 - $12,000

245868_0 


Lot 468: MARILYN MONROE EARRINGS
 A pair of 10k gold screw-post earrings with grape and gold foliate design, each featuring faux pearls.
1 1/8 inches
 Estimate: $3,000 - $5,000

245869_0 


Lot 469: MARILYN MONROE SUITE OF MIRIAM HASKELL JEWELRY
 Includes a triple-strand necklace of jade and coral colored beads and a beaded clasp, a matching bangle, and pair of clip-on earrings. Housed in a vintage embroidered silk travel case.
Strand length, 12 inches
 Estimate: $4,000 - $6,000
245870_0   


Lot 470: MARILYN MONROE RED LEATHER-BOUND CARTIER BOX
 With a miniature enameled heart stick pin and a beaded heart inside.
4 1/2 by 3 1/2 inches
 Estimate: $1,000 - $2,000

245871_0 245872_0 245873_0 


Lot 471: MARILYN MONROE VINTAGE GUCCI STERLING HORSEHEAD BANGLE
 Marked "16" and "*730/ F1/ 925." 1.84 troy oz.
Diameter, 2 1/4 inches
 Estimate: $1,000 - $2,000

245874_0 


Lot 243: MARILYN MONROE HARDSTONE FOO DOG PIN
A bronze pin with pendant ring in the shape of a foo dog made of white hardstone with coral and turquoise accents.
1 3/4 by 1 1/2 inches
 Estimate: $1,000 - $2,000
245480_0  


Lot 22: MARILYN MONROE GEMINI PENDANT
 A gold and silver tone pendant with a debossed Gemini astrological symbol, from the estate of Marilyn Monroe. Gemini was Marilyn's astrological sign.
Height, 1¼ inches
PROVENANCE: Lot 96, “Fine Manuscripts,” Christie's Los Angeles, Sale 9814, September 20, 2001
Estimate: $300 - $500
245044_0 245045_0  


Cheveux
Hair


Lot 20: MARILYN MONROE HAIRBRUSH
 A vintage gold tone hairbrush with a decorative light-blue enamel back and an image of painterly pink rose. Accompanied by a letter of provenance to the current owner from Anna Strasberg's law firm indicating that some of Marilyn Monroe's possessions were purchased directly from her, this hairbrush being one of them. Anna Strasberg was the second wife of Lee Strasberg, Monroe's acting coach, mentor and inheritor of her estate.
Length, 11 1/2 inches
 Estimate: $300 - $500

245041_0  


Lot 140: MARILYN MONROE VINTAGE BAKELITE COMB
 With a decorative metal handle.
Length, 7 1/2 inches
 Estimate: $600 - $800

245328_0   


Lot 834: MARILYN MONROE HAIR PIN
 A Marilyn Monroe star-shaped rhinestone hair pin. The silver tone pin has a star with multiple rhinestones.
Length, 2 inches
PROVENANCE Partial lot 222, “The Personal Property of Marilyn Monroe,” Christie’s, New York, Sale number 9216, October 27 & 28, 1999
 Estimate: $3,000 - $5,000

246403_0   


Lot 961: MARILYN MONROE HAIR STYLING ITEMS
 A group of Marilyn Monroe hair styling items, including a spring-style wire hair curler, three double-prong curl clips, and three hair pins.
PROVENANCE Partial Lots 244 and 245, "Property from the Estate of Marilyn Monroe," Julien's, Los Angeles, June 4, 2005, and
Partial Lot 112, "Fine Manuscripts," Christie's, Los Angeles, Sale number 9814, September 20, 2001
 Estimate: $2,000 - $4,000

246610_0 


Lot 962: MARILYN MONROE HAIR CREAM
A box of Marilyn Monroe's hair cream. The box contains two tubes of Wella Kolestral conditioning cream for dry hair. Both of the tubes have been opened and partially used. Accompanied by a paper hair cap.
2 by 6 by 1 1/2 inches
PROVENANCE Partial Lot 252, "Property from the Estate of Marilyn Monroe," Julien's Auctions, Los Angeles, June 4, 2005
 Estimate: $600 - $800

246611_0  


Beauté: Maquillage et Produits de Beauté
Beauty: Make Up & Cosmetics


Lot 136: MARILYN MONROE POWDER COMPACT
 An Elizabeth Arden powder compact covered with prong set round rhinestones and an elaborate faux pearl design. The compact contains mirror, powder puff and loose powder.
2 1/2 by 2 1/4 inches
 Estimate: $2,000 - $3,000
245323_0  


Lot 139: MARILYN MONROE FOSTER JEWELRY CO. COMPACT WITH MARCASITE FLOWER
 Cream colored Bakelite lid with applied marcasite flower. Brass bottom case with embossed floral decoration around the edge. Inside is a mirror, opening to a concealed rouge compartment, and the bottom is an empty powder compartment. Marked "FJ Co." and "1973433" inside the lid.
Diameter, 1 3/4 inches
 Estimate: $2,000 - $3,000
245326_0 245327_0 


Lot 141: MARILYN MONROE BLUE OPAQUE GLASS VANITY JAR
 With etched floral parcel gilt decoration and an embossed decorated silverplated lid.
4 1/4 by 4 inches
 Estimate: $600 - $800
245329_0   


Lot 144: MARILYN MONROE VINTAGE AVON PERFUME BOTTLE
 A blue milk glass perfume bottle with parcel gilt rim. Marked on the base. (Lacking stopper.)
Height, 3 3/4 inches
 Estimate: $100 - $200
245332_0 245333_0   


Lot 333: MARILYN MONROE ERNO LASZLO COSMETICS
 A black and marbleized white plastic box once containing Active pHelityl soap from Erno Laszlo.
4 1/4 by 2 3/4 inches
 Estimate: $1,000 - $1,500
245655_0   


Lot 335: MARILYN MONROE ERNO LASZLO PHELITONE FACE CREAM
 Labeled "Fair/ 128." In vintage 1 oz. black and white original packaging.
1 1/2 by 2 by 2 inches
 Estimate: $2,000 - $3,000
245665_0 


Lot 336: MARILYN MONROE ERNO LASZLO DUAL PHASE FACE POWDER
 Labeled "Blush/ 1152." In vintage 2.75 oz. black and white original packaging.
2 by 3 by 3 inches
 Estimate: $2,000 - $3,000
245666_0 


Lot 341: MARILYN MONROE LIPSTICK CASE WITH MIRROR
 An engraved decorated vanity lipstick case with a pop-up mirror and a cabochon turquoise catch. Marked illegibly. .64 troy oz.
2 by 3/4 by 3/4 inches
 Estimate: $1,000 - $2,000
245671_0 


Lot 135: MARILYN MONROE LIPSTICK
 A gold metal lipstick lid embellished with round prong set rhinestones. The tube contains a used stick of "Bachelor's Carnation" by Revlon, "Non-Smear type, N. 1947, Dist. Revlon N.Y."
2 5/16 inches
 Estimate: $3,000 - $5,000
245322_0 


Lot 142: MARILYN MONROE MICHEL LIPSTICK
 In a goldtone case marked "Michel Coral Pink."
Length, 2 1/8 inches
 Estimate: $1,000 - $2,000
245330_0  


Lot 342: MARILYN MONROE ELIZABETH ARDEN LIPSTICK
 In a goldtone case with typewritten label reading "Orange Pink like Miss I./ sample 05022/ May 2, 1960."
Length, 2 1/4 inches
 Estimate: $2,000 - $3,000
245672_0   


Lot 343: MARILYN MONROE ELIZABETH ARDEN LIPSTICK
 In a goldtone case. Color label marked "Subtle."
Length, 2 inches
 Estimate: $1,000 - $2,000
245673_0  


Lot 344: MARILYN MONROE ELIZABETH ARDEN LIPSTICK
 In a goldtone case, with lid stuck in place. Label marked "Click Change."
Length, 2 1/2 inches
 Estimate: $1,000 - $2,000 
246705_0    


Lot 345: MARILYN MONROE MICHEL LIPSTICK
 In a goldtone case marked "Michel Pearl No. 1."
Length, 2 1/8 inches
 Estimate: $1,000 - $2,000
245674_0 


Lot 331: MARILYN MONROE EYEBROW PENCIL
 A clear vinyl snap-closure case with mirror and eyebrow pencil.
Mirror, 2 by 3 inches
 Estimate: $200 - $300

245652_0  


Lot 958: MARILYN MONROE COSMETICS
 A pair of Marilyn Monroe eye makeup items: an S.H. Swick dark brown eye pencil and an Elizabeth Arden “Eye Stopper” black eyeliner.
Longest, 5 inches
PROVENANCE Partial Lot 275, "Property from the Estate of Marilyn Monroe," Julien's, Los Angeles, June 4, 2005
 Estimate: $800 - $1,200
246607_0 


Lot 959: MARILYN MONROE MAKEUP PENCIL
 A Marilyn Monroe Maybelline makeup pencil, in light brown.
Length, 3 inches
PROVENANCE Partial Lot 275, "Property from the Estate of Marilyn Monroe," Julien's Auctions, Los Angeles, June 4, 2005
 Estimate: $600 - $800 
246608_0    


Lot 965: MARILYN MONROE MAKEUP PENCIL
 A Marilyn Monroe Glorene of Hollywood makeup pencil in light brown.
Length, 4 3/4 inches
PROVENANCE Partial Lot 275, "Property from the Estate of Marilyn Monroe," Julien's Auctions, Los Angeles, June 4, 2005
 Estimate: $600 - $800
246614_0  


Lot 966: MARILYN MONROE MAKEUP BRUSH
 A Marilyn Monroe makeup brush with clear plastic handle and black bristles. The brush is typical of the brushes that would accompany cake mascara.
Length, 4 inches
PROVENANCE Partial Lot 275, "Property from the Estate of Marilyn Monroe," Julien's Auctions, Los Angeles, June 4, 2005
 Estimate: $600 - $800
246615_0  


 Lot 967MARILYN MONROE ERNO LASZLO MAKEUP
A pair of Marilyn Monroe Erno Laszlo makeup bottles. The plastic bottles have black Laszlo branded caps. One bottle has a sticker affixed to the underside that identifies it as “Normalizer Shake-It/ Shade BLUSH.” The other bottle contains unidentified liquid makeup.
Height, 5 inches
PROVENANCE Partial Lot 112, "Fine Manuscripts," Christie's, Los Angeles, Sale number 9814, September 20, 2001
 Estimate: $1,000 - $2,000
246616_0 


Lot 968: MARILYN MONROE ERNO LASZLO MAKEUP
 A jar of Marilyn Monroe Erno Laszlo pHelitone makeup. The plastic wide-mouth jar has a black Laszlo branded cap. The jar has a sticker affixed to the underside that identifies it as “pHelitone/ Shade BLUSH” and is additionally stamped “670.”
1 1/4 by 2 1/4 inches
PROVENANCE Partial Lot 112, "Fine Manuscripts," Christie's, Los Angeles, Sale number 9814, September 20, 2001
 Estimate: $1,000 - $2,000
246617_0  


Lot 969: MARILYN MONROE ERNO LASZLO LOTION
A Marilyn Monroe owned bottle of Erno Laszlo controlling lotion contained in its original box. According to the Erno Laszlo company website, Monroe and Laszlo were close friends, and he formulated one of his products specifically for her.
2 1/2 by 4 1/2 by 2 1/2 inches
PROVENANCE Partial Lot 112, "Fine Manuscripts," Christie's, Los Angeles, Sale number 9814, September 20, 2001
Estimate: $200 - $400
246618_0 


Lot 138: MARILYN MONROE ACCESSORIES
 A pair of ladies accessories covered in prong set round rhinestones, including a card case with brushed metal interior and hinged arm to one side, together with a faux tortoise plastic folding comb with rhinestone covered case.
Case, 3 by 4 inches
 Estimate: $1,500 - $2,000

245325_0   


Lot 330: MARILYN MONROE BEVELED GLASS PURSE VANITY MIRROR
 With shagreen back.
2 1/4 by 2 inches
 Estimate: $400 - $600

245650_0 245651_0  


Lot 329: MARILYN MONROE MIRRORED TRINKET BOX
 A glass and brass box with a floral cut-glass lid and a mirrored base.
1 1/2 by 3 3/4 by 2 1/2 inches
 Estimate: $400 - $600
245649_0 

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22 octobre 2016

Marilyn Monroe Auction - 11/2016 - effets personnels 2


Maison, Meubles, Déco
House, Furnitures, Deco


Lot 582: MARILYN MONROE HOME RENOVATION NOTEBOOK
 An extraordinary, blue cloth over board, "project management" three-ring binder kept by one of Monroe's assistants chronicling the purchase and ongoing renovation and decoration of her home located at 12305 Fifth Helena Drive in Brentwood, California. The notebook begins with an information sheet and lot diagram as well as a typed renovation and additions budget for the property totaling $34,877.36 against a purchase price of $57,609.95. The book also contains four pages of phone numbers, including neighbors, utilities, friends, secretaries, and professional colleagues, dated January 20, 1962; a list of the appliances in the kitchen and their cost; three pages regarding furniture and shipments from Mexico; approximately 36 business cards from various contractors; approximately 28 pages of notes on various renovation projects and to-do lists; a page with notes regarding terracing and planting the hillside; seven drawings of exterior floor plan for possible apartment above the garage for a cook; three renderings of options for a table and another decorative element for the home; and a listing of bills due as of August 16, 1962. The last page of the book lists "Moet - Champagne vintage 1952/ et Chandon a Epernay/ Cuvee Dom Perignon - 13.88." The book lists dates that furniture is due to be delivered from various suppliers, many after Monroe's death, as well as dimensions of each room of the home for the purpose of ordering "white India" carpet. It also has estimates to have the pool resurfaced, water heater moved, fountain built, and laundry room and shower expanded for people using the pool as well as notes about decoration of a "play room," fabrication of a new gate, bars for windows, and shelving to be built, among many other things. The notebook makes it very clear that the home was a work in progress at the time of Monroe's death.
11 1/4 by 10 inches
 Estimate: $4,000 - $6,000

246043_0 
246044_0 246045_0 
246046_0 246047_0 
246048_0 246049_0 
246050_0  246051_0   


Lot 586: MARILYN MONROE DOCUMENTS REGARDING FURNISHING HER HOME
 A group of invoices dating to February 28, 1962, from various Mexican boutiques listing the purchase of a great number of pieces of furniture and home furnishings, including enamel trays, benches, chairs, tables, and other pieces purchased in Mexico for Monroe's Fifth Helena Drive residence. Together with a two-page typed signed letter dated July 26, 1962, signed "Mura," giving a full report to Monroe's secretary Eunice Murray regarding her buying trip in Mexico and status of custom-ordered tin panels, fabric, rugs, iron fire screen, and tiles. The letter demonstrates the fact that Monroe was still quite actively working on her home at the time of her death.
Largest, 8 1/2 by 11 inches
 Estimate: $400 - $600 

246060_0 


Lot 476: MARILYN MONROE SILVER STEELMASTER FOUR-DRAWER FILING CABINET
 A vintage filing cabinet marked "Steelmaster/ Art Steel Cabinet/ New York." The third drawer has a false front concealing a combination lock safe.
52 1/4 by 18 by 26 1/2 inches
 Estimate: $800 - $1,200

245881_0  
245882_0 245883_0 


 Lot 477: MARILYN MONROE BROWN DEVON FOUR-DRAWER FILING CABINET
 A vintage filing cabinet marked "W.H. Harper Co./ Devon/ El Segundo." With a metal security rod attached by a padlock.
52 1/4 by 18 by 26 inches
 Estimate: $800 - $1,200

245884_0  245885_0  


Lot 479: MARILYN MONROE FILE FOLDERS
 Two blue Oxford file folders with tab tops and labels reading "MM - Personal" and "MM - Paid Bills - 1961." These are original folders as they were found in Monroe's filing cabinets.
9 1/2 by 11 3/4 inches
 Estimate: $80 - $120
245887_0   


Lot 3: MARILYN MONROE CURIO CABINET
 A wood curio five-tier shelf from Marilyn Monroe's New York home, located at 444 East 57th Street, gifted to her friend and personal masseur, Ralph Roberts. Accompanied by a copy of a letter from Roberts.
31 by 13 ½ by 6 inches
PROVENANCE: Partial lot 340, “Film and Television Memorabilia,” Christie's East, New York, Sale number 7821, December 18, 1995
 Estimate: $300 - $500

245012_0  


Lot 539: MARILYN MONROE BARCELONA CHAIR
 Vintage black button tufted leather and chrome frame. Unmarked.
29 1/2 by 29 1/4 by 30 inches
 Estimate: $3,000 - $5,000
245974_0    


Lot 540: MARILYN MONROE BUTLER TRAY ON FOLDING STAND
 A metal and wood tray and stand.
24 by 31 by 22 inches
 Estimate: $1,000 - $2,000
245975_0    


Lot 541: MARILYN MONROE CORDUROY UPHOLSTERED CLUB CHAIR
 With a loose seat cushion.
33 by 32 by 36 inches
 Estimate: $2,000 - $3,000
245976_0   


Lot 542: MARILYN MONROE TWO DECORATIVE METAL BENCHES
 Including a loveseat with a silk tapestry cover and a single seat with a floral needlepoint pillow cover.
Larger, 29 by 53 by 17 inches
 Estimate: $2,000 - $3,000
245977_0    


Lot 543: MARILYN MONROE CANED CHAISE LOUNGE
 With turned wood frame.
24 by 76 by 26 inches
 Estimate: $3,000 - $5,000
245978_0    


Lot 544: MARILYN MONROE CANED LOVESEAT
 With a carved walnut frame and decorative back.
32 by 40 by 18 inches
 Estimate: $3,000 - $5,000
245979_0    


Lot 545: MARILYN MONROE THREE WICKER CHAIRS
Including a Heywood-Wakefield style armchair, a rocker with a caned seat, and a small barrel-back chair (damaged).
Largest, 39 by 25 by 20 inches
 Estimate: $2,000 - $3,000
245980_0    


Lot 546: MARILYN MONROE TWO VINTAGE SIDE CHAIRS
 One with a caned seat and one with a woven seat (damaged).
Taller, 35 by 17 by 14 inches
 Estimate: $1,500 - $2,500
245981_0   


Lot 553: MARILYN MONROE VICTORIAN PAPIER MÂCHÉ CHAIR
 With shell and mother of pearl inlay and a caned seat.
32 by 15 by 13 1/2 inches
 Estimate: $2,000 - $3,000
245989_0   


Lot 557: MARILYN MONROE ROCOCO STYLE BENCH
 A carved wood and parcel gilt satin upholstered bench.
24 by 40 1/2 by 14 inches
 Estimate: $2,000 - $4,000
245993_0    


Lot 558: MARILYN MONROE ROCOCO STYLE COFFEE TABLE
 A carved wood coffee table with canted edges and inset parchment top.
19 by 46 by 38 inches
 Estimate: $2,000 - $4,000
245994_0  245995_0 


Lot 547: MARILYN MONROE BURLWOOD VENEER THREE-DRAWER DRESSER
 With movable jewelry display trays inside the top drawer.
36 by 47 1/2 by 22 inches
 Estimate: $3,000 - $5,000
245982_0    


Lot 548: MARILYN MONROE BAKER CAMPAIGN DRESSER
 A modern four-drawer dresser in a British 19th Century style, with brass mounted hardware.
22 by 62 by 19 inches
 Estimate: $3,000 - $5,000
245983_0    


Lot 549: MARILYN MONROE WOOD CHEST
 A locked wood chest in a rococo style.
21 by 48 by 20 inches
 Estimate: $2,000 - $3,000
245984_0  245985_0 


Lot 550: MARILYN MONROE WOVEN CHEST ON CASTERS
 A woven hamper on wood casters. With interior painted decoration.
15 by 28 by 14 1/2 inches
 Estimate: $1,000 - $2,000
245986_0   


Lot 551: MARILYN MONROE CERAMIC PINK AND WHITE DOOR PANEL
 With transfer printed rose decoration, together with two key-shaped items. Marked on the back "1960 BLD."
11 by 3 inches
 Estimate: $400 - $600
245987_0    


Lot 552: MARILYN MONROE HANDPAINTED WOODEN DOOR PANEL
 With floral decoration and ivory crackle finish.
11 by 3 1/8 inches
 Estimate: $400 - $600
245988_0    


Lot 4: MARILYN MONROE OWNED LAMP BASE
 A painted plaster chalkware lamp base in the image of a girl sitting by a tree from Marilyn Monroe's New York home, located at 444 East 57th Street, gifted to her friend and personal masseur, Ralph Roberts. Accompanied by a copy of a letter from Roberts.
Height, 12 inches
PROVENANCE: Partial Lot 340, “Film and Television Memorabilia,” Christie's East, New York, Sale number 7821, December 18, 1995
 Estimate: $300 - $500
245013_0 


Lot 10: MARILYN MONROE OWNED OIL LAMP BASE
 An opaque glass oil lamp base from Marilyn Monroe's New York home, located at 444 East 57th Street, gifted to her friend and personal masseur, Ralph Roberts. In a letter to the consignor, Roberts states Monroe won the lamp at a country auction and used it as a flower vase, usually placed on a round table in front of a window looking toward the river. Accompanied by a copy of a letter from Roberts.
Height, approximately 11 inches
PROVENANCE: Lot 340, “Film and Television Memorabilia,” Christie's East, New York, Sale number 7821, December 18, 1995
Estimate: $300 - $500
245019_0 


Lot 554: MARILYN MONROE CUT CRYSTAL PERFUME ETUI
 With a sterling finial marked "Sterling."
Length, 4 1/2 inches
 Estimate: $600 - $800
245990_0  


Lot 555: MARILYN MONROE CUT CRYSTAL CHATELAINE ETUI
 With a rim marked "Sterling." (Lacking lid.)
Length, 2 inches
 Estimate: $400 - $600
245991_0   


Lot 244: MARILYN MONROE VINTAGE ABSTRACT PARCEL GILT FAN
 A folding paper Japanese hand fan with abstract parcel gilt decoration.
15 1/2 by 24 1/2 by 2 inches
 Estimate: $600 - $800
245481_0    


Lot 245: MARILYN MONROE VINTAGE JAPANESE PAINTED FAN
 A folding paper hand fan featuring a peacock and pink flowering vines. In a frame under glass.
13 1/2 by 21 1/4 by 2 inches
 Estimate: $600 - $800
245482_0  


Lot 559: MARILYN MONROE VINTAGE BROWN SILK HANDPAINTED FAN
 A folding hand fan featuring an 18th Century man and woman. With parcel gilt birds and floral decoration. (Glass lacking.)
18 by 27 1/2 by 3 1/2 inches
 Estimate: $600 - $800
245996_0    


Lot 560: MARILYN MONROE VINTAGE HANDPAINTED FRENCH FAN
 A white silk fan featuring a handpainted lady in a landscape, signed "A. Ravaux." (Glass broken.)
16 by 25 by 2 inches
 Estimate: $600 - $800
245997_0  245998_0 


Lot 566: MARILYN MONROE VINTAGE BLACK PEACOCK FEATHER FAN
 A folding feather hand fan with carved ebonized handle.
16 by 25 by 2 1/2 inches
 Estimate: $600 - $800

246004_0   


Lot 567: MARILYN MONROE VINTAGE BLACK LACE FAN
 A lace folding hand fan with gilt decoration. In a frame under glass.
13 1/2 by 21 1/4 by 2 inches
 Estimate: $600 - $800 

246005_0 


Lot 561: MARILYN MONROE RED FRAMED NEEDLEPOINT PICTURE
 Featuring a bouquet of poppies. Marked "From D.M. Ferry/ 1926" lower right.
16 1/2 by 16 inches
 Estimate: $800 - $1,200
245999_0 


Lot 562: MARILYN MONROE GLASS COVERED WOODEN BREAKFAST TRAY
 With a hand embroidered textile featuring a violet bouquet.
15 by 25 inches
 Estimate: $600 - $800
246000_0  


Lot 563: MARILYN MONROE RED NEEDLEPOINT PILLOW CUSHION
 Red flowers on a black ground, in a later unassociated shadowbox frame.
19 3/4 by 19 3/4 inches
 Estimate: $800 - $1,200
246001_0 


Lot 564: MARILYN MONROE BLACK NEEDLEPOINT PILLOW CUSHION
 Needlepoint with pink flowers on a black ground, in a later unassociated shadowbox frame.
19 3/4 by 19 3/4 inches
 Estimate: $800 - $1,200
246002_0   


Lot 565: MARILYN MONROE NEEDLEPOINT PIANO STOOL
 An ebonized carved wood stool with opening top featuring a needlepoint upholstery of three red robins on a flowering tree branch.
19 1/4 by 19 1/4 by 14 inches
 Estimate: $1,000 - $2,000
246003_0   


Lot 505: MARILYN MONROE CALENDAR PENCIL HOLDER
 A metal pencil holder cup imprinted with a calendar and having a leather swiveling cover.
Height, 4 inches
 Estimate: $400 - $600

245924_0  245925_0  


Lot 583: MARILYN MONROE PENCIL HOLDER
A vintage paper decorated tin pencil holder. The pencil holder can be seen on the coffee table of the sunroom in Monroe's Brentwood, California, home.
 Estimate: $600 - $800

246052_0  246053_0 


Lot 596: MARILYN MONROE VINTAGE GENERAL ELECTRIC TELECHRON CLOCK
 With faux wood pattern face and black hands. Model 2H103-S.
6 by 6 1/2 by 2 3/4 inches
 Estimate: $400 - $600

246070_0 


Lot 597: MARILYN MONROE TABLE LAMP
 A green and brass metal table lamp with electrical cord stripped in some places. No shade.
8 1/4 inches
 Estimate: $300 - $500

246071_0   


Lot 595: MARILYN MONROE COLORLESS CRYSTAL TEARDROP VASE
 A vintage teardrop form bud vase.
Height, 10 inches
 Estimate: $400 - $600

246069_0


Lot 599: MARILYN MONROE EDWARDIAN SILVERPLATED VASE
 A double-handled urn-form vase marked "J.B." and "1937" on the base.
Height, 8 1/2 inches
 Estimate: $600 - $800

246073_0 


Lot 952: MARILYN MONROE PRINT
 A Marilyn Monroe owned untitled print by artist, set designer and director Edward Gordon Craig from Hamlet. The woodblock print is signed with initials EGC in the lower right corner. The prints were made for the Cranach Press German edition of Hamlet printed in 1928.
Sight, 5 1/2 by 9 1/4 inches; 22 by 21 1/4 inches, overall
PROVENANCE Partial Lot 424, “The Personal Property of Marilyn Monroe,” Christie’s, New York, Sale number 9216, October 27 & 28, 1999
 Estimate: $4,000 - $6,000 

246596_0  246597_0 


Lot 953: MARILYN MONROE LITHOGRAPH AFTER TOULOUSE-LAUTREC
 A Marilyn Monroe owned lithograph printed with the words “Catalogue d’Affiches artistiques A.ARNOLD 7 rue Racine Paris.” Housed in a frame, not examined outside of frame.
Sight, 8 3/4 by 12 inches; 21 by 24 1/2 inches, overall
PROVENANCE Partial Lot 424, “The Personal Property of Marilyn Monroe,” Christie’s, New York, Sale number 9216, October 27 & 28, 1999
Estimate: $4,000 - $6,000

246598_0  246599_0  


Lot 956: MARILYN MONROE BELL
 A Marilyn Monroe bronze bell with wood handle, stamped on the interior.
Height, 10 inches
PROVENANCE Partial Lot 460, “The Personal Property of Marilyn Monroe,” Christie’s, New York, Sale number 9216, October 27 & 28, 1999
 Estimate: $800 - $1,200 

246604_0   


Lot 957: MARILYN MONROE MEXICAN WOOL THROW
 A Marilyn Monroe Mexican wool throw with multicolor woven design.
Approximately 60 by 50 inches
PROVENANCE Partial Lot 450, “The Personal Property of Marilyn Monroe,” Christie’s, New York, Sale number 9216, October 27 & 28, 1999
 Estimate: $1,500 - $2,500 

246605_0  246606_0 


Lot 278: MARILYN MONROE GROUP OF THREE ASHTRAYS
 Including a printed and parcel gilt Maxim's Paris porcelain ashtray, marked on the back "Pillivuyt/ France" and "Edite par A. Simon Paris," circa 1950, a patinated metal scallop shell ashtray, and a black glazed terra cotta ashtray displaying the Christie's 1999 sale sticker.
5 1/4 by 3 1/2 inches
PROVENANCE Partial Lot 408, “The Personal Property of Marilyn Monroe,” Christie’s, New York, Sale number 9216, October 27 & 28, 1999
 Estimate: $800 - $1,200

245570_0  


Lot 279: MARILYN MONROE ASHTRAY
 A black plastic ashtray with matchbook holder from Dan Stampler's The Steak Joint Inc. with address listed as "58 Greenwich Avenue in Greenwich Village." The Steak Joint was a village favorite run by Dan Stampler for nearly 25 years.
5 inches
 Estimate: $300 - $500

245571_0   


Lot 280: MARILYN MONROE AMERICAN EXPRESS KEYCHAIN
 Has "American Express" and "5 year member" on the tag. .37 troy oz.
Length, 1 inch
 Estimate: $400 - $600

245572_0  245573_0 


Cuisine
Kitchen


Lot 5: MARILYN MONROE OWNED SPOONS 
A pair of spoons from Marilyn Monroe's New York home, located at 444 East 57th Street, gifted to her friend and personal masseur, Ralph Roberts. The spoons have embossed portraits of women. The first has an embossed signature that reads “Lois Wilson,” the second an embossed signature that reads “Norma Shearer.” Accompanied by a copy of a letter from Roberts.
6 inches
PROVENANCE: Partial Lot 340, “Film and Television Memorabilia,” Christie's East, New York, Sale number 7821, December 18, 1995
 Estimate: $300 - $500

245014_0  


Lot 6: MARILYN MONROE OWNED GLASS CREAMER
 A pink glass creamer from Marilyn Monroe's New York home, located at 444 East 57th Street, gifted to her friend and personal masseur, Ralph Roberts. In a letter to the consignor, Roberts states Marilyn bought the creamer at an antique shop between the Nevada cities of Virginia City and Reno during an outing with him and Paula Strasberg. Accompanied by a copy of a letter from Roberts.
Height, 3 inches
PROVENANCE: Partial Lot 340, “Film and Television Memorabilia,” Christie's East, New York, Sale number 7821, December 18, 1995
 Estimate: $300 - $500

245015_0  


Lot 7: MARILYN MONROE OWNED SERVING TRAY
 A round metal and glass serving tray that Marilyn Monroe used to deliver food to a party at the home of Ralph Roberts. The event was a Bon Voyage gala for May Reis and Maureen Stapleton in April 1961, both of whom were headed to Europe: Reis for vacation and Stapleton to work on the European film production of A View from the Bridge (Vu du pont). According to Roberts, guests at the party included Gloria Vanderbilt, Walter and Carol Matthau, Clifford David, and Sidney Lumet. Accompanied by a copy of a letter from Roberts.
Diameter 12 ½ inches
PROVENANCE: Partial Lot 340, “Film and Television Memorabilia,” Christie's East, New York, Sale number 7821, December 18, 1995
 Estimate: $300 - $500

245016_0 


Lot 8: MARILYN MONROE OWNED COOKING PRESS
 An aluminum Wearever cooking press from Marilyn Monroe's New York home, located at 444 East 57th Street, gifted to her friend and personal masseur, Ralph Roberts. Accompanied by a copy of a letter from Roberts.
Length, 8½ inches
PROVENANCE: Partial Lot 340, “Film and Television Memorabilia,” Christie's East, New York, Sale number 7821, December 18, 1995
 Estimate: $300 - $500

245017_0  


Lot 9: MARILYN MONROE OWNED CHAMPAGNE COOLER
 A metal champagne cooler brought by Marilyn Monroe to a party at the home of Ralph Roberts. The event was a Bon Voyage gala for May Reis and Maureen Stapleton in April 1961, both of whom were headed to Europe: Reis for vacation and Stapleton to work on the European film production of A View from the Bridge (Vu du pont). According to Roberts, guests at the party included Gloria Vanderbilt, Walter and Carol Matthau, Clifford David, and Sidney Lumet. Accompanied by a copy of a letter from Roberts.
Height, 9 inches
PROVENANCE: Partial Lot 340, “Film and Television Memorabilia,” Christie's East, New York, Sale number 7821, December 18, 1995
Estimate: $300 - $500 
245018_0   


Lot 111: MARILYN MONROE BAKE KING CAKE PAN
 A vintage coated tin cake pan.
2 by 9 by 9 inches
 Estimate: $400 - $600

245294_0


Lot 112: MARILYN MONROE YAAD DECORATIVE COPPER TRAY AND TWO OTHERS
 A decorative tray marked "Yaad/ Made in Israel," together with a circular brass saucer and a large metal dish.
Copper tray, 9 3/4 by 12 1/4 inches
 Estimate: $600 - $800

245295_0 245296_0 


Lot 113: MARILYN MONROE GROUP OF THREE DECORATIVE PIECES
 Two wood bowls and a woven basket.
Largest, diameter, 17 1/4 inches
 Estimate: $600 - $800

245297_0   


Lot 114: MARILYN MONROE BRONZE ROOSTER NUTCRACKER
 With scrolled terminals.
Length, 5 1/2 inches
 Estimate: $400 - $600

245298_0 


Lot 115: MARILYN MONROE METLOX POPPY TRAIL DINNERWARE
 In the Sculpted Grape pattern, including four dinner plates, six salad plates, five large bowls, six small bowls, eight saucers, a butter dish, a double serving bowl with handle, and a large serving bowl. Thirty-two pieces total.
Size varies
 Estimate: $1,000 - $2,000

245299_0  


Lot 116: MARILYN MONROE ASSORTED GROUP OF COPPER COOKWARE
 Including a chafing dish marked "Bazar Francais 666," three pots marked "Country Kitchen," and an unmarked pot.
Chafing dish, 13 by 16 by 10 1/2 inches
See Lot 401 for pots from the same set, “The Personal Property of Marilyn Monroe,” Christie’s, New York, Sale number 9216, October 27 & 28, 1999
 Estimate: $800 - $1,200 

245300_0  


Lot 117: MARILYN MONROE SAUTÉ PAN
 A copper and brass sauté pan, made in Italy, stamped number "24."
Diameter, 10 inches
 Estimate: $500 - $700

245301_0   


Lot 118: MARILYN MONROE GROUP OF VINTAGE COPPER HOLLOWWARE
 Including a coffeepot with a wood handle marked "Majestic," a teapot marked "Old Dutch," an unmarked pitcher, and a pot marked "Bazar Francais."
Tallest, 11 inches
See Lot 401 for pots from the same set, “The Personal Property of Marilyn Monroe,” Christie’s, New York, Sale number 9216, October 27 & 28, 1999
 Estimate: $600 - $800

245302_0   


Lot 119: MARILYN MONROE ASSORTED WOOD AND METAL KITCHEN UTENSILS
 Including cooking spoons, spatulas, spreaders, knives, a serving fork, and a baster in the original vintage packaging. Twelve items total.
Size varies
 Estimate: $600 - $800

245303_0   


Lot 121: MARILYN MONROE SET OF VINTAGE ECKO UTENSILS
 A set of 10 stainless Ecko kitchen cooking utensils with black handles.
Longest, 13 inches
 Estimate: $600 - $800

245305_0 


Lot 122: MARILYN MONROE ASSORTED METAL KITCHEN UTENSILS
 Including vintage beaters, graters, strainers, measuring cups and spoons, a paring knife, and aluminum salt and pepper shakers. Fifteen items total.
Size varies
 Estimate: $600 - $800

245306_0  


Lot 123: MARILYN MONROE CHROME TOASTMASTER TOASTER
 A vintage toaster with two slots, brown Bakelite trim, and original cord and socket. Model 1B21.
6 1/4 by 9 1/2 by 5 inches
 Estimate: $3,000 - $5,000

245307_0 245308_0 


Lot 124: MARILYN MONROE CHROME JUICE-O-MAT TILT-TOP JUICER
 A vintage juicer with a mechanical hand crank. Model NJ-848.
6 1/2 by 8 by 6 inches
 Estimate: $3,000 - $5,000

245309_0 245310_0   


Lot 125: MARILYN MONROE DESCOWARE BELGIAN CAST IRON POT
 A vintage enamelware pot with a lid, together with another lid.
Pot, diameter, 5 3/4 inches
See Lot 401 for pots from the same set, “The Personal Property of Marilyn Monroe,” Christie’s, New York, Sale number 9216, October 27 & 28, 1999
 Estimate: $600 - $800

245311_0   


Lot 126: MARILYN MONROE LAMBERTON SCAMMELL HOTEL SERVICE PLATE
 A porcelain charger with pink edges and thistle pattern on the rim, with a center monogram and gilt edges. Backstamp dates to circa 1928.
Diameter, 11 inches
 Estimate: $600 - $800

245312_0   


Lot 127: MARILYN MONROE GROUP OF THREE CHINESE ENAMELED DISHES
 Three decorative enameled metal dishes, each picturing flowers and animals, each marked "China."
3 1/8 by 4 1/8 inches
 Estimate: $800 - $1,200

245313_0   


Lot 128: MARILYN MONROE BRONZE ENAMELED KOVSH
 With a bronze bowl and polychrome enameled handle, marked "China."
Length, 7 1/2 inches
 Estimate: $600 - $800

245314_0   


Lot 129: MARILYN MONROE ASSORTED GROUP OF DECORATIVE DISHES
 Including a French glazed stoneware plate with a printed rhyme, a KPM Bavaria handpainted and parcel gilt saucer, and a decorative Italian pottery dish.
Largest, diameter, 8 inches
 Estimate: $300 - $500

245315_0


Lot 130: MARILYN MONROE ASSORTED DECORATIVE CERAMICS
 Including a majolica oyster plate with gilt rim, marked "C.T.," a majolica double-handled sugar bowl with floral decoration, and a painted figural vase.
Plate, diameter, 9 1/4 inches
 Estimate: $800 - $1,200

245316_0 


Lot 131: MARILYN MONROE PARTIAL SET OF HAVILAND LIMOGES DINNERWARE
 In a parcel gilt and leaf and painted design, white porcelain with an ivory band, including four dinner plates, six luncheon plates, eight salad plates, three cream soup bowls with four underplates, two bread and butter plates, and seven saucers. Twenty-nine pieces total.
Size varies
 Estimate: $800 - $1,200

245317_0  


Lot 240: MARILYN MONROE DINNER SERVICE
 A dinner service for eight, each piece stamped "Noritake Hand Painted Japan Dresdoll" comprising one oval serving bowl, one round serving bowl, eight dinner plates, eight salad plates, seven saucers, eight small serving bowls, and eight bread plates. 41 pieces.
Dinner plates, 10 inches
 Estimate: $5,000 - $7,000
245476_0 245477_0 


Lot 241: MARILYN MONROE ASSORTED ASIAN INSPIRED TABLEWARE
 Including an earthenware Regout Timor plate, a set of four Nippon double-handled dishes decorated with birds, and a set of five Chinese soup spoons. Ten pieces total.
Largest, diameter, 8 inches
 Estimate: $800 - $1,200
245478_0 


Lot 242: MARILYN MONROE TWO ANTIQUE ASIAN CARVED SNUFF BOTTLES
 One decorated with dragons, the other with swords and instruments. (Both lacking stoppers.)
Height, 2 1/2 inches each
Estimate: $1,000 - $2,000 
245479_0 


Lot 352: MARILYN MONROE VINTAGE DAISY TRIPLE ICE CRUSHER
 With a hand crank. Model 16Q.
Height, 4 3/4 inches
 Estimate: $400 - $600
245681_0 


Lot 354: MARILYN MONROE ICE BUCKET
 A Walker & Hall, Sheffield, England, electroplate ice bucket with lion head ring handles. The bucket has seen so much use that the plating has worn off, and there are a good number of scratches on interior from bottles. Engraved design on side of bucket featuring flag with the letters "N C S."
8 1/4 by 7 1/4 inches
 Estimate: $1,500 - $2,000
245683_0 245684_0 245685_0 


Lot 355: MARILYN MONROE PRESSED GLASS MARTINI SHAKER
 With triple ridge design and metal lid.
Height, 9 1/2 inches
 Estimate: $400 - $600
245686_0 


Lot 356: MARILYN MONROE TWO VINTAGE LIQUEUR BOTTLES
 Two vintage bottles, the first a green glass bottle labeled "Dolfi Framberry," the second of colorless glass with giltmetal mounts marked "Jacquin's Forbidden Fruit Liqueur."
Taller, 12 1/2 inches
 Estimate: $600 - $800
245687_0 


Lot 357: MARILYN MONROE CASED AMBER GLASS DECANTER SET
 A mid-century decanter with crystal finial, five cordials, and a black ridged circular undertray.
Tallest, 10 inches
 Estimate: $1,200 - $1,800
245688_0 


Lot 359: MARILYN MONROE AMBER CUT-TO-CLEAR DECANTER
 Decorated with a hand cut floral and foliate pattern. Bottle marked "Handblown, Made in Czechoslovakia" with an affixed label marked "Bischoff Cordials/ Double Kummel."
Height, 15 inches
 Estimate: $600 - $800
245690_0 


Lot 360: MARILYN MONROE RUBY CUT-TO-CLEAR WINE DECANTER
 With grape and leaf decoration. (Lacking stopper.)
Height, 11 1/2 inches
 Estimate: $600 - $800
245691_0 


Lot 361: MARILYN MONROE ETCHED GLASS DECANTER
 A double-gourd shaped bottle with allover etched floral decoration and a sterling rim with marks for Birmingham, 1911-12. (Lacking stopper.)
Height, 11 inches
 Estimate: $600 - $800
245692_0  


Lot 362: MARILYN MONROE PAIR OF PRESSED GLASS DECANTERS
 With floral decoration, unmarked.
Height, 15 1/2 inches
 Estimate: $600 - $800
245693_0 


Lot 363: MARILYN MONROE ETCHED GLASS DECANTER
 With a handpainted parcel gilt base and rim and engraved floral and foliate design on the body.
Height, 8 inches
 Estimate: $600 - $800
245694_0  


Lot 364: MARILYN MONROE GROUP OF THREE ASSORTED DECANTER STOPPERS
 One is ruby flashed cut glass and the other two are faceted glass with cork plugs.
Tallest, 4 inches
 Estimate: $400 - $600
245695_0  


Lot 365: MARILYN MONROE STERLING COLLAPSIBLE TRAVEL CUP
 With hallmarks for Germany and "800." 2.47 troy oz.
Height, 3 1/4 inches
 Estimate: $600 - $800

245696_0 245697_0 


Lot 366: MARILYN MONROE METAL COLLAPSIBLE TRAVEL CUP
 A base metal cup with metal loops on the rim.
Height, 3 1/2 inches
Estimate: $400 - $600

245698_0 


Lot 367: MARILYN MONROE BRONZE AND METAL MIDDLE EASTERN CUP
 With punctured design throughout.
Height, 3 3/4 inches
 Estimate: $400 - $600 

245700_0  


Lot 587: MARILYN MONROE PHOTOGRAPHS OF FIFTH HELENA DRIVE PROPERTY
 A group of four vintage black and white photographs, most likely of the kitchen and laundry room of the guest house at Monroe's Fifth Helena Drive property prior to her renovations and decorating.
8 by 10 inches
 Estimate: $300 - $500

246061_0


Lot 588: MARILYN MONROE HEART-FORM COASTER
 On three feet, marked "HW Limited/ EPNS."
4 by 4 inches
 Estimate: $400 - $600

246062_0 


Lot 589: MARILYN MONROE GORHAM STERLING RETICULATED HEART DISH
 With scrolling bows and ribbons, marked "Sterling." 1.50 troy oz.
1 by 5 by 4 1/2 inches
 Estimate: $600 - $800

246063_0 


Lot 590: MARILYN MONROE COPPER HEART-FORM CANDLE HOLDER
 With a wooden ring handle, marked "Chase USA."
5 by 3 3/4 inches
 Estimate: $400 - $600

246064_0   


Lot 591: MARILYN MONROE SCALLOPED EDGE METAL CANDLE BASE
 With faux hallmarks. Together with a shell fragment.
Diameter, 3 inches
 Estimate: $400 - $600

246065_0 


Lot 592: MARILYN MONROE VINTAGE MOUNT WASHINGTON ROSE BOWL
 A hand decorated blue satin glass bowl with crimped rim.
Height, 3 3/4 inches; Diameter, 4 1/2 inches
 Estimate: $400 - $600

246066_0   


Lot 593: MARILYN MONROE VINTAGE FENTON HOBNAIL DISH
 A blue opalescent hobnail square dish.
4 1/2 by 4 1/2 inches
 Estimate: $400 - $600

246067_0 


Lot 594: MARILYN MONROE TRI-FORM TRINKET BOX
 With figural scenes and putti on the lid and Hanau-type marks. 7.25 troy oz., but not marked sterling.
1 1/2 by 5 1/4 by 4 3/4 inches
 Estimate: $800 - $1,200

246068_0 


Lot 598: MARILYN MONROE VINTAGE GLO-MAR BRASS SHELL DISH
 A scallop shell trinket dish, marked on the base.
4 3/4 by 4 1/2 inches
 Estimate: $400 - $600

246072_0


Lot 955: MARILYN MONROE GREEN GLASS CARAFE
 A Marilyn Monroe owned green-tinted mallet form glass carafe. A Christie's lot sticker is affixed to the underside.
Height, 10 1/2 inches
PROVENANCE Partial Lot 406, "The Personal Property of Marilyn Monroe," Christie's, New York, Sale number 9216, October 27 & 28, 1999
 Estimate: $3,000 - $5,000

246603_0  


Livres & Magazines
Books & Magazines


Lot 12: MARILYN MONROE OWNED MAGAZINES
 A group of nine gossip magazines owned by Marilyn Monroe and packed into a trunk as she was moving out of her Roxbury, Connecticut, home when she and Arthur Miller were separating. Monroe is featured on most covers and in many articles; titles of magazines include 'Inside Hollywood' (May 1960), 'Hush-Hush' (November 1960), 'Confidential' (September 1961), 'Movie Fan' (July 1954), 'Untold Secrets' (October 1961), 'Screenland' (July 1962), 'Movie World' (March 1953), 'Movie Life' (May 1948) and 'Kroniek Van De Week' (March 1949). The original consignor was Ralph Roberts, Monroe's masseuse and confidant.
Largest, 14 ¼ by 10 ¼ inches
PROVENANCE: Partial Lot 22, “Film and Television Memorabilia,” Christie's East, New York, Sale number 7821, December 18, 1995
 Estimate: $800 - $1,000

245021_0  


Lot 155: MARILYN MONROE BOOK OF POETRY
 A hardcover copy of Good Fellowship, a book of poetry compiled by Samuel Francis Woolard, 1909, by The Goldsmith-Woolard Publishing Co., Wichita, Kansas. Faint pencil marking on inside front cover reads, "MM 12/53." A number of page corners are creased as they had been dog eared. Additionally, some passages have brackets faintly drawn around them, including: "My character may be my own, but my reputation belongs to any old body that enjoys gossiping more than telling the truth"; "Here's to the woman who has a smile for every joy, a tear for every sorrow, a consolation for every grief, an excuse for every fault, a prayer for every misfortune, an encouragement for every hope. - Sainte Foix"; "Here's to the only true language of love: A Kiss," among others.
8 1/8 by 4 1/4 inches
 Estimate: $2,000 - $3,000

245349_0 245350_0  


 Lot 268: MARILYN MONROE CUSTOM BOUND COPY OF ARTHUR MILLER'S COLLECTED WORKS
 A red leather clamshell box with gilt designs, title on spine and a simple "MM" on the lower right corner. The ivory silk satin lined box contains a matching red leather bound volume with "MM" on cover, gilt edged pages and chartreuse silk satin boards and end papers. Special dedication page reads, "This first copy/ of the first edition/ has been specially hand-bound/ for Marilyn." Arthur Miller's Collected Plays, The Viking Press, copyright 1957. Bound by Gerhard Gerlach, stamped in gold inside back cover.
9 1/2 by 6 3/4 inches
 Estimate: $40,000 - $60,000

245543_0    245546_0 245547_0 
245544_0  245545_0  245548_0 
245549_0 245550_0 245551_0 
245552_0 245553_0  


Lot 106: MARILYN MONROE COOKBOOK
 A hardcover copy of The New Fannie Farmer Boston Cooking - School Cookbook, ninth edition, 3rd printing 1954 by Little Brown and Company, Boston. The encyclopedic cookbook also contains an index card with newspaper clippings stapled to the card featuring recipes for "Hearty Hot Lettuce Salad" and "Dinner with Lamb" and a small four-page booklet torn from a magazine featuring recipes for "Frankfurter Spaghetti," "Beefsteak Bundles," "Beef and Potato Loaf," among others. Page 53 features acid stains left by a piece of newspaper torn from the drama section of the Los Angeles Times dated December 26, 1956, used to mark the page about planning buffet meals for parties.
8 1/2 by 5 3/4 inches
 Estimate: $1,500 - $2,500

245280_0 245281_0 245282_0 
245283_0  245284_0 


Lot 107: MARILYN MONROE MEXICAN COOKBOOK
 A soft cover spiral-bound copy of Elena's Famous Mexican and Spanish Recipes, copyright 1944 Elena Zelayeta, 30th printing June 1, 1950, by Dettners Printing House, San Francisco. This best selling cookbook by Zelayeta is credited with introducing traditional Mexican and Spanish cooking to many American households.
9 by 6 1/2 inches
 Estimate: $1,500 - $2,500

245285_0 245286_0 245287_0 


Lot 108: MARILYN MONROE COOKBOOK
 A hardcover copy of The Household Searchlight Recipe Book, 13th printing 1940 by The Household Magazine, Topeka, Kansas. The pages are indexed in tabs by chapter, including chapters on "Fish and Wild Game," "Canning and Preserving," "Pastries," "Soups," and many others. Some cooking stains to the pages in the meat section, whose index tab has been lost.
10 1/2 by 7 1/4 inches
 Estimate: $800 - $1,200

245288_0 245289_0 


Lot 110: MARILYN MONROE HOMEMAKING BOOK
 A hardcover copy of the Searchlight Homemaking Guide, 2nd edition 1949 by Household Topeka, Kansas. The pages are indexed in tabs by chapter, including chapters on "Etiquette," "Exercise and Good Looks," "The Sickroom," "Physical Care of the Baby," "Building the Home," "Floors Woodwork and Walls," "Buying Fabrics," "The Laundry," "Destroying Household Pests," and others. A hole has been drilled through the upper margin starting at the back cover of the book and going through the last 60 pages.
10 1/4 by 7 inches
 Estimate: $800 - $1,200

245291_0 245292_0 245293_0 


Lot 868: MARILYN MONROE OWNED BOOK
 A Marilyn Monroe owned copy of The Open Mind by J. Robert Oppenheimer (New York: Simon and Schuster, 1955). Christie’s bookplate affixed to endpaper. The hardcover book is accompanied by a paper dust jacket and a lotted Christie's bookmark.
5 3/4 by 8 1/2 inches
PROVENANCE Partial Lot 563, "The Personal Property of Marilyn Monroe," Christie's, New York, Sale number 9216, October 27 & 28, 1999
 Estimate: $1,000 - $2,000

246465_0  246466_0 


Lot 869: MARILYN MONROE OWNED BOOK
 A Marilyn Monroe owned copy of Everyman’s Search by Rebecca Beard (New York: Harper & Brothers, 1950). Christie’s bookplate affixed to endpaper. The hardcover book is accompanied by a paper dust jacket and a lotted Christie's bookmark. Additionally stamped on the title page “Women’s League Library/ Old First Church/ Huntington, N.Y.”
5 3/4 by 8 1/2 inches
PROVENANCE Partial Lot 563, "The Personal Property of Marilyn Monroe," Christie's, New York, Sale number 9216, October 27 & 28, 1999
 Estimate: $1,000 - $2,000

246467_0 


Lot 870: MARILYN MONROE OWNED BOOK
 A Marilyn Monroe owned copy of The Devil's Advocate by Morris L. West (New York: William Morrow & Company, 1959). Christie’s bookplate affixed to endpaper.
5 1/2 by 8 1/4 inches
PROVENANCE Partial Lot 546, "The Personal Property of Marilyn Monroe," Christie's, New York, Sale number 9216, October 27 & 28, 1999
 Estimate: $1,000 - $2,000

246468_0  246469_0 


Lot 871: MARILYN MONROE OWNED BOOKS
  A copy of Karl A. Menninger's Man Against Himself (New York: Harcourt, Brace and Company, 1938) and Dr. Joseph Murphy's The Miracles of Your Mind (San Gabriel, California: Willing Publishing Company, 1953) from the personal collection of Marilyn Monroe with a Christie's auction bookplate on the front inside covers.
Larger, 8 3/4 by 6 inches
PROVENANCE Partial Lot 559, “The Personal Property of Marilyn Monroe,” Christie’s, New York, Sale number 9216, October 27 & 28, 1999
 Estimate: $2,000 - $3,000

246470_0  246471_0 


Lot 905: MARILYN MONROE PRAYER BOOK FOR JEWISH WORSHIP
 A Marilyn Monroe Union Prayer Book for Jewish Worship. The cover is stamped “Marilyn Monroe Miller” and inscribed to Monroe “For Marilyn – with all of my best wishes and deepest respect – fondly – Bob.” Christie’s bookplate is affixed to the interior of the front cover.
6 3/4 by 5 by 1 inches
PROVENANCE Lot 9A, “The Personal Property of Marilyn Monroe,” Christie’s, New York, Sale number 9216, October 27 & 28, 1999
 Estimate: $20,000 - $40,000

246527_0 246528_0 


Lot 584: MARILYN MONROE HORTICULTURE MAGAZINES
 Three copies of Horticulture, "America's Authentic Garden Magazine," dated October 1960, January 1961, and June 1962. Each magazine has typed adhesive labels addressed to Monroe, two reading "Mrs. Marilyn Miller" and the third "Miss Marilyn Monroe," all to her 444 East 57th Street address. The October 1960 issue has this address crossed out and "Beverly Hills Hotel/ Beverly Hills, California" written beside the label. Another issue of Horticulture magazine is visible on the coffee table of the sunroom in Monroe’s Brentwood home in the photograph on the right.
11 by 8 1/4 inches
 Estimate: $1,000 - $1,500

246054_0 
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Lot 514: MARILYN MONROE SCULPTURE BOOK SIGNED BY THE ARTIST
 A copy of The Sculpture of William Zorach, by Paul S. Wingert, Pitman Publishing Corp., New York 1938 signed by Zorach to Marilyn Monroe and Arthur Miller January 1, 1957. Monroe owned one of Zorach's sculptures titled "Young Woman." The book is accompanied by a letter from The Downtown Gallery dated April 24, 1957, regarding this small sculpture, which Monroe had "purchased just before Christmas," to ensure that Monroe received the piece after lending it to the University of Illinois for an exhibition.
Book, 10 by 7 inches
 Estimate: $400 - $600

245939_0 245940_0 245941_0   


 Récompenses
Awards


Lot 26: MARILYN MONROE NEW FACES AWARD
 A Detroit Press New Faces Award, 1952, presented to Marilyn Monroe by Hollywood gossip columnist Hedda Hopper. The award is designed as a wall mirror of birch wood with a leather handle and surrounded is by fourteen electric light sockets. The plaque is engraved “Marilyn Monroe Winner-First Place Detroit Free Press New Faces Award 1952.” Accompanied by a copy of the 1999 Christie's The Personal Property of Marilyn Monroe auction catalog.
22 by 18 by 2 inches
PROVENANCE: Lot 312, "The Personal Property of Marilyn Monroe," Christie's, New York, Sale number 9216, October 27 & 28, 1999
 Estimate: $20,000 - $40,000

245052_0  245055_0 
245053_0  245054_0 


Lot 832: MARILYN MONROE 1953 AWARD
 A Marilyn Monroe trophy honoring Monroe as the 1953 World Film Favorite by The International Press of Hollywood.
Height, 23 inches
PROVENANCE Lot 320, "The Personal Property of Marilyn Monroe," Christie's, New York, Sale number 9216, October 27 & 28, 1999
 Estimate: $20,000 - $30,000 

246400_0   246401_0 


 Lot 856: MARILYN MONROE "I'M GONNA FILE MY CLAIM" RECORD AWARD
 An in-house record award presented to Simon House Music to commemorate the sale of more than 50,000 copies of the RCA Victor record release of “I’m Gonna File My Claim” as performed by Marilyn Monroe. Monroe performed the song in her film River of No Return (20th Century, 1954).
23 by 17 3/4 inches, framed
 Estimate: $6,000 - $8,000

246445_0 


 Divers
Various


 Lot 2: MARILYN MONROE ST. CHRISTOPHER PENDANT
 A silver tone St. Christopher pendant in the style of a wax seal given to Ralph Roberts by Marilyn Monroe. The religious medal is designed with the likeness of the patron saint. A neck chain loop is connected to the top of the medallion. According to Roberts, Natasha Lytess, Monroe's early acting coach, gave her the medal. Monroe gave the medal to Roberts together with a handwritten postcard in which she confirmed for him that she wasn't pregnant. When she gave Roberts the medal she stated, "I've outgrown Natasha." Accompanied by a copy of a letter from Roberts.
Diameter, 1 inch
PROVENANCE: Partial Lot 334, “Film & Television Memorabilia,” Christie's East, Sale number 7821, December 18, 1995
 Estimate: $300 - $500
245011_0 


Lot 11: MARILYN MONROE OWNED BALLERINA PAPERWEIGHT
 A paperweight fashioned after a ballerina, from Marilyn Monroe's New York home, located at 444 East 57th Street, gifted to Ralph Roberts. According to Roberts, the paperweight was displayed next to a photo of Broadway star Marilyn Miller in a similar ballerina pose as the paperweight. Miller is believed to have been the inspiration for Norma Jeane's name change to "Marilyn Monroe," and Monroe herself later became "Marilyn Miller" after marrying playwright Arthur Miller. In a letter to the consignor, Roberts wrote Monroe stated, "That's the other Marilyn." Accompanied by a copy of a letter from Roberts.
Height 5 inches
PROVENANCE: Partial Lot 340, “Film and Television Memorabilia,” Christie's East, New York, Sale number 7821, December 18, 1995
 Estimate: $300 - $500
245020_0 


Lot 13: MARILYN MONROE PRESCRIPTION BOX
 A small box prescribed by Dr. Davis dispensed by Hilp’s Drug Store in Reno, Nevada, for “Mrs. Miller” and dated 09/15/60. The prescription occurs while Monroe was in Nevada working on her final completed film, The Misfits (United Artists, 1961).
2½ by 1½ inches
 Estimate: $800 - $1,200
245022_0 245023_0   


Lot 14: MARILYN MONROE PRESCRIPTION PILL BOTTLE
 A prescription pill bottle prescribed by Dr. Wechsler and dispensed by Pollock-Bailey New York for Mrs. A. Miller, dated 3/15/60. The prescription occurs while Monroe was working on Let’s Make Love (20TH Cent., 1960).
Height, 2½ inches
 Estimate: $800 - $1,200
245024_0 245025_0


Lot 44: MARILYN MONROE GIFTED MONEY CLIP
 A sterling silver money clip, engraved "To Harry" with the engraved signature in Monroe's hand "Love and Kisses/ Marilyn Monroe." The clip is stamped "Sterling CJS" to the reverse. 'Harry' is Harry Roberts, a soundman at 20th Century Fox. Originally, consigned by Harry Hooten, the grandson of Harry Roberts.
1 by 2 1/2 inches
 Estimate: $3,000 - $5,000
245096_0  


Lot 62: MARILYN MONROE 34TH BIRTHDAY PARTY DOLL
 A small plastic doll created in the likeness of Marilyn Monroe and distributed to guests at a party for Monroe's 34th birthday on the set of Let's Make Love (20th Century, 1960) in 1960.
Height, approximately. 3 inches
 Estimate: $1,000 - $2,000
245160_0 245161_0 


Lot 68: MARILYN MONROE SOUVENIR
 A set of keys with a brass metal tag, originally sold as a novelty souvenir. The tag reads “M. Monroe, Dressing Room 5.”
6 ½ by 2 inches
 Estimate: $250 - $500
245177_0   


Lot 95: MARILYN MONROE VINTAGE WOOD SKI
 A single wood ski with metal binding, with a label marked "Made in Czechoslovakia," and another marked "White Mountain Ski Shop New York."
Length, 65 1/2 inches
 Estimate: $600 - $800
245261_0 245262_0 


Lot 210: MARILYN MONROE CAMERA
 A Minolta-16 subminiature 16mm camera in a brown leather case, with matching wrist strap, together with original blue box and instruction book. The Minolta model 16 was first introduced in 1957.
Camera, 1 5/8 by 3 1/8 inches
 Estimate: $4,000 - $6,000
245437_0   


Lot 216: MARILYN MONROE JOE DiMAGGIO ELECTRIC RAZORS
 Two Norelco electric Speed shavers with zipper closure Norelco case; top leather covering has become separated from the cardboard box lid. Together with power cord, one plastic shaver cap, three cleaning brushes, two loose shaver sharpeners, one sharpener in original unopened plastic bag with instruction paper and one loose sheet of sharpener instructions.
Shaver, 3 1/2 by 4 inches
 Estimate: $200 - $300
245447_0   


Lot 246: MARILYN MONROE VINTAGE MINI PINECONE TREE GIFTED FROM JOE DIMAGGIO TO MARILYN MONROE
 A mini brown wire form holiday tree made of pinecones and other tree items, dusted with glitter. Wrapped in a black tulle base. The tree was purportedly a gift from Joe DiMaggio to Marilyn Monroe one Christmas when he discovered that she did not have a tree to celebrate the holidays.
Height, 23 inches
 Estimate: $2,000 - $3,000
245483_0  


Lot 274: MARILYN MONROE TYPEWRITER
 A Royal Quiet De Luxe model typewriter in grey with tweed style hard carrying case. Partial sticker on side reads "San Leandro Co. Sales, Repairs 614 E. 14th Street."
13 1/2 by 7 by 14 inches
 Estimate: $800 - $1,200
245560_0  245561_0 


Lot 277: MARILYN MONROE VANITY CASE
 A tan leather suitcase by Mark Cross, England with hinged front panel that opens to access vanity compartment containing two tone blue vanity set including hand mirror, two empty glass bottles, glass powder container, glass jar containing hairpins, glass jar containing soap powder, hairbrush, garment brush, long glass tube bottle, small leather box containing triangular tube of lipstick, nail file, and hair comb. The top of case has custom stamped "A.L." Mark Cross is considered among the first American luxury brands that expanded its operations overseas with a store in London. It is perhaps most famous for the overnight bag it designed for Grace Kelly to use in Rear Window.
14 by 20 3/4 by 7 inches
 Estimate: $1,500 - $2,500

245565_0 245566_0  245567_0 
245568_0 245569_0 


Lot 281: VINTAGE MARILYN MONROE SUITCASE
 A fabric lined luggage case with leather edging and metal hardware.
With a label reading "Royal Gascogne Bordeaux/ Garage dans L'Hotel."
8 by 25 1/4 by 14 1/2 inches
 Estimate: $800 - $1,200
245574_0  245575_0 


Lot 348: MARILYN MONROE CHINESE STERLING FAN SHAPED PILLBOX
 A pillbox, the lid with a figure of a dancer, a fan with Chinese characters, and a hand. Marked "Sterling" and "Made in {...}," (partly effaced but believed to read "China"). Weight, .84 troy oz.
3/4 by 2 1/4 by 1 1/4 inches
 Estimate: $800 - $1,200
245677_0 


Lot 349: MARILYN MONROE VINTAGE BRASS PILLBOX
 Marked "M.R. Morais," the top inset with a 500 reis coin reading "7 de Setembro 1 Centenario da Independencia 1822-1922"
Diameter, 1 1/2 inches
 Estimate: $600 - $800
245678_0 


Lot 63: MARILYN MONROE GIFTED BOX
 A rectangular silver tone presentation cigarette box gifted from Marilyn Monroe to Frankie Vaughan. The interior of the lid is in engraved Monroe's handwriting “Dear Frankie, It was really wonderful working with you. Best always, Marilyn.“ The box was gifted to Vaughan by Monroe at the end of filming Let's Make Love (20th Century, 1960).
Approximately 9 ½ by 4 by 1 ½ inches
PROVENANCE: Lot 132, "Film and Entertainment,” Christie's, London, Sale number 5515, December 14, 2004 
Estimate: $4,000 - $6,000

245162_0 


Lot 452: MARILYN MONROE MINAUDIERE
 A ladies evening minaudiere with original box reading "Pandora by Wadsworth." The small evening compact features three compartments. When opened, the center features a loose powder compartment and original cotton buffer with mirror. The top compartment features a lipstick holder, with a tube of lipstick, a clear plastic comb and two loose Mercury dimes dated 1943 and 1945. The lower compartment contains eight Philip Morris cigarettes. Each end of the gold metal case is embellished with a citrine crystal floret. The compact is accompanied by a black velvet and white silk carrying case terminating in a black tassel. The case features a gold metal ring that closes down below the wrist to hold the case in place.
Case, 4 1/4 inches
 Estimate: $20,000 - $30,000

245840_0 245841_0 245842_0 
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245844_0 245845_0 

245847_0 245848_0 245849_0


Lot 143: MARILYN MONROE MARGIT TEVAN BRONZE CIGARETTE BOX
 A bronze lidded box with figural Old Testament scenes on the lid and partition inside. Marked "Hungarian Handmade" on the bottom.
1 by 5 by 5 1/2 inches
 Estimate: $1,000 - $2,000

245331_0  


Lot 847: MARILYN MONROE CIGARETTE CASE GIVEN TO JOE DiMAGGIO
 A sterling silver cigarette case given by Marilyn Monroe to Joe DiMaggio. The front of the case is engraved “Memory of Japan” with a landscape scene. The back of the case is engraved “Joe” at the center and “Love Marilyn” at lower right.
3 1/4 by 7 inches
 Estimate: $10,000 - $20,000 

246428_0 
246429_0 246430_0 


Lot 214: MARILYN MONROE JOE DiMAGGIO ACCESSORY CASE
 A burgundy alligator jewelry case with hinged lid, removable tan suede divided tray that fits into a partitioned interior with matching leather pad. The lid to the case features gold metal letters reading "J Dim" and a front three-digit combination lock closure with "555" code, a repetition of DiMaggio's Yankee number, 5.
20 1/2 by 11 1/2 by 3 inches
 Estimate: $3,000 - $5,000

245443_0 245444_0 245445_0 


Lot 951: MARILYN MONROE UNEDITED AUDIO RECORDING OF "RUNNING WILD" AND "I WANT TO BE LOVED BY YOU"
 An unedited audio recording of Marilyn Monroe performing multiple takes of the song “Running Wild” and “I Want to be Loved by You.” Both of these songs are performed in the film Some Like It Hot (UA, 1959). Recorded on a reel of 1/4-inch magnetic acetate tape housed in a Maestro reel box. The reel comes from the estate of Myrton Blackler who owned and operated Studio 7612, a recording studio in Hollywood. In the late 1950s and early 1960s, Blackler was hired by MGM for recording sessions, including Monroe’s. On the approximately 30-minute recording, an unknown person can be heard giving Monroe direction in the background. The tape includes a CD copy of the recording.
Reel diameter, 7 inches
 Estimate: $10,000 - $20,000

246595_0 

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21 octobre 2016

Marilyn Monroe Auction - 11/2016 - art


 Art par Marilyn
Marilyn's Art


Lot 183: MARILYN MONROE DRAWING
 A single sheet of stationery from Parkside House, the English manor where Monroe and Arthur Miller stayed in Surrey while she filmed The Prince and the Showgirl in London in 1956. The page contains a profile drawing of a man's head in black ink, possibly that of Sir Laurence Olivier.
LITERATURE Monroe, Marilyn, and Bernard Comment. Fragments: Poems, Intimate Notes, Letters. Pages 120-121. New York: Farrar, Straus and Giroux, 2010. 1-237. Print.
7 by 5 1/4 inches
 Estimate: $7,000 - $9,000

245393_0 


Lot 520: MARILYN MONROE CRAYON DRAWING
 Titled “A glass of champagn [sic] the morning after,” the Conté crayon on paper is a monochromatic line drawing of a full Champagne coupe, one of Monroe’s favorite drinks. The drawing is unsigned and framed in a gilt wood frame.
Sight, 11 1/2 by 8 3/4 inches
 Estimate: $10,000 - $15,000
245953_0  


Lot 521: MARILYN MONROE CRAYON FIGURAL STUDY
 Titled “Lover watching his love sleep,” the Conté crayon on paper is a monochromatic red sketch of a reclining nude woman filling the frame with a view of a nude male figure drawn from behind. The drawing is unsigned and framed in a gilt wood frame.
Sight, 11 1/2 by 8 3/4 inches
 Estimate: $15,000 - $20,000
245954_0  


Lot 522: MARILYN MONROE WATERCOLOR NUDE STUDY
 Titled “Making love sometime,” the watercolor on paper is a monochromatic abstract representation of two naked figures in bed, executed with a great economy of line. The painting is unsigned and framed in a gilt wood frame.
Sight, 11 1/2 by 8 3/4 inches
 Estimate: $15,000 - $20,000
245955_0  


Lot 523: MARILYN MONROE WATERCOLOR STILL LIFE
 Titled “Viewed from a night table,” the watercolor on paper sheet is a monochromatic sketch showing a bed post and assortment of objects on a bed side table, including a glass of water and book of poems. The painting is unsigned and unframed with rough spiral tab, top edge.
12 by 9 inches
Estimate: $10,000 - $15,000
245956_0  


Lot 524: MARILYN MONROE WATERCOLOR FIGURAL STUDY
 Titled “Jumping into the frying pan from the fire,” the watercolor on paper is a monochromatic red figure of a woman wearing patterned stockings and with arm stretched out behind her as if she is preparing to dive. The painting is unsigned and framed in a gilt wood frame.
Sight, 11 1/2 by 8 3/4 inches
 Estimate: $15,000 - $20,000
245957_0  


Lot 525: MARILYN MONROE CRAYON FIGURAL STUDY
 Titled “Nude tucking her knees under,” the Conté crayon on paper is a monochromatic red female figure abstractly drawn with an economy of line depicting a woman holding her knees to her body. The drawing is unsigned and framed in a gilt wood frame.
Sight, 11 1/2 by 8 3/4 inches
 Estimate: $8,000 - $10,000
245958_0  


Lot 526: MARILYN MONROE CRAYON PORTRAIT
 Titled “I must concentrate,” the Conté crayon on paper is a monochromatic abstract portrait of a woman’s head. The title is written over a previous inscription that has been smudged and crossed out. The drawing is unsigned and framed in a gilt wood frame.
Sight, 11 1/2 by 8 3/4 inches
 Estimate: $10,000 - $15,000
245959_0 


Lot 527: MARILYN MONROE CRAYON DRAWING
 Titled “Old Man sitting on a bench listening,” the Conté crayon on paper is a monochromatic abstract portrait of a man leaning forward. The title is written along lower edge of sheet. The drawing is unsigned and framed in a gilt wood frame.
Sight, 11 1/2 by 8 3/4 inches
 Estimate: $10,000 - $15,000
245960_0  


Lot 528: MARILYN MONROE WATERCOLOR SKETCHES
 Untitled, the watercolor on paper is a monochromatic sketch of a reclining female nude on one side of the paper and an abstract animal figure on the other. The painting is unsigned and unframed with rough spiral tab, side edge.
13 3/4 by 10 inches
 Estimate: $3,000 - $5,000
245961_0 245962_0  


Lot 529: MARILYN MONROE WATERCOLOR SKETCH
 A single sheet of paper from a spiral-bound pad of watercolor paper with a loosely done sketch of a woman's head resting on her hand in monochromatic tones. A horizontal line has been drawn through the eyes. The reverse side of the paper has a loose sketch of a bull in black charcoal and another faint sketch in Conté crayon.
12 1/4 by 9 inches
 Estimate: $1,500 - $2,500
245963_0  245964_0 


Lot 530: MARILYN MONROE WATERCOLOR PORTRAIT
 Titled “Girl Writing,” the watercolor on paper is a monochromatic sketch of a seated woman in a dress with intricate shoe strap against a minimal background suggesting a bench. The painting is unsigned and unframed with rough spiral tab, top edge.
12 by 9 inches
 Estimate: $8,000 - $12,000
245965_0 


 Marilyn dans l'Art
Marilyn in Art


Lot 69: MARILYN MONROE ANDY WARHOL POSTER
 An original offset lithograph poster for the 1972 Tate Gallery exhibition of Andy Warhol, featuring Warhol’s iconic portrait of Marilyn Monroe.
Framed, 36½ by 26½ inches
PROVENANCE: Lot 101, "Interiors-20th Century Edition including Modern Design, Art, Fashion & Prints," Christie's, South Kensington, Sale number 5340, September 16, 2008
 Estimate: $200 - $400
245178_0 


Lot 80: BOB MACKIE MARILYN MONROE JFK GOWN SKETCH
 A Bob Mackie signed mixed media on paper contemporary sketch of Marilyn Monroe in her 1962 Jean Louis designed gown. Mackie has drawn Monroe in the nude illusion gown using his 1960s era style of rendering. Mackie’s first job in Hollywood was with Jean Louis. At the time he drew the original sketch, he did not know who it the gown was for. The 22 year-old Mackie, under Jean Louis’ direction, spent his days drawing sketches of Marilyn Monroe for her role as Ellen Arden in the unfinished film Something’s Got To Give (20th Century). Mackie recalled that Louis’ French accent was so thick it was difficult to understand his directions.
17 by 11 inches
 Estimate: $4,000 - $6,000
245231_0  


Lot 81: BOB MACKIE MARILYN MONROE JFK GOWN SKETCH
 A Bob Mackie signed mixed media on paper contemporary sketch of Marilyn Monroe in her 1962 Jean Louis designed gown. Mackie has drawn Monroe in the nude illusion gown using his current style of sketching. Mackie’s first job in Hollywood was with Jean Louis. At the time he drew the original sketch, he did not know who the gown was for. The 22 year-old Mackie, under Jean Louis’ direction, spent his days drawing sketches of Marilyn Monroe for her role as Ellen Arden in the unfinished film Something’s Got To Give (20th Century). Mackie recalled that Louis’ French accent was so thick it was difficult to understand his directions.
17 by 11 inches
Estimate: $4,000 - $6,000
245232_0 


Lot 82: MARILYN MONROE LEROY NEIMAN (AMERICAN, 1921-2012)
 "Happy Birthday Mr. President," serigraph on paper, signed in pencil lower right and numbered 500/600 lower left.
38 by 34 inches, sight; 56 by 52 inches, overall
 Estimate: $8,000 - $10,000
245233_0  


Lot 536: MARILYN MONROE FAN ITEMS
 A vintage pencil on paper fan portrait of Monroe signed and dated Myrna Phaire, 1954. Together with Volume one, Number one of the Marilyn Monroe Memorial Fan Club Yearbook Summer 1964 - Summer 1965 edited by James Spada.
8 1/2 by 11 inches
 Estimate: $300 - $500
245971_0 


Lot 613: MARILYN MONROE PORTRAITS
 A pair of chalk on paper portraits of Marilyn Monroe signed "Charles Presto," one dated 1958.
20 by 15 1/2 inches
PROVENANCE From the Estate of Frieda Hull
 Estimate: $400 - $600
246095_0  246096_0 


Lot 914: MARILYN MONROE THE PRINCE AND THE SHOWGIRL PAINTING BY FLINT
 A Francis Russell Flint (British, 1915-1977) painting of Marilyn Monroe and Laurence Olivier in their roles as The Regent and Elsie in The Prince and the Showgirl (Warner Bros., 1957). The painting, on canvas, is reported to have been made on set during the filming of what was then called "The Sleeping Prince." Signed by Flint at lower right. A wood stretcher on the back of the painting is marked “Marilyn Monroe and Laurence Olivier ‘The Sleeping Prince.’”
20 by 30 inches
 Estimate: $400 - $600
246541_0 246542_0 


Lot 978: MARILYN MONROE NUDE PORTRAIT BY JON HUL
 A graphite on paper study of Marilyn Monroe posing nude next to a swimming pool. Based on images taken during the making of Monroe's last film, Something's Got To Give (20th Century, 1962). Signed and dated to the center right by artist Jon Hul.
30 by 24 inches, framed
 Estimate: $800 - $1,200
246630_0  246631_0 


Lot 980: BOB MACKIE ORIGINAL MARILYN MONROE COSTUME SKETCH AND BOOK
An original Bob Mackie costume design sketch for Marilyn Monroe in her role as Ellen Arden in the unfinished film Something’s Got To Give. The mixed media on board sketch shows Monroe wearing the complete costume suit consisting of a fur-trimmed coat and shift dress. At right, a smaller sketch shows the costume without the jacket, and at left is a small sketch of the back neckline. A fabric swatch is affixed to the upper right corner. The sketch is initialed “T.S.M.” in the upper right corner and dated “5/14/62” on verso. Mackie created this sketch as a 22-year-old in his first Hollywood job working as a sketch artist for Jean Louis. Monroe liked the Jean Louis designed costume so much she wore the ensemble to her last public appearance, a charity event for muscular dystrophy held at Dodger Stadium on June 1, 1962. Accompanied by the book Marilyn in Fashion: The Enduring Influence of Marilyn Monroe by Christopher Nickens and George Zeno (Philadelphia: Running Press, 2012) featuring an image of Monroe on set wearing this costume.
20 by 15 inches
PROVENANCE From the Collection of Bob Mackie
 Estimate: $2,000 - $4,000

246633_0 246635_0 246634_0 


Lot 981: BOB MACKIE ORIGINAL MARILYN MONROE COSTUME SKETCH
 An original Bob Mackie costume design sketch for Marilyn Monroe in her role as Ellen Arden in the unfinished film Something’s Got To Give (20th Century, 1962). The mixed media on board sketch shows Monroe in a red skirt suit with a swing jacket trimmed in leopard print and a leopard hat. Two fabric swatches are affixed to the board at upper right corner. A small piece of paper is affixed to the upper left corner with typed information that reads “Outfit Worn On Day Off/ Also In Courtroom Sequence” with handwritten notations in an unknown hand. Additional sketches appear to the right of the primary image, and three sketches of different aspects of the costume are drawn on verso. Notations on verso in upper left corner and dated “2-23-62.” The sketch was created by Mackie as a 22-year-old in his first Hollywood position as a sketch artist for costume designer Jean Louis.
20 by 15 inches
PROVENANCE From the Collection of Bob Mackie
 Estimate: $2,000 - $4,000

246636_0  


Lot 1007: MARILYN MONROE BERT STERN AVANT GARDE IMAGE
 A silkscreen image of Marilyn Monroe created by Bert Stern from a photograph he took of Monroe during “The Last Sitting” in 1962. This image, and others, were published in a 1968 issue of Avant Garde magazine. The image, applied to canvas, is signed at lower right “Bert Stern/ 1962 Avant Garde/ Collector’s Proof.” The image was previously part of an Edward Weston Estate Auction held in 1997.
10 by 10 inches
Estimate: $2,000 - $3,000 
246672_0 


Lot 1008: MARILYN MONROE AFTER ANDY WARHOL SUNDAY B. MORNING "MARILYN" PORTFOLIO
 A portfolio of 10 Marilyn Monroe Sunday B. Morning silkscreen prints on museum board circa 2012, from an open edition. Stamped in blue on verso "published by Sunday B. Morning" and "fill in your own signature."
Each, 36 by 36 inches
Estimate: $2,000 - $4,000
246673_0 246674_0 
246675_0 246676_0  


Lot 1013: MARILYN MONROE PORTRAIT BY GENNADIY KOUFAY
 An acrylic on canvas portrait of Marilyn Monroe created by Gennadiy Koufay, hand-embellished with simulated diamonds and rubies and signed to the lower right. Includes a certificate of authenticity from the artist.
31 3/4 by 25 1/2 inches, framed
Estimate: $2,000 - $4,000
246693_0 246694_0 


Lot 1014: MARILYN MONROE GICLÉE BY SIDNEY MAURER
 An enhanced giclée portrait of Marilyn Monroe by Sidney Maurer.
The giclée on canvas image is hand numbered “3” and signed by the artist on verso. Accompanied by a certificate of authenticity stating the artwork was made in an edition of 200.
20 by 30 inches, framed
Estimate: $1,000 - $2,000
246695_0  


Lot 1015: BOB MACKIE SERIGRAPH OF MARILYN MONROE
 A limited edition Bob Mackie serigraph of Marilyn Monroe circa 1977.
Titled simply “Marilyn,” numbered 65/275, and signed by Mackie in the lower right corner.
43 1/2 by 30 inches
PROVENANCE From the Collection of Bob Mackie
Estimate: $1,000 - $2,000
246696_0  246697_0 

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21 octobre 2016

Enchère Julien's Auction 2016 Icons & Idols Hollywood

 icons-and-idols-hollywood-catalog  Vente aux enchères 'Icons & Idols Hollywood' par Juliens Auction du 24 septembre 2016 à Los Angeles.
Le catalogue (photo ci-contre) est en consultation libre sur le site de Julien's Auction. 
La vente aux enchères contient 3 lots consacrés à Marilyn Monroe: en consultation sur julienslive.


Lot 723: GIANNI VERSACE COUTURE MARILYN MONROE PRINT GOWN
A figure-hugging Gianni Versace Couture embellished silk gown from the Spring/Summer 1991 collection. The gown has a Warhol style silkscreen print of Marilyn Monroe and James Dean with an artistic bodice that is embellished with patches of bold colored silk, sequin and beadwork, and gem colored faceted glass in metal casing. The gown has a scarlet silk lining and high slit to the back. The same style dress was worn by Naomi Campbell during the runway show and by Linda Evangelista in Versace's advertising campaign for this season. An identical dress is in the costume collection at The Metropolitan Museum of Art.
ESTIMATION $15,000 - $20,000 -  Winning bid:$12,800

240109_0 
240110_0 


Lot 724: MARILYN MONROE LOCK OF HAIR
 A lock of Marilyn Monroe's blonde hair given to "Monroe Six" member Frieda Hull by one of Monroe's hairdressers. The "Monroe Six" was a group of young fans based in New York City that frequently found out where Monroe would be through the press or by staking out her residence. The group became well known to Monroe who frequently posed for and with them in photographs.
Diamter, 1 1/2 inches
ESTIMATION: $10,000 - $12,000 - Winning bid: $37,500

240111_0  


Lot 725: MARILYN MONROE HAIR
A section of Marilyn Monroe's trimmed platinum blonde hair given to "Monroe Six" member Frieda Hull by one of Monroe's hairdressers. the The "Monroe Six" was a group of young fans based in New York City that frequently found out where Monroe would be through the press or by staking out her residence. The group became well known to Monroe who frequently posed for and with them in photographs.
ESTIMATION: $6,000 - $8,000 - Winning bid:$35,200 

240112_0  

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