Divine Marilyn Monroe - Page 30 - Divine Marilyn Monroe

09 novembre 2016

Catalogue "Marilyn Monroe Property from the collection of David Gainsborough-Roberts" Juliens 11/2016

Catalogue "Marilyn Monroe Property from the collection of David Gainsborough-Roberts" issu de la vente aux enchères le 17 novembre 2016 par Julien's Auction à Los Angeles, aux Etats-Unis.

Le catalogue de 96 pages présente les lots (n°01 à n°69) du collectionneur et fan de Marilyn Monroe, David Gainsborough-Roberts: des vêtements, objets personnels, bijoux, photographies...
Présentation du site web de Julien's: Highlights from Marilyn Monroe Property From The Collection of David Gainsborough-Roberts include a sheer black beaded and sequined dress worn by Monroe in her Golden Globe winning role Sugar Kane as she crooned “I’m Through With Love” in the award winning 1959 film Some Like it Hot; an elaborate embellished stage gown worn by Monroe as she sang “After You Get What You Want You Don’t Want It” in the 1953 comedy There’s No Business Like Show Business which was designed by one of Marilyn’s all-time favorite designers, William Travilla; a pink linen halter wiggle dress designed for Monroe by Dorothy Jenkins for the 1953 thriller Niagara; a green satin one-piece with black sequins and gold fringe worn by Monroe as she sang “That Old Black Magic” in the 1956 film Bus Stop; a lilac satin leotard worn by Monroe as Lillian Russell in the 1958 photo series by Richard Avedon and featured in Life magazine in 1958. Additional film pieces offered include costumes from Gentlemen Prefer Blondes and Let’s Make Love, along with a pair of rhinestone earrings worn by Monroe in How To Marry A Millionaire and a pair of sequin embellished opera gloves from the Rachmaninoff scene of The Seven Year Itch.
Monroe’s personal style is represented by a figure-hugging black cocktail dress by Ceil Chapman, a favorite of Monroe; a slender fitting bias cut crepe evening gown worn by Monroe to the 1955 premiere of The Rose Tattoo; an embellished Lanvin gown; and rhinestone jewelry. Personal items include prescription pill bottles, Victoria and Albert museum exhibited high heels, a plastic doll in the likeness of Monroe given as a souvenir at her 34th birthday party; documents and correspondences; household items; and Monroe’s Detroit Free Press “New Faces Award” from 1952.

> visuel du catalogue:

> Extrait article Collector David Gainsborough-Roberts :
Julien’s Auctions, the world record breaking auction house to the stars, has announced the auction of the David Gainsborough-Roberts Marilyn Monroe Collection. Comprising film costumes, personal gowns and clothing, jewelry, and property owned by Marilyn Monroe, together with original photographs and film posters, this prolific and historic collection is undoubtedly the most important Marilyn Monroe archive of combined professional and personal property to hit the collecting market in decades. Collector David Gainsborough-Roberts is known to have amassed the world’s largest collection of Marilyn Monroe memorabilia which he has carefully and lovingly curated for years.

Posté par ginieland à 20:08 - enchères Personal MM - Commentaires [0] - Permalien [#]
Tags : 2016, catalogues, david gainsborough-roberts, juliens auction

Marilyn Monroe Auction - 11/2016 - photos 1 -snapshots

Photographies - Instantanés en public & privé
Photographs - Public & Private Snapshots

Lot 197: MARILYN MONROE AND ELI WALLACH SNAPSHOTS
Three vintage black and white glossy photographs of Monroe, two with Eli Wallach, at a party in the late 1950s. Two images have creases from being folded, and one has distortion in the emulsion of the photo paper.
3 1/4 by 4 1/4 inches
Estimate: $700 - $900

Lot 209: MARILYN MONROE PHOTOGRAPHS OF JOE DIMAGGIO
A group of 17color snapshots likely taken by Monroe while relaxing in Canada with Joe DiMaggio during filming of River of No Return in 1953. Six images feature DiMaggio on a boat and against scenic backdrops. Four images feature an elk; six feature scenic views. Two images feature Jean Negulesco, who was uncredited for his work on the film.
3 1/2 by 3 1/2 inches
Estimate: $1,000 - $1,500

Lot 267: MARILYN MONROE OWNED PHOTOGRAPHS OF ARTHUR MILLER
Five images of the famous American author and then husband of Monroe: a vintage candid photo of Miller as a young man, a photograph of Miller playing baseball, two smaller photographs of Miller by David Gahr with photographer's stamp on verso, and a snapshot of Monroe and Miller as they attended a ceremony to receive the American Friends of the Hebrew University award in Philadelphia September 27, 1959.
Largest, 8 by 10 inches
Estimate: $400 - $600

Lot 315: MARILYN MONROE SNAPSHOTS
Three vintage black and white glossy photographs of Monroe playing badminton with Hedda and Norman Rosten in Amagansett, New York, 1955.
3 1/2 by 5 inches
Estimate: $600 - $800

Lot 317: MARILYN MONROE PARAKEET PHOTOGRAPHS
Four color snapshots of pet parakeets including Butch, a pet parakeet kept by Monroe and Arthur Miller. The images are stamped with a date of October 1958. Additional birds named Bobo, Clyde, and another illegibly named in the margin are visible in the photographs.
3 1/2 by 3 1/2 inches
Estimate: $300 - $500

Lot 496: PHOTOGRAPH OF MARILYN MONROE WITH MAF
A small trimmed color photograph of Monroe holding Maf, her poodle, with super fan and friend of Monroe James Haspiel taken in June 1961. The photograph was printed subsequently in December of the same year.
2 1/2 by 3 1/2 inches
Estimate: $300 - $500

Lot 498: MARILYN MONROE PHOTOGRAPHS OF MAF
Two small color snapshots of Monroe's pet Maltese Maf, short for Mafia, a gift from Frank Sinatra.
3 1/2 by 3 1/2 inches
Estimate: $400 - $600

Lot 572: MARILYN MONROE INCOGNITO SNAPSHOT
A small color snapshot of Monroe wearing a brunette wig and scarf around her head in disguise. A number of stories have been told regarding Monroe dressing in a brunette wig and going out to bars to see how men responded to her when she wasn't "being" Marilyn. This image documents Monroe as she appeared in a brunette disguise.
3 1/2 by 2 1/2 inches
Estimate: $800 - $1,200

Lot 587: MARILYN MONROE PHOTOGRAPHS OF FIFTH HELENA DRIVE PROPERTY
A group of four vintage black and white photographs, most likely of the kitchen and laundry room of the guest house at Monroe's Fifth Helena Drive property prior to her renovations and decorating.
8 by 10 inches
Estimate: $300 - $500

Lot 627: MARILYN MONROE ORIGINAL CANDID PHOTOGRAPHS
A group of three original black and white photographs of Marilyn Monroe, circa 1953. In the photographs, Monroe wears her costume from the thriller Niagara (20th Century, 1953). One image is marked on verso "Leaving the El Capitan Theater."
Largest, 5 by 4 inches
PROVENANCE From the Estate of Frieda Hull
Estimate: $200 - $400

Lot 633: MARILYN MONROE ORIGINAL CANDID PHOTOGRAPHS
A group of four original black and white photographs of Marilyn Monroe, circa 1953, with "La Rue Restaurant" inscribed on verso of three of the images. Some photographs from this lot are likely never before seen.
Largest, 5 by 3 1/2 inches
PROVENANCE From the Estate of Frieda Hull
Estimate: $300 - $500

Lot 635: MARILYN MONROE ORIGINAL CANDID PHOTOGRAPHS
A group of four original black and white photographs of Marilyn Monroe, circa 1953. One photograph is marked on verso "In front of the Mocambo,” and two are marked "Mocambo Club." All are likely never before seen images of Monroe.
Largest, 3 1/2 by 2 1/2 inches
PROVENANCE From the Estate of Frieda Hull
Estimate: $300 - $500

Lot 643: MARILYN MONROE ORIGINAL CANDID PHOTOGRAPHS
A group of seven original color and black and white photographs of Marilyn Monroe taken on September 9, 1954, the same day she was interviewed by Ed Wallace at the St. Regis Hotel in New York City. This lot contains three color and four black and white photographs.
Largest, 3 1/2 by 3 1/2 inches
PROVENANCE From the Estate of Frieda Hull
Estimate: $600 - $800

Lot 644: MARILYN MONROE COLOR SLIDES
A group of three color slides of Marilyn Monroe from September 9, 1954, the day she was interviewed by Ed Wallace at the St. Regis Hotel in New York City.
PROVENANCE From the Estate of Frieda Hull
Estimate: $200 - $400

Lot 645: MARILYN MONROE ORIGINAL CANDID PHOTOGRAPH
An original black and white photograph of Marilyn Monroe taken with a young fan, likely in New York City, circa 1954.
5 1/2 by 3 1/2 inches
PROVENANCE From the Estate of Frieda Hull
Estimate: $200 - $300

Lot 650: MARILYN MONROE ORIGINAL CANDID PHOTOGRAPHS
A group of five original color and black and white photographs of Marilyn Monroe in New York City from September 12, 1954, one of which includes superfan James Haspiel. Monroe had arrived days earlier to film The Seven Year Itch (20th Century, 1955). This lot includes one color photograph and four black and white photographs, some possibly never before seen.
Largest, 5 by 7 inches
PROVENANCE From the Estate of Frieda Hull
Estimate: $400 - $600

Lot 656: MARILYN MONROE ORIGINAL CANDID PHOTOGRAPH
An original color photograph of Marilyn Monroe taken on November 6, 1954, at a party thrown for Monroe at Romanoff’s restaurant in Beverly Hills to mark the end of shooting for The Seven Year Itch (20th Century, 1955).
3 3/4 by 2 1/4 inches
PROVENANCE From the Estate of Frieda Hull
Estimate: $100 - $200

Lot 658: MARILYN MONROE ORIGINAL CANDID PHOTOGRAPHS
A group of eight original black and white photographs of Marilyn Monroe taken on various occasions, circa 1955. Most images in this lot are likely never before seen.
Largest, 5 by 3 1/2 inches
PROVENANCE From the Estate of Frieda Hull
Estimate: $700 - $900

Lot 659: MARILYN MONROE ORIGINAL CANDID PHOTOGRAPHS
A pair of original black and white photographs of Marilyn Monroe, circa 1955. One photograph shows Monroe leaving the Gladstone Hotel in New York City; the other shows her with husband Joe DiMaggio in the background. Both images are possibly never before seen.
Larger, 3 1/2 by 3 1/2 inches
PROVENANCE From the Estate of Frieda Hull
Estimate: $100 - $300

Lot 660: MARILYN MONROE ORIGINAL PHOTOGRAPHS
A group of 15 original black and white photographs of Marilyn Monroe, circa 1955, taken in front of the Gladstone Hotel in New York City. Some images show her with her press agent Jay Kantor. Several images in this lot are likely never before seen.
Largest, 5 by 7 inches
PROVENANCE From the Estate of Frieda Hull
Estimate: $1,400 - $1,600

Lot 661: MARILYN MONROE SIGNED SNAPSHOT
A black and white snapshot of Marilyn Monroe driving a car and posing through the driver's side window taken in the mid-1950s. The image is signed in blue ballpoint pen "Marilyn Monroe." The autograph was obtained by Frieda Hull, one of the "Monroe Six," a group of legendary fans with whom Monroe became friendly.
3 1/2 by 2 1/2 inches
PROVENANCE From the Estate of Frieda Hull
Estimate: $2,000 - $3,000

Lot 662: MARILYN MONROE ORIGINAL CANDID PHOTOGRAPHS
A group of six original black and white photographs of Marilyn Monroe taken at a party she attended with friend and Hollywood reporter Sidney Skolsky. Some photographs from this lot are likely never before seen.
Largest, 5 by 3 1/2 inches
PROVENANCE From the Estate of Frieda Hull
Estimate: $500 - $700

Lot 666: MARILYN MONROE ORIGINAL CANDID PHOTOGRAPHS
A pair of original Marilyn Monroe color photographs that show Monroe seated in the backseat of a vehicle, circa January 1955.
3 1/2 by 3 1/2 inches
PROVENANCE From the Estate of Frieda Hull
Estimate: $200 - $400

Lot 668: MARILYN MONROE ORIGINAL CANDID PHOTOGRAPHS
A group of nine original black and white photographs of Marilyn Monroe; one reads "1/55" on verso, believed to have been taken on January 26, 1955, at the Gladstone Hotel.
Largest, 5 by 3 1/2 inches
PROVENANCE From the Estate of Frieda Hull
Estimate: $900 - $1,100

Lot 671: MARILYN MONROE COLOR PHOTOGRAPH
An original color photograph of Marilyn Monroe, circa 1955, from when she attended Skin of Our Teeth at the ANTA Theatre in New York City. "Skin Of Our Teeth/Anta Theatre" is written in pencil on verso. This play, written by Thornton Wilder, opened in New York on August 17, 1955, and starred Helen Hayes, George Abbott, Mary Martin, and Florence Reed. The director was Alan Schneider.
5 by 3 1/2 inches
PROVENANCE From the Estate of Frieda Hull
Estimate: $100 - $200

Lot 672: MARILYN MONROE ORIGINAL CANDID PHOTOGRAPH
An original black and white photograph of Marilyn Monroe, possibly taken on September 7, 1955, when she was going to a birthday party for Elia Kazan that had been organized by the Actors Studio. This is likely a never before seen photograph of Monroe.
5 by 3 1/2 inches
PROVENANCE From the Estate of Frieda Hull
Estimate: $100 - $200

Lot 673: MARILYN MONROE COLOR SLIDE
A color slide of Marilyn Monroe, circa 1955, showing her in the driver's seat of a convertible wearing sunglasses. It is a candid image of Monroe "caught in the moment."
PROVENANCE From the Estate of Frieda Hull
Estimate: $100 - $200

Lot 674: MARILYN MONROE COLOR SLIDES
A group of five slides of Marilyn Monroe, from various events, circa 1955.
PROVENANCE From the Estate of Frieda Hull
Estimate: $400 - $600

Lot 675: MARILYN MONROE ORIGINAL CANDID PHOTOGRAPHS
A group of nine color original photographs of Marilyn Monroe, circa 1955. Monroe is shown smiling and laughing and signing autographs for fans. Several images in this lot are likely never before seen.
Largest, 3 1/2 by 3 1/2 inches
PROVENANCE From the Estate of Frieda Hull
Estimate: $800 - $1,000

Lot 677: MARILYN MONROE SIGNED PHOTOGRAPH
A black and white photograph of Marilyn Monroe in New York City circa 1955 wearing a black gown, white fur and white evening gloves. The photo is signed in blue ink "Marilyn Monroe." The autograph was obtained by Frieda Hull, one of the "Monroe Six," a group of legendary fans with whom Monroe became friendly.
7 by 5 inches
PROVENANCE From the Estate of Frieda Hull
Estimate: $2,000 - $3,000

Lot 678: MARILYN MONROE SIGNED PHOTOGRAPH
A black and white photograph of Marilyn Monroe in New York City circa 1955 wearing a black gown and white fur. The photo is signed in blue ink "Marilyn Monroe." The autograph was obtained by Frieda Hull, one of the "Monroe Six," a group of legendary fans with whom Monroe became friendly.
7 by 5 inches
PROVENANCE From the Estate of Frieda Hull
Estimate: $1,500 - $2,000

Lot 679: MARILYN MONROE SIGNED PHOTOGRAPH
A black and white photograph of Marilyn Monroe in New York City circa 1955 wearing a black gown, white fur and black evening gloves, signed in blue ink "Marilyn Monroe." The autograph was obtained by Frieda Hull, one of the "Monroe Six," a group of legendary fans with whom Monroe became friendly.
7 by 5 inches
PROVENANCE From the Estate of Frieda Hull
Estimate: $2,000 - $3,000

Lot 680: MARILYN MONROE COLOR SLIDE
A color slide showing Marilyn Monroe in New York City, circa 1955, signing autographs for fans.
PROVENANCE From the Estate of Frieda Hull
Estimate: $100 - $200

Lot 681: MARILYN MONROE COLOR SLIDES
A group of five slides of Marilyn Monroe, from various events, circa 1955.
PROVENANCE From the Estate of Frieda Hull
Estimate: $400 - $600

Lot 682: MARILYN MONROE ORIGINAL PHOTOGRAPHS
A group of nine original color photographs of Marilyn Monroe, circa 1955, likely taken in front of the Gladstone Hotel in New York City. Some images in this lot are likely never before seen.
Largest, 3 1/2 by 2 1/2 inches
PROVENANCE From the Estate of Frieda Hull
Estimate: $800 - $1,000

Lot 683: MARILYN MONROE ORIGINAL CANDID PHOTOGRAPHS
A group of five original color and black and white photographs of Marilyn Monroe taken on February 26, 1955, when she attended Jackie Gleason's birthday party with husband Joe DiMaggio. This lot contains four black and white photographs and one color photograph. Some images in this lot are likely never before seen.
Largest, 5 by 3 1/2 inches
PROVENANCE From the Estate of Frieda Hull
Estimate: $400 - $600

Lot 684: MARILYN MONROE SIGNED PHOTOGRAPH
A black and white photograph of Marilyn Monroe taken on February 26, 1955, when she attended Jackie Gleason’s birthday party with husband Joe DiMaggio. The photo is signed in blue ink “Marilyn Monroe.” The autograph was obtained by Frieda Hull, one of the “Monroe Six,” a group of legendary fans with whom Monroe became friendly.
7 by 5 inches
PROVENANCE From the Estate of Frieda Hull
Estimate: $2,000 - $3,000

Lot 685: MARILYN MONROE ORIGINAL CANDID PHOTOGRAPHS
A group of four original color photographs of Marilyn Monroe, circa 1955, from an unidentified event. One image shows Monroe with friend, photographer, and business partner Milton Greene. Some images in this lot are likely never before seen.
Largest, 5 by 3 1/2 inches
PROVENANCE From the Estate of Frieda Hull
Estimate: $500 - $600

Lot 690: MARILYN MONROE SIGNED PHOTOGRAPH
A black and white photograph of Marilyn Monroe in New York City circa 1955 smiling while signing an autograph for a fan. The photo is signed in ballpoint pen "To Frieda, Love & Kisses Marilyn Monroe." The image is signed to Frieda Hull, one of the "Monroe Six," a group of legendary fans with whom Monroe became friendly. The corners of the photo are trimmed, and there is a crease on the right side of the photograph.
7 by 5 inches
PROVENANCE From the Estate of Frieda Hull
Estimate: $2,000 - $3,000

Lot 694: MARILYN MONROE COLOR SLIDES
A group of four slides, three showing Marilyn Monroe and one showing Arthur Miller, at various events, circa 1955.
PROVENANCE From the Estate of Frieda Hull
Estimate: $300 - $500

Lot 695: MARILYN MONROE COLOR SLIDES
A group of four slides of Marilyn Monroe, from various events, circa 1955.
PROVENANCE From the Estate of Frieda Hull
Estimate: $300 - $500

Lot 698: MARILYN MONROE ORIGINAL CANDID PHOTOGRAPHS
A group of five original black and white photographs of Marilyn Monroe believed to have been taken in April 1955. A very casual Monroe is seen interacting with and signing autographs for fans.
Largest, 5 by 3 1/2 inches
PROVENANCE From the Estate of Frieda Hull
Estimate: $400 - $600

Lot 699: MARILYN MONROE SIGNED PHOTOGRAPH
A black and white photograph of Marilyn Monroe in New York City circa 1955 wearing a black gown, white fur and black evening gloves, signed in blue ink "Marilyn Monroe." The autograph was obtained by Frieda Hull, one of the "Monroe Six," a group of legendary fans with whom Monroe became friendly.
7 by 5 inches
PROVENANCE From the Estate of Frieda Hull
Estimate: $2,000 - $3,000

Lot 700: MARILYN MONROE ORIGINAL CANDID PHOTOGRAPHS
A group of four original black and white photographs of Marilyn Monroe from June 1955, taken when she was returning home following an acting lesson with Lee Strasberg.
Largest, 3 1/2 by 3 1/2 inches
PROVENANCE From the Estate of Frieda Hull
Estimate: $300 - $500

Lot 701: MARILYN MONROE ORIGINAL CANDID PHOTOGRAPHS
A pair of original black and white photographs of Marilyn Monroe taken on July 27, 1955, when she was on her way to see Inherit the Wind on Broadway in New York City.
Largest, 5 by 3 1/2 inches
PROVENANCE From the Estate of Frieda Hull
Estimate: $100 - $300

Lot 702: MARILYN MONROE ORIGINAL CANDID PHOTOGRAPHS
A group of three original color photographs of Marilyn Monroe in New York City taken on June 7, 1955, when she was on her way to see Damn Yankees on Broadway. One photo includes Nathan Puckett, president of one of Monroe's fan clubs, in the background.
Largest, 2 3/4 by 1 3/4 inches
PROVENANCE From the Estate of Frieda Hull
Estimate: $200 - $400

Lot 705: MARILYN MONROE COLOR SLIDES
A group of nine slides of Marilyn Monroe, circa 1955. Monroe is shown smiling and laughing and signing autographs for fans. Several slides in this lot are likely never before seen.
PROVENANCE From the Estate of Frieda Hull
Estimate: $800 - $1,200

Lot 707: MARILYN MONROE COLOR SLIDES
A group of 10 slides of Marilyn Monroe, circa 1955, from in front of the Gladstone Hotel in New York City. Some images show her with her press agent Jay Kantor and friend, photographer, and business partner Milton Greene. Some slides in this lot are likely never before seen.
PROVENANCE From the Estate of Frieda Hull
Estimate: $900 - $1,100

Lot 709: MARILYN MONROE ORIGINAL PHOTOGRAPHS
A group of five original color and black and white photographs of Marilyn Monroe taken on various occasions, circa 1955. This lot contains one color and four black and white images. Some images in this lot are likely never before seen.
Largest, 5 by 3 1/2 inches
PROVENANCE From the Estate of Frieda Hull
Estimate: $400 - $600

Lot 710: MARILYN MONROE ORIGINAL CANDID PHOTOGRAPHS
A group of nine original color photographs of Marilyn Monroe taken on various occasions, circa 1955. Some images in this lot are likely never before seen.
Largest, 3 1/2 by 2 1/2 inches
PROVENANCE From the Estate of Frieda Hull
Estimate: $800 - $1,000

Lot 715: MARILYN MONROE ORIGINAL CANDID PHOTOGRAPHS
A group of three original black and white photographs of Marilyn Monroe taken circa 1955 on a New York City street. Monroe superfan James Haspiel can be partially seen in one of the photographs.
Largest, 5 by 3 1/2 inches
PROVENANCE From the Estate of Frieda Hull
Estimate: $300 - $500

Lot 716: MARILYN MONROE ORIGINAL CANDID PHOTOGRAPHS
A group of seven original black and white photographs of Marilyn Monroe taken in New York City, circa 1955. Some images show friend, photographer, and business partner Milton Greene. Some images in this lot are likely never before seen.
Largest, 5 by 3 1/2 inches
PROVENANCE From the Estate of Frieda Hull
Estimate: $600 - $800

Lot 717: MARILYN MONROE ORIGINAL CANDID PHOTOGRAPHS
A group of 10 original black and white photographs of Marilyn Monroe, circa 1955. Monroe is shown smiling and laughing and signing autographs for fans. Several images in this lot are likely never before seen.
Largest, 5 by 3 1/2 inches
PROVENANCE From the Estate of Frieda Hull
Estimate: $900 - $1,100

Lot 725: MARILYN MONROE ORIGINAL CANDID PHOTOGRAPHS
A pair of original color photographs of Marilyn Monroe and husband Arthur Miller walking their basset hound Hugo and entering their apartment located at 444 East 57th Street in New York City. These images are likely never before seen.
Larger, 2 1/2 by 2 inches
PROVENANCE From the Estate of Frieda Hull
Estimate: $100 - $300

Lot 733: MARILYN MONROE PHOTOGRAPHS COLLECTED BY FRIEDA HULL
A collection of 23 color and black and white photographs of Marilyn Monroe by multiple photographers (including Milton Greene and Andre de Dienes), taken at various locations and events throughout Monroe's career, including on the set of Bus Stop (20th Century, 1956) and meeting Princess Margaret in England. Many images in this lot have stamps on the reverse from various news agencies/outlets.
Largest, 8 by 10 inches
PROVENANCE From the Estate of Frieda Hull
Estimate: $1,000 - $1,500

Lot 770: MARILYN MONROE ORIGINAL CANDID PHOTOGRAPHS
A group of five original black and white photographs of Marilyn Monroe, taken as she exited the Actors Studio in New York City, circa 1960. Several images in this lot are likely never before seen.
Largest, 3 1/2 by 3 1/2 inches
PROVENANCE From the Estate of Frieda Hull
Estimate: $400 - $600

Lot 771: MARILYN MONROE COLOR SLIDES
A group of six slides of Marilyn Monroe, from July 8, 1960, after she had completed costume and hair tests for The Misfits (United Artists, 1961).
PROVENANCE From the Estate of Frieda Hull
Estimate: $500 - $700

Lot 772: MARILYN MONROE ORIGINAL CANDID AND CONTACT SHEET PHOTOGRAPHS
A group of 12 color and black and white photographs of Marilyn Monroe taken on July 8, 1960, when she completed costume and hair tests for The Misfits (United Artists, 1961). Five sepia-toned photographs of Monroe show her posing for the cameras following the test, and six photographs appear to be shots of the costume and makeup tests, four having been cut from actual contact sheets, two are reproduction photographs. Some images in this lot are likely never before seen.
Largest, 4 1/2 by 3 1/4 inches
PROVENANCE From the Estate of Frieda Hull
Estimate: $800 - $1,000

Lot 776: MARILYN MONROE COLOR SLIDE
A color slide of Marilyn Monroe, from January 21, 1961, when she returned from Mexico, where she divorced third husband Arthur Miller. This slide is likely never before seen.
PROVENANCE From the Estate of Frieda Hull
Estimate: $100 - $200

Lot 777: MARILYN MONROE ORIGINAL CANDID PHOTOGRAPHS
A pair of original photographs and one copied color photograph of Marilyn Monroe taken on January 21, 1961, after returning from Mexico, where she divorced her third husband, Arthur Miller. One image is likely never before seen.
Larger, 5 by 3 1/2 inches
PROVENANCE From the Estate of Frieda Hull
Estimate: $100 - $300

Lot 778: MARILYN MONROE ORIGINAL CANDID PHOTOGRAPHS
A group of four original color photographs and one copied color photograph of Marilyn Monroe taken on January 20, 1961, when Monroe left New York City to travel to Mexico to divorce third husband Arthur Miller. Some images in this lot are likely never before seen.
Largest, 5 by 3 1/4 inches
PROVENANCE From the Estate of Frieda Hull
Estimate: $300 - $500

Lot 781: MARILYN MONROE JOE DIMAGGIO NEGATIVES
A set of 16 negatives of Joe DiMaggio vacationing in Florida, most likely on March 22, 1961. Five of the negatives show DiMaggio inside the hotel, and the remaining 11 show him on the beach under a sun cover; some shots are of DiMaggio with fans. Marilyn Monroe accompanied DiMaggio on this trip and was actually on the beach with him at some point this same day, though she's not pictured in these negatives.
PROVENANCE From the Estate of Frieda Hull
Estimate: $200 - $400

Lot 782: MARILYN MONROE COLOR SLIDES
A pair of color slides of Marilyn Monroe with her dog Maf, one with superfan James Haspiel, from June 15, 1961, upon Monroe's arrival in New York from Los Angeles. The slide of Monroe with Maf is likely never before seen.
PROVENANCE From the Estate of Frieda Hull
Estimate: $100 - $300

Lot 783: MARILYN MONROE ORIGINAL CANDID PHOTOGRAPHS
A pair of original color photographs of Marilyn Monroe with her dog Maf, one with superfan James Haspiel, taken on June 15, 1961, upon Monroe's arrival in New York from Los Angeles. The photo of Monroe with Maf is likely never before seen.
Larger, 3 1/2 by 2 1/2 inches
PROVENANCE From the Estate of Frieda Hull
Estimate: $300 - $400

Lot 788: MARILYN MONROE ORIGINAL PHOTOGRAPHS COLLECTED BY FRIEDA HULL
A group of 27 original color and black and white candid Marilyn Monroe related photographs. Monroe is shown in nearly all photograps, which were taken at various times and events throughout her career. One image shows her with superfan James Haspiel and members of the "Monroe Six," and another shows her with third husband Arthur Miller at an airport. Three photographs are on the set of Bus Stop (20th Century, 1956). Many of the candid photographs show Monroe "caught in the moment." Some images are likely never before seen. One photograph in this lot is of Miller only. One photograph shows a woman, perhaps Frieda Hull herself, standing near a cutout of Monroe from the subway grate scene in the Seven Year Itch (20th Century, 1955). One photograph shows a theater marquee displaying titles of two Monroe films, Bus Stop and Let's Make Love, possibly being screened after Monroe's death as the photograph is dated September 1962. One photograph shows a member of the "Monroe Six" with an array of cameras and equipment.
Largest, 5 by 3 1/2 inches
PROVENANCE From the Estate of Frieda Hull
Estimate: $1,000 - $1,500

Lot 902: MARILYN MONROE SIGNED AND INSCRIBED PHOTOGRAPH
A black and white photograph of Marilyn Monroe leaning against a tree. Inscribed "Dear Linda, I wish you luck with your acting. Love and kisses, Marilyn Monroe Miller." This inscription was written for child star Linda Bennett.
23 by 19 inches, overall; 10 1/2 by 8 inches, sight
Estimate: $3,000 - $5,000

Lot 941: MARILYN MONROE CANDID PHOTOGRAPHS
A group of eight vintage black and white candid photographs of Marilyn Monroe contained in a small paper album. Accompanied by a small candid color photograph of Monroe with Lois Weber. The photographs are believed to be previously unpublished.
Album, 3 3/4 by 6 inches
PROVENANCE From the Estate of Lois Weber
Estimate: $800 - $1,200

Lot 942: MARILYN MONROE SMALL-FORMAT PHOTOGRAPHS
A group of 14 small vintage black and white images of Marilyn Monroe. Many of the photographs are candid and date from different points in her career.
Largest, 3 1/2 by 2 1/2 inches
PROVENANCE From the Estate of Lois Weber
Estimate: $800 - $1,200

Lot 943: MARILYN MONROE CANDID PHOTOGRAPHS
A group of seven vintage black and white candid photographs of Marilyn Monroe. Three were taken on the set behind the scenes of Bus Stop (20th Century, 1956).
Largest, 3 1/4 by 4 3/4 inches
PROVENANCE From the Estate of Lois Weber
Estimate: $600 - $800

Bobines films & Matériel photographique
Home Movies & Photographic Equipment

Lot 76: MARILYN MONROE JOHN F. KENNEDY 1962 BIRTHDAY CELEBRATION FILM REEL
An 8mm film reel of clips from the May 19, 1962, John F. Kennedy 45th birthday celebration held at Madison Square Garden. The eight-minute film shows clips of the venue, performers, and attendees, including John F. Kennedy; Marilyn Monroe, who appears for approximately 30 seconds; Robert Kennedy; Maria Callas; Henry Fonda; Jack Benny; Peter Lawford, who hosted the event; and Lyndon B. Johnson among others. The film was transferred from its original tin reel to a plastic reel. Accompanied by a DVD of the footage.
Reel, 5 3/4 inches
PROVENANCE Lot 41, "Entertainment Memorabilia," Christie's, New York, Sale number 1391, June 24, 2004
Estimate: $4,000 - $6,000

Lot 248: MARILYN MONROE IN KOREA FILM
An 8mm film reel containing five minutes and 34 seconds of silent film footage, in both black and white and color, of Monroe in Korea in 1954. The first minute and a half features Monroe arriving to camp via helicopter and being escorted by various military personnel. The footage then shifts to color and shows approximately one minute of footage of some of the performers leading up to Monroe. Monroe appears for another minute of footage performing "Diamonds Are a Girl's Best Friend" and then signing autographs for the crowd. The remaining footage features atmospheric shots of the camp and soldiers. The footage has been transferred to a DVD that is included with this lot.
Estimate: $2,000 - $3,000

Lot 696: MARILYN MONROE FRIEDA HULL'S PERSONAL SLIDE INDEX AND VIEWER
A 1950s era Fodeco photography slide index and viewer, manufactured by Technical Devices Corporation, that originally belonged to Frieda Hull.
10 1/2 by 5 1/2 by 2 1/2 inches
PROVENANCE From the Estate of Frieda Hull
Estimate: $500 - $700

Lot 697: MARILYN MONROE FRIEDA HULL 35MM CAMERA
A Mercury II, model CX, serial no. 164404, with Universal 2.7 Tricor lens and original leather case. Together with an external flash and reflector, unrelated lens hood and telephoto lens accessory. Frieda Hull can be seen using this camera in lot 726.
Largest, 4 1/4 by 6 1/4 inches
PROVENANCE From the Estate of Frieda Hull
Estimate: $200 - $300

Lot 727: MARILYN MONROE HOME MOVIE REEL
A vintage home movie reel featuring Marilyn Monroe at multiple locations. June 29, 1956, Monroe, soon-to-be husband Arthur Miller, and Miller's parents are seen at a press conference at Miller's farm in Roxbury, Connecticut. Monroe and Miller were married later this day. This scene from the film is approximately 23 seconds. Note that parts of this scene are repeated at the end of the film. Various footage from 1956 shows Monroe at airports traveling to and from Los Angeles to film Bus Stop (20th Century, 1956). These scenes from the film are approximately 40 seconds in length. Total length: one minute, 37 seconds.
PROVENANCE From the Estate of Frieda Hull
Estimate: $3,000 - $4,000

Lot 769: MARILYN MONROE JAMES HASPIEL HOME MOVIE REEL
A vintage home movie reel in the original box addressed to James Haspiel, featuring Marilyn Monroe at multiple locations. May 30, 1958, Monroe is seen leaving her 444 East 57th Street apartment in New York City. She carries a large bouquet of flowers as she, husband Arthur Miller, and others pack luggage into a station wagon and then depart. Just three days prior, Monroe was photographed by Richard Avedon for Life magazine. This scene from the film is approximately one minute, two seconds and likely never before publicly seen. May 13, 1959, Monroe and Miller are seen arriving at the Italian Consulate on Park Avenue in New York City, where Monroe received the David di Donatello Award, the equivalent of the Academy Award, for her work in The Prince and the Showgirl (Warner Bros., 1957). This film includes extensive coverage of Monroe inside the Consulate and waving to fans from an upper floor window in the building. This scene from the film is approximately one minute, 22 seconds. July 8, 1961, Monroe is seen posing after having just completed hair and costume tests for The Misfits (United Artists, 1961). Haspiel appears with Monroe in part of this footage. This scene from the film is approximately 38 seconds. Total length: three minutes, three seconds.
PROVENANCE From the Estate of Frieda Hull
Estimate: $4,000 - $6,000

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Posté par ginieland à 19:34 - enchères Personal MM - Commentaires [0] - Permalien [#]
Tags : 2016, arthur miller, frieda hull, james haspiel, joe dimaggio, juliens auction, lois weber, maf, MM et les animaux, MM et les fans, monroe six, nathan puckett

Marilyn Monroe Auction - 11/2016 - photos 2 -photographies

Photographies - Famille, Enfance & Adolescence
Photographs - Family, Childhood & Teens

Lot 18: MARILYN MONROE FAMILY PHOTOGRAPH
An original snapshot of Gladys Baker and Marion Otis Monroe, Marilyn Monroe's mother and uncle, with a handwritten note on the photo indicating they were aged 8 and 10 at the time the photo was taken.
3 3/4 by 2 3/4 inches
PROVENANCE: Partial Lot 81, “Fine Manuscripts,” Christie's Los Angeles, Sale 9814, September 20, 2001
Estimate: $200 - $400

Lot 19: MARILYN MONROE FAMILY PHOTOGRAPH
An original snapshot of Gladys Baker, Marilyn Monroe's mother, with a handwritten note on the photo indicating Baker was 13 at the time the photo was taken.
3 1/4 by 2 1/4 inches
PROVENANCE: Partial Lot 81, “Fine Manuscripts,” Christie's Los Angeles, Sale 9814, September 20, 2001
Estimate: $200 - $400

Lot 85: MARILYN MONROE BABY PICTURE
A vintage black and white photograph of Monroe as an infant printed on heavy photo paper stock. Verso of image has note in the hand of Grace Goddard reading "Marilyn Monroe age 6 ms."
5 7/8 by 3 7/8 inches
Estimate: $600 - $800

Lot 86: MARILYN MONROE BABY PICTURE
A vintage black and white photograph printed as a postcard. The image features Monroe as a toddler posing with floral dress and matching bonnet. Verso has note in the hand of Grace Goddard reading "Marilyn Monroe age 2 yrs." Coffee mug ring stain to image.
5 3/8 by 3 1/2 inches
Estimate: $600 - $800

Lot 87: MARILYN MONROE CHILDHOOD PHOTOGRAPH
A hand tinted vintage photograph of Monroe at the age of five. The vintage photograph has writing on the back in the hand of Grace Goddard, her legal guardian, reading "Marilyn Monroe age 5yrs." Additional writing on verso in another hand has instructions for the tinting of the photograph listing that her dress should be pink with light hair and blue eyes.
5 3/4 by 3 7/8 inches
Estimate: $1,200 - $1,800

Lot 88: MARILYN MONROE CHILDHOOD PHOTOGRAPH
A vintage black and white photograph of Monroe at the age of five with Lester Bolender. A note on verso in the hand of Grace Goddard reads "Marilyn Monroe age 5 yo." An earlier notation has been erased beneath that read "Norma Jeane and Lester."
4 1/2 by 2 7/8 inches
Estimate: $300 - $500

Lot 89: MARILYN MONROE CHILDHOOD PHOTOGRAPHS
Two vintage black and white photographs featuring a young Monroe, one showing Monroe with Lester Bolender. Monroe's first foster home placement was with the Bolenders, and she and Lester became known as the twins. Each photograph has notes on verso in the hand of Grace Goddard reading "Marilyn Monroe age 4yrs." One of the images had previous writing reading "Lester Bolender and Norma Jeane Baker" that has been erased and written over.
4 1/2 by 2 7/8 inches

Lot 92: MARILYN MONROE PHOTOGRAPHS
A small frame with Art Deco style matte containing a vintage oval portrait of a woman circa 1900 based upon hairstyle. This image could possibly be of a young Ana Lower, whom Marilyn Monroe referred to as Aunt Ana, an important mother figure in her life. Lower was born Edith Ana Atchinson in Los Angeles in 1880. Behind this image in the same frame were found two small black and white portraits of Monroe's first husband, Jim Dougherty, in his Merchant Marine uniform.
Frame, 6 1/8 by 4 1/8 inches
Estimate: $600 - $800

Lot 790: MARILYN MONROE HIGH SCHOOL YEARBOOK
A 1942 Chieftain yearbook that includes Marilyn Monroe. Monroe's picture is on page 48 under the name Norma Baker. Monroe attended University High School in Los Angeles as a tenth grader until February, when she dropped out to marry Jim Dougherty. This yearbook belonged to Barbara Abston, also a tenth grade student. The book has numerous inscriptions to Abston.
9 by 12 inches
Estimate: $600 - $800

Lot 791: MARILYN MONROE 1941 SCHOOL PHOTOGRAPH
A 1941 Ralph Waldo Emerson Junior High School class photograph. The original vintage panoramic photograph is inscribed by a number of students on verso. Some inscriptions read "To Norma." The front of the photograph is marked "Belongs to Norma Jeane Baker." Monroe can be seen in the photograph in the seventh row from the bottom, and the 15th person from the right. Housed in a frame with a reproduction of the photograph at top and the reverse of the photograph at bottom. The frame is double-sided with a glazed window in the back to show the front of the photograph.
24 3/4 by 32 3/4 inches, framed
Estimate: $20,000 - $30,000

Lot 792: MARILYN MONROE HIGH SCHOOL YEARBOOK
A Chieftain 1942 yearbook from University High School in Los Angeles. Norma Jeane Baker, soon to become Marilyn Monroe, attended University High School in Los Angeles for half of the year as a 10th grade student. Her picture appears on page 48. In February 1942, at age 16, Monroe dropped out of University High School to marry Jim Dougherty.
12 by 9 inches
Estimate: $800 - $1,200

Photographies & Snapshots - en public
Photographs & Snapshots - Public Appearances

Lot 77: MARILYN MONROE PHOTOGRAPHS SOLD WITH COPYRIGHT
A group of five color photographs of Marilyn Monroe taken on May 19, 1962, at the birthday gala for President John F. Kennedy at Madison Square Garden in New York City. Three of these images show Monroe singing "Happy Birthday" on stage and are likely the only known color photos taken of Monreo during this performance. From the collection of Frieda Hull.
This item sold with copyright but not sold with copyright documentation. It is the responsibility of the winning bidder to apply for copyright. While the seller confirms that this property is sold with copyright, Julien’s can accept no liability in relation to any matters arising as a result of any imperfection in copyright given.
Largest, 5 by 3 1/2 inches
PROVENANCE From the Estate of Frieda Hull
Estimate: $5,000 - $6,000

Lot 299: MARILYN MONROE SNAPSHOT
A single color photograph on glossy Kodak Pavelle paper of Monroe as she appeared to kick the first ball at Ebbets Field in New York, May 12, 1957, for a match between the American Soccer League and a team from Israel.
3 1/4 by 5 inches
Estimate: $300 - $500

Lot 420: MARILYN MONROE FILM PREMIERE PHOTOGRAPHS
A group of four vintage black and white glossy photographs of Monroe and Arthur Miller at the New York City premiere of her film Some Like It Hot on March 28, 1959.
8 by 10 inches
Estimate: $400 - $600

Lot 531: MARILYN MONROE SNAPSHOTS
Three black and white photographs of Monroe likely taken by a fan on the streets of New York City in the late 1950s.
4 3/4 by 3 3/4 inches
Estimate: $300 - $500

Lot 607: MARILYN MONROE ORIGINAL CANDID PHOTOGRAPH
An original black and white photograph of Marilyn Monroe taken on October 25, 1951, when she attended the Hollywood Foreign Correspondents Association dinner at the Mocambo club in Los Angeles.
3 1/2 by 2 1/2 inches
PROVENANCE From the Estate of Frieda Hull
Estimate: $100 - $200

Lot 614: MARILYN MONROE SIGNED SNAPSHOT
A black and white snapshot of Marilyn Monroe in front of the Sherry Netherland Hotel in New York City, 1952. The image is signed in blue ballpoint pen "Marilyn Monroe." The autograph was obtained by Frieda Hull, one of the "Monroe Six," a group of legendary fans with whom Monroe became friendly.
3 1/2 by 2 1/2 inches
PROVENANCE From the Estate of Frieda Hull
Estimate: $2,000 - $3,000

Lot 615: MARILYN MONROE ORIGINAL CANDID PHOTOGRAPHS
A group of five original black and white photographs of Marilyn Monroe taken on April 4, 1952, as she attended a publicity event held at the Owl Drug Store in Los Angeles. The event was sponsored by Life magazine, and Monroe was there to sign copies of the magazines with her on the cover. Four of the photographs have writing on the back referencing the event, likely in Frieda Hull's own hand. Some of the photographs are never before seen.
Largest, 4 by 5 inches
PROVENANCE From the Estate of Frieda Hull
Estimate: $400 - $600

Lot 616: MARILYN MONROE ORIGINAL CANDID PHOTOGRAPH
An original photo of Monroe taken on January 26, 1952, at the Henrietta Awards ceremony held at Club Del Mar in Santa Monica, CA. Marilyn won the "Henrietta Award for Best Young box Office Personality," given by the Hollywood Foreign Press Association.
3 1/2 by 2 1/2 inches
PROVENANCE From the Estate of Frieda Hull
Estimate: $100 - $200

Lot 617: MARILYN MONROE ORIGINAL CANDID PHOTOGRAPHS
A group of three original black and white photographs of Marilyn Monroe taken on June 3, 1952, at a Look magazine awards party held at the Beverly Hills Hotel. One image from this lot is likely never before seen.
Largest, 5 by 3 1/2 inches
PROVENANCE From the Estate of Frieda Hull
Estimate: $200 - $400

Lot 618: MARILYN MONROE ORIGINAL CANDID PHOTOGRAPHS
A group of 10 original color and black and white photographs of Marilyn Monroe taken on August 3, 1952, at a party thrown in her honor at the home of big band leader Ray Anthony in Sherman Oaks, California. This lot contains eight black and white and two color images, some likely never before seen.
Largest, 5 by 3 1/2 inches
PROVENANCE From the Estate of Frieda Hull
Estimate: $900 - $1,100

Lot 619: MARILYN MONROE REPRODUCTION PHOTOGRAPHS
A group of two reproduction black and white photographs of Marilyn Monroe taken on June 26, 1952, as she appeared in court to testify as part of a lawsuit against an entity using her name and likeness to sell pornographic photographs.
Largest, 3 1/4 by 2 1/4 inches
PROVENANCE From the Estate of Frieda Hull
Estimate: $100 - $200

Lot 620: MARILYN MONROE ORIGINAL CANDID PHOTOGRAPHS
A group of three original black and white photographs of Marilyn Monroe taken on October 3, 1952, at a party sponsored by Photoplay magazine.
Largest, 3 1/2 by 2 1/2 inches
PROVENANCE From the Estate of Frieda Hull
Estimate: $200 - $400

Lot 629: MARILYN MONROE ORIGINAL CANDID PHOTOGRAPHS
A pair of Marilyn Monroe original black and white photographs, circa 1953, at an unknown event. Both are likely never before seen images.
Larger, 3 1/2 by 2 1/2 inches
PROVENANCE From the Estate of Frieda Hull
Estimate: $200 - $400

Lot 630: MARILYN MONROE ORIGINAL CANDID PHOTOGRAPHS
A group of five original black and white photographs of Marilyn Monroe taken on February 9, 1953, at the Photoplay magazine awards ceremony where she received the award for Fastest Rising Star of 1953. Two of the photos have "Beverly Hills Hotel" written on verso. Some images in this lot are possibly never before seen.
Largest, 5 by 3 1/2 inches
PROVENANCE From the Estate of Frieda Hull
Estimate: $400 - $600

Lot 631: MARILYN MONROE ORIGINAL CANDID PHOTOGRAPHS
A group of four original color and black and white photographs of Marilyn Monroe taken on May 13, 1953, when she was at a birthday party for Walter Winchell at Ciro’s restaurant in Los Angeles. Two photographs show Monroe with Jane Russell, and two show her with Betty Grable. Reverse of one black and white image is stamped "Photo by Darlene Hammond/ 1416 Belfast Drive/ Hollywood 46, Calif./ CR. 10747." This lot contains two color and two black and white images.
Largest, 3 1/2 by 2 1/2 inches
PROVENANCE From the Estate of Frieda Hull
Estimate: $300 - $500

Lot 632: MARILYN MONROE ORIGINAL CANDID PHOTOGRAPHS
A group of 18 original color and black and white photographs of Marilyn Monroe taken on July 10, 1953, at a gala arranged by Danny Thomas to benefit St. Jude Hospital. The fundraiser, which was held at the Hollywood Bowl, also included appearances by Jane Russell, Robert Mitchum, and Danny Kaye. Thomas, Mitchum, and Kaye are photographed with Monroe in this set of photographs. This lot includes 17 black and white images and one color image. Some photographs from this lot are likely never before seen.
Largest, 3 1/2 by 3 1/2 inches
PROVENANCE From the Estate of Frieda Hull
Estimate: $1,500 - $2,000

Lot 634: MARILYN MONROE ORIGINAL PHOTOGRAPHS
A pair of Marilyn Monroe original color and black and white photographs, circa 1953, taken at an unknown event. Both are likely never before seen.
Larger, 3 1/2 by 2 1/2 inches
PROVENANCE From the Estate of Frieda Hull
Estimate: $200 - $400

Lot 636: MARILYN MONROE CANDID PHOTOGRAPHS
A group of 13 color and black and white photographs of Marilyn Monroe, some reproductions, taken on December 19, 1953, when she appeared at the Ambassador Hotel in Los Angeles to receive the Miss Press Club Award. This lot contains five color and eight black and white photographs. Some photographs from this lot are likely never before seen.
Largest, 5 by 3 1/2 inches
PROVENANCE From the Estate of Frieda Hull
Estimate: $1,000 - $1,500

Lot 638: MARILYN MONROE ORIGINAL CANDID PHOTOGRAPHS
A group of three original color and black and white photographs of Marilyn Monroe from March 9, 1954, when she appeared at the Beverly Hills Hotel to receive the Photoplay magazine award for The Most Popular Actress of 1953 due to her roles in Gentlemen Prefer Blondes (20th Century, 1953) and How To Marry A Millionaire (20th Century, 1953). This lot contains two color photographs and one black and white photograph.
Largest, 3 1/2 by 2 1/2 inches
PROVENANCE From the Estate of Frieda Hull
Estimate: $400 - $500

Lot 639: MARILYN MONROE ORIGINAL CANDID PHOTOGRAPHS
A group of 10 original black and white photographs of Marilyn Monroe with Jane Russell taken on June 26, 1953, at Grauman's Chinese Theatre as Monroe and Russell memorialized their autographs, shoe prints, and handprints in wet cement. Nine photographs are stamped on verso "Photo by Darlene Hammond/ 1416 Belfast Drive/ Hollywood 46, Calif./ CR. 10747."
Largest, 3 1/2 by 2 1/2 inches
PROVENANCE From the Estate of Frieda Hull
Estimate: $900 - $1,100

Lot 640: MARILYN MONROE ORIGINAL CANDID PHOTOGRAPHS
A group of four original color photographs of Marilyn Monroe, one together with Jane Russell, taken on June 26, 1953, in conjunction with a Grauman's Chinese Theatre event where Monroe and Russell memorialized their autographs, shoe prints, and handprints in wet cement.
Largest, 3 1/2 by 2 1/2 inches
PROVENANCE From the Estate of Frieda Hull
Estimate: $300 - $500

Lot 647: MARILYN MONROE THERE'S NO BUSINESS LIKE SHOW BUSINESS SCREENING PHOTOGRAPH
A black and white photograph of Marilyn Monroe, Gracie Allen, Jack Benny, Joan Collins, and Bing Crosby, among many other stars, attending a special screening of There’s No Business Like Show Business at 20th Century Fox studios in 1954.
11 by 14 inches
PROVENANCE From the Estate of Frieda Hull
Estimate: $200 - $300

Lot 657: MARILYN MONROE ORIGINAL CANDID PHOTOGRAPHS
A group of 10 original black and white photographs taken on June 1, 1955, at the premiere of The Seven Year Itch (20th Century, 1955). Seven of the photographs show Marilyn Monroe with her date for the evening, husband Joe DiMaggio. Two photographs show the theater marquee with large cutout images of Monroe in the now famous skirt- blowing scene from the film. Some images in this lot are likely never before seen.
Largest, 5 by 7 inches
PROVENANCE From the Estate of Frieda Hull
Estimate: $900 - $1,100

Lot 667: MARILYN MONROE ORIGINAL CANDID PHOTOGRAPHS
A group of 10 original color and black and white photographs of Marilyn Monroe alone and with guests, taken on January 7, 1955, at an event announcing the launch of Marilyn Monroe Productions, a joint venture with friend and photographer Milton Greene. This lot contains three color and seven black and white photographs. Some images in this lot are likely never before seen.
Largest, 5 by 3 1/2 inches
PROVENANCE From the Estate of Frieda Hull
Estimate: $900 - $1,100

Lot 669: MARILYN MONROE COLOR SLIDES
A pair of color slides of Marilyn Monroe from March 11, 1955, at the Friars Club Testimonial Dinner.
PROVENANCE From the Estate of Frieda Hull
Estimate: $100 - $300

Lot 670: MARILYN MONROE ORIGINAL CANDID PHOTOGRAPHS
A group of 24 original color and black and white photographs of Marilyn Monroe taken on March 11, 1955, at the Friars Club Testimonial Dinner. Monroe is pictured surrounded by fans signing autographs and talking to James Haspiel. Several photographs show her with friend, photographer, and business partner Milton Greene. This lot contains 22 black and white photographs and two color photographs. Some images in this lot are likely never before seen.
Largest, 5 by 3 1/2 inches
PROVENANCE From the Estate of Frieda Hull
Estimate: $1,500 - $2,000

Lot 676: MARILYN MONROE ORIGINAL CANDID PHOTOGRAPHS
A group of eight original black and white photographs of Marilyn Monroe taken on March 24, 1955, when she attended the play Cat on a Hot Tin Roof with Milton and Amy Greene. Some images in this lot are likely never before seen.
Largest, 4 1/2 by 3 1/4 inches
PROVENANCE From the Estate of Frieda Hull
Estimate: $700 - $900

Lot 686: MARILYN MONROE ORIGINAL CANDID PHOTOGRAPHS
A group of 19 original black and white photographs of Marilyn Monroe taken at the East of Eden premiere on March 9, 1955, at the Astor Theatre in New York City. Monroe was an official usherette at the event. Some images show friend, photographer, and business partner Milton Greene and his wife, Amy Greene. Some images are never before seen.
Largest, 5 by 3 1/2 inches
PROVENANCE From the Estate of Frieda Hull
Estimate: $1,500 - $2,000

Lot 687: MARILYN MONROE SIGNED PHOTOGRAPH
A black and white photograph of Marilyn Monroe wearing a white brocade gown with matching jacket and white evening gloves as she attended the New York City premiere of East of Eden starring James Dean on March 9, 1955. The photograph is signed in blue ballpoint pen "Marilyn Monroe." The autograph was obtained by Frieda Hull, one of the "Monroe Six," a group of legendary fans with whom Monroe became friendly.
7 by 5 inches
PROVENANCE From the Estate of Frieda Hull
Estimate: $2,000 - $3,000

Lot 691: MARILYN MONROE ORIGINAL CANDID PHOTOGRAPHS
A group of three original black and white photographs of Marilyn Monroe in costume taken on March 30, 1955, for her appearance on opening night at the Ringling Bros. Circus at Madison Square Garden, which was a benefit produced by Mike Todd for the Arthritis and Rheumatism Foundation.
Largest, 7 by 5 inches
PROVENANCE From the Estate of Frieda Hull
Estimate: $200 - $400

Lot 692: MARILYN MONROE ORIGINAL PRESS AND PUBLICITY PHOTOGRAPHS
An archive of nine vintage press and publicity photographs featuring Marilyn Monroe.
PROVENANCE From the Estate of Frieda Hull
Estimate: $500 - $700

Lot 693: MARILYN MONROE VINTAGE PHOTOGRAPH
A large, glossy black and white photograph of Marilyn Monroe during her famous appearance on March 31, 1955, when she rode a Barnum & Bailey elephant painted pink as part of the Mike Todd memorial event to benefit victims of arthritis.
14 by 11 1/4 inches
PROVENANCE From the Estate of Frieda Hull
Estimate: $800 - $1,200

Lot 703: MARILYN MONROE COLOR SLIDES
A group of 20 slides of Marilyn Monroe, from the collection of Frieda Hull. Some are never before seen images, from August 6, 1955, as she was at the airport in New York City preparing to fly to Bement, Illinois. Together with an original "Automatic Slide Changer" storage box, owned by Hull.
PROVENANCE From the Estate of Frieda Hull
Estimate: $1,000 - $1,500

Lot 704: MARILYN MONROE ORIGINAL CANDID PHOTOGRAPHS
A group of 11 original color and black and white photographs of Marilyn Monroe taken on August 6, 1955, when she was at the airport in New York City preparing to fly to Bement, Illinois. One of the photographs is an original press photograph from the United Press Association. This lot contains six black and white and five color photographs. Some images in this lot are likely never before seen.
Largest, 9 by 6 1/2 inches
PROVENANCE From the Estate of Frieda Hull
Estimate: $1,000 - $1,200

Lot 706: MARILYN MONROE SIGNED PHOTOGRAPH
A black and white photograph of Marilyn Monroe wearing a white brocade gown with matching jacket and white evening gloves as she attended the New York City premiere of East of Eden starring James Dean on March 9, 1955. The photograph is signed in blue ink "Marilyn Monroe." The autograph was obtained by Frieda Hull, one of the "Monroe Six," a group of legendary fans with whom Monroe became friendly.
7 by 5 inches
PROVENANCE From the Estate of Frieda Hull
Estimate: $2,000 - $3,000

Lot 711: MARILYN MONROE SIGNED SNAPSHOT
A color snapshot of Marilyn Monroe posing in the backseat of a car circa early 1950s. The image is signed in blue ink “Marilyn Monroe.” The autograph was obtained by Frieda Hull, one of the “Monroe Six, a group of legendary fans with whom Monroe became friendly.
3 by 2 1/4 inches
PROVENANCE From the Estate of Frieda Hull
Estimate: $2,000 - $3,000

Lot 712: MARILYN MONROE ORIGINAL CANDID PHOTOGRAPHS
A group of five original color and black and white photographs of Marilyn Monroe taken the evening of December 12, 1955, when she attended the premiere of The Rose Tattoo. This lot contains two color and three black and white photographs.
Largest, 4 1/2 by 3 1/4 inches
PROVENANCE From the Estate of Frieda Hull
Estimate: $400 - $600

Lot 713: MARILYN MONROE COLOR SLIDES
A group of three slides of Marilyn Monroe from evening of December 12, 1955, when she attended the premiere of The Rose Tattoo.
PROVENANCE From the Estate of Frieda Hull
Estimate: $200 - $400

Lot 714: MARILYN MONROE ORIGINAL CANDID PHOTOGRAPHS
A group of three original black and white photographs of Marilyn Monroe taken on December 18, 1955, at the Waldorf Astoria Hotel following her attendance at the premiere of Baby Doll. Two of the images show Monroe with husband Arthur Miller. Research indicates that this may be the only documented occasion where Monroe parted her hair on the right. Her regular part was always on the left.
Largest, 3 1/2 by 3 1/2 inches
PROVENANCE From the Estate of Frieda Hull
Estimate: $600 - $800

Lot 718: MARILYN MONROE SIGNED PHOTOGRAPH
A black and white photograph of Marilyn Monroe in New York City circa 1955 wearing a white gown and white fur, signed in blue ink "Marilyn Monroe." The autograph was obtained by Frieda Hull, one of the "Monroe Six," a group of legendary fans with whom Monroe became friendly.
7 by 5 inches
PROVENANCE From the Estate of Frieda Hull
Estimate: $2,000 - $3,000

Lot 719: MARILYN MONROE ORIGINAL CANDID PHOTOGRAPHS
A group of eight original color and black and white photographs of Marilyn Monroe taken on February 8, 1956, when she attended the premiere of Middle of the Night in New York City. This lot contains seven black and white photographs and one color photograph. Some images in this lot are likely never before seen.
Largest, 5 by 3 1/2 inches
PROVENANCE From the Estate of Frieda Hull
Estimate: $900 - $1,100

Lot 720: MARILYN MONROE ORIGINAL CANDID PHOTOGRAPHS
A pair of original black and white photographs of Marilyn Monroe and soon-to-be husband Arthur Miller, taken on June 11, 1956. Monroe and Miller were outside her Sutton Place apartment. Miller's divorce from Mary Slattery had just been granted.
Larger, 5 by 3 1/2 inches
PROVENANCE From the Estate of Frieda Hull
Estimate: $100 - $300

Lot 721: MARILYN MONROE ORIGINAL CANDID PHOTOGRAPHS
A group of four original black and white photographs of Marilyn Monroe and soon-to-be husband Arthur Miller, taken at a press conference in front of Monroe's Sutton Place apartment on June 22, 1956. Miller was in the throes of defending himself against accusations of communist activities. Monroe transitioned the focus of the press conference away from Miller toward their impending marriage, their plans to travel to England for their honeymoon, and the filming of The Prince and the Showgirl (Warner Bros., 1957).
Largest, 5 by 3 1/2 inches
PROVENANCE From the Estate of Frieda Hull
Estimate: $300 - $500

Lot 722: MARILYN MONROE ORIGINAL CANDID PHOTOGRAPHS
A group of 14 original black and white photographs of Marilyn Monroe and soon-to-be husband Arthur Miller, taken on June 29, 1956. Monroe and Miller were married in a civil ceremony later that day. The photographs also show Milton Greene and Miller's parents, Isidore and Augusta. Some images in this lot are likely never before seen.
Largest, 4 1/2 by 3 1/2 inches
PROVENANCE From the Estate of Frieda Hull
Estimate: $1,000 - $1,500

Lot 724: MARILYN MONROE ORIGINAL CANDID PHOTOGRAPH
An original candid color photograph of Marilyn Monroe and husband Arthur Miller, taken on January 7, 1957, following their return from their honeymoon in Jamaica.
3 1/2 by 3 1/2 inches
PROVENANCE From the Estate of Frieda Hull
Estimate: $100 - $200

Lot 726: MARILYN MONROE SIGNED PHOTOGRAPH
A black and white photograph of Marilyn Monroe as she boarded a plane for Hollywood at Idlewild Airport in New York on February 25, 1956. The image is signed in blue ballpoint pen over a photographer's arm, "To Frieda Love & Kisses," and below along the line of the white railing, "Marilyn Monroe." In the photograph Frieda Hull is pictured with her camera, which is lot 697 in this auction.
8 by 10 inches
PROVENANCE From the Estate of Frieda Hull
Estimate: $4,000 - $6,000

Lot 728: MARILYN MONROE ORIGINAL CANDID PHOTOGRAPHS
A group of 20 original color and black and white photographs of Marilyn Monroe that document her 1956 travels to and from Los Angeles to film Bus Stop (20th Century, 1956). Several of the photographs show Monroe walking across the tarmac to a plane among a sea of fans and photographers, then posing for photographs at the top of the stairs leading to the plane. One photograph shows the crowd on hand at the airport to see Monroe. This lot includes eight color and 11 black and white photographs, many that have never been seen.
Largest, 5 by 3 1/2 inches
PROVENANCE From the Estate of Frieda Hull
Estimate: $1,500 - $2,000

Lot 729: MARILYN MONROE COLOR SLIDES
A group of 18 slides of Marilyn Monroe from the collection of Frieda Hull, documenting Monroe’s travels to and from Los Angeles to film Bus Stop (20th Century, 1956) in 1956. Several slides show Monroe posing for photographs at the top of the stairs leading to the plane. Together with an original "Automatic Slide Changer" storage box, owned by Frieda Hull. Many of the slides have never been seen.
PROVENANCE From the Estate of Frieda Hull
Estimate: $1,000 - $1,500

Lot 730: MARILYN MONROE ORIGINAL CANDID PHOTOGRAPHS
A group of 19 original color and black and white photographs of Marilyn Monroe taken on February 25, 1956, when she held a press conference at Los Angeles Airport. Monroe had flown to Los Angeles to work on Bus Stop (20th Century, 1956). Some images in this lot are likely never before seen.
Largest, 5 by 3 1/2 inches
PROVENANCE From the Estate of Frieda Hull
Estimate: $1,500 - $2,000

Lot 737: MARILYN MONROE VINTAGE PHOTOGRAPH
A large matte black and white photograph of Marilyn Monroe at the Plaza Hotel in New York City during a 1956 press conference for The Prince and the Showgirl (Warner Bros., 1957).
14 by 11 1/4 inches
PROVENANCE From the Estate of Frieda Hull
Estimate: $800 - $1,200

Lot 738: MARILYN MONROE COLOR SLIDE
A color slide of Marilyn Monroe signing autographs for fans on February 8, 1956, when she attended the premiere of Middle of the Night in New York City.
PROVENANCE From the Estate of Frieda Hull
Estimate: $100 - $200

Lot 739: MARILYN MONROE COLOR SLIDE
A color slide of Marilyn Monroe, from July 13, 1956, as she and husband Arthur Miller departed New York City for England to film The Prince and the Showgirl (Warner Bros., 1957).
PROVENANCE From the Estate of Frieda Hull
Estimate: $100 - $200

Lot 740: MARILYN MONROE ORIGINAL CANDID PHOTOGRAPH
An original candid black and white photograph of Marilyn Monroe taken on July 13, 1956, as she and husband Arthur Miller departed New York City for England to film The Prince and the Showgirl (Warner Bros., 1957).
3 1/2 by 5 inches
PROVENANCE From the Estate of Frieda Hull
Estimate: $100 - $200

Lot 742: MARILYN MONROE COLOR SLIDES
A group of 11 slides of Marilyn Monroe and husband Arthur Miller, from May 13, 1959, at the Italian Consulate on Park Avenue in New York City, where she attended a ceremony to receive the David di Donatello Award, the equivalent of the Academy Award, for her work in The Prince and the Showgirl (Warner Bros., 1957).
PROVENANCE From the Estate of Frieda Hull
Estimate: $1,000 - $1,200

Lot 743: MARILYN MONROE VINTAGE PUBLICITY IMAGE ARCHIVE
An archive of approximately 30 vintage black and white publicity images related to Marilyn Monroe and The Prince and the Showgirl (Warner Bros., 1957). The photographs show Monroe at various press conferences, publicity events, and the premiere of the film.
PROVENANCE From the Estate of Frieda Hull
Estimate: $200 - $300

Lot 746: MARILYN MONROE ORIGINAL CANDID PHOTOGRAPHS
A group of three original color photographs of Marilyn Monroe and husband Arthur Miller taken on May 13, 1959, as she arrived at the Italian Consulate on Park Avenue in New York City to receive the David di Donatello Award, the equivalent of the Academy Award, for her work in The Prince and the Showgirl (Warner Bros., 1957).
Largest, 3 1/2 by 2 1/2 inches
PROVENANCE From the Estate of Frieda Hull
Estimate: $200 - $400

Lot 747: MARILYN MONROE COLOR SLIDES
A pair of color slides of Marilyn Monroe, from February 26, 1959, as Monroe was on her way to the French Film Institute to receive the Crystal Star Award, the French equivalent of the Academy Award, for her performance in The Prince and the Showgirl (Warner Bros., 1957).
PROVENANCE From the Estate of Frieda Hull
Estimate: $100 - $300

Lot 748: MARILYN MONROE ORIGINAL CANDID PHOTOGRAPHS
A group of seven original color photographs of Marilyn Monroe taken on February 26, 1959, when she was on her way to the French Film Institute to receive the Crystal Star Award, the French equivalent of the Academy Award, for her performance in The Prince and the Showgirl (Warner Bros., 1957). Monroe is seen in the photographs with members of the "Monroe Six," including Frieda Hull, Eileen Collins, Gloria Milone, and Edith Pitts. Three photographs show Monroe with James Haspiel. Some images in this lot are likely never before seen.
Largest, 3 1/2 by 2 1/2 inches
PROVENANCE From the Estate of Frieda Hull
Estimate: $600 - $800

Lot 749: MARILYN MONROE ORIGINAL PHOTOGRAPHS SOLD WITH COPYRIGHT
A group of 15 photographs of Marilyn Monroe, circa 1957, likely taken at a New York City showing of The Prince and the Showgirl (Warner Bros., 1957). These photographs show Monroe with husband Arthur Miller at what appears to be a movie theater as a poster for the film can be seen on the theater lobby wall. Monroe is shown in the back of a cab signing autographs for fans, walking to the theater, and inside the lobby of the theater. This lot contains 12 color and three black and white photographs that are believed to be never before seen images.
This item sold with copyright but is not sold with copyright documentation. It is the responsibility of the winning bidder to apply for copyright. While the seller confirms that this property is sold with copyright, Julien’s can accept no liability in relation to any matters arising as a result of any imperfection in copyright given.
Largest, 3 1/2 by 3 1/2 inches
PROVENANCE From the Estate of Frieda Hull
Estimate: $8,000 - $9,000

Lot 750: MARILYN MONROE COLOR SLIDE
A color slide of Marilyn Monroe and husband Arthur Miller, from January 7, 1957, following their return from their honeymoon in Jamaica.
PROVENANCE From the Estate of Frieda Hull
Estimate: $100 - $200

Lot 751: MARILYN MONROE COLOR SLIDE
A color slide of Marilyn Monroe, from November 18, 1957, when she and husband Arthur Miller attended Conversation Piece, a play in which Miller's sister Joan Copeland appeared.
PROVENANCE From the Estate of Frieda Hull
Estimate: $100 - $200

Lot 752: MARILYN MONROE ORIGINAL CANDID PHOTOGRAPHS
A group of seven original color and black and white photographs of Marilyn Monroe taken on November 18, 1957, when she and husband Arthur Miller attended Conversation Piece, a play in which Miller's sister Joan Copeland appeared. James Haspiel appears in two images, "Monroe Six" member Gloria Malone in another. Some images in this lot are never before seen. This lot contains four black and white and three color photographs.
Largest, 3 1/2 by 3 1/2 inches
PROVENANCE From the Estate of Frieda Hull
Estimate: $600 - $800

Lot 755: MARILYN MONROE ORIGINAL CANDID PHOTOGRAPHS
A group of three original never before seen original color photographs of Marilyn Monroe taken on May 30, 1958, as she exited her apartment at 444 East 57th Street in New York City. Just three days prior, Monroe was photographed by Richard Avedon for Life magazine.
Largest, 3 1/2 by 2 1/2 inches
PROVENANCE From the Estate of Frieda Hull
Estimate: $600 - $800

Lot 756: MARILYN MONROE COLOR SLIDES
A group of four never before seen original color slides of Marilyn Monroe, from May 30, 1958, as she exited her apartment at 444 East 57th Street in New York City. Just three days prior, Monroe was photographed by Richard Avedon for Life magazine.
PROVENANCE From the Estate of Frieda Hull
Estimate: $300 - $500

Lot 753: MARILYN MONROE ORIGINAL CANDID PHOTOGRAPHS
A group of four original candid color photographs of Marilyn Monroe taken on May 12, 1957, at Ebbets Field in Brooklyn, New York. Monroe was on hand to make the ceremonial first kick at a soccer match between the USA and Israel. It's reported that she sprained two of her toes while kicking the ball, yet she stayed until the end of the match to award the trophy to Israel, the winning team by a score of 6-4.
Largest, 3 1/2 by 2 1/2 inches
PROVENANCE From the Estate of Frieda Hull
Estimate: $300 - $500

Lot 754: MARILYN MONROE COLOR SLIDES
A group of eight color slides of Marilyn Monroe, from May 12, 1957, at Ebbets Field in Brooklyn, New York. Monroe was on hand to make the ceremonial first kick at a soccer match between the USA and Israel. It's reported that she sprained two of her toes while kicking the ball, yet she stayed until the end of the match to award the trophy to Israel, the winning team by a score of 6-4.
PROVENANCE From the Estate of Frieda Hull
Estimate: $700 - $900

Lot 757: MARILYN MONROE COLOR SLIDES
A group of four slides of Marilyn Monroe and husband Arthur Miller, from their departure from New York for Los Angeles for her to film Some Like It Hot (UA, 1959).
PROVENANCE From the Estate of Frieda Hull
Estimate: $300 - $500

Lot 758: MARILYN MONROE ORIGINAL CANDID PHOTOGRAPHS
A group of eight original color and black and white photographs of Marilyn Monroe and husband Arthur Miller as they departed New York for Los Angeles for her to film Some Like It Hot (UA, 1959). This lot contains five color and three black and white photographs, some never before seen.
Largest, 5 1/2 by 3 1/2 inches
PROVENANCE From the Estate of Frieda Hull
Estimate: $700 - $900

Lot 759: MARILYN MONROE ORIGINAL CANDID PHOTOGRAPHS
A group of 15 original color and black and white photographs of Marilyn Monroe taken on March 29, 1959. These images are believed to have been taken following the premiere of Some Like It Hot (UA, 1959) as Monroe and husband Arthur Miller traveled from the theater to the home of Lee and Paula Strasberg for a party they were throwing for Monroe. Many images are never before seen. This lot contains eight black & white and seven color photographs.
Largest, 6 3/4 by 5 inches
PROVENANCE From the Estate of Frieda Hull
Estimate: $1,500 - $2,000

Lot 760: MARILYN MONROE COLOR SLIDES
A group of 11 slides of Marilyn Monroe, from March 29, 1959. These images are believed to have been taken following the premiere of Some Like It Hot (UA, 1959) as Monroe and husband Arthur Miller traveled from the theater to the home of Lee and Paula Strasberg for a party they were throwing for Monroe. Many images are never before seen.
PROVENANCE From the Estate of Frieda Hull
Estimate: $1,000 - $1,200

Lot 761: MARILYN MONROE COLOR SLIDE
A color slide of Marilyn Monroe, from September 18, 1959, as she left her apartment at 444 East 57th Street. She was leaving to fly to Los Angeles to attend a gala in honor of Soviet Premier Nikita Khrushchev held by Twentieth Century Fox Studios.
PROVENANCE From the Estate of Frieda Hull
Estimate: $100 - $200

Lot 762: MARILYN MONROE ORIGINAL CANDID PHOTOGRAPHS
A pair of original color photographs of Marilyn Monroe and husband Arthur Miller taken on September 18, 1959, when the couple left their apartment at 444 East 57th Street. Miller was escorting his wife to the airport, where she would fly to Los Angeles to attend a gala in honor of Soviet Premier Nikita Khrushchev held by Twentieth Century Fox Studios. Because this was an event in honor of a Communist leader, Miller didn't attend the gala as it wouldn't have been appropriate considering his appearance before the House Committee on Un-American Activities about his political leanings in June 1956.
Larger, 3 1/2 by 3 1/2 inches
PROVENANCE From the Estate of Frieda Hull
Estimate: $100 - $300

Lot 763: MARILYN MONROE ORIGINAL CANDID PHOTOGRAPHS
A group of three original black and white photographs of Marilyn Monroe taken on September 27, 1959, at the Bellevue-Stratford Hotel, where Monroe and husband Arthur Miller were attending the American Friends of The Hebrew University Awards Banquet, where Miller was honored for Distinguished Achievement in the Dramatic Arts. All the photographs in this lot are likely never before seen.
Largest, 3 1/2 by 3 1/2 inches
PROVENANCE From the Estate of Frieda Hull
Estimate: $200 - $400

Lot 764: MARILYN MONROE PHOTOGRAPHS
A group of four color photographs of Marilyn Monroe, likely reproductions, taken on September 21, 1959, at Henry Miller's Theatre on Broadway in New York City, where Monroe was attending An Evening with Yves Montand, accompanied by friend and co-star Montgomery Clift. All four photographs reference Terri Arden on the reverse.
Largest, 6 by 4 inches
PROVENANCE From the Estate of Frieda Hull
Estimate: $100 - $200

Lot 765: MARILYN MONROE COLOR SLIDES
A group of three color slides of Marilyn Monroe, from November 2, 1959, when she and husband Arthur Miller departed New York City for Los Angeles to film Let's Make Love (20th Century, 1960). Of note, one slide in particular shows Monroe sitting in the back of a car holding a bird in a birdcage, likely Butch, the Millers' pet parakeet.
PROVENANCE From the Estate of Frieda Hull
Estimate: $200 - $400

Lot 766: MARILYN MONROE ORIGINAL CANDID PHOTOGRAPH
An original candid color photograph of Marilyn Monroe, likely taken on April 16, 1960, as she attended Josephine Baker's show at the Hollywood Hartford Theatre, accompanied by Yves Montand.
3 1/2 by 3 1/2 inches
PROVENANCE From the Estate of Frieda Hull
Estimate: $100 - $200

Lot 767: MARILYN MONROE ORIGINAL CANDID PHOTOGRAPHS
A pair of original candid color photographs of Marilyn Monroe, likely taken on June 1, 1960, her 34th birthday. The cast and crew of Let's Make Love (20th Century, 1960) celebrated her birthday earlier that day. That evening, Monroe attended a party in her honor held by press agent Rupert Allan at his Beverly Hills home. In these photographs, Monroe wears the same clothing worn on the set earlier in the day.
Larger, 5 by 3 1/2 inches
PROVENANCE From the Estate of Frieda Hull
Estimate: $100 - $300

Lot 773: MARILYN MONROE ORIGINAL CANDID PHOTOGRAPHS
A pair of original Marilyn Monroe black and white photographs, one of her with Clark Gable, believed to have been taken on July 24, 1960, at an event held for the cast and crew of The Misfits (United Artists, 1961) at the Mapes Hotel in Reno, Nevada. This was Monroe's final completed film.
Larger, 3 1/2 by 3 1/2 inches
PROVENANCE From the Estate of Frieda Hull
Estimate: $100 - $300

Lot 779: MARILYN MONROE COLOR SLIDE
A color slide of Marilyn Monroe surrounded by fans and security, from March 14, 1961. Monroe was attending a benefit for the Lee Strasberg Actors Studio held at the Roseland Dance Hall in New York City.
PROVENANCE From the Estate of Frieda Hull
Estimate: $100 - $200

Lot 780: MARILYN MONROE ORIGINAL CANDID PHOTOGRAPHS
A pair of original color photographs of Marilyn Monroe taken on March 14, 1961. Monroe was attending a benefit for the Lee Strasberg Actors Studio held at the Roseland Dance Hall in New York City.
Larger, 5 by 3 1/2 inches
PROVENANCE From the Estate of Frieda Hull
Estimate: $100 - $300

Lot 835: MARILYN MONROE ORIGINAL CANDID PHOTOGRAPH
An original photograph of Marilyn Monroe, circa 1950, with the words "Bel Air Hotel for Red Book Awards Party" written on verso. Likely never before seen.
3 3/4 by 3 1/4 inches
PROVENANCE From the Estate of Frieda Hull
Estimate: $100 - $200

Lot 838: MARILYN MONROE VINTAGE TRANSPARENCY
A vintage color transparency of Marilyn Monroe with Herman Hover, owner of Ciro’s nightclub, circa 1953.
2 1/2 by 2 1/2 inches
Estimate: $500 - $700

Lot 846: MARILYN MONROE ORIGINAL SLIDES AND PHOTOGRAPHS WITH COPYRIGHT
A group of four color transparency slides and two color photographs of Marilyn Monroe taken by Sgt. Marvin Stamness in Korea when Monroe entertained troops there in 1954. Copyright of the images has been applied for. Once copyright is granted, it will be transferred to the winning bidder. Stamness was with the 189th Field Artillery 45th Division of the United States Army and served in the Korean War. At that time, he was from Barrett, Minnesota.
While the seller confirms that this property is sold with copyright, Julien’s can accept no liability in relation to any matters arising as a result of any imperfection in copyright given.
Photographs, 2 1/8 by 3 1/8 inches; Slides, 2 by 2 inches
Estimate: $800 - $1,200

Lot 861: MARILYN MONROE SEVEN YEAR ITCH PREMIERE TRANSPARENCY
A vintage color transparency of Marilyn Monroe and Joe DiMaggio at the premiere of The Seven Year Itch (20th Century, 1955).
2 1/2 by 2 1/2 inches
Estimate: $500 - $700

Lot 894: MARILYN MONROE VINTAGE CONTACT SHEET
A vintage partial contact sheet of images of Marilyn Monroe and others. The black and white contact sheet includes nine images, six of which show Monroe taken by Milton Greene at the 1955 announcement of the formation of Marilyn Monroe Productions Inc.
5 by 10 inches
Estimate: $200 - $400

Lot 895: MARILYN MONROE MMP ANNOUNCEMENT CONTACT SHEET
A vintage black and white partial contact sheet of images of Marilyn Monroe taken by Milton Greene at the 1955 announcement of the formation of Marilyn Monroe Productions Inc. The sheet contains 10 frames, with numbering below each image.
3 1/2 by 10 inches
Estimate: $200 - $400

Lot 896: MARILYN MONROE MMP ANNOUNCEMENT CONTACT SHEET
A vintage black and white contact sheet of images taken at the 1955 announcement of the formation of Marilyn Monroe Productions Inc. Marlene Dietrich appears in many of the photographs along with Monroe and Milton Greene, among others. The sheet has 27 frames with grease pencil markings in red.
7 by 10 inches
Estimate: $600 - $800

Lot 901: MARILYN MONROE MILTON GREENE VINTAGE CONTACT SHEET
A vintage Milton Greene contact sheet of 34 black and white images taken at the Sheraton Astor Hotel in December 1955. Two of the images are of Marilyn Monroe.
8 by 10 inches
Estimate: $600 - $800

Lot 903: MARILYN MONROE MEDIA PHOTOGRAPHS
A group of three vintage Marilyn Monroe media photographs. Each is stamped by a media outlet or includes a snipe. Two images are of Monroe with husband Arthur Miller. One image is of Monroe with Jack Warner and Milton Greene from a press conference announcing the production of The Prince and the Showgirl (Warner Bros., 1957). Accompanied by one contemporary print of Monroe at a party for the film Let's Make Love (20th Century, 1960).
Largest, 8 by 10 inches
Estimate: $200 - $600

Lot 917: MARILYN MONROE AND ARTHUR MILLER CANDID PHOTOGRAPHS
A group of 12 black and white photographs of Marilyn Monroe with husband Arthur Miller. Each photograph is dated in the margin "Jul 56" and marked "Pitts" on verso in an unknown hand.
5 by 3 1/2 inches
PROVENANCE From the Estate of Lois Weber
Estimate: $1,200 - $1,400

Lot 934: MARILYN MONROE CANDID PHOTOGRAPHS
A group of seven vintage black and white candid photographs of Marilyn Monroe.
Largest, 5 1/4 by 3 1/2 inches
PROVENANCE From the Estate of Lois Weber
Estimate: $600 - $800

Lot 935: MARILYN MONROE CANDID PHOTOGRAPHS
A group of 11 vintage black and white candid photographs of Marilyn Monroe attending various events.
Largest, 5 1/4 by 3 1/2 inches
PROVENANCE From the Estate of Lois Weber
Estimate: $1,000 - $1,500

Lot 936: MARILYN MONROE CANDID PHOTOGRAPHS
A group of 10 vintage black and white candid photographs of Marilyn Monroe attending various events.
5 1/4 by 3 1/2 inches
PROVENANCE From the Estate of Lois Weber
Estimate: $1,000 - $1,500

Lot 937: MARILYN MONROE CANDID PHOTOGRAPHS
A group of five candid vintage black and white photographs of Marilyn Monroe at an event.
4 3/4 by 3 1/4 inches
PROVENANCE From the Estate of Lois Weber
Estimate: $600 - $800

Lot 938: MARILYN MONROE VINTAGE NEW YORK PHOTOGRAPH
A vintage black and white photograph of Marilyn Monroe with Lois Weber on the street in New York City taken by photographer Hans Knopf. PIX Incorporated stamp on verso. A New York Post snipe is attached with a paperclip dating the photograph to February 22, 1956, and stating the pair were leaving Monroe’s apartment for lunch with Elsa Maxwell.
9 1/2 by 13 3/4 inches
PROVENANCE From the Estate of Lois Weber
Estimate: $800 - $1,200

Lot 939: MARILYN MONROE VINTAGE NEW YORK PHOTOGRAPH
A vintage black and white photograph of Marilyn Monroe with Lois Weber on the street in New York City taken by photographer Hans Knopf. PIX Incorporated stamp on verso. A New York Post snipe is attached with a paperclip, dating the photograph to February 22, 1956, and stating the pair were leaving the Ambassador Hotel for a cocktail party.
10 3/4 by 11 1/2 inches
PROVENANCE From the Estate of Lois Weber
Estimate: $800 - $1,200

Lot 940: MARILYN MONROE NEW YORK PHOTOGRAPH
A vintage black and white photograph of Marilyn Monroe with Lois Weber on the street in New York City taken by photographer Hans Knopf. PIX Incorporated stamp on verso. A New York Post snipe is attached with a paperclip dating the photograph to February 22, 1956, and stating the pair were walking to the studio of Cecil Beaton.
14 by 10 1/2 inches
PROVENANCE From the Estate of Lois Weber
Estimate: $800 - $1,200

Lot 944: MARILYN MONROE CONTACT SHEET
A contact sheet containing 10 vintage black and white candid images of Marilyn Monroe and one additional photograph from the set of an unknown production. The photographs were taken by Lois Weber.
10 by 8 inches
PROVENANCE From the Estate of Lois Weber
Estimate: $400 - $600

Lot 945: MARILYN MONROE CANDID PHOTOGRAPHS
A pair of vintage candid black and white photographs of Marilyn Monroe beside a plane.
5 1/4 by 3 1/2 inches
PROVENANCE From the Estate of Lois Weber
Estimate: $200 - $400

Lot 946: MARILYN MONROE MANFRED KREINER PHOTOGRAPH
A vintage black and white photograph of Marilyn Monroe taken by Manfred Kreiner in 1959. The photograph shows Monroe during an interview in her hotel living room at the Ambassador East Hotel in Chicago, Illinois. Monroe was in Chicago to promote the film Some Like It Hot (UA, 1959). Photographer's and other stamps on verso.
9 1/2 by 10 inches
Estimate: $1,000 - $2,000

Lot 947: MARILYN MONROE MANFRED KREINER PHOTOGRAPH
A vintage black and white photograph of Marilyn Monroe taken by Manfred Kreiner in 1959 while Monroe was in Chicago to promote the film Some Like It Hot (UA, 1959). Photographer’s stamp on verso with additional stamp that reads “Kindler Und Schiermeyer Verlag AG Archiv.”
13 1/2 by 10 1/2 inches
Estimate: $1,500 - $2,000

Lot 948: MARILYN MONROE MANFRED KREINER PHOTOGRAPH
A vintage black and white photograph of Marilyn Monroe taken by Manfred Kreiner circa 1959. Photographer's stamp and other notations on verso.
14 by 9 1/2 inches
Estimate: $400 - $600

Lot 949: MARILYN MONROE AND ARTHUR MILLER PHOTOGRAPH BY MANFRED KREINER
A vintage black and white photograph of Marilyn Monroe and Arthur Miller at the New York City premiere of Some Like It Hot (UA, 1959) taken by Manfred Kreiner. Photographer's stamp on verso along with information about the photograph in an unknown hand, written with pencil in German.
10 1/2 by 13 1/2 inches
Estimate: $1,000 - $2,000

Lot 950: MARILYN MONROE AND ARTHUR MILLER VINTAGE PHOTOGRAPH
A Marilyn Monroe and Arthur Miller black and white vintage original photograph. Taken by Paul Schumach at the premiere of Some Like It Hot (UA, 1959). Photographer's stamp on verso.
10 by 8 inches
PROVENANCE From the Lost Archive of Marilyn Monroe
Estimate: $600 - $800

Lot 971: MARILYN MONROE MONROE, MONTAND AND CUKOR SIGNED PHOTOGRAPH
A Marilyn Monroe, Yves Montand, and George Cukor signed black and white photograph. The image was taken at a party for the film Let’s Make Love (20th Century ,1960) in which Monroe and Montand starred and Cukor directed. The photograph is inscribed “To Herbert Stern from his first director with every good wish George Cukor,” “For Herbert Love & Kisses Marilyn Monroe,” and “Pour Herbert Stern amical souvenir Y Montand 60.”
8 by 10 inches
Estimate: $8,000 - $10,000

Lot 976: MARILYN MONROE GOLDEN GLOBE CEREMONY PHOTOGRAPH
A vintage black and white photograph of Marilyn Monroe at the 1962 Golden Globes award ceremony taken by Gene Daniels. Monroe won the award for Female World Film Favorite. Photographer's stamp on verso with additional “Revue” stamp and notation.
9 by 13 1/2 inches
Estimate: $400 - $600

Lot 977: MARILYN MONROE GOLDEN GLOBE CEREMONY PHOTOGRAPH
A vintage black and white photograph of Marilyn Monroe at the 1962 Golden Globes award ceremony taken by Gene Daniels. Monroe won the award for Female World Film Favorite. Photographer's stamp on verso with additional “Revue” stamp and notation.
13 1/2 by 9 inches
Estimate: $400 - $600

Photographies - Joseph Jasgur
Photographs

Lot 796: MARILYN MONROE PHOTOGRAPH BY JOSEPH JASGUR
A black and white photograph of Marilyn Monroe taken by Joseph Jasgur in 1946 with infrared film. Gelatin silver print. Printed by the artist. Artist’s copyright sticker on mount verso.
13 1/4 by 10 inches, mounted
Estimate: $600 - $800

Lot 797: MARILYN MONROE COLOR PHOTOGRAPHS
A group of six color photographs of Marilyn Monroe taken by photographer Joseph Jasgur. The images are of Monroe alone, and one image shows her with other models at Zuma Beach in 1946.
Each, 11 by 14 inches
Estimate: $600 - $800

Lot 798: MARILYN MONROE JOSEPH JASGUR PHOTOGRAPHS
Two black and white photographs of Marilyn Monroe taken by Joseph Jasgur in 1946 at Zuma Beach, California. Gelatin silver prints. Printed by the photographer. Each with photographer’s stamp on verso.
10 by 8 inches each, mounted
PROVENANCE From the Estate of Joseph Jasgur
Estimate: $800 - $1,200

Lot 799: MARILYN MONROE JOSEPH JASGUR NEGATIVE
A Joseph Jasgur black and white negative of Marilyn Monroe produced in 1946. Accompanied by a photograph of the image, printed 2000–2001. Signed in ink lower right.
Negative, 2 1/4 by 2 1/4 inches; Photograph, 14 by 11 inches
Estimate: $400 - $600

Lot 800: MARILYN MONROE JOSEPH JASGUR NEGATIVES AND COPYRIGHT
Six Joseph Jasgur black and white negatives of Marilyn Monroe produced in 1946. Accompanied by a photograph of a cropping of the image, printed 2000–2001. Library of Congress number VA 308-684. The winning bidder is responsible for transfer of copyright.
One Negative, 2 1/4 by 2 1/4 inches; Five Negatives, 5 by 4 inches; Photograph, 14 by 11 inches
Estimate: $800 - $1,200

Lot 801: MARILYN MONROE PHOTOGRAPH BY JOSEPH JASGUR
A sepia toned photograph of Marilyn Monroe taken by Joseph Jasgur in 1946. Toned gelatin silver print. Printed by the artist.
20 by 16 inches, mounted
Estimate: $400 - $600

Lot 802: MARILYN MONROE PHOTOGRAPHS BY JOSEPH JASGUR
Two black and white photographs of Marilyn Monroe taken by Joseph Jasgur in 1946. One is a cropped portrait from the full image. Gelatin silver prints. Printed by the artist. Each with the artist’s stamp on mount verso.
10 by 8 inches each, mounted
Estimate: $500 - $700

Lot 803: MARILYN MONROE JOSEPH JASGUR NEGATIVE AND COPYRIGHT
A Marilyn Monroe negative of an image taken by Joseph Jasgur in 1946, accompanied by copyright. The black and white negative shows Monroe on the beach with Tom Burton.
The seller confirms that this property is sold with copyright. Application for copyright has not been completed. It is the responsibility of the winning bidder to obtain proper copyright. Julien’s can accept no liability in relation to any matters arriving as a result of any imperfection in copyright given.
5 by 4 inches
PROVENANCE Partial Lot 986, "Hollywood Legends," Julien's, Beverly Hills, April 11, 2014
Estimate: $1,500 - $2,000

Lot 804: MARILYN MONROE JOSEPH JASGUR PHOTOGRAPHS
A group of three black and white photographs of Marilyn Monroe taken by Joseph Jasgur in 1946. Gelatin silver prints. Printed by the photographer. Each with photographer’s stamp on mount verso.
10 by 8 inches each, mounted
PROVENANCE From the Estate of Joseph Jasgur
Estimate: $600 - $800

Lot 805: MARILYN MONROE JOSEPH JASGUR PHOTOGRAPHS
A group of three black and white photographs of Marilyn Monroe taken by Joseph Jasgur in 1946. Gelatin silver prints. Printed by the photographer. Each with photographer’s stamp on mount verso.
10 by 8 inches each, mounted
PROVENANCE From the Estate of Joseph Jasgur
Estimate: $600 - $800

Lot 806: MARILYN MONROE BLACK AND WHITE PHOTOGRAPHS
A group of nine black and white photographs of Marilyn Monroe taken by photographer Joseph Jasgur. Jasgur photographed Monroe in 1946 when she was still known as Norma Jeane Dougherty and was a model with the Blue Book Model Agency.
Largest, 11 by 14 inches
Estimate: $800 - $1,200

Lot 807: MARILYN MONROE JOSEPH JASGUR PHOTOGRAPHS
A group of four black and white photographs of Marilyn Monroe taken by Joseph Jasgur in 1946. Gelatin silver prints. Printed by the photographer. Two with photographer’s stamp on mount verso.
10 by 8 inches each
PROVENANCE From the Estate of Joseph Jasgur
Estimate: $600 - $800

Lot 808: MARILYN MONROE PHOTOGRAPHS BY JOSEPH JASGUR
Three black and white photographs of Marilyn Monroe taken by Joseph Jasgur in 1946 using infrared film. Gelatin silver prints. Printed by the photographer. Two with photographer’s stamp on mount verso.
10 by 8 inches each, mounted
PROVENANCE From the Estate of Joseph Jasgur
Estimate: $400 - $600

Lot 809: MARILYN MONROE PHOTOGRAPH BY JOSEPH JASGUR
A black and white photograph of Marilyn Monroe taken by Joseph Jasgur in 1946. Gelatin silver print. Printed by the artist. Artist’s stamp on mount verso.
10 by 8 inches, mounted
Estimate: $600 - $800

Lot 810: MARILYN MONROE JOSEPH JASGUR NEGATIVES AND COPYRIGHT
A group of three Joseph Jasgur black and white negatives of Marilyn Monroe produced in 1946. Copyright to this image will be transferred to the winning bidder.
While the seller confirms that this property is sold with copyright, Julien’s can accept no liability in relation to any matters arising as a result of any imperfection in copyright given.
5 by 4 inches, each
PROVENANCE From the Estate of Joseph Jasgur
Estimate: $1,000 - $2,000

Photographies - André De Dienes
Photographs

Lot 795: MARILYN MONROE LIMITED EDITION ANDRE DE DIENES PRINT
A Marilyn Monroe black and white photograph taken by Andre De Dienes in 1945, printed in a limited edition, gelatin print made from the original transparency, numbered 29/50. This print is stamped, signed, and hand numbered by the estate of Andre De Dienes and stamped and hand numbered by OneWest Publishing.
19 1/2 by 16 inches
Estimate: $800 - $1,200

Lot 813: MARILYN MONROE PHOTOGRAPH BY ANDRE de DIENES
A black and white gelatin silver print montage photograph of Marilyn Monroe. Taken in 1949 by Andre de Dienes, printed circa 1960. Hand stamped on verso.
16 by 16 inches
PROVENANCE From the Estate of Andre de Dienes
Estimate: $1,000 - $2,000

Lot 814: MARILYN MONROE PHOTOGRAPH BY ANDRE de DIENES
A black and white gelatin silver print montage photograph of Marilyn Monroe by Andre de Dienes. Notations on the front of the photograph read "7/7 1949 A.D." in black ink.
24 by 20 inches
PROVENANCE From the Estate of Andre de Dienes
Estimate: $1,000 - $2,000

Lot 850: MARILYN MONROE VINTAGE PHOTOGRAPH BY ANDRE de DIENES
A black and white silver gelatin vintage print of Marilyn Monroe taken by Andre de Dienes in 1953. The photograph is hand printed circa 1958 on double-weight paper and stamped by the photographer on verso.
19 1/2 by 16 inches
Estimate: $800 - $1,200

Lot 851: MARILYN MONROE VINTAGE PHOTOGRAPH BY ANDRE de DIENES
A black and white silver gelatin vintage print of Marilyn Monroe taken by Andre de Dienes in 1953. The photograph is hand printed circa 1958 on double-weight paper and stamped by the photographer on verso.
20 by 16 inches
Estimate: $800 - $1,200

Lot 852: MARILYN MONROE VINTAGE ANDRE de DIENES PHOTOGRAPH
A photograph of Marilyn Monroe taken by Andre de Dienes in 1953. Silver gelatin print, printed circa 1955. Signed at lower right, photographer's stamp on verso.
24 by 20 inches
PROVENANCE Lot 420, "Hollywood Legends," Julien's, Beverly Hills, March 31, 2012
Estimate: $2,000 - $4,000

Lot 853: MARILYN MONROE VINTAGE ANDRE de DIENES PHOTOGRAPH
A photograph of Marilyn Monroe taken by Andre de Dienes in 1953. Silver gelatin print, printed circa 1955. Signed at lower right, photographer's stamp on verso.
24 by 20 inches
PROVENANCE Lot 421, "Hollywood Legends," Julien's, Beverly Hills, March 31, 2012
Estimate: $2,000 - $4,000

Lot 865: MARILYN MONROE INSCRIBED MAGAZINE PAGE
A black and white page of an unknown magazine inscribed to child star Linda Bennett. Inscription reads "To Linda, I saw you in the Seven Little Foys - Great Marilyn Monroe."
17 1/2 by 14 inches, framed; 7 1/4 by 6 3/4 inches, sight
Estimate: $3,000 - $5,000

Photos Tom Kelley & Calendriers 'Golden Dreams'
Tom Kelley's Photos & Calendars 'Golden Dreams'

Lot 35: MARILYN MONROE UNCUT TIN TRAY
A circa 1950s uncut tin tray, illustrated with two nude photographs of Marilyn Monroe, "Golden Dreams" and "A New Wrinkle" both taken during a photo session with Tom Kelley in 1949.
Framed, 26 1/2 by 36 1/2 inches
PROVENANCE Lot 110, “Film & Entertainment,” Christie's, South Kensington, Sale number 9771, December 16, 2003
Estimate: $200 - $400

Lot 817: MARILYN MONROE RED VELVET SESSION PHOTOGRAPHS
A group of four color Marilyn Monroe photographs from the Red Velvet session with Tom Kelley in 1949. The group of contemporary prints includes an interesting composite image of Monroe and other less often seen images from the session. Mackie was given the photographs by a fan who knew that he had worked on Monroe’s costumes and that he was a fan of Monroe's. Printed circa 2004.
15 by 10 inches
PROVENANCE From the Collection of Bob Mackie
Estimate: $2,000 - $4,000

Lot 818: MARILYN MONROE PHOTOGRAPH FROM THE REMASTERED RED VELVET COLLECTION
A photograph of Marilyn Monroe from the 1949 Red Velvet session with Tom Kelley. The limited edition print is part of the “Remastered Red Velvet Collection” issued by the estate of Tom Kelley in 2004. The image is numbered 2/500 and is signed by Tom Kelley Jr. in the lower right corner. The image is referred to as pose number 7.
27 3/4 by 23 1/2, framed
Estimate: $600 - $800

Lot 819: MARILYN MONROE VINTAGE NUDE PHOTOGRAPH
A vintage Marilyn Monroe “New Wrinkle” photograph from her 1949 photo session with Tom Kelley. The black and white print is affixed to foam core board. The absence of optical brighteners in the print indicates that this print was made prior to 1953.
Photograph, 10 by 8 1/4 inches; 15 1/4 by 13 1/2 inches, overall
Estimate: $400 - $600

Lot 36: MARILYN MONROE CALENDAR
A U.S. calendar from 1952, featuring a color print of nude Marilyn Monroe photographed by Tom Kelley.
Matted, 30 by 21 1/2 inches
PROVENANCE Lot 64, “Film & Entertainment Memorabilia,” Christie's, South Kensington, Sale number 5238, December 19, 2007
Estimate: $200 - $400

Lot 310: MARILYN MONROE GOLDEN DREAMS CALENDAR
A calendar from Connors Bar & Grill New York City, 1958, all months intact. Paper loss to lower edge, tape residue along top edge.
15 1/2 by 9 1/2 inches
Estimate: $600 - $800

Lot 626: 1955 MARILYN MONROE CALENDAR
A four-page calendar with spiral-bound top edge featuring images of Marilyn Monroe taken by Tom Kelley in the late 1940s. The calendar features a modesty cover with added lace overprint to cover Monroe and three pin-up images of Monroe in cowboy boots, all over triple month pages. Together with original envelope advertising the calendar as "The Most Talked of Calendar in the World" for 50 cents.
12 1/4 by 8 1/2 inches
PROVENANCE From the Estate of Frieda Hull
Estimate: $600 - $800

Lot 833: MARILYN MONROE GOLDEN DREAMS 1952 CALENDAR
A 1952 Marilyn Monroe “Golden Dreams” calendar. This is an early version of Monroe’s famously posed calendar and does not have her name printed on the calendar itself. A note attached to the lower portion of the calendar does identify the model as Monroe, reading in part, “This Champion Calendar was posed by Marilyn Monroe. ...Since that time she has received much publicity in the daily newspapers and national magazines and has been [sic] starred in two movies.” The calendar advertises San Fernando Valley Motor. Housed in a frame.
37 by 19 inches, framed
Estimate: $700 - $900

Photographies - Bert Stern
Photographs

Lot 984: MARILYN MONROE PHOTOGRAPH BY BERT STERN
A color photograph of Marilyn Monroe lying in bed, signed by Bert Stern. The photograph is contained in an orange portfolio.
23 3/4 by 19 3/4 inches
Estimate: $1,000 - $2,000

Lot 985: MARILYN MONROE PHOTOGRAPH BY BERT STERN
A color photograph of a nude Marilyn Monroe holding a striped scarf, signed by Bert Stern.
23 3/4 by 19 3/4 inches
Estimate: $6,000 - $8,000

Lot 986: MARILYN MONROE PHOTOGRAPH BY BERT STERN
A Marilyn Monroe color photograph taken by Bert Stern in 1962 during "The Last Sitting." Numbered 188/250 and signed by Stern in the lower right. A Martin Lawrence Galleries label attached to backing of the framed photograph is typed with the title "Last Sitting: Not Bad For 36."
27 1/2 by 26 1/4 inches, framed
Estimate: $2,000 - $3,000

Lot 1006: MARILYN MONROE BERT STERN SIGNED PHOTOGRAPH
A black and white digital print photograph of Marilyn Monroe resting her chin on her hand, inscribed and dated in black marker to the upper left "For Bill/ 3-3-08" and signed and dated in red grease pen to the lower right "Bert Stern/ 2008" with Stern's copyright stamp on the verso.
8 1/2 by 11 inches
Estimate: $200 - $400

Photographies - George Barris
Photographs

Lot 996: MARILYN MONROE GEORGE BARRIS SIGNED PHOTOGRAPH
A black and white photograph of Marilyn Monroe talking on the telephone signed in black marker to the lower right by George Barris with Weston Editions copyright stamp on the verso.
7 by 5 inches
Estimate: $200 - $400

Lot 997: MARILYN MONROE GEORGE BARRIS SIGNED PHOTOGRAPH
A black and white photograph of Marilyn Monroe talking on the telephone signed in black marker to the lower right by George Barris with Weston Editions copyright stamp on the verso. Includes a certificate of authenticity from OneWest Publishing signed by Chuck Murphy.
14 by 11 inches
Estimate: $800 - $1,200

Lot 998: MARILYN MONROE GEORGE BARRIS SIGNED PHOTOGRAPH
A color photograph of Marilyn Monroe dressed in orange signed in black marker to the lower right by George Barris with Weston Editions copyright stamp on the verso. Includes a certificate of authenticity from OneWest Publishing signed by Chuck Murphy.
11 by 14 inches
Estimate: $800 - $1,200

Lot 999: MARILYN MONROE GEORGE BARRIS SIGNED PHOTOGRAPH
A color photograph of Marilyn Monroe leaning against a cinder block wall signed in black marker to the lower right by George Barris with Weston Editions copyright stamp on the verso. Includes a certificate of authenticity from OneWest Publishing signed by Chuck Murphy.
11 by 14 inches
Estimate: $800 - $1,200

Lot 1000: MARILYN MONROE GEORGE BARRIS SIGNED PHOTOGRAPH
A color photograph of Marilyn Monroe standing in the surf signed in black marker to the lower right by George Barris with Weston Editions copyright stamp on the verso. Includes a certificate of authenticity from OneWest Publishing signed by Chuck Murphy.
10 by 8 inches
Estimate: $400 - $600

Lot 1001: MARILYN MONROE GEORGE BARRIS SIGNED PHOTOGRAPH
A color photograph of Marilyn Monroe in a bikini signed in black marker to the lower right by George Barris with Weston Editions copyright stamp on the verso. Includes a certificate of authenticity from OneWest Publishing signed by Chuck Murphy.
14 by 11 inches
Estimate: $800 - $1,200

Lot 1002: MARILYN MONROE GEORGE BARRIS SIGNED PHOTOGRAPH
A black and white photograph of Marilyn Monroe standing in the surf signed in black marker to the lower right by George Barris with Weston Editions copyright stamp on the verso. Includes a certificate of authenticity from OneWest Publishing signed by Chuck Murphy.
8 by 10 inches
Estimate: $400 - $600

Lot 1003: MARILYN MONROE PHOTOGRAPH BY GEORGE BARRIS
A photographic print of Marilyn Monroe, limited edition numbered 21/50, taken in 1962 by George Barris. Silver gelatin print, printed on double-weight fiber paper under the guidance and approval of George Barris by OneWest Publishing. Signed by the photographer and stamped by OneWest Publishing.
20 by 16 inches
Estimate: $1,000 - $2,000

Photographies - Milton H Greene
Photographs

Lot 257: MARILYN MONROE OUTTAKE PHOTOGRAPH
A black and white test print on archival paper of Monroe during the Mandolin Sitting with photographer Milton Greene. The image is stamped on verso "Reproduction Forbidden" with additional pencil notations documenting the exposure settings for the print.
7 by 5 inches
Estimate: $500 - $700

Lot 890: MARILYN MONROE VINTAGE CONTACT SHEET
A vintage black and white partial contact sheet of Marilyn Monroe and Milton Greene. The sheet, which consists of two partial contact sheets stapled together, contains 17 images of Monroe.
4 1/2 by 10 inches
Estimate: $500 - $700

Lot 891: MARILYN MONROE VINTAGE MILTON GREENE CONTACT SHEET
A vintage partial black and white contact sheet of Marilyn Monroe. The Milton Greene contact sheet includes 12 images of Monroe in a black cocktail dress.
3 by 10 inches
Estimate: $400 - $600

Lot 892: MARILYN MONROE VINTAGE MILTON GREENE CONTACT SHEET
A vintage partial black and white contact sheet of Marilyn Monroe. The Milton Greene contact sheet includes 10 frames with images of Monroe and others. The images were taken by Milton Greene at the 21 Club in New York in 1954. Monroe can be seen talking to the restaurant owner, Robert Kriendler.
4 by 8 inches
Estimate: $400 - $600

Lot 893: MARILYN MONROE VINTAGE CONTACT SHEET
A vintage black and white partial contact sheet of Marilyn Monroe and Milton Greene. The sheet includes 10 images of Monroe. Most of the images were likely taken by Greene circa 1955.
3 by 10 inches
Estimate: $400 - $600

Lot 909: MARILYN MONROE VINTAGE MILTON GREENE PRINTS
A group of four vintage black and white contact sheet prints of Marilyn Monroe, Laurence Olivier, Arthur Miller and others taken by Milton Greene circa 1956 during the preparation for and filming of The Prince and the Showgirl (Warner Bros., 1957).
Largest, 4 by 5 inches
Estimate: $400 - $600

Lot 910: MARILYN MONROE MONROE, OLIVIER AND RATTIGAN CONTACT SHEET IMAGES
A group of four vintage black and white contact sheet prints of Marilyn Monroe with Laurence Olivier and Terence Rattigan taken by Milton Greene. The photographs were taken during a 1956 publicity photo session for The Prince and the Showgirl (Warner Bros., 1957). Two of the images show Monroe with Olivier, who co-starred with Monroe and directed the film. One image is of Monroe and Olivier with Rattigan, author of the play on which the film was based and of the screenplay for the film, and one image is of Olivier and Rattigan. Notations on verso.
Each, 2 1/2 by 3 inches
Estimate: $400 - $600

Lot 911: MARILYN MONROE MONROE, OLIVIER AND RATTIGAN CONTACT SHEET IMAGES
A group of four vintage black and white contact sheet prints of Marilyn Monroe with Laurence Olivier and Terence Rattigan taken by Milton Greene. The photographs were taken during a 1956 publicity photo session for The Prince and the Showgirl (Warner Bros., 1957). Three of the images show Monroe with Olivier, who co-starred with Monroe and directed the film. One image is of Monroe and Olivier with Rattigan, author of the play on which the film was based and of the screenplay for the film. Notations on verso.
Each, 2 1/2 by 3 inches
Estimate: $400 - $600

Lot 913: MARILYN MONROE VINTAGE MILTON GREENE PRINTS
A group of six vintage black and white contact sheet prints of Marilyn Monroe, Laurence Olivier, Arthur Miller, Vivien Leigh and others taken by Milton Greene circa 1956 during the preparation for and filming of The Prince and the Showgirl (Warner Bros., 1957).
Largest, 4 by 5 inches
Estimate: $400 - $600

Lot 921: MARILYN MONROE PHOTOGRAPH BY MILTON GREENE
A vintage black and white photograph of Marilyn Monroe and Laurence Olivier taken by Milton Greene in 1956. Photographer's stamp on verso.
11 by 14 inches
PROVENANCE From the Estate of Lois Weber
Estimate: $600 - $800

Lot 922: MARILYN MONROE PHOTOGRAPH BY MILTON GREENE
A vintage black and white photograph of Marilyn Monroe, Terence Rattigan and Laurence Olivier taken by Milton Greene in 1956. Photographer's stamp on verso.
11 by 14 inches
PROVENANCE From the Estate of Lois Weber
Estimate: $600 - $800

Lot 1010: MARILYN MONROE PRINT BY MILTON GREENE
A large-scale silkscreen print of Marilyn Monroe removing her stockings. Marked "A/P" [Artist's Proof] to the lower left and signed to the lower right by photographer Milton H. Greene.
46 by 35 1/2 inches, framed
PROVENANCE From the Collection of Allan Rich
Estimate: $600 - $800

Lot 1011: MARILYN MONROE MILTON GREENE SILKSCREEN PRINT
A limited edition silkscreen print of a Milton Greene photograph of Marilyn Monroe taken during the "Black Sitting" photo session in New York in 1956. Numbered 218/300 and signed by Greene at lower right.
35 by 46 inches
Estimate: $600 - $800

Lot 1012: MARILYN MONROE MILTON GREENE SILKSCREEN PRINT
A silkscreen print of a Milton Greene photograph of Marilyn Monroe taken during the "Black Sitting" photo session in New York in 1956. Numbered 44/300 and signed by Greene in pencil at lower right.
Estimate: $600 - $800

Photographies - Divers photographes
Photographs - Various photographers

Lot 37: MARILYN MONROE AND JOHNNY HYDE PHOTOGRAPH
A black and white gelatin silver photograph featuring Marilyn Monroe dancing with talent agent Johnny Hyde, to whom she owed much of her success, presumably taken by Bruno Bernard. Numbered 9/350 in ink to the lower left.
16 by 20 inches
PROVENANCE Lot 332, “Film and Entertainment,” Christie's, South Kensington, Sale Number 6343, December 17, 1993
Estimate: $400 - $600

Lot 94: MARILYN MONROE EARLY SNAPSHOT
A circa late 1940s black and white glossy photograph of Monroe with her Chihuahua. The photograph was taken by Richard C. Miller.
4 by 5 inches
Estimate: $300 - $500

Lot 100: MARILYN MONROE MODELING PHOTOGRAPH
A vintage black and white glossy photograph of photographer Richard C. Miller posing as he takes a photo of Monroe in hunting clothing holding a rifle during a 1946 photo session. The back of the photograph has pencil notation dating the photograph, "4/5/46."
3 3/4 by 4 3/4 inches
Estimate: $300 - $500

Lot 434: MARILYN MONROE PHOTOGRAPH BY CECIL BEATON
A vintage copy of Monroe's favorite image of herself by Cecil Beaton. As evidenced by receipts among Monroe's documents, she ordered reprints of this photograph to sign for people. This is one of her vintage copies of the image, ordered during her lifetime.
8 by 10 inches
Estimate: $1,000 - $1,500

Lot 663: MARILYN MONROE PHOTOGRAPH ARCHIVE
An archive of approximately 20 photographs featuring or related to Marilyn Monroe, some vintage and some reproductions, collected by Frieda Hull.
PROVENANCE From the Estate of Frieda Hull
Estimate: $100 - $200

Lot 664: MARILYN MONROE COLOR SLIDES
A group of four slides of Marilyn Monroe from various points in her career: a costume test shot from Something's Got To Give ; on the set of Something’s Got To Give ; a double exposure from the Red Velvet session by Tom Kelley; and an early photo of Monroe by Richard C. Miller.
PROVENANCE From the Estate of Frieda Hull
Estimate: $300 - $500

Lot 665: MARILYN MONROE VINTAGE PHOTOGRAPH
A large, glossy black and white publicity photograph of Marilyn Monroe in white dress, heels and gloves.
14 by 11 1/4 inches
PROVENANCE From the Estate of Frieda Hull
Estimate: $800 - $1,200

Lot 793: MARILYN MONROE PHOTOGRAPH BY LASZLO WILLINGER
A large-scale Cibachrome color photograph of Marilyn Monroe taken by Laszlo Willinger. Stamp-signed on verso.
34 1/2 by 30 1/2 inches, framed
Estimate: $400 - $600

Lot 794: MARILYN MONROE HURRELL STAMPED PHOTOGRAPH
A photograph of Marilyn Monroe with a George Hurrell attribution statement on verso signed by Hurrell-endorsed authenticator Allan Rich.
14 by 12 1/2 inches, framed
PROVENANCE From the Collection of Allan Rich
Estimate: $200 - $400

Lot 811: MARILYN MONROE ORIGINAL VINTAGE PHOTOGRAPH BY BERNARD OF HOLLYWOOD
An original vintage photograph of Marilyn Monroe taken by Bruno Bernard in 1946. The photograph is titled “Mistletoe” and is part of the Discovery Series. Signed on verso “Bernard of Hollywood.” The photograph is accompanied by a copy of Monroe’s model release signed “Norma Jeane Dougherty” on July 24, 1946. This image was among the photographs that Bernard gave to Twentieth Century Fox.
11 by 14 inches
PROVENANCE From the Estate of Bruno Bernard
Estimate: $4,000 - $6,000

Lot 812: MARILYN MONROE VINTAGE NEGATIVE
A vintage black and white negative of Marilyn Monroe. The image was taken by Ed Cronenweth while Monroe did her hair and makeup during the time of production for Ladies of the Chorus (Columbia, 1948). Accompanied by a contemporary print of the negative.
5 by 4 inches
PROVENANCE From the Collection of Ted Stampfer
Estimate: $200 - $400

Lot 821: MARILYN MONROE VINTAGE TRANSPARENCY
A Marilyn Monroe vintage color transparency of an image taken in 1951. The image shows Monroe in the gown she wore to the 23rd Academy Awards ceremony, where she presented the award for Best Sound Recording. The award went to All About Eve (20th Century, 1950).
5 by 4 inches
Estimate: $500 - $700

Lot 822: MARILYN MONROE VINTAGE ED CLARK TRANSPARENCY
A Marilyn Monroe vintage color transparency of an image taken in 1950 by Ed Clark, a LIFE photographer.
5 by 4 inches
Estimate: $400 - $600

Lot 825: MARILYN MONROE PHOTOGRAPH BY BRUNO BERNARD
A color photograph of Marilyn Monroe taken by Bruno Bernard in 1952. In the photograph, Monroe is wearing the hot pink dress she wore in her role as Rose Loomis in Niagara (20th Century, 1953). The photograph is numbered 15/90 and signed “From the estate of Bernard of Hollywood."
16 by 20 inches
PROVENANCE From the Estate of Bruno Bernard
Estimate: $1,500 - $2,500

Lot 826: MARILYN MONROE PHILLIPPE HALSMAN PHOTOGRAPH
A black and white image of Marilyn Monroe taken by Phillippe Halsman during a 1952 photo session for LIFE magazine. Numbered 81/250.
14 by 11 inches
Estimate: $400 - $600

Lot 827: MARILYN MONROE HAROLD LLOYD PHOTOGRAPH
A limited edition poster photograph print of Marilyn Monroe taken by Harold Lloyd in 1952. The color print is numbered 25/250 at lower right. The photograph was taken by silent screen star turned photographer Harold Lloyd during a photoshoot at Monroe’s Los Angeles apartment with Philippe Halsman. Later in 1952, a photograph from Halsman’s session appeared on the cover of LIFE magazine. Printed on crystal archive paper from the original 35mm Kodachrome negative in 2005. Blind stamped in the lower right corner by the Harold Lloyd Trust.
20 by 20 inches
PROVENANCE Lot 204, "Property from the Estate of Marilyn Monroe," Julien's, Los Angeles, June 4, 2005
Estimate: $2,000 - $4,000

Lot 828: MARILYN MONROE HAROLD LLOYD PHOTOGRAPH
A limited edition poster photograph print of Marilyn Monroe taken by Harold Lloyd in 1952. The color print is numbered 25/250 at lower right. The full-length photograph of Monroe speaking to photographer Philippe Halsman was taken by silent screen star turned photographer, Harold Lloyd, during a photo shoot at Monroe’s Los Angeles apartment with Halsman. Later in 1952, a photograph from Halsman’s session appeared on the cover of LIFE Magazine. Printed on crystal archive paper from the original 35mm Kodachrome negative in 2005. Blind stamped in the lower right corner by the Harold Lloyd Trust.
20 by 20 inches
PROVENANCE Lot 206, "Property from the Estate of Marilyn Monroe," Julien's, Los Angeles, June 4, 2005
Estimate: $2,000 - $4,000

Lot 831: MARILYN MONROE AND JOHN FLOREA PHOTOGRAPH NEGATIVES
A pair of vintage original negatives showing Marilyn Monroe with photographer John Florea. The first image was taken during a publicity photograph session for the film Monkey Business (20th Century, 1952). The second was taken while shooting publicity images for How To Marry a Millionaire (20th Century, 1953). The negatives were originally from the collection of John Florea.
6 by 2 1/2 inches
Estimate: $400 - $600

Lot 839: MARILYN MONROE JOHN FLOREA SIGNED PHOTOGRAPH
A black and white photograph of Marilyn Monroe stacking thousand-dollar bills next to photographer John Florea, likely from a series of promotional photos for the Monroe film How To Marry A Millionaire (20th Century, 1953). Signed on the verso by Florea with a copyright stamp.
14 by 11 inches
Estimate: $300 - $500

Lot 840: MARILYN MONROE AND OTHERS FRANK WORTH PHOTOGRAPHS
A group of five black and white Frank Worth images, including two of Marilyn Monroe. All are blind stamped “Frank Worth Estate Limited Edition.” The first is an image of Monroe wearing a dress she made famous in the film How To Marry a Millionaire (20th Century, 1953). In the second image, Monroe is wearing the same dress and leaning against a car in the background, and Sammy Davis Jr. is in mid-leap, dancing in the foreground. The remaining photographs are portraits of Frank Sinatra, Elizabeth Taylor and James Dean.
Each, 12 by 17 1/2 inches
Estimate: $500 - $700

Lot 857: MARILYN MONROE SIGNED AND INSCRIBED PORTRAIT
A vintage print full-length black and white studio portrait shot by Bernard of Hollywood, signed and inscribed by Marilyn Monroe as she appeared in a floral corset with lace trim, fishnet stockings and high-heel shoes in a provocative pose. Inscription reads in full, “To Carole, It’s a pleasure to work with you/ Marilyn Monroe.”
18 1/2 by 17 inches, overall; 9 1/2 by 7 1/2 inches, sight
PROVENANCE Lot 173, "Property from the Estate of Marilyn Monroe," Julien's Auctions, Los Angeles, California, June 4, 2005
Estimate: $3,000 - $5,000

Lot 866: MARILYN MONROE SIGNED PHOTOGRAPH
A vintage black and white matte photograph signed in green ink "Dear Inez, My love and deepest thanks, Marilyn."
8 by 10 inches
Estimate: $15,000 - $20,000

Lot 867: MARILYN MONROE PHOTOGRAPH BY CECIL BEATON
A vintage black and white image of Marilyn Monroe taken by Cecil Beaton in 1956 at the Ambassador Hotel. Camera Press stamp on verso with additional typed label that reads in part, "Monroe by Beaton:/ THE ETERNAL MARILYN/ Sophisticated innocence.../ Please acknowledge: photograph by Cecil Beaton/ Camera Press London."
9 1/4 by 8 inches
Estimate: $1,000 - $2,000

Lot 872: MARILYN MONROE VINTAGE PHOTOGRAPHS
A vintage Marilyn Monroe photograph and contact sheet prints circa 1956. The black and white image, which shows Monroe having her photograph taken, is stamped with Hans Knopf photographer's stamp on verso. With nine additional vintage contact sheet photographs assumed to have been taken at the same time. The contact sheet prints were all affixed to black paper at one time.
Largest, 8 by 10 inches
Estimate: $600 - $800

Lot 873: MARILYN MONROE VINTAGE PHOTOGRAPH
A Marilyn Monroe vintage portrait publicity photograph from her personal collection.
10 by 8 inches
PROVENANCE From the Lost Archive of Marilyn Monroe
Estimate: $600 - $800

Lot 874: MARILYN MONROE CECIL BEATON PHOTOGRAPH
A black and white photograph of Marilyn Monroe taken by Cecil Beaton in 1956. The photograph, from Monroe's personal archive, is mounted to board and contained in a brown folder.
Photograph, 9 by 9 1/4 inches; 16 by 14 1/2 inches, overall
PROVENANCE From the Lost Archive of Marilyn Monroe
Estimate: $1,000 - $2,000

Lot 878: MARILYN MONROE SIGNED AND INSCRIBED PHOTOGRAPH
A framed photograph of Marilyn Monroe signed "To David, so you're still counting my money - what money? Marilyn Monroe."
20 1/2 by 17 1/2 inches, overall; 13 by 10 1/4 inches, sight
Estimate: $4,000 - $6,000

Lot 919: MARILYN MONROE VINTAGE PUBLICITY PHOTOGRAPH
A vintage Marilyn Monroe black and white publicity photograph with a notation in pencil on verso in an unknown hand "500 8x10's ordered 6/16/58 deliver and bill MM."
11 by 14 inches
PROVENANCE From the Estate of Lois Weber
Estimate: $600 - $800

Lot 972: MARILYN MONROE PORTRAIT IMAGES
A group of nine Marilyn Monroe portrait images from film studios for reference or publicity and from photoshoots, with photographers Eric Skipsey and Richard Avedon. Eight of the images are in black and white with one color image from the film Let's Make Love (20th Century, 1960).
Most, 8 by 10 inches
Estimate: $800 - $1,200

Lot 1009: MARILYN MONROE DOUGLAS KIRKLAND PORTFOLIO
A limited edition portfolio of Marilyn Monroe photographs taken by Douglas Kirkland and published by the Govinda Gallery in Washington, D.C. Each of the six photographs is numbered 16/30 to the lower left and signed by Kirkland to the lower right. Housed in a blue cloth clamshell case with gilt-stamped morocco label.
19 3/4 by 16 1/2 inches, overall
PROVENANCE From the Collection of Allan Rich
Estimate: $800 - $1,200

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Posté par ginieland à 19:26 - enchères Personal MM - Commentaires [0] - Permalien [#]
Tags : 2016, andre de dienes, bert stern, cecil beaton, douglas kirkland, frieda hull, george barris, gladys monroe, hans knopf, harold lloyd, jim dougherty, joe jasgur, john florea, juliens auction, lois weber, milton h greene, norma jeane, tom kelley

Marilyn Monroe Auction - 11/2016 - photos 3-carrière

Photographies - River of no Return
Photographs

Lot 207: MARILYN MONROE RIVER OF NO RETURN SNAPSHOTS
Two vintage black and white snapshots from 1953 of Monroe during the production of River of No Return, one featuring Monroe posing with her stunt double.
5 by 3 1/2 inches
Estimate: $300 - $500

Lot 208: MARILYN MONROE PROMOTIONAL PIECES
A promotional proof for the release of the song "I'm Gonna File My Claim" from the film The River of No Return, together with a mock-up of the LP label for the same release.
Largest, 11 3/4 by 5 3/4 inches
Estimate: $200 - $300

Lot 648: MARILYN MONROE ORIGINAL CANDID AND CONTACT SHEET PHOTOGRAPHS
A group of nine original black and white photographs of Marilyn Monroe taken on the set of River of No Return (20th Century, 1954) in Canada, circa June 1953, appearing to have been cut from the original contact sheet, with seven of the photographs having writing consisting of "MM" together with a reference number. Monroe is shown with cast members from the film, including Robert Mitchum, going over musical numbers and on set preparing for filming. Some photographs from this lot are likely never before seen.
Largest, 2 1/2 by 2 1/2 inches
PROVENANCE From the Estate of Frieda Hull
Estimate: $500 - $700

Lot 649: MARILYN MONROE VINTAGE PHOTOGRAPH ARCHIVE FOR RIVER OF NO RETURN
A vintage archive of approximately 60 photos related to River of No Return (20th Century, 1954), including 45 movie stills and 15 publicity photographs.
PROVENANCE From the Estate of Frieda Hull
Estimate: $100 - $200

Lot 855: MARILYN MONROE RIVER OF NO RETURN BEHIND-THE-SCENES PHOTOGRAPH
A vintage Marilyn Monroe snapshot taken in Jasper National Park in Canada. The photograph, taken in 1953, shows Monroe with an unknown crew member on the set of River of No Return (20th Century, 1954). Notation in pencil on verso reads "Jasper National Park/ Jan -1956." 1956 may refer to the year the photograph was developed.
3 1/2 by 4 inches
PROVENANCE Lot 168, "Property from the Estate of Marilyn Monroe," Julien's, Los Angeles, June 4, 2005
Estimate: $2,000 - $4,000

Photographies - There's no Business
Photographs

Lot 51: THERE’S NO BUSINESS LIKE SHOW BUSINESS POSTER
A rare original 1954 British quad poster for the Marilyn Monroe film There’s No Business Like Show Business (20th Century, 1954).
Framed, 33 1/2 by 43 1/2 inches
PROVENANCE Lot 190, “Vintage Film Posters,” Christie’s, London, Sale number 9689, September 19, 2003
Estimate: $200 - $400

Lot 646: MARILYN MONROE VINTAGE PHOTOGRAPH ARCHIVE FOR THERE'S NO BUSINESS LIKE SHOW BUSINESS
A vintage archive of approximately 50 photographs related to There's No Business Like Show Business (20th Century, 1954), including approximately 45 movie stills and five publicity photographs.
PROVENANCE From the Estate of Frieda Hull
Estimate: $100 - $200

Lot 859: MARILYN MONROE THERE'S NO BUSINESS LIKE SHOW BUSINESS 3D SLIDES
A pair of stereo viewer slides showing Marilyn Monroe in her role as Vicky Parker in the film There's No Business Like Show Business (20th Century, 1954). The stereo three-dimensional slides come from the collection of Ad Schaumer of Ad Schaumer, an Assistant Director active in Hollywood between 1928 and 1966. Each slide contains two pieces of film in a single mount.
Each, 1 5/8 by 4 inches
PROVENANCE From the Estate of Ad Schaumer
Estimate: $400 - $600

Lot 860: MARILYN MONROE HOLLYWOOD RELATED STEREO 3D SLIDES
A collection of nine boxes of Stereo 3D slides from the collection of Ad Schaumer, an assistant director active in Hollywood between 1928 and 1966. The boxes are labeled in an unknown hand: "Dean Martin/ Monty Clift/ Brando/ Young Lions" from the production The Young Lions (20th Century, 1958); "France/ * Might be the young lions"; "Young Lions" and "Young Lions/ Desert Scenes"; "Voyage To The Bottom of the Sea," Schaumer worked on both the 1961 film and the television series; "Lost World" presumably from the The Lost World (20th Century, 1960); "Mantz" and "Show Biz" from the film There's No Business Like Show Business; "3 weeks/ in Balloon/ Lion - Monkey/ Sherwood/ Forest" referencing the production of Five Weeks in a Balloon (20th Century, 1962); "'3 Weeks in A Balloon'/ Irwin Allen Prod."; "5 Weeks In Balloon"; "Japan - S.F." that appears to contain one slide of Marlon Brando in the film Sayonara (Warner Bros., 1957); "Japan/ Inland Sea"; and one box labeled "Miscellaneous." Not all of the slides have been viewed. Each box contains up to 28 slides. Each slide has two pieces of film in a single mount. Accompanied by seven boxes of additional slides that appear to be personal and travel related.
Slides, 1 5/8 by 4 inches
PROVENANCE From the Estate of Ad Schaumer
Estimate: $400 - $600

Photographies - The Seven Year Itch
Photographs

Lot 651: MARILYN MONROE VINTAGE THE SEVEN YEAR ITCH PHOTOGRAPH ARCHIVE
An archive of approximately 110 vintage photographs related to The Seven Year Itch (20th Century, 1955), including 40 publicity photos, 60 movie stills, and 10 sheets of photo reproductions of various photographs taken on the set of the film, collected by Frieda Hull.
PROVENANCE From the Estate of Frieda Hull
Estimate: $400 - $600

Lot 652: MARILYN MONROE ORIGINAL CANDID PHOTOGRAPH
An original color photograph of Marilyn Monroe and co-star Tom Ewell on the set for The Seven Year Itch (20th Century, 1955), filming the now famous skirt-blowing subway scene from the film, shot on September 15, 1954. Fans and photographers can also be seen in this photo. This photograph is likely never before seen.
4 3/4 by 3 1/2 inches
PROVENANCE From the Estate of Frieda Hull
Estimate: $400 - $600

Lot 653: MARILYN MONROE ORIGINAL CANDID PHOTOGRAPHS
A pair of Marilyn Monroe original color and black and white photographs, likely at the St. Regis Hotel in New York City on September 15, 1954, the same day she filmed the now famous subway skirt-blowing subway scene from The Seven Year Itch (20th Century, 1955). Monroe wears the iconic white halter dress costume from the film, together with what is likely the mink coat gifted to her by husband Joe DiMaggio. She holds the film's script in her left hand. This lot includes one color and one black and white photograph; the color photograph is likely never been seen.
Larger, 3 1/2 by 3 1/2 inches
PROVENANCE From the Estate of Frieda Hull
Estimate: $400 - $600

Lot 654: MARILYN MONROE VINTAGE PHOTOGRAPH
A large, glossy black and white photograph of Marilyn Monroe during the subway grate scene for The Seven Year Itch in New York City, 1955.
14 by 11 1/4 inches
PROVENANCE From the Estate of Frieda Hull
Estimate: $800 - $1,200

Lot 655: MARILYN MONROE COLOR SLIDES
A group of 10, possibly never before seen, color slides of Marilyn Monroe, some with co-star Tom Ewell, on the set of The Seven Year Itch (20th Century, 1955) from the September 15, 1954, filming of the now famous skirt-blowing subway scene. Fans and photographers can also be seen in these images.
PROVENANCE From the Estate of Frieda Hull
Estimate: $800 - $1,200

Lot 862: MARILYN MONROE BERNARD OF HOLLYWOOD SEVEN YEAR ITCH PHOTOGRAPH
A limited edition candid color photograph of Marilyn Monroe taken by Bruno Bernard in 1954. The photograph was taken on the set of The Seven Year Itch (20th Century, 1955). Monroe seen is pictured standing with co-star Tom Ewell. The photograph is numbered 3/50 and signed by the estate of Bernard of Hollywood. This is the first time the photograph has been made available for sale.
20 by 24 inches
PROVENANCE From the Estate of Bruno Bernard
Estimate: $2,000 - $4,000

Lot 863: MARILYN MONROE CONTACT SHEETS
A pair of vintage Marilyn Monroe contact sheets. The first is a black and white contact sheet from the set of The Seven Year Itch (20th Century, 1955) with 25 frames showing Monroe and one frame of her co-star Tom Ewell. The second black and white contact sheet contains 15 frames, marked on verso "Credit Sam Shaw." Most of the images appear to have been taken at a 1957 photoshoot of Monroe with photographer Richard Avedon.
Each, 8 by 10 inches
Estimate: $400 - $600

Photographies & Film - Bus Stop
Photographs & Film

Lot 52: MARILYN MONROE BUS STOP POSTER
An original 1956 U.S. insert poster for the Marilyn Monroe film Bus Stop (20th Century, 1956) with a Dutch film censor stamp to the upper right corner.
39 by 17 inches, framed
PROVENANCE Lot 192, “Vintage Film Posters,” Christie’s, London, Sale number 9689, September 19, 2003
Estimate: $150 - $300

Lot 53: MARILYN MONROE BUS STOP POSTER
An original 1956 British double-crown poster for the Marilyn Monroe film Bus Stop (20th Century, 1956), illustrated by Tom William Chantrell.
31 by 21 inches, framed
PROVENANCE Lot 88, “Vintage Film Posters,” Christie's, South Kensington, Sale Number 5424, September 17, 2008
Estimate: $800 - $1,200

Lot 262: MARILYN MONROE BUS STOP SNAPSHOTS
Four vintage color photographs on Pavelle color print paper. The images feature Monroe in costume posing with Don Murray, her co-star in the film Bus Stop. Together with two 35mm contact prints cut from a larger contact sheet with red wax pencil X's, featuring images of Monroe from the film.
2 3/4 by 1 7/8 inches
Estimate: $300 - $500

Lot 731: MARILYN MONROE COLOR SLIDES
A group of 39 slides, from the original preview/trailer for Marilyn Monroe's film Bus Stop (20th Century, 1956), together with the original "Mercury Jiffy Mask" box.
PROVENANCE From the Estate of Frieda Hull
Estimate: $300 - $500

Lot 732: MARILYN MONROE ORIGINAL CANDID PHOTOGRAPHS SOLD WITH COPYRIGHT
A group of seven black and white original photographs of Marilyn Monroe on the set in Phoenix, Arizona, during the filming of Bus Stop (20th Century, 1956). Six of the images have handwritten annotations on verso, "MM sitting in stands waiting for filming to start"; "MM walking to stands to start working. Reminds me of her walk in 'Niagara'"; "MM with rodeo official"; "MM talking to director Josh Logan"; "Boy shaking hands with MM. He was also at the airport when she arrived. She picked him up and held him. When she saw him again, she remembered him from the airport"; and "Filming finished, MM and Milton H. Greene walk to her car. That evening she left Phoenix for Calif." All images are likely never before seen.
This item sold with copyright but is not sold with copyright documentation. It is the responsibility of the winning bidder to apply for copyright. While the seller confirms that this property is sold with copyright, Julien’s can accept no liability in relation to any matters arising as a result of any imperfection in copyright given.
Largest, 4 1/2 by 3 1/4 inches
PROVENANCE From the Estate of Frieda Hull
Estimate: $5,000 - $6,000

Lot 734: MARILYN MONROE FILM TRAILER
A reel of 35mm color film containing the film trailer for Marilyn Monroe's 1956 film Bus Stop (20th Century, 1956). The reel is in a cardboard box with Frieda Hull's address and telephone number written on the outside in green marker.
4 1/2 by 4 1/2 by 1 3/4 inches
PROVENANCE From the Estate of Frieda Hull
Estimate: $50 - $75

Lot 735: MARILYN MONROE VINTAGE BUS STOP PHOTOGRAPH ARCHIVE
A vintage archive of approximately 180 photographs related to Bus Stop (20th Century, 1956), including approximately 150 movie stills and roughly 30 publicity photographs. Note: Several duplicate photographs are contained in this lot.
PROVENANCE From the Estate of Frieda Hull
Estimate: $400 - $600

Lot 736: MARILYN MONROE BUS STOP LOBBY CARD ARCHIVE
A collection of 18 lobby cards for Bus Stop (20th Century, 1956), one of which is signed by Eileen Heckart, Monroe's co-star in the film.
PROVENANCE From the Estate of Frieda Hull
Estimate: $300 - $500

Lot 876: MARILYN MONROE BUS STOP NEGATIVES AND COPYRIGHT
A group of five vintage negatives produced by Milton Greene while on the set of Bus Stop (20th Century, 1956). The black and white images show Marilyn Monroe and others on set during filming. Accompanied by the copyright to the images.
The seller confirms that this property is sold with copyright. Application for copyright has not been completed. It is the responsibility of the winning bidder to obtain proper copyright. Julien’s can accept no liability in relation to any matters arising as a result of any imperfection in copyright given.
Largest, 1 1/2 by 4 1/2 inches
Estimate: $1,000 - $2,000

Lot 877: MARILYN MONROE BUS STOP PHOTOGRAPHS AND SIGNATURE
A group of three small photo books containing 26 vintage black and white photographs taken on the set of Bus Stop (20th Century, 1956). Marilyn Monroe appears in eight of the photographs and has signed the back of one image. The photographs come from an extra who worked on the film during the scenes shot at the Arizona State Fairgrounds. These photographs are believed to be unpublished.
Photographs, 3 1/2 by 3 1/2 inches
Estimate: $4,000 - $6,000

Lot 879: MARILYN MONROE BUS STOP NEGATIVES AND COPYRIGHT
A group of four vintage Marilyn Monroe negatives produced by Milton Greene while on the set of Bus Stop (20th Century, 1956). The black and white images show Monroe in a robe on set during filming. Accompanied by the copyrights to the images.
The seller confirms that this property is sold with copyright. Application for copyright has not been completed. It is the responsibility of the winning bidder to obtain proper copyright. Julien’s can accept no liability in relation to any matters arising as a result of any imperfection in copyright given.
1 1/2 by 6 inches
Estimate: $1,500 - $2,000

Lot 880: MARILYN MONROE BUS STOP NEGATIVES AND COPYRIGHT
A group of four vintage Marilyn Monroe negatives produced by Milton Greene while on the set of Bus Stop (20th Century, 1956). The black and white images show Monroe, Don Murray, and others on set during filming. Accompanied by the copyright to the images.
The seller confirms that this property is sold with copyright. Application for copyright has not been completed. It is the responsibility of the winning bidder to obtain proper copyright. Julien’s can accept no liability in relation to any matters arising as a result of any imperfection in copyright given.
Largest, 1 1/2 by 3 inches
Estimate: $1,000 - $1,500

Lot 881: MARILYN MONROE BUS STOP NEGATIVES AND COPYRIGHT
A group of three vintage Marilyn Monroe negatives produced by Milton Greene while on the set of Bus Stop (20th Century, 1956). The black and white images show Monroe and others, including co-star Eileen Heckart, on set during filming. Accompanied by the copyright to the images.
The seller confirms that this property is sold with copyright. Application for copyright has not been completed. It is the responsibility of the winning bidder to obtain proper copyright. Julien’s can accept no liability in relation to any matters arising as a result of any imperfection in copyright given.
Each, 1 1/2 by 1 1/2 inches
Estimate: $1,000 - $1,500

Lot 882: MARILYN MONROE BUS STOP STUDIO IMAGES
A group of seven vintage studio images of Marilyn Monroe from the film Bus Stop (20th Century, 1956). Includes three color publicity photographs stamped "Theatre Poster Exchange" on verso and four black and white studio images from the film, including one taken by Milton Greene.
Most, 8 by 10 inches
Estimate: $600 - $800

Lot 883: MARILYN MONROE BUS STOP NEGATIVES AND COPYRIGHT
A group of three vintage Marilyn Monroe negatives produced by Milton Greene while on the set of Bus Stop (20th Century, 1956). The black and white images show Monroe and co-star Don Murray on set during filming in a bedroom. Murray has been quoted as saying that Monroe was nude under the sheets because she felt that was what her character would do. Accompanied by the copyright to the images.
The seller confirms that this property is sold with copyright. Application for copyright has not been completed. It is the responsibility of the winning bidder to obtain proper copyright. Julien’s can accept no liability in relation to any matters arising as a result of any imperfection in copyright given.
Largest, 1 1/2 by 3 inches
Estimate: $1,500 - $2,500

Lot 884: MARILYN BUS STOP NEGATIVES AND COPYRIGHT
A group of five vintage Marilyn Monroe negatives produced by Milton Greene while on the set of Bus Stop (20th Century, 1956). The black and white images show Monroe and co-star Don Murray on set during filming in a bedroom. Murray has been quoted as saying that Monroe was nude under the sheets because she felt that was what her character would do. Accompanied by the copyright to the images.
The seller confirms that this property is sold with copyright. Application for copyright has not been completed. It is the responsibility of the winning bidder to obtain proper copyright. Julien’s can accept no liability in relation to any matters arriving as a result of any imperfection in copyright given.
Each, 1 1/2 by 1 1/2 inches
Estimate: $1,500 - $2,500

Lot 885: MARILYN MONROE BUS STOP NEGATIVES AND COPYRIGHT
A group of five vintage Marilyn Monroe negatives produced by Milton Greene while on the set of Bus Stop (20th Century, 1956). The black and white images show Monroe and others on set during filming. Accompanied by the copyright to the images.
The seller confirms that this property is sold with copyright. Application for copyright has not been completed. It is the responsibility of the winning bidder to obtain proper copyright. Julien’s can accept no liability in relation to any matters arising as a result of any imperfection in copyright given.
1 1/2 by 7 1/2 inches
Estimate: $800 - $1,200

Lot 886: MARILYN MONROE MILTON GREENE NEGATIVE AND COPYRIGHT
A vintage Marilyn Monroe negative produced by Milton Greene while on the set of Bus Stop (20th Century, 1956). The black and white images show Monroe in costume as her character Chérie posing with the children of her co-star, Eileen Heckart. Accompanied by the copyright to the image.
The seller confirms that this property is sold with copyright. Application for copyright has not been completed. It is the responsibility of the winning bidder to obtain proper copyright. Julien’s can accept no liability in relation to any matters arising as a result of any imperfection in copyright given.
2 1/2 by 2 1/2 inches
Estimate: $1,000 - $1,500

Lot 887: MARILYN MONROE BUS STOP NEGATIVES AND COPYRIGHT
A group of five vintage Marilyn Monroe negatives produced by Milton Greene while on the set of Bus Stop (20th Century, 1956). The black and white images show Monroe and others on set during filming. Accompanied by the copyright to the images.
The seller confirms that this property is sold with copyright. Application for copyright has not been completed. It is the responsibility of the winning bidder to obtain proper copyright. Julien’s can accept no liability in relation to any matters arising as a result of any imperfection in copyright given.
Largest, 1 1/2 by 4 1/2 inches
Estimate: $1,000 - $1,500

Lot 888: MARILYN MONROE BUS STOP NEGATIVES AND COPYRIGHT
A group of four vintage Marilyn Monroe negatives produced by Milton Greene while on the set of Bus Stop (20th Century, 1956). The black and white images show Monroe and others on set during filming. Accompanied by the copyright to the images.
The seller confirms that this property is sold with copyright. Application for copyright has not been completed. It is the responsibility of the winning bidder to obtain proper copyright. Julien’s can accept no liability in relation to any matters arisiing as a result of any imperfection in copyright given.
Largest, 1 1/2 by 3 inches
Estimate: $1,000 - $1,500

Photographies - The Prince and the Showgirl
Photographs

Lot 372: MARILYN MONROE PROGRAM FROM THE PRINCE AND THE SHOWGIRL PREMIERE
A program from the June 13, 1957, premiere of The Prince and the Showgirl at Radio City Music Hall with a benefit and gala champagne supper-dance held at the Waldorf Astoria afterwards. The gala benefited of the Free Milk Fund for Babies Inc.
12 by 9 inches
Estimate: $700 - $900

Lot 741: MARILYN MONROE PHOTOGRAPHS SIGNED BY LAURENCE OLIVIER
A group of four vintage glossy black and white photographs of Marilyn Monroe and Laurence Olivier from the film The Prince and the Showgirl (Warner Bros., 1957) as well as from press events for the film. Each of the images is signed in red wax pencil "Laurence Olivier."
8 by 10 inches
PROVENANCE From the Estate of Frieda Hull
Estimate: $600 - $800

Lot 744: MARILYN MONROE VINTAGE THE PRINCE AND THE SHOWGIRL PHOTOGRAPH ARCHIVE
A vintage archive of 73 photographs related to The Prince and the Showgirl (Warner Bros., 1957), including 50 movie stills, 20 publicity photographs, and three original lobby cards, collected by Frieda Hull.
PROVENANCE From the Estate of Frieda Hull
Estimate: $300 - $500

Lot 745: MARILYN MONROE THE PRINCE AND THE SHOWGIRL LOBBY CARD ARCHIVE
A nearly complete lobby card collection for The Prince and the Showgirl (Warner Bros., 1957). The series is missing card No. 9.
PROVENANCE From the Estate of Frieda Hull
Estimate: $300 - $500

Lot 920: MARILYN MONROE NEGATIVES FROM THE PRINCE AND THE SHOWGIRL
A group of 12 negatives relating to Marilyn Monroe and The Prince and the Showgirl (Warner Bros., 1957) including four images taken by Milton Greene, images taken at publicity events for the film, and images taken on set.
Largest, 10 by 8 inches
PROVENANCE From the Estate of Lois Weber
Estimate: $1,000 - $2,000

Lot 923: MARILYN MONROE FILM PHOTOGRAPHS AND NEGATIVES
A group of 9 vintage photographs and four negatives of Marilyn Monroe produced while on the set of The Prince and the Showgirl (Warner Bros., 1957) housed in glassine envelopes with markings. Some of the markings indicate areas on Monroe's person that should be retouched. The images were formerly housed in a folder marked on the cover "Kill" and on the interior "Not retouched to be app. by MM."
10 by 8 inches
PROVENANCE From the Estate of Lois Weber
Estimate: $1,000 - $2,000

Lot 924: MARILYN MONROE FILM PHOTOGRAPHS AND NEGATIVES
A group of ten vintage photographs and six negatives of Marilyn Monroe produced while on the set of The Prince and the Showgirl (Warner Bros., 1957) housed in glassine envelopes with markings. Some of the markings indicate areas on Monroe’s person that should be retouched. The images were formerly housed in a folder marked on the cover “Kill” and on the interior “Not retouched to be app. by MM.”
10 by 8 inches
PROVENANCE From the Estate of Lois Weber
Estimate: $1,000 - $2,000

Lot 925: MARILYN MONROE FILM PHOTOGRAPHS AND NEGATIVES
A group of 10 vintage photographs and negatives of Marilyn Monroe produced while on the set of The Prince and the Showgirl (Warner Bros., 1957) housed in glassine envelopes with markings. Some of the markings indicate areas on Monroe's person that should be retouched. The images were formerly housed in a folder marked "Kill" and are believed to have been rejected by Monroe. Note that not all photographs and negatives match.
10 by 8 inches
PROVENANCE From the Estate of Lois Weber
Estimate: $1,000 - $2,000

Lot 926: MARILYN MONROE FILM PHOTOGRAPHS AND NEGATIVES
A group of 10 vintage photographs produced while on the set of The Prince and the Showgirl (Warner Bros., 1957) housed in glassine envelopes with markings. Some of the markings indicate areas on Monroe's person that should be retouched. The images were formerly housed in a folder marked "Kill" and are believed to have been rejected by Monroe. Note that not all photographs and negatives match.
10 by 8 inches
PROVENANCE From the Estate of Lois Weber
Estimate: $1,000 - $2,000

Lot 927: MARILYN MONROE FILM PHOTOGRAPHS AND NEGATIVES
A group of 9 vintage photographs and negatives of Marilyn Monroe produced while on the set of The Prince and the Showgirl (Warner Bros., 1957) housed in glassine envelopes with markings. Some of the markings indicate areas on Monroe's person that should be retouched. The images were formerly housed in a folder marked "Kill" and are believed to have been rejected by Monroe. Note that not all photographs and negatives match.
10 by 8 inches
PROVENANCE From the Estate of Lois Weber
Estimate: $1,000 - $2,000

Lot 928: MARILYN MONROE FILM PHOTOGRAPHS AND NEGATIVES
A group of 9 vintage photographs and negatives of Marilyn Monroe produced while on the set of The Prince and the Showgirl (Warner Bros., 1957) housed in glassine envelopes with markings. Some of the markings indicate areas on Monroe's person that should be retouched. The images were formerly housed in a folder marked "Kill" and are believed to have been rejected by Monroe. Note that photographs and negatives may not match.
10 by 8 inches
PROVENANCE From the Estate of Lois Weber
Estimate: $1,000 - $2,000

Lot 929: MARILYN MONROE COLOR TRANSPARENCIES
A group of approximately 40 color transparencies taken on the set of The Prince and the Showgirl (Warner Bros., 1957). Most of the images are of Marilyn Monroe and are in plastic sleeves. Some of the sleeves have been marked with red grease pencil. These transparencies were housed in an envelope that read "MM Color Rejects" and "Bad."
2 1/2 by 2 1/2 inches
PROVENANCE From the Estate of Lois Weber
Estimate: $1,000 - $2,000

Lot 930: MARILYN MONROE COLOR TRANSPARENCIES
A group of approximately 30 color transparencies taken on the set of The Prince and the Showgirl (Warner Bros., 1957). Most of the images are of Marilyn Monroe and are in plastic sleeves. Some of the sleeves have been marked with red grease pencil. These transparencies were housed in an envelope that read "MM Color Rejects" and "Bad."
2 1/2 by 2 1/2 inches
PROVENANCE From the Estate of Lois Weber
Estimate: $1,000 - $2,000

Lot 931: MARILYN MONROE COLOR TRANSPARENCIES
A group of approximately 35 color transparencies taken on the set of The Prince and the Showgirl (Warner Bros., 1957). Most of the images are of Marilyn Monroe and are in plastic sleeves. Some of the sleeves have been marked with black or red grease pencil. These transparencies were housed in an envelope that read "MM Color Rejects" and "Bad."
2 1/2 by 2 1/2 inches
PROVENANCE From the Estate of Lois Weber
Estimate: $1,000 - $2,000

Lot 932: MARILYN MONROE COLOR TRANSPARENCIES
A group of approximately 30 color transparencies taken on the set of The Prince and the Showgirl (Warner Bros., 1957). Most of the images are of Marilyn Monroe and are in plastic sleeves. Some of the sleeves have been marked with black or red grease pencil. These transparencies were housed in an envelope that read "MM Color Rejects" and "Bad."
5 by 4 inches
PROVENANCE From the Estate of Lois Weber
Estimate: $1,000 - $2,000

Lot 933: MARILYN MONROE COLOR TRANSPARENCIES
A group of 27 color transparencies taken on the set of The Prince and the Showgirl (Warner Bros., 1957). Most of the images are of Marilyn Monroe and are in plastic sleeves. Some of the sleeves have been marked with red grease pencil. Contained in an envelope that reads "MM Color Rejects" and "Bad."
2 1/2 by 2 1/2 inches
PROVENANCE From the Estate of Lois Weber
Estimate: $1,000 - $2,000

Photographies - Some Like It Hot
Photographs

Lot 66: MARILYN MONROE SOME LIKE IT HOT POSTER
An original 1959 U.S. half-sheet style B poster for the Marilyn Monroe film Some Like It Hot (20th Century, 1956).
28 1/2 by 36 1/2 inches, framed
PROVENANCE Lot 90, “Vintage Film Posters,” Christie’s, South Kensington, Sale number 5424, September 17, 2008
Estimate: $800 - $1,200

Lot 421: MARILYN MONROE SOME LIKE IT HOT ADVERTISEMENTS
Three trade advertisement pieces promoting the film Some like It Hot saying "Hot Hit Ahead … Book it now for Easter!!" The ads also present some of the critical praise received during advance screenings of the film and present Monroe together with her co-stars Jack Lemmon and Tony Curtis throughout.
12 3/8 by 18 5/8 inches
Estimate: $400 - $600

Lot 422: MARILYN MONROE SOME LIKE IT HOT COVER PROOF
A printer's proof of the front and back cover artwork for the paperback version of Some Like It Hot by Billy Wilder and I.A.L. Diamond published by the New American Library.
7 1/2 by 9 1/4 inches
Estimate: $300 - $500

Lot 423: MARILYN MONROE SOME LIKE IT HOT POSTER
An in-store promotional poster for the original motion picture soundtrack of Some Like It Hot from United Artists, featuring an image of Monroe with co-stars Jack Lemmon and Tony Curtis.
13 1/4 by 13 inches
Estimate: $500 - $700

Lot 424: MARILYN MONROE SOME LIKE IT HOT POSTER
An in-store promotional poster for the original motion picture soundtrack of Some Like It Hot from United Artists, featuring an image of Monroe's character playing the ukulele.
13 1/4 by 13 inches
Estimate: $500 - $700

Lot 425: MARILYN MONROE SOME LIKE IT HOT CALENDAR
A promotional poster created to promote the March 18, 1959, release date for Some Like It Hot. The calendar features four pages inside the staple-bound covers each featuring an image of Monroe from the film, one declaring March 18 as M-Day and the inside back cover featuring the poster artwork for the film.
11 by 8 1/2 inches
Estimate: $500 - $700

Photographies - Let's Make Love
Photographs

Lot 444: MARILYN MONROE LET'S MAKE LOVE PHOTOGRAPHS
Five vintage black and white photographs of Monroe on the set of Let's Make Love . Three feature Monroe celebrating her birthday with director George Cukor and co-star Yves Montand, one features Monroe receiving a card from the cast and crew, and the last is a glossy print of Monroe's hair and makeup for the film.
8 by 10 inches
Estimate: $500 - $700

Lot 448: MARILYN MONROE PHOTOGRAPHS
Three black and white photographs of Monroe with a young man on the set of Let's Make Love, 1960. The vintage matte finish prints are unmarked, but feature Monroe in one of her show-stopping gowns from the film.
8 by 10 inches
Estimate: $800 - $1,200

Lot 449: MARILYN MONROE PROMOTIONAL POSTCARD
A vintage promotional postcard for Monroe's film Let's Make Love, with facsimile message from Monroe on verso reading "Dear Friend - you will be seeing more of me soon in - 'Let's Make Love' Marilyn."
8 1/4 by 5 1/2 inches
Estimate: $100 - $150

Lot 450: MARILYN MONROE TRADE ADS
Two stapled magazine ads, each slightly different four-page ads, as they ran in the August 23, 1960, issue of The Hollywood Reporter and the August 24, 1960 issue of Variety .
12 1/4 by 9 1/4 inches
Estimate: $300 - $500

Lot 768: MARILYN MONROE LET'S MAKE LOVE
20th Century Fox, 1960 half-sheet film poster with heavy crease lines.
22 by 28 inches
PROVENANCE From the Estate of Frieda Hull
Estimate: $100 - $150

Lot 973: MARILYN MONROE LET'S MAKE LOVE PHOTOGRAPHS
A pair of vintage black and white images of Marilyn Monroe on the set of Let’s Make Love (20th Century, 1960). Stamped on verso “Kindler Und Schiermeyer Verlag AG Archiv.”
Each, 9 1/2 by 12 inches
Estimate: $400 - $600

Photographies - The Misfits
Photographs

Lot 67: MARILYN MONROE EVE ARNOLD SIGNED PHOTOGRAPH
A framed black and white portrait of Marilyn Monroe on the set of The Misfits (United Artists, 1961) taken by Eve Arnold. Printed at a later date and signed by the photographer.
Framed, 14 by 17 inches
Estimate: $1,000 - $2,000

Lot 509: MARILYN MONROE CONTACT SHEETS FROM THE MISFITS
22 frames of Monroe posing for wardrobe test photos for The Misfits, 1961.
8 by 10 inches
Estimate: $600 - $800

Lot 510: MARILYN MONROE CONTACT SHEETS FROM THE MISFITS
Three vintage black and white contact sheets featuring 26 frames of Monroe sitting for hair and makeup test photos for The Misfits, 1961. One frame captures famed Hollywood hairstylist Sydney Guilaroff and an assistant fixing Monroe's hair.
8 by 10 inches
Estimate: $800 - $1,200

Photographies - Something's Got to Give
Photographs

Lot 579: MARILYN MONROE HAIR TEST PHOTOGRAPHS
A group of five color snapshots of Monroe taken during preparation for the unfinished film Something's Got To Give, 1962.
4 1/2 by 3 3/4 inches
Estimate: $300 - $500

Lot 784: MARILYN MONROE PHOTOGRAPHS COLLECTED BY FRIEDA HULL
A group of four reproduction color photographs of Marilyn Monroe taken on the set of her final film Something's Got To Give on or around May 7, 1962.
Largest, 4 3/4 by 3 1/2 inches
PROVENANCE From the Estate of Frieda Hull
Estimate: $100 - $200

Lot 983: MARILYN MONROE VINTAGE SOMETHING'S GOT TO GIVE PHOTOGRAPHS
A pair of Marilyn Monroe vintage black and white photographs taken by Lawrence Schiller on the set of Something’s Got To Give in 1962. The images show Monroe seated at the side of a pool wearing only a nude bikini bottom. Both are stamped on verso “Times” and “Copyright Camera Press LTD.” with additional handwritten notations. Accompanied by a snipe providing information about the photographs and additionally crediting photographer William Read Woodfield.
Larger, 12 by 9 1/2 inches
Estimate: $800 - $1,200

Photographies - Divers Films
Photographs - Various Movies

Lot 43: MARILYN MONROE NIAGARA POSTER
An original 1953 U.S. linen-backed one-sheet poster for the Marilyn Monroe film Niagara (20th Century, 1953).
47 by 33 1/2 inches, framed
PROVENANCE Lot 84, “Vintage Film Posters,” Christie's, South Kensington, Sale number 5424, September 17, 2008
Estimate: $600 - $800

Lot 45: MARILYN MONROE INSCRIBED PHOTOGRAPH
A photograph of Marilyn Monroe with her arm around a man on a film set of Gentlemen Prefer Blondes (20th Century, 1953) inscribed "To Paul/ I love you/ friend/ Marilyn Monroe."
10 by 8 inches
PROVENANCE Lot 57, “Rock & Roll and Entertainment Memorabilia,” Christie's, New York, Sale number 1438, December 17, 2004
Estimate: $4,000 - $6,000

Lot 605: MARILYN MONROE VINTAGE PHOTOGRAPH ARCHIVE FOR EARLY FILMS, 1947-1952
An archive of 168 movie stills and publicity photographs related to the early films in Monroe's career from 1947 to 1952, including Dangerous Years (two photographs), Ladies of the Chorus (17 photographs), Scudda Hoo! Scudda Hay! (one photograph), Love Happy (four photographs), A Ticket to Tomahawk (14 photographs), All About Eve (six photographs), Right Cross (one photograph), The Asphalt Jungle (20 photographs), Love Nest (three photographs), Let's Make It Legal (10 photographs), Home Town Story (four photographs), As Young As You Feel (13 photographs), O. Henry's Full House (two photographs), Clash by Night (15 photographs), Monkey Business (30 photographs), and We're Not Married (26 photographs).
PROVENANCE From the Estate of Frieda Hull
Estimate: $400 - $600

Lot 608: MARILYN MONROE PRESS BOOKS
A group of five exhibitor's campaign books for Monroe's films including As Young As You Feel, 1951; Let's Make It Legal, 1951; Niagara, 1953; Gentlemen Prefer Blondes, 1953; and The Misfits, 1961.
Largest, 18 by 14 inches
PROVENANCE From the Estate of Frieda Hull
Estimate: $200 - $300

Lot 610: MARILYN MONROE SIGNED PUBLICITY PHOTOGRAPH
A black and white publicity headshot of Marilyn Monroe taken for her film Clash By Night (RKO,1952). Signed in blue ink in lower right "Marilyn Monroe." Some creases and minor tears to edges.
8 by 10 inches
PROVENANCE From the Estate of Frieda Hull
Estimate: $4,000 - $6,000

Lot 611: MARILYN MONROE VINTAGE PUBLICITY IMAGE ARCHIVE
An archive of approximately 50 vintage black and white publicity images and publicity stills featuring Marilyn Monroe.
PROVENANCE From the Estate of Frieda Hull
Estimate: $200 - $300

Lot 612: MARILYN MONROE VINTAGE PUBLICITY IMAGE ARCHIVE
An archive of approximately 50 vintage black and white publicity images and publicity stills featuring Marilyn Monroe.
PROVENANCE From the Estate of Frieda Hull
Estimate: $200 - $300

Lot 621: MARILYN MONROE VINTAGE PHOTOGRAPH ARCHIVE FOR DON'T BOTHER TO KNOCK
A vintage archive of approximately 45 photographs related to Don't Bother to Knock (20th Century, 1952), including 45 movie stills and five publicity photographs.
PROVENANCE From the Estate of Frieda Hull
Estimate: $100 - $200

Lot 628: MARILYN MONROE VINTAGE PHOTOGRAPH ARCHIVE FOR NIAGARA
A vintage archive of approximately 20 photographs related to Niagara (20th Century, 1953), including movie stills and publicity photographs.
PROVENANCE From the Estate of Frieda Hull
Estimate: $50 - $100

Lot 637: MARILYN MONROE VINTAGE PHOTOGRAPH ARCHIVE FOR GENTLEMEN PREFER BLONDES
A vintage archive of approximately 60 photographs related to Gentlemen Prefer Blondes (20th Century, 1953), including approximately 45 movie stills and roughly 15 publicity photographs. Note: Several duplicate photographs are contained in this lot.
PROVENANCE From the Estate of Frieda Hull
Estimate: $100 - $200

Lot 641: MARILYN MONROE RELATED PROGRAMS
A nine-page color souvenir program from the Marilyn Monroe 1953 film How To Marry a Millionaire (20th Century, 1953), together with a program from the American Newspaper Publishers Association convention held at the Waldorf Astoria on April 26, 1955. The program features the menu for the evening as well as the entertainers slated to appear, including Monroe.
12 by 8 1/2 inches
PROVENANCE From the Estate of Frieda Hull
Estimate: $100 - $150

Lot 642: MARILYN MONROE VINTAGE PHOTOGRAPH ARCHIVE FOR HOW TO MARRY A MILLIONAIRE
A vintage archive of approximately 80 movie stills from How to Marry a Millionaire (20th Century, 1953).
PROVENANCE From the Estate of Frieda Hull
Estimate: $100 - $200

Lot 723: MARILYN MONROE VINTAGE PHOTOGRAPH ARCHIVE FOR LATER FILMS, 1959-1961
An archive of 14 movie stills and publicity photographs related to the later films in Marilyn Monroe's career from 1959 to 1961, including Some Like It Hot (four photographs), Let's Make Love (eight photographs), and The Misfits (two photographs).
PROVENANCE From the Estate of Frieda Hull
Estimate: $200 - $300

Lot 815: MARILYN MONROE STUDIO PUBLICITY PHOTOGRAPHS
A group of nine Marilyn Monroe studio photographs. The black and white images include a publicity photograph from Some Like It Hot (UA, 1959); Monroe's famous subway grate photograph taken on the set of The Seven Year Itch (20th Century, 1955) by Sam Shaw; an image of Monroe and Jane Russell from Gentlemen Prefer Blondes (20th Century, 1953); an image of Monroe from River of No Return (20th Century, 1954); an image of Monroe from We're Not Married (20th Century, 1952); and an image from There's No Business Like Show Business (20th Century, 1954) along with three other studio publicity images.
Each, 8 by 10 inches
Estimate: $800 - $1,200

Lot 982: MARILYN MONROE PUBLICITY AND PRESS PHOTOGRAPHS
A group of eight Marilyn Monroe photographs from The Misfits (Seven Arts, 1961) and Something's Got To Give ( 20th Century). Five of the images are studio publicity photographs. The three remaining images are from the pool scene Monroe shot for Something's Got To Give. One of these images is stamped "Approved by the Advertising Code Administration of New York." Another is stamped by United Press International Photo.
Most, 8 by 10 inches
Estimate: $800 - $1,200

Lot 1005: MARILYN MONROE MARILYN PUBLICITY STILLS
A group of three Marilyn Monroe studio publicity photographs from the documentary Marilyn (20th Century, 1963). The documentary was a compilation of clips from Monroe's career. The images are from three of Monroe's films.
Each, 8 by 10 inches
Estimate: $400 - $600

Presse & Autres
Press & Others

Lot 42: MARILYN MONROE COLLECTION OF VINTAGE MAGAZINES
A collection of approximately 20 vintage magazines dating from 1952 to 1964, all featuring Marilyn Monroe on the cover. Some titles: Reg, Life, Cine Monde, Look, Jours De France, and Photoplay.
Estimate: $800 - $1,200

Lot 73: MARILYN MONROE MAGAZINES
A January 16, 1962, special issue of Look magazine featuring content about "The Next 25 Years" with predictions by John F. Kennedy, Dr. Martin Luther King and others. Together with a March 1961 issue of Esquire magazine featuring an eight-page cover article on Marilyn Monroe, Arthur Miller, John Huston and the film The Misfits. A full-page ad for this issue of Esquire, as it appeared in the February 24, 1961, copy of the New York Times, is also present, tucked inside the magazine. The ad used a quotation from the feature article that criticized Monroe for being too high maintenance and out of control.
Largest, 13 1/4 by 10 1/2 inches
PROVENANCE From the Estate of Lee Strasberg
Estimate: $500 - $700

Lot 102: MARILYN MONROE PIN-UPS MAGAZINE
A copy of the 1953 special magazine printed by the Maco Magazine Corporation. The special edition cost 35 cents and featured fifteen pages of color and black and white images of Monroe, some rare images. Each image is accompanied by "facts" about Monroe, many of which are incorrect but they fit the studio's narrative of their star at this time, including the fact that she does not drink. The booklet also carries a three page spread of black and white images showing Monroe exercising and tells how she stays in shape.
11 by 8 1/2 inches
PROVENANCE From the Estate of Frieda Hull
Estimate: $1,000 - $1,500

Lot 247: MARILYN MONROE CUSTOM-BOUND ESQUIRE MAGAZINE
A copy of the July 1953 issue of Esquire magazine, custom-bound in gilt green boards with Monroe's name on the lower right corner of cover. The issue featured a four-page article titled "The 'altogether girl" by Bennett Cerf featuring a number of images.
13 1/2 by 10 1/2 inches
Estimate: $800 - $1,200

Lot 419: MARILYN MONROE’S COLLECTION OF SOME LIKE IT HOT PRESS CLIPPINGS
Original 1959 newspaper clippings from various newspapers across the country with reviews of Some Like It Hot and of Monroe’s performance, contained in the original file, labeled “Clippings/Some Like It Hot,” from Monroe’s filing cabinets. Some reviews outlined in red wax pencil.
Estimate: $800 - $1,000

Lot 606: MARILYN MONROE SCRAPBOOK COLLECTION
A group of seven three-ring binders, each containing approximately 100 pages of newspaper and magazine clippings as well as photographs and some ephemera items like the original booklet that held Frieda Hull's tickets to Marilyn Monroe's famous appearance astride a pink elephant at the circus in New York City on March 30, 1955. The books are an extraordinary archive of Monroe's public persona and career. The books appear to run through 1955.
11 1/2 by 9 3/4 inches
PROVENANCE From the Estate of Frieda Hull
Estimate: $1,500 - $2,500

Lot 609: MARILYN MONROE RECORDS
A group of 13 LPs and 45s, all featuring songs from Marilyn Monroe including: Some Like It Hot soundtrack LP and 45 rpm records; Gentlemen Prefer Blondes original cast album; two copies of Let's Make Love original soundtrack recording, one still sealed; Italian River of No Return 45 rpm record; 20th Century Fox Records 45 rpm River of No Return record; Gems from the archive of 20th Century Fox compilation album with "ready to frame" picture of Monroe; motion picture compilation soundtrack album; and four later compilation albums remembering Marilyn.
12 by 12 inches
PROVENANCE From the Estate of Frieda Hull
Estimate: $500 - $700

Lot 622: 1950s MAGAZINES FEATURING MARILYN MONROE
A group of 10 vintage magazines featuring Marilyn Monroe, including a special 1954 Marilyn magazine written by Sidney Skolsky, Movie World, Photoplay, Screen Stories, Rave, Hollywood Stars, Movie Mirror, Filmland and Screen Stars. Most date to 1956, together with one magazine from 1953.
8 1/2 by 11 inches
PROVENANCE From the Estate of Frieda Hull
Estimate: $400 - $600

Lot 623: MARILYN MONROE POSTCARD
A vintage oversize postcard printed by Tichnor Bros. Inc. of Boston featuring an early 1950s pin-up image of Marilyn Monroe in a yellow bikini.
6 by 9 inches
PROVENANCE From the Estate of Frieda Hull
Estimate: $80 - $120

Lot 624: MARILYN MONROE VINTAGE PIN-UP POSTER
A life-size poster issued by Pin-ups of Boston, Massachusetts. The posters were advertised in the August 1953 issue of Popular Science magazine, where customers could order Marilyn Monroe in a red and white striped bikini or in a blue and white striped bikini for the bargain price of $2.00 per poster. This lot features Monroe in a red and white striped bikini. A small two-inch vertical tear is along the lower edge of this poster that is otherwise in excellent condition.
64 by 22 inches
PROVENANCE From the Estate of Frieda Hull
Estimate: $1,000 - $1,500

Lot 625: MARILYN MONROE POCKET MAGAZINES AND PIN-UPS
A copy of That Girl Marilyn! by Jane Russell featuring 60 candid photographs and published by Affiliated Magazines Inc. and a copy of The Marilyn Monroe Story # 3 - A Candid Profile, 1955, from Screen Publications Inc. Together with 11 loose 1950s magazine covers torn from their respective magazines and two loose pin-up pages featuring Monroe.
Largest, 13 1/4 by 10 1/2 inches
PROVENANCE From the Estate of Frieda Hull
Estimate: $200 - $300

Lot 785: 1960s AND 1970s MAGAZINES FEATURING MARILYN MONROE
A group of 17 magazines: two from 1960, six from 1961, two from early 1962, and seven from the 1970s. Titles include Movie Mirror , TV Radio Album , Screen Stories , Hollywood Tattler , Modern Screen , Photoplay and other gossip magazines.
8 1/2 by 11 inches
PROVENANCE From the Estate of Frieda Hull
Estimate: $400 - $600

Lot 786: MAGAZINES FEATURING MARILYN MONROE FROM 1962
A group of six vintage magazines, among them TV and Movie Screen , Hush - Hush , Movie Mirror , and others, including a special French souvenir album put out by Cine magazine on August 8, 1962. The magazines date from between August and December 1962, paying tribute and speculating about the circumstances surrounding Marilyn Monroe's death.
Largest, 13 3/4 by 10 1/4 inches
PROVENANCE From the Estate of Frieda Hull
Estimate: $300 - $500

Lot 787: MARILYN MONROE FOREIGN LANGUAGE MAGAZINES
A group of thirteen magazines and newspapers featuring Marilyn Monroe on the cover including nine Italian titles, one Spanish, two French newspapers, and a Danish magazine all dating to August 1962 in reaction to Monroe's tragic death.
Largest, 23 3/4 by 17 inches
PROVENANCE From the Estate of Frieda Hull
Estimate: $500 - $700

Lot 842: MARILYN MONROE ITEMS
A group of assorted Marilyn Monroe items: a limited edition Playboy anniversary poster signed by Hugh Hefner and numbered 136/200; a hardcover copy of the Christie's Personal Property of Marilyn Monroe auction catalog from 1999; a giclée print of Monroe entertaining the troops, signed by Victoria Fuller and numbered 273/350; a "Golden Dreams" wall calendar from 1955; four prints of Monroe in a portfolio published by Special Editions Limited; a framed series of 10 magazine cover reproductions featuring Monroe; a 1992 Monroe calendar; five framed inkjet photographs of Monroe posing nude; a 1974 Playboy Marilyn Monroe date book; and a 1974 Playboy Marilyn Monroe calendar.
36 by 24 inches, largest
Estimate: $300 - $500

Lot 843: MARILYN MONROE PLAYBOY FIRST ISSUES SIGNED
A collection of the first 14 issues of Playboy magazine, all cased and graded, including the first two issues of Playboy , volume 1 number 1 with Marilyn Monroe, and volume 2 number 2, both signed on the cover by Hugh Hefner. Also includes the Summer 1982 issue of Playboy's VIP magazine, cased and graded.
9 1/2 by 13 7/8 by 9 5/8 inches, overall
Estimate: $5,000 - $7,000

Lot 844: MARILYN MONROE PREMIERE ISSUE OF PLAYBOY MAGAZINE
A copy of the first issue of Playboy magazine that features Marilyn Monroe on the cover. Monroe also appears on the interior of the premiere issue in an article on pages 17 and 18 titled "What Makes Marilyn" and a color pin-up of Monroe taken by Tom Kelley during the 1949 Red Velvet session on page 19. Monroe is called "Sweetheart of the Month," which evolved into Playmate of the Month. No date appears on the cover because Hugh Hefner has stated that he didn't know if there would be a second issue. The magazine hit newsstands in December 1953 and sold for 50 cents. Accompanied by a copy of a magazine titled Marilyn Monroe Pin - Ups released by Maco Magazine Corporation in 1953.
11 by 8 1/2 inches, each
Estimate: $3,000 - $5,000

Enregistrer

Posté par ginieland à 18:39 - enchères Personal MM - Commentaires [0] - Permalien [#]
Tags : 2016, bus stop, juliens auction, let's make love, playboy, ronr, sgtg, some like it hot, the misfits, the seven year itch, tom kelley, tpatsg

01 novembre 2016

Marilyn Monroe Auction - 11/2016 - docs papiers 1

Documents papiers - Vie Privée
Papers documents - Private Life

Lot 1: MARILYN MONROE HANDWRITTEN POSTCARD
A Beverly Hills Hotel postcard in Marilyn Monroe's handwriting, sent to Ralph Roberts in May 1961. Monroe wrote, "Dear Raffe, See I did write! I have a surprise for you and I'm not pregnant either. XOXO Love, M." Accompanied by a copy of a letter from Roberts.
3½ by 5½ inches
PROVENANCE: Partial Lot 334, “Film and Television Memorabilia,” Christie's East, New York, Sale number 7821, December 18, 1995
Estimate: $1,000 - $2,000

Lot 17: MARILYN MONROE ARTHUR MILLER SIGNED MOCK-UP TITLE PAGE
A mock-up title page from Arthur Miller's collected plays, The Viking Press, New York, 1957, with printed dedication reading "For Marilyn" and signed by Arthur Miller.
8 1/2 by 11 1/2 inches
PROVENANCE: Lot 358, “Film and Entertainment,” Christie's, South Kensington, Sale number 6343, December 17, 1993
Estimate: $250 - $350

Lot 33: MARILYN MONROE LEE STRASBERG EULOGY, FUNERAL GUEST LIST, AND REMBERENCE CARD
Five typescript pages bound by a staple relating to the funeral service of Marilyn Monroe. The first page is titled "Service for Marilyn Monroe Wednesday, August 8, 1962, 1PM." The second and third pages detail Lee Strasberg's eulogy for Monroe. The fourth page is a list titled “Those invited to Attend.” The last page has a paragraph with a statement to Monroe's uninvited friends explaining the desire to keep the service private, credited to Berniece Miracle, Inez Melson and Joe DiMaggio. Together with an In Memory of Marilyn Monroe remembrance card from her funeral service at Westwood Memorial Park, dated "August 8th, 1962," and containing the 23rd Psalm and service details.
Largest, 11 by 8 1/2 inches
PROVENANCE Lot 69, “Popular Culture: Film and Entertainment,” Christie's, London, South Kensington, Sale Number 5579, November 25, 2010
Estimate: $1,000 - $2,000

Lot 78: MARILYN MONROE LETTER TO BOBBY MILLER MENTIONING ROBERT KENNEDY
A typed, unsigned file copy of a four-page letter on two leaves, letter dated "Noon February 2" (1961), addressed to Arthur Miller's son, "Dear Bobbybones." She writes in response to Bobby's letter, "That pool table you told me about in that Danish hotel sounds great. Did I ever tell you that I can really play pool. I learned when I was about sixteen and it is something that you never forget." She also comments, "I am going to get that book you recommended; is it "Lord of the Flies" or "The Fleas"? I would love to read something really terrifying."
Most poignantly, Monroe tells Bobby about her new home, "Bobby, I have the best news: I have just completely bought my new house. ...It is an authentic little Mexican house, but it's got a gigantic swimming pool, and it looks just like Mexico. You would just love it. I have two guest rooms plus a large playroom, plus lots of patios, and a big Mexican wall goes all around the place with big high Mexican gates (that's to keep intruders out, in case anybody gets intrusive.) ...Anyway, I would love - for whichever vacation it can be arranged - if you and Janie wanted to - at least for part of vacation, even if it is just for a few days, or a week - you are welcome to stay as long as you wanted to. I will take care of your plane tickets and meet you at the airport. ..."
Monroe is also excited to share other news, "Oh, Bobby, guess what: I had dinner last night with the Attorney-General of the United States, Robert Kennedy, and I asked him what his department was going to do about Civil Rights and some other issues. He's very intelligent, and besides all that, he's got a terrific sense of humor. I think you would like him. Anyway, I had to go to this dinner last night as he was the guest of honor and when they asked him who he wanted to meet, he wanted to meet me. So, I went to the dinner and I sat next to him, and he isn't a bad dancer either." She continues telling Bobby about her conversation and pressing Kennedy to find out what he planned to do about civil rights and that he answered her questions and told her he would send her a letter with all of his plans. He asked her if she had been attending "some kind of meetings" she writes to Bobby, "I laughed and said 'no, but these are the kind of questions that the youth of America want answers to and want things done about.' Not that I'm so youthful, but I feel youthful. But he's an old 36 himself which astounded me because I'm 35. It was a pleasant evening, all in all."
She begins to close, "I haven't heard from her [Janie] since Christmas. I guess we are all a little sloppy about writing. However, I think we all know what we mean to each other, don't we. At least I know I love you kids and I want to be your friend and stay in touch. ...I love you and miss you, and, give my love to Janie."
8 1/2 by 11 inches
PROVENANCE From the Estate of Lee Strasberg
Estimate: $1,500 - $2,000

Lot 79: MARILYN MONROE RECEIVED LETTER FROM JEAN KENNEDY SMITH
A single sheet of stationery listing an address in Palm Beach, Florida, with autograph notation in blue ink on recto and version reading in full, "Dear Marilyn - Mother asked me to write and thank you for your sweet note to Daddy - He really enjoyed it and you were very cute to send it. / Understand that you and Bobby are the new item! We all think you should come with him when he comes back east! Again thanks for the note. / Love, Jean Smith." Jean Smith is one of nine children to Rose and Joseph Kennedy and sister to John F. Kennedy, Robert F. Kennedy, Ted Kennedy, Eunice Kennedy Shriver and four other siblings.
7 3/4 by 5 3/4 inches
PROVENANCE From the Estate of Lee Strasberg
Estimate: $3,000 - $5,000

Lot 90: MARILYN MONROE RECEIVED LETTER FROM ANA LOWER
A single-page letter written by Ana Lower to Monroe on recto and verso, dated October 10, 1944. Lower, "Aunt Ana," as Monroe called her, was actually Grace Goddard's aunt but was a mother figure for Monroe and by all accounts one of the most important figures in her life until Lower's death in 1948. This early letter reads in part, "My precious Girl, You are outward bound on a happy journey. May each moment of its joyous expectations be filled to the brim./ New places, faces and experiences await you. You will meet them all with your usual sweetness and loving courtesy./ When you see your sister you will truly both receive a blessing." The letter was written by Lower as a send-off to Monroe as she left Los Angeles, headed to Detroit to meet her half-sister, Berniece Miracle, for the first time face-to-face in 1944.
7 1/4 by 6 inches
Estimate: $1,000 - $1,500

Lot 91: MARILYN MONROE STAMP COLLECTION BOOK
A three-hole stamp collection book with vinyl covers from Grimes-Stassforth Stationery Company in Los Angeles, consisting of 30 pages, 10 of which have stamps glued to them. Interestingly, many of the stamps in the book are used, accompanied by new and unused identical stamps. Stamps in the book range in years from 1935 to 1936, suggesting that Marilyn Monroe collected the stamps when she was between 9 and 10 years old. The final stamp entry in the booklet contains a handwritten annotation, “#1319 AP8,” presumably in Monroe’s hand.
11 1/4 by 9 inches
Estimate: $1,000 - $1,500

Lot 93: MARILYN MONROE RECEIVED LETTER FROM ANA LOWER
A four-page letter on two leaves, written by Ana Lower to Monroe, dated "Monday 6:45 pm Oct 23, 1944." This early letter was written to Monroe while she was on her trip to Detroit to meet her half-sister for the first time in person. The letter reads in part, "How nice for you to have found such a lovely sister and family. I hope they will be out here too later on./ Love arranged this trip for you dear, and Love will bring Jimmie home at the right time. Now stop this nonesense [sic] about car sickness. God does not cease to be because you board a train, nor do you cease to be his perfect child because you take a car ride or a ship ride. You just forget to put your armour [sic] on."
6 3/4 by 5 1/2 inches
Estimate: $1,000 - $1,500

Lot 97: MARILYN MONROE GRACE GODDARD NOTES ON BEHAVIOR OF MARILYN MONROE'S MOTHER
An undated single page of stationery from B & H Waterproofing Mfg. Co. letterhead containing notes in pencil, in Grace Goddard's hand. A parenthetical note at the bottom of the first page reads "(I wrote these things down as Gladys said them while she was staying with me) Grace Goddard." The notes were then presumably sent to Monroe as they were among her belongings at the time of her death. The list, numbered from 1 to 15, is essentially a portrait of someone suffering mental illness, including paranoid delusions: "2. She thinks she was sent to State Hospital because years ago she voted on a Socialist ballot at Hawthorne and was being punished for doing so."; "6. She is being punished because years ago she took a drink of liquor (during prohibition) and should have been sent to jail."; "7. Sleeps with her head at the foot of bed so as not to look at Marilyn's picture - they disturb her."; "10. After listening to a political speech, said she was needed in Russia to help them."; "11. Wishes she never had had a sexual experience so she could be more Christ like."; "15. Misplaces or losing her glasses, watch, gloves, or other possessions and either accuses someone of stealing them, or are to blame for her losing them." She also expresses sudden aversion to meat and fish, fear of Catholics, belief that she was a nurse working for the government while at "Agnew" mental hospital, and belief that nobody should listen to the radio because the people are drunk when they go on the air, among many other observances. This is a fascinating firsthand account of Monroe's mother directly from someone witnessing and documenting her behavior.
8 1/2 by 11 inches
Estimate: $2,000 - $3,000

Lot 98: MARILYN MONROE CARD FROM HER MOTHER
A small greeting card featuring a charming representation of a lady wearing a feather hat and veil, constructed using a button. The autograph note in pencil reads in full, "Dear One; I am very grateful for all the kindness you've shown me and as a Loving Christian Scientist (my pencil broke) I hope our God will let me return some goodness to you with out doing myself any harm. For I know good is reflected in goodness, the same as Love is reflected in Love./ As a Christian Scientist I remain very truly your Mother." The undated note is in an unpostmarked envelope addressed to "Miss Norma Jeane Dougherty 6707 Odessa Ave., Van Nuy's Cal." with return address for her mother listed as "From - G. P. Eley 2713 Honolulu Ave. Verdugo City, Cal."
5 by 4 inches
Estimate: $3,000 - $5,000

Lot 103: MARILYN MONROE RECEIVED LETTER ABOUT SECRETLY CARING FOR HER MOTHER
A four-page autograph letter with postscript continuing onto the verso of first page, in pencil, in the hand of Grace Goddard, Monroe's one-time legal guardian. The letter dated August 25, 1953, reads in part, "I have been having a wild time over that bill for G - I phoned the secretary as you said ... I could tell by her answers that you had not confided in her about G - She said she didn’t have $600 left to pay that amount and wouldn’t anyway without specific instructions from you. I had to let the whole matter drop as I didn’t want to say anything. I just hoped and prayed you would get home. Sunday morning Miss O’Brien phoned and I was too sick to talk to her … I phoned her today ... and she said if they didn’t receive $600 within the next week they would be forced to turn G - over to the county, which would mean I would have to appear again and this time we couldn’t keep it from becoming public. Another $300 is due by or before the 11th of Sept. I’m so sorry you didn’t send me a check before you left and Doc could have handled it as we did before. The only reason I asked you to have some one else handle that account was because I expected to be in Texas for several months and Doc might be out of town. Now that I don’t need that operation and expect to be here I think it is best not to confide in any more people than you have to. I wish you would send me a check for $600 quick like and I’ll tend to it immediately. Such a burden for a delicate little girl like you to hear. If we had anywhere near that amount in the bank Doc would have sent the check anyway..."
The letter is accompanied by the original transmittal envelope and a pink carbon receipt for a $600 money transfer through the Canadian Pacific Railway Company addressed to Mrs. E.S. Goddard anddated August 27, 1953, with facsimile signature of Marilyn Monroe and a note in her hand saying "sorry difficulty hope you feel better." The form states Monroe's "Place" as the Banff Springs Hotel, where she and Joe DiMaggio stayed while she was filming River of No Return (20th Century Fox 1953) in Canada. The letter clearly shows that even Monroe's secretary was not told about Monroe's mother Gladys being re-admitted to a psychiatric care facility at this time and demonstrates that Monroe was able to keep it a secret with the help of close contacts like the Goddards. Grace Goddard passed away on September 28, 1953, just over a month after this letter was written.
8 by 5 inches
Estimate: $1,500 - $2,500

Lot 105: MARILYN MONROE ROCKHAVEN SANITARIUM RECEIPTS FOR THE CARE OF MARILYN MONROE'S MOTHER
A grouping of 42 receipts, ranging in date from October 1962 through April 1966, addressed to Inez C. Melson, for the care of Monroe’s mother, Gladys P. Eley, while she was staying at Rockhaven Sanitarium in Verdugo City, California. Included with the Rockhaven Sanitarium receipts are other invoices for products and services provided to Eley, including prescription medications, toothbrushes and toothpaste, repairs to her dentures, cash advances, and package deliveries sent to Gainsborough, Florida, for Eley's other daughter, Berniece Miracle. The April 27, 1966, invoice indicates that Eley’s account at Rockhaven was $7,355.90 in arrears.
Estimate: $5,000 - $7,000

Lot 159: MARILYN MONROE TYPED 1943 NOTES
Six pages of typed thoughts and feelings from a very young Norma Jeane Dougherty expressing her thoughts on her marriage to James Dougherty as she confronts her fear that her husband has been unfaithful with his former girlfriend, Doris Ingram. She writes the letter after a night apart from Dougherty and examines her feelings with great depth of understanding and maturity, "[I]n the beginning I would/ never have stayed with him but for his love of classical/ music his intellect which made a pretense at being more/ then [sic] it was." She continues, "I was greatly/ attracted to him as one of the few young men I had no sexual repulsion for." She comments that despite steady modeling, "... to an outsider it might/ not be conceivable that I had taken my small insecurities/ and built them up into a nervous tension which although it/ had outlets was always present." After discovering that Dougherty "had spent the evening & most of the morning hours with the other woman ..." she says she "... now would/ like a chance at a third act - the unsuspecting male and/ the vengful [sic] female, but now I'm only fooling my-/ self if I do get my last act I will portray the heroine/ who bravely suffers tucking it all away to use as barage [sic]/ some now unknown man." Pages have been stored folded together and are brittle with some separation along crease lines of first page.
LITERATURE Monroe, Marilyn, and Bernard Comment. Fragments: Poems, Intimate Notes, Letters. Pages 5-11. New York: Farrar, Straus and Giroux, 2010. 1-237. Print.
10 1/4 by 7 1/4
Estimate: $8,000 - $10,000

Lot 160: MARILYN MONROE HANDWRITTEN POEM
A single sheet of unlined paper with handwritten poem in pencil reading "Life -/ I am both of your directions/ Somehow remaining hanging downward/ the most/ but strong as a cobweb in the/ wind-I exist more with the cold glistening frost./ But my beaded rays have the colors I've/ seen in a painting-ah life they/ have cheated you."
LITERATURE Monroe, Marilyn, and Bernard Comment. Fragments: Poems, Intimate Notes, Letters. Pages 16-17. New York: Farrar, Straus and Giroux, 2010. 1-237. Print.
7 1/4 by 10 1/2 inches
Estimate: $10,000 - $15,000

Lot 161: MARILYN MONROE HANDWRITTEN NOTE
A single page of lined paper from a Steno notebook with writing, in pencil, and with a fatalistic tone, reading in full, "Oh damn I wish that I were/ dead-absolutely nonexistent-/ gone away from here-from/ everywhere but how would I/ There is always bridges-the Brooklyn/ bridge/ But I love that bridge (everything is beautiful from there/ and the air is so clean) walking it seems/ peaceful even with all those/ cars going crazy underneath. So/ it would have to be some other bridge/ an ugly one and with no view-except/ I like in particular all bridges-there's some-/ thing about them and besides I've / never seen an ugly bridge."
LITERATURE Monroe, Marilyn, and Bernard Comment. Fragments: Poems, Intimate Notes, Letters. Pages 18-19. New York: Farrar, Straus and Giroux, 2010. 1-237. Print.
8 3/4 by 6 inches
Estimate: $10,000 - $15,000

Lot 162: MARILYN MONROE HANDWRITTEN POEM
A single sheet of lined paper, folded at center. The page contains a verse in pencil reading "Stones on the walk/ every color there is/ I stare down at you/ like a horizon-/ the space-air is between us beckoning/ and I am many stories up/ my feet frightened/ as I grasp towards you."
LITERATURE Monroe, Marilyn, and Bernard Comment. Fragments: Poems, Intimate Notes, Letters. Pages 20-21. New York: Farrar, Straus and Giroux, 2010. 1-237. Print.
12 3/8 by 8 inches
Estimate: $8,000 - $12,000

Lot 163: MARILYN MONROE HANDWRITTEN POEM
A single sheet of lined paper with unevenly torn top edge and minor paper loss along bottom edge. The recto of page contains a poem written in pencil reading "Only parts of us will ever/ touch parts of others-/ one's own truth is just/ that really-one's own truth./ We can only share the/ part that is within another's knowing acceptable/ so one/ is for most part alone./ As it is meant to be in/ evidently in nature-at best perhaps it could make/ our understanding seek/ another's loneliness out."
LITERATURE Monroe, Marilyn, and Bernard Comment. Fragments: Poems, Intimate Notes, Letters. Pages 22-23. New York: Farrar, Straus and Giroux, 2010. 1-237. Print.
8 3/4 by 6 inches
Estimate: $6,000 - $8,000

Lot 164: MARILYN MONROE HANDWRITTEN NOTE
A single piece of lined notebook paper with notation in pencil showing Monroe's frustration with what must have been a relentless demand for her time and attention, reading in full, "I can't really stand Human/ Beings sometimes-I know/ they all have their problems/ as I have mine-but I'm really/ too tired for it. Trying to understand,/ making allowances, seeing certain things/ that just weary me."
LITERATURE Monroe, Marilyn, and Bernard Comment. Fragments: Poems, Intimate Notes, Letters. Pages 24-25. New York: Farrar, Straus and Giroux, 2010. 1-237. Print.
12 3/8 by 8 inches
Estimate: $6,000 - $8,000

Lot 165: MARILYN MONROE HANDWRITTEN POEM
An envelope with rhyming poem written by Monroe in pencil on back making light of the fact that hospital gowns do not cover her "derriere." The envelope also contains a list of composers and musicians: "Beethoven/ Last 6-quartets/ Ravel-the Waltz/ Bartok-quartets of his."
LITERATURE Monroe, Marilyn, and Bernard Comment. Fragments: Poems, Intimate Notes, Letters. Pages 26-27. New York: Farrar, Straus and Giroux, 2010. 1-237. Print.
4 1/8 by 9 1/2 inches
Estimate: $4,000 - $6,000

Lot 166: MARILYN MONROE NOTE ON BEVERLY HILLS HOTEL STATIONERY
A single page of hotel stationery note paper, folded down the center of the page. There are multiple marginal notes, but the main body of text reads like a poem and appears to be a mantra-like acting relaxation exercise reading in part, "Keep the balloon, and/ Dare not to worry/ Dare to/ let go - so loose/ They you pick up/ Stretch into your tone" and "Let go of my/ eyes -/ so relaxed/ only let/ my thought/ come through/ them without/ doing any/ thing to/ them."
LITERATURE Monroe, Marilyn, and Bernard Comment. Fragments: Poems, Intimate Notes, Letters. Pages 28-29. New York: Farrar, Straus and Giroux, 2010. 1-237. Print.
5 1/2 by 4 inches
Estimate: $8,000 - $12,000

Lot 169: MARILYN MONROE EARLY CAREER PERSONAL JOURNAL
A black "Record" book with 150 numbered and lined pages, dating to the late 1940s to early 1950s, with approximately 12 pages containing entries in Monroe's hand, including notes about Monroe’s 1948 trip to Salinas and Castroville in northern California and also a line referencing her 1951 film Love Nest. Monroe wrote on the first pages of the book, “Alone!!!!! I am alone – I am always alone no matter what.” The writings include class notes as well as deeply personal writings of her deepest insecurities, reading in part, "Fear of giving me the lines new, maybe won't be able to learn them, maybe I'll make mistakes, people will either think I'm no good, or laugh or belittle me or think I can't act."
LITERATURE Monroe, Marilyn, and Bernard Comment. Fragments: Poems, Intimate Notes, Letters. Pages 32-47. New York: Farrar, Straus and Giroux, 2010. 1-237. Print.
7 3/4 by 5 inches
Estimate: $10,000 - $20,000

Lot 170: MARILYN MONROE PERSONAL JOURNAL
A black "Record" book with 150 numbered and lined pages, the first page dated "Feb 18, 1953" with approximately 14 pages containing entries in Monroe's hand. The notes are very personal with Monroe ruminating about her life and experiences in her past that continue to affect her life, including these notes about the childhood influence of Ida Bolender that lingers into her adult life, reading in part, "Ida - I have still been obeying her - it's not only harmful for me to do so but unrealality [sic] because in my work - I don't want to obey her any longer."
LITERATURE Monroe, Marilyn, and Bernard Comment. Fragments: Poems, Intimate Notes, Letters. Pages 50-65. New York: Farrar, Straus and Giroux, 2010. 1-237. Print.
7 1/4 by 4 3/4 inches
Estimate: $12,000 - $18,000

Lot 171: MARILYN MONROE HANDWRITTEN PROSE
A single sheet of hotel stationery from the Waldorf Astoria, New York, where Monroe stayed between April and September 1955, with multiple verses in pencil and ink on front and back of page. The primary verse on recto was written as Monroe observed Manhattan from her suite at the hotel, reading in part, "Sooooo many lights in the darkness/ making skeletons of buildings/ and life in the streets." A poem about trees that appears to begin in the upper left margin of recto and continues onto the lower right of verso reads in full, "Sad, sweet trees-/ I wish for you-rest/ but you must be wakeful/ You must suffer-/ to loose [sic] your dark golden/ when your covering of/ even dead leaves leave you/ strong and naked/ you must be-/ alive-when looking dead/ straight though bend/ with wind/ And bear the pain & the joy/ of newness on your limbs."
LITERATURE Monroe, Marilyn, and Bernard Comment. Fragments: Poems, Intimate Notes, Letters. Pages 70-73. New York: Farrar, Straus and Giroux, 2010. 1-237. Print.
10 1/2 by 7 1/4 inches
Estimate: $10,000 - $15,000

Lot 172: MARILYN MONROE HANDWRITTEN DREAM NARRATIVE
Two sheets of hotel stationery from the Waldorf Astoria, New York, where Monroe stayed between April and September 1955. The pages contain notes in pencil recounting a dream in which Lee Strasberg acts as surgeon and her analyst, Dr. Hohenberg, administers anesthesia, but they are disappointed when they "cut her open" to find nothing there. She concludes, "Strasberg's dreams & hopes for theater are fallen./ Dr. H's dreams and hopes for a permant phicatrcic [sic] cure/ is given up-Arthur is disappointed-let down +." Another note in the margin mentions a dream about a "horrible repulsive man" in an elevator that she wants to discuss with Dr. Hohenberg.
LITERATURE Monroe, Marilyn, and Bernard Comment. Fragments: Poems, Intimate Notes, Letters. Pages 74-77. New York: Farrar, Straus and Giroux, 2010. 1-237. Print.
10 1/2 by 7 1/4 inches
Estimate: $10,000 - $15,000

Lot 175: MARILYN MONROE HANDWRITTEN LETTER TO NORMAN ROSTEN
A single sheet of hotel stationery from the Waldorf Astoria, New York, where Monroe stayed between April and September 1955. The page contains a letter written in multiple passes, first in pencil with added thoughts in ink, addressed to the Rostens' Brooklyn address. The cryptic letter contains a multitude of inside references and is quite difficult to follow but also sends her regards to Norman Rosten's wife Hedda, their daughter Patty and their pets Bam-Moo and Candy. Monroe also muses about the "Mr. Johnson Club," a reference to Rosten's play Mister Johnson.
LITERATURE Monroe, Marilyn, and Bernard Comment. Fragments: Poems, Intimate Notes, Letters. Pages 84-85. New York: Farrar, Straus and Giroux, 2010. 1-237. Print.
10 1/2 by 7 1/4 inches
Estimate: $4,000 - $6,000

Lot 177: MARILYN MONROE HANDWRITTEN POEM
A single sheet of stationery from Parkside House, the English manor where Monroe and Arthur Miller stayed in Surrey while she filmed The Prince and the Showgirl in London in 1956. The page contains a poem in pencil on front of sheet, likely written about Miller while staying at Parkside, reading in part, "my love sleeps beside me-/ in the faint light-I see his manly jaw/ give way-and the mouth of his/ boyhood returns." The back of the sheet contains two mournful verses reading, "the pain of his longing when he looks/ at another=/ like an unfulfillment of the day/ he was born" as well as the line "And I in merciless pain/ and with his pain of Longing-/ when he looks at and loves another/ like an unfulfillment of the day/ he was born-/ we must endure/ I more sadly because I can feel no joy."
LITERATURE Monroe, Marilyn, and Bernard Comment. Fragments: Poems, Intimate Notes, Letters. Pages 106-109. New York: Farrar, Straus and Giroux, 2010. 1-237. Print.
7 by 5 1/4 inches
Estimate: $15,000 - $20,000

Lot 178: MARILYN MONROE HANDWRITTEN POEM
A single sheet of stationery from Parkside House, the English manor where Monroe and Arthur Miller stayed in Surrey while she filmed The Prince and the Showgirl in London in 1956. The page contains a poem in pencil on front of sheet with multiple strikethroughs and edits, reading in part, "oh silence/ you stillness hurt my head -and / piece ears/ jars my head with the stillness/ of sounds unbearable -durable/ on the screen of pitch blackness."
LITERATURE Monroe, Marilyn, and Bernard Comment. Fragments: Poems, Intimate Notes, Letters. Pages 110-111. New York: Farrar, Straus and Giroux, 2010. 1-237. Print.
7 by 5 1/4 inches
Estimate: $10,000 - $15,000

Lot 179: MARILYN MONROE HANDWRITTEN POEM
A single sheet of stationery from Parkside House, the English manor where Monroe and Arthur Miller stayed in Surrey while she filmed The Prince and the Showgirl in London in 1956. The page contains a poem in red and blue ink on front of sheet reading "To have your heart is/ the only completely happy proud thing (that ever belonged/ to me) I've ever possessed so" with alternate language suggestion in blue ink reading "thing that ever completely happen to me."
LITERATURE Monroe, Marilyn, and Bernard Comment. Fragments: Poems, Intimate Notes, Letters. Pages 112-113. New York: Farrar, Straus and Giroux, 2010. 1-237. Print.
7 by 5 1/4 inches
Estimate: $6,000 - $8,000

Lot 180: MARILYN MONROE HANDWRITTEN NOTE
A single sheet of stationery from Parkside House, the English manor where Monroe and Arthur Miller stayed in Surrey while she filmed The Prince and The Showgirl in London in 1956. The note reads “I guess I have always been deeply terrified to really be someone's wife since I know from life one cannot love another, ever, really.” Monroe had just entered her third marriage and was on location with her new husband, Arthur Miller.
LITERATURE Monroe, Marilyn, and Bernard Comment. Fragments: Poems, Intimate Notes, Letters. Pages 114-115. New York: Farrar, Straus and Giroux, 2010. 1-237. Print.
7 by 5 1/4 inches
Estimate: $10,000 - $20,000

Lot 181: MARILYN MONROE HANDWRITTEN POEM
A single sheet of stationery from Parkside House, the English manor where Monroe and Arthur Miller stayed in Surrey while she filmed The Prince and the Showgirl in London in 1956. The page contains a poem in pencil on front of sheet with multiple strikethroughs and edits, reading in part, "It is not to be for granted/ the old woman hides-/ from her glass-the one she polishes so it won't be dusty-/ daring sometimes/ to see her toothless gasp and if she perhaps very gently smiles/ she remembers-/ her pain."
LITERATURE Monroe, Marilyn, and Bernard Comment. Fragments: Poems, Intimate Notes, Letters. Pages 116-117. New York: Farrar, Straus and Giroux, 2010. 1-237. Print.
7 by 5 1/4 inches
Estimate: $10,000 - $15,000

Lot 182: MARILYN MONROE HANDWRITTEN POEM
A single sheet of stationery from Parkside House, the English manor where Monroe and Arthur Miller stayed in Surrey while she filmed The Prince and the Showgirl in London in 1956. The page contains a mournful poem in pencil on front of sheet with multiple strikethroughs and edits, reading in full, "where his eyes rest with pleasure-I/ want to still be-but time has changed/ the hold of that glance./ Alas how will I cope when I am/ even less youthful-/ I seek joy but it is clothed/ with pain-/ take heart as in my youth/ sleep and rest my heavy head/ on his breast for still my love/ sleeps beside me."
LITERATURE Monroe, Marilyn, and Bernard Comment. Fragments: Poems, Intimate Notes, Letters. Pages 118-119. New York: Farrar, Straus and Giroux, 2010. 1-237. Print.
7 by 5 1/4 inches
Estimate: $12,000 - $15,000

Lot 184: MARILYN MONROE HANDWRITTEN "ROXBURY NOTES"
Three sheets of lined notebook paper torn from a spiral-bound book, each containing thoughts in pencil on recto. The notes portray a tired Monroe who has endured more than she could bear. Monroe was living in Roxbury, Connecticut, with husband Arthur Miller and was clearly disenchanted with domestic life in the country. She writes, "I've tried to imagine spring all winter-it's/ here and I still feel hopeless. I think I hate it here because there is no love here/ anymore. I regret the effort I desperately made here." She poetically writes of the mature trees on the property and then turns to self-deprecation, examining her appearance: "I see myself in the mirror now, brow furrowed-/ If I lean close I'll see-what I don't want to know-tension, sadness, disappointment, my eyes dulled, cheeks flushed with capillaries that look/ like rivers on a map -hair lying like snakes. The mouth makes me the saddes [sic]."
LITERATURE Monroe, Marilyn, and Bernard Comment. Fragments: Poems, Intimate Notes, Letters. Pages 125-131. New York: Farrar, Straus and Giroux, 2010. 1-237. Print.
12 1/4 by 7 1/2 inches
Estimate: $15,000 - $20,000

Lot 185: MARILYN MONROE 1958 NOTEBOOK
A red Livewire wide-ruled spiral-bound notebook, most likely dating to 1958. The notebook contains five meaningful pages of writing in both pen and pencil, all of which were published in the book Fragments . One additional page not shown in the book contains pencil notations of calorie counts for foods like "Wheat germ 1/2 c" and 1 cup of orange juice, eggs and skim milk. Two of the pages written in ink reference lines from Some Like It Hot while other pages reveal deeply personal thoughts and poems, including this page that reads in part, "Help Help/ Help/ I feel life coming closer/ when all I want/ is to die."
LITERATURE Monroe, Marilyn, and Bernard Comment. Fragments: Poems, Intimate Notes, Letters. Pages 134-145. New York: Farrar, Straus and Giroux, 2010. 1-237. Print.
11 1/8 by 8 1/2 inches
Estimate: $12,000 - $15,000

Lot 186: MARILYN MONROE NOTES OF FRUSTRATION
Two pages of lined note paper torn from a notebook containing agonizing notes written by Monroe on the set of a film, likely in the privacy of her dressing room, dated simply "Aug 27." The two small pages reveal the tortured nature of Monroe's process and the enormous amount of pressure she felt, reading in part, "I almost threw up my whole lunch. I'm tired. I'm searching for a way to play this part I am depressed with my whole life since I first remember - How can I be such a gay young hopeful girl ... my concentration wavers most of the time ... I must try to work and work on my concentration."
LITERATURE Monroe, Marilyn, and Bernard Comment. Fragments: Poems, Intimate Notes, Letters. Pages 150-151. New York: Farrar, Straus and Giroux, 2010. 1-237. Print.
8 by 4 3/4 inches
Estimate: $15,000 - $20,000

Lot 187: MARILYN MONROE 1955 GUCCI ADDRESS BOOK
A personalized brown leather, six-ring Gucci address book with custom stamped "M.M." on the front cover, belonging to Monroe circa 1955, with handwritten entries, many in Monroe’s hand. Contacts include Marlon Brando, "Mother Miller," Lee Strasberg, Maurine Stapleton, and Harold Clurman, among others. The book includes various handwritten entries and notes throughout. Of particular note is Monroe's handwritten list of very personal things she must make an effort to do, including "as often as possible to observe Strassberg's [sic.] other private classes"; "never miss my actors studio sessions"; "must make strong effort to work on current problems and phobias that out of my past has arisen," among other entries.
LITERATURE Monroe, Marilyn, and Bernard Comment. Fragments: Poems, Intimate Notes, Letters. Pages 152-153. New York: Farrar, Straus and Giroux, 2010. 1-237. Print.
7 1/2 by 6 inches
Estimate: $40,000 - $60,000

Lot 190: MARILYN MONROE HANDWRITTEN NOTE
An undated note on a single sheet of unlined paper, entirely in Monroe’s hand, reading “For life/ It is rather a determination not to be overwhelmed./ For work/ The truth can only be recalled, never invented."
LITERATURE Monroe, Marilyn, and Bernard Comment. Fragments: Poems, Intimate Notes, Letters. Pages 158-159. New York: Farrar, Straus and Giroux, 2010. 1-237. Print.
8 by 5 inches
Estimate: $10,000 - $20,000

Lot 191: MARILYN MONROE HANDWRITTEN NOTES
Two sheets of lined notebook paper with drafts of a birthday message, likely the same message referenced by Norman Rosten in his book Marilyn Among Friends . In the book, Rosten explains that Monroe often gave herself nicknames, and "One day, she signed a note with Noodle, Sam, Max, Clump, Sugar Finny, Pussy, and so on." Both pages contain a nearly verbatim list of names reading "Happy birthday and love (we all love you)/ Noodle/ Sam/ Max/ Clump/ Sugar Finny/ Pussy/ and all the rest of us-" The draft note also reads in part "[F]orgive me for being sentimental/ I'm so glad you were born/ and that I'm living at the/ same time as you."
LITERATURE Monroe, Marilyn, and Bernard Comment. Fragments: Poems, Intimate Notes, Letters. Pages 160-163. New York: Farrar, Straus and Giroux, 2010. 1-237. Print.
8 3/4 by 6 inches
Estimate: $6,000 - $8,000

Lot 202: MARILYN MONROE DEEPLY PERSONAL LETTER TO PAULA STRASBERG
A single page of lined yellow notebook paper, folded multiple times and addressed on the exterior of the folded page "To Paula/ Personal MM." The letter reads "Paula Dear,/ You asked me yesterday why-/ I felt somehow (I'm only conceiving of it this morning) that if I didn't have the control or the will to make myself do anything simple & do it right I would never be able to act or do anything - I know it sounds crazy - maybe it was even superstitious - I don't know - I don't know anything./ Something has happened I think to make me lose my confidence. I don't know what it is. All I know is I want to work./ Oh Paula I wish I knew why I am so anguished. I think maybe I'm crazy like all the other members of my family were, when I was sick I was sure I was. I'm so glad you are with me here!"
LITERATURE Monroe, Marilyn, and Bernard Comment. Fragments: Poems, Intimate Notes, Letters. Photocopy of this original letter on Page 190-191. New York: Farrar, Straus and Giroux, 2010. 1-237. Print.
12 1/4 by 8 inches
Estimate: $6,000 - $8,000

Lot 261: MARILYN MONROE NOTES IN STENO BOOK
A spiral-bound stenographer notebook by Chase Press Stationers & Printers, who supplied Monroe with her custom stationery, containing four pages with notes in Monroe's hand. The first page reads "Tonight/ be there at 7:15 - Strassbergs [sic]" then "Later - Norman & Hedda - drums?" and "Tomorrow be ready at 12:30 (for lunch) John Houston [sic]/ 4:00 Norman's play reading." The second page has a list of phone calls to make. The other two pages contain single words: "Ruby" and "My."
9 1/4 by 6 inches
Estimate: $2,000 - $3,000

Lot 266: ARTHUR MILLER HANDWRITTEN NOTE TO MARILYN MONROE
A single piece of lined paper torn from a spiral-bound notebook, heavily stained, containing a note in Miller's hand for Monroe. The note reads "I am sitting here, Dearheart, and my heart is bursting with love. I try to figure when is the best date for a wedding, who should be there, where it should be. I want us to marry on my 41st birthday - October 17, 1956." The note was written early in their relationship before Monroe knew she would be in London for the filming of The Prince and the Showgirl, and before Miller knew he would be in London for the premiere of A View from the Bridge in October 1956. Despite Miller's wish to be married on his birthday, he would marry Monroe June 29, 1956, very soon after his Reno divorce from his first wife was finalized. Miller announced his intentions to marry Monroe during his testimony before The House Un-American Activities Committee, June 21, 1956, and they perhaps moved the date forward in an effort to help Miller obtain his passport to accompany his new wife to London.
8 1/2 by 11 inches
Estimate: $1,500 - $2,500

Lot 314: MARILYN MONROE LETTER TO ROBERT MILLER AS HUGO THE DOG WITH PHOTOGRAPHS
An unsigned file copy of a letter written by Monroe to "Bobby" Miller dated August 22, 1957. Monroe writes the letter entirely in the voice of Hugo, their pet Basset Hound. The letter opens, "It sure is lonesome around here! But first of all I will tell you I made a mistake and I am sorry, but I chewed up one of your baseballs. I didn't mean to. I thought it was a tennis ball and that it wouldn't make any difference but Daddy and Marilyn said that they would get you another one." It continues "Oh, I did something else that I should tell you about. I jumped up very high and knocked down the badminton set. Then I proceeded to chew up the net but I didn't wreck the rackets or the birds. I am sorry I did this Bob, but what is a dog going to do?" The letter is accompanied by three small black and white snapshots of Bobby with Hugo the dog.
Photos, 2 1/2 by 2 1/2 inches
Estimate: $500 - $700

Lot 316: MARILYN MONROE LETTER TO JANE MILLER AS HUGO THE DOG WITH PHOTOGRAPHS
An unsigned file copy of a letter written by Monroe to "Janie" Miller dated August 22, 1957. Monroe writes the letter entirely in the voice of Hugo, their pet Basset Hound. The letter opens, "How is my Mommie? Boy, was I glad to get your letter written only to me! Of course Daddy and Marilyn have been telling me things from your other letters and Bob's too, about what you have been doing at Camp and how much you are enjoying it and I don't want you to feel badly, but I have to tell you that I have missed you something awful." The letter continues with a confession: "I have been sleeping on your bed. It's because it is your bed. So far I don't think Daddy or Marilyn knows about it but every night after they close their door and they go to sleep I wait a little while and then I tiptoe upstairs and I sleep right on your bed. I think they are getting suspicious though because I heard Berniece (that's the new maid and you will like her) say, ‘I found the strangest footprints up on this bedspread.’ Of course, between you and me, they were mine." This charming letter is accompanied by two small black and white snapshots of Jane and Robert Miller with Hugo the dog.
Photos, 2 1/2 by 2 1/2 inches
Estimate: $600 - $800

Lot 318: MARILYN MONROE LETTER TO HER STEPCHILDREN FROM THE CAT
An unsigned file copy of a letter composed by Monroe in the voice of the family cat Sugar Finney, clumsily typed with misspellings reading in part, "I'm having fun driving old Rocky and that old grumpy maid of yours nuts. …Thers never a dull moment in this shack. ... Love, Sugar Feeny."
7 3/4 by 5 3/4 inches
Estimate: $200 - $300

Lot 319: MARILYN MONROE PHOTOGRAPH OF HUGO WITH INVOICES
A group of four invoices from the Southdown Kennel in Roxbury, Connecticut addressed to Mr. Arthur Miller at 444 East 57th Street for boarding and care of Hugo the Basset Hound. Together with a small black and white snapshot of the dog.
Photo, 2 1/2 by 2 1/2 inches
Estimate: $200 - $300

Lot 320: MARILYN MONROE LETTERS TO BOBBY MILLER AT SUMMER CAMP
Two single-page typed, unsigned file copies of letters dated July 16, 1958, and August 9, 1957, relating a number of amusing stories. The 1958 letter is typed on the back of a piece of stationery from the Hotel Bel-Air. In the first letter, Monroe tells Bobby Miller about Hugo the dog's escapades, taking things from the neighbors, and asks him to help her figure out what his sister Janie would like for her birthday. The 1958 letter tells him, "I haven't seen Jack Lemmon yet because he is still working on another picture. He has a very funny part in this picture. Also, he plays a friend of mine. I started to take ukulele lessons because I'm supposed to know how in the picture. I've got an idea: Maybe we can learn something together--you on the guitar and me on the ukulele--you know, charge people admission to hear us."
Monroe also tells him about her brief ownership of a Cocker Spaniel: "About two days ago someone gave me a Cocker Spaniel puppy 10 months old, completely house-broken. So I was going to call your Dad and ask him if it was okay to keep him--then I found out quite by accident that he bites--he didn't bite me but he bit a woman on the throat the day before, so I said 'thanks a lot but no thanks.' His name was 'Walter' and he was a golden-haired spaniel and just beautiful but he seemed just too 'schizo' --short for schizophrenic --you remember you explained what that meant."
Largest, 8 1/2 by 11 inches
Estimate: $800 - $1,200

Lot 321: MARILYN MONROE LETTERS TO JANE MILLER
Two single-page typed, unsigned file copies of letters dated July 16, 1958, and August 9, 1957, relating a number of amusing stories. The 1958 letter is typed on the back of a piece of stationery from the Hotel Bel-Air and is addressed, "Dear Janie-bean." The letter, written as Monroe is preparing for Some Like It Hot , reads in part, "... [T]hanks for helping me into my white skirt. I almost didn't make it --but now that I'm busier I'll start losing weight -- you know where./ Along with ukulele lessons I have to take I'm learning three songs from the 1920 period. ... I don't know how my costumes in the picture will be yet. I'll let you know."
The second letter is written to Janie at summer camp and recounts a number of amusing stories about Hugo the Bassett Hound reading in part, "He got kicked by that donkey. Remember him? His nose swelled up with a big lump on top and it really wrecked his profile. I put an ice pack on it and it took several days for it to go down but the last time I saw him it was pretty well healed. Bernice is taking care of him and the house while I am at the hospital./ We are going home tomorrow and then I will write you by hand./ Listen, I had better stop now because I want to get off a note to Bobby today. Don't worry about me in the hospital. I am feeling much better now and I have the funniest Scotch nurse."
8 1/2 by 11 inches
Estimate: $600 - $800

Lot 322: MARILYN MONROE FORD THUNDERBIRD DOCUMENTS
A Declaration of Ownership of Motor Vehicle card listing Marilyn Monroe Productions, Inc., address 444 East 57th Street, New York City, as the owner of a 1956 black Ford Thunderbird, engine #P6FH151382. The vehicle was purchased from Westport Motor Co. Inc. of Westport, Connecticut, on December 20, 1955. Together with a blank "Seller's Report of Sale of Unregistered Motor Vehicle" card and a letter dated January 7, 1960, regarding renewal of insurance for the vehicle with secretarial note regarding deadlines and the amount of payment.
Cards, 3 1/2 by 6 inches
Estimate: $300 - $500

Lot 323: MARILYN MONROE RECEIVED LETTER RELATED TO HER 1956 FORD THUNDERBIRD
A letter from the City of New York Department of Finance, dated October 1, 1959, to Marilyn Monroe Productions, Inc., indicating the following: "[I]t appears that the 3% New York City Sales or Compensating Use Tax was due and payable on 6/20/57. If the tax due on this transaction has been paid by you, please submit evidence thereof. If it has not been paid, kindly remit the tax plus interest of 14%, with the enclosed form on or before 10/8/59.” Monroe, husband Arthur Miller, and business partner and friend Milton Greene were photographed riding in this Thunderbird on July 2, 1956, driving from New York City to Roxbury, Connecticut.
Estimate: $500 - $700

Lot 324: MARILYN MONROE DRIVER'S MANUAL
An official Driver's Manual booklet from the State of Connecticut Department of Motor Vehicles with interior date of August 1955, although it may have been issued anytime after this date until an updated manual was released. Together with a blank postcard addressed to the department meant to be filled out by applicant to request an appointment for a Connecticut driver test.
Booklet, 6 by 4 1/2 inches
Estimate: $200 - $300

Lot 325: MARILYN MONROE SIGNED DRIVER'S LICENSE
A State of Connecticut Motor Vehicles Operator's License dated October 24, 1957, and expiring June 30, 1958, listing "MM Miller of Tophet Road, Roxbury Connecticut, operator number 181034533. The license also lists Monroe's height as five feet and five inches with a date of birth of June 1, 1926, and is signed in blue pen "Marilyn Monroe Miller."
3 1/4 by 2 1/2 inches
Estimate: $10,000 - $15,000

Lot 326: MARILYN MONROE SIGNED DRIVER'S LICENSE
A State of Connecticut Motor Vehicles Operator's License dated July 8, 1958, and expiring June 30, 1960, listing "MM Miller of Tophet Road, Roxbury Connecticut, operator number 181034533. The license also lists Monroe's height as five feet and five inches with a date of birth of June 1, 1926, and is signed in blue pen "Marilyn Monroe Miller."
3 1/4 by 2 1/2 inches
Estimate: $10,000 - $15,000

Lot 373: MARILYN MONROE TO-DO LIST
A small piece of lined notebook paper with notes in Monroe's hand, reading in part, "Call - Lee on Monday/ about private class" and "Monday - Luchon [sic.] interview 12:00 / Sleeping prince/ Elsa Maxwell" as well as a phone number for Dr. Kris. Lee is clearly a reference to acting coach Lee Strasberg.
3 1/2 by 5 inches
Estimate: $2,000 - $3,000

Lot 380: MARILYN MONROE GLADSTONE HOTEL STATEMENT
A statement in the name of Mr. and Mrs. A Miller, dated January 13, 1958, from Gladstone Hotel on East 52nd Street at Park Avenue with charges for a room January 13-17, 1958, as well as restaurant charges. Notations on the bill read "[F]or meeting held at suite with De Laurentis and MCA officials from time to time."
9 by 6 1/2 inches
Estimate: $200 - $300

Lot 411: MARILYN MONROE PERSONAL JOURNAL
A black "Record" book with 150 numbered and lined pages, the first page dated "Feb 18, 1953" with approximately 14 pages containing entries in Monroe's hand. The notes are very personal with Monroe ruminating about her life and experiences in her past that continue to affect her life, including these notes about the childhood influence of Ida Bolender that lingers into her adult life, reading in part, "Ida - I have still been obeying her - it's not only harmful for me to do so but unrealality [sic] because in my work - I don't want to obey her any longer."
LITERATURE Monroe, Marilyn, and Bernard Comment. Fragments : Poems , Intimate Notes , Letters . Pages 50-65. New York: Farrar, Straus and Giroux, 2010. 1-237. Print.
7 1/4 by 4 3/4 inches
Estimate: $12,000 - $18,000

Lot 431: MARILYN MONROE INSCRIBED RECORD FROM TRUMAN CAPOTE
A copy of the LP Truman Capote Reading his A Christmas Memory from Breakfast at Tiffany's. "The United Artists album (1959), is inscribed in black ink on the cover in fine print "for Marilyn, with love from Truman, 1959."
12 1/4 by 12 1/4 inches
Estimate: $2,000 - $3,000

Lot 433: LEE STRASBERG ADDRESS BOOK
A cream leather six-ring binder of alphabetically indexed lined notebook pages containing hundreds of names, addresses and telephone numbers written in multiple hands. The book contains strikethroughs and check marks throughout, as the information was likely being transferred and updated into a new book by a secretary. The book dates to circa 1960 and contains the names of celebrities such as Shelley Winters, Marlon Brando, Eli Wallach, and Maureen Stapleton, among others. Of note is a page listing multiple numbers for “MM” as well as Marilyn Monroe’s New York City address. The book also has more administrative contacts.
9 1/8 by 8 1/4 inches
Estimate: $2,000 - $3,000

Lot 478: MARILYN MONROE NOTEBOOKS
A small six-ring binder containing blank lined notebook pages in black covers by Vernon. Together with an Italian daily planner with a quantity of blank pages intact. Both books were used by Monroe, and some of the pages included in the book Fragments were removed from these notebooks.
Largest, 7 by 4 3/4 inches
Estimate: $300 - $500

Lot 484: DON FELD DRAWING FOR MARILYN MONROE
A piece of heavy brown card stock with ink and acrylic picture of a girl holding flowers with greeting reading "The World's Happiest Birthday to you from Don Feld." Together with a small note that reads "M-/ I hope this finds you well and happy - My thoughts are with you now - love, Feld."
Largest, 8 1/2 by 6 1/4 inches
Estimate: $300 - $500

Lot 497: MARILYN MONROE AKC FORMS FOR MAF
A single-page typed letter on Marilyn Monroe Productions Inc. letterhead from Pearl Moskowitz to Monroe with original postmarked transmittal envelope addressed to Monroe at The Beverly Hills Hotel. The letter accompanied forms for Monroe's dog Maf to be registered under Monroe's name with the American Kennel Club signed on verso with a secretarial signature. Together with a postcard to have the dog licensed with the ASPCA in New York City. The AKC forms list Maf's breeder as Maria S. Gurdin of Van Nuys, California a whelping date of Jan. 16, 1961; and the Sire and Dam of the dog.
Largest, 10 1/2 by 7 1/4 inches
Estimate: $400 - $600

Lot 499: MARILYN MONROE INVOICE FOR BOARDING MAF
A single-page invoice from the Southdown Kennel in Roxbury, Connecticut, dated December 18, 1961, for "Miss M. Munroe" [sic] for boarding and housebreaking of Maf, Monroe's poodle. The charges include boarding between August 3 and December 14, 1961, at a rate of $75 per month for a total of $330, as well as brushings, shampoos, wormings, and transportation to airport for a total of $43 in additional charges.
7 1/2 by 7 1/4 inches
Estimate: $200 - $300

Lot 507: MARILYN MONROE HOTEL NOTEPADS
Three notepads, one with a note in Monroe's hand from the Continental Hilton in Mexico with a phone number for Wally Cox and the Bel Air Sands. Together with a blank notepad from The Beverly Hills Hotel and the Beverly Wilshire Hotel.
Largest, 5 1/2 by 4 inches
Estimate: $1,000 - $1,500

Lot 534: MARILYN MONROE CORRESPONDENCE WITH GERMAN DIPLOMAT
A single-page typed, unsigned file copy of a letter dated February 12, 1962, addressed to Mr. Volkmar von Fuehlsdorff in response to a gift card that accompanied Champagne. The note card reads "Dear Miss Monroe: It was such a pleasure to have you at the party the other day - since you liked the German Champagne, May I send you this with my kind personal regards/ Sincerely V. von F." Monroe's response reads "Dear Mr. von Fuehlsdorff: Thank you for your champagne. It arrived, I drank it, and I was gayer./ Thanks again./ My best,/ Marilyn Monroe."
Largest, 8 1/2 by 11 inches
Estimate: $300 - $500

Lot 535: MARILYN MONROE LETTER FROM MAY REIS
An autograph two-page letter on stationery from the Shelbourne Hotel, Dublin, dated April 22, 1961. The letter is accompanied by the original transmittal envelope postmarked April 22, 1961. The letter, written in red ink by Monroe's one- time secretary and assistant, May Reis, is a light travel note updating Monroe on her travels and stop in Dublin before heading to Paris.
8 by 5 inches
Estimate: $300 - $500

Lot 538: EXTRAORDINARILY AMUSING LETTER FROM ERNIE KOVACS TO MARILYN MONROE
A single sheet of paper with blind embossed address at bottom of page containing typed, signed letter from Ernie Kovacs, undated in original transmittal envelope postmarked May 29, 1961. The envelope is addressed to Monroe at her Beverly Hills Hotel bungalow. The letter, addressed to "Marilyneleh," invites Monroe to a get together at his home on June 15, giving the dress code as "... slacks or if you want to be chic, just spray yourself with aluminum paint or something." He continues, "I'll try to find someone more mature than Carl Sandburg for you. ... if Frank is in town, will be asking him. ... don't be a miserable shit and say you can't come. ... Look as ugly as possible cause the neighbors talk if attractive women come into my study." He signs the letter in black pen "Ernie" and adds a note at the bottom: "If you don't have any aluminum paint, you could back into a mud pack and come as an adobe hut. ... we'll make it a costume party. … Kovacs." The letter is a perfect portrait of the iconic, quick-thinking, zany comedian who died tragically in an auto accident in January 1962.
8 1/2 by 7 1/2 inches
Estimate: $400 - $600

Lot 573: MARILYN MONROE PERSONAL NOTES
Three pieces of paper torn from a telephone message pad with deeply personal musing in Monroe's hand in pencil reading in part, "In a way I feel better when I feel terrible because at leaast I'm feeling something" and "[D]epression - it starts to depress me when I feel that I have exposed my truest feelings to people - I am afraid that they see through me - my faults and the fact that I am really a phoney who needs and wants admiration and love (I do not want to be like this - to depend on this need - its almost" the thought continues onto another page "a form of being an ego maniack [sic] - I don't really like my self [sic]. ..." One of the pages has "Oct. 15" written, but no year is indicated.
5 1/4 by 4 inches
Estimate: $3,000 - $5,000

Lot 574: MARILYN MONROE 1962 ADDRESS BOOK
A red cardboard covered six-ring address book, front and back covers detached but present, belonging to Monroe circa 1962, with typed entries, including photographer Richard Avedon, Actors Studio, Henry Weinstein-the producer of Monroe’s final film Something’s Got To Give), Rupert Allan (Monroe’s publicist), Montgomery Clift, Henry Fonda, and Frank Sinatra, among many others. The book includes numerous entries and notes in Monroe’s hand throughout.
6 1/2 by 6 inches
Estimate: $30,000 - $50,000

Lot 600: MARILYN MONROE TYPED LETTER TO LEE AND PAULA STRASBERG
A typed file copy letter dated June 1, 1962, beneath "5th Helena" addressed "Dear Lee and Paula:" and reading in part, "The most important thing in my life is my work, my work with you. The Actors Studio is my home. … I wonder if you realize what the work has meant to me. ... The studio is for the theatre and for life. Marlon and I are having talks and we hope to persuade you to come to California for awhile to do work with us. Thank you Lee for being my friend and my teacher. Thank you Paula, for being with me and really truly directing the good and right moments on film. ... When I think of home it is New York and the Actors Studio. That is where I can exist in the human race. Love, Marilyn."
8 1/2 by 11 inches
Estimate: $500 - $700

Lot 602: MARILYN MONROE PERSONAL PROPERTY APPRAISAL
A formal written appraisal of the contents of Monroe's home at 12305 Fifth Helena in Brentwood, California, prepared for Monroe's executor by John J. Donahue & Associates of Los Angeles. The 14-page typed report includes 12 pages of itemized listings in a room-by-room format assigning value to Monroe's personal property in the home totaling $3,176. The report gives a listing of the contents of the Living Room, Hall, Front Bedroom, Middle Bedroom, Study, Dining Room, Sun Room, Kitchen, Playroom, Exterior and Garage, and Clothing in addition to miscellaneous items.
8 1/2 by 11 inches
Estimate: $800 - $1,200

Lot 603: MARILYN MONROE DOCUMENTS RELATED TO THE 1963 PURCHASE OF HER BRENTWOOD HOME
A group of documents related to the 1963 purchase of Monroe’s Brentwood, California, home, located at 12305 Fifth Helena Drive. Included are the original “Bid for Purchase of Real and Personal Property as a Unit” signed by Gilbert M. Nunez and Betty J. Nunez, dated March 14, 1963, specifying a sale price of $87,500.00 and a deposit of $8,750.00, the original deposit receipt, and a typed memo to Mrs. Inez Melson, Monroe’s business manager, from Lavon Fitzgerald, who represented the Nunez family in the transaction, with a business card for Fitzgerald stapled to the memo.
Estimate: $1,000 - $1,500

Lot 604: MARILYN MONROE 1963 NOTICE OF PROPERTY SALE FOR BRENTWOOD HOME
A group of documents related to the 1963 sale of Monroe’s Brentwood, California, home, located at 12305 Fifth Helena Drive, including a letter to Inez Melson, Monroe’s business manager, stating that the petition for confirmation of the sale of Monroe’s home was set for 9:15 a.m. on May 7, 1963, together with the actual court documents and the actual notice of sale of real and personal property as a unit at private sale, likely used to publicize the sale in newspapers. The legal documents specified that Monroe’s Hotpoint freezer-refrigerator, built-in dinette set, and all tacked-down carpeting and drapes presently on premises would be included in the transaction.
Estimate: $1,000 - $1,500

Lot 789: MARILYN MONROE JUNIOR HIGH SCHOOL DIPLOMA
A diploma issued to Norma Jean Baker from Ralph Waldo Emerson Junior High in Los Angeles, California, on June 27, 1941. The future Marilyn Monroe turned 15 in June 1941. The following June, Monroe married her first husband, Jim Dougherty.
6 by 8 inches
PROVENANCE Lot 324, "Books Auction," Sotheby Parke Bernet, Sale number 94, October 21, 1973
Estimate: $40,000 - $60,000

Documents papiers - Mode & Beauté
Papers documents - Mode & Beauty

Lot 149 : MARILYN MONROE HAT RECEIPTS
Two invoices from Rex Inc. of Beverly Hills, the first dated January 5, 1960, lists a Black Velour Cloche and a White Velour Cloche each priced at $55. The second invoice is dated January 20, 1960, and lists a White Feather Toque priced at $85. Both invoices indicate that Miss Dorothy Blass purchased the hats in person and charged them to "Mrs. A. Miller" of The Beverly Hills Hotel.
7 by 8 1/2 inches
Estimate: $150 - $250

Lot 154: MARILYN MONROE DIET PLAN
A two-page, typed plan titled "Calorie Restricted Diet/ 1000 Calories/ 100 Grams Protein" prepared for Monroe by Dr. Leon Krohn. The pages are undated, but some of the approved foods and meal plans are in line with the notations found in Monroe's hand in the back of Lot 185, one of Monroe's notebooks from 1958. The diet put forth presents sound health advice even by today's standards, recommending the restriction of sugar, fats and carbohydrates to whole wheat and "one small white potato boiled baked or riced" as a substitution for one slice of bread.
8 1/2 by 11 inches
Estimate: $400 - $600

Lot 219: MARILYN MONROE FUR STORAGE AND SERVICE RECEIPT AND AGREEMENT
A storage and service receipt and agreement from Maximilian Fur Company, Inc., addressed to Mrs. A. Miller, 444 East 57th Street, New York City, Apt. 13E, dated July 3, 1958, listing a ranch mink coat, a white ermine coat, and a black fox stole trimmed with silk, together with a typed note to Mrs. A. Miller on Maximilian letterhead recommending a clean and glaze for the ranch mink coat and a glaze for the black fox stole. Original business reply envelope from Maximilian Fur Company included. The ranch mink coat referenced is very likely the coat Joe DiMaggio gave to Monroe.
Estimate: $500 - $700

Lot 220: MARILYN MONROE FUR APPRAISAL
An appraisal document dated February 4, 1954, signed by Al Teitelbaum of Teitelbaum Furs for "Marilyn Monroe DiMaggio" listing a black mist mink coat valued at $10,000. This is the well-known mink coat gifted to Monroe by DiMaggio.
7 1/4 by 7 inches
Estimate: $300 - $500

Lot 225: MARILYN MONROE FUR STORAGE RECEIPTS
Four pages of storage receipts from Maximilian Furs of New York City dated July 19, 1960, itemizing 17 items in storage, together with two corresponding "Temporary fur storage record" tickets and a letter detailing work to be done to repair two of the furs on the storage receipts.
Largest, 8 1/2 by 9 1/2 inches
Estimate: $400 - $600

Lot 226: MARILYN MONROE TEITELBAUM FUR DOCUMENTS
A carbon copy of an invoice from Teitelbaum Furs for an oyster white beaver coat of Canadian origin, dated November 22, 1958, sold for $1,375 with facsimile customer signature of Arthur Miller. Together with an invitation to fashion show and letter from Al Teitelbaum to Mrs. Arthur Miller dated January 5, 1959.
Largest, 8 1/2 by 11 inches
Estimate: $200 - $300

Lot 271: MARILYN MONROE ARTHUR MILLER SAKS FIFTH AVENUE RECEIPTS
A group of five receipts from Saks Fifth Avenue in New York City, addressed to Arthur Miller, together with a corresponding Saks Fifth Avenue invoice. All receipts are dated March 23, 1960, and specify Miller purchased trousers and an overcoat among other items. The invoice is dated April 17, 1960.
Estimate: $150 - $250

Lot 297: MARILYN MONROE HANDWRITTEN AND SIGNED CHECK
A blank counter check written entirely in Monroe's hand, in black ink, dated August 14, 1954, paid to Jax in the amount of $800. Monroe has listed her address as "508 N. Palm Dr." and her phone number as "CR62211."
3 3/8 by 8 1/4 inches
Estimate: $2,000 - $3,000

Lot 298: MARILYN MONROE JAX STORE RECEIPT
A four-page itemized carbon copy receipt for $1,858.30 worth of clothing from Jax boutique with facsimile signature of Monroe. The receipt is dated simply "8-5" with no year given. Monroe's address is listed as "444 E. 57th St. NYC," but there are instructions on the last page to mail the items to "Mrs. Arthur Miller" at her Roxbury, Connecticut, residence.
6 by 4 inches
Estimate: $300 - $500

Lot 305: MARILYN MONROE EVENING GLOVE ORDER
A group of documents dated February 19, 1958, regarding the purchase of evening gloves from the John E. Fuchs Corporation in New York City. The documents include a typed signed letter from Kay Fuchs addressed to Mrs. Miller reading in part, "Kenneth Lane of Delman's asked us to send you the enclosed gloves. ... Enclosed find also a sample pair with our compliments of white satin glove." Together with a packing slip for the order listing a pair of 20-button white kid gloves for $165 and a pair of 10-button white kid gloves for $105, an invoice for the gloves, and a statement of account.
Largest, 8 1/2 by 5 1/2 inches
Estimate: $200 - $300

Lot 328: MARILYN MONROE SIGNED CHECK WITH CORRESPONDING INVOICE
A check signed by Monroe in blue ink, dated February 14, 1958, Valentine's Day, paid to the Profile Symmetry Salon in New York City in the amount of $58.50. The check is drawn on Monroe's Colonial Trust Company account. Together with the original invoice from the salon sent to Monroe at her 444 East 57th Street residence in New York City dated February 3rd for "9 Treatments (Jan. 7th - Jan. 30th, inc.)" in the amount of $58.50.
Invoice, 7 1/4 by 7 1/4 inches
Estimate: $3,500 - $4,500

Lot 332: MARILYN MONROE STATEMENT AND INVOICES FROM ERNO LASZLO
A statement, dated July 8, 1958, addressed to Monroe's secretary "Miss Mary [sic] Reis" presenting the total amount due for goods and services provided between June 1and July, 1958, $1,211.22. Together with 18 corresponding invoices detailing the products and services provided between these dates. The statement has a secretarial notation indicating that these charges were paid with check number 206 on July 31, 1958.
Largest, 8 1/2 by 11 inches
Estimate: $400 - $600

Lot 334: MARILYN MONROE SKINCARE REGIME
Five sets of instructions, eight pages, from the Erno Laszlo Institute written out for Marilyn Monroe Miller, dated June 5, 6, 11, and 12, 1958, and July 3, 1958, outlining her constantly changing skincare regime in great detail. The instructions not only divide skincare into "Morning," "Evening 'if' dressing," and "Evening before retiring," but also there are instructions on what not to eat: "Not one piece of any kind of nuts, olives, chocolate, clams and oysters." There are also separate instructions for California and "Instructions for Makeup While Making Films."
8 1/2 by 11 inches
Estimate: $600 - $800

Lot 337: MARILYN MONROE CHANEL No. 5 PERFUME RECEIPT
A receipt from I. Magnin & Co. of Beverly Hills for a bottle of Chanel No. 5 perfume totaling $73.15 including tax and delivery through "Red Arrow Spec. Delivery" service. The perfume was billed to Marilyn Monroe Miller and signed for by "(D. Blass)" to be sent to Agnes Flannigan [sic], likely a Christmas present as the receipt is dated December 24, 1959. Flanagan was one of Monroe's hairdressers for many years, including for Bus Stop in 1956 and The Misfits in 1961, among many other occasions.
6 1/4 by 4 1/4 inches
Estimate: $400 - $600

Lot 338: MARILYN MONROE BEVERLY HILTON SALON RECEIPT
A single piece of stationery from the Beverly Hilton Hotel in Beverly Hills with handwritten receipt for five hair treatments signed by "Miss Porter - Beauty Salon/ Beverly Hilton Salon."
10 1/2 by 7 1/4 inches
Estimate: $100 - $150

Lot 339: MARILYN MONROE INVOICE FOR SPECIAL EVENT MAKEUP
A single page of stationery from Marie Irvine of Long Island dated September 29, 1959, addressed to Marilyn Monroe at 444 East 57th Street for "Special make-up for photography" on September 22 and 27, 1958, for a total of $100. Monroe attended the premiere of An Evening with Ives Montand at the Henry Miller's Theatre in New York with Montgomery Clift on September 22, and she attended an American Friends of the Hebrew University award ceremony with her husband on September 27.
7 by 6 inches
Estimate: $100 - $150

Lot 340: MARILYN MONROE ELIZABETH ARDEN RECEIPT
A receipt dated July 1958 from the Arden Salon for eight pairs of black false lashes signed for by "Irvine," likely makeup artist Marie Irvine, for a total of $20.60.
8 by 5 1/2 inches
Estimate: $200 - $300

Lot 374: DESIGN SKETCH FOR MARILYN MONROE GOWN
An unsigned pencil on paper sketch of a form-fitting mermaid gown. The sketch perfectly matches the silhouette and seam construction of the gown worn by Marilyn Monroe to the June 13, 1957, premier of The Prince and the Showgirl at Radio City Music Hall in New York City. The gown was made for Monroe by John Moore, who presented Monroe with options for the color of the dress including burgundy and Kelly Green, but Monroe chose beige silk satin.
14 by 11 inches
Estimate: $2,000 - $3,000

Lot 375: DESIGN SKETCH FOR MARILYN MONROE GOWN
An unsigned pencil on paper sketch of a form-fitting mermaid gown. The sketch perfectly matches the silhouette of the gown worn by Monroe to the June 13, 1957, premier of The Prince and the Showgirl at Radio City Music Hall in New York City. This sketch, most likely by designer John Moore, however introduces a much more elaborate set of swirled seam lines around the body. This is likely a variation presented to Monroe, who opted for the more simple and streamlined design that she wore to the premiere.
14 by 11 inches
Estimate: $1,000 - $1,500

Lot 379: MARILYN MONROE ROYAL COMMAND PERFORMANCE GLOVE DOCUMENTS
A typed letter, dated July 14, 1957, signed by Kenneth C. Rouse of London and reading in part, "I am enclosing herewith a statement … for your information, regarding the making of a pair of gloves in gold lame for Miss Marilyn Monroe, to match her dress for the Royal Command show late last year." The letter elucidates the color and fabric of this dress captured almost exclusively on black and white film. Together with three account statements and four additional administrative letters regarding settlement of the account.
Largest, 8 1/2 by 11 inches
Estimate: $200 - $300

Lot 383: MARILYN MONROE BERGDORF GOODMAN RECEIPT
A receipt from Bergdorf Goodman dated June 28, 1960, addressed to Mrs. Arthur Miller, 444 E. 57th Street, New York. Items purchased were signed for by May Reis, Monroe’s secretary.
Estimate: $500 - $700

Lot 384: MARILYN MONROE FASHION INVOICE
Two invoice pages from Polly's at 480 Park Avenue in New York City listing a "Black wool dinner dress" for $290 and a "Natural baby lama [sic] wool coat" for $350. The salesperson has written extensive notes for "Mrs. Arthur Miller" reading in part, "This Christian Dior coat ought to be very good for you both here and in California" and "the shirred bottom can be cut off at a later period and you can have a regular hem put in and have a charming free flowing dress."
6 3/4 by 8 3/4 inches
Estimate: $100 - $150

Lot 385: MARILYN MONROE COMMUNICATIONS FROM CHRISTIAN DIOR
A series of messages from Simone Noir of Christian Dior in Paris to "Mrs. Miller," the first a letter dated March 7, 1958, reading in part, "I am very pleased to know that you will come to Paris in a few days. I certainly hope that we will have the pleasure of your visit at Christian Dior's, in spite of the heavy schedule. ... Naturally, we can show you models at your hotel. ..." The second is a telegram dated March 8, 1958, from Simone Noir saying that they are sending sketches and wish Monroe a pleasant stay in Paris. The third is a price list of the latest Dior designs, and the last is a telegram dated April 2, 1959, stating that they are happy Monroe is coming to Festival Cannes and they could make dresses for her arrival.
Largest, 8 1/2 by 11 inches
Estimate: $200 - $300

Lot 386: MARILYN MONROE HANDWRITTEN AND SIGNED CHECK
A check written entirely in Marilyn Monroe's hand, in black ink, dated July 14, 1952, and paid to Saks & Company, in the amount of $257.51. The check is drawn on Monroe's Bank of America account. Monroe lists her address as "Bel Air Hotel."
3 1/2 by 8 1/4 inches
Estimate: $2,000 - $3,000

Lot 387: CORRESPONDENCE REGARDING LOST MARILYN MONROE GARMENTS
A letter from fashion designer John Moore to May Reis dated February 3, 1960, saying he will find out what happened to two "beige and black broadcloth shirtwaist sheaths" that were according to Moore "made by two of my best girls here in my workroom. … " Moore promised to trace the shipment to find the outcome of where they went. Subsequent documents, including claim to insurance company, reveal that the garments were in fact destroyed when TWA flight 595, a cargo flight, crashed after takeoff from Chicago Midway Airport on November 24, 1959, killing three people on board and eight people on the ground. The documents valued the lost garments at $750.
8 1/2 by 11 inches
Estimate: $200 - $300

Lot 389: MARILYN MONROE FERRAGAMO RECEIPT
A handwritten receipt from the Ferragamo Shoe Salon at 424 Park Avenue in New York City dated July 3, 1958. The receipt lists Marilyn Monroe Miller at 444 East 57th Street with note that the shoes were sold "c/o Miss Reis," Monroe's secretary. Additional note at top of the page reads "Address where to send red shoes." The receipt lists six pairs of shoes, including the Felitia in white, black, beige, and red calf leather, as well as shoe trees, polish, and a pair of hose.
6 by 4 1/4 inches
Estimate: $300 - $500

Lot 392: MARILYN MONROE FERRAGAMO STATEMENT
A handwritten balance statement on a page torn from a Beverly Hills Ferragamo Shoe Salon invoice pad dated April 1, 1960. The statement is in the name of Mrs. Arthur Miller at The Beverly Hills Hotel and has secretarial notation that the balance was paid on April 29, 1960.
6 by 4 1/4 inches
Estimate: $200 - $300

Lot 394: MARILYN MONROE FERRAGAMO CLIPPING AND LETTER
A clipping from a 1959 issue of the New York Herald Tribune featuring an article titled, "Shoes by Ferragamo Designed for Comfort." Monroe, already a fan of the shoes, is not mentioned specifically in the article, although it does note that Ferragamo makes shoes for "innumerable top movie stars." Together with a letter from J. Hoffner of the Park Avenue Ferragamo Shoe Salon in New York City addressed "Dear Miss Monroe," dated September 3, 1958. The letter reads in part, "Since I know you like our spike heel opera pump very much; and since we have a great many more pair here than in our Beverly Hills store, I am writing to tell you the colors and materials I have in your size at the present time."
Largest, 8 1/2 by 11 inches
Estimate: $300 - $500

Lot 401: MARILYN MONROE ALIATA STATEMENT OF ACCOUNT
A typed statement dated December 1, 1959, listing outstanding charges for purchases made on October 24 and November 25, 1959, including a pair of purple suede shoes, silver kid shoes, and a pair of beige calf shoes totaling $151.74. The statement has a secretarial notation indicating that the charges were paid with check number 209 on December 8, 1959.
5 1/2 by 8 1/2 inches
Estimate: $200 - $300

Lot 402: MARILYN MONROE ALIATA SHOE RECEIPT
A typed receipt, undated, listing a pair of "Multicolor Shoes" sold to Miss Marilyn Monroe at the Bel Air Hotel for a total of $51.50. Secretarial notation on the invoice indicates that the charges were paid with check number 306 on September 5, 1958.
5 1/2 by 8 1/2 inches
Estimate: $200 - $300

Lot 403: MARILYN MONROE ALIATA SHOE RECEIPT
A handwritten receipt from Aliata Inc. imported shoes in 43 East 57th Street New York dated January 22, 1959, sold to Mrs. Marilyn Monroe of 444 East 57th Street in New York. The receipt lists 10 pairs of designer shoes by the Italian maker, including beige calf shoes, red suede, black suede, ivory - multicolor among others for a total of $392.43 including tax. Additional note at bottom of receipt lists "Bag - Helena Arpels" for an additional $64.59.
10 1/2 by 7 1/4 inches
Estimate: $400 - $600

Lot 409: MARILYN MONROE DELMAN DOCUMENTS
A typed letter, signed and dated June 23, 1959, from Rube Adler of Delman Inc. an exclusive New York boutique that carried Christian Dior shoes. The letter apologizes for charging Monroe for a pair of black calf pumps that were sent at the request of Kenneth Lane. Together with corresponding credit memo to correct the error, a credit invoice dated June 18, 1958, for a pair of shoes listed as "Debonair" for $18.75, and a statement dated March 25, 1958, for outstanding balance of $106.
Largest, 10 1/2 by 7 1/4 inches
Estimate: $300 - $500

Lot 443: MARILYN MONROE DANCE SHOES RECEIPT
A receipt dated November 16, 1959, from Capezio shoes in Los Angeles listing four pairs of "#32 Black Medium" at a cost of $5 per pair, sold to "20 Century Fox" with additional notations and secretarial Marilyn Monroe signature. The receipt is for the shoes worn by Monroe as she began dance rehearsals for her film Let's Make Love that began filming in January 1960.
5 1/2 by 8 inches
Estimate: $300 - $500

Lot 455: MARILYN MONROE HANDBAG RECEIPT
A store receipt from I. Magnin & Co. of Beverly Hills. The receipt is dated June 24, 1956, and is in the name of Mrs. Arthur Miller and Marilyn Monroe of 444 East 57th Street and signed by assistant Hazel Washington. The receipt lists two items bags on sale for $30 and $46.
6 1/4 by 4 1/4 inches
Estimate: $200 - $300

Lot 464: MARILYN MONROE JEWELRY INVOICE
An invoice dated February 19, 1958, from Talmack, New York sold to Mrs. Arthur Miller. The invoice lists one pair of rhinestone earrings, $14.00.
8 1/2 by 8 1/4 inches
Estimate: $200 - $300

Lot 472: MARILYN MONROE JEWELRY INVOICE
An invoice dated June 15, 1960, from Porflex Co. of Beverly Hills listing Monroe's housekeeper, Hazel Washington. The invoice is for a pair of 14k white gold earrings with diamonds, 14k bracelet, and 14k charm totaling $406.98.
6 1/2 by 8 1/4 inches
Estimate: $200 - $300

Lot 481: MARILYN MONROE I. MAGNIN & CO. STATEMENTS
One complete and one partial original statement from I. Magnin & Company addressed to Mrs. Arthur Miller, 444 E. 57th Street, New York City. The partial statement indicates a payment of $28.97 was paid on May 2, 1960. The complete statement documents receipt of the May 2 payment, and indicates a total balance still due of $10.40.
Estimate: $500 - $700

Lot 482: MARILYN MONROE CEIL CHAPMAN INVOICE
A two-page invoice, in triplicate, listing 11 items purchased from Ceil Chapman February 10, 1958, totaling $817.75 plus $3.00 for messenger charges.
8 1/2 by 8 1/2 inches
Estimate: $200 - $300

Lot 485: MARILYN MONROE CUSTOM BRA RELATED DOCUMENTS
A handwritten note dated September 23, 1960, from Augusta Bouvier of Hollywood, California, addressed "Dear Miss Monroe:" and reading "I completed these bras on my own time, it took me four days to alter them, so I am giving you a special price of seventy five dollars." Together with an unsigned file copy of a letter dated October 31, 1957, to Fifth Avenue Fashions, reading in part, "Will you kindly send me three bras the same make as I got from you before - I believe it was Carnival - size 38-C."
Largest, 8 1/2 by 11 inches
Estimate: $300 - $500

Lot 495: MARILYN MONROE FERRAGAMO RECEIPTS
A handwritten note and invoice on the back of a page and partial page torn from a Ferragamo Shoe Salon invoice pad, undated. The note reads "Dear Miss Reis, I have all 5 pairs and am sending them to you Air Mail. Enclosed is your bill. Thank you./ Sincerely yours, J. Hoffner/ P.S. We have shoe trees priced at $2.00 a pair such as I sold Miss Monroe previously. Would she like to have some?" The note is accompanied by an informally written invoice listing five pairs of Felitia shoes in beige and black calf, size 7 1/2 B, for a total of $199.75, and a more formal invoice for the same shoes dated February 3, 1960, with additional postage and packaging charges added for a new total of $203.50 billed to Monroe at The Beverly Hills Hotel.
Largest, 6 by 4 1/4 inches
Estimate: $300 - $500

Lot 556: MARILYN MONROE PERFUME RECEIPT
An invoice from Floris of Jermyn Street in London dated December 14, 1959, listing Marilyn Monroe Miller of The Beverly Hills Hotel as the purchaser of six bottles of rose geranium toilet water for a total of $28.25.
8 by 8 1/2 inches
Estimate: $100 - $150

Lot 960: MARILYN MONROE SIGNED RECEIPT
A Marilyn Monroe signed Elizabeth Arden receipt. Monroe has signed the receipt in blue ballpoint ink over the salon’s handwritten itemization of services.
8 by 5 1/2 inches
Estimate: $2,000 - $3,000

Lot 964: MARILYN MONROE SAKS FIFTH AVENUE RECEIPT
A handwritten Saks Fifth Avenue receipt for Marilyn Monroe for six articles of clothing totaling $215.23. The receipt is dated "3-20."
6 1/4 by 4 1/2 inches
Estimate: $600 - $800

Lot 989: MARILYN MONROE SAKS FIFTH AVENUE RECEIPTS
Two handwritten Saks Fifth Avenue receipts charged to Marilyn Monroe: the first is for two lashes totaling $8.32, signed by makeup artist and hairstylist George Masters; the second is for four pieces of clothing totaling $159.12 with a carbon copy of the receipt. Together with a payment stub from February 15, 1962, showing a balance due of $1,140.88.
Largest, 7 1/2 by 6 1/2 inches
Estimate: $600 - $800

Enregistrer

Posté par ginieland à 23:54 - enchères Personal MM - Commentaires [0] - Permalien [#]
Tags : 1941, 1957, 1958, 1959, 1960, 1961, 1962, 1963, brentwood, ceil chapman, elizabeth arden, lee strasberg, maf, may reis, norma jeane, saks, salvatore ferragamo

Marilyn Monroe Auction - 11/2016 - docs papiers 2

Documents papiers - MM Prod.
Papers documents - MM Prod.

Lot 312: MARILYN MONROE SIGNED CHECK TO THE IRS
A check signed by Monroe in blue ink, with bank stamp dated November 16, 1959, paid to the "District Director of Internal Revenue" in the amount of $10,947.60. The check is drawn on her Marilyn Monroe Productions, Inc. account with Colonial Trust Company. Calculating for inflation, this amount would be in excess of $90,000 in 2016.
3 by 8 1/2 inches
Estimate: $3,000 - $5,000

Lot 416: MARILYN MONROE 1958 SIGNED CHECK WITH CORRESPONDING INVOICES
A Marilyn Monroe Productions canceled bank check dated August 22, 1958, in the amount of $42.88, written to Dave Bernstein, signed by Monroe, together with a statement from Dave Bernstein Catering and 10 receipts for food Monroe ordered ranging in date from August 19 through September 4, 1958. Monroe started filming Some Like It Hot on August 4, 1958. This lot is significant in that Monroe and then husband Arthur Miller discovered she was pregnant in October. These receipts possibly detail Monroe’s diet at the onset of what would be her final pregnancy. Sadly, she miscarried on December 16.
Estimate: $2,000 - $3,000

Lot 474: MARILYN MONROE 1960 SIGNED CHECK WITH CORRESPONDING INVOICES
A Marilyn Monroe Productions canceled bank check dated May 14, 1960, in the amount of $6.20, written to Century Messenger Service, signed by Monroe, together with two carbon copy invoices and an original month-end statement from Century Messenger Service. Both invoices are addressed to Marilyn Monroe Productions, 444 E. 57th Street, #13E, one of which is signed by May Reis, Monroe’s secretary.
Estimate: $1,500 - $2,500

Lot 537: MARILYN MONROE FAN MAIL EXPENSES
An expense report for Marilyn Monroe Productions prepared by Hedda Rosten, with itemized listing of fan mail expenses for June 1962 totaling $66.46. The expenses show that they were reimbursed July 26, 1962.
9 by 6 inches
Estimate: $200 - $300

Lot 897: MARILYN MONROE PRODUCTIONS CHECKS AND RECEIPTS
Two checks from Marilyn Monroe Productions Inc. to A.J. Bauer & Co Apothecaries for $8.15 and $17.25, both signed by Milton Greene and dated June 22, 1955, and June 20, 1955; and two related receipts from A.J. Bauer & Co Apothecaries showing the breakdown and balance due.
Checks, 3 by 8 1/2 inches
Estimate: $800 - $1,200

Lot 898: MARILYN MONROE PRODUCTIONS BANK STATEMENT
A Colonial Trust Company bank statement for Marilyn Monroe Productions Inc. for January 1957, showing a series of withdrawals throughout the month with a balance of $47,768.62 on January 1 and $27,671.40 on January 31. There are handwritten calculations are in pencil on verso in an unknown hand. Together with a credit receipt from the same bank dated February 1, 1957, that states that $54.64 was credited back to the account.
10 by 7 inches
Estimate: $600 - $800

Lot 899: MARILYN MONROE PRODUCTIONS INVOICE
An invoice from Luria's Wine & Spirits in New York City billed to Marilyn Monroe Productions and sent to "Mr and Mrs Paula Lee Strasberg [sic]." The invoice is for 12 bottles of Piper-Heidsieck champagnes totaling $73.08. Together with a statement from Luria's showing $3.55 credit for Marilyn Monroe Productions. Dates unknown.
Larger, 9 by 5 3/4 inches
Estimate: $400 - $600

Lot 974: MARILYN MONROE BANK STATEMENT, MARCH 1961
A Marilyn Monroe Productions Inc. bank statement from Bankers Trust Company of New York showing credits and debits for the month of March 1961.
11 by 9 inches
Estimate: $400 - $600

Lot 975: ENVELOPE ADDRESSED TO MARILYN MONROE
An envelope addressed to Marilyn Monroe Productions Inc. The envelope is postmarked January 5, 1961, and is from Magnum Photos Inc. Two “Fragile Handle with Care” stickers are affixed to the envelope. Many of Monroe’s most famous photographs were taken by Magnum photographers, including Eve Arnold, Philippe Halsman, and Inge Morath. This item came from the estate of May Reis, Monroe’s assistant and private secretary from 1958 to 1961.
12 by 15 1/2 inches
PROVENANCE Partial Lot 120, "Julien's Autumn Sale," Julien's, Las Vegas, October 29, 2005
Estimate: $50 - $100

Documents papiers - Carrière
Papers documents - Career

Lot 70: MARILYN MONROE PROGRAM FROM PRESIDENT KENNEDY'S 1962 BIRTHDAY CELEBRATION
A program from the fundraising gala titled "Happy Birthday Mr. President" that took place at Madison Square Garden in New York City on May 19, 1962. The event featured Marilyn Monroe's now legendary performance of the song "Happy Birthday" to the president in her form-fitting Jean Louis gown. The program lists the other performers that night and is being sold together with Frieda Hull's ticket from the performance. The ticket cost $10, is numbered 827, and is listed as General Admission and additionally stamped "Standing Room" with right side of ticket torn off.
Program, 10 1/2 by 8 1/4 inches
PROVENANCE From the Estate of Frieda Hull
Estimate: $1,000 - $2,000

Lot 74: MARILYN MONROE CORRESPONDENCE WITH LESTER MARKEL
A series of letters including five unsigned file copies of Marilyn Monroe's letters to Pulitzer Prize-winning journalist Lester Markel of the New York Times together with five typed, signed letters from Markel on New York Times letterhead. The two had a friendship and an interesting series of communications dated between August 6, 1959, and June 30, 1960, including the now famous letter in which Monroe demonstrates her humor and comprehensive understanding of the politics of their time. On the subject of Fidel Castro, Monroe writes, "Now, Lester, on Castro. You see, Lester, I was brought up to believe in democracy, and when the Cubans finally threw out Battista [sic] with so much bloodshed, the United States doesn't stand behind them and give them help or support even to develop democracy." She also discusses possible presidential candidates and offers slogans for their campaigns in the post script: "Nix on Nixon" and "Back to Boston by Xmas - Kennedy." Two of the five pages of Monroe's file copies contain three drafts of the same letter that is left unfinished.
8 1/2 by 11 inches
PROVENANCE From the Estate of Lee Strasberg
Estimate: $600 - $800

Lot 75: MARILYN MONROE SIGNED TILE FROM PRESIDENT KENNEDY'S 1962 BIRTHDAY CELEBRATION
A pair of celebrity signed ceramic tile displays with inscriptions to event producer Clive David. Each framed display consists of 16 tiles. The top six decorative tiles of each frame combine to read “1962.” The remaining 10 tiles of each display are covered with signatures and inscriptions to David, including an inscription from Marilyn Monroe. Monroe’s inscription reads “To Clive Love & Kisses Marilyn Monroe” and was obtained by David at the Madison Square Garden birthday celebration of John F. Kennedy held on May 19, 1962. Other performers who signed the tiles at this event include Maria Callas, Jack Benny, Jimmy Durante, Henry Fonda, Bobby Darin, Ella Fitzgerald, Shirley MacLaine, Sally Ann Howes and Dick Adler. Other celebrity signatures include Gloria Swanson; Paulette Goddard; Ray Bolger; Tab Hunter; Hedda Hopper; Una Merkel; Audrey Meadows; Earl Wilson; Ginger Rogers; Olivia de Havilland; Anita Loos; Lucille Ball; Carol Bruce; and Tallulah Bankhead; among others.
Each, 39 by 14 1/2 inches, framed
Estimate: $8,000 - $10,000

Lot 83: MARILYN MONROE JOHN F. KENNEDY 1962 BIRTHDAY GALA TICKET
A ticket to the May 19, 1962 Birthday Party Gala held for President John F. Kennedy at Madison Square Garden. The ticket is marked for section 112, with a suggested contribution of $25.
3 3/4 by 8 inches
Estimate: $3,000 - $5,000

Lot 96: MARILYN MONROE DOUBLE SIGNED 1947 DOCUMENT
A single-page mimeographed letter dated June 11, 1947. The letter was drafted by Twentieth Century Fox Film Corporation for Monroe to sign and reads in part, "Whereas, I did heretofore enter into a personal services contract with you, dated August 24, 1946, and, whereas at that time I was a minor, and whereas I did, on June 1, 1947, become twenty-one (21) years of age, please be advised that I do hereby ratify and confirm all of the terms." The letter is then signed by Monroe in blue ink, both "Marilyn Monroe" and "Norma Jeane Dougherty." Together with a plain associated envelope.
8 1/2 by 11 inches
Estimate: $5,000 - $7,000

Lot 132: MARILYN MONROE SIGNED 1949 CONTRACT
A standard contract dated March 2, 1949, with the William Morris Agency Inc. for a period of six years with 10% terms. The contract is signed on verso in green ink "Marilyn Monroe." Accompanied by original letter from the agency that accompanied the contract dated March 10, 1949, addressed to Monroe at 1215 Lodi Place in Hollywood, California, reading "Dear Marilyn:/ Enclosed please find executed copies of your authorization with our office. Best regards" and signed Norman Brokaw.
8 1/2 by 11 inches
Estimate: $3,000 - $5,000

Lot 156: MARILYN MONROE NOTES WRITTEN ON BACK OF 1952 MENUS
Two menus dated March 26, 1952, featuring notes on verso in blue ink in Monroe's hand that appear to have been taken during a meeting with someone advising her about her career. The menus are dated just 10 days after Monroe's nude modeling shots were made public by the media. Monroe had recently appeared in a number of films in small parts and had received positive mentions from critics. Monroe had just started dating Joe DiMaggio, and she was to appear on the cover of LIFE magazine the following month. This was clearly an important and pivotal period in her career, and it appears as though she was meeting with someone in the industry who gave her counsel. One of the warnings appears to come from Johnny Arnez; Monroe put's his warning in quotations: "you'll have to protect yourself or your throat will be cut/ watch out for Jerry Webb." It continues, "you'll prepare the test & Webb shoots it and if something is wrong it will [be] your fault." A great deal of the notes reference Webb and things he has said behind her back. Berniece Miracle mentions seeing Webb, the test director, in the Fox commissary in the late 1940s when she snuck onto the lot with Monroe to spend the day with her half-sister. The notes also contain thoughts from Monroe reading in part, "I need a great deal of work - and will always/ its the right kind of work/ -the more I will be able to stand on my feet." and "think with your body/ let go physically to ick up emotionally" and "you want me to be a star/ and I can be one of your greatest stars/ when I'm doing the right/ work and know I'm doing." Just over two months after these notes were written, Monroe learned that she had gotten the part of Lorelei Lee in Gentlemen Prefer Blondes.
10 1/2 by 5 inches
Estimate: $4,000 - $6,000

Lot 173: MARILYN MONROE HANDWRITTEN ACTORS STUDIO CLASS NOTES
A single sheet of hotel stationery from the Waldorf Astoria, New York, where Monroe stayed between April and September 1955, with the opening salutation and start of a letter "Dear Art" that has been scratched out. The page is covered on recto and verso with notes, recounting the goings-on in one of Monroe's acting classes with Lee Strasberg. The notes begin with Monroe quoting something said by Strasberg: "I want you all to know that this exercise went on for/ 1/2 hour and her concentration did not/ give way or slip once-and Marilyn there/ will be very few times ever on the/ stage where it will be/ necessary to keep/ such a concentration/ for one half hour/ straight." Monroe then asks herself, "Why did it/ mean so much to me." On the back she continues to ruminate about class, writing, "Strasberg/ it makes me (him he said) feel badly (and sadly) for you that you do/ things out of fear/ You must start to do things out of strength-/ (my question: where do I get the strength)-he said-by not looking for strength/ but only looking & seeking tecnical [sic] ways and means." This presents a fascinating demonstration of how seriously Monroe took her formal acting training in New York.
LITERATURE Monroe, Marilyn, and Bernard Comment. Fragments: Poems, Intimate Notes, Letters. Pages 78-81. New York: Farrar, Straus and Giroux, 2010. 1-237. Print.
10 1/2 by 7 1/4 inches
Estimate: $10,000 - $15,000

Lot 174: MARILYN MONROE HANDWRITTEN SONG LIST
A single sheet of hotel stationery from the Waldorf Astoria, New York, where Monroe stayed between April and September 1955. The verso of page contains a long list of song titles in pencil with some numeric references to a song standard book. It is presumed these were possibly songs that Monroe wanted to perform.
LITERATURE Monroe, Marilyn, and Bernard Comment. Fragments: Poems, Intimate Notes, Letters. Pages 82-83. New York: Farrar, Straus and Giroux, 2010. 1-237. Print.
10 1/2 by 7 1/4 inches
Estimate: $3,000 - $5,000

Lot 192: MARILYN MONROE HANDWRITTEN NOTE
A single sheet of unlined paper with serrated left edge and faint coffee mug stain. The page contains pencil notations, including the numbers "262" and "263," which are believed to be references to a collection of song standards, [see Lot 256] and would correspond to "While We're Young" and "Wonderful Guy." The body of the text reads "Dec 11/ See in older journal-/ always admired men who had many women./ It must be that to a child of a dissatisfied woman/ the idea of monogamy is hollow."
LITERATURE Monroe, Marilyn, and Bernard Comment. Fragments: Poems, Intimate Notes, Letters. Pages 164-165. New York: Farrar, Straus and Giroux, 2010. 1-237. Print.
8 by 4 7/8 inches
Estimate: $4,000 - $6,000

Lot 193: MARILYN MONROE HANDWRITTEN NOTE
A single page torn from a lined spiral-bound notebook, stained in red ink. Presumably torn from the same notebook as the similarly stained pages also included in this sale that also date to 1956. The page contains dialogue from Monroe's film, Bus Stop as she portrays Cherie, who asks Elma for help: "Pardon me I'm sorry to wake you/ But I wonder if you could help/ me/ I'm being abducted/ you know-kidnapped-by-him/ I thought maybe as soon as/ we got some place I'd ask the/ driver to stop and let me off/ But we been driving for hours/ and we still don't seem to be/ nowhere at all-not only that/ but I'm freezing to death-I/ ain't got much on under/ my coat."
LITERATURE Monroe, Marilyn, and Bernard Comment. Fragments: Poems, Intimate Notes, Letters. Pages 166-167. New York: Farrar, Straus and Giroux, 2010. 1-237. Print.
8 1/2 by 11 inches
Estimate: $6,000 - $8,000

Lot 194: MARILYN MONROE NOTEBOOK PAGES
Two pages torn from a lined spiral-bound notebook, both stained in red ink. The first page was published in the book Fragments and contains references to "The Sleeping Prince," an early production title for Monroe's film The Prince and the Showgirl, dating these writings to 1956. The notes show Monroe becoming her own task master, reminding herself "don’t stop myself," "learn - lines logically," "I can't do more than/ one thing at a time/ make map tonight," and "take my time to think." She instructs herself to make a list of tasks and work on exercises, which perhaps explains the cryptic writings on the second page that did not appear in Fragments, reading in full, "From Ridding partly/ T Nautiousness [sic]/ Place/ personalization (A)/ weariness/ (J)/ (Ar).""
LITERATURE Monroe, Marilyn, and Bernard Comment. Fragments: Poems, Intimate Notes, Letters. Pages 168-169. New York: Farrar, Straus and Giroux, 2010. 1-237. Print.
8 1/2 by 11 inches
Estimate: $3,000 - $5,000

Lot 195: MARILYN MONROE HANDWRITTEN NOTE
A single lined page torn from a Steno notebook with ragged spiral tab top edge. The note in pencil appears to be Monroe jotting down notes regarding the reasons Elia Kazan did not want to cast her In the title role of his 1956 film Baby Doll, written by Tennessee Williams. One of the notes reads "He said that I've become so deified as a sex symbol that public never except [sic] me as a virgin and as a nineteen/twenty year old."
LITERATURE Monroe, Marilyn, and Bernard Comment. Fragments: Poems, Intimate Notes, Letters. Pages 170-171. New York: Farrar, Straus and Giroux, 2010. 1-237. Print.
8 3/4 by 6 inches
Estimate: $3,000 - $5,000

Lot 196: MARILYN MONROE 1960 NOTE FROM THE SET OF THE MISFITS
A single-page letter written in pencil outlining Monroe's thoughts regarding how the film should be shot to convey the presence of Clark Gable's character in the film The Misfits Gay Langland. The note reads in part, "I feel the camera has got/ to look through Gay's/ eyes whenever he is in a/ scene and even when he is/ not there still has to be a sense of/ him/ He is the center and the/ rest move around him."
LITERATURE Monroe, Marilyn, and Bernard Comment. Fragments: Poems, Intimate Notes, Letters. Pages 172-173. New York: Farrar, Straus and Giroux, 2010. 1-237. Print.
8 by 5 inches
Estimate: $4,000 - $6,000

Lot 200: MARILYN MONROE HANDWRITTEN NOTE TO LEE STRASBERG
A single page of lined paper from a Steno notebook with doodles of faces in pencil below a quick note about punctuality references Monroe's role as the routinely tardy Miss Lois Laurel in her 1952 film Monkey Business. Below this note is a note in Lee Strasberg's hand reading "Don't be nervous Marilyn/ you are doing swell &/ you look wonderful."
LITERATURE Monroe, Marilyn, and Bernard Comment. Fragments: Poems, Intimate Notes, Letters. Pages 186-187. New York: Farrar, Straus and Giroux, 2010. 1-237. Print.
8 3/4 by 6 inches
Estimate: $4,000 - $6,000

Lot 201: MARILYN MONROE HANDWRITTEN NOTE TO LEE STRASBERG
An undated handwritten note by Monroe to mentor Lee Strasberg, on a single sheet of lined notebook paper torn from a spiral-bound Steno book, reading “Dear Lee/ One of the most personally helpful things I’ve heard so far in my life was what you said in class Friday afternoon – it was helpful in that I feel as though I’m a little bit freer – also more – I can’t think of any I mean by that more relaxed 2 and 2 don’t necessarily make 4.”
LITERATURE Monroe, Marilyn, and Bernard Comment. Fragments: Poems, Intimate Notes, Letters. Pages 188-189. New York: Farrar, Straus and Giroux, 2010. 1-237. Print.
9 by 6 inches
Estimate: $10,000 - $20,000

Lot 203: MARILYN MONROE LETTER TO LEE STRASBERG
A two-page typed letter, signed, to mentor Lee Strasberg, dated December 19, 1961, with original transmittal envelope addressed to Strasberg's Central Park West address, postmarked Beverly Hills Calif. December 21, 1961. The letter, addressed "Dear Lee," asks Strasberg’s wife Paula and children Susan and Johnny to consider relocating to California to be part of a new production company Monroe was developing in partnership with fellow Actors Studio alumnus Marlon Brando. The letter is signed in blue ink in Monroe's hand simply "Marilyn."
LITERATURE Monroe, Marilyn, and Bernard Comment. Fragments: Poems, Intimate Notes, Letters. Pages 196-197. New York: Farrar, Straus and Giroux, 2010. 1-237. Print.
Estimate: $7,000 - $9,000

Lot 211: MARILYN MONROE NOTE FROM ROBERT MITCHUM
A typed, signed letter from Darryl F. Zanuck dated December 10, 1953, addressed "Dear Bob:" for Robert Mitchum. The letter thanks Mitchum for his cooperation in connection with shooting retakes for the film River of No Return and in turn apologizes: "I am also very sorry about the delay with Marilyn. We could not possibly anticipate such action." Mitchum has written in quite large letters in blue ink "Dig!!!" above the note, and on verso he has written "Marilyn/ Your girl is my/ girl and my girl is/ you - Ever Bob." The note documents Mitchum's loyalty to Monroe, having first met her when she was married to Jim Dougherty, revealing Zanuck's speaking ill of her.
10 1/2 by 7 1/4 inches
Estimate: $500 - $700

Lot 249: MARILYN MONROE PHOTOGRAPHS AND LETTER FROM REPORTER
A typed letter signed by St . Petersburg Times photographer George Sweers dated March 23, 1961. The letter thanks Monroe for allowing him to ask a few questions and take a few pictures the previous day and goes on to reminisce about spending time with her when she entertained the troops in Korea. He writes, "This, as you probably remember, was the shot we had made on the Eastern Front after the last show." He included two copies of the photograph, requesting that Monroe sign one and send it back to him. Together with both copies of the photos that accompanied the letter.
8 1/2 by 11 inches
Estimate: $400 - $600

Lot 250: MARILYN MONROE CARD FROM ELLA FITZGERALD
A vintage Hallmark Christmas card, undated, wishing a "Merry Christmas To Someone Nice," signed in blue ink "Ella Fitzgerald." While it is often reported that Monroe helped to get Fitzgerald a booking at the Mocambo club in Hollywood, due in large part to Fitzgerald's own recollections, documentary evidence supports the fact that Monroe actually attended Fitzgerald's performances at The Tiffany Club in 1954.
7 by 6 inches
Estimate: $500 - $700

Lot 251: MARILYN MONROE SECRETARIAL MEMO REGARDING ELLA FITZGERALD
A typed memo dated February 15, 1955, on the letterhead of business manager Inez Melson, titled "Memo of conversation with Jo Brooks." Brooks was the husband of Julies Fox, who handled publicity for Ella Fitzgerald, and the memo says that, "A few months back, Miss Monroe visited the Tiffany Club on West 8th Street where Ella Fitzgerald was playing. Miss Fitzgerald talked of a possible future date at the Mocambo and Miss Monroe said when this happened, she would like to give a party for Miss Fitzgerald./ Miss Fitzgerald will open at the Mocambo on March 15 and Miss Brooks wanted to know if Miss Monroe was serious about giving a party." This memo further explains the sequence of events and the fact that Monroe did not in fact play a part in getting Fitzgerald booked at the Mocambo as she stated to the press at one time.
6 1/4 by 7 1/4 inches
Estimate: $100 - $150

Lot 252: MARILYN MONROE NOTE TO LEE STRASBERG
A small note in pencil in Monroe's hand on the back of a piece of paper taken from a visitor's log. The note appears to be a draft written to accompany a book Monroe was giving to Lee Strasberg as a gift, reading in part, "For Lee/ I wanted to give you something for your library - you are giving me a way in which to work and the hope to be human -/ Love Marilyn." Multiple additions and strikethroughs with changing of wording.
6 by 3 1/4 inches
Estimate: $1,500 - $2,000

Lot 253: MARILYN MONROE GIFT NOTE TO PAULA STRASBERG
A small piece of plain white paper folded into a card reading "Dear Paula,/ I'm glad you were born because you are needed./ Your warmth is both astonishing and welcomed./ Love & Happy Birthday/ Marilyn."
6 by 4 inches
Estimate: $3,000 - $4,000

Lot 254: MARILYN MONROE ACTORS STUDIO NOTES
Two sheets of paper from a small spiral-bound planner dated April 3 and 4 as well as a sheet dated April 7 and 8. The pages contain notes in pencil in Monroe's hand reading, for April 3, "Remember - the actors concentration is the only thing between him and suiside [sic]/ try not to come to the scene too late - (exploration - sensory process Home work - after on stage - carry it on (on stage)"; April 4, "Everybody want to be happy (to be good actors) to make money (in my case) and look how miserable we make one another"; April 7, "Nothing can get through tension - what ever you might want to do/ the effort is the only thing the human being (the actor) has between himself and God knows what!"; and April 8, "Just do tecnical [sic] exercises as fully as I can."
3 1/2 by 2 1/2 inches
Estimate: $4,000 - $6,000

Lot 255: MARILYN MONROE NOTEBOOK WITH NOTES FROM ACTING CLASS
A black board notebook with red spine containing lined notebook paper with notes in Monroe's hand. A very large letter "M" is drawn inside the front and back covers. There are multiple notes written in another hand on the first page of the book, but the next page contains notes in Monroe's hand in pencil with ideas for a "Street Car Scene" reading in part, "begin with ? (1st grade happening Mexican boy accuses me of hurting him - having to stay after school it was nite [sic] outside - have place - concern because of Stan K. accusations plus - getting dress for Mitch trying to look nice especially since what Stan K. has said." The note also suggests she hum "Whispering while you hover near me," which is a song standard found in her notebook of standards in the following lot, only the lyric is "Whispering while you cuddle near me." The front and back of the last page of the book contain notes from acting class, including "during exercise - lee said let the body hang"; "2 exercises at one time/ cold & Touch/ one might not be enough for what's needed"; and "sense of oneself/ first thing a child (human being) is aware of (making a circle) touching ones foot knowing himself is separate from the rest of the world," among others.
8 by 6 1/4 inches
Estimate: $4,000 - $6,000

Lot 256: MARILYN MONROE SONGBOOK
A three-ring binder, in black laminated board, both front and back covers detached but present. The binder contains more than 369 indexed pages of song standards with front table of contents page dividing them into broad categories: "Standard Foxtrots and Show Tunes," "Latin American Tunes" and "Foreign Songs." One page has a pencil notation beneath the song "You Do Something To Me" by Cole Porter; the writing is quite small and difficult to identify the hand. It is from this book that certain three-digit numbers mentioned in some of Monroe's notebooks were thought to have originated, like the numbers 262 and 263 in Lot 192.
11 1/4 by 10 inches
Estimate: $400 - $600

Lot 258: MARILYN MONROE LETTER FROM EDWARD R. MURROW
A single-page typed, signed letter dated November 7, 1955, on Edward R. Murrow's personal stationery addressed to Marilyn Monroe in care of Mr. Green in Weston, Connecticut. The letter was sent in advance of Monroe receiving a complimentary copy of Columbia Records album compilation excerpts from some of Sir Winston Churchill's speeches. The letter is signed "As ever yours, Ed/ Hope you like it!" Together with original transmittal envelope with CBS Radio stamp, postmarked November 7, 1955.
10 1/2 by 7 1/4 inches
Estimate: $300 - $500

Lot 260: MARILYN MONROE HANDWRITTEN LINES FROM A SCENE
Two lined notebook pages with block letter “MMM” printed to left margin. The pages contain most of the dialogue from Act I, Scene 4, delivered by the character Lorna in Clifford Odets’ 1937 play Golden Boy. The second page contains the same lines written out twice and traced over multiple times, likely part of Monroe’s process of trying to memorize the lines for a scene performed in one of her Actors Studio classes.
12 3/8 by 8 inches
Estimate: $2,000 - $3,000

Lot 263: MARILYN MONROE BUS STOP SIDES AND NOTES
A group of 16 pages containing some of Monroe's lines from the film Bus Stop. Five of these pages have the lead in to Monroe's lines added in red ink in another hand, likely Paula Strasberg. Together with a single half page entirely filled with notes in Monroe's hand in pencil and red ink. The notes read in part, "Waking up - scene/ Headache/ tiredness - headache / go to sleep/ I don't want to be here" and "first scene with Vera/ I tell it as a/ told as a fairy tale/ Once upon a time."
5 1/2 by 8 1/2 inches
Estimate: $10,000 - $20,000

Lot 264: MARILYN MONROE ANNOTATED BUS STOP SCRIPT SIDES
A small bound group of 31 mimeographed half pages containing Monroe's dialogue for the film Bus Stop. Ten of the pages contain notes in Monroe's hand in pencil. Additional notes in the hand of Paula Strasberg and an administrative hand. A note in Monroe's hand on the first page next to lines about her character Cherie wanting to be respected and tired of being "pawed at and pinched at" reads "Fight with manager/ A.M. H. Cohn middle of dinner party" clearly references incidents Monroe wished to draw upon from her life in the scene. Another note in Monroe's hand written beneath the line "Oh - it's you!" reads "(Good God it's you)."
5 1/2 by 9 1/2 inches
Estimate: $10,000 - $20,000

Lot 265: MARILYN MONROE ANNOTATED BUS STOP SCRIPT SIDES
A group of seven half sheets of paper, held together with a straight pin, containing some of Monroe's lines from the film Bus Stop. Six of the seven pages contain notes in Monroe's hand. This is the first film Monroe made after beginning to study at the Actors Studio in New York City with Lee Strasberg, and the notations in these script sides demonstrate her method. Some of the notes are sense memories, like the following notation written after the line "I can't look": "Effective memory (use Lester - hurt on lawn)," most likely referencing Monroe's childhood playmate Lester Bolender, who was in the same foster home with Monroe. Another note adds "(almost to myself)" before a line to inform her delivery or "Scarfe [sic] around my arms) Embarrassed."
5 1/2 by 8 1/2 inches
Estimate: $10,000 - $20,000

Lot 300: MARILYN MONROE LIST OF APPROVED DIRECTORS
A single piece of hotel stationery paper from The Towers of the Waldorf Astoria in New York City containing a list of directors' names titled "OK List" in another hand with pencil notations in Monroe's hand throughout. Monroe's comments are simple, in some cases listing other works by the director, like "(Bus Stop)" next to Josh Logan's name and "(Musical)" next to "Vincent Minnelli." Jean Renoir is crossed out with a bubble reading "subject to material." A note at the bottom of the page reads "submit other names/ open for suggestions other than these."
10 1/2 by 7 1/4 inches
Estimate: $3,000 - $5,000

Lot 301: MARILYN MONROE SAG CARD AND RECEIPT
A Screen Actors Guild membership card for the period beginning May 1, 1959, and ending November 1, 1959. "Marilyn Monroe" is typed onto front of card as well as her membership number. Together with Monroe's carbon copy receipt for payment of $80 on May 11, 1959, listing her home address as 444 East 57th Street, New York City.
Card, 2 1/2 by 3 1/2 inches
Estimate: $3,000 - $5,000

Lot 302: MARILYN MONROE AFTRA CARD AND RECEIPT
An American Federation of Television and Radio Artists membership card for the period ending November 1, 1958, with typed "Marilyn Monroe" on front, unsigned on back. Together with the receipt dated May 23, 1958, for payment of the dues for period ending November 1, 1958, in the amount of $38, which included overdue payment and penalty. Monroe's address is listed as 444 East 57th St. New York on the receipt for payment.
Card, 2 1/2 by 3 1/2 inches
Estimate: $2,500 - $3,500

Lot 308: MARILYN MONROE NOTES ON ACTING
A single sheet of lined yellow paper with notes in blue ink, in Monroe's hand, reading in part, "keeping all of the changes of pantomime & grimaces etc inside, then it forces the eyes - it all comes through the eyes" and "Constantly practicing that letting go/ in which you don't do in life which isn't necessary or something/ feeling how it feels and practicing that/ your spirit speaks."
12 1/2 by 8 inches
Estimate: $3,000 - $5,000

Lot 313: MARILYN MONROE MOTION PICTURE ACADEMY CARD AND CORRESPONDENCE
A series of letters, the first on Academy of Motion Picture Arts and Sciences (AMPAS) letterhead signed by then president George Stevens, dated October 28, 1958, inviting Monroe to become a member of the Academy. The second letter is an unsigned file copy of Monroe's response dated January 12, 1959, reading in part, "I have been indisposed and away and did not see your letter until now." She asks for further details regarding the by-laws. The next letter on AMPAS letterhead is signed by then executive director Margaret Herrick, dated January 19, 1959, accompanied a copy of the Academy by-laws. The last letter, on AMPAS letterhead, signed by Stevens, dated March 5, 1959, welcomes Monroe to the Academy and is accompanied by Monroe's Academy membership card for the year 1959 on the original card, still in the holder in which it was sent.
Largest, 8 1/2 by 11 inches
Estimate: $8,000 - $12,000

Lot 368: LAURENCE OLIVIER LETTER TO MARILYN MONROE
A seven-page autograph letter on four leaves of paper in the hand of Sir Laurence Olivier on blue stationery with Olivier's Lowndes Cottage address and original envelope addressed "For Miss Marilyn Monroe from L.O." in Olivier's hand. There are numbered notations throughout the letter in red wax pencil, underlining words that were difficult to make out. The letter is together with a three-page typed transcription of the letter with corresponding numbered blanks for each of the difficult words, which have been filled in by hand. The letter is dated simply June 9, and it accompanied the latest version of the script for The Prince and the Showgirl. Olivier discusses Monroe's dialogue and that he has "written some extra dialogue and a direction or two." He reports on where they are in the script writing process and that they have cut the script down from "well over 3 hours" to 2 1/2, to 2 hours 10 minutes. He continues about the scenes that were and were not cut, including "The Duke of Strelitz is, I think essential, as otherwise they will be saying 'what's the matter with them - why the heck can't they get married' particularly in view of Grace Kelly and all that, and our only answer to that question must be 'Yes but Look at the poor Windsors' do you see?"
On an amusing note, Olivier mentions, "By the way Lady Maidenhead has degenerated to Lady Swingdale because I am assured the Hayes Office will not believe there is also a place in England of that name." He closes "I just called up Vivien at the theatre ... and she said to be sure to give you her love. So here it is and mine too. Longing to welcome you here. Ever, Larry."
Largest, 8 1/2 by 11 inches
Estimate: $1,800 - $2,200

Lot 369: ARTHUR MILLER LETTER TO MARILYN MONROE
A single piece of lined yellow paper, torn in half, with an autograph letter in Miller's hand addressed "Dear Poke." The letter outlines Miller's thoughts about the script for The Prince and the Showgirl as well as his feelings about Monroe taking on the project, reading in part, "Some of your dialogue is stiff. Also some expressions are too British. If you want me to, I can go through the script and make the changes - - in New York./ I think the part - on one reading, is really the Best one ... especially with you playing it. You are the one who makes everything change, you are the driving force ... The basic problem is to define for yourself the degree of the girl's naivete. (It could become too cute, or simply too designing.) It seems to me, at least, that they have not balanced things in Olivier's favor. ... It ought to be fun to do after Bus Stop. From your - (and my) - viewpoint, it will help in a small but important way to establish your ability to play characters of intelligence and cultivation. ... Your loving Papa - (who has to rush now to make the plane - see you soon! - free!) - Art." The back of the page has the name Sydney Guilaroff, famed MGM hairdresser, and his phone number written large in red wax pencil.
8 1/2 by 11 inches
Estimate: $2,000 - $3,000

Lot 370: LAURENCE OLIVIER LETTER TO MARILYN MONROE
A single-page autograph letter on personal stationery, undated, from Laurence Olivier to Monroe reading in part, "Dear Marilyn/ It was so sweet of you to send the enchanting wires. … I am extremely excited at our prospects - You were so angelic in New York. Thank you for all your sweetness/ I think with great joy of our future meeting./ Ever, Larry."
6 7/8 by 5 1/8 inches
Estimate: $800 - $1,200

Lot 371: LAURENCE OLIVIER FLORAL ARRANGEMENT CARD TO MARILYN MONROE
A simple plain white card with autograph message to Monroe in the hand of Sir Laurence Olivier reading "Marilyn, It has been so lovely meeting you, knowing you and now knowing that such exciting things and such fun are ahead. Love and Thank You, Larry."
2 1/4 by 3 1/4 inches
Estimate: $300 - $500

Lot 378: MARILYN MONROE ROYAL FILM PERFORMANCE LETTERS
A group of documents regarding Monroe's attendance to the Royal Film Performance at the Empire Theatre held October 29, 1956. This is where Monroe was formally presented to Her Majesty, Queen Elizabeth II. The first document, two pages, is dated October 2, 1956, and contains general information about the proceedings and rehearsals for the evening with time schedules. The second document is addressed to Monroe at Parkside House in Surrey, England, and advises Monroe that she is to be included in the presentation to Her Majesty, The Queen. This single-page letter has a small slip of paper stapled to the upper left reading "Dress/ Full Evening Dress/ No decorations/ No gloves for Gentlemen/ White gloves for Ladies." Together with Monroe's presentation card.
Largest, 8 1/2 by 11 inches
Estimate: $400 - $600

Lot 381: MINUTES FROM A MEETING WITH MARILYN MONROE
Two small unlined pages from a six-ring binder, with typed notes from a meeting held April 3, 1958, at 2:30 pm at Monroe's 444 East 57th Street apartment. The notes list attendees as Lew Wasserman, Mort Viner, Marilyn Monroe and Arthur Miller. Among the topics discussed were how to handle Monroe's stalling of Billy Wilder regarding accepting the assignment for Some Like It Hot, one note reading "MCA on the Coast has told Wilder that there are 'legal technicalities holding up her decision' so as not to offend Wilder. Actually, she is waiting for Sinatra to enter the picture. She still doesn't like Curtis but Wasserman doesn't know anybody else."
6 by 3 1/2 inches
Estimate: $300 - $500

Lot 412: MARILYN MONROE ANNOTATED SOME LIKE IT HOT SCRIPT SIDES
Two half sheets of paper with green and black typed text containing some of Monroe's lines from the film with notations in Monroe's hand. One notation above the line mentioning the most wonderful dream reads "100 Cary Grants." Above the line of dialogue reading "He was the first nice guy I ever met in my life and the only one who ever gave me anything," Monroe has written simply "Jake."
5 1/2 by 8 1/2 inches
Estimate: $3,500 - $4,500

Lot 413: MARILYN MONROE SOME LIKE IT HOT SCRIPT PAGES
A red paperbound folio containing seven typed pages for Monroe's scene with Tony Curtis in Some Like It Hot on the yacht. The pages are clean with the exception of two pencil lines drawn next to two of Monroe's lines.
9 by 11 1/2 inches
Estimate: $2,000 - $3,000

Lot 414: MARILYN MONROE SOME LIKE IT HOT PRODUCTION PAPERS
A group of production documents including a call sheet for the film Some like It Hot dated November 7, 1958, with additional "Last Day" written in red pencil indicating that it was the last day of shooting. Together with a two-page yellow staff sheet for the film and a three-page cast sheet listing contact information for the entire cast, including Marilyn Monroe's secretary May Reis.
8 1/2 by 11 inches
Estimate: $400 - $600

Lot 415: MARILYN MONROE SOME LIKE IT HOT MEAL RECEIPTS
A large group of 32 meal receipts from the MGM Studios cafe dated between September 5 November 10, 1958, with itemized listings of the food and beverages Monroe ordered while filming Some Like It Hot at the studio. Some receipts have delivery notations "to Stage 3" and "to dressing room." On one receipt dated September 25, 1958, the order includes two hamburger steaks, "1 well done/ 1 rare/ 2 cottage and fruit salads/ 1 ice coffee/ 1 milk/ well done lunch send on stage 3/ rare lunch send to dressing room." Some of the receipts indicate that meals were for others, including "Lunch for Miss Reis - Lunch for Maid." All but one receipt is dated, and frequently ordered items include ice cream, double sirloin, ham and cheese, pot of coffee, lox and cream cheese, donuts, pie a la mode, meatloaf, pastrami, Danish, and many other items.
Largest, 7 3/4 by 4 1/4 inches
Estimate: $500 - $700

Lot 417: MARILYN MONROE SOME LIKE IT HOT PRESS RELEASES
A group of three press releases, five pages total, from United Artists Corp. dated March 24, April 6, and June 16, 1959, announcing record box office numbers as well as an extended run in theaters. Together with a five-page cast list and synopsis with cover page sent out for press purposes.
8 1/2 by 11 inches
Estimate: $200 - $300

Lot 418: MARILYN MONROE RESPONSE TO TONY CURTIS QUOTATION
A small piece of paper with note in pencil in Monroe's hand reading "There is only one way he could comment on my sexuality, and I'm afraid he has never had the opportunity!" This comment has been reported to be in response to the now famous glib remark made by Tony Curtis in a screening room during production of Some Like It Hot , where he famously said that kissing Monroe was "like kissing Hitler." Curtis said this in a private setting to crew and other people present during production, including Paula Strasberg. Despite the fact that he denied the comment when it got back to Monroe, later in his life he did reportedly admit to saying it.
5 by 8 inches
Estimate: $2,000 - $3,000

Lot 426: MARILYN MONROE TRADE ADS
Two pages torn from the March 9, 1960, issues of The Hollywood Reporter and Variety featuring an appreciative "Love and Kisses/ Marilyn Monroe" message from Monroe in appreciation of winning the Best Actress in a Comedy or Musical Golden Globe award.
12 1/4 by 9 1/4 inches
Estimate: $200 - $300

Lot 432: MARILYN MONROE AFTRA CARD AND RECEIPTS
An American Federation of Television and Radio Artists membership card for the period ending November 1, 1959, still attached to the larger receipt for payment card. The card is unsigned, and Monroe's address is listed as 444 East 57th St. New York. The receipt portion of the card is for a payment in the amount of $23 dated June 15, 1959. Together with a receipt dated December 1, 1958, for payment of dues in the amount of $16.
Largest, 4 by 9 inches
Estimate: $3,000 - $5,000

Lot 435: MARILYN MONROE RECEIPT FOR CECIL BEATON PHOTOGRAPH
A shop receipt from Peter A. July & Son photographers of fine arts in New York City in the amount of $165.44. The receipt is dated January 19, 1960, and is written in the name of Mrs. Marilyn Monroe of The Beverly Hills Hotel for 24 matte copies of "Beaton Photos" plus United Parcel Air Service delivery. It has been widely reported that Cecil Beaton's portrait of Monroe was her favorite portrait of herself and that she kept copies on hand to sign for people.
8 1/2 by 5 3/4 inches
Estimate: $200 - $300

Lot 436: MARILYN MONROE INVOICE FROM CECIL BEATON
A "Copy Invoice" in the amount of 37.16 British pounds dated August 2, 1957, on a single sheet of Cecil Beaton's stationery. The receipt is written in the name of Marilyn Monroe Productions Inc. and is billing work that occurred in November 1956 listed as, "Photographs supplied for Miss Marilyn Monroe:- 12 prints No. 109 8" X 10" mounted." It has been widely reported that Beaton's portrait of Monroe was her favorite portrait of herself and that she kept copies on hand to give to people.
8 by 6 inches
Estimate: $300 - $500

Lot 437: MARILYN MONROE LETTERS FROM FAMOUS PHOTOGRAPHERS
Two letters and two telegrams from photographers with whom Monroe had famous collaborations: a single-page autograph letter on personalized stationery dated October 28, 1959, from Philippe Halsman commenting on the famous LIFE magazine cover, saying "It could have been printed better, you could have been better centered - but nevertheless it is the most charming and unusual cover LIFE has had in years. Everybody loves it."; a two-page typed, signed letter from Cecil Beaton dated May 9, 1956 regarding a shoot and other catching up; a telegram from Richard Avedon dated July 9, 1958, regarding the photos from one of their recent shoots needing to be re-shot; and a telegram from Avedon dated simply July 10 regarding working on a television show.
Largest, 10 by 8 inches
Estimate: $400 - $600

Lot 439: MARILYN MONROE CORRESPONDENCE WITH PORTRAIT ARTIST
Two typed and signed letters from artist Jon Whitcomb to Monroe regarding his original painting of Monroe used for the March of 1959, cover of Cosmopolitan magazine, the first dated June 22, 1959, reading in part, " Cosmopolitan has returned the painting of your cover which was on the March issue. I haven't forgotten that I promised it to you; so if you still want it, how do I make delivery?" The second dated October 6, 1959, proposes a plan to drop off the painting at Monroe's building. Together with a typed, unsigned file copy of a response from Monroe dated September 24, 1959, reading in part, "Please forgive the long delay in answering, but I have been up to my derriere in preparations for two movies for the near future; public-relations, home-relations -- please understand./ I would love to have the picture from you and I repeat 'at last to be a Whitcomb girl!"
8 1/2 by 11 inches
Estimate: $300 - $500

Lot 440: MARILYN MONROE ACTING EXERCISE AND NOTES
A single sheet of lined yellow paper with dialogue written out in pencil in Monroe's hand: "Where did he go? He told you I know he did/ If you'd only have given me a little longer - He was in love with me - we'd have been married you didn't want me to have him from the beginning/ you wouldn't let me wear those pretty things/ Even when I told you about the doll - you/ sent those people around/ He died! But he said/ he came back - Tell/ Me - tell me -." The front and back of the page is then covered with small performance notes, including "The thought focus on partner not on word then let go of word"; "don't do with words & voice"; "Let go everything elastic keep the pick up lay on the horse"; and "to be as relaxed let go of mouth speech thought," among many others.
12 1/2 by 8 inches
Estimate: $6,000 - $8,000

Lot 441: MARILYN MONROE BREAKFAST AT TIFFANY'S SCRIPT AND REPORT
A clean copy of the screenplay for Breakfast at Tiffany's written by George Axelrod and dated July 9, 1959. Monroe was considering the part, and she sought the opinions of her professional team including the Strasbergs, her husband, and management team. The script is accompanied by a single-page, typed "report" dated September 23, 1959, which also has the name "Parone" typed to the left of the date. Literary luminary Edward Parone was at the time running Monroe's production company and most likely is the one who wrote this single-page, scathing review of the script, leading with the simple sentence, "I think not." It goes on to criticize the screenplay, determining, "I can see Marilyn playing a part like Holly and even giving this present one all the elan it badly needs, but I don't feel she should play it: it lacks insight and warmth and reality and importance." It has been long reported that Monroe declined the part upon the advice of Lee Strasberg, but this document provides further evidence that other people in her inner circle advised her not to take the role. Together with a four-page shooting schedule for November 4, 1960, for the film.
Largest, 14 by 8 1/2 inches
Estimate: $1,500 - $2,500

Lot 442: MARILYN MONROE ACTORS STUDIO NOTEBOOK
A small six-ring binder containing lined notebook pages in a black and red vinyl case by National. The small notebook contains 10 pages of notes in Monroe's hand, in pencil, on eight leaves of paper. The notes were taken during a class with Lee Strasberg and record bits and pieces of things that "Lee said," as is repeated on many pages, which include "For yourself not for us - or one doesn't use own sensitivity/ girl crying continuously Lee said - There should be a certain pleasure in This, in acting - we don't stop these things - she stoped [sic] crying only at those times"; "problems-all the more to be solved got to keep swimming/ criticism can be taken - to incite the will not self criticism"; "the actor has to do what the character has to do - let the author worry about his words"; "Life of - reality of champagne (you don't open every bottle the same) actor in scene took for granted (girl is going to be good (New). Boy - said lines no effort - like crossing street - Lee said he wants - Behavior - When someone is trying to make someone (love etc.) how does one go about it/ Lee said - girl simplicity good honesty, to begin (New) with - but..." The last notes are taken on two sides of one leaf of paper and read "My heart Belongs To Daddy Number/ Remember always left -" and "While tearing off/ caddy-move head a little/ Daddy R. shoulder up/ call dog in closer"; clearly, these notes are for Monroe's musical number in Let's Make Love (20th Century Fox, 1960). The notes correlate with the lyrics of the song, and indeed Monroe does move her head a little during the first verse that mentions the caddy, and she does raise her right shoulder up the first time she says "Daddy" in the chorus.
5 1/4 by 4 inches
Estimate: $20,000 - $30,000

Lot 445: MARILYN MONROE RECEIPTS FOR 34TH BIRTHDAY CELEBRATION
A receipt from Gill’s Old Fashioned Ice Cream, dated June 1, 1960, for 100 ice cream treats, together with a receipt from Paper Unlimited, Inc. for forks, spoons, napkins, plates and a tablecloth, dated May 24, 1960. Both receipts are addressed to Hazel Washington, Monroe’s studio maid at Twentieth Century Fox. Monroe celebrated her 34th birthday on the set during filming of Let’s Make Love .
Estimate: $400 - $600

Lot 446: MARILYN MONROE TAXI RECEIPT
A receipt from the Yellow Cab Company dated February 4, 1960, in the amount of $1.50. The cab lists a trip from simply “904” to “20th Century,” presumably 20th Century Fox, where Monroe had already begun filming the 1960 release Let’s Make Love .
Estimate: $150 - $250

Lot 447: MARILYN MONROE PAYMENT MEMOS
A group of five pages of documents concerning the deduction of money from one of Monroe's payments from Fox Studios for her work on Let's Make Love . The first letter, dated February 16, 1960, from Mort Viner at MCA is addressed to Monroe's secretary, May Reis, explaining that Sydney Guilaroff wanted more money than Fox was willing to pay him for his services in styling Monroe's hair in Let's Make Love and that "Marilyn had asked me to have Fox pay it by deducting it from her checks as she didn't want Sidney [sic] to know. " Accompanied by a two-page letter from Monroe's law firm concerning the deduction, a check stub, and an invoice explaining the payment and deductions.
Largest, 8 1/2 by 11 inches
Estimate: $200 - $300

Lot 451: MARILYN MONROE ACTING NOTES ON ENVELOPE
An unpostmarked envelope addressed to Monroe at 2 Sutton Place South in New York City from the Radio and Television Executives Society Inc. The back of the envelope has a linear thought written in Monroe's hand in pencil reading "I somehow am seeing with my body also and when I am truly listening/ What is the matter with my voice - Maybe just let the voice come out of my body however it does under certain circumstances." The thought continues on the front of the envelope "… and in - what ever the given situation." The remainder of the notes are more frenetic, reading in part, "Strassberg [sic] says we remember with our senses - Not brain or mind (remember with Body" and "Tell Hohenberg about the period during when I stopped secreatly [sic] play acting so fully/ it was the time I got my first job acting at 20." The notes covering the envelope, overlapping and intertwining, were likely taken during an acting class and demonstrate the unbridled energy Monroe felt toward her study of acting.
4 by 9 1/2 inches
Estimate: $4,000 - $6,000

Lot 483: MARILYN MONROE RECEIVED LETTERS FROM DESIGNERS
Two unsolicited letters from designers who wished to work with Monroe. The first, dated February 26, 1958, from Tony Savini, gives his background and qualifications and explains that he has completed a number of original gowns and dresses expressly for Monroe and would like to offer them to her free of charge. The letter is accompanied by an original watercolor and ink on paper design sketch. Together with a letter dated February 4, 1962, from Paul Zastupnevich, a designer who had credits to his name with Fox Studios. He expresses his interest in designing for Monroe and includes a clipping of Rhonda Fleming wearing one of his gowns.
Largest, 8 1/2 by 11 inches
Estimate: $100 - $150

Lot 508: MARILYN MONROE ANNOTATED THE MISFITS SCRIPT SIDES
Two half sheets of paper containing some of Monroe's lines from the film The Misfits with notations in pencil, in Monroe's hand. One of the half pages is dated October 6, 1960, and it has lines from the climax of the film when Rosalyn, played by Monroe, pleads with Gay, played by Clark Gable, not to kill the horses. The notes include "almost in wonder to myself/ you liar all of you liars/ to perce/ Christ/ whisper" in reference to parts of her line reading "You're only living when you can watch something die Kill everything that's all you want why don't you just kill yourselves and be happy (to Gay) you with your God's country freedom." Another notation has the word "shiver" inserted before the line "I pity you all." Another emotional line written in the script as "How much do you want for them I'll pay you I'll give you two hundred dollars Is that enough" has a number of alternatives written in Monroe's hand, including "I'll give you money" or I'll give "you anything anything" or "you want my blood I don't need it anymore take my blood." The pages are accompanied by eight additional full script pages featuring the dialogue that leads up to Rosalyn's pleading with Gay not to kill the horses, beginning with the close shot of the mare stepping into the noose with her forefeet. These notes are a window into Monroe's process in creating one of the most emotionally painful and poignant scenes of her career.
Half sheets, 5 1/2 by 8 1/2 inches
Estimate: $6,000 - $8,000

Lot 511: MARILYN MONROE NOTES ON HER MISFITS CHARACTER
A piece of plain paper with holes punched along left edge with notes in red ink in Paula Strasberg's hand reading "searching and yearning/ standing alone/ mood - I'm free - but freedom leaves emptiness./ Rosylin [sic] - flower opens bees buzz around/ R is quiet - the others buzz around." This provides an insightful look at how Strasberg helped Monroe to build her character in The Misfits.
9 1/2 by 6 inches
Estimate: $200 - $300

Lot 512: MARILYN MONROE RECEIVED LETTER FROM DOROTHY JEAKINS
A typed letter signed by costume designer Dorothy Jeakins dated May 3, 1960, and addressed, "Dear Marilyn," and reading in part, "Although I really feel I should be replaced--I will continue with your clothes for "The Misfits" because they are under way and nearly ready to fit./ If you like them, I will see them through to completion. If you are disappointed, someone else can then take over./ I am sorry I have displeased you. I feel quite defeated--like a misfit, in fact. But I must, above everything, continue to work (and live) in terms of my own honesty, pride and good taste." The letter is accompanied by an unsigned file copy of a letter from Jeakins to Mr. C.O. Erickson stating, " ... [C]ircumstances make it clear to me that I am unsuitable for this assignment and perhaps should be replaced. ... [U]nder these circumstances, I intend to accept no remuneration for my work and prefer to be omitted from the credits also. ... "
8 1/2 by 11 inches
Estimate: $500 - $700

Lot 517: MARILYN MONROE FAMOUS ARTISTS SCHOOL CORRESPONDENCE
A group of documents regarding Monroe's enrollment in the Famous Artists School of Westport, Connecticut, a distance learning program designed to further students’ fine art skills. The first letter, dated October 24, 1958, from the school's director, acknowledges Monroe's communication with "Jon Whitcomb who tells me you are quite interested in painting. He also tells me that you would like too [sic] take the Famous Artists Painting Course. At Jon's request we are making you a scholarship student but I am at a loss as to where to forward the textbooks since, as I understand it, you will be in Hollywood for sometime before returning to New York City." The next letter is an unsigned file copy of Monroe's response requesting the books be sent to 444 East 57th Street. Also included are a series of follow-up letters, six pages total, welcoming Monroe to the program, explaining the logistics of how the program works with critiques conducted via mail, and a full list of instructors. Also included are a blank Student Information Record and "Rate Yourself Progress Chart" forms with accompanying letters and a postage-paid envelope. The documents clearly demonstrate Monroe's interest in painting and the fact that she sought formal instruction.
Largest, 8 1/2 by 11 inches
Estimate: $600 - $800

Lot 575: MARILYN MONROE AFTRA CARD
An American Federation of Television and Radio Artists membership card for the period ending November 1, 1962, with handwritten "Marilyn Monroe" on front, unsigned on back. Because the membership to AFTRA was renewed bi-annually this is Monroe's last membership card for the organization.
2 1/2 by 3 1/2 inches
Estimate: $4,000 - $6,000

Lot 576: MARILYN MONROE'S LAST SAG CARD AND RECEIPT
A Screen Actors Guild membership card for the period beginning May 1, 1962, and ending November 1, 1962. “Marilyn Monroe” is typed onto front of card as well as her membership number. Together with Monroe’s carbon copy receipt for payment of $125 on May 22, 1962, listing her address as "P.O. Box 64721, Los Angeles 64, Calif."
Card, 2 1/2 by 3 1/2 inches
Estimate: $4,000 - $6,000

Lot 577: MARILYN MONROE NOTATIONS ON TELEGRAM
A Western Union telegram from Nunnally Johnson dated April 16, 1962, a week before production was to begin on Something’s Got To Give. Johnson was one of the screenwriters on that film and sent the telegram care of producer Henry Weinstein, misspelled "Wernstein." The telegram from Johnson reads "In Revised script you are child of nature so you can misbehave as much as you please love - Nunnally." Monroe has quickly written a note in pencil for reply reading "Where is that script - is the child of nature due on the set - Hurry Love & Kisses M.M." "Love and Kisses" is repeated, and additional illegible notations have been crossed out. The lighthearted response foreshadowed what was to come with Monroe frequently not reporting to the set as she was scheduled to appear, leading Fox Studios to fire her from the production.
5 1/2 by 8 inches
Estimate: $1,500 - $2,500

Lot 578: MARILYN MONROE SOMETHING'S GOT TO GIVE SCRIPT AND PAGES USED ON SET
20th Century Fox, 1962, mimeographed screenplay by Nunnally Johnson, 149 pages, blue cover dated March 29, 1962 reading "Final Confidential For Planning Purposes Only." The script contains two paper-clipped inserts, memos from the production addressed "To All Secretaries," the first dated April 23 and the second dated April 27, 1962, each accompanying blue revised pages 91 and 92 for the script. The script, marked final, also dated March 29, 1962, contains notations in Monroe's hand throughout in pencil and green ink on 18 pages. Some of the notations are from Monroe's work with a Swedish dialect coach.
In addition to these notations, two typed pages of Monroe's dialogue are bound between pages 107 and 108 of the mimeographed script. These two pages contain Monroe's dialogue from one of the few scenes captured on film, with her extensive pencil notations. Raw footage of Monroe performing with Tippy the cocker spaniel and the children in this scene exists, and Monroe's notations are evident in the footage. The top of the page reads "Real Thought/ Mental Relaxation/ substitute children - B & J if necessary/ feeling - place the pain where it is not in the brow." B & J likely refers to Arthur Miller's children Bobby and Jane. Another notation next to one of Monroe's lines of dialogue reads simply "Mona Lisa," which does in fact mirror the expression she uses when delivering this line. Even the exaggerated "Ahhhhh---" that Monroe does at the beginning of each take in the raw footage is written on the page in her hand, reading in full, "Ahhh--Look for the light.”
The notations throughout the script also include notes in an unidentified hand criticizing certain points of the story, including "Too Harsh," "Naggy," "Dull" and many other comments. Overall, the notations in both the script and on the dialogue pages used by Monroe to film the scene with the children and Tippy the dog tell the story of a tedious script writing and editing process. Her dialogue notations are a revealing window into her process in performing some of the last scenes she ever recorded on film.
Estimate: $15,000 - $20,000

Lot 580: MARILYN MONROE NOTES ON SOMETHING'S GOT TO GIVE SCRIPT
A Millers Falls EZERASE pad of typewriter paper with prepunched three-ring binder holes. The cover is detached but present, and the pad contains four pages of notes, two now detached, in Monroe's hand in pencil outlining her issues with the script for the film. The notes and criticisms include "logical drama but doesn't move on the screen/ leads him on than [sic] said not until"; "instead using the talents/ he's stuck/ imagine being married to MM and she comes back and he is stuck/ he'd dying to go Bed with her but can't because"; "more entertaining/ keep it on an edge/ if it isn't that kind of picture it won't go -/ only if script is acceptable." Then come Monroe's suggestions for a scene with check marks next to the ideas: "When Dean first see's Ellen -me- in nurses uniform - (as nurse) he could say - upon arrival - slouching ‘I don't feel so good nurse (weakening in the knees how could she do this to me/ I am telling her/ Beanka kind of stiffening up to hold him & the situation (the nite [sic] before) together he then pulls up but Dean will do this superbly/ He sings little song when drunk & frustrated." She also lists specific passages: "Page 73 (yes? - No? you understand Dean!)/ Page 76 children scene (in comparison to rewrite)." A small note on the last page of notes reads "Funny line writers Herb Gardner / Mel Brook [sic]."
These notes present a very astute Monroe who clearly had serious concerns with the quality of the script, demonstrating that her refusal to appear on set was grounded in these concerns and not simply the actions of a petulant star.
8 1/2 by 11 inches
Estimate: $5,000 - $7,000

Lot 581: MARILYN MONROE WORKING SCRIPT FOR SOMETHING'S GOT TO GIVE
A 149-page screenplay for Something's Got To Give by Nunnally Johnson dated March 29, 1962, in blue paper wrappers, marked final. There are notations in Monroe's hand in pencil on approximately 42 pages in the script, some simple dialogue corrections and other more in-depth sense memory notes for her to remember when doing the scene to evoke the right emotional frame of mind. A simple note on the back of the last page of the script reads "Joke writers/ Mel Brooks/ Herb Gardner/ Need spice/ raisins/ Need some funny lines." In a notation next to the stage direction for her character's anticipation and excitement about calling home after she has been rescued, she writes of Arthur Miller's children, "Bobby M./ and early Janie/ except their [sic] mine." In the scene where she is kissing her husband again and excuses herself to "get fixed up a little," she writes, "[L]et me get into something more comfortable/ leading him on -" and "[I]n other room throwing out piece of clothing" and below she writes "[L]ike F.S. when ingaged [sic]." Over an entire passage of dialogue she makes a stage direction note to herself that reads "Ellen looking speculative champain [sic] glass/ finger going around rim." In another scene she writes, "Have the Mask - face relaxed" and "shaking head when he leaves room sly smile/ fat on the fire/ he's on the grittle [sic]." She continues with the fat sizzling on the griddle metaphor, later writing next to a line that jabs at Nick, "Nicely/ He frys on grittle [sic]/ butter melting/ then it sputter/ him."
Notes on the last page of the screenplay read "Act only in beginning/ Then tempting him/ then act when nurse/ on balcony at hotel/ speculative looks/ always tempting him/ always saying yes/ but N/ I've only been away 5 min./ her point of view." Together with a small card with call times and scenes to be shot and a small scrap of paper with quickly written note in Monroe's hand wondering why they are jumping to shoot indoors when they could shoot in sequence as well as notes about using Miss vs. Mrs.
11 1/2 by 9 1/2 inches
Estimate: $15,000 - $20,000

Lot 820: MARILYN MONROE TWENTIETH CENTURY EMPLOYEE STARTING CARD
A Marilyn Monroe Twentieth Century Fox Employee starting card dated May 11, 1950. The card rate line lists Monroe's weekly salary as $500 a week but notes that she was laid off after working 40 out of 52 weeks. This marked the end of Monroe's work on the film All About Eve (20th Century, 1950) and her return to stock pool for the studio.
4 by 6 inches
Estimate: $600 - $800

Lot 823: MARILYN MONROE SIGNED ADVERTISING RELEASE
A Marilyn Monroe signed advertising release with Twentieth Century Fox and The House of Westmore for cosmetic advertising. The contract is dated July 3, 1952. Monroe was featured in a number of Westmore ads in the mid-1950s that also advertised her Twentieth Century Fox films.
13 1/2 by 8 1/2 inches
Estimate: $4,000 - $6,000

Lot 875: MARILYN MONROE MISCELLANEOUS PAPER ARCHIVE ITEMS
A collection of Marilyn Monroe envelopes, messages and notes, including a florist's enclosure card with envelope addressed to Monroe and a message that reads "To make up for the ones you didn't recall receiving at the hospital. Please stay well so we won't go through this again" and signed by Arthur O'Connell - Virgil Blessing." Virgil Blessing is the name of O'Connell's character in the film Bus Stop (20th Century, 1956). Also included are five handwritten notes in an unknown hand that reference Clifton Webb, Lew Wasserman and "Paula"; two hotel phone messages for "Monroe"; four envelopes, two addressed to Monroe; and one blank Colonial Trust Company check.
Sizes vary
PROVENANCE Partial Lots 748, 794 and 968, "Icons & Idols: Hollywood," Julien's, Beverly Hills, December 6, 2014
From the lost archive of Marilyn Monroe
Estimate: $400 - $600

Lot 836: MARILYN MONROE ANNOTATED GENTLEMEN PREFER BLONDES SCRIPT
A script for Gentlemen Prefer Blondes (20th Century, 1953) used and annotated by Marilyn Monroe. The incomplete script totals 68 pages and has notations from Monroe on approximately 22 pages. The first page, dated November 26, 1952, reads “Gentlemen Prefer Blondes”/ (Revised Final Script……13 Nov. 1952)/ To all Secretaries:/ Please place these/ Additional Pages at the back of your script of the above date./ This Is Important!” Film production began on November 17, 1952. Monroe’s notations include revisions to the text, in pencil, "Oh he wasn't barking that was Swahili," and direction, in blue ink, "sense the feeling with the body." The name of Monroe's character, Lorelei, has been circled in pencil on a number of the pages. The script is contained in a black plastic folder.
9 1/2 by 11 1/2 inches
PROVENANCE Lot 160, "Film and Entertainment," Christie's New York, Sale number 1681, June 22, 2006
Estimate: $50,000 - $60,000

Lot 915: MARILYN MONROE LETTER FROM PERSON TO PERSON
A typed, signed letter written to Marilyn Monroe by Jesse Zousmer of the television program Person to Person (CBS, 1953-1961). The letter, dated June 25, 1959, is written on Person to Person stationery. In the letter, Zousmer thanks Monroe for her appearance on the television program and announces his departure from the show. A check mark has been written across the letter in an unknown hand. The letter is accompanied by a page from Variety. The headline of the page reads “Thank You from ‘Person to Person’ ” with a list of the program’s guests from 1953 to 1959.
10 1/2 by 7 1/2 inches
Estimate: $300 - $500

Lot 918: MARILYN MONROE INTERVIEW TRANSCRIPT
A 32-page transcript of an interview with Marilyn Monroe by Georges Belmont. Accompanied by nine pages of thoughts about Marilyn Monroe written by Arthur Miller. The information was sent to Jack Hamilton at LOOK magazine by Lois Weber, with cover letter from Weber and an undated memo response from Hamilton returning the information to Weber. Accompanied by two newspaper clippings, one from 1956 and one from after Monroe's death in 1962.
11 by 8 1/2 inches
PROVENANCE From the Estate of Lois Weber
Estimate: $800 - $1,200

Lot 858: MARILYN MONROE THERE'S NO BUSINESS LIKE SHOW BUSINESS PROP PROGRAM
A prop program from There’s No Business Like Show Business (20th Century, 1954). The front of the blue, white and red program reads “Actors Benefit Fund/ Greatest Stars of Stage & Screen/ Hippodrome/ Sixth Avenue 43rd – 44th” in gold metallic ink. An extra holds the program in a scene backstage just before Ethel Merman and Marilyn Monroe have a heart to heart in their dressing room. The program contains repeating nonsense ads in black and white.
11 by 8 1/2 inches
Estimate: $2,000 - $3,000

Lot 970: MARILYN MONROE SIGNED GIFT TO WILFRID HYDE-WHITE
An original artwork given to Wilfrid Hyde-White on the set of Let's Make Love (20th Century, 1960) and signed by the film’s cast and crew including Marilyn Monroe, Yves Montand, Arthur Miller, George Cukor, Tony Randall, Allan “Whitey” Snyder, Marjorie Plecher, Paula Strasberg, David Bretherton, David Burns, and Ray Foster, among many others. The ink on paper artwork was created by the art department for the film and given to Hyde-White as a going-away present. The image shows Hyde-White waiting at a cab stand. A billboard in the background reads “Let’s Make Love/ Cukor Co.” and titled at the top “Happy Show/ From the Kids.” Housed in a frame; not examined outside of frame.
15 by 15 inches, framed
PROVENANCE From the Collection of Alex Hyde-White
Estimate: $20,000 - $30,000

Lot 979: MARILYN MONROE LETTER FROM HENRY WEINSTEIN
A typed, signed letter from producer Henry Weinstein on Twentieth Century Fox Film Corporation letterhead, addressed to Marilyn Monroe and dated February 5, 1962. The letter discusses preparations before the shooting of Something's Gotta Give, a film that was never finished due to Monroe's illnesses and untimely death.
10 1/2 by 7 1/4 inches
Estimate: $600 - $800

Documents papiers - Autographes / Fans
Papers documents - Autographs / Fans

Lot 212: MARILYN MONROE JACK DEMPSEY LETTER REQUESTING MARILYN MONROE'S AUTOGRAPH
A single-page autograph letter on recto and verso dated October 14, 1954, addressed "Dear Jerry," possibly Joe DiMaggio's Yankee teammate Jerry Coleman. The letter reads in part, "Have been reading a lot about Marilyn, Joe and yourself, here in the east. Best of luck to you and your family, and send Marilyn's autograph along." Signed "Sincerely Jack Dempsey."
8 by 6 inches
Estimate: $150 - $200

Lot 259: MARILYN MONROE LETTER FROM JOHN STEINBECK
A secretarial typed and signed letter dated April 28, 1955, addressed to Monroe at the Waldorf Towers in New York. The letter is a charming and bashful request for an autograph, reading in part, "In my whole experience I have never known anyone to ask for an autograph for himself. It is always for a child or an ancient aunt, which gets very tiresome as you know better than I. It is therefore, with a certain nausea that I tell you that I have a nephew-in-law ... he has a foot in the door of puberty, but that is only one of his problems. You are the other. ... I know that you are not made of ether, but he doesn't. ... Would you send him, in my care, a picture of yourself, perhaps in pensive, girlish mood, inscribed to him by name and indicating that you are aware of his existence. He is already your slave. This would make him mine. If you will do this, I will send you a guest key to the ladies' entrance of Fort Knox."
8 1/2 by 11 inches
Estimate: $300 - $500

Lot 708: MARILYN MONROE AND ARTHUR MILLER SIGNED MENU
A menu from the Gladstone Hotel where Marilyn Monroe lived briefly during the 1950s. The menu is signed on the cover in pencil "Marilyn Monroe" and "Arthur Miller." The inside back cover of the menu also contains a fashion design sketch of a woman in a form-fitting gown with vermicelli beading, in pencil in an unknown hand.
13 by 10 inches
PROVENANCE From the Estate of Frieda Hull
Estimate: $2,000 - $3,000

Lot 775: SECRETARIAL LETTER ON MARILYN MONROE STATIONERY
A typed letter signed by one of Marilyn Monroe's secretaries dated July 1, 1959, with original transmittal envelope. Both letter and envelope are Monroe's custom stationery. Transmittal envelope is addressed to Miss Edith Pitts of Richmond Hill, New York, and is postmarked July 2, 1959. The letter thanks Pitts and Frieda Hull for their card and good wishes during Monroe's illness.
Letter, 9 by 6 inches
PROVENANCE From the Estate of Frieda Hull
Estimate: $200 - $300

Lot 816: MARILYN MONROE SIGNED INDEX CARD
A Marilyn Monroe signed and inscribed index card that reads “To Emily/ Best Wishes/ Marilyn Monroe.” The message was written in green ballpoint ink, and a small magazine image of Monroe has been affixed to the index card. Housed in a frame with a black and white image of Monroe.
19 1/2 by 13 inches, framed
Estimate: $2,000 - $3,000

Lot 829: MARILYN MONROE AND OTHERS FAN MAIL ENVELOPES
A group of five envelopes, addressed to Marilyn Monroe, Jane Simmons, Cornel Wilde, Edmond O’Brien, and Jeffrey Hunter. Mailed to each actor, at their respective studio by fans in Africa, Argentina and the Philippines. The legible postmarks date from 1954.
Largest, 5 by 6 inches
Estimate: $200 - $400

Lot 830: MARILYN MONROE AND OTHERS FAN MAIL ENVELOPES
A group of four envelopes, addressed to Marilyn Monroe, Audrey Hepburn, Donna Reed, and Pat Crowley. Mailed to each actress at her respective studio by fans in Argentina and the Philippines. The legible postmarks date from 1954.
Largest, 3 1/2 by 6 1/2 inches
Estimate: $200 - $400

Lot 854: MARILYN MONROE, FRANK SINATRA AND OTHERS SIGNED ALBUM
An autograph album signed by Marilyn Monroe; Frank Sinatra; Bing Crosby; Ray Bolger; Maurice Chevalier; Hedda Hopper; Louella Parsons Herbert Hoover; Harry Truman; and Edward, Duke of Windsor, among others. The bound brown leather album belonged to Henry Tekkel, a maître d’ at the Waldorf Astoria New York. Monroe, who lived at the hotel in the mid-1950s, has inscribed the book “Warmest Regards, Marilyn Monroe.”
5 by 6 1/2 inches
Estimate: $1,000 - $2,000

Lot 864: MARILYN MONROE SIGNED BOOK
A copy of the Bement Centennial souvenir book titled "The Bement Story" and signed on the cover by Marilyn Monroe. Monroe visited Bement, Illinois, in August 1955 to celebrate the city's centennial.
11 by 8 1/2 inches
Estimate: $2,000 - $3,000

Lot 906: MARILYN MONROE SIGNED METROPOLITAN OPERA PLAYBILL
A Marilyn Monroe signed Metropolitan Opera playbill from the 1958-1959 season. The 44-page playbill is signed on the cover in blue ink and is accompanied by a black and white image of Monroe signing a playbill. This is believed to have been signed on February 10, 1959, when Monroe and her husband Arthur Miller attended a performance of Macbeth.
6 1/2 by 9 inches
Estimate: $4,000 - $6,000

Enregistrer

Posté par ginieland à 23:14 - enchères Personal MM - Commentaires [1] - Permalien [#]
Tags : 1950, 1952, 1954, 1955, 1957, 1958, 1959, 1960, 1962, 2016, actors studio, arthur miller, autographes, frieda hull, georges belmont, henry weinstein, juliens auction, scenarios, sgtg, some like it hot

Marilyn Monroe Auction - 11/2016 - docs papiers 3

Documents papiers - Santé
Papers documents - Health

Lot 134: MARILYN MONROE HANDWRITTEN AND SIGNED CHECK
A check written entirely in Monroe's hand, in blue ink, dated January 18, 1951, and paid to Dr. A. Gottesman, in the amount of $100. The check is drawn on Monroe's Bank of America account. Monroe lists her address as the Beverly Carlton Hotel.
3 by 8 inches
Estimate: $2,500 - $3,500

Lot 176: MARILYN MONROE FREE ASSOCIATION NOTES
Four pages torn from an Italian agenda, dating between 1955 and 1956. It is believed that the pages correspond to Monroe's work with Dr. Hohenberg in which she began practicing self-analysis and working on her repressed memories. The notations in pencil jump from one topic to the next, wandering around the physical pages themselves and even passing from one page to the next and then back again. It is difficult to follow, but the topics include examining her childhood need to lie to her teacher, her physical insecurities, self-conscious thoughts of what others think of her drinking, speculation that "Peter" is capable of violence and possibly gay as well as a touching passage about Arthur Miller: "I am so concerned/ about protecting Arthur/ I love him-and he is the/ only person-human being I have/ ever known that I could love not only/ as a man to which I am attracted to practically/ out of my senses about-but he is the only/ person-as another human being that I trust as/ much as myself-because when I do trust my-/ self (about certain things) I do fully, and I/ do about him also." Another revealing passage reads in part, "… fear to touch my own body/ after Buddy (I started to write Bad instead of Buddy-/ slip in writing?)/ because A.I. punished me/ with fear and whipped me-/ ‘The bad part of my body’ she said-/ must never touch myself/ there or let anyone." It is believed that "A.I." refers to Aunt Ida Martin, a foster mother who punished Monroe as a child, possibly after a sexual abuse incident, with the "Buddy" mentioned here.
LITERATURE Monroe, Marilyn, and Bernard Comment. Fragments: Poems, Intimate Notes, Letters. Pages 89-101. New York: Farrar, Straus and Giroux, 2010. 1-237. Print.
6 1/2 by 4 1/8 inches
Estimate: $20,000 - $30,000

Lot 189: MARILYN MONROE HANDWRITTEN NOTE
A handwritten note on unlined paper, annotated “for Kris,” dated September 9, most likely used as a reminder for Monroe to discuss the noted issue with her psychoanalyst, Dr. Marianne Kris. The note reads "Remember, somehow, how Mother always tried to get me to 'go out' as though she felt I were too unadventurous. She wanted me even to show a cruelty toward woman [sic]. This in my teens. In return, I showed her that I was faithful to her. Also written on the note is the passage “Jane’s 10th Birthday on 7th same year,” obviously regarding Jane Miller, Arthur Miller’s daughter, who was born on September 7."
LITERATURE Monroe, Marilyn, and Bernard Comment. Fragments: Poems, Intimate Notes, Letters. Pages 156-157. New York: Farrar, Straus and Giroux, 2010. 1-237. Print.
8 by 5 inches
Estimate: $10,000 - $20,000

Lot 204: MARILYN MONROE HANDWRITTEN LETTER TO DR. HOHENBERG
A single sheet of lined paper from a six-ring agenda, with a draft of a letter written, on two sides, to Monroe's psychoanalyst, Dr. Hohenberg, 1956. The letter skips through many topics and references Monroe's difficulties in breaking ties with her former acting coach, Natasha Lytess, and her optimism in beginning to work with Paula Strasberg. She is also buoyant in her mention of Arthur Miller, stating, "Arthur writes me every day-at/ least it gives me air to/ breathe-I can't get used to the fact/ that he loves me and I keep waiting/ for him to stop loving me-though I/ hope he never will-but I keep telling/ myself-who knows?"
LITERATURE Monroe, Marilyn, and Bernard Comment. Fragments: Poems, Intimate Notes, Letters. Pages 202-203. New York: Farrar, Straus and Giroux, 2010. 1-237. Print.
6 3/4 by 3 3/4 inches
Estimate: $8,000 - $12,000

Lot 205: MARILYN MONROE TYPED LETTER TO DR. RALPH GREENSON
A vintage file copy of a six-page typed letter from Monroe to Dr. Ralph Greenson, the California-based psychiatrist who treated Monroe in the period leading up to her death. This deeply emotional letter, dated March 2, 1961, was written while Monroe was staying at Columbia Presbyterian Medical Center for three weeks of recuperation following her stay at New York’s Payne Whitney Psychiatric Clinic. The letter is done as a stream of conscious recollection of Payne Whitney.
Passages in the letter include:
“There was no empathy at Payne-Whitney — it had a very bad effect — they asked me after putting me in a 'cell' (I mean cement blocks and all) for very disturbed depressed patients (except I felt I was in some kind of prison for a crime I hadn’t committed. The inhumanity there I found archaic. They asked me why I wasn’t happy there (everything was under lock and key; things like electric lights, dresser drawers, bathrooms, closets, bars concealed on the windows — the doors have windows so patients can be visible all the time, also, the violence and markings still remain on the walls from former patients). I answered: 'Well, I’d have to be nuts if I like it here.'"
“I sat on the bed trying to figure if I was given this situation in an acting improvisation what would I do. So I figured, it’s a squeaky wheel that gets the grease. I admit it was a loud squeak but I got the idea from a movie I made once called Don’t Bother to Knock. I picked up a light-weight chair and slammed it, and it was hard to do because I had never broken anything in my life — against the glass intentionally. It took a lot of banging to get even a small piece of glass – so I went over with the glass concealed in my hand and sat quietly on the bed waiting for them to come in. They did, and I said to them 'If you are going to treat me like a nut I’ll act like a nut.' I admit the next thing is corny but I really did it in the movie except it was with a razor blade. I indicated if they didn’t let me out I would harm myself — the furthest thing from my mind at that moment since you know Dr. Greenson I’m an actress and would never intentionally mark or mar myself. I’m just that vain.”
The letter also takes several sentimental turns with Monroe fondly referencing Joe DiMaggio and Yves Montand. Monroe closed the letter with “I think I had better stop because you have other things to do but thanks for listening for a while. Marilyn M.”
LITERATURE Monroe, Marilyn, and Bernard Comment. Fragments: Poems, Intimate Notes, Letters. Pages 207-213. New York: Farrar, Straus and Giroux, 2010. 1-237. Print.
8 1/2 by 11 inches
Estimate: $8,000 - $10,000

Lot 206: MARILYN MONROE HANDWRITTEN INTERVIEW NOTES
Three unlined oversize pages containing answers to a reporter's interview questions in preparation for a press interview. She writes her numbered responses in blue ink and pencil. Answer number 11 explains her stay at the Payne Whitney clinic, writing, "Payne Whitney gives me a pain/ It was obviously an error of judgment to place me in Payne Whit. and the doctor/ who recommended realized it and tried to rectify it. What my condition warranted/ was the rest and care I got [at] Presbyterian Hospital." Number 19 states, "[M]y sleep depends on my state of satisfaction and that varies with my life-my dreams/ are too intimate to be revealed in public/ My nightmare is the H Bomb."
LITERATURE Monroe, Marilyn, and Bernard Comment. Fragments : Poems, Intimate Notes, Letters. Pages 217-223. New York: Farrar, Straus and Giroux, 2010. 1-237. Print.
15 3/4 by 11 inches
Estimate: $8,000 - $12,000

Lot 346: MARILYN MONROE HANDWRITTEN AND SIGNED SCHWAB'S CHEECK
A check written entirely in Monroe's hand, in blue ink, dated April 10, 1952, and paid to Schwab's Pharmacy, in the amount of $10. The check is drawn on Monroe's Bank of America account. Monroe lists her address as the Beverly Carlton Hotel.
2 5/8 by 5 7/8 inches
Estimate: $2,500 - $3,500

Lot 347: MARILYN MONROE HEALTH CARD
A Blue Cross insurance card for Monroe provided through the S.A.G. Welfare Plan. The effective date of the plan is January 1, 1961, for Monroe.
3 1/4 by 7 1/4 inches
Estimate: $300 - $500

Lot 350: MARILYN MONROE PHARMACY STATEMENT AND INVOICE
A handwritten itemized listing of goods sold to "Mrs. Arthur Miller" by Pollock-Bailey Pharmacists in New York City between October 1-30, 1959, totaling $220.58. Together with a follow-up statement in the same amount dated December 1, 1959. The items purchased include Revlon lotion, ACE bandage, vitamin B1 tablets, styptic pencils, bedpan, Revlon eyeliner, Revlon eye shadow, nasal jelly, and shadow stick, among other items.
11 by 5 3/4 inches
Estimate: $300 - $500

Lot 916: MARILYN MONROE PRESCRIPTION RECEIPT
A pink carbon receipt for Mrs. Arthur Miller from the Fairfax Drug Company, dated “10/15/1958” in the amount of $17.68. The receipt lists Marilyn Monroe's address as the Bel Air Hotel.
4 by 6 inches
Estimate: $200 - $400

Lot 988: MARILYN MONROE PHARMACY RECEIPT
A receipt from Vicente Pharmacy to Marilyn Monroe for RX 19329 totaling $7.75, dated "6-8-62." Receipt number 12542.
7 by 5 1/2 inches
Estimate: $400 - $600

Lot 992: MARILYN MONROE RECEIPT AND LETTERS
A Marilyn Monroe receipt from Vicente Pharmacy dated June 18, 1962, in the amount of $9.40 for two prescriptions. Accompanied by a letter addressed to Milton Greene dated October 10, 1955, in an unknown hand, regarding expenses for a Marilyn Monroe dress; and a letter typed on hotel stationery by May Reis regarding a check for Paula Strasberg dated September 23, 1960.
Largest, 10 1/2 by 7 1/4 inches
Estimate: $800 - $1,200

Lot 993: MARILYN MONROE PHARMACY RECEIPT
A receipt from Vicente Pharmacy for "M. Monroe" from April 16, 1962, for two medications including a sleep aid. The amount totals $4.01.
7 by 5 1/2 inches
Estimate: $400 - $600

Documents papiers - Finances, Dépenses diverses
Papers documents - Finances, Various Spendings

Lot 71: MARILYN MONROE FINAL CHECKBOOK 1962
Dated February 2, 1962, this vinyl covered; wire bound checkbook was for Marilyn Monroe’s personal account at Irving Trust Company in New York City, labeled “MM Personal” on the cover. The checkbook covers Monroe’s New York expenses from February 2 through August 31, 1962, check numbers 2102 through 2251, and offers a fascinating look at her expenses during the final year of her life.
Recipients of payments from Monroe’s personal account during her final six months include Saks Fifth Avenue in Beverly Hills, the Mexican Government Tourist Bureau, Flatiron Window Cleaning Company, Hedda Rosten, New York Telephone Company, J. Ricky - for “face treatments,” Lena Pepitone, Hattie Stephenson, Empire State Drycleaners and Hand Launderers, Century Furniture Repairs, Exec-U-Car Service, Globe-Star Travel Service, Pollock-Bailey Pharmacists, Marie Irvine - make-up for special appearance at Madison Square Garden, Sutton Wines & Liquors, Madison Avenue Florist, New York State Income Tax Bureau, Department of Labor, and State Unemployment Insurance Fund, among others.
The final check from this checkbook written while Monroe was alive was to Hattie Stephenson, Monroe’s East Coast housekeeper, on August 3, 1962. Checkbook activity resumed on August 10, through August 31, 1962, with payments made to Stephenson and Hedda Rosten.
Several Marilyn Monroe signed checks are included, some actually written in Monroe’s own hand, with her signature having been ripped from the check so it could not be cashed. However, in some cases the remnants of Monroe’s signature are still present, as the complete signature was not torn away from the check.
7 1/2 by 8 3/4 inches
PROVENANCE From the Estate of Lee Strasberg
Estimate: $8,000 - $10,000

Lot 72: MARILYN MONROE COMPLETE 1962 FINANCIAL STATEMENTS
An extraordinarily detailed record of Monroe's financial transactions via prepared report statements reflecting the activities in Monroe's bank accounts at City National Bank and Irving Trust Company from January 1, 1962, to August 3, 1962, 99 pages total. The monthly statement reports include all "withholds," receipts, and disbursements broken down by type of expense for each account. Of particular interest is the state of Monroe's accounts at the time of her death, including a balance of $1,337.53 in her City National Bank account on August 1, 1962, with an overdraft of $4,208.34 in the same account on August 3, 1962. The Irving Trust Account shows a balance of $1,472.41 on August 1, 1962, and a balance of $111.71 on August 3, 1962.
The January 1962 statement includes a charge for "Household-Miscellaneous/ Jan. 30 Southdown Kennel - N.Y./ "Maf" board - 8/3 to 12/17 $330.00" and income from Some Like It Hot reported as $100,000.00 and from The Misfits as $150,000.00 against which Monroe paid a total of $45,000.00 in federal taxes. The March 1962 statement lists a total of $2,459.43 in beauty expenses, including hairdressing, cosmeticians, skin treatments, hair coloring, manicures and supplies. The May 1962 statement has a separate expense category titled "New York Birthday Salute to the President" with expenses listed as "May 18 New York's Birthday Salute to the President $5,000.00/ May 16 Hazel Washington - come to NY for above - business maid, plane fare, expenses, salary $1,000.00." The same statement lists a $300 deposit with Western Costume Company and the June 1962 statement lists a payment of $1,140.33 to Western Costume Company as "balance on gown." Payments made to Dr. Ralph Greenson during the period of these statements total $8,450. The statements also show a great number of meals coded as "Entertainment" at Chip's Steak House and La Scala.
The statements are accompanied by a file copy of a typed, unsigned letter, dated September 6, 1962, from Monroe's secretary, Cherie Redmond, who prepared the statements, to secretary Inez Melson, who requested the statements. Together with five additional pages prepared by Redmond listing all outstanding checks drawn on both accounts as well as those not honored by the bank as of August 15, 1962. The lot includes another file copy of a typed, unsigned letter from Melson to attorney Aaron R. Frosch dated September 11, 1962, that accompanied the same monthly statements sent by Melson for purposes of preparing Monroe's final tax filings and for probate purposes. This two-page letter discusses measures taken to maintain the security of Monroe's Brentwood, California, property on Helena Drive and is accompanied by a seven-page report prepared by Melson giving greater detail regarding all of the outstanding checks and bills due with explanations of each payment, including what it was for and to whom it was made.
8 1/2 by 11 inches
PROVENANCE From the Estate of Lee Strasberg
Estimate: $3,000 - $5,000

Lot 99: MARILYN MONROE 1952 SIGNED CHECK TO HER MOTHER
An oversized counter check dated July 25, 1952, completed fully in Monroe’s own hand, written to Mrs. Gladys P. Eley in the amount of $150.00. The check has been endorsed by Monroe’s mother and is signed “Mrs. Gladys P. Eley.” Monroe has given her address at the time this check was written as “Hotel Bel Air, L.A. Calif.” This is an exceptionally rare document containing both Monroe’s signature as well as her mother's. The check also documents the fact that Monroe began to help her mother financially at the earliest stages of her career.
Estimate: $3,000 - $5,000

Lot 104: MARILYN MONROE 1952 SIGNED CHECK TO GRACE GODDARD
An oversized counter check dated April 26, 1952, completed fully in Monroe’s hand, written to Grace Goddard in the amount of $50.00 and signed by Goddard on the reverse with a handwritten address of 6707 Odessa Avenue, Van Nuys, Calif. Goddard was significant in Monroe’s early life and formative years and even became her legal guardian. Monroe lived with the Goddard family off and on over the years, and it was Goddard who arranged her marriage to James Dougherty in 1942 when she was just 16 years old.
Estimate: $1,500 - $2,500

Lot 133: MARILYN MONROE AUTOMOBILE INVOICE
A customer copy of an invoice from Beverly Motor Co. of Beverly Hills dated July 1, 1950. The invoice is for a new 1950 Pontiac Chieftain Deluxe sedan coupe sold to "Miss Marilyn Monroe," address "1301 N. Harper Ave. Los Angeles, 46, Calif." The car had some optional equipment and accessories and totaled $2,729.69 including delivery and tax charges. This is most likely Monroe's first new car.
8 by 9 1/2 inches
Estimate: $400 - $600

Lot 157: MARILYN MONROE FINANCIAL LEDGER 1953-1955
A comprehensive financial ledger documenting presumably every Marilyn Monroe financial transaction from January 1953 through March 1955. The hardbound ledger contains handwritten entries, all of which are presumed to have been made by Monroe’s business manager, Inez Melson, covering in great detail Monroe’s cash received and disbursed, assets and liabilities, capital, income, expenses, and general financial transactions for the years in which Monroe completed Niagara, Gentlemen Prefer Blondes, How to Marry a Millionaire, River of No Return, and There’s No Business Like Show Business. This is an incredible look at Monroe’s finances during the years she was propelled to stardom as she completed some of her most famous films.
7 3/4 by 11 3/4 inches
Estimate: $8,000 - $10,000

Lot 158: MARILYN MONROE HANDWRITTEN AND SIGNED CHECK TO ANN KARGER
A check written entirely in Monroe's hand, in blue pen, dated May 12, 1952, and paid to Anne Karger, in the amount of $16. The check is drawn on Monroe's Bank of America account, with normal cancellation stamps and also endorsed on verso by Karger. Karger was the mother of Fred Karger, one of Monroe's early vocal coaches and also one of her first loves. Monroe remained quite close to Anne Karger and, according to reports, valued her as a mother figure.
2 5/8 by 5 7/8 inches
Estimate: $2,000 - $3,000

Lot 167: MARILYN MONROE BILL FOR THE BEVERLY HILLS HOTEL
A two-page itemized invoice for Monroe's stay during her 35th birthday, May 30 through June 5, 1961, at Bungalow B1 A/B at The Beverly Hills Hotel, together with envelope addressed to "Miss Monroe." The balance owed as of June 5, 1961, totals $3,734.93 and includes charges for not only the room but television rental, tips, limo drivers and other fees. The invoice does list a charge noted as "limo driver" in the amount of $55 on her birthday.
6 3/4 by 6 1/8 inches
Estimate: $400 - $600

Lot 168: MARILYN MONROE SIGNED CHECK
A Marilyn Monroe Productions canceled bank check dated May 6, 1960, in the amount of $1,423.20, written to The Beverly Hills Hotel, signed by Marilyn Monroe. The check is additionally annotated "Bungalow 16, (Room 204 W.E. 5/1/60)."
3 by 8 1/2 inches
Estimate: $2,500 - $3,500

Lot 213: MARILYN MONROE HANDWRITTEN AND SIGNED CHECK IN GREEN INK
A check written entirely in Monroe's hand, in green ink, dated July 2, 1952, and paid to Vic Massy [sic], in the amount of $50. The check is drawn on Monroe's Bank of America account. Vic Masi was a friend of Joe DiMaggio's. Monroe and DiMaggio were friendly with the Masis during their relationship.
2 5/8 by 5 7/8 inches
Estimate: $2,000 - $3,000

Lot 217: MARILYN MONROE RECEIPTS AND DISBURSEMENT DOCUMENTS
A typed statement of receipts and disbursements for Monroe for the period January 1, 1955, through March 17, 1955. Monroe’s starting bank balance was $1,800.55, and her ending balance was $3,530.55. The document clarifies deposits, disbursements, and accounts payable. Payees of note include Schwab’s Pharmacy, the IRS, Screen Actors Guild, Saks Fifth Avenue, Rockhaven Sanitarium, Twentieth Century Fox “Old Cafe,” and Rosalee Conover for “Partial payment on settlement of damage at 508 N. Palm Drive, Beverly Hills,” which was the address of the home Marilyn shared with Joe DiMaggio following their January 1954 marriage.
Estimate: $800 - $1,000

Lot 311: MARILYN MONROE AND ARTHUR MILLER 1959 FEDERAL INCOME TAX RETURN
A 1959 federal income tax return for Marilyn Monroe and Arthur Miller, including Form 1040, Schedule C, and Form 1116, together with five typed pages documenting income for Monroe and Miller, along with business expenses and deductions, contributions, taxes paid, medical expenses, and other items. These documents show that the combined income for Monroe and Miller for 1959 was $323,453.00, of which $103,362.50 was income from royalties for Miller’s plays, including Death Of A Salesman, The Crucible, and A View from the Bridge, among others. The Millers were required to write a check to the Internal Revenue Service for $30,338.55, the balance due for taxes on their income. Monroe’s marriage to Miller ended in 1961.
Estimate: $1,500 - $2,500

Lot 327: MARILYN MONROE UNUSED CHECKBOOK
An unused vinyl covered spiral-bound checkbook for Monroe’s personal East Coast account at Irving Trust Company in New York City.
7 1/2 by 8 3/4 inches
Estimate: $1,000 - $2,000

Lot 351: MARILYN MONROE LIQUOR RECEIPTS
Two carbon copy receipts, the first from the Jurgensen's grocery liquor department for a bottle of Cutty Sark dated January 27, 1960, sold to Marilyn Monroe at The Beverly Hills Hotel, the second from Mac's Liquors in Beverly Hills listing caviar as well as three bottles of hard alcohol signed by Monroe's housekeeper, Hazel Washington, dated February 5, 1960. Together with a handwritten invoice for the month of June 1958 from Sutton Wines and Liquors in New York City.
Largest, 8 1/2 by 5 1/2 inches
Estimate: $200 - $300

Lot 353: MARILYN MONROE CHAMPAGNE RECEIPT
A carbon copy receipt from the Jurgensen's grocery liquor department, Beverly Hills, listing an order for 12 splits of Piper Heidsieck Champagne, for a total of $26.21. The receipt, dated December 2, 1959, lists a delivery date of "Thurs AM" to Marilyn Monroe at The Beverly Hills Hotel, Bungalow 21.
8 by 5 1/2 inches
Estimate: $200 - $300

Lot 358: MARILYN MONROE HANDWRITTEN AND SIGNED LIQUOR LOCKER CHECK
A check written entirely in Monroe's hand, in blue pen, dated September 29, 1955, and paid to the "Liquor Locker" in the amount of $14.20. The check is drawn on Monroe's Bank of America account, Sunset & Laurel branch, and has normal cancellation stamps. A small notation in the lower left of the check reads simply "Gift," and Monroe has written her address as "508 N. Palm Drive."
2 3/4 by 6 1/4 inches
Estimate: $3,000 - $5,000

Lot 429: MARILYN MONROE COFFEE RECEIPT
A simple restaurant receipt with secretarial writing recording the items as coffee, tea and milk for a total of $2.03 and Monroe's name recorded at the bottom for accounting purposes. The undated receipt is a small record of one moment in Monroe's life.
3 by 2 1/4 inches
Estimate: $80 - $120

Lot 438: MARILYN MONROE UNUSED CHECKBOOK
A hardcover wire bound checkbook for Monroe’s account at City National Bank in Beverly Hills, California. While there are no handwritten annotations in the checkbook, several checks are missing. One hundred and ninety-seven personalized checks remain in the book, with “Marilyn Monroe” printed twice on each check.
9 1/2 by 14 inches
Estimate: $1,000 - $2,000

Lot 473: MARILYN MONROE CHECKBOOK AUGUST 8,1960 – JANUARY 27, 1961
A cardboard covered wire bound checkbook for Monroe’s account at Irving Trust Company in New York City. The cover is incorrectly labeled as being from the “Colonial Trust Company,” 4/30/58 – 7/31/59. The checkbook covers Monroe’s expenses from August 8, 1960, to January 27, 1961, with check numbers 1253 through 1483, offering a fascinating look at Monroe’s expenses in 1960 and 1961.
Recipients of payments from Monroe’s personal account during this period include The Mapes Hotel in the Nevada hotel (where Monroe and Arthur Miller stayed while filming The Misfits ), Erno Laszlo Institute, Paula Strasberg, Ralph Roberts, I. Magnin + Co., Dorr Optical Co., Beverly Pets, Arthur P. Jacobs Co., Beverly Hills Hotel, West Side Hospital, Ferragamo, Jurgensen’s Grocery, Hollywood Reporter, AvisRent-A-Car System, Bergdorf Goodman, Carey Cadillac Rending Co., Yankee Traders, Variety, Riverside Flower Shop, Marilyn Monroe Productions, Hattie Stephenson, Ralph Greenson, M.D., Modern Auto Rental, T. Anthony - luggage, La Scala Restaurant, Schwab’s Pharmacy, New York Telephone Company, J. Ricky, Screen Actors Guild, Lee Siegel, M.D., Leonard H. Schuyler, M.D., Bloomingdale’s, Flatiron Window Cleaning Co., Jax Beverly Hills, Inc., Martindale’s Bookstore, Plaza Hotel, Louis Finger, M.D., Rexford Kennamer, M.D., Berkley Square Cleaners, Sutton Wines and Liquors, Beverly Hills Music Co., MCA Artists Ltd., Marianne Kris, M.D., Actors Studio Inc. - contribution, Agnes M. Flanagan, Mrs. Michael Chekhov, Rudolph J. Kautsky, Evelyn Moriarty, Allan Snyder, Hazel Washington, Gucci, Patricia Newcomb, Maximilian Fur Company, Academy of Motion Picture Arts and Sciences, Norman Norell Inc., and Western Costume Co., among others.
9 3/4 by 6 inches
Estimate: $6,000 - $8,000

Lot 475: MARILYN MONROE SIGNED TAX FORM
A Form 1096 tax form from the U.S. Treasury Department Internal Revenue Service dated 1960 and addressed to Marilyn Monroe Productions in New York, signed in black ink "Marilyn Monroe."
3 1/2 by 7 3/4 inches
Estimate: $1,500 - $2,000

Lot 513: MARILYN MONROE CHECKBOOK SEPTEMBER 9, 1960 – FEBRUARY 20, 1961
A cardboard covered black plastic comb bound checkbook for an unspecified Marilyn Monroe account, presumably Irving Trust Company in New York City based on similar payees named in other checkbooks.
Recipients of payments from this Monroe checking account include May Reis, Hedda Rosten, The Mapes Hotel in Nevada (where Marilyn and then husband Arthur Miller stayed while filming The Misfits), New York Telephone Company, La Scala Restaurant, Holiday Hotel, New York State Income Tax Bureau and Department of Labor, California Department of Employment, Beverly Hills Hotel, Ralph Roberts, MCA Artists Ltd., Internal Revenue Service, and Marilyn Monroe Productions. Christmas bonuses for Rosten and Reis are also annotated in this checkbook.
9 1/2 14 1/2 inch

Archives

Catalogue "Marilyn Monroe Property from the collection of David Gainsborough-Roberts" Juliens 11/2016

Marilyn Monroe Auction - 11/2016 - photos 1 -snapshots

Marilyn Monroe Auction - 11/2016 - photos 2 -photographies

Marilyn Monroe Auction - 11/2016 - photos 3-carrière

Marilyn Monroe Auction - 11/2016 - docs papiers 1

Marilyn Monroe Auction - 11/2016 - docs papiers 2

Marilyn Monroe Auction - 11/2016 - docs papiers 3