Photos liées au tag 'MM boit'

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24 novembre 2018

Sur le tournage de Let's Make Love 9

Le Milliardaire
Sur le tournage


 Pendant la scène
During the shooting scene

Marilyn Monroe

lml-sc09-on_set-010-1  lml-sc09-on_set-011-1 
lml-sc09-on_set-012-1a lml-sc09-on_set-012-2 lml-sc09-on_set-020-1a  

Marilyn Monroe & George Cukor
lml-sc09-on_set-with_cukor-010-1  lml-sc09-on_set-with_cukor-020-1 
lml-sc09-on_set-with_cukor-021-1 lml-sc09-on_set-with_cukor-021-1a lml-sc09-on_set-with_cukor-030-1
lml-sc09-on_set-with_cukor-040-1 lml-sc09-on_set-with_cukor-041-1a lml-sc09-on_set-with_cukor-041-1 

Marilyn Monroe & Agnes Flanagan
lml-sc09-on_set-with_flanagan-1 

Marilyn Monroe & Hazel Washington
lml-sc09-on_set-with_hazel_washington-010-1 lml-sc09-on_set-with_hazel_washington-011-1a lml-sc09-on_set-with_hazel_washington-011-1  

Marilyn Monroe & Jack Cole
lml-sc09-on_set-with_jack_cole-010-1 

George Cukor, Marilyn Monroe & Yves Montand
lml-sc09-on_set-with_montand_cukor-010-1  lml-sc09-on_set-with_montand_cukor-010-2 
lml-sc09-on_set-with_montand_cukor-010-3  lml-sc09-on_set-with_montand_cukor-020-1 

Marilyn Monroe & Yves Montand
lml-sc09-on_set-with_montand-021-2 

Marilyn Monroe & Tony Randall
lml-sc09-on_set-with_tony_randall-010-1 
lml-sc09-on_set-with_tony_randall-011-1a 


- photographies: Richard C Miller -

lml-sc09-on_set-by_Richard_C_Miller-010-1  lml-sc09-on_set-by_Richard_C_Miller-020-1 
lml-sc09-on_set-by_Richard_C_Miller-021-1 lml-sc09-on_set-by_Richard_C_Miller-022-1 lml-sc09-on_set-by_Richard_C_Miller-030-1 
lml-sc09-on_set-by_Richard_C_Miller-031-1 lml-sc09-on_set-by_Richard_C_Miller-031-2 lml-sc09-on_set-by_Richard_C_Miller-031-3 
lml-sc09-on_set-by_Richard_C_Miller-with_cukor-1 lml-sc09-on_set-by_Richard_C_Miller-with_cukor-2 lml-sc09-on_set-by_Richard_C_Miller-with_cukor-3  


Sur le plateau
On the set

Marilyn Monroe et Gil, l'homme à tout faire de l'équipe:
il apporte tasse de café et encas ; il dirige le service artisanal
et devient ami avec Marilyn.
Elle lui signe une dédicace:
"A Gil, il n'y a rien comme ton café, Marilyn Monroe"
Marilyn and Gil, the handyman of the crew:
he brings cup of  coffee and snacks; he is head of craft services
and becomes a friend of Marilyn.
She writes to him on a photo:
"To Gil, there is nothing like your coffee, Marilyn Monroe". 

lml-sc09-set-MM_with_Gil-010-1 lml-sc09-set-MM_with_Gil-011-1 lml-sc09-set-MM_with_Gil-011-1-autograph  

17/04/1960 - fête de Pâques avec George Cukor
1960, April, 17 - Easter celebration with George Cukor
1960-04-17-happy_easter-with_cukor-010-1  1960-04-17-happy_easter-with_cukor-020-1 


LML-sc09-set-MM-040-1  LML-sc09-set-MM-041-1 


- photographies: Laszlo J Willinger -

LML-sc09-set-MM-010-1  LML-sc09-set-MM-011-1  LML-sc09-set-MM-012-1 
LML-sc09-set-MM-010-1a LML-sc09-set-MM-011-1a LML-sc09-set-MM-020-1 
LML-sc09-set-MM-020-1a 
 LML-sc09-set-MM-030-1 LML-sc09-set-MM-031-1-by_LJ_Willinger-1 
LML-sc09-set-MM-030-1a  LML-sc09-set-MM-031-1-by_LJ_Willinger-1a 


© All images are copyright and protected by their respective owners, assignees or others.
copyright text by GinieLand.

10 novembre 2018

Photos de Let's Make Love 12 & 13

Le Milliardaire
Photos scènes 12 & 13

Jean-Marc Clement (Yves Montand) & Amanda Dell (Marilyn Monroe)

LML-sc12-film-010-1  LML-sc12-film-011-1a 
LML-sc12-film-020-1  LML-sc13-film-010-1  


© All images are copyright and protected by their respective owners, assignees or others.
copyright text by GinieLand.
 

Posté par ginieland à 19:14 - - Commentaires [0] - Permalien [#]
Tags : , , , ,

24 octobre 2018

Sur le tournage de Let's Make Love 16

Le Milliardaire
Sur le tournage


 Pendant la scène
During the shooting scene

 lml-sc16-on_set-010-contact_negatif-010-1 lml-sc16-on_set-010-contact_negatif-010-2 lml-sc16-on_set-010-contact_negatif-010-3 
lml-sc16-on_set-010-contact_negatif-011-1 lml-sc16-on_set-010-contact_negatif-012-1 lml-sc16-on_set-010-contact_negatif-012-2 
lml-sc16-on_set-010-contact_negatif-012-3 lml-sc16-on_set-010-contact_negatif-012-4 lml-sc16-on_set-010-contact_negatif-013-1 
lml-sc16-on_set-010-contact_negatif-013-2 lml-sc16-on_set-010-contact_negatif-013-3 lml-sc16-on_set-010-contact_negatif-013-4 
lml-sc16-on_set-010-contact_negatif-014-1 lml-sc16-on_set-010-contact_negatif-014-2 
lml-sc16-on_set-010-contact_negatif-015-1 lml-sc16-on_set-010-contact_negatif-015-2 lml-sc16-on_set-010-contact_negatif-015-3 
lml-sc16-on_set-010-contact_negatif-015-4 lml-sc16-on_set-010-contact_negatif-016-1  lml-sc16-on_set-010-contact_sheet-1  

Yves Montand, Marilyn Monroe
 lml-sc16-on_set-020-elevator-011-1  lml-sc16-on_set-020-elevator-011-2 
lml-sc16-on_set-020-elevator-012-1 lml-sc16-on_set-020-elevator-013-1 lml-sc16-on_set-020-elevator-013-2 
lml-sc16-on_set-020-elevator-014-1  lml-sc16-on_set-020-elevator-010-1 

lml-sc16-on_set-020-elevator-050-1  lml-sc16-on_set-020-elevator-041-1 


- photographies: John Bryson -

 Yves Montand, Marilyn Monroe, George Cukor

lml-sc16-on_set-020-elevator-020-1-by_Bryson-1  lml-sc16-on_set-020-elevator-021-with_cukor-1  lml-sc16-on_set-020-elevator-030-with_cukor-by_bryson-1 
 lml-sc16-on_set-020-elevator-040-1-by_Bryson-1a  lml-sc16-on_set-020-elevator-040-1-by_Bryson-1 
lml-sc16-on_set-030-by_Bryson-1  lml-sc16-on_set-030-by_Bryson-1-a 
lml-sc16-on_set-031-by_Bryson-1  lml-sc16-on_set-032-by_Bryson-1 


Sur le plateau
On the set

Marilyn Monroe & George Cukor
LML-sc16-set-cup_red-MM_Cukor-010-1 

 Marilyn Monroe & Yves Montand
LML-sc16-set-cup_red-MM_Montand-012-1 

LML-sc16-set-cup_red-MM_Montand-010-1 LML-sc16-set-cup_red-MM_Montand-010-1a LML-sc16-set-cup_red-MM_Montand-011-1 

 Marilyn Monroe & Arthur Miller
lml-sc16-set-MM_Miller-010-1  lml-sc16-set-MM_Miller-010-1-signed lml-sc16-set-MM_Miller-011-1 
lml-sc16-set-MM_Miller-011-1a  lml-sc16-set-MM_Miller-012-1


12/05/1960 - anniversaire de Wilfrid Hyde-White
1960, May, 12 - Birthday of Wilfrid Hyde-White

  1960-05-12-on_set_LML-birthday_of_Wilfrid_Hyde_White-010-1b    

> 15/05/1960 - jour de tournage de Gene Kelly 
1960, May, 15 - Day of shooting of Gene Kelly
LML-sc16-studio-MM_Kelly_Montand-010-1  LML-sc16-studio-set-MM_Kelly_Montand-010-1  LML-sc16-studio-set-MM_Kelly_Montand-022-1a 
LML-sc16-studio-MM_Kelly_Montand-011-1a  LML-sc16-studio-MM_Kelly_Montand-022-2  LML-sc16-studio-MM_Kelly_Montand-014-1 


© All images are copyright and protected by their respective owners, assignees or others.
copyright text by GinieLand.
 

21 octobre 2018

15/05/1960, Gene Kelly sur le tournage de "Let's Make Love"

Gene Kelly se trouve à Paris où il s'occupe de la chorégraphie du ballet "Pas de Dieux" à l'Opéra de Paris (les représentations au public se déroulent en juillet 1960). Il prend l'avion le dimanche 15 mai 1960, traversant près de 9 650 km, pour venir aux studios de la 20th Century Fox et y tenir le petit rôle où il donne des cours de danse au personnage d'Yves Montand (Jean Marc Clément). Arrivé à 9 heures du matin, son travail sur le plateau va durer deux heures, et il reste jusque midi (se faisant photographier en coulisses); puis il reprend l'avion lundi après-midi pour retourner à Paris et reprendre les répétitions du ballet le mardi matin.
Gene Kelly n'a pas été rémunéré, c'est à la suite d'une promesse qu'il avait faite, qu'il est venu offrir gracieusement sa présence.

Gene Kelly is in Paris where he prepares the ballet "Pas de Dieux" for showing at the Paris Opera House (public performances take place in July 1960). He takes the plane on a Sunday, May, 15 travelling 6,000 miles, going to the 20th Century-Fox studios to do a cameo bit on which he gives dance classes to the character of Yves Montand (Jean Marc Clement). He arrives on the set at 9 a.m and works two hours on the studio, but stays until noon (being photographied); and Monday afternoon is back on a jet winging Parisward to resume his ballet chores Tuesday morning.
Gene Kelly wasn't paid; it was after a promise he had made that he came graciously to offer his presence.


Marilyn Monroe, Yves Montand et Gene Kelly en studio.
Marilyn Monroe, Yves Montand and Gene Kelly in studio photoshoot.

LML-sc16-studio-MM_Kelly_Montand-010-1 
LML-sc16-studio-MM_Kelly_Montand-011-1  LML-sc16-studio-MM_Kelly_Montand-011-1a 
LML-sc16-studio-MM_Kelly_Montand-012-1 
LML-sc16-studio-MM_Kelly_Montand-012-2 LML-sc16-studio-MM_Kelly_Montand-012-2a LML-sc16-studio-MM_Kelly_Montand-013-1 
LML-sc16-studio-MM_Kelly_Montand-014-1 LML-sc16-studio-MM_Kelly_Montand-020-1 LML-sc16-studio-MM_Kelly_Montand-020-2 
LML-sc16-studio-MM_Kelly_Montand-021-1 
LML-sc16-studio-MM_Kelly_Montand-022-1 LML-sc16-studio-MM_Kelly_Montand-022-2 LML-sc16-studio-MM_Kelly_Montand-022-3 
LML-sc16-studio-MM_Kelly_Montand-023-1  LML-sc16-studio-MM_Kelly_Montand-024-1 
LML-sc16-studio-MM_Kelly_Montand-024-2  LML-sc16-studio-MM_Kelly_Montand-024-3  LML-sc16-studio-MM_Kelly_Montand-025-1 
LML-sc16-studio-set-MM_Kelly_Montand-010-1  LML-sc16-studio-set-MM_Kelly_Montand-020-1  LML-sc16-studio-set-MM_Kelly_Montand-022-1 
LML-sc16-studio-set-MM_Kelly_Montand-020-2  LML-sc16-studio-set-MM_Kelly_Montand-021-1  LML-sc16-studio-set-MM_Kelly_Montand-030-1 
LML-sc16-studio-set-MM_Kelly_Montand-022-1a  LML-sc16-studio-set-MM_Kelly_Montand-024-1 


> article de presse de Hedda Hopper du 19/05/1960
press article from Hedda Hopper - 1960, May, 19

1960-05-19-gene_kelly-dont_paid 


sources:
gettyimages.fr
forum ES (article de presse)


© All images are copyright and protected by their respective owners, assignees or others.
copyright text by GinieLand.
 

30 septembre 2018

Pendant "Let's Make Love", enregistrements

Le Milliardaire
Sur le tournage

Marilyn Monroe en enregistrement studios des chansons du film "Let's Make Love" ("Le Milliardaire") en 1960.
Marilyn Monroe recording songs for the movie "Let's Make Love" in 1960.

1960-LA-studio_recording-030-1  


- photographies: John Bryson -
Studios MGM

Marilyn Monroe & Jack Cole
1960-LA-studio_recording-011-1-by_bryson-1  1960-LA-studio_recording-011-1-by_bryson-1a  1960-LA-studio_recording-010-1-by_john_bryson-1 
1960-LA-studio_recording-012-1-by_john_bryson-1 1960-LA-studio_recording-012-2-by_john_bryson-1 1960-LA-studio_recording-012-3-by_john_bryson-1 
1960-LA-studio_recording-012-4-by_john_bryson-1 1960-LA-studio_recording-012-5-by_john_bryson-1 1960-LA-studio_recording-012-6-by_john_bryson-1 
1960-LA-studio_recording-013-1-by_john_bryson-1 1960-LA-studio_recording-014-1-by_john_bryson-1 1960-LA-studio_recording-014-2-by_john_bryson-1 
1960-LA-studio_recording-014-3-by_john_bryson-1 
1960-LA-studio_recording-014-4 1960-LA-studio_recording-014-5-by_john_bryson-1 

Marilyn Monroe & Paula Strasberg
1960-LA-studio_recording-015-with_Paula_Strasberg-1 


- photographies: Bruce Davidson -

Marilyn Monroe, George Cukor & Jack Cole

1960-LA-studio_recording-023-1-by_bruce_davidson-1 1960-LA-studio_recording-020-1-by_bruce_davidson-1 1960-LA-studio_recording-021-1-with_jack_cole-1 
1960-LA-studio_recording-022-1-by_bruce_davidson-1 
1960-LA-studio_recording-024-1-by_bruce_davidson-1  1960-LA-studio_recording-021-1-with_jack_cole-1a 
1960-LA-studio_recording-023-1-by_bruce_davidson-1 


© All images are copyright and protected by their respective owners, assignees or others.
copyright text by GinieLand.
   

27 septembre 2018

Pendant "Let's Make Love", répétitions

Le Milliardaire
Sur le tournage

Marilyn Monroe répète les numéros de danses du chorégraphe Jack Cole pour le film "Let's Make Love" ("Le Milliardaire") - fin 1959  / début 1960.
Marilyn Monroe rehearses the dance numbers of the choreographer Jack Cole for the movie "Let's Make Love", end 1959 / beginning 1960.


> Marilyn Monroe, Jack Cole, Yves Montand
1959-11_1960-06-LML-on_set-rehearsal-010-1 
1959-11_1960-06-LML-on_set-rehearsal-011-1 

répétition / rehearsals: "My Heart Belongs To Daddy"
1959-11_1960-06-LML-on_set-rehearsal-021-1 


- photographies: John Bryson -

Marilyn Monroe & Arthur Miller
1959-11_1960-06-LML-on_set-rehearsal-020-1-by_john_bryson-1a  1959-11_1960-06-LML-on_set-rehearsal-020-2-by_john_bryson-1   


Marilyn quitte le studio après une journée de répétitions
Marilyn leaves the studios after a day of rehearsals
1959-11_1960-06-LML-on_set-rehearsal-leaving_Fox_studios-010-1a 
1959-11_1960-06-LML-on_set-rehearsal-leaving_Fox_studios-010-1c 
1959-11_1960-06-LML-on_set-rehearsal-leaving_Fox_studios-010-2a 


Après les répétitions, Marilyn est interviewée par Bob Crane
After rehearsals, Marilyn is interviewed by Bob Crane
> 1960
Bob Crane Show 

1960-the_bob_crane_show-after_rehearsal_LML-1 


© All images are copyright and protected by their respective owners, assignees or others.
copyright text by GinieLand.
  

Pendant "Let's Make Love"

Le Milliardaire
Sur le tournage

Marilyn Monroe sur le tournage du film "Let's Make Love" ("Le Milliardaire") fin 1959  / début 1960.
Marilyn Monroe on the set of "Let's Make Love" end 1959 / beginning 1960.


Dans la loge de la Fox
In the dressing-room of the Fox Studios


- photographies: John Bryson -

Marilyn Monroe & Yves Montand
1959-11_1960-06-LML-jacket_white-dressing_room-1-1-by_john_bryson-1 1959-11_1960-06-LML-jacket_white-dressing_room-1-2-by_john_bryson-1 1959-11_1960-06-LML-jacket_white-dressing_room-1-3-by_john_bryson-1  

Les couples Marilyn Monroe / Arthur Miller
Yves Montand / Simone Signoret

1959-11_1960-06-LML-jacket_white-dressing_room-3-1-by_john_bryson-1 
1959-11_1960-06-LML-jacket_white-dressing_room-3-1-by_john_bryson-1a  1959-11_1960-06-LML-jacket_white-dressing_room-3-1-by_john_bryson-1b 


- photographie: Robert Vose -

 1959-11_1960-06-LML-jacket_white-dressing_room-2-by_robert_vose-1a 


1959-11_1960-06-LML-jacket_white-dressing_room-2-1 


- photographies: Lawrence Schiller -

Marilyn Monroe , Yves Montand
et la coiffeuse Agnes Flanagan

1959-11_1960-06-LML-jacket_black-by_lawrence_schiller-010-1-HQ  1959-11_1960-06-LML-jacket_black-by_schiller-contact-1 


Sur le plateau
In the set


- photographies: John Bryson -

Marilyn Monroe, George Cukor & Yves Montand
1959-11_1960-06-LML-jacket_white-on_set-by_john_bryson-010-1 1959-11_1960-06-LML-jacket_white-on_set-by_john_bryson-011-1 1959-11_1960-06-LML-jacket_white-on_set-by_john_bryson-012-1 
1959-11_1960-06-LML-jacket_white-on_set-by_john_bryson-011-1  


- photographies: Robert Vose -

Marilyn Monroe & Arthur Miller

1959-11_1960-06-LML-jacket_white-on_set-by_robert_vose-1  1959-11_1960-06-LML-jacket_white-on_set-by_robert_vose-1b 
1959-11_1960-06-LML-jacket_white-on_set-by_robert_vose-rehearsal-010-1  1959-11_1960-06-LML-jacket_white-on_set-by_robert_vose-rehearsal-020-1  


en janvier 1960 : Marilyn Monroe, Paula Strasberg et
le journaliste Stephane Groueff, envoyé par Paris Match.
1960, January: Marilyn Monroe, Paula Strasberg and the journalist
Stephane Groueff, send by French magazine Paris Match.

1960-01-LA-stephane_groueff_mm_paula_strasberg-1 


Marilyn Monroe et des membres de l'équipe technique
Marilyn Monroe with members of the technical crew

1959-11_1960-06-LML-on_set-jacket-010-1 1959-11_1960-06-LML-on_set-jacket-010-1a 1959-11_1960-06-LML-on_set-jacket-011-1  

Marilyn Monroe avec Yves Montand et le chorégraphe Jack Cole
Marilyn Monroe with Yves Montand and choreographer Jack Cole

1959-11_1960-06-LML-on_set-white_robe-010-1  1959-11_1960-06-LML-on_set-white_robe-020-1 


Yves Montand, Jack Cole, Arthur Miller
1959-11_1960-06-LML-on_set-montand_cole_miller-1 

Arthur Miller photographié par John Bryson
1959-11_1960-06-LML-on_set-miller-by_bryson-1 


- photographie: John Bryson -

1959-11_1960-06-LML-on_set-white_robe-by_john_bryson-1 


© All images are copyright and protected by their respective owners, assignees or others.
copyright text by GinieLand.
   

28 juillet 2018

17/11/1961, Santa Monica - Bed Sitting de Douglas Kirkland

Le vendredi 17 novembre 1961, dans un studio loué à Hollywood (le studio John Engstead sur Santa Monica Boulevard), le photographe Douglas Kirkland et ses assistants préparent la venue de Marilyn Monroe: du champagne Dom Perignon au frais, et des disques de Frank Sinatra.

On Friday, November, 17, 1961, in a studio rented in Hollywood (the John Engstead Studio on Santa Monica Boulevard), the photographer Douglas Kirkland and his assistants prepare the arrival of Marilyn Monroe: champagne Dom Perignon in the fridge, and records by Frank Sinatra.

1961-11-17-santa_monica-Kirkland_sitting-010-1 
1961-11-17-santa_monica-Kirkland_sitting-011-1  1961-11-17-santa_monica-Kirkland_sitting-012-1 

Le rendez-vous est fixé à 19h, mais Marilyn arrive à 21h30. D'ailleurs, l'agent de Marilyn, John Springer, avait prévenu Kirkland et son associé, l'écrivain Jack Hamilton: "Elle arrive parfois en retard mais elle finit toujours par arriver."
Marilyn est accompagnée de deux assistantes: l'une s'occupe de la coiffure et du maquillage (Agnes Flanagan), l'autre est son habilleuse, portant un sac de vêtements.
Parmi les autres personnes présentes: John Springer, Jack Hamilton, un assistant et le responsable du studio.
Kirkland a installé un appareil photo sur le petit balcon pour photographier le lit en plongée. Mais il ne sait pas encore comment il veut la photographier: il a l'idée d'utiliser d'abord une grande étoffe blanche. Marilyn n'est pas emballée mais se prête au jeu en enfilant l'une des robes qu'elle a apportée. La séance se révèle inefficace. Marilyn et Kirkland trouvent le tissu trop ordinaire: "Je ne suis pas du genre à porter de la toile au rabais !" Ils font alors une pause pour réorganiser la séance.

The appointment is fixed at 7 pm, but Marilyn arrives at 9:30 pm. Anyway, Marilyn's agent, John Springer, had informed Kirkland and his associate, writer Jack Hamilton: "She sometimes arrives late but she always ends up arriving."
Marilyn is accompanied by two assistants: one is in charge of hair and make-up (Agnes Flanagan), the other is her dressmaker, carrying a bag of clothes.
The other persons are John Springer, Jack Hamilton, an assistant, and the studio manager.
Kirkland installed a camera on the small balcony to photograph the bed. But he doesn't know yet how he wants to photograph her: he has the idea of ​​using first a large white fabric. Marilyn is not excited but she is ready to try and by putting on one of the dresses she has brought. The setting is ineffective. Marilyn and Kirkland find the fabric too ordinary: "I'm not the one to wear cheap clothes !" They then make a break to reorganize the session.

1961-11-17-santa_monica-studio_john_Engstead-by_douglas_kirkland-dress-011-1 
 1961-11-17-santa_monica-studio_john_Engstead-by_douglas_kirkland-dress-011-1a 1961-11-17-santa_monica-studio_john_Engstead-by_douglas_kirkland-dress-010-1a 1961-11-17-santa_monica-studio_john_Engstead-by_douglas_kirkland-dress-021-1a 
1961-11-17-santa_monica-studio_john_Engstead-by_douglas_kirkland-dress-010-1 
1961-11-17-santa_monica-studio_john_Engstead-by_douglas_kirkland-dress-020-1 
1961-11-17-santa_monica-studio_john_Engstead-by_douglas_kirkland-dress-021-1 
> avec le journaliste de Look, Jack Hamilton


Douglas Kirkland amène Marilyn vers le lit défait de draps de soie blanche en lui demandant d'imaginer comment elle aimerait qu'on se souvienne d'elle dans 25 ans, puisque la photo devait fêtait le 25ème anniversaire du magazine Look. Marilyn retourne dans sa loge et y ressort en peignoir blanc qu'elle retire pour se glisser dans les draps de soie. Pendant que Kirkland la photographie, perché du balcon, elle boit quelques gorgées de champagne. Parfois Kirkland s'arrête et boit avec elle.
En pleine séance, elle demande au reste de l'équipe de la laisser seule avec le photographe: "D'habitude, ça marche mieux comme ça !" Pour Kirkland, ce fut alors "Une expérience très intime (...) Tout se jouait désormais entre Marilyn, mon appareil et moi. (...) L'ambiance était calme, douce et séduisante."
D'après Kirkland, Marilyn lui demande en pleine séance qu'il la rejoigne dans le lit; il explique que bien qu'il en avait très envie, il était alors marié et père de trois enfants et sa bonne conscience lui fait refuser la proposition. Selon Kirkland, toute cette tension sexuelle a permis de livrer de bonnes photos.

Douglas Kirkland takes Marilyn to the unmade bed of white silk sheets and asks her to imagine how she would like to be remembered in 25 years, because the photo was to celebrate the 25th anniversary of Look magazine. Marilyn goes back to her dressing room and comes out in a white bathrobe, which she pulls out to slip into the silk sheets. While Kirkland photographs her, perched on the balcony, she drinks a few cups of champagne. Sometimes Kirkland stops and drinks with her.
In the middle of the session, she asks the rest of the team to leave her alone with the photographer: "Usually, it works better like that !" For Kirkland, it was then "A very intimate experience (...) Everything was now played between Marilyn, my camera and me (...) The atmosphere was calm, sweet and seductive."
According to Kirkland, Marilyn asks him to join her in the bed; he explains that although he wanted to do it, he was married with three children and his good conscience made him refuse the offer. According to Kirkland, all this sexual tension allowed to deliver good photos.


- The Bed Sitting -

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- Backstage of The Bed Sitting -
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Quand il a terminé, il la rejoint et s'allonge par terre à côté du lit pour discuter seuls une vingtaine de minutes avant de refaire entrer les autres. Son assistant a pris quelques photos. Puis Marilyn remet son peignoir et retourne dans sa loge.
Elle part peu après minuit. Elle prend rendez-vous avec Kirkland le lendemain après midi chez elle pour visionner les photos.

When he has finished, he joins her and lies on the floor next to the bed to discuss about twenty minutes before the others enter. His assistant took some photos. Then Marilyn puts on her bathrobe and goes back to her dressing room.
She leaves the studio shortly after midnight. She makes an appointment with Kirkland the next day afternoon at home to view the photos.

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Marilyn Monroe quitte le studio photo
Instantanés pris par James Haspiel
Marilyn Monroe leaves the studio
Snapshots taken by James Haspiel

1962_Marilyn_Gala_010_010 1962_Marilyn_Gala_010_020 1961_09_candid_mm 


> source: livre Douglas Kirkland, Une nuit avec Marilyn


© All images are copyright and protected by their respective owners, assignees or others.
copyright text by GinieLand.

06 janvier 2016

Gifs The Seven Year Itch (17) - Champagne

gif-syi-champagne1  gif-syi-champagne2 

>> source gifs sur tumblr eternal marilyn

Posté par ginieland à 19:44 - - Commentaires [0] - Permalien [#]
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30 octobre 2015

1957 Marilyn en privé

Photographie privée de Marilyn Monroe - vers 1957-58

Private photography of Marilyn Monroe - circa 1962.

1962-mm 


© All images are copyright and protected by their respective owners, assignees or others.
copyright text by GinieLand.

- from the private collection of Livia from Immortal Marilyn FB Page

Posté par ginieland à 19:59 - - Commentaires [8] - Permalien [#]
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