28 juillet 2018

17/11/1961, Santa Monica - Bed Sitting de Douglas Kirkland

Le vendredi 17 novembre 1961, dans un studio loué à Hollywood (le studio John Engstead sur Santa Monica Boulevard), le photographe Douglas Kirkland et ses assistants préparent la venue de Marilyn Monroe: du champagne Dom Perignon au frais, et des disques de Frank Sinatra.

On Friday, November, 17, 1961, in a studio rented in Hollywood (the John Engstead Studio on Santa Monica Boulevard), the photographer Douglas Kirkland and his assistants prepare the arrival of Marilyn Monroe: champagne Dom Perignon in the fridge, and records by Frank Sinatra.

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Le rendez-vous est fixé à 19h, mais Marilyn arrive à 21h30. D'ailleurs, l'agent de Marilyn, John Springer, avait prévenu Kirkland et son associé, l'écrivain Jack Hamilton: "Elle arrive parfois en retard mais elle finit toujours par arriver."
Marilyn est accompagnée de deux assistantes: l'une s'occupe de la coiffure et du maquillage (Agnes Flanagan), l'autre est son habilleuse, portant un sac de vêtements.
Parmi les autres personnes présentes: John Springer, Jack Hamilton, un assistant et le responsable du studio.
Kirkland a installé un appareil photo sur le petit balcon pour photographier le lit en plongée. Mais il ne sait pas encore comment il veut la photographier: il a l'idée d'utiliser d'abord une grande étoffe blanche. Marilyn n'est pas emballée mais se prête au jeu en enfilant l'une des robes qu'elle a apportée. La séance se révèle inefficace. Marilyn et Kirkland trouvent le tissu trop ordinaire: "Je ne suis pas du genre à porter de la toile au rabais !" Ils font alors une pause pour réorganiser la séance.

The appointment is fixed at 7 pm, but Marilyn arrives at 9:30 pm. Anyway, Marilyn's agent, John Springer, had informed Kirkland and his associate, writer Jack Hamilton: "She sometimes arrives late but she always ends up arriving."
Marilyn is accompanied by two assistants: one is in charge of hair and make-up (Agnes Flanagan), the other is her dressmaker, carrying a bag of clothes.
The other persons are John Springer, Jack Hamilton, an assistant, and the studio manager.
Kirkland installed a camera on the small balcony to photograph the bed. But he doesn't know yet how he wants to photograph her: he has the idea of ​​using first a large white fabric. Marilyn is not excited but she is ready to try and by putting on one of the dresses she has brought. The setting is ineffective. Marilyn and Kirkland find the fabric too ordinary: "I'm not the one to wear cheap clothes !" They then make a break to reorganize the session.

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> avec le journaliste de Look, Jack Hamilton


Douglas Kirkland amène Marilyn vers le lit défait de draps de soie blanche en lui demandant d'imaginer comment elle aimerait qu'on se souvienne d'elle dans 25 ans, puisque la photo devait fêtait le 25ème anniversaire du magazine Look. Marilyn retourne dans sa loge et y ressort en peignoir blanc qu'elle retire pour se glisser dans les draps de soie. Pendant que Kirkland la photographie, perché du balcon, elle boit quelques gorgées de champagne. Parfois Kirkland s'arrête et boit avec elle.
En pleine séance, elle demande au reste de l'équipe de la laisser seule avec le photographe: "D'habitude, ça marche mieux comme ça !" Pour Kirkland, ce fut alors "Une expérience très intime (...) Tout se jouait désormais entre Marilyn, mon appareil et moi. (...) L'ambiance était calme, douce et séduisante."
D'après Kirkland, Marilyn lui demande en pleine séance qu'il la rejoigne dans le lit; il explique que bien qu'il en avait très envie, il était alors marié et père de trois enfants et sa bonne conscience lui fait refuser la proposition. Selon Kirkland, toute cette tension sexuelle a permis de livrer de bonnes photos.

Douglas Kirkland takes Marilyn to the unmade bed of white silk sheets and asks her to imagine how she would like to be remembered in 25 years, because the photo was to celebrate the 25th anniversary of Look magazine. Marilyn goes back to her dressing room and comes out in a white bathrobe, which she pulls out to slip into the silk sheets. While Kirkland photographs her, perched on the balcony, she drinks a few cups of champagne. Sometimes Kirkland stops and drinks with her.
In the middle of the session, she asks the rest of the team to leave her alone with the photographer: "Usually, it works better like that !" For Kirkland, it was then "A very intimate experience (...) Everything was now played between Marilyn, my camera and me (...) The atmosphere was calm, sweet and seductive."
According to Kirkland, Marilyn asks him to join her in the bed; he explains that although he wanted to do it, he was married with three children and his good conscience made him refuse the offer. According to Kirkland, all this sexual tension allowed to deliver good photos.


- The Bed Sitting -

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- Backstage of The Bed Sitting -
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Quand il a terminé, il la rejoint et s'allonge par terre à côté du lit pour discuter seuls une vingtaine de minutes avant de refaire entrer les autres. Son assistant a pris quelques photos. Puis Marilyn remet son peignoir et retourne dans sa loge.
Elle part peu après minuit. Elle prend rendez-vous avec Kirkland le lendemain après midi chez elle pour visionner les photos.

When he has finished, he joins her and lies on the floor next to the bed to discuss about twenty minutes before the others enter. His assistant took some photos. Then Marilyn puts on her bathrobe and goes back to her dressing room.
She leaves the studio shortly after midnight. She makes an appointment with Kirkland the next day afternoon at home to view the photos.

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Marilyn Monroe quitte le studio photo
Instantanés pris par James Haspiel
Marilyn Monroe leaves the studio
Snapshots taken by James Haspiel

1962_Marilyn_Gala_010_010 1962_Marilyn_Gala_010_020 1961_09_candid_mm 


> source: livre Douglas Kirkland, Une nuit avec Marilyn


© All images are copyright and protected by their respective owners, assignees or others.
copyright text by GinieLand.


06 janvier 2016

Gif The Seven Year Itch Champagne

gif-syi-champagne1  gif-syi-champagne2 

>> source gifs sur tumblr eternal marilyn

Posté par ginieland à 19:44 - - Commentaires [0] - Permalien [#]
Tags : , , ,

22 juillet 2015

30/06/1962 'Tim Leimert House' par Barris

Le 30 juin 1962, Marilyn Monroe est photographiée par George Barris pour le magazine Cosmopolitan, chez Walter 'Tim' Leimert, un magnat de l'immobilier, ami du photographe, dont la villa se trouve au 1506 Blue Jay Way située dans les collines au Nord d'Hollywood. Série "Blouse Pucci".
On June, 30, 1962, Marilyn Monroe is photographed by George Barris for the Cosmopolitan magazine, at Walter 'Tim' Leimert's house, a real estate tycoon, friend of the photographer, whose villa is at 1506 Blue Jay Way in the Nord Hollywood hills. "Pucci Jacket" sitting.


****  Pucci Jacket Sitting ****
Série Blouse Pucci


-- Parking voitures
Car's Parking  --
-- Avec Patricia Newcomb (attaché de presse) et Whitey Snyder (maquilleur)
With Patricia Newcomb (press attache) and Whitey Snyder (for make-up man)  -- 
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-- En voiture
By car  --

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-- Dans le patio
In the patio  --

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 -- Au salon bar
At the lounge bar  --

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-- Avec Agnes Flanagan (coiffure) et Whitey Snyder (au maquillage)
With Agnes Flanagan (hairdresser) and Whitey Snyder (for make-up)  -- 
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 -- Dans le salon
In the living room  --

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1962-06-tim_leimert_house-pucci_jacket-sofa-by_barris-012-2-1 1962-06-tim_leimert_house-pucci_jacket-sofa-by_barris-012-2-2 1962-06-tim_leimert_house-pucci_jacket-sofa-by_barris-012-2-2a 
1962-06-tim_leimert_house-pucci_jacket-sofa-by_barris-012-1 1962-06-tim_leimert_house-pucci_jacket-sofa-by_barris-012-3 1962-06-tim_leimert_house-pucci_jacket-sofa-by_barris-012-4 
1962-06-tim_leimert_house-pucci_jacket-sofa-by_barris-012-5 1962-06-tim_leimert_house-pucci_jacket-sofa-by_barris-012-5a 1962-06-tim_leimert_house-pucci_jacket-sofa-by_barris-012-6 
1962-06-tim_leimert_house-pucci_jacket-sofa-by_barris-013-1  1962-06-tim_leimert_house-pucci_jacket-sofa-by_barris-014-1 
1962-by_barris-13551851  1962-06-tim_leimert_house-pucci_jacket-sofa-by_barris-014-3 
1962-06-tim_leimert_house-pucci_jacket-sofa-by_barris-015-2  1962-06-tim_leimert_house-pucci_jacket-sofa-by_barris-015-3  1962-06-tim_leimert_house-pucci_jacket-sofa-by_barris-015-4 
1962-06-tim_leimert_house-pucci_jacket-sofa-by_barris-016-1 1962-06-tim_leimert_house-pucci_jacket-sofa-by_barris-017-1a 1962-06-tim_leimert_house-pucci_jacket-sofa-by_barris-017-1 
1962-06-tim_leimert_house-pucci_jacket-sofa-by_barris-021-1  1962-06-tim_leimert_house-pucci_jacket-sofa-by_barris-022-1  1962-06-tim_leimert_house-pucci_jacket-sofa-by_barris-022-2 
 1962-06-tim_leimert_house-pucci_jacket-sofa-by_barris-020-1a 1962-06-tim_leimert_house-pucci_jacket-sofa-by_barris-020-1 1962-06-tim_leimert_house-pucci_jacket-sofa-by_barris-020-2 
1962-06-tim_leimert_house-pucci_jacket-sofa-by_barris-020-2a  1962-06-tim_leimert_house-pucci_jacket-sofa-by_barris-023-1  
1962-06-tim_leimert_house-pucci_jacket-sofa-by_barris-024-1  1962-06-tim_leimert_house-pucci_jacket-sofa-by_barris-024-1a  1962-06-tim_leimert_house-pucci_jacket-sofa-by_barris-024-2 
1962-06-tim_leimert_house-pucci_jacket-sofa-by_barris-023-2  1962-06-tim_leimert_house-pucci_jacket-sofa-by_barris-024-4a 
1962-06-tim_leimert_house-pucci_jacket-sofa-by_barris-024-3  1962-06-tim_leimert_house-pucci_jacket-sofa-by_barris-024-3a 


-- Dans la chambre
In the Bedroom  --

1962-06-tim_leimert_house-pucci_jacket-bedroom-by_barris-010-1 
1962-06-tim_leimert_house-pucci_jacket-bedroom-by_barris-020-1  1962-06-tim_leimert_house-pucci_jacket-bedroom-by_barris-021-1 
1962-06-tim_leimert_house-pucci_jacket-bedroom-by_barris-021-2  1962-06-tim_leimert_house-pucci_jacket-bedroom-by_barris-021-3 
1962-06-tim_leimert_house-pucci_jacket-bedroom-by_barris-031-1  1962-06-tim_leimert_house-pucci_jacket-bedroom-by_barris-031-1a 
1962-06-tim_leimert_house-pucci_jacket-bedroom-by_barris-032-1  1962-06-tim_leimert_house-pucci_jacket-bedroom-by_barris-033-1  1962-06-tim_leimert_house-pucci_jacket-bedroom-by_barris-033-1a 
1962-06-tim_leimert_house-pucci_jacket-bedroom-by_barris-040-1a  1962-06-tim_leimert_house-pucci_jacket-bedroom-by_barris-050-1
1962-06-tim_leimert_house-pucci_jacket-bedroom-by_barris-052-1  1962-06-tim_leimert_house-pucci_jacket-bedroom-by_barris-052-2  
1962-06-tim_leimert_house-pucci_jacket-bedroom-by_barris-051-1  1962-06-tim_leimert_house-pucci_jacket-bedroom-by_barris-052-3  1962-06-tim_leimert_house-pucci_jacket-bedroom-by_barris-052-3c  


-- Dans la salle de bain
In the Bathroom  --

1962-06-30-tim_leimert_house-pucci_jacket-bathroom-by_barris-010-1  1962-06-30-tim_leimert_house-pucci_jacket-bathroom-by_barris-010-1a  1962-06-30-tim_leimert_house-pucci_jacket-bathroom-by_barris-010-2 
1962-06-30-tim_leimert_house-pucci_jacket-bathroom-by_barris-010-3a  1962-06-30-tim_leimert_house-pucci_jacket-bathroom-by_barris-021-1  1962-06-30-tim_leimert_house-pucci_jacket-bathroom-by_barris-030-1
1962-06-30-tim_leimert_house-pucci_jacket-bathroom-by_barris-020-1   1962-06-30-tim_leimert_house-pucci_jacket-bathroom-by_barris-040-1  


Marilyn confie à Barris: "La période la plus heureuse de ma vie, c'est en ce moment... L'avenir est devant moi, et j'ai hâte d'y être, ça va être passionnant ! J'ai l'impression que je commence à peine: je veux jouer dans des comédies, des tragédies, un mélange des deux... Je n'ai aucun regret car, si j'ai commis des erreurs, je suis seule responsable... J'aime beaucoup rester ici (en Californie) mais, de temps en temps, j'ai des envies de New York. Alors, tout ce que j'ai à faire c'est fermer les portes [de devant et de derrière] et partir. J'aime bien avoir un ancrage solide."
 
Marilyn tells to to GB: "The happiest time of my life is now... There's a future and I can't wait to get to it -it should be intereting ! I feel I'm just getting started; I want to do comedy, tragedy, interspersed... I have no regrets, because if I made any mistakes, I was responsible... I like to stay here (in California) but every once in awhile I get that feeling for New York. Here all I have to do is lock the [front and back] doors and go. I like ground to stand on."

Source:
L'assassinat de Marilyn Monroe, par Jay Margolis, Richard Buskin
The Murder of Marilyn Monroe: Case Closed, by Jay Margolis, Richard Buskin


 © All images are copyright and protected by their respective owners, assignees or others.
copyright text by GinieLand.

19 juillet 2015

Juin/Juillet 1962 'Tim Leimert House' par Barris 1

A la fin du mois de juin 1962 - début juillet 1962, Marilyn Monroe est photographiée par George Barris pour le magazine Cosmopolitan, chez Walter 'Tim' Leimert, un magnat de l'immobilier, ami du photographe, dont la villa se trouve au 1506 Blue Jay Way située dans les collines au Nord d'Hollywood. Série "Pucci Rose".
At the end of June 1962 - beginning of July 1962, Marilyn Monroe is photographed by George Barris for the Cosmopolitan magazine, at Walter 'Tim' Leimert's house, a real estate tycoon, friend of the photographer, whose villa is at 1506 Blue Jay Way in the Nord Hollywood hills. "Pink Pucci" sitting.


****  Pink Pucci Sitting ****
Série Pucci Rose

 


-- Vue sur les hauteurs d'Hollywood
View on Hollywood Hills  --

1962-06-tim_leimert_house-pucci_pink-by_barris-010-2 1962-06-tim_leimert_house-pucci_pink-by_barris-010-1 1962-06-tim_leimert_house-pucci_pink-by_barris-010-3 
1962-06-tim_leimert_house-pucci_pink-by_barris-010-2a  1962-06-tim_leimert_house-pucci_pink-by_barris-010-3a  1962-06-tim_leimert_house-pucci_pink-by_barris-011-1 
1962-06-tim_leimert_house-pucci_pink-by_barris-010-1a  1962-06-tim_leimert_house-pucci_wb2-view-by_barris-010-1 
1962-06-tim_leimert_house-pucci_wb2-view-by_barris-020-1  1962-06-tim_leimert_house-pucci_wb2-view-by_barris-020-2 
1962-06-tim_leimert_house-pucci_wb2-view-by_barris-021-1  1962-06-tim_leimert_house-pucci_wb2-view-by_barris-021-2  1962-06-tim_leimert_house-pucci_wb2-view-by_barris-022-1 
1962-06-tim_leimert_house-pucci_wb2-view-by_barris-030-1  1962-06-tim_leimert_house-pucci_wb2-view-by_barris-030-2 
1962-06-tim_leimert_house-pucci_wb2-view-by_barris-030-1a  1962-06-tim_leimert_house-pucci_wb2-view-by_barris-030-2a 
1962-06-tim_leimert_house-pucci_wb2-view-by_barris-032-1 1962-06-tim_leimert_house-pucci_wb2-view-by_barris-032-2 1962-06-tim_leimert_house-pucci_wb2-view-by_barris-031-1a 
1962-06-tim_leimert_house-pucci_wb2-view-by_barris-031-1   1962-06-tim_leimert_house-pucci_wb2-view-by_barris-041-2 
1962-06-tim_leimert_house-pucci_wb2-view-by_barris-033-1 1962-06-tim_leimert_house-pucci_wb2-view-by_barris-033-1b 1962-06-tim_leimert_house-pucci_wb2-view-by_barris-040-1
1962-06-tim_leimert_house-pucci_wb2-view-by_barris-041-1 1962-06-tim_leimert_house-pucci_wb2-view-by_barris-043-1 1962-06-tim_leimert_house-pucci_wb2-view-by_barris-042-1 


-- Dans le patio
In the patio  --

1962-06-tim_leimert_house-pucci_pink-by_barris-050-1  1962-06-tim_leimert_house-pucci_pink-by_barris-050-2a  1962-06-tim_leimert_house-pucci_pink-by_barris-050-2 
1962-06-tim_leimert_house-pucci_pink-by_barris-020-1-1  1962-06-tim_leimert_house-pucci_pink-by_barris-020-1-2  1962-06-tim_leimert_house-pucci_pink-by_barris-020-2 
1962-06-tim_leimert_house-pucci_pink-by_barris-020-3a  1962-06-tim_leimert_house-pucci_pink-by_barris-020-3  1962-06-tim_leimert_house-pucci_pink-by_barris-020-4 
1962-06-tim_leimert_house-pucci_wb2-by_barris-010-1 1962-06-tim_leimert_house-pucci_wb2-by_barris-010-2 1962-06-tim_leimert_house-pucci_wb2-by_barris-010-2a
1962-06-tim_leimert_house-pucci_wb2-by_barris-011-1 1962-06-tim_leimert_house-pucci_wb2-by_barris-011-1b 1962-06-tim_leimert_house-pucci_wb2-by_barris-011-2
1962-06-tim_leimert_house-pucci_pink-by_barris-030-1  1962-06-tim_leimert_house-pucci_pink-by_barris-030-1a  
1962-06-tim_leimert_house-pucci_wb2-by_barris-020-1 1962-06-tim_leimert_house-pucci_wb2-by_barris-020-2 1962-06-tim_leimert_house-pucci_wb2-by_barris-020-3 
1962-06-tim_leimert_house-pucci_wb2-by_barris-021-1  1962-06-tim_leimert_house-pucci_wb2-by_barris-021-2  1962-06-tim_leimert_house-pucci_wb2-by_barris-021-3 
1962-06-tim_leimert_house-pucci_wb2-by_barris-022-1 1962-06-tim_leimert_house-pucci_wb2-by_barris-022-2a 1962-06-tim_leimert_house-pucci_wb2-by_barris-022-2 
1962-06-tim_leimert_house-pucci_wb2-by_barris-023-1 1962-06-tim_leimert_house-pucci_wb2-by_barris-024-1a 1962-06-tim_leimert_house-pucci_wb2-by_barris-024-1 
1962-06-tim_leimert_house-pucci_pink-by_barris-040-1 1962-06-tim_leimert_house-pucci_pink-by_barris-040-2a 1962-06-tim_leimert_house-pucci_pink-by_barris-040-2
1962-06-tim_leimert_house-pucci_wb2-by_barris-025-1 1962-06-tim_leimert_house-pucci_wb2-by_barris-025-1b 1962-06-tim_leimert_house-pucci_wb2-by_barris-025-2 
1962-06-tim_leimert_house-pucci_wb2-by_barris-026-1 1962-06-tim_leimert_house-pucci_wb2-by_barris-026-1a 1962-06-tim_leimert_house-pucci_wb2-by_barris-026-2 
 1962-06-tim_leimert_house-pucci_wb2-by_barris-028-1 1962-06-tim_leimert_house-pucci_wb2-by_barris-027-1 1962-06-tim_leimert_house-pucci_wb2-by_barris-028-2 

 


-- Sur un banc
On a Bench --
1962-06-tim_leimert_house-pucci_wb2-bench-by_barris-010-1a 1962-06-tim_leimert_house-pucci_wb2-bench-by_barris-010-1b 1962-06-tim_leimert_house-pucci_wb2-bench-by_barris-010-2
1962-06-tim_leimert_house-pucci_wb2-bench-by_barris-010-3  1962-06-tim_leimert_house-pucci_wb2-bench-by_barris-010-3a 
1962-06-tim_leimert_house-pucci_wb2-bench-by_barris-020-1 1962-06-tim_leimert_house-pucci_wb2-bench-by_barris-021-1 1962-06-tim_leimert_house-pucci_wb2-bench-by_barris-021-2 
1962-06-tim_leimert_house-pucci_wb2-bench-by_barris-030-1 1962-06-tim_leimert_house-pucci_wb2-bench-by_barris-021-1a 1962-06-tim_leimert_house-pucci_wb2-bench-by_barris-030-1a 

 


-- Dans la maison
In the house  --

 -- Avec Agnes Flanagan (coiffure) et Whitey Snyder (au maquillage)
With Agnes Flanagan (hairdresser) and Whitey Snyder (for make-up)  --
1962-06-tim_leimert_house-pucci_wb2-make_up-by_barris-011-1 1962-06-tim_leimert_house-pucci_wb2-make_up-by_barris-011-2  1962-06-tim_leimert_house-pucci_wb2-make_up-by_barris-011-2a
1962-06-tim_leimert_house-pucci_wb2-make_up-by_barris-010-1  1962-06-tim_leimert_house-pucci_wb2-make_up-by_barris-020-1  1962-06-tim_leimert_house-pucci_wb2-make_up-by_barris-021-1 
1962-06-tim_leimert_house-pucci_wb2-make_up-by_barris-022-1 1962-06-tim_leimert_house-pucci_wb2-make_up-by_barris-022-1a  1962-06-tim_leimert_house-pucci_pink-by_barris-060-2
1962-06-tim_leimert_house-pucci_pink-by_barris-060-1  1962-06-tim_leimert_house-pucci_pink-by_barris-060-1b


Marilyn s'était achetée une maison à Brentwood, mais sans aucun meuble. Elle était partie à Mexico pour en acheter, dans le style local, et elle attendait leur livraison.
Marilyn à Barris: "On ne peut pas prendre de photos ici alors que ça n'a pas l'air fini ? Comment faire ?
-Si tu préfères, on retourne dans la maison de Catalina, celle de ton premier mari, je peux m'arranger.
-Non, je ne veux pas y retourner.
-J'ai un ami [Tim Leimert] qui vit du côté de Hollywood Hills. Sa maison serait parfaite. Je lui en ai parlé et il m'a dit qu'il voulait juste une photo de toi avec lui, en souvenir. Tu n'es pas obligée si tu n'as pas envie.
-Non, c'est très bien."

Marilyn bought a new house in Brentwood but it wasn't furnished. She had gone to Mexico to furnish it Mexican style. She was waiting for the furniture to arrive.
Marilyn to Barris: "How can we photograph there if it doesn't look right ? What can we do ?
-If you want to go back where you lived with your first husband in Catalina, I'll try.
-No, I don't want to go back.
-My friend's home in the Hollywood Hills would be perfect. When I brought it up, he said all he wants is a picture of you and him as a souvenir. You don't have to do it if you don't want to.
-No, it's okay."

 -- Marilyn avec Tim Leimert
Marilyn with Tim Leimert  --
1962-06-tim_leimert_house-pucci_wb2-by_barris-012-with_tim-2 
1962-06-tim_leimert_house-pucci_wb2-by_barris-012-with_tim-1 

Source:
L'assassinat de Marilyn Monroe, par Jay Margolis, Richard Buskin
The Murder of Marilyn Monroe: Case Closed, by Jay Margolis, Richard Buskin


© All images are copyright and protected by their respective owners, assignees or others.
copyright text by GinieLand.

18 juillet 2015

Juin/Juillet 1962 'Tim Leimert House' par Barris 2

A la fin du mois de juin 1962 - début juillet 1962, Marilyn Monroe est photographiée par George Barris pour le magazine Cosmopolitan, chez Walter 'Tim' Leimert, un magnat de l'immobilier, ami du photographe, dont la villa se trouve au 1506 Blue Jay Way située dans les collines au Nord d'Hollywood. Série "Pucci Orange".
At the end of June 1962 - beginning of July 1962, Marilyn Monroe is photographed by George Barris for the Cosmopolitan magazine, at Walter 'Tim' Leimert's house, a real estate tycoon, friend of the photographer, whose villa is at 1506 Blue Jay Way in the Nord Hollywood hills. "Orange Pucci" sitting.


****  Orange Pucci Sitting ****
Série Pucci Orange

1962-06-tim_leimert_house-pucci_orange-by_barris-010-1  1962-06-tim_leimert_house-pucci_orange-by_barris-020-1  1962-06-tim_leimert_house-pucci_orange-by_barris-021-1 
1962-06-tim_leimert_house-pucci_orange-by_barris-020-1a  1962-06-tim_leimert_house-pucci_orange-by_barris-021-1a 
1962-06-tim_leimert_house-pucci_orange-by_barris-030-1  1962-06-tim_leimert_house-pucci_orange-by_barris-030-2  1962-06-tim_leimert_house-pucci_orange-by_barris-031-1 
1962-06-tim_leimert_house-pucci_orange-by_barris-032-1  1962-06-tim_leimert_house-pucci_orange-by_barris-033-1 
1962-06-tim_leimert_house-pucci_orange-by_barris-034-1 1962-06-tim_leimert_house-pucci_orange-by_barris-035-1 1962-06-tim_leimert_house-pucci_orange-by_barris-034-2 
1962-06-tim_leimert_house-pucci_orange-by_barris-036-1  1962-06-tim_leimert_house-pucci_orange-by_barris-036-1a  1962-06-tim_leimert_house-pucci_orange-by_barris-036-2 
1962-06-tim_leimert_house-pucci_orange-by_barris-040-1  1962-06-tim_leimert_house-pucci_orange-by_barris-042-1  1962-06-tim_leimert_house-pucci_orange-by_barris-042-1a 
1962-06-tim_leimert_house-pucci_orange-by_barris-041-1  1962-06-tim_leimert_house-pucci_orange-by_barris-043-1  1962-06-tim_leimert_house-pucci_orange-by_barris-050-1  
1962-06-tim_leimert_house-pucci_orange-by_barris-041-1a  1962-06-tim_leimert_house-pucci_orange-by_barris-043-1a  1962-06-tim_leimert_house-pucci_orange-by_barris-050-1a 

-- Séance coiffure avec Agnes Flanagan (et Whitey Snyder)
Hairdressing Sitting with Agnes Flanagan (and Whitey Snyder)  --
1962-06-tim_leimert_house-pucci_wb1-by_barris-010-1 1962-06-tim_leimert_house-pucci_wb1-by_barris-011-1a 1962-06-tim_leimert_house-pucci_wb1-by_barris-011-1 
1962-06-tim_leimert_house-pucci_wb1-by_barris-012-1  1962-06-tim_leimert_house-pucci_wb1-by_barris-013-1 
1962-06-tim_leimert_house-pucci_wb1-by_barris-013-1a 1962-06-tim_leimert_house-pucci_wb1-by_barris-022-2a 1962-06-tim_leimert_house-pucci_wb1-by_barris-021-1
1962-06-tim_leimert_house-pucci_wb1-by_barris-020-1 1962-06-tim_leimert_house-pucci_wb1-by_barris-022-2 1962-06-tim_leimert_house-pucci_wb1-by_barris-022-1
1962-06-tim_leimert_house-pucci_wb1-by_barris-022-3 1962-06-tim_leimert_house-pucci_wb1-by_barris-022-4 1962-06-tim_leimert_house-pucci_wb1-by_barris-023-2a
1962-06-tim_leimert_house-pucci_wb1-by_barris-023-1   1962-06-tim_leimert_house-pucci_wb1-by_barris-023-2 


© All images are copyright and protected by their respective owners, assignees or others.
copyright text by GinieLand.

13 juillet 2015

13/07/1962 Santa Monica Beach par Barris 2

Le 13 juillet 1962, dernier jour de la séance photos de Marilyn Monroe avec le photographe George Barris pour le magazine Cosmopolitan, sur la plage Will Rogers State Beach à Santa Monica, non loin de la maison de Peter Lawford. Série "serviette".
On July 13 1962, last day of the Marilyn Monroe's photo shoot with photographer George Barris for the Cosmopolitan magazine, on the Will Rogers State Beach in Santa Monica, near the Peter Lawford's house.

 ****  Towel Sitting **** 
1962-07-13-santa_monica-towel-by_barris-010-1  1962-07-13-santa_monica-towel-by_barris-011-01  1962-07-13-santa_monica-towel-by_barris-011-01b 
1962-07-13-santa_monica-towel-by_barris-011-02  1962-07-13-santa_monica-towel-by_barris-011-03 1962-07-13-santa_monica-towel-by_barris-011-04 
1962-07-13-santa_monica-towel-by_barris-011-05  1962-07-13-santa_monica-towel-by_barris-011-06  1962-07-13-santa_monica-towel-by_barris-011-07 
1962-07-13-santa_monica-towel-by_barris-011-08  1962-07-13-santa_monica-towel-by_barris-011-08a  1962-07-13-santa_monica-towel-by_barris-011-09 
1962-07-13-santa_monica-towel-by_barris-012-1  1962-07-13-santa_monica-towel-by_barris-012-2a 
1962-07-13-santa_monica-towel-by_barris-012-2  1962-07-13-santa_monica-towel-by_barris-012-3a  1962-07-13-santa_monica-towel-by_barris-012-4a 
1962-07-13-santa_monica-towel-by_barris-012-3  1962-07-13-santa_monica-towel-by_barris-012-4 
1962-07-13-santa_monica-towel-by_barris-012-5  1962-07-13-santa_monica-towel-by_barris-012-6 
1962-07-13-santa_monica-towel-by_barris-020-1b  1962-07-13-santa_monica-towel-by_barris-020-1  1962-07-13-santa_monica-towel-by_barris-020-2 
1962-07-13-santa_monica-towel-by_barris-021-1  1962-07-13-santa_monica-towel-by_barris-022-1  1962-07-13-santa_monica-towel-by_barris-022-2 
1962-07-13-santa_monica-towel-by_barris-030-1  1962-07-13-santa_monica-towel-by_barris-031-1  1962-07-13-santa_monica-towel-by_barris-034-1 
 1962-07-13-santa_monica-towel-by_barris-032-2  1962-07-13-santa_monica-towel-by_barris-032-1  1962-07-13-santa_monica-towel-by_barris-032-3 
1962-07-13-santa_monica-towel-by_barris-040-1  1962-07-13-santa_monica-towel-by_barris-040-2 
1962-07-13-santa_monica-towel-by_barris-040-2a 


Marilyn confie à Barris: "C'est vraiment moi, avec même mes tâches de rousseur. La "vraie" moi."
Marilyn confides to Barris: "It's really me, even with my freckles. The "real" me."

1962-07-13-santa_monica-towel-by_barris-034-1b 


> captures
1962-07-13-santa_monica-towel-by_barris-02-cap1 1962-07-13-santa_monica-towel-by_barris-02-cap2 
1962-07-13-santa_monica-towel-by_barris-02-cap3 1962-07-13-santa_monica-towel-by_barris-02-cap4 1962-07-13-santa_monica-towel-by_barris-02-cap5

> video film footage


© All images are copyright and protected by their respective owners, assignees or others.
copyright text by GinieLand.
 

26 décembre 2007

14/02/1953 Mariage de Sheilah Graham

Le 14 février 1953, Marilyn Monroe, accompagnée du chroniqueur Sidney Skolsky (aussi écrivain, producteur et scénariste et surtout ami proche de Marilyn), sont invités au mariage de la chroniqueuse Sheilah Graham (aussi écrivain et actrice) dont la réception a lieu au domicile de Graham à Beverly Hills.
On February 14, 1953, Marilyn Monroe and columnist Sidney Skolsky (also writer, producer, screenwriter and especially close friend of Marilyn), are invited to the marriage of the columnist Sheilah Graham (also writer and actress) at the Graham'home in Beverly Hills.

> Marilyn & Sheilah Graham
1953_event_1_marilyn_with_sheila_graham_010_1 1953_shelley_1 
1953-03-05-by_bert_parry-1 1953-03-05-by_bert_parry-3 1953-03-05-2  

- photographie de Bert Parry -
1953-03-05-by_bert_parry-1a 


> Marilyn & Sidney Skolsky
1953_event_1_marilyn_with_sidney_skolsky_010_1 
sheilah_graham2  1953_skolsky_1
1953_event_1_marilyn_with_sidney_skolsky_020_1 1953_event_1_marilyn_with_sidney_skolsky_030_1 sheilah_graham 


1953_cchampagne4
1952_marilynmonroe_bew2EFC0A 1953_Happynewyear_5_ 1952_mm 
1953-02-14-sheila_graham_wed
 


> Marilyn & Mitzi Gaynor
1953-MONROE__MARILYN_-_1953_MITZI_GAYNOR708 


© All images are copyright and protected by their respective owners, assignees or others.
copyright text by GinieLand.

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