29 août 2021

14/06/1951, Los Angeles, Studios de la Fox - Essais pour "Let's Make It Legal"

Le 14 juin 1951Marilyn Monroe et Robert Wagner jouent une scène en essai pour le film "Chérie, divorçons" dans les studios de la 20th Century Fox. Si les deux acteurs jouent tous les deux dans le film, ils ne partagent aucune scène ensemble dans le montage final.
Robert Wagner racontera dans son livre autobiographique "Pieces of my heart" publié en 2009: "Au début de ma carrière, à la Fox, j'étais impatient d'expirer et je suis devenu connu comme le "gars des essais". C'est-à-dire que je jouerais le rôle principal masculin face à n'importe quelle actrice testée pour un contrat potentiel. J'ai fait des essais avec Marilyn deux fois : une fois, lorsqu'elle a obtenu son premier contrat avec la Fox, et une autre fois en 1951, lorsque nous avons partagé la vedette dans Let's Make it Legal. Marilyn et moi n'avions pas de scènes réelles ensemble dans le film final, mais pendant notre test, elle semblait légèrement nerveuse."
L'une des photographies est publiées dans le magazine Look du 23 octobre 1951, sous le crédit du photographe Earl Theisen.

On June 14, 1951, Marilyn Monroe and Robert Wagner play a test screen scene for the film "Let's Make It Legal" in the 20th Century Fox Studios. While the two actors both star in the film, they do not share any scenes together in the final cut.
Robert Wagner will tell in his autobiographical book "Pieces of my heart" published in 2009:
"Early in my time, at Fox I was eager for expire and became known as the "test boy". That is, I would play the male lead opposite any actress being screen-tested for a potential contract. I tested with Marilyn twice: once, when she first got her contract at Fox, and another time in 1951, when we co-starred in Let's Make it Legal. Marilyn and I had no actual scenes together in the final film, but durong our test, she seemed slightly nervous."
One of the photographs is published in Look magazine in October 23, 1951, with the credit of photographer Earl Theisen.


 1951-06-14-LA-Fox-LMIL-production_test-MM_with_Wagner-010-1-by_theisen-1  1951-06-14-LA-Fox-LMIL-production_test-MM_with_Wagner-010-1-by_theisen-1a  1951-06-14-LA-Fox-LMIL-production_test-MM_with_Wagner-011-1-by_theisen-1 
1951-06-14-LA-Fox-LMIL-production_test-MM_with_Wagner-011-1-by_theisen-1a 
1951-06-14-LA-Fox-LMIL-production_test-MM_with_Wagner-012-1-by_theisen-1 


- Dans la presse -

1 - photographie de Look, 23/10/1951 - USA
magazine Look 23/10/1951  -

1951-06-14-LA-Fox-LMIL-production_test-MM_with_Wagner-011-1-mag-1951-10-23-LOOK 

2   -photographie de Filmland, 04/1952 - USA
- magazine Filmland 04/1952
1951-06-14-LA-Fox-LMIL-production_test-MM_with_Wagner-012-1-mag-1952-04-US_Filmland 


Marilyn reçoit des 100aines de lettres de fans.
Marilyn receives circa 100 fans mails.

1951-06-LA-Fox_Studio-LMIL-set-MM_in_white_dress-020-1-by_earl_theisen-1  1951-06-LA-Fox_Studio-LMIL-set-MM_in_white_dress-021-1-by_earl_theisen-1  

- - - - Dans la presse - - - -

1 - photographie de Look, 23/10/1951 - USA
2 -photographie de Filmland, 04/1952 - USA

1951-06-LA-Fox_Studio-LMIL-set-MM_in_white_dress-020-1-by_earl_theisen-1-mag-1952-04-US_Filmland  1951-06-LA-Fox_Studio-LMIL-set-MM_in_white_dress-021-1-mag-1951-10-23-LOOK 


© All images are copyright and protected by their respective owners, assignees or others.
copyright text by GinieLand.  

14 août 2021

12/02/1952, Los Angeles - Beverly Carlton Hotel et UCLA par Mel Traxel

C'est pour un reportage photographique commandé par la presse, que le photographe Mel Traxel va suivre Marilyn Monroe pour décrire à quoi ressemble son quotidien. Il semblerait que les prises de vues datent du 12 février 1952 (c'est la date qui figure tamponnée au dos des photographies).
Les photos servent aussi de support promotionnel pour l'université d'UCLA (Université de Californie à Los Angeles), que Marilyn fréquente en suivant des cours de littérature et d'histoire de l'art.
On la découvre aussi dans son appartement au Beverly Carlton Hotel.
Le reportage paraît dans les magazines américains Movies (en août 1952) et Movie Stars Parade (de mai 1953).

This is for a photographic report commissioned by the press, that the photographer Mel Traxel follow Marilyn Monroe to describe what her daily life looks like. It seems that the shots date from February 12, 1952 (this is the date stamped on the back of the photographs).
The photos are also used as promotional support for the University of UCLA (University of California at Los Angeles), that Marilyn attends by following courses in literature and art history.
We also discover her in her apartment at the Beverly Carlton Hotel.
The report appears in the American magazines Movies (in August 1952) and Movie Stars Parade (in May 1953).


Beverly Carlton Hotel


- Séance de Gym -
Gym Sitting

C'est en général le matin que Marilyn Monroe s'adonne à quelques exercices physiques; pendant 15 minutes, elle soulève des haltères et des rouleaux. Son appartement est aménagé avec l'équipement nécessaire: table pour s'allonger, différents poids pour ajuster les haltères à soulever. 

This is usually in the morning that Marilyn Monroe makes some physical exercises; for 15 minutes, she lifts dumbbells and rollers. Her apartment is equipped with the necessary equipment: table to lie down, different weights to adjust the dumbbells to be lifted.

1952-02-12-Beverly_Carlton_hotel-gym-010-1-by_mel_traxel-1a1  1952-02-12-Beverly_Carlton_hotel-gym-011-1-by_mel_traxel-1 
1952-02-12-Beverly_Carlton_hotel-gym-020-1-by_mel_traxel-1 
1952-02-12-Beverly_Carlton_hotel-gym-030-1-by_mel_traxel-1  1952-02-12-Beverly_Carlton_hotel-gym-031-1-by_mel_traxel-1a1 

- informations au dos des photographies -
1952-02-12-Beverly_Carlton_hotel-gym-010-1-by_mel_traxel-1a2  1952-02-12-Beverly_Carlton_hotel-gym-031-1-by_mel_traxel-1a2 


- Séance de mise en beauté -
Beauty Sitting

Elle se met du vernis à ongles (une teinte rose claire) sur les ongles de mains et de pieds; elle utilise la marque Revlon.
Elle se met aussi des rouleaux dans les cheveux et fait fixer les boucles sous la chaleur d'un casque.

She puts nail polish (a light pink shade) on her fingernails and toenails; she uses the Revlon brand.
She also puts rollers in her hair and sets the curls in the heat of a helmet.

 1952-02-12-Beverly_Carlton_hotel-beauty-010-1-by_mel_traxel-1  1952-02-12-Beverly_Carlton_hotel-beauty-020-1-by_mel_traxel-1b 
1952-02-12-Beverly_Carlton_hotel-beauty-020-1-by_mel_traxel-1a1 

- information au dos des photographies -
1952-02-12-Beverly_Carlton_hotel-beauty-020-1-by_mel_traxel-1a2 


- La vie quotidienne -
The Daily Life

Ranger ses vêtements, téléphoner, lire son courrier... simplement la vie quotidienne de n'importe quelle personne.
Tidying up clothes, making phone calls, reading mails ... just the everyday life of any person.

1952-02-12-Beverly_Carlton_hotel-skirt-040-1-by_mel_traxel-1  1952-02-12-Beverly_Carlton_hotel-skirt-030-1-by_mel_traxel-1 
1952-02-12-Beverly_Carlton_hotel-skirt-020-1-by_mel_traxel-1 

Elle pose fièrement avec la statuette Henrietta, qu'elle a reçu le 26 janvier 1952 , pour la catégorie de la "Meilleure jeune personnalité du box office 1951".
She is proudly to pose with her Henrietta Award received in January, 26, 1952, for the "The Best Young Box Office Personality in 1951".

1952-02-12-Beverly_Carlton_hotel-skirt-010-1-by_mel_traxel-1 


L'heure de se lever ou de se coucher ? Marilyn règle l'heure sur son petit réveil.
Car Marilyn a un emploi du temps bien rempli: en plus de son travail au studio, elle prend des cours sur l'interprétation de la dance deux soirs par semaine, prend des cours de théâtre un soir par semaine et se rend à l'université d'UCLA tous les jeudis soirs.

Time to get up or go to bed ? Marilyn sets the time on her little alarm clock. Because Marilyn has a busy schedule: in addition to her work at the studio, she studies interpretative dancing two evenings a week and, attends acting class one evening a week and goes to UCLA university every Thursday evening.

1952-02-12-Beverly_Carlton_hotel-bed-020-1-by_mel_traxel-1 
1952-02-12-Beverly_Carlton_hotel-bed-021-1-by_mel_traxel-1  
1952-02-12-Beverly_Carlton_hotel-bed-010-1-by_mel_traxel-1b  

- information au dos des photographies -
1952-02-12-Beverly_Carlton_hotel-bed-010-1-by_mel_traxel-1a1  1952-02-12-Beverly_Carlton_hotel-bed-010-1-by_mel_traxel-1a2  


UCLA


Tous les jeudis soirs, Marilyn prend des cours de littérature d'une durée de deux heures, dans le bâtiment annexe pour les formations en littérature à l'université d'UCLA de Los Angeles. Puis elle passe des heures à la bibliothèque de l'université pour faire de plus amples recherches sur ses sujets d'études.

Every Thursday evening, Marilyn takes literature classes for two hours session, in the extension building for backgrounds in literature at UCLA University in Los Angeles. Then she goes for hours to the university library to do further research on her subjects of study.

1952-02-12-LA-UCLA-010-1-by_mel_traxel-1 
1952-02-12-LA-UCLA-010-1-by_mel_traxel-1a 

- A la boutique de l'université, Marilyn fait des achats
Elle écoute les conseils de l'étudiante vendeuse Vera Roush -
To the UCLA's bookstore, Marilyn is shopping
She listens the advices of student-salesgirl Vera Roush -
1952-02-12-LA-UCLA-020-1-by_mel_traxel-1  1952-02-12-LA-UCLA-020-1-by_mel_traxel-1a  1952-02-12-LA-UCLA-021-1-by_mel_traxel-1  

- En cours de littérature -
At the the literature course
1952-02-12-LA-UCLA-035-2-by_mel_traxel-1a 

1952-02-12-LA-UCLA-035-2-by_mel_traxel-1  1952-02-12-LA-UCLA-035-1-by_mel_traxel-1  1952-02-12-LA-UCLA-034-1-by_mel_traxel-1 

- Etude à la bibliothèque de l'UCLA -
Studying at the UCLA library
1952-02-12-LA-UCLA-030-1-by_mel_traxel-1  1952-02-12-LA-UCLA-031-1-by_mel_traxel-1a  1952-02-12-LA-UCLA-031-2-by_mel_traxel-1a 
1952-02-12-LA-UCLA-031-2-by_mel_traxel-1 
1952-02-12-LA-UCLA-032-1-by_mel_traxel-1  1952-02-12-LA-UCLA-032-2-by_mel_traxel-1  1952-02-12-LA-UCLA-032-3-by_mel_traxel-1 
1952-02-12-LA-UCLA-033-1-by_mel_traxel-1a  1952-02-12-LA-UCLA-033-1-by_mel_traxel-1  1952-02-12-LA-UCLA-033-2-by_mel_traxel-1 
1952-02-12-LA-UCLA-036-1-by_mel_traxel-1 
1952-02-12-LA-UCLA-037-1-by_mel_traxel-1 

- A la cafétéria du Kerckhoff Hall de l'université d'UCLA
Elle discute avec l'équipe de basketball de la fac:
At the UCLA commissary of Kerckhoff Hall
She talks to the basketball team of the University:
Ronnie Livingston, Mark Costello, Don Bragg & Don Johnson
1952-02-12-LA-UCLA-040-1-by_mel_traxel-1 
1952-02-12-LA-UCLA-040-1-by_mel_traxel-1b  1952-02-12-LA-UCLA-040-2-by_mel_traxel-1 


Chez le dentiste Louis Armann
To the dentist's Louis Armann

1952-02-12-LA-dentist-010-1-by_mel_traxel-1  1952-02-12-LA-dentist-011-1-by_mel_traxel-1 


Wil Wright's


Elle adore déguster des sundae chauds chez Wil Wright, qui était une chaîne de brasserie spécialisée dans les glaces aux Etats-Unis jusque dans les années 1970s.
Ils avaient plusieurs établissements, dont un à Beverly Hills (au croisement de Beverly Drive et Charleville) et aussi un dans le quartier de Westwood à Los Angeles.

She loves to eat hot sundae at Wil Wright, which was a chaine of ice cream parlor in the United States until the 1970s. They had several establishments, including one in Beverly Hills (at the corner of Beverly Drive and Charleville) and also one in the Westwood district of Los Angeles.

1952-02-12-LA-restaurant-010-1-by_mel_traxel-1

> Informations Wil Wright: Old Los Angeles Restaurants


 - Dans la presse -

MOVIES, 24/08/1952 - USA
1952-08-24-Movies-cover_janet_leigh  1952-08-24-Movies-p00 
1952-08-24-Movies-p22  1952-08-24-Movies-p23  1952-08-24-Movies-p24 

MOVIE STAR PARADE, 05/1953 - USA
1953-05-Movie_Stars_Parade-cover 
1953-05-Movie_Stars_Parade-p45  1953-05-Movie_Stars_Parade-p46  1953-05-Movie_Stars_Parade-p47  


© All images are copyright and protected by their respective owners, assignees or others.
copyright text by GinieLand. 

12 juillet 2020

Tests Coiffures pour "Let's Make Love"

Tests Coiffures et Maquillage


Prises de vues en décembre 1959
Shots taken in 1959, December

1959-12-15-lets_make_love-test_hairdress-010-1a  1959-12-15-lets_make_love-test_hairdress-011-1a 
1959-12-lets_make_love-test_hairdress-010-1   
1959-12-lets_make_love-test_hairdress-020-1a  1959-12-lets_make_love-test_hairdress-021-1 
1959-12-lets_make_love-test_hairdress-020-1  1959-12-lets_make_love-test_hairdress-022-1 
1959-12-lets_make_love-test_hairdress-030-1  1959-12-lets_make_love-test_hairdress-031-1 
1959-12-lets_make_love-test_hairdress-050-on_set_sc06-a 


1959-12-lets_make_love-test_hairdress-040-1  1959-12-lets_make_love-test_hairdress-040-1a 
1959-12-lets_make_love-test_hairdress-040-2  1959-12-lets_make_love-test_hairdress-040-3  1959-12-lets_make_love-test_hairdress-040-4 
1959-12-lets_make_love-test_hairdress-041-studio-010-1  1959-12-lets_make_love-test_hairdress-041-studio-011-1  1959-12-lets_make_love-test_hairdress-041-studio-012-1 
1959-12-lets_make_love-test_hairdress-041-studio-013-1  1959-12-lets_make_love-test_hairdress-041-studio-014-1  1959-12-lets_make_love-test_hairdress-041-studio-014-1a 

Marilyn Monroe et le réalisateur George Cukor
Marilyn Monroe with the director George Cukor

1959-12-lets_make_love-test_hairdress-041-studio-MM_Cukor-010-1  1959-12-lets_make_love-test_hairdress-041-studio-MM_Cukor-010-2 
1959-12-lets_make_love-test_hairdress-041-studio-MM_Cukor-010-3  1959-12-lets_make_love-test_hairdress-041-studio-MM_Cukor-010-4 

- planche contact -
1959-12-lets_make_love-test_hairdress-042-MM-contact_sheet-1 


 

1959-12-lets_make_love-test_hairdress-042-studio-MM-010-1 
1959-12-lets_make_love-test_hairdress-042-studio-MM-010-2 1959-12-lets_make_love-test_hairdress-042-studio-MM-010-2a 1959-12-lets_make_love-test_hairdress-042-studio-MM-011-1 
1959-12-lets_make_love-test_hairdress-042-studio-MM-011-2  1959-12-lets_make_love-test_hairdress-042-studio-MM-011-3a  1959-12-lets_make_love-test_hairdress-042-studio-MM-011-3 
1959-12-lets_make_love-test_hairdress-042-studio-MM-012-1  1959-12-lets_make_love-test_hairdress-042-studio-MM-012-2 
1959-12-lets_make_love-test_hairdress-042-studio-MM-012-3  1959-12-lets_make_love-test_hairdress-042-studio-MM-012-4 
1959-12-lets_make_love-test_hairdress-042-studio-MM-012-5 
1959-12-lets_make_love-test_hairdress-042-studio-MM-012-6  1959-12-lets_make_love-test_hairdress-042-studio-MM-012-7  1959-12-lets_make_love-test_hairdress-042-studio-MM-013-1  
1959-12-lets_make_love-test_hairdress-042-studio-MM-012-5a  1959-12-lets_make_love-test_hairdress-042-studio-MM-012-6a  1959-12-lets_make_love-test_hairdress-042-studio-MM-012-7a 
1959-12-lets_make_love-test_hairdress-042-studio-MM-014-1 
1959-12-lets_make_love-test_hairdress-042-studio-MM-014-2  1959-12-lets_make_love-test_hairdress-042-studio-MM-014-3a  1959-12-lets_make_love-test_hairdress-042-studio-MM-014-3 
1959-12-lets_make_love-test_hairdress-042-studio-MM-face-1 


Photos de tests coiffures servant de portraits publicitaires
Photos of Hairdress tests used as publicity portraits

1959-12-lets_make_love-test_hairdress-studio-010-1  1959-12-lets_make_love-test_hairdress-studio-011-1a  1959-12-lets_make_love-test_hairdress-studio-011-1 
1959-12-lets_make_love-test_hairdress-studio-012-1  1959-12-lets_make_love-test_hairdress-studio-012-2a 1959-12-lets_make_love-test_hairdress-studio-012-3 
1959-12-lets_make_love-test_hairdress-studio-013-1  1959-12-lets_make_love-test_hairdress-studio-013-2a  1959-12-lets_make_love-test_hairdress-studio-014-1 
1959-12-lets_make_love-test_hairdress-studio-015-1a  1959-12-lets_make_love-test_hairdress-studio-015-2  1959-12-lets_make_love-test_hairdress-studio-015-3 
1959-12-lets_make_love-test_hairdress-studio-015-4  1959-12-lets_make_love-test_hairdress-studio-016-1a 1959-12-lets_make_love-test_hairdress-studio-016-2 
1959-12-lets_make_love-test_hairdress-studio-016-3 1959-12-lets_make_love-test_hairdress-studio-017-1c 1959-12-lets_make_love-test_hairdress-studio-017-1a 
1959-12-lets_make_love-test_hairdress-studio-020-1  1959-12-lets_make_love-test_hairdress-studio-021-1a  1959-12-lets_make_love-test_hairdress-studio-022-1a 
1959-12-lets_make_love-test_hairdress-studio-023-1b  1959-12-lets_make_love-test_hairdress-studio-024-1a  1959-12-lets_make_love-test_hairdress-studio-025-1 
1959-12-lets_make_love-test_hairdress-studio-024-1c  1959-12-lets_make_love-test_hairdress-studio-025-1c 


© All images are copyright and protected by their respective owners, assignees or others.
copyright text by GinieLand.

09 août 2019

25/01/1960, Sur le tournage de "Let's Make Love"

Le 25 janvier 1960, Marilyn Monroe tourne la scène musicale "My Heart Belongs to Daddy" du film "Le Milliardaire".
On January, 25, 1960, Marilyn Monroe shoots the musical scene "My Heart Belongs to Daddy" from "Let's Make Love".

Agnes Flanagan Marilyn Monroe

lml-sc01-on_set-sweater-by_John_Bryson-1960-01-25-a 


- photos de presse -

1960-01-25-on_set_LML-01-1  1960-01-25-on_set_LML-01-2 


© All images are copyright and protected by their respective owners, assignees or others.
copyright text by GinieLand.

Posté par ginieland à 18:57 - - Commentaires [0] - Permalien [#]
Tags : , , , ,

Sur le tournage de Let's Make Love 1

Le Milliardaire
Sur le tournage


Pendant la scène
During the shooting scene


- Body -

lml-sc01-on_set-body-010-1 lml-sc01-film2-body-040-1a  


photographies de John Bryson

lml-sc01-on_set-body-021-1  lml-sc01-on_set-body-021-2-by_bryson-1a 


photographie de Robert Vose

lml-sc01-on_set-body-by_robert_vose-010-1 


- Sweater -

lml-sc01-on_set-sweater-010-1 lml-sc01-on_set-sweater-011-1 lml-sc01-on_set-sweater-012-1 
lml-sc01-on_set-sweater-013-1 lml-sc01-on_set-sweater-013-2 lml-sc01-on_set-sweater-013-3 
lml-sc01-on_set-sweater-013-4 
lml-sc01-on_set-sweater-014-1 lml-sc01-on_set-sweater-014-2 lml-sc01-on_set-sweater-014-3 
lml-sc01-on_set-sweater-013-4a  lml-sc01-on_set-sweater-020-1  lml-sc01-on_set-MM-010-1 
lml-sc01-on_set-sweater-030-1   

- George Cukor, Marilyn Monroe
lml-sc01-on_set-sweater-with_cukor-010-1a  lml-sc01-on_set-sweater-with_cukor-010-2 

- Marilyn Monroe, Agnes Flanagan
lml-sc01-on_set-sweater-with_flanagan-010-1 lml-sc01-on_set-sweater-with_flanagan-010-1a lml-sc01-on_set-sweater-with_flanagan-020-1  

- Jack Cole, Marilyn Monroe
lml-sc01-on_set-sweater-with_jack_cole-010-1 lml-sc01-on_set-sweater-with_jack_cole-010-1a lml-sc01-on_set-sweater-with_jack_cole-011-1 
lml-sc01-on_set-sweater-with_jack_cole-020-1  lml-sc01-on_set-sweater-with_jack_cole-030-1 
lml-sc01-on_set-sweater-with_jack_cole-040-1  lml-sc01-on_set-sweater-with_jack_cole-050-1 


photographies de John Bryson

  lml-sc01-on_set-sweater-by_John_Bryson-030-1  lml-sc01-on_set-sweater-by_John_Bryson-040-1  lml-sc01-on_set-sweater-by_John_Bryson-020-4 
lml-sc01-on_set-sweater-by_John_Bryson-020-1   lml-sc01-on_set-sweater-by_John_Bryson-020-2  lml-sc01-on_set-sweater-by_John_Bryson-020-3a 

- Marilyn Monroe, George Cukor, Jack Cole
lml-sc01-on_set-sweater-by_john_bryson-with_cukor_cole-010-1 

- George Cukor, Marilyn Monroe, Paula Strasberg
lml-sc01-on_set-sweater-by_John_Bryson-with_cukor_strasberg-010-1 

- Withey Snyder, Marilyn Monroe, Agnes Flanagan
lml-sc01-on_set-sweater-by_john_bryson-with_flanagan_snyder-010-1  lml-sc01-on_set-sweater-by_john_bryson-with_flanagan_snyder-011-1 
lml-sc01-on_set-sweater-by_john_bryson-with_flanagan-010-1a 

- Marilyn Monroe, Paula Strasberg, Yves Montand
lml-sc01-on_set-sweater-by_john_bryson-with_strasberg_montand-010-1  lml-sc01-on_set-sweater-by_john_bryson-with_strasberg_montand-010-2 

25/01/1960Agnes Flanagan, Marilyn Monroe
lml-sc01-on_set-sweater-by_John_Bryson-1960-01-25 


photographie de L.J  Willinger

 lml-sc01-on_set-sweater-by_LJ_WIllinger-010-1 


Dans la loge
In her dressing-room


 - photographies: John Bryson -

- Marilyn Monroe, Withey Snyder, Sidney Guilaroff

lml-sc01-set-dressing_room-by_john_bryson-with_snyder_guilaroff-011-1a 
lml-sc01-set-dressing_room-by_john_bryson-with_snyder_guilaroff-010-1-HQ lml-sc01-set-dressing_room-by_john_bryson-with_sydney_guilaroff-010-1 lml-sc01-set-dressing_room-by_john_bryson-with_sydney_guilaroff-020-1 
 lml-sc01-set-dressing_room-by_john_bryson-with_snyder_guilaroff-020-1a  


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copyright text by GinieLand.

12 juillet 2019

1958 - Portraits de Richard Avedon

Marilyn Monroe et son coiffeur Kenneth Battelle en 1958 dans les coulisses d'une séance photos de Richard Avedon.
Marilyn Monroe and her hairdresser Kenneth Battelle in 1958, in backstage of Richard Avedon photo shoot.

1958-by_richard_avedon-mm_with_kenneth_battelle-012-1 1958-by_richard_avedon-mm_with_kenneth_battelle-013-1 1958-by_richard_avedon-mm_with_kenneth_battelle-013-2 
1958-by_richard_avedon-mm_with_kenneth_battelle-013-4 


- planche contact-
contact sheet

1958-by_richard_avedon-mm_with_kenneth_battelle-010-CS-1 


© All images are copyright and protected by their respective owners, assignees or others.
copyright text by GinieLand.

Posté par ginieland à 19:47 - - Commentaires [5] - Permalien [#]
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06 avril 2019

Sur le tournage de Let's Make Love 4

Le Milliardaire
Sur le tournage


Pendant la scène
During the shooting scene

- Frankie Vaughan, Marilyn Monroe, Jack Cole -
lml-sc04-on_set-010-with_vaughan-010-1 lml-sc04-on_set-010-with_vaughan-011-1 lml-sc04-on_set-010-with_vaughan-cole-010-1 
lml-sc04-on_set-011-with_vaughan-contact-1   


- Yves Montand, Marilyn Monroe, George Cukor -

lml-sc04-on_set-020-with_montand-1  lml-sc04-on_set-020-with_montand-cukor-1  


Sur le plateau
On the set

- Yves Montand, Marilyn Monroe -
lml-sc04-on_set-021-with_montand-1-1  lml-sc04-on_set-021-with_montand-1-2 

- Frankie Vaughan, Yves Montand, Marilyn Monroe -
lml-sc04-on_set-031-with_vaughan-montand-1 

- Sidney Skolsky, Marilyn Monroe -
lml-sc04-on_set-040-with_skolsky-1 

Marilyn Monroe, Jack Cardiff, Paula Strasberg  -
lml-sc04-set-with_jack_cardiff-paula_strasberg-1-1 lml-sc04-set-with_jack_cardiff-paula_strasberg-1-2a lml-sc04-set-with_jack_cardiff-paula_strasberg-1-2 


08/03/1960 - sur le tournage Jack Cole, Marilyn Monroe & Agnes Flanagan
1960, Mach, 08 - On the set Jack Cole, Marilyn & Agnes Flanagan
lml-sc04-on_set-030-with_jack_cole-flanagan-vaughan-1 
lml-sc04-on_set-030-with_jack_cole-flanagan-vaughan-1b  


 - photographies: Larry Barbier Jr -

lml-sc04-on_set-by_larry_barbier_jr-1-1 lml-sc04-on_set-by_larry_barbier_jr-2-1  lml-sc04-on_set-by_larry_barbier_jr-3-1 
  lml-sc04-on_set-by_larry_barbier_jr-3-3  lml-sc04-on_set-by_larry_barbier_jr-3-2  lml-sc04-on_set-by_larry_barbier_jr-3-4 


© All images are copyright and protected by their respective owners, assignees or others.
copyright text by GinieLand.

24 novembre 2018

Sur le tournage de Let's Make Love 9

Le Milliardaire
Sur le tournage


 Pendant la scène
During the shooting scene

Marilyn Monroe

lml-sc09-on_set-010-1  lml-sc09-on_set-011-1 
lml-sc09-on_set-012-1a lml-sc09-on_set-012-2 lml-sc09-on_set-030-1
lml-sc09-on_set-020-1a  

Marilyn Monroe & George Cukor
lml-sc09-on_set-with_cukor-010-1  lml-sc09-on_set-with_cukor-020-1 
lml-sc09-on_set-with_cukor-021-1 lml-sc09-on_set-with_cukor-021-1a lml-sc09-on_set-with_cukor-030-1
lml-sc09-on_set-with_cukor-040-1 lml-sc09-on_set-with_cukor-041-1a lml-sc09-on_set-with_cukor-041-1 

Marilyn Monroe & Agnes Flanagan
lml-sc09-on_set-with_flanagan-1 
lml-sc09-on_set-with_flanagan-1 

Marilyn Monroe & Hazel Washington
lml-sc09-on_set-with_hazel_washington-010-1 lml-sc09-on_set-with_hazel_washington-011-1a lml-sc09-on_set-with_hazel_washington-011-1  

Marilyn Monroe & Jack Cole
lml-sc09-on_set-with_jack_cole-010-1 

George Cukor, Marilyn Monroe & Yves Montand
lml-sc09-on_set-with_montand_cukor-010-1  lml-sc09-on_set-with_montand_cukor-010-2 
lml-sc09-on_set-with_montand_cukor-010-3  lml-sc09-on_set-with_montand_cukor-020-1 

Marilyn Monroe & Yves Montand
lml-sc09-on_set-with_montand-021-2 

Marilyn Monroe & Tony Randall
lml-sc09-on_set-with_tony_randall-010-1 
lml-sc09-on_set-with_tony_randall-011-1a 


- photographies: Richard C Miller -

> Le 14/04/1960 

lml-sc09-on_set-by_Richard_C_Miller-010-1  lml-sc09-on_set-by_Richard_C_Miller-020-1  lml-sc09-on_set-by_Richard_C_Miller-021-1 
lml-sc09-on_set-by_Richard_C_Miller-022-1  lml-sc09-on_set-by_Richard_C_Miller-030-1  lml-sc09-on_set-by_Richard_C_Miller-031-1 
lml-sc09-on_set-by_Richard_C_Miller-031-2  lml-sc09-on_set-by_Richard_C_Miller-031-3  1960-04-14-lml-sc09-on_set-by_Richard_C_Miller-with_cukor_montand-1 
lml-sc09-on_set-by_Richard_C_Miller-with_cukor-1 lml-sc09-on_set-by_Richard_C_Miller-with_cukor-2 lml-sc09-on_set-by_Richard_C_Miller-with_cukor-3  


Sur le plateau
On the set

Marilyn Monroe et Gil, l'homme à tout faire de l'équipe:
il apporte tasse de café et encas ; il dirige le service artisanal
et devient ami avec Marilyn.
Elle lui signe une dédicace:
"A Gil, il n'y a rien comme ton café, Marilyn Monroe"
Marilyn and Gil, the handyman of the crew:
he brings cup of  coffee and snacks; he is head of craft services
and becomes a friend of Marilyn.
She writes to him on a photo:
"To Gil, there is nothing like your coffee, Marilyn Monroe". 

lml-sc09-set-MM_with_Gil-010-1 lml-sc09-set-MM_with_Gil-011-1 lml-sc09-set-MM_with_Gil-011-1-autograph  

17/04/1960 - fête de Pâques avec George Cukor
1960, April, 17 - Easter celebration with George Cukor
1960-04-17-happy_easter-with_cukor-010-1  1960-04-17-happy_easter-with_cukor-020-1 


 LML-sc09-set-MM-040-1 
LML-sc09-set-MM-041-1   


- photographies: Laszlo J Willinger -

LML-sc09-set-MM-010-1  LML-sc09-set-MM-011-1  LML-sc09-set-MM-012-1 
LML-sc09-set-MM-010-1a LML-sc09-set-MM-011-1a LML-sc09-set-MM-020-1 
LML-sc09-set-MM-020-1a 
 LML-sc09-set-MM-030-1 LML-sc09-set-MM-031-1-by_LJ_Willinger-1 
LML-sc09-set-MM-030-1a  LML-sc09-set-MM-031-1-by_LJ_Willinger-1a 

- crédit: John Bryson / Zinn Arthur -
LML-sc09-set-MM-021-1_by_bryson_zinnarthur-1 


© All images are copyright and protected by their respective owners, assignees or others.
copyright text by GinieLand.

10 novembre 2018

Photos de Let's Make Love 14

Le Milliardaire
Photos scène 14


- photographies: Lawrence Schiller -

Jean-Marc Clement (Yves Montand) & Amanda Dell (Marilyn Monroe)

lml-sc14-film-010-1-by_Lawrence_Schiller-1  lml-sc14-film-010-1-by_Lawrence_Schiller-1a 
lml-sc14-film-011-1-by_Lawrence_Schiller-1 
lml-sc14-film-011-2-by_Lawrence_Schiller-1  lml-sc14-film-011-2 
lml-sc14-film-011-3-by_Lawrence_Schiller-1 


Amanda Dell (Marilyn Monroe), Jean-Marc Clement (Yves Montand)
&
George Welch (Wilfrid Hyde-White)

lml-sc14-film-020-1 lml-sc14-film-021-1 lml-sc14-film-021-2 


© All images are copyright and protected by their respective owners, assignees or others.
copyright text by GinieLand.

27 octobre 2013

1950 Promo All About Eve

Marilyn Monroe sur le vif, en 1950, en promotion pour "Eve".
Candid shot of Marilyn Monroe, in 1950, promoting "All About Eve".

1950s_rarity16 

1950-asphalt_era_contact 
1950-eve-1  1950-eve-2  1950-asphalt_era-2 

  > photographies de Phil Burchman
  1951_by_phil_burchman_mm   1950s_of503410  
1950-asphalt_era-4   MONROE__MARILYN_-_1950111  


© All images are copyright and protected by their respective owners, assignees or others.
copyright text by GinieLand.

Posté par ginieland à 12:46 - - Commentaires [4] - Permalien [#]
Tags : , , ,