12 août 2013

Sur le tournage de The Seven Year Itch 10 - partie 1

Sept ans de réflexion
Sur le tournage - scène 10

Tournage de la scène de Marilyn Monroe en nuisette dans l'appartement situé au 164 East 61 Street, à Manhattan, New York.

Filming the scene of Marilyn Monroe in white gown in the apartment located at 164 East 61 Street, Manhattan, New York City.

> 1ère partie:
- Tournage de la scène
film_7yi_scene_nightie_window_out_set_020_010_by_shaw_1 film_7yi_scene_nightie_window_out_set_020_011_by_shaw_1 film_7yi_scene_nightie_window_out_set_020_012_by_shaw_1 film_7yi_scene_nightie_window_out_set_020_013_by_shaw_1 
1954_syi_2 1954_syi_2a

> photographies de Sam Shaw
syi_sc10_on_set_010_1_by_sam_shaw_1 syi_sc10_on_set_010_1_by_sam_shaw_1a syi_sc10_on_set_010_1_by_sam_shaw_1b
syi_sc10_on_set_010_2_by_sam_shaw_1 syi_sc10_on_set_010_3_by_sam_shaw_1


- Marilyn à la fenêtre
syi_sc10_on_set_011_1 syi_sc10_on_set_012_1a 
syi_sc10_on_set_011_2 syi_sc10_on_set_012_1 syi_sc10_on_set_030_1

> photographie de Garry Winogrand
syi_sc10_on_set_by_garry_winogrand_1  

> photographies de Sam Shaw
syi_sc10_on_set_011_3_by_shaw_1 syi_sc10_on_set_013_1_by_sam_shaw_1 syi_sc10_on_set_013_1_by_sam_shaw_1b 
syi_sc10_on_set_020_1_by_sam_shaw_1 syi_sc10_on_set_020_1_by_sam_shaw_1a syi_sc10_on_set_020_1_by_sam_shaw_1b syi_sc10_on_set_020_1_by_sam_shaw_1c
syi_sc10_on_set_031_1_by_shaw_1 syi_sc10_on_set_031_1_by_shaw_1a syi_sc10_on_set_031_2_by_shaw_1  
syi_sc10_on_set_031_3_by_shaw_1 syi_sc10_on_set_031_4_by_shaw_1  

> photographies de Nick de Morgoli
syi_sc10_on_set_by_nick_de_morgoli_010_1 syi_sc10_on_set_by_nick_de_morgoli_010_2 syi_sc10_on_set_by_nick_de_morgoli_010_3
syi_sc10_on_set_by_nick_de_morgoli_010_4 syi_sc10_on_set_by_nick_de_morgoli_010_5 syi_sc10_on_set_by_nick_de_morgoli_010_6

> photographies de Bob Henriques
film_7yi_scene_nightie_window_out_set_010_013_by_shaw_1 film_7yi_scene_nightie_window_out_set_010_039_by_shaw_1
film_7yi_scene_nightie_window_out_set_010_010_by_shaw_1 syi_sc10_on_set_by_bob_henriques_1 film_7yi_scene_nightie_window_out_set_010_011_by_shaw_1 film_7yi_scene_nightie_window_out_set_010_012_by_shaw_1
film_7yi_scene_nightie_window_out_set_010_014_by_shaw_1 film_7yi_scene_nightie_window_out_set_010_027_by_shaw_1 film_7yi_scene_nightie_window_out_set_010_028_by_shaw_1 film_7yi_scene_nightie_window_out_set_010_029_by_shaw_1
film_7yi_scene_nightie_window_out_set_010_030_by_shaw_1 film_7yi_scene_nightie_window_out_set_010_015_by_shaw_1 film_7yi_scene_nightie_window_out_set_010_016_by_shaw_1 film_7yi_scene_nightie_window_out_set_010_017_by_shaw_1
film_7yi_scene_nightie_window_out_set_010_018_by_shaw_1 film_7yi_scene_nightie_window_out_set_010_019_by_shaw_1 film_7yi_scene_nightie_window_out_set_010_020_by_shaw_1 film_7yi_scene_nightie_window_out_set_010_021_by_shaw_1
film_7yi_scene_nightie_window_out_set_010_022_by_shaw_1 film_7yi_scene_nightie_window_out_set_010_023_by_shaw_1 film_7yi_scene_nightie_window_out_set_010_024_by_shaw_1 film_7yi_scene_nightie_window_out_set_010_025_by_shaw_1
film_7yi_scene_nightie_window_out_set_010_026_by_shaw_1 syi_sc10_on_set_by_bob_henriques_2 syi_sc10_on_set_by_bob_henriques_2a syi_sc10_on_set_by_bob_henriques_3
film_7yi_scene_nightie_window_out_set_010_031_by_shaw_1 film_7yi_scene_nightie_window_out_set_010_032_by_shaw_1 film_7yi_scene_nightie_window_out_set_010_033_by_shaw_1 syi_sc10_on_set_by_bob_henriques_4
film_7yi_scene_nightie_window_out_set_010_034_by_shaw_1 film_7yi_scene_nightie_window_out_set_010_035_by_shaw_1 film_7yi_scene_nightie_window_out_set_010_036_by_shaw_1 film_7yi_scene_nightie_window_out_set_010_037_by_shaw_1
film_7yi_scene_nightie_window_out_set_010_038_by_shaw_1 film_7yi_scene_nightie_window_out_set_010_040_by_shaw_1 film_7yi_scene_nightie_window_out_set_010_041_by_shaw_1 
film_7yi_scene_nightie_window_out_set_010_042_by_shaw_1 film_7yi_scene_nightie_window_out_set_010_043_by_shaw_1  syi_sc10_on_set_by_bob_henriques_various_1 syi_sc10_on_set_by_bob_henriques_various_2 
syi_sc10_on_set_by_bob_henriques_contact_1954_09_13_a1 syi_sc10_on_set_by_bob_henriques_contact_1954_09_13_a2 syi_sc10_on_set_by_bob_henriques_contact_1954_09_13_c
syi_sc10_on_set_by_bob_henriques_contact_1954_09_13_b


© All images are copyright and protected by their respective owners, assignees or others.
copyright text by GinieLand.  

11 août 2013

Sur le tournage de The Seven Year Itch 10 - partie 2

Sept ans de réflexion
Sur le tournage - scène 10

Tournage de la scène de Marilyn Monroe en nuisette dans l'appartement situé au 164 East 61 Street, à Manhattan, New York.

Filming the scene of Marilyn Monroe in white gown in the apartment located at 164 East 61 Street, Manhattan, New York City.

> 2ème partie: A la fenêtre - dans l'appartement

syi_sc10_set_window_in_012_1_from_Movieland__July_1955_a syi_sc10_set_window_in_012_1_from_Movieland__July_1955_b syi_sc10_set_window_in_012_2 syi_sc10_set_window_in_012_3 
syi_sc10_set_window_in_013_1
film-7yi-window-moviesecrets2553 syi_sc10_set_window_in_013_1c  
syi_sc10_set_window_in_040_2 syi_sc10_set_window_in_040_5  

film-7yi-window-moviesecrets2555  film-7yi-window-photoplay10562 

> photographies de Garry Winogrand
syi_sc10_set_window_in_011_2_by_garry_winogrand_1 syi_sc10_set_window_in_012_4_by_garry_winogrand_1 syi_sc10_set_window_in_021_1_by_garry_winogrand_1 syi_sc10_set_window_in_040_3_by_by_garry_winogrand_1  
syi_sc10_set_window_in_012_5_by_garry_winogrand_1 

> photographie de Nick de Morgoli
syi_sc10_set_window_in_040_4_by_nick_de_morgoli_1

> photographies de Bob Henriques 
syi_sc10_set_window_in_041_2_by_bob_henriques_1 syi_sc10_set_window_in_041_2_by_bob_henriques_1b Bob_Henriques_1 

> photographies de Sam Shaw
 syi_sc10_set_window_in_010_1_by_shaw_1 syi_sc10_set_window_in_010_2_by_shaw syi_sc10_set_window_in_010_3_by_shaw_1
syi_sc10_set_window_in_011_1 syi_sc10_set_window_in_011_1a syi_sc10_set_window_in_011_3_by_shaw 
syi_sc10_set_window_in_020_1_by_shaw_1 syi_sc10_set_window_in_030_1_by_shaw_1 syi_sc10_set_window_in_050_1_by_shaw_1 
syi_sc10_set_window_in_040_1_by_shaw_1  
syi_sc10_set_window_in_043_1_by_shaw_1 syi_sc10_set_window_in_043_2_by_shaw_1 syi_sc10_set_window_in_043_3_by_shaw_1
 syi_sc10_set_window_in_051_1
film-syi-lot1111-H3257-L78860322 syi_sc10_set_window_in_052_1_by_shaw_1

> photographies de Sam Schulman
syi_sc10_set_window_in_041_1_by_shaw_1 syi_sc10_set_window_in_041_1_by_shaw_1a  

MONROE__MARILYN_-_SEVEN_YEAR_ITCH_SAM_SCHULMAN_SEPT_1_94461 MONROE__MARILYN_-_SEVEN_YEAR_ITCH_SAM_SCHULMAN_SEPT_1_12471

> photographies de George Barris
syi_sc10_set_window_in_by_barris_011_1 syi_sc10_set_window_in_by_barris_011_2 syi_sc10_set_window_in_by_barris_011_3
syi_sc10_set_window_in_by_barris_011_4 syi_sc10_set_window_in_by_barris_011_5 syi_sc10_set_window_in_by_barris_011_6
syi_sc10_set_window_in_by_barris_010_1 syi_sc10_set_window_in_by_barris_010_1a syi_sc10_set_window_in_by_barris_010_2
syi_sc10_set_window_in_by_barris_010_3 syi_sc10_set_window_in_by_barris_010_4 syi_sc10_set_window_in_by_barris_010_5
syi_sc10_set_window_in_by_barris_010_6 syi_sc10_set_window_in_by_barris_010_7 

film-syi-nuisette-3  film-syi-nuisette-2 


© All images are copyright and protected by their respective owners, assignees or others.
copyright text by GinieLand.

23 juin 2013

13/09/1954 Sur le tournage de The Seven Year Itch 15 - partie 1

Sept ans de réflexion
Sur le tournage - scène 15

Le 13 septembre 1954, Marilyn Monroe tourne ce qui sera la scène finale du film "Sept ans de réflexion", celle où elle est en peignoir dans l'appartement de Richard Sherman (Tom Ewell); et lui lance ses chaussures par la fenêtre. Il s'agit de la première scène tournée en extérieur, à New York, dans l'appartement situé au 164 East 61 Street. Près de 1000 personnes (des photographes, gens de la presse et beaucoup de passants et de fans), se sont amassés devant l'immeuble.

In September, 13, 1954, Marilyn Monroe shoots what will be the final scene of "The Seven Year Itch", the one where she is in a white robe in the apartment of Richard Sherman (Tom Ewell); and she throws his shoes from out the window. This is the first scene shot on location in New York, in an apartment located at 164 East 61 Street. Nearly 1,000 people (photographers, press people and a lot of shoppers and fans), were raised in front of the building.

> 1ère partie:
- Tournage de la scène
 
film_7yi_scene_robe_window_out_set_020_014_by_shaw_1   film_7yi_scene_robe_window_out_set_020_015_by_shaw_1
 film_7yi_scene_robe_window_out_set_020_013_by_shaw_1 syi_sc15_on_set_filming_010_1_in_1954_09_13 syi_sc15_on_set_filming_011_1 syi_sc15_on_set_filming_013_1
syi_sc15_on_set_filming_012_1 syi_sc15_on_set_filming_012_1a syi_sc15_on_set_filming_014_1

-Marilyn à la fenêtre
syi_sc15_on_set_window_020_1  syi_sc_window 
syi_sc15_on_set_window_020_2 syi_sc15_on_set_window_010_1
 
syi_sc15_on_set_window_051_1 syi_sc15_on_set_window_021_1 syi_sc15_on_set_window_022_1
syi_sc15_on_set_window_023_1 syi_sc15_on_set_window_024_1
syi_sc15_on_set_window_031_1  
syi_sc15_on_set_window_030_1  syi_sc15_on_set_window_050_1 
 syi_sc15_on_set_window_040_1
film-7yi-window syi_sc15_on_set_window_041_1
 syi_sc15_on_set_window_050_2a syi_sc15_on_set_window_050_2b syi_sc15_on_set_window_050_2c 
syi_sc15_on_set_window_052_1 syi_sc15_on_set_window_052_2 

> photographies de George Barris
syi_sc15_on_set_window_by_barris_010_1 syi_sc15_on_set_window_by_barris_010_2 
syi_sc15_on_set_window_by_barris_011_1 syi_sc15_on_set_window_by_barris_011_2 syi_sc15_on_set_window_by_barris_011_2a
syi_sc15_on_set_window_by_barris_011_3 syi_sc15_on_set_window_by_barris_011_3a
syi_sc15_on_set_window_by_sam_shaw_serie1_013_1 syi_sc15_on_set_window_by_sam_shaw_serie1_013_2
syi_sc15_on_set_window_by_barris_012_1 syi_sc15_on_set_window_by_barris_012_1a syi_sc15_on_set_window_by_barris_013_1
syi_sc15_on_set_window_by_barris_020_1 syi_sc15_on_set_window_by_barris_020_2 syi_sc15_on_set_window_by_barris_020_3
syi_sc15_on_set_window_by_barris_020_4 syi_sc15_on_set_window_by_barris_020_5
syi_sc15_on_set_window_by_barris_020_6 syi_sc15_on_set_window_by_barris_020_7 
syi_sc15_on_set_window_by_barris_021_1 syi_sc15_on_set_window_by_barris_021_2 syi_sc15_on_set_window_by_barris_021_3

> photographies de Bob Henriques
syi_sc15_on_set_window_by_bob_henriques_1_1 syi_sc15_on_set_window_by_bob_henriques_1_2 syi_sc15_on_set_window_by_bob_henriques_1_3

> photographies de Garry Winogrand 
syi_sc15_on_set_window_by_gary_winogrand_1  
syi_sc15_on_set_window_by_gary_winogrand_2  

> photographies de Myron Ehrenberg
film-7yi-by_MYRON_EHRENBERG_SEVEN_YEAR_ITCH176 

> photographies de Milton H. Greene
syi_sc15_on_set_window_by_mhg_020_1  
syi_sc15_on_set_window_by_mhg_010_1

> photographie de Sam Schulman
syi_sc15_on_set_window_by_sam_schulman_1 

 > photographies de Sam Shaw  
syi_sc15_on_set_window_by_sam_shaw_serie1_010_1 syi_sc15_on_set_window_by_sam_shaw_serie1_010_2 syi_sc15_on_set_window_by_sam_shaw_serie1_010_3
syi_sc15_on_set_window_by_sam_shaw_serie1_011_1 syi_sc15_on_set_window_by_sam_shaw_serie1_012_1 syi_sc15_on_set_window_by_sam_shaw_serie1_012_2

syi_sc15_on_set_window_by_sam_shaw_serie1_011_1a syi_sc15_on_set_window_by_sam_shaw_serie1_014_1a
film_7yi_scene_robe_window_out_set_031_010_by_shaw_1 syi_sc15_on_set_window_by_sam_shaw_serie1_017_1a
syi_sc15_on_set_window_by_sam_shaw_serie1_014_1 syi_sc15_on_set_window_by_sam_shaw_serie1_015_1 syi_sc15_on_set_window_by_sam_shaw_serie1_016_1
syi_sc15_on_set_window_by_sam_shaw_serie1_018_1 syi_sc15_on_set_window_by_sam_shaw_serie1_018_1a syi_sc15_on_set_window_by_sam_shaw_serie4_010_1  
syi_sc15_on_set_window_by_sam_shaw_serie2_010_1 syi_sc15_on_set_window_by_sam_shaw_serie2_010_1a syi_sc15_on_set_window_by_sam_shaw_serie2_011_1
syi_sc15_on_set_window_by_sam_shaw_serie2_012_1 syi_sc15_on_set_window_by_sam_shaw_serie3_010_1 syi_sc15_on_set_window_by_sam_shaw_serie3_010_1a

> photographie de Walter Jacobsen 
syi_sc15_on_set_window_by_walter_jacobsen_1 

> photographie de Elliott Erwitt
by_elliott_erwitt-MARILYN-MONROE-NEW-YORK-1956-2-BHC0340 

 


 > planche contact
syi_sc15_set_contact_sevenyear13 


> dans la presse
syi_sc15_on_set_window_mag_danois_norma_ray_04 


> captures
syi_sc15_set_cap_01 syi_sc15_set_cap_02 syi_sc15_set_cap_03
syi_sc15_set_cap_04 syi_sc15_set_cap_05 syi_sc15_set_cap_06
syi_sc15_set_cap_07 syi_sc15_set_cap_08 syi_sc15_set_cap_09
syi_sc15_set_cap_10 syi_sc15_set_cap_11 syi_sc15_set_cap_12
syi_sc15_set_cap_13 syi_sc15_set_cap_14 syi_sc15_set_cap_15
syi_sc15_set_cap_from_the_legend_of_MM_01 syi_sc15_set_cap_from_the_legend_of_MM_02 syi_sc15_set_cap_from_the_legend_of_MM_03
syi_sc15_set_cap_from_the_legend_of_MM_04 syi_sc15_set_cap_from_the_legend_of_MM_05 syi_sc15_set_cap_from_the_legend_of_MM_06
syi_sc15_set_cap_from_marilyn_in_manhattan_01 syi_sc15_set_cap_from_marilyn_in_manhattan_02 syi_sc15_set_cap_from_marilyn_in_manhattan_03
syi_sc15_set_cap_from_marilyn_in_manhattan_04 syi_sc15_set_cap_from_marilyn_in_manhattan_05 syi_sc15_set_cap_from_marilyn_in_manhattan_06
syi_sc15_set_cap_from_marilyn_in_manhattan_07 syi_sc15_set_cap_from_marilyn_in_manhattan_08 syi_sc15_set_cap_from_marilyn_in_manhattan_09
syi_sc15_set_cap_from_the_legend_of_MM_07 syi_sc15_set_cap_from_the_legend_of_MM_08 syi_sc15_set_cap_from_the_legend_of_MM_09 

1954-09-13-ny-tsyi-set-cap_by_jules_schulback-02-1 1954-09-13-ny-tsyi-set-cap_by_jules_schulback-02-2 1954-09-13-ny-tsyi-set-cap_by_jules_schulback-02-3 
1954-09-13-ny-tsyi-set-cap_by_jules_schulback-02-4 1954-09-13-ny-tsyi-set-cap_by_jules_schulback-02-5 1954-09-13-ny-tsyi-set-cap_by_jules_schulback-02-6 


> video

> video (color footage in Kodachrome by Jules Schulback)


> source captures:
Documentaires "The Legend of Marilyn Monroe", "Marilyn in Manhattan".


© All images are copyright and protected by their respective owners, assignees or others.
copyright text by GinieLand.

Enregistrer

22 juin 2013

13/09/1954 Sur le tournage de The Seven Year Itch 15 - partie 2

Sept ans de réflexion
Sur le tournage - scène 15

Le 13 septembre 1954, Marilyn Monroe devant l'immeuble au 164 East 61 Street, à New York, où elle tourne une scène du film "Sept ans de réflexion".

In September, 13, 1954, Marilyn Monroe in front of the the building at 164 East 61 Street, in New York, where she shoots a scene of the movie "The Seven Year Itch".

> 2ème partie: Devant l'immeuble
syi_sc15_set_front_010_1 syi_sc15_set_front_010_1a
syi_sc15_set_front_023_1
syi_sc15_set_front_011_1 
film-7yi-peignoir 
syi_sc15_set_front_021_1 syi_sc15_set_front_022_1 syi_set_peignoir
syi_sc15_set_front_032_1 syi_sc15_set_front_032_1a syi_sc15_set_front_041_1

> photographies de Sam Shaw
syi_sc15_set_front_by_sam_shaw_1 syi_sc15_set_front_by_sam_shaw_1a syi_sc15_set_front_by_sam_shaw_1b

syi_sc15_set_contact_7year 

syi_sc15_set_front_030_1 syi_sc15_set_front_031_1 

> photographies de George Barris
syi_sc15_set_front_by_barris_010_1 syi_sc15_set_front_by_barris_010_2
syi_sc15_set_front_by_barris_011_2 syi_sc15_set_front_by_barris_1_2_in_1954_09_09 syi_sc15_set_front_by_barris_2_2  
syi_sc15_set_front_by_barris_011_1
syi_sc15_set_front_by_barris_1_1 
syi_sc15_set_front_by_barris_012_1 syi_sc15_set_front_by_barris_012_2
syi_sc15_set_front_by_barris_012_3 syi_sc15_set_front_by_barris_012_4
syi_sc15_set_front_by_barris_012_5 syi_sc15_set_front_by_barris_012_6 syi_sc15_set_front_by_barris_012_7
syi_sc15_set_front_by_barris_020_1 syi_sc15_set_front_by_barris_020_2

- avec Billy Wilder
film-7yi-with_wilder

 > photographies de Bob Henriques
1954-by_bob-MONROE__MARILYN_-_BOB_HENRIQUES_1954628  
syi_sc15_set_front_by_bob_henriques_2_1 

 > photographies de Elliott Erwitt
syi_sc15_set_front_by_elliott_erwitt_1 syi_sc15_set_front_by_elliott_erwitt_2 


> captures
syi_sc15_set_cap_front_01 syi_sc15_set_cap_front_02 syi_sc15_set_cap_front_03 
syi_sc15_set_cap_front_04 syi_sc15_set_cap_front_05 syi_sc15_set_cap_front_06
 
1954-09-13-ny-tsyi-set-cap_by_jules_schulback-01-1 1954-09-13-ny-tsyi-set-cap_by_jules_schulback-01-2 1954-09-13-ny-tsyi-set-cap_by_jules_schulback-01-3 


> video


© All images are copyright and protected by their respective owners, assignees or others.
copyright text by GinieLand. 

Enregistrer

21 juin 2013

13/09/1954 Sur le tournage de The Seven Year Itch 15 - partie 3

Sept ans de réflexion
Sur le tournage - scène 15

Le 13 septembre 1954, Marilyn Monroe dans l'immeuble au 164 East 61 Street, à New York, où elle tourne une scène du film "Sept ans de réflexion".

In September, 13, 1954, Marilyn Monroe in the building at 164 East 61 Street, in New York, where she shoots a scene of the movie "The Seven Year Itch".

> 3ème partie:
- Dans le hall
syi_sc15_set_hall_1954_09_13_leaving_hotel_1 syi_sc15_set_hall_1954_09_13_leaving_hotel_1a 

> photographie de Sam Schulman
syi_sc15_set_hall_1954_09_13_leaving_hotel_by_sam_schulman

- Dans les escaliers
syi_sc15_set_hall_stairs_1_1 syi_sc15_set_hall_stairs_2_1 syi_sc15_set_hall_stairs_3_1

> photographies de George Barris
syi_sc15_set_hall_stairs_by_barris_1_1 syi_sc15_set_hall_stairs_by_barris_2_1 syi_sc15_set_hall_stairs_by_barris_2_1a

> photographies de Bob Henriques
syi_sc15_set_hall_stairs_by_bob_henriques_1
film-7yi-The_seven_year_itch_04 
1954 

> photographies de Sam Shaw
syi_sc15_set_hall_stairs_by_sam_shaw_1_1 syi_sc15_set_hall_stairs_by_sam_shaw_2_1
film_7yi_scene_robe_inside_set_010_stairs_021_by_shaw_1 syi_sc15_set_hall_stairs_by_sam_shaw_3_1


© All images are copyright and protected by their respective owners, assignees or others.
copyright text by GinieLand.

13/09/1954 Sur le tournage de The Seven Year Itch 15 - partie 4

Sept ans de réflexion
Sur le tournage - scène 15

Le 13 septembre 1954, Marilyn Monroe à la fenêtre de l'appartement situé au 164 East 61 Street, à New York, où elle tourne une scène du film "Sept ans de réflexion".

In September, 13, 1954, Marilyn Monroe at the window of the apartment located at 164 East 61 Street, in New York, where she shoots a scene of the movie "The Seven Year Itch".

> 4ème partie: A la fenêtre - dans l'appartement

syi_sc15_set_window_in_010_1 syi_sc15_Peig20 syi_sc15_set_window_in_014_1
syi_sc15_set_window_in_011_1 syi_sc15_set_window_in_012_1 syi_sc15_set_window_in_013_1

> photographies de George Barris
syi_sc15_set_window_in_by_barris_010_1 syi_sc15_set_window_in_by_barris_010_2 syi_sc15_set_window_in_by_barris_010_2a
syi_sc15_set_window_in_by_barris_011_1 syi_sc15_set_window_in_by_barris_012_1 syi_sc15_set_window_in_by_barris_012_2
syi_sc15_set_window_in_by_barris_013_1 syi_sc15_set_window_in_by_barris_013_2 syi_sc15_set_window_in_by_barris_013_2a

> photographies de Bob Henriques
syi_sc15_set_window_in_by_bob_henriques_1 syi_sc15_set_window_in_by_bob_henriques_010_1 syi_sc15_set_window_in_by_bob_henriques_010_2

> photographies de Elliott Erwitt
syi_sc15_set_window_in_by_elliot_erwitt_1_1 
syi_sc15_set_window_in_by_elliot_erwitt_1_2 
film-syi-by_erwitt-5  

> photographie de Garry Winogrand
syi_sc15_set_window_in_by_garry_winogrand_1 

 > photographie de Sam Shaw  
syi_sc15_set_window_in_by_sam_shaw_1 
syi_sc15_set_front_040_1_in_1954_09_13 


> dans la presse 
syi-sc15-mag1a  syi-sc15-mag1b 


© All images are copyright and protected by their respective owners, assignees or others.
copyright text by GinieLand. 

19 juin 2013

13/09/1954 Sur le tournage de The Seven Year Itch 15 - partie 5

Sept ans de réflexion
Sur le tournage - scène 15

Le 13 septembre 1954, Marilyn Monroe tourne ce qui sera la scène finale du film "Sept ans de réflexion", celle où elle est en peignoir dans l'appartement de Richard Sherman (Tom Ewell). Il s'agit de la première scène tournée en extérieur, à New York, dans l'appartement situé au 164 East 61 Street.

In September, 13, 1954, Marilyn Monroe shoots what will be the final scene of "The Seven Year Itch", the one where she is in a white robe in the apartment of Richard Sherman (Tom Ewell). This is the first scene shot on location in New York, in an apartment located at 164 East 61 Street.

> 5ème partie: Marilyn sur le sofa

syi_sc15_set_sofa_010_1_reading_script_1954_09_12 syi_sc15_set_sofa_021_1
syi_sc15_set_sofa_022_1 syi_sc15_set_sofa_030_1 syi_sc15_set_sofa_031_1
syi_sc15_set_sofa_020_1 syi_sc15_set_sofa_040_1 syi_sc15_set_sofa_050_1 
syi_sc15_set_sofa_071_1  film-syi-peignoir-2
syi_sc15_set_sofa_060_1 film-syi-peignoir-1 syi_sc15_set_sofa_070_1
film-7yi-1954 

> Marilyn avec Natasha Lytess
syi_peignoir_lytess 

> photographies de George Barris
syi_sc15_set_sofa_by_barris_010_1 syi_sc15_set_sofa_by_barris_010_2 
syi_sc15_set_sofa_by_barris_011_1 syi_sc15_set_sofa_by_barris_011_3 tsyi-robe-1954 
syi_sc15_set_sofa_by_barris_012_1 tsyi-robe-sofa-fmf__barris__1954 syi_sc15_set_sofa_by_barris_012_2 
syi_sc15_set_sofa_by_barris_012_1b  syi_sc15_set_sofa_by_barris_012_2a  syi_sc15_set_sofa_by_barris_020_1 

> photographies de Bob Henriques
syi_sc15_set_contact_by_bob_henriques_1 syi_sc15_set_sofa_by_bob_henriques_1_1 syi_sc15_set_sofa_by_bob_henriques_1_3
syi_sc15_set_sofa_by_bob_henriques_2_1 syi_sc15_set_sofa_by_bob_henriques_1_4 syi_sc15_set_sofa_by_bob_henriques_1_5 syi_sc15_set_sofa_by_bob_henriques_5_2
syi_sc15_set_sofa_by_bob_henriques_1_2 film-7yi-__57__2_ syi_sc15_set_sofa_by_bob_henriques_5_1 
film-7yi-The_seven_year_itch_05  film-7yi-The_seven_year_itch_06 
film-7yi-The_seven_year_itch_07  film-7yi-The_seven_year_itch_08 
syi_sc15_set_sofa_by_bob_henriques_4_1 syi_sc15_set_sofa_by_bob_henriques_4_4 syi_sc15_set_sofa_by_bob_henriques_4_3

> photographies de Elliott Erwitt
film-syi-by_erwitt-1 film-7yi-1954 film-syi-by_erwitt-4
syi_sc15_set_sofa_by_elliott_erwitt_1_1 film-syi-by_erwitt-2 syi_sc15_set_sofa_by_elliott_erwitt_3_1
syi_sc15_set_sofa_by_elliott_erwitt_2_1 syi_sc15_set_sofa_by_elliott_erwitt_2_2 syi_sc15_set_sofa_by_elliott_erwitt_2_3
syi_sc15_set_sofa_by_elliott_erwitt_4_1  by_elliott_erwitt-MARILYN-MONROE-NEW-YORK-1956-2-BHC0342 
by_elliott_erwitt-CONTACT-SHEET-571-1956-1-BHC0351  by_elliott_erwitt-CONTACT-SHEET-NUMBER-573-1956-1-BHC0350 
syi_sc15_set_sofa_by_elliott_erwitt_contact_1 syi_sc15_set_sofa_by_elliott_erwitt_contact_2 1954

> photographies de Tom Caffrey
syi_sc15_set_sofa_by_tom_caffrey_1_1 syi_sc15_set_sofa_by_tom_caffrey_1_2 syi_sc15_set_sofa_by_tom_caffrey_1_3

> photographies de Garry Winogrand
syi_sc15_set_sofa_by_garry_winogrand_1  
syi_sc15_set_sofa_by_garry_winogrand_2 syi_sc15_set_sofa_by_garry_winogrand_3_1 syi_sc15_set_sofa_by_garry_winogrand_3_2

> photographies de Sam Shaw 
syi_sc15_set_sofa_by_sam_shaw_010_1 syi_sc15_set_sofa_by_sam_shaw_010_2 syi_sc15_set_sofa_by_sam_shaw_010_3
syi_sc15_set_sofa_by_sam_shaw_010_4 syi_sc15_set_sofa_by_sam_shaw_010_5
 syi_sc15_contact_ebseven3 
film-7yi-by_shaw  


© All images are copyright and protected by their respective owners, assignees or others.
copyright text by GinieLand.

13/09/1954 Sur le tournage de The Seven Year Itch 15 - partie 6

Sept ans de réflexion
Sur le tournage - scène 15

Le 13 septembre 1954, Marilyn Monroe tourne ce qui sera la scène finale du film "Sept ans de réflexion", celle où elle est en peignoir dans l'appartement de Richard Sherman (Tom Ewell). Il s'agit de la première scène tournée en extérieur, à New York, dans l'appartement situé au 164 East 61 Street. Près de 1000 personnes (des photographes, gens de la presse et beaucoup de passants et de fans), se sont amassés devant l'immeuble.

In September, 13, 1954, Marilyn Monroe shoots what will be the final scene of "The Seven Year Itch", the one where she is in a white robe in the apartment of Richard Sherman (Tom Ewell). This is the first scene shot on location in New York, in an apartment located at 164 East 61 Street. Nearly 1,000 people (photographers, press people and a lot of shoppers and fans), were raised in front of the building.

> 6ème partie: Marilyn dans l'appartement

syi_sc15_set_room_010_1 syi_sc15_set_room_020_1
syi_sc15_set_room_030_1 syi_sc15_set_room_040_1 

> photographie de Bob Henriques
syi_sc15_set_room_by_bob_henriques_1 
film-7yi-The_seven_year_itch_01
film-7yi-The_seven_year_itch_02 film-7yi-The_seven_year_itch_03 

> photographies de Sam Shaw
film_7yi_scene_robe_inside_set_020_wall_010_by_shaw_1  syi_sc15_set_room_010_2 
syi_sc15_set_room_by_sam_shaw_1 syi_sc15_set_room_by_sam_shaw_1a syi_sc15_on_set_by_shaw_010_1


© All images are copyright and protected by their respective owners, assignees or others.
copyright text by GinieLand.

30 mars 2013

28/03/1959 Première Some Like It Hot

Le 28 mars 1959 se tient la première de "Some Like It Hot" ("Certains l'aiment chaud"), au Lowe’s Capitol Theater, un cinéma de Broadway, à New York. Marilyn Monroe y participe avec son mari Arthur Miller. Toute de blanc vêtue, avec une robe à strass, elle est plus resplendissante que jamais. 
Photographies de Lee Lockwood, Paul Slade, Bob Henriques, Paul Schumach et Henri Dauman.
On March 28, 1959 is the premiere of "Some Like It Hot" at Lowe's Capitol Theater, a Broadway cinema in New York. Marilyn Monroe arrives with her husband Arthur Miller. Dressed all in white, with a rhinestone dress, she is brighter than ever.
After, Marilyn and Arthur go to 135 Central Park West for the Lee and Paula Strasberg hosted post-premiere party following the showing of the movie.
Photographs by Lee Lockwood, Paul Slade, Bob Henriques and Henri Dauman.

1959_03_29_ny_slih_premiere_01_1  
1959_03_29_ny_slih_premiere_01_2_by_lee_lockwood_1 1959_03_29_ny_slih_premiere_01_3 1959_03_29_ny_slih_premiere_01_4
1959_03_29_ny_slih_premiere_01_5 1959_03_29_ny_slih_premiere_01_6 1959_03_29_ny_slih_premiere_01_5a
1959_03_29_ny_slih_premiere_02_1_by_bob_henriques_1 1959_03_29_ny_slih_premiere_02_2_by_paul_slade_1
1959_03_29_ny_slih_premiere_03_1 1959_03_29_ny_slih_premiere_03_2_by_henri_dauman_1 1959_03_29_ny_slih_premiere_03_2_by_henri_dauman_1a
1959_03_29_ny_slih_premiere_03_3 1959_03_29_ny_slih_premiere_03_4 1959_03_29_ny_slih_premiere_03_4a
1959_03_29_ny_slih_premiere_03_5_by_bob_henriques_1  245781_0 
1959_03_29_ny_slih_premiere_04_1 1959_03_29_ny_slih_premiere_04_3_by_paul_slade_1
1959_03_29_ny_slih_premiere_04_2 1959_03_29_ny_slih_premiere_04_3_by_paul_slade_2 1959_03_29_ny_slih_premiere_04_3_by_paul_slade_3
1959_03_29_ny_slih_premiere_04_4_by_lee_lockwood_2 1959_03_29_ny_slih_premiere_04_4_by_lee_lockwood_3 1959_03_29_ny_slih_premiere_04_5
1959_03_29_ny_slih_premiere_04_4_by_lee_lockwood_1 1959_03_29_ny_slih_premiere_04_6
1959_03_29_ny_slih_premiere_05_1 1959_03_29_ny_slih_premiere_05_2 1959_03_29_ny_slih_premiere_05_3
1959_03_29_ny_slih_premiere_05_4 245778_0 1959_03_29_ny_slih_premiere_05_5 
1959_03_29_ny_slih_premiere_06_1 1959_03_29_ny_slih_premiere_06_1a 1959_03_29_ny_slih_premiere_06_2  
1959  lot528-220490_0  1959-03-prem_slih 
1959_03_29_ny_slih_premiere_07_1 1959-slih_prem film_slih_premiere_jack_lemmon 
245779_0  245780_0 
1959_03_29_ny_slih_premiere_07_2
1959_03_29_ny_slih_premiere_07_3 1959_03_29_ny_slih_premiere_lemmon_1

> Planche Contact
1959_03_29_ny_slih_premiere_contact_1

> Snapshots
lot530-220493_0 


> photographie de Paul Schmach
lot985-202987_0  

> photographie de Manfred Kreiner
lot984-202986_0 


Après la première, Marilyn et Arthur se rendent chez Lee et Paula Strasberg qui ont organisé une fête dans leur appartement au 135 Central Park West.

> Photographie de James Haspiel
1959_03_29_ny_slih_premiere_car_01_by_james_haspiel_1 

> Marilyn et Arthur arrivent chez les Strasberg
1959_03_29_ny_slih_premiere_car_02_1 1959_03_29_ny_slih_premiere_car_02_2 1959_03_29_ny_slih_premiere_car_03_1
1959_03_29_ny_slih_premiere_car_candids_1 
1959_03_29_ny_slih_premiere_party_strasberg_01_1 1959_03_29_ny_slih_premiere_party_strasberg_02_1 1959_03_29_ny_slih_premiere_party_strasberg_03_1 
1959_03_29_ny_slih_premiere_party_strasberg_04_1 1959_03_29_ny_slih_premiere_party_strasberg_04_1a 1959_marilynmonroe_somelikeithotpremiere3 1959_03_29_ny_slih_premiere_party_strasberg_04_2
1959_03_29_ny_slih_premiere_party_strasberg_04_3 1959_03_29_ny_slih_premiere_party_strasberg_04_3c


> La robe vendue par Christies
1959_03_29_ny_slih_premiere_dress_1  
1959_03_29_ny_slih_premiere_dress_selling_107 


>>  photo de presse
1959_03_29_ny_slih_premiere_press_1 


>>  captures
cap_slih_prem_01_01 cap_slih_prem_01_02 cap_slih_prem_01_03  
cap_slih_prem_01_04 cap_slih_prem_01_05 cap_slih_prem_01_06
cap_slih_prem_01_07 cap_slih_prem_01_08 cap_slih_prem_01_09
cap_slih_prem_01_10 cap_slih_prem_01_11 cap_slih_prem_01_12
cap_slih_prem_01_13 cap_slih_prem_01_14
cap_slih_prem_02_01 cap_slih_prem_02_02 cap_slih_prem_02_03
cap_slih_prem_02_04 cap_slih_prem_02_05 cap_slih_prem_02_06
cap_slih_prem_03_01 cap_slih_prem_03_02 cap_slih_prem_03_03

 >> vidéo 1

  >> vidéo 2
  


© All images are copyright and protected by their respective owners, assignees or others.
copyright text by GinieLand.

Enregistrer

08 mai 2012

11/04/1957 Bal April in Paris

Le 11 avril 1957, Marilyn Monroe et Arthur Miller participent au grand bal "April in Paris" au Waldorf Astoria à Manhattan, New York; un gala fêtant le 200ème anniversaire de la naissance de Lafayette. Pendant le dîner, Marilyn discute avec l'ancien ambassadeur de l'Angleterre Winthrop Aldrich, mais aussi avec la journaliste Elsa Maxwell. Les acteurs français Gérard Philipe et Jean Marais et l'actrice Françoise Arnoul viennent saluer Marilyn.
La duchesse de Windsor demande à Marilyn de tirer les tickets de tombola dont les deux lots étaient deux voitures (une Chrysler et une Citröen). Avant de partir, chaque invité reçoit des cadeaux en souvenirs: des échantillons de produits de luxe "made in France", comprenant eau de cologne, parfums, cravates Dior, moutarde de Dijon et des bonbons.
Marilyn portait une robe de Norman Norell.
Certaines photographies sont de Peter Stackpole et Bob Henriques.

> Le dîner
1957_04_11_ny_waldorf_astoria_bal_paris_010_by_peter_Stackpole_1 1957_04_11_ny_waldorf_astoria_bal_paris_010_by_peter_Stackpole_2 1957_04_11_ny_waldorf_astoria_bal_paris_010_by_peter_Stackpole_3
1957_04_11_ny_waldorf_astoria_bal_paris_010_by_peter_Stackpole_4 1957_04_11_ny_waldorf_astoria_bal_paris_010_by_peter_Stackpole_5 1957_04_11_ny_waldorf_astoria_bal_paris_010_by_peter_Stackpole_6

  > Avec Gérard Philipe, Françoise Arnoul et Jean Marais
1957_04_11_ny_waldorf_astoria_bal_paris_011_1 1957_04_11_ny_waldorf_astoria_bal_paris_011_3 1957_04_11_ny_waldorf_astoria_bal_paris_011_2

  > Avec Winthrop Aldrich
1957_04_11_ny_waldorf_astoria_bal_paris_012_with_britain_ambassador_winthrop_aldrich_1 1957_04_11_ny_waldorf_astoria_bal_paris_012_with_britain_ambassador_winthrop_aldrich_by_peter_Stackpole_1 1957_04_11_ny_waldorf_astoria_bal_paris_012_with_britain_ambassador_winthrop_aldrich_5
1957_april_Australian_Women_s_Weekly__May_8__1957__b  
1957_04_11_ny_waldorf_astoria_bal_paris_012_with_britain_ambassador_winthrop_aldrich_2 1957_04_11_ny_waldorf_astoria_bal_paris_012_with_britain_ambassador_winthrop_aldrich_4 1957_04_11_ny_waldorf_astoria_bal_paris_012_with_britain_ambassador_winthrop_aldrich_3

> Avec Elsa Maxwell
1957_04_11_ny_waldorf_astoria_bal_paris_013_with_elsa_maxwell_2 1957_04_11_ny_waldorf_astoria_bal_paris_013_with_elsa_maxwell_3 1957_by_bob_henriques_14127456_1_x
1957_04_11_ny_waldorf_astoria_bal_paris_013_with_elsa_maxwell_1 1957_april_Australian_Women_s_Weekly__May_8__1957__a 

> Marilyn et Arthur au dîner
1957_04_11_ny_waldorf_astoria_bal_paris_014_1 1957_04_11_ny_waldorf_astoria_bal_paris_014_2
1957_04_11_ny_waldorf_astoria_bal_paris_015_1 1957_04_11_ny_waldorf_astoria_bal_paris_015_1a 1957_by
1957_04_11_ny_waldorf_astoria_bal_paris_015_2 1957_04_11_ny_waldorf_astoria_bal_paris_016_1 1957_04_11_ny_waldorf_astoria_bal_paris_016_4
1957_04_11_ny_waldorf_astoria_bal_paris_016_2 1957_04_11_ny_waldorf_astoria_bal_paris_016_3a 1957_04_11_ny_waldorf_astoria_bal_paris_016_3 
1957_04_11_ny_waldorf_astoria_bal_paris_017_1 1957_04_11_ny_waldorf_astoria_bal_paris_017_1a 1957_04_11_ny_waldorf_astoria_bal_paris_017_2
1957_04_11_ny_waldorf_astoria_bal_paris_018_1 1957_04_11_ny_waldorf_astoria_bal_paris_018_2 1957_04_11_ny_waldorf_astoria_bal_paris_018_2a

> Marilyn et Arthur dansent
1957_04_11_ny_waldorf_astoria_bal_paris_020_1 1957_04_11_ny_waldorf_astoria_bal_paris_021_1
1957_04_11_ny_waldorf_astoria_bal_paris_022_1 1957_04_11_ny_waldorf_astoria_bal_paris_022_1a 1957_04_11_ny_waldorf_astoria_bal_paris_1 
1957_04_11_ny_waldorf_astoria_bal_paris_023_1 1957_04_11_ny_waldorf_astoria_bal_paris_023_2
1957_04_11_ny_waldorf_astoria_bal_paris_024_1 1957_04_11_ny_waldorf_astoria_bal_paris_024_2 1957_04_11_ny_waldorf_astoria_bal_paris_025_1 1957_04_11_ny_waldorf_astoria_bal_paris_025_2


>>  captures
bal_april_cap01 bal_april_cap02 bal_april_cap03
bal_april_cap04 bal_april_cap05 bal_april_cap06
bal_april_cap07 bal_april_cap08 bal_april_cap09
bal_april_cap10 bal_april_cap11 bal_april_cap12
bal_april_cap13 bal_april_cap14 bal_april_cap15

  >> vidéo 
 


  > dans la presse
1957_04_11_ny_waldorf_astoria_mag_1 1957_04_11_ny_waldorf_astoria_mag_2 1957_04_11_ny_waldorf_astoria_mag_3 1957_04_11_ny_waldorf_astoria_mag_match_5_4_1957

> Au club El Morocco, Manhattan
1957_el_morocco_newspapers_2 1957_el_morocco_newspapers_1


On April 11, 1957, Marilyn Monroe and Arthur Miller participate to the great "April in Paris" bal at the Waldorf Astoria, Manhattan, New York City. The bal celebrate the 200th anniversary of Lafayette's birth. During the meal, Marilyn discuss with the ex envoy of Britain, Winthrop Aldrich, but also with the journalist Elsa Maxwell. The french actors Gerard Philipe, Françoise Arnoul and Jean Marais came to greet Marilyn.