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16 juillet 2016

Pin Up de Billy Devorss VS Marilyn par Bruno Bernard

L'illustrateur de pin-up Billy Devorss a fait carrière à partir des années 1930s. Mais ici, qui a copié qui ? Serait-ce Devorrs qui se serait inspiré de la séance photos de Marilyn par Bruno Bernard en 1949 ou l'inverse ?
The pinup's illustrator Billy Devorss has made career from the 1930s. But here, who copied who ? Could it Devorrs would have been  inspired by the shoot of Marilyn by Bruno Bernard in 1949 or the reverse?

pinup_by_Billy-Devorss  1949-bernard 

De quelle année date la pin up de Devorrss ? Si vous avez plus d'information sur cette illustration, merci de laisser un commentaire.
In what year Devorss paint his pin up ? If you have more information about this illustration, thank you to leave a comment.

Posté par ginieland à 21:13 - - Commentaires [4] - Permalien [#]
Tags : , ,


27 mars 2016

Enchère Julien's 90210 Exclusive Spring 2016

2016-spring-online-auction-catalog  Vente aux enchères 'Julien's 90210 Exclusive Summer 2015' par Juliens Auction du 28 mars 2016 à Hollywood.
Le catalogue (photo ci-contre) est en consultation libre et en vente au prix de 100 $ sur le site de Julien's Auction. 
La vente aux enchères contient 13 lots consacrés à Marilyn Monroe: en consultation sur julienslive.


Lot 1 : MARILYN MONROE IDENTIFICATION CARD SIGNED "NORMA JEAN DiMAGGIO"  
 A Marilyn Monroe signed United States Department of Defense Noncombatant’s Certificate of Identity. The card is signed “Norma Jean DiMaggio” and countersigned by the issuing officer. It is additionally marked “Void.” Monroe’s fingerprints are stamped on the back of the card, but no other information has been entered. It is well known that Monroe was issued an official Department of Defense identification card dated February 8, 1954, with a card serial number of 129278. This card’s serial number is 129279. The same issuing officer signed this card as well as Monroe's official ID card. Monroe visited Korea to entertain the troops while on her honeymoon with Joe DiMaggio in February 1954.
2 1/2 by 3 3/4 inches
EST. $20,000-30,000 / Unsold
lot01-228907_0 lot01-228908_0 


Lot 2 : MARILYN MONROE SIGNED CHECK  
 A Marilyn Monroe handwritten and signed check. The check is written from an account with Bank of America, Laurel/Sunset branch, in the amount of $282, dated July 13, 1953 paid to Mrs. Jaffray.
Approximately, 2 1/2 by 6 inches
EST. $2,000-4,000 /  Winning bid:$4,160
lot02-228909_0  


Lot 3: MARILYN MONROE BERNARD OF HOLLYWOOD PHOTOGRAPH  
 A limited edition color photograph of Marilyn Monroe titled “Valentine Heart” taken by Bruno Bernard circa 1946. Numbered 16/90 and signed by The Estate of Bruno Bernard in the lower margin.
20 by 16 inches
PROVENANCE From the Estate of Bruno Bernard
EST. $2000-3000 / unsold
lot03-228910_0 


Lot 4 : MARILYN MONROE BERNARD OF HOLLYWOOD PHOTOGRAPH  
 A limited edition color photograph of Marilyn Monroe titled “Sailor Girl” taken by Bruno Bernard circa 1946. Numbered 16/90 and signed by The Estate of Bruno Bernard in the lower margin.
20 by 16 inches
PROVENANCE From the Estate of Bruno Bernard
EST. $2000-3000 / unsold
lot04-228911_0  


Lot 5: MARILYN MONROE BRUNO BERNARD SIGNED ORIGINAL VINTAGE PHOTOGRAPH
 An original vintage black and white photograph of Marilyn Monroe signing autographs taken by Bruno Bernard circa 1954. Signed on verso “Bernard of Hollywood.”
11 by 14 inches
PROVENANCE From the Estate of Bruno Bernard
EST. $4000-6000 / Winning bid:$5,120
lot05-228912_0  


Lot 6 : MARILYN MONROE BRUNO BERNARD SIGNED ORIGINAL VINTAGE PHOTOGRAPH  
 An original vintage black and white pin-up photograph of Marilyn Monroe taken by Bruno Bernard circa 1946. Signed on verso “Bernard of Hollywood.”
10 by 8 inches
PROVENANCE From the Estate of Bruno Bernard
EST. $5000-7000 / unsold
lot06-228913_0  


Lot 7:  MARILYN MONROE BERNARD OF HOLLYWOOD PHOTOGRAPH  
 A limited edition black and white photograph of Marilyn Monroe wearing a costume dress from her film Gentlemen Prefer Blondes (20th Century, 1953) taken by Bruno Bernard circa 1953. Numbered 16/90 and signed by The Estate of Bruno Bernard in the lower margin.
20 by 16 inches
PROVENANCE From the Estate of Bruno Bernard
EST. $2000-3000 / unsold
lot07-229665_0 


Lot 8 : MARILYN MONROE BERNARD OF HOLLYWOOD PHOTOGRAPH  
 A limited edition color photograph of Marilyn Monroe titled “My Girl Friday” taken by Bruno Bernard circa 1946. Numbered 16/90 and signed by The Estate of Bruno Bernard in the lower margin.
20 by 16 inches
PROVENANCE From the Estate of Bruno Bernard
EST. $2000-3000 / unsold
lot08-229666_0 


Lot 9: MARILYN MONROE ARTWORK BY STEVE KAUFMAN  
 A portrait of Marilyn Monroe by pop artist Steve Kaufman. Oil on canvas silkscreen over fabric stretched to frame, with additional handpainted embellishments, numbered 7/10, titled “Marilyn Baby,” inscribed by the artist “Best Wishes/ stevekaufmanart.com.” Accompanied by a certificate from Steve Kaufman Art.
12 by 12 inches
EST. $400-600 / Winning bid:$2,432
lot09-228916_0  lot09-228917_0 
lot09-228918_0 lot09-228919_0 lot09-228920_0 


Lot 10:  MARILYN MONROE PHOTOGRAPHS
A group of Marilyn Monroe items: an 11-by-14-inch photograph of Monroe with Lassie; a matted 9-by-7-inch photograph of Monroe sitting; and a matted approximately 9-by-7-inch print of Monroe in stockings, inscribed in the margin as being from the estate of Bernard of Hollywood. Together with four copies of the Roger C. Taylor book Marilyn in Art (London, Pop Art Books, 2006).
14 by 11 inches, largest
PROVENANCE From the Collection of Allan Rich
EST. $100-300 / Winning bid:$480
lot10-228921_0  


Lot 11: MARILYN MONROE AND MARLON BRANDO PHOTOGRAPH BY MILTON GREENE  
A black and white original photograph of Marilyn Monroe and Marlon Brando taken by Milton Greene in 1955. Brando is kneeling before Monroe, draping an “Actors’ Studio Benefit Usher” sash across her chest. Artist's stamp on verso, signed by Greene and dated “3-21-80.”
14 by 11 inches
EST. $600-800 / Winning bid:$832
lot11-228922_0 lot11-228923_0 


Lot 12: BUS STOP PHOTOGRAPH ARCHIVE  
 An archive of continuity and publicity photographs for the film Bus Stop (20th Century, 1956). The collection includes approximately 100 publicity photographs stamped on verso by the Advertising Code Administration. Twelve of these photographs have been additionally stamped "Retouch as Indicated" in red ink, and the surface of the photo has been drawn on where censors indicated to make Marilyn Monroe's wardrobe less revealing in the photographs. Nineteen small black and white prints are also stamped by the Advertising Code Administration of Hollywood. Three black and white small prints are stamped "Marilyn Monroe Productions Approved by _______" on verso. Also, 19 black and white snapshots taken on and off the set; 16 black and white publicity images; two wardrobe shots with the transparencies of Don Murray; a small number of other photographs for unknown use; and nine color publicity clips that would have been sent to newspapers and magazines for promotion of the film.
Sizes vary
EST. $800-1,200 / Winning bid:$2,560
lot12-228924_0 lot12-228925_0 lot12-228926_0 
lot12-228927_0  

lot12-228928_0 lot12-228929_0 
lot12-228930_0 lot12-228931_0 
lot12-228932_0 lot12-228933_0 
lot12-228934_0 lot12-228935_0 
lot12-228936_0 lot12-228937_0 
lot12-228938_0 lot12-228939_0 
lot12-228940_0 lot12-228941_0 
lot12-228942_0 lot12-228943_0 
lot12-228944_0 lot12-228945_0 
lot12-228946_0 lot12-228947_0 
lot12-228948_0  lot12-228949_0 lot12-228950_0 
lot12-228951_0 lot12-228952_0 lot12-228953_0 


Lot 13: MARILYN MONROE VINTAGE PHOTOGRAPH BY ANDRE de DIENES  
 A black and white silver gelatin print of Marilyn Monroe taken by Andre de Dienes in 1949. The photograph is hand printed by de Dienes on double-weight paper and stamped by the photographer on verso. Accompanied by a certificate of authenticity from One West Publishing.
11 1/4 by 9 3/4 inches
EST. $400-600 / Winning bid:$768
lot13-228954_0  lot13-228955_0 

29 décembre 2015

Icons & Idols Feat Joan Collins 12/2015 - Photos


 Andre De Dienes


Lot 478  MARILYN MONROE VINTAGE PHOTOGRAPH BY ANDRE de DIENES
 A black and white silver gelatin print of Marilyn Monroe taken by Andre de Dienes in 1945. Hand printed by de Dienes on double-weight paper and stamped by the photographer twice on verso.
20 by 16 inches
Winning bid:$512 - Estimate: $400 - $600
lot478-220406_0 


Lot 479 MARILYN MONROE VINTAGE PHOTOGRAPH BY ANDRE de DIENES
 A black and white silver gelatin print of Marilyn Monroe taken by Andre de Dienes in 1946. Hand printed by de Dienes on double-weight paper and stamped by the photographer on verso.
20 by 16 inches
Winning bid:$896 - Estimate: $400 - $600
lot479-220407_0 


Lot 480  MARILYN MONROE VINTAGE PHOTOGRAPH BY ANDRE de DIENES
 A black and white silver gelatin print of Marilyn Monroe taken by Andre de Dienes in 1949. Hand printed by de Dienes on double-weight paper and stamped by the photographer twice on verso.
17 by 16 inches
 Winning bid:$750 - Estimate: $400 - $600
lot480-220408_0  


Lot 481  MARILYN MONROE VINTAGE PHOTOGRAPH BY ANDRE de DIENES
 A black and white silver gelatin print of Marilyn Monroe taken by Andre de Dienes in 1949. Hand printed by de Dienes on double-weight paper and stamped by the photographer twice on verso.
20 by 16 inches
 Winning bid:$384 - Estimate: $400 - $600
lot481-220409_0 


Lot 482  MARILYN MONROE VINTAGE PHOTOGRAPH BY ANDRE de DIENES
 A black and white silver gelatin print of Marilyn Monroe taken by Andre de Dienes in 1949. Hand printed by de Dienes on double-weight paper and stamped by the photographer on verso. Additionally handwritten on verso is "17/67 given to [illegible] Shirley de Dienes 11-18-86."
20 by 16 inches
Winning bid:$384 - Estimate: $400 - $600
lot482-220410_0  


Lot 483  MARILYN MONROE VINTAGE PHOTOGRAPH BY ANDRE de DIENES
 A black and white silver gelatin print of Marilyn Monroe taken by Andre de Dienes in 1949. Hand printed by de Dienes on double-weight paper and stamped by the photographer twice on verso. Additionally inscribed on verso "25/67 given to Chad Lewis Shirley de Dienes 11-18-86."
20 by 16 inches
Winning bid:$384 - Estimate: $400 - $600
lot483-220411_0 


Lot 484 MARILYN MONROE VINTAGE PHOTOGRAPH BY ANDRE de DIENES
 A black and white silver gelatin print of Marilyn Monroe taken by Andre de Dienes in 1949. Hand printed by de Dienes on double-weight paper and stamped by the photographer twice on verso.
20 by 16 inches
 Winning bid:$576 - Estimate: $400 - $600
lot484-220412_0  


Lot 485 MARILYN MONROE VINTAGE PHOTOGRAPH BY ANDRE de DIENES
 A black and white silver gelatin print of Marilyn Monroe taken by Andre de Dienes in 1953. Hand printed by de Dienes on double-weight paper and stamped by the photographer twice on verso.
20 by 16 inches
Winning bid:$1,024 - Estimate: $400 - $600
lot485-220413_0 


Lot 486 MARILYN MONROE VINTAGE PHOTOGRAPH BY ANDRE de DIENES
 A black and white silver gelatin print of Marilyn Monroe taken by Andre de Dienes in 1953. Hand printed by de Dienes on double-weight paper and stamped by the photographer twice on verso.
20 by 16 inches
Winning bid:$1,024 - Estimate: $400 - $600
lot486-220414_0 


Lot 487 MARILYN MONROE VINTAGE PHOTOGRAPH BY ANDRE de DIENES
 A black and white silver gelatin print of Marilyn Monroe taken by Andre de Dienes in 1953. Hand printed by de Dienes on double-weight paper and stamped by the photographer twice on verso.
20 by 16 inches
 Winning bid:$640 - Estimate: $400 - $600
lot487-220415_0 


 Bruno Bernard


Lot 502  MARILYN MONROE BERNARD OF HOLLYWOOD PHOTOGRAPH
 A limited edition color photograph of Marilyn Monroe titled “Valentine Heart” taken by Bruno Bernard circa 1946. Numbered 16/90 and signed by The Estate of Bruno Bernard in the lower margin.
20 by 16 inches
PROVENANCE From the Estate of Bruno Bernard
unsold - Estimate: $3,000 - $4,000
lot502-220447_0 


Lot 503  MARILYN MONROE BERNARD OF HOLLYWOOD PHOTOGRAPH
 A limited edition color photograph of Marilyn Monroe titled “Sailor Girl” taken by Bruno Bernard circa 1946. Numbered 16/90 and signed by The Estate of Bruno Bernard in the lower margin.
20 by 16 inches
PROVENANCE From the Estate of Bruno Bernard
unsold - Estimate: $3,000 - $4,000
lot503-220448_0 


Lot 504  MARILYN MONROE BERNARD OF HOLLYWOOD PHOTOGRAPH
 A limited edition color photograph of Marilyn Monroe titled “My Girl Friday” taken by Bruno Bernard circa 1946. Numbered 16/90 and signed by The Estate of Bruno Bernard in the lower margin.
20 by 16 inches
PROVENANCE From the Estate of Bruno Bernard
 unsold - Estimate: $3,000 - $4,000
lot504-220449_0 


Lot 505  MARILYN MONROE BRUNO BERNARD SIGNED ORIGINAL VINTAGE PHOTOGRAPH
 An original vintage black and white pin-up photograph of Marilyn Monroe taken by Bruno Bernard circa 1946. Signed on verso “Bernard of Hollywood.”
10 by 8 inches
PROVENANCE From the Estate of Bruno Bernard
 unsold - Estimate: $6,000 - $8,000
lot505-220450_0 


Lot 510  MARILYN MONROE BERNARD OF HOLLYWOOD PHOTOGRAPH
 A limited edition black and white photograph of Marilyn Monroe titled “Poolside” taken by Bruno Bernard circa 1949. Numbered 16/90 and signed by The Estate of Bruno Bernard in the lower margin.
20 by 16 inches
PROVENANCE From the Estate of Bruno Bernard
Winning bid:$4,062.50 - Estimate: $3,000 - $4,000
lot510-220455_0 


Lot 511  MARILYN MONROE BRUNO BERNARD SIGNED ORIGINAL VINTAGE PHOTOGRAPH
  An original vintage black and white photograph of Marilyn Monroe signing autographs taken by Bruno Bernard circa 1954. Signed on verso “Bernard of Hollywood.”
11 by 14 inches
PROVENANCE From the Estate of Bruno Bernard
unsold - Estimate: $6,000 - $8,000
lot511-220456_0 


Lot 512  MARILYN MONROE BERNARD OF HOLLYWOOD PHOTOGRAPH
 A limited edition black and white photograph of Marilyn Monroe wearing a costume dress from her film Gentlemen Prefer Blondes (20th Century, 1953) taken by Bruno Bernard circa 1953. Numbered 16/90 and signed by The Estate of Bruno Bernard in the lower margin.
20 by 16 inches
PROVENANCE From the Estate of Bruno Bernard
 unsold - Estimate: $3,000 - $4,000
lot512-220457_0 


Lot 513  MARILYN MONROE BRUNO BERNARD SIGNED ORIGINAL VINTAGE PHOTOGRAPH
 An original vintage black and white photograph of Marilyn Monroe on the set of The Seven Year Itch (20th Century, 1955) taken by Bruno Bernard circa 1954. Signed on verso "Bernard of Hollywood" and contained in a brown Bernard of Hollywood folder.
14 by 11 inches
PROVENANCE From the Estate of Bruno Bernard
Winning bid:$12,500 - Estimate: $10,000 - $20,000
lot513-220458_0 


Lot 514  MARILYN MONROE BERNARD OF HOLLYWOOD PHOTOGRAPH
 A limited edition color photograph of Marilyn Monroe wearing the famous white dress from her film The Seven Year Itch (20th Century, 1955) taken by Bruno Bernard circa 1954. Numbered 16/50 and signed by The Estate of Bruno Bernard in the lower margin.
24 by 20 inches
PROVENANCE From the Estate of Bruno Bernard
 unsold - Estimate: $3,000 - $5,000
lot514-220459_0 


 George Barris


Lot 537 MARILYN MONROE GEORGE BARRIS PHOTOGRAPHS
A pair of black and white photographs of Marilyn Monroe taken by George Barris. Each photograph is signed by Barris. One of the photographs is stamped “© 1987 George Barris/ Marilyn Monroe/ Weston Editions LTD./ All Rights Reserved,” and both photographs are stamped “The Private Collection of Kim Goodwin.”
Winning bid:$448 - Estimate: $600 - $800
lot537-220508_0  lot537-220509_0 


Lot 538  MARILYN MONROE GEORGE BARRIS PHOTOGRAPH
A black and white photograph of Marilyn Monroe taken by George Barris in the summer of 1962. Signed by the photographer at lower right and stamped “The Kim Goodwin Collection” on verso.
Winning bid:$250 - Estimate: $800 - $1,200
lot538-220510_0 


Lot 539  MARILYN MONROE GEORGE BARRIS LAST PHOTOGRAPHS PORTFOLIO
 A folder containing eight color prints of George Barris’ photographs of Marilyn Monroe. White folder reads on the cover “Marilyn Monroe/ 25th/ The Last Photos.” Interior left of folder reads “Limited Edition/ Original Photographs by/ George Barris.” Interior right of folder reads “As seen in/ ‘Marilyn’ Norma Jeane/ text by Gloria Steinem.” Accompanied by a card that gives the edition number as 74/99. Each photograph is signed by Barris and stamped on verso “Copyright 1987/ Marilyn Monroe/ Weston Editions LTD.” The photographs are additionally stamped “The Private Collection of Kim Goodwin.”
Photographs, 10 by 8 inches; Folder, 10 1/2 by 9 inches
 Winning bid:$2,240 - Estimate: $1,000 - $2,000
lot539-220511_0 
lot539-220512_0 lot539-220513_0 
lot539-220514_0 lot539-220515_0 lot539-220516_0 
lot539-220517_0 lot539-220518_0 lot539-220519_0 


Photos Diverses


Lot 19  JOAN COLLINS TWO FRAMED POSTERS
 The first, titled "Marilyn Monroe as Jean Harlow," is from a series of photographs photographer Richard Avedon produced with Marilyn Monroe, signed by Avedon. Other photographs from the series show Monroe dressed as actresses Lillian Russell, Marlene Dietrich, Theda Bara, and Clara Bow. The second, an Erte exhibition poster from 1972.
Larger, 32 by 24 1/4 inches
Winning bid:$640 - Estimate: $200 - $300
lot19-219124_0  lot19-219125_0 


Lot 488 MARILYN MONROE ARCHIVE OF PHOTOGRAPHS BY JOSEPH JASGUR
 An archive of photographs of Marilyn Monroe taken by Joseph Jasgur in 1946. The photographs were taken of a 19-year-old Norma Jeane Dougherty, before she was Marilyn Monroe. Taken in Los Angeles for Blue Book Modeling Agency, these photographs comprise one of Monroe’s first modeling portfolios. It was this portfolio she presented to Ben Lyon, the casting director at 20th Century Fox who signed her to the studio and shortly after changed her name. Jasgur’s images of Norma Jeane Dougherty mark the beginning of her career and offer us a unique glimpse of Marilyn Monroe, before she was Marilyn.
All prints in this lot are from these early photoshoots and are directly from the estate of Joseph Jasgur. Included in the archive are approximately 400 color and black and white later prints, size 11 by 14 inches; approximately 120 black and white gelatin silver prints, size 8 by 10 inches; approximately 10 black and white gelatin silver prints, size 11 by 14 inches; some oversize prints, contact prints, and a wooden camera tripod used by Jasgur. Some prints are signed or stamped by the photographer, others are not. Print dates vary. Condition varies.
Sizes vary
PROVENANCE From the Estate of Joseph Jasgur
Winning bid:$8,320 - Estimate: $600 - $800
lot488-220416_0 


Lot 489  MARILYN MONROE JOSEPH JASGUR NEGATIVE AND COPYRIGHT
 One Joseph Jasgur black and white negative of Marilyn Monroe taken in 1946. Copyrights to this image will be transferred to the winning bidder.
5 by 4 inches
Winning bid:$1,280 - Estimate: $1,000 - $1,500
lot489-220417_0  lot489-220418_0  


Lot 490  MARILYN MONROE JOSEPH JASGUR NEGATIVES AND COPYRIGHT
 Two Joseph Jasgur black and white negatives of Marilyn Monroe taken in 1946. Copyrights to this image will be transferred to the winning bidder. Accompanied by a photograph of the image, printed 2000-2001.
Negatives, 5 by 4 inches; Photograph, 14 by 11 inches
 Winning bid:$384 - Estimate: $1,000 - $2,000
lot490-220420_0  lot490-220421_0 


Lot 491  MARILYN MONROE FAMILY PHOTOGRAPH
 An original vintage black and white photograph of Marilyn Monroe circa 1946, with her half sister Berniece Baker Miracle, her mother Gladys, and her niece Mona Rae. Originally from the collection of Eleanor Goddard.
3 1/2 by 2 1/2 inches
PROVENANCE Lot 84, "Julien's Autumn Sale," Julien's, Las Vegas, October 29, 2005
Winning bid:$875 - Estimate: $400 - $600
lot491-220422_0  lot491-220423_0 


Lot 492  MARILYN MONROE INSCRIBED JIM DOUGHERTY PHOTOGRAPH
 A pair of original vintage photographs of Marilyn Monroe's first husband, Jim Dougherty. The first is a passport style portrait, and the second shows Dougherty sleeping on the beach and is inscribed on the back in Monroe's hand "(zzz.....zzz) Jimmie sound asleep." Originally from the collection of Eleanor Goddard.
Larger, 3 3/4 by 4 3/4 inches
PROVENANCE Lot 80, "Julien's Autumn Sale," Julien's, Las Vegas, October 29, 2005
Winning bid:$750 - Estimate: $400 - $600
lot492-220424_0  lot492-220425_0 


Lot 496  MARILYN MONROE TOM KELLEY SIGNED PHOTOGRAPH
 A large-format nude photograph of Marilyn Monroe printed from an image taken by Tom Kelley in 1949 during his famous photoshoot with Monroe. Numbered 146 of 300 to the lower left and signed by Tom Kelley to the lower right. Includes certificate of authenticity from Mirage Editions.
44 by 36 inches, framed
PROVENANCE From the Collection of James Heeren
 Winning bid:$1,562.50 - Estimate: $1,000 - $2,000
lot496a lot496-220431_0 lot496-220432_0 


Lot 497 MARILYN MONROE HUGH HEFNER SIGNED EARL MORAN PHOTOGRAPH
A black and white photograph of Marilyn Monroe posing topless, originally taken by pin-up artist Earl Moran. Numbered 1 of 75 and signed by Playboy founder Hugh Hefner to the lower left. Embossed with the Playboy Legacy Collection logo to the lower right.
 Winning bid:$6,400 - Estimate: $1,000 - $2,000
lot497-220433_0  
lot497-224723_0  


Lot 498  MARILYN MONROE EARL MORAN PHOTOGRAPH
 A black and white photograph of Marilyn Monroe posing topless, originally taken by pin-up artist Earl Moran. Numbered 5 of 75 to the lower left and embossed with the Playboy Legacy Collection logo to the lower right. Housed in a cloth-bound clamshell box with gilt titling and includes a Playboy certificate of authenticity.
24 by 20 inches
Winning bid:$2,187.50 - Estimate: $1,000 - $2,000
lot498-220434_0 lot498-220435_0 lot498-220436_0  


Lot 499  MARILYN MONROE HUGH HEFNER SIGNED PHOTOGRAPH
 A large-format nude photograph of Marilyn Monroe printed from an image taken by Tom Kelley in 1949. This is the iconic Marilyn pose used in the first issue of Playboy magazine. Numbered 171 of 300 to the lower left and signed by Playboy founder Hugh Hefner to the lower right. Includes certificate of authenticity from Light Signatures.
42 by 34 inches, framed
 Winning bid:$2,187.50 - Estimate: $1,000 - $2,000
lot499-220437_0 lot499-220438_0 


Lot 500  MARILYN MONROE FRANK WORTH PHOTOGRAPH
 A large-format gelatin silver photograph of Marilyn Monroe posing in her dress from the film How to Marry a Millionaire (20th Century Fox, 1953) printed from a negative created by Frank Worth. Numbered 9 of 95 to the lower left and embossed by the Frank Worth Estate. Includes cloth-bound clamshell box with gilt-stamped titling and a certificate of authenticity from the Frank Worth Estate.
25 3/4 by 21 3/4 by 1 3/4 inches
PROVENANCE From the Collection of James Heeren
Winning bid:$768 - Estimate: $800 - $1,200
lot500-220439_0  lot500-220440_0  
lot500-220441_0  lot500-220442_0 


Lot 517  MARILYN MONROE EARL LEAF CONTACT SHEET
 A contact sheet containing eight vintage black and white images of Marilyn Monroe taken by Earl Leaf. They were taken at the home of talent agent Johnny Hyde, where Monroe occasionally lived, on May 17, 1950. The images are attached to a sheet of cardstock with numerous notations, including the date the photographs were taken and Monroe’s name; stamped at the bottom left with the photographer's stamp.
EXHIBITED Etherton Gallery, Tucson, Arizona, "Marilyn Monroe Collection," Number 46
10 by 8 inches
Winning bid:$2,187.50 - Estimate: $800 - $1,200
lot517-220464_0 


Lot 519  MARILYN MONROE ORIGINAL 1954 SLIDES
 A group of 12 original vintage color slides showing Marilyn Monroe entertaining members of the United States military in Korea in 1954. Accompanied by a printed mage of each slide and two additional slides showing other performers that do not include Monroe.
This item sold with copyright but is not sold with copyright documentation. It is the responsibility of the winning bidder to apply for copyright. While the seller confirms that this property is sold with copyright, Julien’s can accept no liability in relation to any matters arising as a result of any imperfection in copyright given .
2 by 2 inches, each
PROVENANCE Lot 135, "Entertainment Memorabilia," Christie's, New York, Sale number 8525, July 19, 2001
Winning bid:$2,240 - Estimate: $4,000 - $6,000
lot519-220466_0  lot519-220467_0 


Lot 520 MARILYN MONROE 1954 NEGATIVES
 A pair of black and white negatives of Marilyn Monroe taken in 1954 while the actress was entertaining troops in Korea on a break from her honeymoon with Joe DiMaggio.
This item is sold with copyright but is not sold with copyright documentation. It is the responsibility of the winning bidder to apply for copyright. While the seller confirms that this property is sold with copyright, Julien’s can accept no liability in relation to any matters arising as a result of any imperfection in copyright given.
Strip of negatives, 4 1/2 by 1 3/8 inches
Winning bid:$768 - Estimate: $1,000 - $2,000 
lot520-220469_0  lot520-220470_0  lot520-220471_0 
lot520-220472_0 


Lot 523  MARILYN MONROE EVE ARNOLD PHOTOGRAPH
 A color photograph of Marilyn Monroe taken by Eve Arnold. The image shows Monroe in a one-piece leopard print swimsuit lying in a marsh, taken circa 1955. The photograph is affixed to a board. Some handwritten markings on verso and stamped “The Kim Goodwin Collection.”
15 1/2 by 19 1/2 inches
Winning bid:$768 - Estimate: $1,000 - $2,000
lot523-220477_0 


Lot 524  MARILYN MONROE AND MARLON BRANDO DIGITAL PRINTS
 A group of eight digital prints of Marilyn Monroe and Marlon Brando taken by Milton Greene in November 1955. The photographs were used to publicize a performance of The Rose Tattoo to benefit The Actors Studio. A paper label is affixed to the back of each image from the Milton H. Greene Collection.
Each, 19 by 13 inches
Winning bid:$1,920 - Estimate: $600 - $800
lot524-220478_0 lot524-220479_0 lot524-220480_0 
lot524-220481_0 lot524-220482_0 
lot524-220483_0 lot524-220484_0 lot524-220485_0 


Lot 526  MARILYN MONROE CECIL BEATON PHOTOGRAPH
 A black and white photograph of Marilyn Monroe taken by Cecil Beaton in 1956. The photograph, from Monroe's personal archive, is mounted to board and contained in a brown folder.
Photograph, 9 by 9 1/4 inches; 16 by 14 1/2 inches, overall
PROVENANCE From the Lost Archive of Marilyn Monroe
Winning bid:$2,187.50 - Estimate: $1,000 - $2,000
lot526-220488_0 


Lot 527  MARILYN MONROE VINTAGE PHOTOGRAPH
 A Marilyn Monroe vintage portrait publicity photograph from her personal collection.
10 by 8 inches
PROVENANCE From the Lost Archive of Marilyn Monroe
Winning bid:$576 - Estimate: $600 - $800
lot527-220489_0 


Lot 528  MARILYN MONROE AND ARTHUR MILLER VINTAGE PHOTOGRAPH
 A Marilyn Monroe and Arthur Miller black and white vintage original photograph. Taken by Paul Schumach at the premiere of Some Like It Hot (USA, 1959). Photographer stamp on verso.
10 by 8 inches
PROVENANCE From the Lost Archive of Marilyn Monroe
Winning bid:$896 - Estimate: $600 - $800
lot528-220490_0 


Lot 530 MARILYN MONROE CANDID PHOTOGRAPHS
 A group of nine vintage candid snapshots of Marilyn Monroe. Eight images are in color and one is black and white. Three of the images show Monroe and husband Arthur Miller at the premiere of Some Like It Hot (UA, 1959). Eight of the nine images were sold together as a lot in a previous Christie's auction.
Largest, 5 1/4 by 3 1/2 inches
PROVENANCE Partial Lot 15, "Entertainment Memorabilia," Christie's, New York, Sale number 8609, November 19, 2001
 Winning bid:$1,250 - Estimate: $1,000 - $2,000
lot530-220493_0 


Lot 540 MARILYN MONROE DOUGLAS KIRKLAND PHOTOGRAPH
 A color photograph of Marilyn Monroe taken by Douglas Kirkland on November 17, 1961, on assignment for Look magazine. Signed by Kirkland and numbered 17/49 at lower right.
20 by 16 inches
Winning bid:$1,920 - Estimate: $600 - $800
lot540-220520_0 
lot540-220521_0 


Lot 541  MARILYN MONROE MILTON GREENE SILKSCREEN PRINT
A limited edition silkscreen print of a Milton Greene photograph of Marilyn Monroe taken during the "Black Sitting" photo session in New York in 1956. Numbered 85/300 and signed by Greene at lower right.
 Winning bid:$750 - Estimate: $600 - $800
lot541-220522_0  
lot541-220523_0  lot541-220524_0  


Lot 542  MARILYN MONROE BILL RAY PHOTOGRAPH
 A black and white photograph of Marilyn Monroe at the May 19, 1962, birthday celebration of President John F. Kennedy, taken by Bill Ray. The photograph is inscribed at the lower margin “To Kim, With Best Wishes, Bill Ray 1982.” Stamped “Kim Goodwin” on verso.
 Winning bid:$640 - Estimate: $1,000 - $2,000
lot542-220525_0 

13 juillet 2015

Hollywood Legends - 06/2015 - Photos


Joseph Jasgur


Lot 865 MARILYN MONROE VINTAGE PHOTOGRAPH BY JOSEPH JASGUR
A vintage black and white image of Marilyn Monroe taken by Joseph Jasgur in 1946. The photograph is blind stamped "Joseph Jasgur/ Hollywood" in the lower right corner. A label with copyright information is affixed to verso. Accompanied by a typed signed letter from Jasgur relating the story of how he met and worked with Monroe.
Winning bid:$5,000 - Estimate: $400 - $600
lot865-202805_0 lot865-202806_0 lot865-202807_0 


Lot 866 MARILYN MONROE BLACK AND WHITE JOSEPH JASGUR PHOTOGRAPH
A black and white image of Marilyn Monroe taken by Joseph Jasgur in 1946, printed later with Jasgur’s approval. Monroe is posed smiling with hand on hip beside a tripod.
Winning bid:$640 - Estimate: $200 - $400
lot866-202808_0 


Lot 867 MARILYN MONROE BLACK AND WHITE JOSEPH JASGUR PHOTOGRAPH
A black and white image of Marilyn Monroe taken by Joseph Jasgur in 1946, printed later with Jasgur’s approval. Monroe is dressed in a plaid shirt and wide cuffed jeans.
Winning bid:$128 - Estimate: $200 - $400
lot867-202809_0 


Lot 868 MARILYN MONROE BLACK AND WHITE JOSEPH JASGUR PHOTOGRAPH
A black and white image of Marilyn Monroe taken by Joseph Jasgur in 1946, printed later with Jasgur's approval. The image shows Monroe in a plaid shirt smiling at the camera.
Winning bid:$192 - Estimate: $200 - $400
lot868-202810_0 


Lot 869 MARILYN MONROE BLACK AND WHITE JOSEPH JASGUR PHOTOGRAPH
A black and white image of Marilyn Monroe taken by Joseph Jasgur in 1946, printed later with Jasgur's approval. The image shows Monroe standing in a plaid shirt with hands on hips.
Winning bid:$192 - Estimate: $200 - $400 
lot869-202811_0 


Lot 870 MARILYN MONROE PHOTOGRAPH BY JOSEPH JASGUR
A black and white photograph of Marilyn Monroe taken by Joseph Jasgur in 1946. Gelatin silver print. Printed by the artist. Artist’s stamp on mount verso.
 Winning bid:$1,280 - Estimate: $600 - $800
lot870-202812_0 


Lot 871 MARILYN MONROE BLACK AND WHITE JOSEPH JASGUR PHOTOGRAPH
A black and white image of Marilyn Monroe taken by Joseph Jasgur in 1946, printed later with Jasgur's approval. The image shows Monroe standing in a plaid shirt with arms crossed.
 Winning bid:$192 - Estimate: $200 - $400
lot871-202813_0 


Lot 872 MARILYN MONROE BLACK AND WHITE JOSEPH JASGUR PHOTOGRAPH
A black and white image of Marilyn Monroe taken by Joseph Jasgur in 1946, printed later with Jasgur’s approval.
 Winning bid:$128 - Estimate: $200 - $400
lot872-202814_0 


Lot 873 MARILYN MONROE BLACK AND WHITE JOSEPH JASGUR PHOTOGRAPH
A black and white image of Marilyn Monroe taken by Joseph Jasgur in 1946, printed later with Jasgur’s approval. Monroe is posed smiling with a lens set on a tripod.
 Winning bid:$128 - Estimate: $200 - $400
lot873-202815_0 


Lot 874 MARILYN MONROE BLACK AND WHITE JOSEPH JASGUR PHOTOGRAPH
A black and white image of Marilyn Monroe taken by Joseph Jasgur in 1946, printed later with Jasgur’s approval. In the image, Monroe is holding the photographer's 4 by 5 Graflex camera.
Winning bid:$75 - Estimate: $200 - $400
lot874-202816_0  


Lot 875 MARILYN MONROE BLACK AND WHITE JOSEPH JASGUR PHOTOGRAPH
 A black and white portrait image of Marilyn Monroe taken by Joseph Jasgur in 1946 on a Hollywood rooftop, printed later with Jasgur's approval.
Winning bid:$256 - Estimate: $200 - $400
lot875-202817_0 


Lot 876 MARILYN MONROE JOSEPH JASGUR NEGATIVE AND COPYRIGHT
 A Joseph Jasgur black and white negative of Marilyn Monroe taken in 1946. Copyrights to this image will be transferred to the winning bidder. Accompanied by a photograph of the image, printed 2000–2001. Signed in ink lower right.
 Winning bid:$5,625 - Estimate: $1,000 - $2,000
lot876-202818_0 lot876-202819_0 


Lot 877 MARILYN MONROE PHOTOGRAPHS BY JOSEPH JASGUR
Two black and white photographs of Marilyn Monroe taken by Joseph Jasgur in 1946. Gelatin silver prints. Printed by the artist. Each with artist’s stamp on mount verso.
 Winning bid:$384 - Estimate: $600 - $800
lot877-202820_0 lot877-202821_0 


Lot 878 MARILYN MONROE PHOTOGRAPH BY JOSEPH JASGUR
A black and white photograph of Marilyn Monroe taken by Joseph Jasgur in 1946 with infrared film. Gelatin silver print. Printed by the artist. Artist’s copyright sticker on mount verso.
Winning bid:$896 - Estimate: $600 - $800
lot878-202822_0 


Lot 879 MARILYN MONROE BLACK AND WHITE JOSEPH JASGUR PHOTOGRAPH
A black and white image of Marilyn Monroe taken by Joseph Jasgur in 1946 on a Hollywood rooftop, printed later with Jasgur's approval.
Winning bid:$192 - Estimate: $200 - $400
lot879-202823_0 


Lot 880 MARILYN MONROE BLACK AND WHITE JOSEPH JASGUR PHOTOGRAPH
A black and white portrait image of Marilyn Monroe taken by Joseph Jasgur in 1946 in Hollywood, printed later with Jasgur's approval.
 Winning bid:$192 - Estimate: $200 - $400
lot880-202824_0 


Lot 881 MARILYN MONROE BLACK AND WHITE JOSEPH JASGUR PHOTOGRAPH
A black and white image of Marilyn Monroe taken by Joseph Jasgur in 1946, printed later with Jasgur's approval. Monroe was 19 when this photograph was taken.
 Winning bid:$128 - Estimate: $200 - $400
lot881-202825_0 


Lot 882  MARILYN MONROE BLACK AND WHITE JOSEPH JASGUR PHOTOGRAPH
A black and white image of Marilyn Monroe taken by Joseph Jasgur in 1946, printed later with Jasgur's approval. The image shows Monroe standing on the roof of a Hollywood building.
Winning bid:$75 - Estimate: $200 - $400
lot882-202826_0 


Lot 883 MARILYN MONROE BLACK AND WHITE JOSEPH JASGUR PHOTOGRAPH
A black and white image of Marilyn Monroe taken by Joseph Jasgur in 1946 on a Hollywood rooftop, printed later with Jasgur's approval.
 Winning bid:$192 - Estimate: $200 - $400
lot883-202827_0 


Lot 884 MARILYN MONROE BLACK AND WHITE JOSEPH JASGUR PHOTOGRAPH
A black and white image of Marilyn Monroe taken by Joseph Jasgur in 1946, printed later with Jasgur's approval. In the image, Monroe is smiling to the camera after applying lipstick.
 Winning bid:$192 - Estimate: $200 - $400
lot884-202828_0  


Lot 885 MARILYN MONROE BLACK AND WHITE JOSEPH JASGUR PHOTOGRAPH
A black and white portrait image of Marilyn Monroe taken by Joseph Jasgur in 1946 in Hollywood, printed later with Jasgur's approval.
 Winning bid:$192 - Estimate: $200 - $400
lot885-202829_0 


Lot 886 MARILYN MONROE JOSEPH JASGUR COLOR PHOTOGRAPH
A color image of Marilyn Monroe taken by Joseph Jasgur in 1946 in Hollywood, printed later. Numbered 51/55 and printed with Jasgur's approval.
Winning bid:$320 - Estimate: $200 - $400
lot886-202830_0 


Lot 887 MARILYN MONROE BLACK AND WHITE JOSEPH JASGUR PHOTOGRAPH
A black and white image of Marilyn Monroe taken by Joseph Jasgur in 1946 on a Hollywood rooftop, printed later with Jasgur's approval. In the image, a man appears to be about to push Monroe off the side of the roof.
Winning bid:$75 - Estimate: $200 - $400
lot887-202831_0 


Lot 888 MARILYN MONROE BLACK AND WHITE JOSEPH JASGUR PHOTOGRAPH
 A black and white image of Marilyn Monroe taken by Joseph Jasgur in 1946 on a Hollywood rooftop, printed later with Jasgur's approval.
Winning bid:$75 - Estimate: $200 - $400
lot888-202832_0 


Lot 889  MARILYN MONROE BLACK AND WHITE JOSEPH JASGUR PHOTOGRAPH
A black and white image of Marilyn Monroe taken by Joseph Jasgur in 1946, printed later with Jasgur’s approval. In the image, Monroe is wearing a white two-piece bathing suit.
 Winning bid:$320 - Estimate: $200 - $400
lot889-202833_0 


Lot 890 MARILYN MONROE JOSEPH JASGUR COLOR PHOTOGRAPH
A color image of Marilyn Monroe taken by Joseph Jasgur in 1946 in Hollywood, printed later. The image shows Monroe standing on top of a building with blue sky as the background. Numbered 51/55 and printed with Jasgur's approval.
Winning bid:$128 - Estimate: $200 - $400
lot890-202834_0 


Lot 891  MARILYN MONROE BLACK AND WHITE JOSEPH JASGUR PHOTOGRAPH
A black and white image of Marilyn Monroe taken by Joseph Jasgur in 1946, printed later with Jasgur's approval. The image shows Monroe standing on the roof of a Hollywood building.
 Winning bid:$128 - Estimate: $200 - $400
lot891-202835_0 


Lot 892  MARILYN MONROE JOSEPH JASGUR NEGATIVE AND COPYRIGHT
 A vintage black and white negative of Marilyn Monroe taken by Joseph Jasgur in 1946, accompanied by a print of the image printed in 2000-2001. Copyright to the image will be transferred to the winning bidder.
While the seller confirms that this property is sold with copyright, Julien’s can accept no liability in relation to any matters arising as a result of any imperfection in copyright given.
Negative, approximately 2 1/2 by 2 3/8 inches; Photograph, 8 by 6 inches
PROVENANCE Partial Lot 539, "Icons & Idols: Hollywood," Julien's, Beverly Hills, December 1-2, 2011
Winning bid:$1,250 - Estimate: $2,000 - $3,000
lot892-202836_0 lot892-202837_0 lot892-202838_0 


Lot 893  MARILYN MONROE PHOTOGRAPHS BY JOSEPH JASGUR
Two black and white photographs of Marilyn Monroe taken by Joseph Jasgur in 1946. Gelatin silver prints, with artist's stamp on mount verso with 1987 copyright stamps.
Winning bid:$384 - Estimate: $600 - $800
lot893-202839_0  lot893-202840_0 


Lot 894 MARILYN MONROE PHOTOGRAPHS BY JOSEPH JASGUR
 Three black and white photographs of Marilyn Monroe taken by Joseph Jasgur in 1946. Prints are cropped from other images. Gelatin silver prints. Printed by the artist. The artist’s blind stamp is at lower right on each print; artist’s stamp on mount versos.
 Winning bid:$562.50 - Estimate: $600 - $800
lot894-202841_0 lot894-202842_0 lot894-202843_0 


Lot 895  MARILYN MONROE BLACK AND WHITE JOSEPH JASGUR PHOTOGRAPH
A black and white image of Marilyn Monroe taken by Joseph Jasgur in 1946, printed later with Jasgur’s approval. The image was taken during a session at Zuma Beach.
Winning bid:$128 - Estimate: $200 - $400
lot895-202844_0 


Lot 896  MARILYN MONROE BLACK AND WHITE JOSEPH JASGUR PHOTOGRAPH
A black and white image of Marilyn Monroe taken by Joseph Jasgur in 1946, printed later with Jasgur’s approval. This photograph of Monroe comes from a session at Zuma Beach.
Winning bid:$75 - Estimate: $200 - $400
lot896-202845_0 


Lot 897  MARILYN MONROE BLACK AND WHITE JOSEPH JASGUR PHOTOGRAPH
A black and white image of Marilyn Monroe taken by Joseph Jasgur in 1946, printed later with Jasgur’s approval. In the image, Monroe is sitting on the beach beside a heart she drew in the sand.
 Winning bid:$192 - Estimate: $200 - $400
lot897-202846_0 


Lot 898  MARILYN MONROE BLACK AND WHITE JOSEPH JASGUR PHOTOGRAPH
A black and white image of Marilyn Monroe taken by Joseph Jasgur in 1946, printed later with Jasgur’s approval. The image shows Monroe at Zuma Beach in a blue and white two-piece bathing suit.
 Winning bid:$256 - Estimate: $200 - $400
lot898-202847_0 


Lot 899 MARILYN MONROE JOSEPH JASGUR COLOR PHOTOGRAPH
A color image of Marilyn Monroe taken by Joseph Jasgur in 1946, printed later. The image shows Monroe at Zuma Beach with two other models. Monroe is wearing a blue and white two-piece, while her fellow models are dressed in early 20th century bathing costumes. Numbered 51/55 and printed with Jasgur's approval.
 Winning bid:$192 - Estimate: $200 - $400
lot899-202848_0 


Lot 900  MARILYN MONROE BLACK AND WHITE JOSEPH JASGUR PHOTOGRAPH
A black and white photograph of Marilyn Monroe taken by Joseph Jasgur in 1946, printed later. The image shows Monroe at Zuma Beach with two other models. Monroe is wearing a two-piece bathing suit, while her fellow models are dressed in early 20th century bathing costumes.
Winning bid:$75 - Estimate: $200 - $400
lot900-202849_0 


Lot 901  MARILYN MONROE BLACK AND WHITE JOSEPH JASGUR PHOTOGRAPH
 A black and white image of Marilyn Monroe taken by Joseph Jasgur in 1946, printed later with Jasgur’s approval. This photograph shows Monroe with several other models during a session at Zuma Beach.
Winning bid:$75 - Estimate: $200 - $400
lot901-202850_0 


Lot 902  MARILYN MONROE JOSEPH JASGUR COLOR PHOTOGRAPH
A color image of Marilyn Monroe taken by Joseph Jasgur in 1946 at Zuma Beach, printed later. The image shows Monroe standing on the beach in a striped bathing suit. Numbered 51/55 and printed with Jasgur's approval.
Winning bid:$128 - Estimate: $200 - $400
lot902-202851_0 


Lot 903  MARILYN MONROE JOSEPH JASGUR COLOR PHOTOGRAPH
A color image of Marilyn Monroe taken by Joseph Jasgur in 1946, printed later. The image shows Monroe on a beach in a striped bathing suit. Numbered 51/55 and printed with Jasgur's approval.
Winning bid:$256 - Estimate: $200 - $400
lot903-202852_0 


Lot 904  MARILYN MONROE JOSEPH JASGUR COLOR PHOTOGRAPH
A color image of Marilyn Monroe taken by Joseph Jasgur in 1946, printed later. The image shows Monroe on a beach in a striped bathing suit. Numbered 51/55 and printed with Jasgur's approval.
 Winning bid:$192 - Estimate: $200 - $400
lot904-202853_0 


Lot 905 MARILYN MONROE BLACK AND WHITE JOSEPH JASGUR PHOTOGRAPH
A black and white image of Marilyn Monroe taken by Joseph Jasgur in 1946, printed later with Jasgur’s approval. In the image, Monroe is wearing a striped two-piece bathing suit and looking through a lens on the beach.
Winning bid:$128 - Estimate: $200 - $400
lot905-202854_0 


Lot 906  MARILYN MONROE BLACK AND WHITE JOSEPH JASGUR PHOTOGRAPH
A black and white image of Marilyn Monroe taken by Joseph Jasgur in 1946, printed later with Jasgur’s approval. In the image, Monroe is looking through a lens on the beach.
Winning bid:$128 - Estimate: $200 - $400
lot906-202855_0 


Andre De Dienes


Lot 907  MARILYN MONROE VINTAGE PHOTOGRAPH BY ANDRE de DIENES
A black and white silver gelatin print of Marilyn Monroe taken by Andre de Dienes in 1945. Hand printed by de Dienes on double-weight paper and stamped by the photographer on verso. A handwritten notation on verso reads "16/16 Given to Clark Lewis Shirley de Dienes 11-18-86." Accompanied by a certificate of authenticity from OneWest Publishing.
Winning bid:$512 - Estimate: $600 - $800 
lot907-202856_0 lot907-202857_0 


Lot 908  MARILYN MONROE VINTAGE PHOTOGRAPH BY ANDRE de DIENES
A black and white silver gelatin print of Marilyn Monroe taken by Andre de Dienes in 1945. The image is of Monroe with her feet in the water. Hand printed by de Dienes on double-weight paper and stamped by the photographer on verso. Accompanied by a certificate of authenticity from OneWest Publishing.
Winning bid:$562.50 - Estimate: $600 - $800
lot908-202858_0 lot908-202859_0


Lot 909  MARILYN MONROE VINTAGE PHOTOGRAPH BY ANDRE de DIENES
A black and white silver gelatin print of Marilyn Monroe taken by Andre de Dienes in 1945. The image is of Monroe sitting at a fountain. Hand printed by de Dienes on double-weight paper and stamped by the photographer on verso. Accompanied by a certificate of authenticity from OneWest Publishing.
 Winning bid:$512 - Estimate: $600 - $800
lot909-202860_0 lot909-202861_0 


Lot 910  MARILYN MONROE VINTAGE PHOTOGRAPH BY ANDRE de DIENES
A black and white silver gelatin print of Marilyn Monroe taken by Andre de Dienes in 1945. The image is of Monroe on the beach with her hair braided. Hand printed by de Dienes on double-weight paper and stamped by the photographer on verso. Accompanied by a certificate of authenticity from OneWest Publishing.
Winning bid:$1,280 - Estimate: $600 - $800
lot910-202862_0  lot910-202863_0  


Lot 911  MARILYN MONROE VINTAGE PHOTOGRAPH BY ANDRE de DIENES
A black and white silver gelatin print of Marilyn Monroe taken by Andre de Dienes in 1949. In the image, Monroe is holding her hands together as if in prayer. Hand printed by de Dienes on double-weight paper and hand stamped by the photographer on verso. Accompanied by a certificate of authenticity from OneWest Publishing.
Winning bid:$1,920 - Estimate: $800 - $1,200
lot911-202864_0 lot911-202865_0 


Lot 912  MARILYN MONROE VINTAGE PHOTOGRAPH BY ANDRE de DIENES
A black and white silver gelatin print of Marilyn Monroe taken by Andre de Dienes in 1949. The image is of Monroe playing on the beach. Hand printed by de Dienes on double-weight paper and stamped by the photographer on verso. Accompanied by a certificate of authenticity from OneWest Publishing.
 Winning bid:$384 - Estimate: $600 - $800
lot912-202866_0 lot912-202867_0 


Lot 913  MARILYN MONROE VINTAGE PHOTOGRAPH BY ANDRE de DIENES
A black and white silver gelatin print of Marilyn Monroe taken by Andre de Dienes in 1949. The image is of Monroe playing on the beach. Hand printed by de Dienes on double-weight paper and stamped by the photographer on verso. Accompanied by a certificate of authenticity from OneWest Publishing.
Winning bid:$2,240 - Estimate: $600 - $800
lot913-202868_0  lot913-202869_0 


Lot 914  MARILYN MONROE VINTAGE PHOTOGRAPH BY ANDRE de DIENES
 A black and white silver gelatin print of Marilyn Monroe taken by Andre de Dienes in 1949. Hand printed by de Dienes on double-weight paper and stamped by the photographer on verso. Accompanied by a certificate of authenticity from OneWest Publishing.
Winning bid:$1,152 - Estimate: $600 - $800
lot914-202870_0  lot914-202871_0 


Lot 915  MARILYN MONROE VINTAGE PHOTOGRAPH BY ANDRE de DIENES
A black and white silver gelatin print of Marilyn Monroe taken by Andre de Dienes in 1949. The image is of Monroe playing on the beach. Hand printed by de Dienes on double-weight paper and stamped by the photographer on verso. Accompanied by a certificate of authenticity from OneWest Publishing.
 Winning bid:$1,280 - Estimate: $600 - $800
lot915-202872_0  lot915-202873_0 


Lot 916  MARILYN MONROE VINTAGE PHOTOGRAPH BY ANDRE de DIENES
A black and white silver gelatin print of Marilyn Monroe taken by Andre de Dienes in 1949. The image is of Monroe playing with an umbrella on the beach. Hand printed by de Dienes on double-weight paper and stamped by the photographer on verso. Accompanied by a certificate of authenticity from OneWest Publishing.
Winning bid:$1,024  - Estimate: $600 - $800
lot916-202874_0  lot916-202875_0 


Lot 917  MARILYN MONROE VINTAGE PHOTOGRAPH BY ANDRE de DIENES
A black and white silver gelatin print of Marilyn Monroe taken by Andre de Dienes in 1949. Hand printed by de Dienes on double-weight paper and stamped by the photographer on verso. A handwritten notation on verso reads "5/16 Given to Clark Lewis Shirley de Dienes 11-18-86." Accompanied by a certificate of authenticity from OneWest Publishing.
Winning bid:$1,600  - Estimate: $600 - $800
lot917-202876_0  lot917-202877_0 


Lot 918 MARILYN MONROE VINTAGE PHOTOGRAPH BY ANDRE de DIENES
A black and white silver gelatin print of Marilyn Monroe taken by Andre de Dienes in 1949, with number 2/6 printed on the bottom left and 1949 A.D. on the bottom right. Hand printed by de Dienes on double-weight paper and stamped by the photographer on verso. Accompanied by a certificate of authenticity from OneWest Publishing.
Winning bid:$1,600 - Estimate: $600 - $800
lot918-202878_0  lot918-202879_0 


Lot 919  MARILYN MONROE VINTAGE PHOTOGRAPH BY ANDRE de DIENES
A black and white silver gelatin print of Marilyn Monroe taken by Andre de Dienes in 1949. Hand printed by de Dienes on double-weight paper and stamped by the photographer on verso. Accompanied by a certificate of authenticity from OneWest Publishing.
 Winning bid:$1,600 - Estimate: $600 - $800
lot919-202880_0  lot919-202881_0 


Lot 920  MARILYN MONROE PHOTOGRAPHS BY ANDRE DE DIENES
Two black and white double-exposure photographs of Marilyn Monroe (circa 1946), both having photographer’s stamp on verso. Approximately 11 by 14 inches each. Reference: Similar photographs from this session can be seen on pages 210-232 of de Dienes’ book Marilyn (Taschen, 2002). De Dienes met 19-year-old aspiring model Norma Jeane Dougherty in 1945 after requesting a model from her agents at Blue Book Modeling for a then upcoming project. They immediately bonded and traveled together through the western states to capture Norma Jeane in various natural settings. During that trip, they became romantically involved and were briefly engaged. After their romance ended amicably, de Dienes continued to photograph Norma Jeane and well into her career as Marilyn Monroe. The chemistry between the two was undeniable; his work captured some of the finest images of the star. Many of the photographs can be seen in his book titled Andre de Dienes / Marilyn (Taschen, 2002).
Winning bid:$512 - Estimate: $1,000 - $2,000
lot920-202882_0 


Lot 921  MARILYN MONROE VINTAGE PHOTOGRAPH BY ANDRE de DIENES
A black and white silver gelatin print of Marilyn Monroe taken by Andre de Dienes in 1953. The image is of Monroe reading on an armchair. Hand printed by de Dienes on double-weight paper and stamped by the photographer on verso. Accompanied by a certificate of authenticity from OneWest Publishing.
Winning bid:$2,812.50 - Estimate: $600 - $800
lot921-202883_0  lot921-202884_0 


Lot 922 MARILYN MONROE VINTAGE PHOTOGRAPH BY ANDRE de DIENES
A black and white silver gelatin print of Marilyn Monroe taken by Andre de Dienes in 1953. The image is of Monroe in the middle of her workout. Hand printed by de Dienes on double-weight paper and stamped by the photographer on verso. Accompanied by a certificate of authenticity from OneWest Publishing.
Winning bid:$1,024 - Estimate: $600 - $800
lot922-202885_0  lot922-202886_0 


Harol Lloyd


Lot 940 MARILYN MONROE PHOTOGRAPH BY HAROLD LLOYD (AMERICAN, 1893-1971)
A color photograph of Marilyn Monroe taken by Harold Lloyd at his estate titled “Poolside at Green Acres.” Crystal archive print, number 2/25, Harold Lloyd Trust blind stamp in lower right corner. The photograph was taken circa 1952, printed in 2006 by the estate of Harold Lloyd, and is accompanied by a certificate of authenticity.
 unsold - Estimate: $800 - $1,200
lot940-202917_0  lot940-202918_0 


Lot 941 MARILYN MONROE PHOTOGRAPH BY HAROLD LLOYD (AMERICAN, (1893-1971)
A color photograph of Marilyn Monroe taken by Harold Lloyd titled “Love Songs.” Crystal archive print, number 2/25, Harold Lloyd Trust blind stamp in lower right corner. The photograph was taken circa 1952 at Monroe’s Beverly Hills apartment, printed in 2008 by the estate of Harold Lloyd, and is accompanied by a certificate of authenticity.
Winning bid:$1,000 - Estimate: $800 - $1,200
lot941-202919_0  lot941-202920_0  


Lot 942 MARILYN MONROE PHOTOGRAPH BY HAROLD LLOYD (AMERICAN, 1893-1971)
A color photograph of Marilyn Monroe taken by Harold Lloyd titled “Pretty in Pink.” Crystal archive print, number 4/25, Harold Lloyd Trust blind stamp in lower right corner. The photograph was taken circa 1952 at Monroe’s Beverly Hills apartment, printed in 2005 by the estate of Harold Lloyd, and is accompanied by a certificate of authenticity.
 Winning bid:$1,000 - Estimate: $800 - $1,200
lot942-202921_0  lot942-202922_0 


Lot 943 MARILYN MONROE PHOTOGRAPH BY HAROLD LLOYD (AMERICAN, 1893-1971)
A color photograph of Marilyn Monroe taken by Harold Lloyd titled “The Set-up.” Crystal archive print, number 2/25, Harold Lloyd Trust blind stamp in lower right corner. The photograph was taken circa 1952 during a photoshoot with Lloyd’s friend and fellow photographer Philippe Halsman at Monroe’s Beverly Hills apartment. Printed in 2005 by the estate of Harold Lloyd and accompanied by a certificate of authenticity.
 Winning bid:$1,000 - Estimate: $800 - $1,200
lot943-202923_0  lot943-202924_0  


 Lot 944  MARILYN MONROE PHOTOGRAPH BY HAROLD LLOYD (AMERICAN, 1893-1971)
A color photograph of Marilyn Monroe taken by Harold Lloyd titled “Life Goddess.” Crystal archive print, number 5/25, Harold Lloyd Trust blind stamp in lower right corner. The photograph was taken circa 1952 during a photoshoot with Lloyd’s friend and fellow photographer Philippe Halsman at Monroe’s Beverly Hills apartment. Halsman’s similar photograph of Monroe in a similar pose appeared on the cover of LIFE magazine. Printed in 2005 by the estate of Harold Lloyd and accompanied by a certificate of authenticity.
 Winning bid:$1,024 - Estimate: $800 - $1,200 
lot944-202925_0 lot944-202926_0 


Bruno Bernard


Lot 960: MARILYN MONROE BERNARD OF HOLLYWOOD PHOTOGRAPH
 A limited edition large-format color photograph of Marilyn Monroe covering her hair with a rainbow-striped towel. Taken at the Palm Springs Racquet Club during the same trip during which Monroe met Johnny Hyde, vice president of the William Morris Agency, an encounter that led to a seven-year contract with Fox Studios. Numbered 8/90 and signed by the Estate of Bruno Bernard to the lower margin.
PROVENANCE From the Estate of Bruno Bernard
 Winning bid:$3,840 - Estimate: $3,000 - $5,000
lot960-202956_0  


Lot 961: MARILYN MONROE BERNARD OF HOLLYWOOD PHOTOGRAPH
 A limited edition large-format color photograph of Marilyn Monroe kneeling poolside in a bathing suit bandaging a dog's paw. Numbered 6/90 and signed by the Estate of Bruno Bernard to the lower margin.
PROVENANCE From the Estate of Bruno Bernard
 unsold - Estimate: $3,000 - $5,000 
lot961-202957_0  


Lot 962: MARILYN MONROE BERNARD OF HOLLYWOOD PHOTOGRAPH
 A limited edition large format color photograph of Marilyn Monroe in a blue swimsuit lying on a diving board. Taken at the Palm Springs Racquet Club during the same trip during which Monroe met Johnny Hyde, the vice president of the William Morris Agency, an encounter which led to a seven-year contract with Fox Studios. Numbered 2/50 and signed by the Estate of Bruno Bernard to the lower margin.
PROVENANCE From the Estate of Bruno Bernard
Winning bid:$4,160 - Estimate: $3,000 - $4,500 
lot962-202958_0  


Lot 963: MARILYN MONROE BERNARD OF HOLLYWOOD PHOTOGRAPH
 A limited edition large-format color photograph of Marilyn Monroe in a blue swimsuit standing on a diving board. Taken at the Palm Springs Racquet Club during the same trip when Monroe met Johnny Hyde, vice president of the William Morris Agency, an encounter that led to a seven-year contract with Fox Studios. Numbered 3/50 and signed by the estate of Bruno Bernard to the lower margin.
PROVENANCE From the Estate of Bruno Bernard
unsold - Estimate: $3,000 - $4,500
lot963-202959_0  


Lot 964: MARILYN MONROE BERNARD OF HOLLYWOOD PHOTOGRAPH
 A limited edition extra-large-format color photograph of Marilyn Monroe lounging in the screening room at 20th Century Fox while wearing her iconic white dress from the film The Seven Year Itch (Feldman Group, 1955). Numbered 5/50 and signed by the Estate of Bruno Bernard to the lower margin.
PROVENANCE From the Estate of Bruno Bernard
Winning bid:$4,160 - Estimate: $3,000 - $5,000
lot964-202960_0  


Lot 965: MARILYN MONROE BERNARD OF HOLLYWOOD PHOTOGRAPH
 A limited edition large-format color photograph of Marilyn Monroe receiving makeup from "Whitey" Snyder. Monroe is wearing her iconic white dress from the film The Seven Year Itch (Feldman Group, 1955). Numbered 6/90 and signed by the Estate of Bruno Bernard to the lower margin.
PROVENANCE From the Estate of Bruno Bernard
Winning bid:$4,375 - Estimate: $3,000 - $5,000 
lot965-202961_0 


Lot 966: MARILYN MONROE BERNARD OF HOLLYWOOD PHOTOGRAPH
 A vintage gelatin silver photograph of Marilyn Monroe taken in 1946 around the same time that she changed her name from Norma Jeane. Signed in pencil on the verso "Bernard of Hollywood" by photographer Bruno Bernard.
PROVENANCE From the Estate of Bruno Bernard
Winning bid:$7,500 - Estimate: $6,000 - $8,000
lot966-202962_0  


Lot 967: MARILYN MONROE BERNARD OF HOLLYWOOD PHOTOGRAPH
 A vintage gelatin silver photograph of Marilyn Monroe wiping her tears. Taken on the same day Monroe announced to the press that she and husband Joe DiMaggio would divorce. Signed in pencil on the verso "Bernard of Hollywood" by photographer Bruno Bernard.
PROVENANCE From the Estate of Bruno Bernard
Winning bid:$6,400 - Estimate: $5,000 - $7,000 
lot967-202963_0  


Lot 968: MARILYN MONROE BERNARD OF HOLLYWOOD PHOTOGRAPH
 A limited edition large-format gelatin silver photograph of Marilyn Monroe smiling while at a party thrown in her honor by bandleader Ray Anthony. Numbered 8/90 and signed from the Estate of Bruno Bernard to the lower margin.
PROVENANCE From the Estate of Bruno Bernard
Winning bid:$3,520 - Estimate: $2,000 - $4,000
lot968-202964_0  


Lot 969: MARILYN MONROE BERNARD OF HOLLYWOOD PHOTOGRAPH
 A vintage gelatin silver photograph of Marilyn Monroe standing above a subway grate with her white dress billowing upward. The image, from her most iconic series of photographs, shows Monroe posed in costume for her role as "The Girl" in The Seven Year Itch (Feldman Group, 1955). Signed in pencil on the verso "Bernard of Hollywood" by photographer Bruno Bernard.
PROVENANCE From the Estate of Bruno Bernard
Winning bid:$40,625 - Estimate: $10,000 - $20,000
lot969-202965_0 


 Bus Stop


Lot 975: MARILYN MONROE BUS STOP NEGATIVES AND COPYRIGHTS
 A group of four vintage Marilyn Monroe negatives taken by Milton Greene on the set of of Bus Stop (20th Century, 1956). The black and white images show Monroe and co-star Don Murray in a bedroom. Murray has been quoted as saying that Monroe was nude under the sheets because she felt that was what her character would do. Kodak Safety Film negatives, accompanied by copyrights to the images.
While the seller confirms that this property is sold with copyright, Julien’s can accept no liability in relation to any matters arising as a result of any imperfection in copyright given.
 Winning bid:$4,160 - Estimate: $1,500 - $2,500
lot975-202972_0  lot975-202973_0 


Lot 976: MARILYN MONROE BUS STOP NEGATIVES AND COPYRIGHTS
 A group of three vintage Marilyn Monroe negatives taken by Milton Greene on the set of of Bus Stop (20th Century, 1956). The black and white images show Monroe on a bus. Kodak Safety Film negatives, accompanied by copyrights to the image.
While the seller confirms that this property is sold with copyright, Julien’s can accept no liability in relation to any matters arising as a result of any imperfection in copyright given.
 Winning bid:$640 - Estimate: $1,000 - $2,000
lot976-202974_0  lot976-202975_0 


Lot 977: MARILYN MONROE MILTON GREENE NEGATIVE AND COPYRIGHT
 A vintage black and white negative of Marilyn Monroe taken by Milton Greene on the set of Bus Stop (20th Century, 1956).  The image shows Monroe in costume as her character, Chérie posing with the children of her co-star, Eileen Heckart. Kodak Safety Film negative, accompanied by copyright to the image.
While the seller confirms that this property is sold with copyright, Julien’s can accept no liability in relation to any matters arising as a result of any imperfection in copyright given.
Winning bid:$1,250 - Estimate: $800 - $1,200
lot977-202976_0  lot977-202977_0  


Lot 978: MARILYN MONROE BUS STOP NEGATIVES AND COPYRIGHTS
 A group of six vintage Marilyn Monroe negatives taken by Milton Greene on the set of Bus Stop (20th Century, 1956). The black and white images show Monroe, co-star Don Murray and others on set during filming. Accompanied by copyrights to the images.
While the seller confirms that this property is sold with copyright, Julien’s can accept no liability in relation to any matters arising as a result of any imperfection in copyright given.
 unsold - Estimate: $1,000 - $2,000
lot978-202978_0 lot978-202979_0 


Lot 979: MARILYN MONROE BUS STOP NEGATIVES AND COPYRIGHTS
A group of three vintage Marilyn Monroe negatives taken by Milton Greene on the set of Bus Stop (20th Century, 1956). The black and white images show Monroe in a scene on a bus. Kodak Safety Film negatives, accompanied by copyrights to the images.
While the seller confirms that this property is sold with copyright, Julien’s can accept no liability in relation to any matters arising as a result of any imperfection in copyright given.
 Winning bid:$768 - Estimate: $1,000 - $2,000
lot979-202980_0  lot979-202981_0 


Lot 980: MARILYN MONROE VINTAGE BUS STOP PUBLICITY PHOTOGRAPH
A vintage black and white publicity photograph of Marilyn Monroe taken by Milton Greene. The photograph shows Monroe in her role as Chérie in the film Bus Stop (20th Century, 1956). Notations in pencil on verso and stamped “Aug 20 1956.”
Winning bid:$576 - Estimate: $800 - $1,200 
lot980-202982_0  


Lot 981: MARILYN MONROE VINTAGE BUS STOP PUBLICITY PHOTOGRAPH
A vintage black and white publicity photograph of Marilyn Monroe taken by Milton Greene. The photograph shows Monroe in her role as Chérie in the film Bus Stop (20th Century, 1956). Notations in pencil on verso.
 Winning bid:$512 - Estimate: $800 - $1,200
lot981-202983_0 


  The Misfits


Lot 1015: MARILYN MONROE PHOTOGRAPH ON THE SET OF THE MISFITS
A vintage black and white of Marilyn Monroe with Manfred Kreiner on the set of The Misfits (Seven Arts, 1961). A stamp on verso reads “Revue/ New York Office/ Freifoto” with additional notation written in pencil in an unknown hand.
 Winning bid:$512 - Estimate: $600 - $800 
lot1015-203047_0 


Lot 1016: THE MISFITS NEGATIVES AND COPYRIGHTS
 A group of five negatives taken on the set of The Misfits (Seven Arts, 1961). The Misfits , written by Marilyn Monroe's then husband, Arthur Miller, was directed by John Huston and starred Monroe, Clark Gable, and Montgomery Clift. It was the final completed film appearance for both Gable and Monroe. The photographs offered here were taken on the Nevada set of the film by Thomas Kaminski. Together with contact prints of the negatives. Rights to these images will be transferred to the winning bidder.
While the seller confirms that this property is sold with copyright, Julien’s can accept no liability in relation to any matters arising as a result of any imperfection in copyright given.
Winning bid:$512 - Estimate: $800 - $1,200
lot1016-203048_0  lot1016-203049_0 


Lot 1017THE MISFITS NEGATIVES AND COPYRIGHTS
A group of five negatives taken on the set of The Misfits (Seven Arts, 1961). The Misfits , written by Marilyn Monroe's then husband, Arthur Miller, was directed by John Huston and starred Monroe, Clark Gable, and Montgomery Clift. It was the final completed film appearance for both Gable and Monroe. The photographs offered here were taken on the Nevada set of the film by Thomas Kaminski. Together with four contact prints of the negatives. Rights to these images will be transferred to the winning bidder.
While the seller confirms that this property is sold with copyright, Julien’s can accept no liability in relation to any matters arising as a result of any imperfection in copyright given.
 Winning bid:$ 512 - Estimate: $800 - $1,000
lot1017-203050_0 lot1017-203051_0 
lot1017-203052_0  lot1017-203053_0 


Lot 1018: CLARK GABLE PHOTOGRAPH BY EVE ARNOLD
A vintage black and white photograph of Clark Gable taken on the set of The Misfits (Seven Arts, 1961) by Eve Arnold. The image has red grease pencil markings for an unknown purpose. An Eve Arnold copyright stamp is on verso with an additional archive stamp.
Winning bid:$320 - Estimate: $400 - $600
lot1018-203054_0 


Lot 1019: MARILYN MONROE AND CLARK GABLE PHOTOGRAPH BY CORNELL CAPA
A vintage black and white image of Marilyn Monroe and Clark Gable on the set of The Misfits (Seven Arts, 1961) taken by Cornell Capa. A red grease pencil line is on the image for an unknown purpose. A Cornell Capa copyright stamp is on verso with multiple handwritten notations.
Winning bid:$768 - Estimate: $400 - $800
lot1019-203055_0  


Lot 1020: CLARK GABLE THE MISFITS SCRIPT & SIGNED PHOTOGRAPH
A Clark Gable photograph inscribed “To Arthur Jr./ Best of luck always/ Clark Gable.” The vintage black and white image shows Gable in his final role as Gay Langland in The Misfits (Seven Arts, 1961). Together with a Misfits script. Both were given to Arthur Rosson Jr. on the last day of filming The Misfits, four days before Gable suffered a heart attack and 10 days before Gable's death, making it possible that this was the last autograph signed by Gable. Rosson met and became friends with Gable on the set of the film. Rosson's uncle and father both had worked with Gable in the film industry. Accompanied by a letter of authenticity from Rosson.
Winning bid:$2,560 - Estimate: $2,000 - $4,000
lot1020-203056_0 lot1020-203057_0  lot1020-203058_0 
lot1020-203059_0  lot1020-203060_0 


Lot 1021: CLARK GABLE PHOTOGRAPH BY EVE ARNOLD
A vintage black and white photograph of Clark Gable taken on the set of The Misfits (Seven Arts, 1961) by Eve Arnold. An Eve Arnold copyright stamp is on verso with an additional archive stamp.
Winning bid:$320 - Estimate: $400 - $600
lot1021-203061_0 


Lot 1022:  CLARK GABLE PHOTOGRAPH BY EVE ARNOLD
A vintage black and white photograph of Clark Gable taken on the set of The Misfits (Seven Arts, 1961) by Eve Arnold. An Eve Arnold copyright stamp is on verso with an additional archive stamp.
unsold - Estimate: $400 - $600
lot1022-203062_0 


Lot 1023: MARILYN MONROE AND CLARK GABLE PHOTOGRAPH BY EVE ARNOLD
 A vintage black and white photograph of Marilyn Monroe and Clark Gable on the set of The Misfits (Seven Arts, 1961) taken by Eve Arnold. Two red grease pencil marks appear to indicate cropping above and below Gable on the photograph. A photographer and archive stamp are on verso with additional handwritten notations.
Winning bid:$768 - Estimate: $400 - $800
lot1023-203063_0 


Lot 1024: MARILYN MONROE AND CLARK GABLE PHOTOGRAPH
 A black and white photograph of Marilyn Monroe and Clark Gable on the set of The Misfits (Seven Arts, 1961) taken by Inge Morath. The image was printed in 1972 to be included in the book Marilyn: A Biography by Norman Mailer (New York: Grosset & Dunlap, 1973). Mounted to a layout board with handwritten notations.
PROVENANCE From the Polaris Archives of Lawrence Schiller
unsold - Estimate: $5,000 - $7,000
lot1024-203064_0 


Lot 1025: MARILYN MONROE'S PERSONAL COPY OF THE MISFITS BEHIND-THE-SCENES FILM
 A 16mm reel of behind-the-scenes footage shot on the set of The Misfits (Seven Arts, 1961). The reel comes with the original envelope that is addressed to Marilyn Monroe from United Artists. Notes on the envelope read "16mm publicity" and "The Misfits/ film for Foreign Screening." Accompanied by a document from UA titled “The Making of ‘The Misfits’/ (Narration for a 20-minute featurette)” with a personal note to Monroe affixed to the cover page.
The film begins with Monroe arriving in Reno, Nevada, with husband Arthur Miller and being received at the airport, then driving through Reno. The next scene appears to be a press conference with Monroe and co-stars Clark Gable, Montgomery Clift, Eli Wallach, Kevin McCarthy, and Thelma Ritter, director John Huston, and Miller.
The approximately 19-minute film goes on to show a variety of behind-the-scenes activities of the cast and crew beginning with the filming of Monroe and Ritter in a street scene that was cut from the final version of the film.
Other segments include Monroe at Harrah's Casino taking refreshment with Ritter, Huston, and a dog Monroe attempts to feed; the cast on location; street filming in Reno with the cast in a vehicle followed by a parade of observers; Monroe signing autographs; Monroe greeting and getting on a horse; shots of the cast being filmed riding together; aerial images of the set; a baseball game being played on set; a football being tossed on set with Miller and Huston joining in the game; and Monroe lounging with two other women on the hood of a car. The last part of the film shows the filming of a Misfits scene where Monroe is swimming and playing with a dog in the water. The very last image is of Monroe running from the water to embrace Gable. No audio. Accompanied by a DVD copy of the film.
Diameter, 8 1/4 inches
PROVENANCE From the Lost Archive of Marilyn Monroe
 Winning bid:$7,500 - Estimate: $4,000 - $6,000 
lot1025-203065_0 
lot1025-203066_0 
lot1025-203067_0 lot1025-203068_0  
lot1025-203069_0 lot1025-203070_0 lot1025-203071_0 
lot1025-203072_0 lot1025-203073_0 lot1025-203074_0 
lot1025-203075_0 lot1025-203076_0 lot1025-203077_0 
lot1025-203078_0 lot1025-203079_0 lot1025-203080_0 
lot1025-203081_0 lot1025-203082_0 lot1025-203083_0 
lot1025-203084_0 lot1025-203085_0 lot1025-203086_0 
lot1025-203087_0 lot1025-203088_0 lot1025-203089_0 
lot1025-203090_0 lot1025-203091_0 lot1025-203092_0 
lot1025-203093_0 lot1025-203094_0 lot1025-203095_0 
lot1025-203096_0 lot1025-203097_0 lot1025-203098_0 
lot1025-203099_0 lot1025-203100_0 lot1025-203101_0 
lot1025-203102_0 lot1025-203103_0 lot1025-203104_0 


 Photos Diverses


Lot 923  MARILYN MONROE PHOTOGRAPH AS A CHILD
A black and white photographic print of Marilyn Monroe, née Norma Jean Baker. Printed on the bottom right "F999-S-492."
Winning bid:$1,250 - Estimate: $800 - $1,200
lot923-202887_0 


Lot 924  MARILYN MONROE 1951 PHOTOGRAPH
 A Marilyn Monroe vintage original photograph taken by Phil Burchman circa 1951. Believed to be taken for 20th Century Fox publicity photographs. Marked at lower right "F999-S-259."
PROVENANCE From the Lost Archive of Marilyn Monroe
Winning bid:$576 - Estimate: $300 - $500
lot924-202888_0 


Lot 929  MARILYN MONROE GENTLEMEN PREFER BLONDES PUBLICITY PHOTOGRAPH
A vintage black and white publicity photograph of Marilyn Monroe for the film Gentlemen Prefer Blondes (20th Century, 1953). Notations in pencil on verso.
Winning bid:$448 - Estimate: $800 - $1,200
lot929-202896_0 


Lot 931 MARILYN MONROE "A NEW WRINKLE" PHOTOGRAPH
A photograph of Marilyn Monroe signed by photographer Tom Kelley. This image is popularly titled “A New Wrinkle.” Monroe sat for Kelley in 1949 for what has come to be known as “The Red Velvet Session.” Kelley has signed the image in the lower right and numbered it 55/95 in the lower left. Housed in a frame; not examined outside of frame.
Winning bid:$2,187.50 - Estimate: $1,000 - $2,000
lot931-202898_0 
lot931-202899_0 


Lot 950: MARILYN MONROE VINTAGE PHOTOGRAPH
 A Marilyn Monroe vintage black and white photograph.
PROVENANCE From the Lost Archive of Marilyn Monroe
Winning bid:$768 - Estimate: $600 - $800
lot950-202935_0 


Lot 951: MARILYN MONROE VINTAGE PUBLICITY PHOTOGRAPH
A vintage black and white publicity photograph of Marilyn Monroe. Photo Files stamp and notations on verso.
Winning bid:$750 - Estimate: $800 - $1,200
lot951-202936_0 


Lot 952: MARILYN MONROE PRINTS BY GEORGE BARRIS
A set of three photographic prints of Marilyn Monroe, each printed in a limited edition of 50 and signed by George Barris on the lower right. The photographs were taken on the set of Seven Year Itch (20th Century Fox, 1955). Silver gelatin prints, printed on double-weight fiber paper under the guidance and approval of Barris by One West Publishing. Each print is stamped on verso with the edition number and is accompanied by a letter of authenticity from OneWest Publishing.
Winning bid:$1,152 - Estimate: $1,500 - $3,000
lot952-202937_0  lot952-202940_0 
lot952-202938_0  lot952-202939_0 


Lot 953: MARILYN MONROE AND MILTON BERLE CONTACT SHEET
A vintage black and white contact sheet of images showing Marilyn Monroe and Milton Berle at a 1955 Friars Club banquet taken by Milton Greene. Of 36 total frames, several are obscured. Marked on verso “MG 329 /5” in an unknown hand.
 Winning bid:$576 - Estimate: $400 - $800
lot953-202941_0 


Lot 954: JOE DiMAGGIO PUBLICITY PHOTOGRAPH
 A vintage black and white image of Joe DiMaggio signing a baseball.
PROVENANCE From the Lost Archive of Marilyn Monroe
Winning bid:$75 - Estimate: $150 - $300
lot954-202942_0 


Lot 956: MARILYN MONROE KOREA VISIT PHOTOGRAPHS
 A pair of vintage original black and white photographs of Marilyn Monroe dining with troops in Korea in 1954. Also present is an image of a band performing on stage.
PROVENANCE From the Lost Archive of Marilyn Monroe
Winning bid:$640 - Estimate: $400 - $600
lot956-202946_0 lot956-202947_0 lot956-202948_0 


Lot 957: MARILYN MONROE AND JOE DiMAGGIO PHOTOGRAPH CUT IN HALF
 An original vintage photograph of Marilyn Monroe and Joe DiMaggio taken while on their honeymoon in Japan. The photograph has been cut in half directly between the couple.
PROVENANCE From the Lost Archive of Marilyn Monroe
Winning bid:$1,152 - Estimate: $1,000 - $2,000
lot957-202949_0 


Lot 970: MARILYN MONROE "THE PIANO SITTING" CONTACT SHEET
A vintage black and white contact sheet showing 24 frames of Marilyn Monroe and Maurice Chevalier from “The Piano Sitting” in 1955 by Milton Greene. One image is marked in red grease pencil; marked “A” on verso.
Winning bid:$1,600 - Estimate: $400 - $600
lot970-202966_0 


Lot 971: MARILYN MONROE PARTIAL CONTACT SHEET
A vintage black and white partial contact sheet of eight frames taken by Milton Greene in 1955 of Marilyn Monroe and Maurice Chevalier from “The Piano Sitting.”
Winning bid:$320 - Estimate: $200 - $400
lot971-202967_0  


Lot 972: MARILYN MONROE AND MARLON BRANDO PHOTOGRAPH BY MILTON GREENE
A black and white original photograph of Marilyn Monroe and Marlon Brando taken by Milton Greene in 1955. Brando is kneeling before Monroe draping an “Actors’ Studio Benefit Usher” sash across her chest. Artist's stamp on verso, signed by Greene and dated “3-21-80.”
unsold - Estimate: $600 - $800
lot972-202968_0 lot972-202969_0 


Lot 973: MARILYN MONROE MMP ANNOUNCEMENT CONTACT SHEET
A vintage black and white partial contact sheet of images believed to have been taken by Milton Greene at the 1955 announcement of the formation of Marilyn Monroe Productions, Inc. The sheet has The sheet has 34 frames and a grease pencil marking in blue; numeric notation on verso.
Winning bid:$1,152 - Estimate: $500 - $700
lot973-202970_0 


Lot 982: MARILYN MONROE CECIL BEATON PHOTOGRAPH
 A black and white vintage photograph of Marilyn Monroe taken by Cecil Beaton in 1956. The photograph is mounted to board.
PROVENANCE From the Lost Archive of Marilyn Monroe
Winning bid:$1,152 - Estimate: $1,000 - $2,000
lot982-202984_0 


Lot 983: MARILYN MONROE PHOTOGRAPH BY MANFRED KREINER
A vintage black and white photograph of Marilyn Monroe taken by Manfred Kreiner in 1959 while Monroe visited Chicago to promote her latest film Some Like It Hot (UA, 1959). Photographer's stamp on verso with publicity snipe affixed with tape.
Winning bid:$640 - Estimate: $1,000 - $2,000
lot983-202985_0 


Lot 984: MARILYN MONROE AND ARTHUR MILLER PHOTOGRAPH BY MANFRED KREINER
A vintage black and white photograph of Marilyn Monroe and Arthur Miller taken by Manfred Kreiner at the premiere of Some Like It Hot (UA, 1959). Photographer and archive stamp on verso.
Winning bid:$512 - Estimate: $1,000 - $2,000
lot984-202986_0 


Lot 985: MARILYN MONROE AND ARTHUR MILLER VINTAGE PHOTOGRAPH
 A Marilyn Monroe and Arthur Miller black and white vintage original photograph. Taken by Paul Schumach at the premiere of Some Like It Hot (UA, 1959). Photographer stamp on verso.
PROVENANCE From the Lost Archive of Marilyn Monroe
Winning bid:$2,187.50 - Estimate: $600 - $800 
lot985-202987_0 


Lot 988: MARILYN MONROE CONTACT SHEET
 A contact sheet of images showing Marilyn Monroe with Laurence Olivier and Terence Rattigan taken by Milton Greene from a publicity photo session in 1956 for the film The Prince and the Showgirl (Warner Bros., 1957). Rattigan wrote the screenplay for the film based on his stage play The Sleeping Prince . Photographer's stamp on verso.
Winning bid:$1,280 - Estimate: $400 - $600
lot988-202991_0 


Lot 991: MARILYN MONROE ORIGINAL VINTAGE PHILIPPE HALSMAN PHOTOGRAPH
An original vintage black and white photograph of Marilyn Monroe taken by Philippe Halsman. Photographers stamps and handwritten notations on verso. This photograph was used on Monroe's first LIFE magazine cover in April 1952.
PROVENANCE Gift from Philippe Halsman to Lawrence Schiller
Winning bid:$10,240 - Estimate: $5,000 - $7,000
lot991-202996_0  lot991-202997_0 


Lot 992: MARILYN MONROE PHOTOGRAPH LAYOUT SHEET
 A layout sheet of four Marilyn Monroe color photographs by photographers Milton Greene (two), Eve Arnold, and Lawrence Schiller. The images were used in the book Marilyn: A Biography by Norman Mailer (New York: Grosset & Dunlap, 1973). Notations and crop marks on each of the images; additional notations on verso.
PROVENANCE From the Personal Archives of Lawrence Schiller
unsold - Estimate: $5,000 - $7,000
lot992-202998_0  


Lot 993: MARILYN MONROE PHOTOGRAPHS BY JOHN BRYSON
 A pair of Marilyn Monroe black and white photographs taken by John Bryson in 1960 for LIFE magazine. The photographs were printed in 1972 to be included in the book Marilyn: A Biography by Norman Mailer (New York: Grosset & Dunlap, 1973). Each photograph is mounted to a layout board with various notations.
PROVENANCE From the Polaris Archives of Lawrence Schiller
Winning bid:$9,375 - Estimate: $8,000 - $10,000
lot993-202999_0  lot993-203000_0 


Lot 994: MARILYN MONROE PHOTOGRAPHS BY SAM SHAW
 A pair of photographs of Marilyn Monroe taken by Sam Shaw, marked on verso “Sam Shaw (’56).” The photographs were printed in 1972 to be included in the book Marilyn: A Biography by Norman Mailer (New York: Grosset & Dunlap, 1973). Accompanied by original mounting board with notations on the size of the images.
PROVENANCE From the Polaris Archives of Lawrence Schiller
 unsold - Estimate: $8,000 - $10,000 
lot994-203001_0 

 


Lot 997: MARILYN MONROE ORIGINAL JACK CARDIFF PHOTOGRAPHS
 A group of three Marilyn Monroe original black and white photographs taken during the filming of The Prince and the Showgirl (Warner Bros., 1957) by cinematographer Jack Cardiff. All are housed in silver tone frames, and each bears an original Christie’s lot sticker from the 1999 Monroe auction.
Each 20 1/4 by 16 1/4 inches, framed
PROVENANCE Lot 347, "The Personal Property of Marilyn Monroe," Christie's, New York, Sale number 9216, October 27 & 28, 1999
 Winning bid:$37,500 - Estimate: $10,000 - $20,000
lot997-203005_0 lot997-203006_0 lot997-203007_0 

 


Lot 1003: MARILYN MONROE BEHIND-THE-SCENES PHOTOGRAPHS
 A group of six photographs of Marilyn Monroe and others on the set of Let's Make Love (20th Century, 1960). Includes images from Monroe's on-set birthday party where director George Cukor and co-star Yves Montand can also be seen.
PROVENANCE From the Lost Archive of Marilyn Monroe
Winning bid:$768 - Estimate: $400 - $600
lot1003-203014_0 


Lot 1027: MARILYN MONROE LAWRENCE SCHILLER CONTACT SHEET
 An original vintage contact sheet of Marilyn Monroe photographs taken by Lawrence Schiller on the set of Something’s Got to Give (20th Century, 1962). The contact sheet was given by Schiller to Monroe who folded it in half before returning it to the photographer. Twelve of the images show Monroe in her role as Ellen Wagstaff Arden with actor Robert Christopher Morley, who played her son in the uncompleted film. The remaining 13 images show Monroe during the filming of the now famous pool scene. Signed by Schiller on verso.
PROVENANCE From the Personal Archives of Lawrence Schiller
unsold - Estimate: $5,000 - $7,000
lot1027-203108_0 


Lot 1029: MARILYN MONROE ORIGINAL VINTAGE PHOTOGRAPH BY LAWRENCE SCHILLER
 An original vintage black and white photograph of Marilyn Monroe taken by Lawrence Schiller on the set of Something’s Got to Give (20th Century, 1962). The photograph is marked with cropping indicators and labeled “755.” Housed in a frame, not examined outside of frame.
PROVENANCE From the Personal Archives of Lawrence Schiller
Winning bid:$13,750 - Estimate: $10,000 - $12,000
lot1029-203112_0 


Lot 1030: MARILYN MONROE ORIGINAL VINTAGE PHOTOGRAPH BY LAWRENCE SCHILLER
 An original vintage black and white photograph of Marilyn Monroe taken by Lawrence Schiller on the set of Something’s Got to Give (20th Century, 1962). The photograph shows Monroe in profile during the filming of the pool scene. The photograph is marked with cropping indicators and labeled “636.” Multiple stamps, stickers, and markings on verso.
PROVENANCE From the Personal Archives of Lawrence Schiller
Winning bid:$12,500 - Estimate: $10,000 - $12,000
lot1030-203113_0  lot1030-203114_0


Lot 1036: MARILYN MONROE GOLDEN GLOBE CEREMONY PHOTOGRAPH
 A vintage black and white photograph of Marilyn Monroe at the 1962 Golden Globes award ceremony taken by Gene Daniels. At the event Monroe won the Female World Film Favorite for the year 1961. Photographer stamp on verso with additional “Revue” stamp and notation.
 Winning bid: $ 320 - Estimate: $ 400 - $ 600
lot1036-203122_0 


  Lot 1037: MARILYN MONROE GOLDEN GLOBE CEREMONY PHOTOGRAPH
 A vintage black and white photograph of Marilyn Monroe at the 1962 Golden Globes award ceremony taken by Gene Daniels. In the photograph, Monroe is talking to her escort to the event, writer and director José Balaños. Photographer's stamp on verso with additional “Revue” stamp and notation.
 Winning bid: $ 256 - Estimate: $ 400 - $ 600
lot1037-203123_0 


Lot 1038: MARILYN MONROE GOLDEN GLOBE CEREMONY PHOTOGRAPH
 A vintage black and white photograph of Marilyn Monroe at the 1962 Golden Globes award ceremony taken by Gene Daniels. The image shows Monroe seated at her table smiling and clapping. At the event Monroe won the Female World Film Favorite for the year 1961. Photographer's stamp on verso with additional “Revue” stamp and notation.
 Winning bid: $ 896 - Estimate: $ 400 - $ 600
lot1038-203124_0 

02 novembre 2014

Marilyn Monroe, des années de réflexion

logo_liberation_photo

  Marilyn Monroe, des années de réflexion
article publié sur liberation.fr

La galerie In Focus, à Cologne, expose au Château Kolvenburg-Billerbeck, en Allemagne, huit regards de photographes célèbres sur Norma Jeane Baker de 1945 à 1962. Une chronologie de l'absolue photogénie de l'actrice américaine.
«Marilyn Monroe, in the Vew of Master Photographers » jusqu'au 4 novembre. Commissariat de l'exposition : Burkhard Arnold. Kolvenburg. An der Kolvenburg 3. 48727 Billerbeck. Galerie In Focus, Cologne. www.infocusgalerie.com


libe-01  libe-02 
En 1945, elle est alors une jeune modèle de 19 ans. Andre de Dienes est photographe de mode.
Photo Andre de Dienes. Courtesy In Focus Galerie. Cologne


libe-03
En 1946. Le photographe Andre de Dienes suivra la star et son évolution jusqu'en 1953.
Photo Andre de Dienes. Courtesy In Focus Galerie. Cologne


libe-04 libe-05 
En 1946. Bruno Bernard, plus connu sous le nom de Bernard of Hollywood, est le photographe des pin-up et du glamour. Il réalise des séances de photo-test dans son studio.
Photo Bruno Bernard. Courtesy In Focus Galerie. Cologne


 

libe-06 libe-07 libe-08
En 1950, pour le magazine «Life» qui ne publiera pas cette image, estimant que Marilyn n'est pas assez connue, et attendra 1953 pour la mettre en une.
Photo Edward-Clark. Courtesy In Focus Galerie. Cologne 


libe-09 
En 1953.
Photo Bruno Bernard. Courtesy In Focus Galerie. Cologne 


 

libe-10 libe-11
En 1954. Sur le tournage de «Sept Ans de réflexion» de Billy Wilder, où de nombreux photographes ont immortalisé la scène devenue mythique.
Photo Bruno Bernard. Courtesy In Focus Galerie. Cologne 


libe-12
A New York, en 1954.
Photo Elliott Erwitt. Courtesy In Focus Galerie. Cologne


libe-13 libe-14
Avec son mari, Arthur Miller, en 1960. Eve Arnold, photographe de l'agence Magnum décédée en 2012, rencontre l'actrice en 1952.
Photo Eve Arnold. Courtesy In Focus Galerie. Cologne


libe-15
A Los Angeles, en 1960. Eve Arnold et Marilyn Monroe collaboreront plus de dix ans ensemble.
Photo Eve Arnold. Courtesy In Focus Galerie. Cologne 


 libe-16
En 1962. George Barris est un des derniers photographes à shooter la star.
Photo George Barris. Courtesy In Focus Galerie - Cologne


10 décembre 2013

Figurines Géantes Marilyn Monroe

Dimensions: 96 x 73 x 3 cm
Vendues entre 43 et 46 Euros sur amazon.fr 

figurine_1  figurine_3  figurine_2

Posté par ginieland à 13:58 - - Commentaires [4] - Permalien [#]
Tags : , ,

07 août 2013

15/09/1954 NYC - Sur le tournage de The Seven Year Itch partie 2

Sept ans de réflexion
Sur le tournage - scène 11   

Date: le 15 septembre 1954, à une heure du matin.
Lieu: entre la 51 et 52st Street, au croisement de Lexington Avenue.
Scène: il s'agit d'une scène mythique, l'une des plus célèbres de l'histoire du cinéma, qui reste sans doute la "scène la plus vue au monde", celle où la robe blanche de Marilyn se soulève entraînée par l'air d'une grille de métro. La presse en parla comme de "l'exhibition la plus intéressante depuis Lady Godiva".

Date: September 15, 1954, at one o'clock.
Location: between 51 and 52st Street on the corner of Lexington Avenue.
Scene: it is a mythical scene, one of the most famous in the history of cinema, which is probably the "most scene view in the world," the one where the white dress of Marilyn Monroe rises, driven by the blow of the subway grate. The press spoke of as "the most interesting exhibition since Lady Godiva".


Marilyn Monroe, Tom Ewell, le réalisateur Billy Wilder (homme en noir, chapeau noir), Johnny Graham (homme en costume, chapeau et cigar), manager de production de la Côte Est qui organisa la logistique pour le tournage des scènes à New York, et Natasha Lytess, la coach de Marilyn.


>> Photographies de George Barris
syi_sc11_on_set_by_barris_030_1 syi_sc11_on_set_by_barris_030_2 
syi_sc11_on_set_by_barris_040_1 syi_sc11_on_set_by_barris_040_1a
syi_sc11_on_set_by_barris_040_2 syi_sc11_on_set_by_barris_040_2a
syi_sc11_on_set_by_barris_010_1 syi_sc11_on_set_by_barris_010_1a syi_sc11_on_set_by_barris_010_2
syi_sc11_on_set_by_barris_020_1 syi_sc11_on_set_by_barris_020_2 syi_sc11_on_set_by_barris_020_3 syi_sc11_on_set_by_barris_020_4 

tsyi-299  tsyi-300  tsyi-301
syi_sc11_on_set_by_barris_021_1a syi_sc11_on_set_by_barris_021_2 syi_sc11_on_set_by_barris_021_3
syi_sc11_on_set_by_barris_021_4 syi_sc11_on_set_by_barris_021_5 syi_sc11_on_set_by_barris_021_6
syi_sc11_on_set_by_barris_021_6a syi_sc11_on_set_by_barris_022_1 


>> Photographies de Sam Shaw
syi_sc11_on_set_contact_by_shaw_1 syi_sc11_on_set_by_sam_shaw_010_1  
syi_sc11_on_set_by_sam_shaw_011_1 syi_sc11_on_set_by_sam_shaw_011_2 syi_sc11_on_set_by_sam_shaw_011_3
syi_sc11_on_set_by_sam_shaw_020_1 
syi_sc11_on_set_013_1  syi_sc11_on_set_by_sam_shaw_021_1 
syi_sc11_on_set_by_sam_shaw_030_1 syi_sc11_on_set_by_sam_shaw_030_2 syi_sc11_on_set_by_sam_shaw_031_1
 syi_sc11_on_set_by_sam_shaw_031_2 syi_sc11_on_set_by_sam_shaw_031_3 syi_sc11_on_set_by_sam_shaw_041_2 
syi_sc11_on_set_by_sam_shaw_033_1 syi_sc11_on_set_by_sam_shaw_033_1a syi_sc11_on_set_by_sam_shaw_033_2
syi_sc11_on_set_by_sam_shaw_040_1 syi_sc11_on_set_by_sam_shaw_040_2 syi_sc11_on_set_by_sam_shaw_041_1 
syi_sc11_on_set_by_sam_shaw_042_1 syi_sc11_on_set_by_sam_shaw_050_1 syi_sc11_on_set_by_sam_shaw_050_1c


>> Photographie de Matthew Zimmerman
syi_sc11_on_set_by_Mathew_Zimmerman_010_1 


>> Photographie de Sam Goldstein
syi_sc11_on_set_by_sam_goldstein_1 


 >> Photographies de Weegee
syi_sc11_on_set_by_weegee_1 syi_sc11_on_set_by_weegee_2


>> Photographie de Tom Caffrey 
syi_sc11_on_set_by_tom_caffrey_1


>> Photographies de Kas Heppner
 syi_sc11_on_set_by_Kas_Heppner_1


>> Photographies de Frank Worth
1954_SYI_on_set_with_billy_wilder_010_by_frank_worth_1 


>> Photographies de Milton Greene
syi_sc11_on_set_by_greene_02_1 syi_sc11_on_set_by_greene_marilyn_monroe_7yr_04 syi_sc11_on_set_by_greene_marilyn_monroe_7yr_05 syi_sc11_on_set_by_greene_01_1
syi_sc11_on_set_by_greene_marilyn_monroe_7yr_21
film-7yi-by_mhg-juliens-mmauction2014-lot789 
syi_sc11_on_set_by_greene_marilyn_monroe_7yr_22 syi_sc11_on_set_by_greene_marilyn_monroe_7yr_23
syi_sc11_on_set_by_greene_marilyn_monroe_7yr_24 syi_sc11_on_set_by_greene_marilyn_monroe_7yr_25 syi_sc11_on_set_by_greene_marilyn_monroe_7yr_26

1954-syi-by_gr-1-2  lot129d  


>> Photographies de George S. Zimbel
syi_sc11_on_set_by_george_s_zimbel_010_1 syi_sc11_on_set_by_george_s_zimbel_011_1 syi_sc11_on_set_by_george_s_zimbel_012_1
syi_sc11_on_set_by_george_s_zimbel_020_1 syi_sc11_on_set_by_george_s_zimbel_021_1 syi_sc11_on_set_by_george_s_zimbel_022_1 syi_sc11_on_set_by_george_s_zimbel_022_1a
syi_sc11_on_set_by_george_s_zimbel_023_1 syi_sc11_on_set_by_george_s_zimbel_024_1 syi_sc11_on_set_by_george_s_zimbel_025_1
 
syi_sc11_on_set_by_george_s_zimbel_042_1 syi_sc11_on_set_by_george_s_zimbel_024_1a syi_sc11_on_set_by_george_s_zimbel_043_1
syi_sc11_on_set_by_george_s_zimbel_030_1 syi_sc11_on_set_by_george_s_zimbel_031_1 syi_sc11_on_set_by_george_s_zimbel_032_1 syi_sc11_on_set_by_george_s_zimbel_033_1
syi_sc11_on_set_by_george_s_zimbel_040_1 syi_sc11_on_set_by_george_s_zimbel_041_1
syi_sc11_on_set_by_george_s_zimbel_044_1 syi_sc11_on_set_by_george_s_zimbel_044_2 syi_sc11_on_set_by_george_s_zimbel_joe_leaving
syi_sc11_on_set_by_george_s_zimbel_045_1 syi_sc11_on_set_by_george_s_zimbel_046_1 syi_sc11_on_set_by_george_s_zimbel_047_1
syi_sc11_on_set_by_george_s_zimbel_047_2 syi_sc11_on_set_by_george_s_zimbel_047_3 syi_sc11_on_set_by_george_s_zimbel_050_1


>> Photographies de Elliot Erwitt
syi_sc11_on_set_by_elliott_erwitt_020_1 syi_sc11_on_set_by_elliott_erwitt_020_2 syi_sc11_on_set_by_elliott_erwitt_020_3
syi_sc11_on_set_by_elliott_erwitt_020_4 syi_sc11_on_set_by_elliott_erwitt_020_5 syi_sc11_on_set_by_elliott_erwitt_020_6 syi_sc11_on_set_by_elliott_erwitt_020_7 
syi_sc11_on_set_by_elliott_erwitt_021_2 syi_sc11_on_set_by_elliott_erwitt_021_1 syi_sc11_on_set_by_elliott_erwitt_021_1a syi_sc11_on_set_by_elliott_erwitt_010_1
1954_eliott_erwitt_syi__2_ 1954_eliott_erwitt_syi__3_ 1954_eliott_erwitt_syi__4_ 1954_eliott_erwitt_syi 

by_elliott_erwitt-THE-SEVEN-YEAR-ITCH-CONTACT-SHEET-1954-1-BHC0352 


>> Photographies de Garry Winogrand
syi_sc11_on_set_by_garry_winogrand_1_1 syi_sc11_on_set_by_garry_winogrand_5
1954-syi-by_garry_winogrand_pp_20  
syi_sc11_on_set_by_garry_winogrand_2_1 syi_sc11_on_set_by_garry_winogrand_2_2 syi_sc11_on_set_by_garry_winogrand_3 syi_sc11_on_set_by_garry_winogrand_4 

1954-syi-by_garry_winogrand_pp_17   1954-syi-by_garry_winogrand_pp_18 


>> Photographies de Charles Hagedorn
syi_sc11_on_set_by_charles_hagedorn_1 syi_sc11_on_set_by_charles_hagedorn_2 syi_sc11_on_set_by_charles_hagedorn_3


>> Photographies de John Randolph Hearst
syi_sc11_on_set_by_John_Randolph_Hearst_1 


>> Photographies de Bill Kobrin
syi_sc11_on_set_by_bill_kobrin_1 syi_sc11_on_set_by_bill_kobrin_2 syi_sc11_on_set_by_bill_kobrin_3
syi_sc11_on_set_By_Bill_Kobrin_4 syi_sc11_on_set_by_bill_kobrin_photos 


>> collection de Frieda Hull
1954-09-15-ny-collection_frieda_hull-246146_0  1954-09-15-ny-collection_frieda_hull-246148_0 
1954-09-15-ny-collection_frieda_hull-246145_0  1954-09-15-ny-collection_frieda_hull-246146_0b 


>> Photographies de Bruno Bernard
syi_sc11_on_set_by_bruno_bernard_1 syi_sc11_on_set_by_bruno_bernard_2 

Extraits du journal de Bruno Bernard:
- Le magazine Redbook engagea Bruno Bernard pour couvrir le tournage de Marilyn dans The Seven Year Itch.
- New York - 14/09/1954. Si cela n'avait pas été pour mon travail (la couverture de Redbook) et Marilyn, dix chevaux ne m'auraient pas traîné sur le tournage de Seven year Itch. Zut. J'ai attendu trois heures au milieu des odeurs transpiration et des cris de la foule et d'une bande de paparazzis (...). Soudain, la foule a poussé un formidable hurlement. Marilyn apparaissait en chair et en os. Lorsque Billy Wilder, le metteur en scène, a dit "On tourne", Marilyn est sortie du théâtre, a fait quatre pas sur la gauche avant de s'arrêter juste au-dessus d'une grille d'aération. A ce moment précis, on doit imaginer qu'un métro quitte la station, l'air qu'il déplace soulevant la jupe de Marilyn. Pour mieux contrôler l'action, les accessoiristes ont disposé un ventilateur directement sous la grille. Dans certaines prises, la jupe blanche de Marilyn s'est soulevée au point de lui couvrir le visage, à la grande joie des spectateurs hystériques. D'après le scénario, Marilyn doit simplement dire: "Ah, quel soulagement ! N'est-ce pas délicieux ?!" tandis qu'elle prend plaisir à sentir cet air frais. 
La scène a été refaite trente fois parce que Marilyn se trompait à chaque fois dans son texte. Sous sa robe, elle ne portait qu'une petite culotte de soie blanche transparente. (...) DiMaggio, qui se trouvait juste en face de moi et près de walter Winchell, regardait le spectacle. Je me rendais nettement compte que la gêne de DiMaggio tournait à la fureur. Je me frayais rapidement un chemin à travers la foule, dans l'espoir de le calmer. Mais, avant que je n'arrive près de lui, il avait déjà quitté les lieux très en colère. Winchell (...) m'a dit que DiMaggio était parti "apaiser son tempérament de macho italien au Toot's Shor's". Roy Croft nous rejoignit: "Nous devrions plutôt nous réjouir qu'elle porte au moins quelque chose dessous".
L'absence de DiMaggio ne la troubla pas, et la déesse de l'amour poursuivit ses interminables prises devant son public new-yorkais extasié.
- J'ai vraiment besoin de faire ces photos de Joe et Marilyn pour boucler mon article. Depuis le couloir de leur appartement du Saint Regis, je peux entendre les éclats d'une querelle passionnée suivie par des pleurs hystériques. Je suis parti et je n'ai pas fait mes photos. (...) J'étais abbatu et silencieux. Rencontrant Roy dans l'ascenceur, il tenta de me consoler: "Tout n'est pas perdu. Comme il y avait trop de bruits de fond en extérieur, Wilder a décidé de refaire toute la scène à Hollywood." 


>> sources:
- Livres: Bernard of Hollywood's Marilyn / De Norma Jean à Marilyn, de Susan Bernard / Marilyn among friends, Sam Shaw / L'Encyclopédie d'Adam Victor / Marilyn Monroe et les caméras, de Georges Belmont / Les trésors de Marilyn Monroe, de Jenna Glatzer / Les vies secrètes de Marilyn Monroe, d'Anthony Summers.


All photos are copyright and protected by their respective owners. 
copyright text by GinieLand.

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06 août 2013

15/09/1954 NYC - Sur le tournage de The Seven Year Itch partie 3

Sept ans de réflexion
Sur le tournage - scène 11   

Date: le 15 septembre 1954, à une heure du matin.
Lieu: entre la 51 et 52st Street, au croisement de Lexington Avenue.
Scène: il s'agit d'une scène mythique, l'une des plus célèbres de l'histoire du cinéma, qui reste sans doute la "scène la plus vue au monde", celle où la robe blanche de Marilyn se soulève entraînée par l'air d'une grille de métro. La presse en parla comme de "l'exhibition la plus intéressante depuis Lady Godiva".

Date: September 15, 1954, at one o'clock.
Location: between 51 and 52st Street on the corner of Lexington Avenue.
Scene: it is a mythical scene, one of the most famous in the history of cinema, which is probably the "most scene view in the world," the one where the white dress of Marilyn Monroe rises, driven by the blow of the subway grate. The press spoke of as "the most interesting exhibition since Lady Godiva".


Le tournage de cette scène eut des conséquences dans la vie privée de Marilyn Monroe en jouant un rôle déterminant dans sa relation de jeune mariée d'avec Joe DiMaggio: l'accès de jalousie de son époux. Au départ, Joe DiMaggio n'avait nullement l'intention de se rendre sur le lieu de tournage: il se trouvait dans un bar, à quelques pâtés d'immeubles de là, avec son ami Georges Solotaire. Mais sachant peut-être pertinemment qu'il avait tort, il fini par accepter de s'y rendre, après maintes insistances de son ami, l'influent journaliste people Walter Winchell, qui l'emmèna sur le lieu du tournage. Ensemble, ils traversèrent les cordons des policiers et se postèrent à côté de la première caméra. Joe ne put supporter de voir des milliers de gens déshabiller sa femme du regard des heures d'affilées et marmonna :"Qu'est-ce que c'est que ce cirque ?" et, en s'adressant à Winchell: "Je te l'ai dit que je n'avais rien à foutre ici ! Partons !". Choqué, il quitta le plateau plein de rage. Sans doute Walter Winchell avait prévu la réaction de Joe et parvint à le convaincre de venir sur le plateau, afin d'alimenter ses propres rubriques à potins. Une fois les prises de vues terminées, Winchell entraîna ensuite Joe dans la loge de Marilyn, qui, affalée dans un fauteuil, salua Joe: "Salut Giuseppe !"; Winchell percevant que sa gaieté n'était pas naturelle. D'ailleurs, presque aussitôt, une dispute entre le couple éclata, jusqu'au dîner. Winchell, gêné, finira par quitter le repas. De retour au Saint Regis Hotel, où le couple séjournait, ils eurent une violente dispute, et l'on rapporte que Joe devint brutal avec sa femme. Le caméraman chef opérateur du film, Milton Krasner, qui occupait une chambre au Saint Regis, fut réveillé par des hurlements de colère de l'autre côté du mur. Gladys Whitten, la coiffeuse de Marilyn, raconta que le lendemain matin, Marilyn lui a dit qu'elle avait appelé en criant de toutes ses forces Gladys et l'habilleuse. Gladys racontera plus tard: "(...) son mari était fou furieux et l'a battue. (...) Des coups aux épaules, on en voyait les traces; mais on les a fait disparaître avec un peu de crème teintée et elle a continué le travail." Amy Greene, la femme du photographe Milton Greene, rendit aussi visite à Marilyn pour essayer un vison: "J'étais assise sur le lit, dans son vison, et Marilyn commence à se déshabiller. (...) Elle enlève son corsage: elle était pleine de bleus dans le dos, je n'arrivais pas à y croire. (...) Elle ne savait quoi dire, et comme ce n'était pas une menteuse, elle dit simplement: 'Eh oui'. (...)".
Le lendemain de la dispute, le 16 septembre, c'est pourtant avec Joe que Marilyn reprit l'avion pour regagner la Californie. Trois semaines plus tard, la Fox publiera un communiqué de presse annonçant que le couple se séparait.

The filming of this scene had consequences in the private life of Marilyn Monroe playing a key role in its relationship with Joe DiMaggio: the jealousy of her husband. Initially, Joe DiMaggio did not intend to go to the set: he was in a bar a few blocks of buildings there with his friend George Solotaire. But perhaps knowing full well he was wrong, he finally agreed to go there, after much insistence of his friend, the influential people journalist Walter Winchell, who took him at the place of the shooting. Together, they crossed police cords and stayed next to the first camera. Joe could not bear to see thousands of people seeing his wife undressed by the air for hours and he muttered: "What is this circus ?" and, in addressing Winchell: "I have told you that I had nothing to do here. Let's go!". Shocked, he left the set full of rage. Winchell probably foresaw the reaction of Joe and managed to convince him to come on the set, in order to feed his own topic to gossip. Once the shooting ended, Winchell led Joe into the lodge of Marilyn, who slumped in a chair, bowed Joe: "Hi Giuseppe !" Winchell perceiving that his cheerfulness was not natural. In fact, almost immediately, an argument between the couple broke up until the dinner. Winchell, embarrassed, leaved during the meal. Back to St. Regis Hotel, where the couple stayed, they had a heated argument, and it is reported that Joe became violent with his wife. The cameraman cinematographer of the film, Milton Krasner, who occupied a room at the St. Regis, was awakened by screams of anger on the other side of the wall. Gladys Whitten, the hairdresser of Marilyn, told the next morning that Marilyn said she had called and shouted with all his might Gladys and her dresser. Gladys said later: "(...) her husband was mad and beat her (...) Shots shoulders, we saw the traces, but it was the away with a bit of tinted moisturizer. And she continued to work. " Amy Greene, the wife of photographer Milton Greene, also made a visit to Marilyn to try a mink: "I was sitting on the bed in her mink and Marilyn begins to undress (...) She takes off her blouse: it was full of bruising in her back, I could not believe it (...) She did not know what to say, and as she was not a liar, she simply said.. 'Yes' (. ..) ".
The day after the fight, in September 16, it is with Joe that Marilyn took the plane back to California. Three weeks later, Fox will announce that the couple were separated.

syi_sc11_set_1954_09_15_joe_2  syi_sc11_on_set_by_george_s_zimbel_joe_leaving 

> Joe et Walter Winchell - photographies de Bruno Bernard
syi_sc11_set_1954_09_15_joe_1 syi_sc11_set_1954_09_15_joe_winchell_by_bruno_bernard 


> Dans le Trans-Lus Theater

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syi_sc11_set_1954_09_15_mm_1_1 syi_sc11_set_1954_09_15_mm_1_2 syi_sc11_set_1954_09_15_mm_2_1

> Le 15 septembre 1954 marque le premier anniversaire du Cinémascope
Date of September 15, 1954 marks the first anniversary of CinemaScope
- Marilyn coupe le gâteau avec Walter Winchell et Joe / Marilyn cuts the cake
syi_sc11_set_1954_09_15_cake_with_joe_1 1954_cinemascope syi_sc11_set_1954_09_15_cake_1 

- Marilyn avec Earl Wilson et Gina Lollobrigida
syi_sc11_set_1954_09_15_with_gina_lollobrigida_1_1 syi_sc11_set_1954_09_15_with_gina_lollobrigida_1_1a syi_sc11_set_1954_09_15_with_gina_lollobrigida_1_2 
syi_sc11_set_1954_09_15_with_gina_lollobrigida_earl_wilson_1 syi_sc11_set_1954_09_15_with_gina_lollobrigida_pm_n287_25sept54 

1954-syi-1a 1954-syi-1b 

> Photographies de Milton Greene
syi_sc11_studio_estrade_by_greene_1 syi_sc11_studio_estrade_by_greene_2 

> Photographies de Sam Shaw
syi_sc11_studio_estrade_by_shaw_1 syi_sc12_set_by_sam_shaw_1  

> Photographies de Bruno Bernard
syi_sc12_set_by_bruno_bernard_1  
syi_sc12_set_by_bruno_bernard_1a  

 


> Autographe de Marilyn et Joe
signatures du 15 septembre 1954

1954-09-15-autographes-mm_dimaggio-soir_scene_metro

 


> dans la presse
syi_sc11_mag_c6d4_1 


>> sources:
- Livres: Bernard of Hollywood's Marilyn / De Norma Jean à Marilyn, de Susan Bernard / Marilyn among friends, Sam Shaw / L'Encyclopédie d'Adam Victor / Marilyn Monroe et les caméras, de Georges Belmont / Les trésors de Marilyn Monroe, de Jenna Glatzer / Les vies secrètes de Marilyn Monroe, d'Anthony Summers.


All photos are copyright and protected by their respective owners. 
copyright text by GinieLand.

 

07 juillet 2013

5/11/1954 Photos de The Seven Year Itch scène 11 en studio

Sept ans de réflexion
   Photos scène 11 - tournage en studio

Quelques jours après l'annonce de son divorce d'avec Joe DiMaggio à la presse, le 6 octobre 1954, Marilyn Monroe devait encore tourner quelques scènes de "Sept ans de réflexion" dans les studios de la Fox à Hollywood. La scène de la robe blanche qui se soulève, tournée au préalable -le 15 septembre 1954- dans une rue de New York (sur Lexington Avenue), a dû être refaite en studio. En effet, aucune des prises ne fut utilisable à cause non seulement du bruit ambiant, mais aussi du manque de liberté de mouvement dûs à la foule trop nombreuse présente ce jour là; puis parce que le ventilateur utilisé ne produisait pas l'effet désiré.
Marilyn dira au réalisateur Billy Wilder, à propos des plans tournés à New York: "J'éspère que ce n'est pas pour votre collection privée, et que vous n'allez pas le projeter à une soirée entre hommes."

La rue de Lexington Avenue de New York sera reproduite à l'identique dans les studios de la Fox: le cinéma Trans Lux Theatre, ainsi que les vitrines des boutiques. Elle sera la dernière scène tournée, c'est à dire correspondant au dernier jour de tournage, le 5 novembre 1954. Dans la scène du film, Marilyn marche sur une grille d'aération du métro, sa jupe se soulève juste au-dessus de ses genoux et un raccord montre son visage où s'exprime le plaisir ressenti de la fraîcheur reçue par une chaude nuit d'été. Il fallut au préalable couper l'un des trois plans de la séquence originale pour satisfaire au "code Hays" définissant strictement, selon les bonnes moeurs du puritanisme américain, ce qui était convenable à l'écran.

A few days after the announcement of her divorce from Joe DiMaggio to the press, in October 6, 1954, Marilyn Monroe had still shoot some scenes of "The Seven Year Itch" in the Fox studios in Hollywood. The scene of the white dress that raises was shot in September 15, 1954 in a New York street (on Lexington Avenue), but had to be redone in the studio. Indeed, none of the takes were used not only because of the noise, but also of the lack of freedom of movement due to the crowd that day, and because the blower used did not produce the desired effect.
Marilyn says to the director Billy Wilder, about the shots filmed in New York: "I hope that this is not for your private collection, and you're not going to throw a men party."

Street Lexington Avenue in New York will be exactly reproduced in the Fox studios: the cinema Trans Lux Theatre, and the shops' windows. It will be the last scene shot, corresponding to the last day of filming on November, 5, 1954. In the scene of the film, Marilyn walking on a subway ventilation grate lifts her skirt just above her knees and her face shows a connection that expresses the pleasure felt of the coolness received on a warm night of summer. It has to cut one of the three shots of the original sequence to satisfy the "Hays Code" defining strictly which was suitable to the screen.


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 > Marilyn et Billy Wilder
syi_sc11_studio_on_set_with_wilder_1 syi_sc11_studio_set_with_wilder_1 syi_sc11_studio_set_with_wilder_1a


>> Photographies de Sam Shaw

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syi_sc11_studio_by_sam_shaw_010_1b1 syi_sc11_studio_by_sam_shaw_010_1b3 syi_sc11_studio_by_sam_shaw_010_1b2
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syi_sc11_studio_by_sam_shaw_010_2a syi_sc11_studio_by_sam_shaw_010_3 syi_sc11_studio_by_sam_shaw_010_4 
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syi_sc11_studio_by_sam_shaw_011_1b1 syi_sc11_studio_by_sam_shaw_011_2b1 syi_sc11_studio_by_sam_shaw_011_3a


>> Photographies de Bruno Bernard

syi_sc11_studio_by_bruno_bernard_010_3  syi_sc11_studio_by_bruno_bernard_010_2b  syi_sc11_studio_by_bruno_bernard_010_2 
syi_sc11_studio_by_bruno_bernard_010_4 syi_sc11_studio_by_bruno_bernard_010_5 syi_sc11_studio_by_bruno_bernard_010_6a
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 syi_sc11_studio_by_bruno_bernard_032_1
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syi_sc11_studio_by_bruno_bernard_040_1  syi_sc11_studio_by_bruno_bernard_041_1a  syi_sc11_studio_by_bruno_bernard_060_2
syi_sc11_studio_by_bruno_bernard_051_1_with_lytess syi_sc11_studio_by_bruno_bernard_052_1 syi_sc11_studio_by_bruno_bernard_060_1 syi_sc11_studio_by_bruno_bernard_060_1a

> Marilyn et Billy Wilder
syi_sc11_studio_by_bruno_bernard_with_wilder_kathryn_grayson_1  
syi_sc11_studio_by_bruno_bernard_with_wilder_1 syi_sc11_studio_by_bruno_bernard_with_wilder_1a syi_sc11_studio_by_bruno_bernard_with_wilder_2

> Marilyn et son maquilleur Whitey Snyder
syi_sc11_studio_by_bruno_bernard_with_snyder_1 syi_sc11_studio_by_bruno_bernard_with_snyder_1a syi_sc11_studio_by_bruno_bernard_with_snyder_2 

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> Marilyn et sa coiffeuse Gladys
syi_sc11_studio_by_bruno_bernard_with_gladys_1 

> Marilyn avec sa coach Natasha Lytess et sa coiffeuse Gladys
syi_sc11_studio_on_set_with_lytess_rasmussen2 syi_sc11_studio_by_bruno_bernard_with_lytess_gladys_1 syi_sc11_studio_on_set_with_lytess_rasmussen 

film-7yi-ddd    

> Marilyn avec sa coach Natasha Lytess
syi_sc11_studio_by_bruno_bernard_with_lytess_2_01 syi_sc11_studio_by_bruno_bernard_with_lytess_2_1a syi_sc11_studio_by_bruno_bernard_with_lytess_2_2  
syi_sc11_studio_by_bruno_bernard_with_lytess_1_1
MONROE__MARILYN_-_SEVEN580 syi_sc11_studio_by_bruno_bernard_with_lytess_2_1

> Marilyn avec Sidney Skolsky
syi_sc11_studio_by_bruno_bernard_with_skolsky_wilder_kathryn_grayson syi_sc11_studio_by_bruno_bernard_with_skolsky_1 

> Les doublures lumières de Marilyn et Tom Ewell
syi_sc11_studio_by_bruno_bernard_doublures 

> planches contact
syi_sc11_studio_by_bruno_bernard_contact_1 syi_sc11_studio_by_bruno_bernard_contact_2 syi_sc11_studio_by_bruno_bernard_contact_3

Extraits du journal de Bruno Bernard:
- De retour à Hollywood, Marilyn a été placée sous sédatifs. Je n'ai pas pu la joindre par téléphone ni même franchir le barrage des gens de sa suite. Les jours passent sans réponse de sa part. Entre-temps, on a reconstruit le Trans Lux Theatre et les boutiques de la Lexington Avenue voisines dans les studios de la Fox. Je commence à m'inquiéter, non seulement au sujet d'un rendez-vous plateau pour mon portrait de couverture (pour le magazine Redbook), mais aussi en ce qui concerne l'état de fragilité émotionnelle de Marilyn qui se laisse manipuler par des gens qui en profitent. 
- "Désolé, Bernard, pas question de portrait officiel, m'annonce Harry Brand au téléphone, le chef du département publicité. Nous aurons de la chance si nous parvenons à finir le film après-demain. Billy Wilder a ordonné le huis-clos sur le tournage. Mais à la demande de Marilyn et de 'Redbook', vous seriez admis demain sur le plateau." A la fois découragé et encouragé, je me précipitai le jour-dit à la Fox (le 6 octobre 1954), où le gardien me dit que la journée de tournage était annulée. Je téléphonai chez Marilyn et au département publicité, personne ne répondit. Me sentant totalement exclu, je rentrai chez moi en empruntant sans y penser la route de Palm Drive; C'est alors que j'ai aperçu le plus grand rassemblement de journalistes que j'ai vu de toute ma carrière à Hollywood. (...) j'ai couru vers la maison avec mon appareil photo, pour apprendre avec tristresse que Marilyn devait annoncer qu'elle et joe divorcaient.
- Lorsque la lumière verte se mit à clignoter au-dessus du rideau de fer du gigantesque Plateau 3 de la Fox, m'autorisant à pénétrer sur le plateau, je découvris la réplique exacte du Trans Lux Theatre et des vitrines des boutiques voisines. Billy Wilder, cette fois sans son chapeau tyrolien mais son inséparable cravache à la main, donnait à Marilyn quelques directives particulières pour la 35ème prise de la scène de la bouche de métro. (...) Tandis que sa doublure enfilait un long pantalon noir de torero pour éviter de prendre froid, la pauvre Marilyn n'avait rien sur elle, à l'exception de sa fine culotte de soie. Et elle ronronnait pour la 36ème fois:
"N'est-ce pas délicieux ? Quel soulagement !".
"Coupez. On garde celle-là, mais on en fait une de plus pour la forme", ordonna Billy Wilder.

Une fois que Gladys Whitten, la coiffeuse de Marilyn a eu fini de la peigner, Natasha a endossé le rôle d'assistante réalisateur et l'a hypnotisée en articulant chaque syllabe de ses répliques appuyées par des gestes. Marilyn s'est concentrée sur cet aspect hypnotique, comme si elle était en état de transe. Lorsque la caméra s'est mise à tourner, Natasha se tenait à côté d'elle, juste en dehors du cadre, pour apporter son soutien moral à sa marionnette angoissée.
Pendant que la coiffeuse s'occupait de Marilyn, l'étrange aparté du couple disparate que formaient Marilyn et Natasha, l'une soufflant sa réplique à l'autre, ressemblait plus à une répétition d'un spectacle de marionnettes qu'au tournage d'un film. Au fond, c'était du 'théâtre de l'absurde' au sein du monde iréel du cinéma, une scène infiniment plus intéressante à observer que celle du film.
Après que la 39ème prise du plan de la robe volant soit dans la boîte, Billy Wilder, épuisé, complimenta à haute voix Marilyn pour son endurance: "Bien, Marilyn, ne t'inquiète pas. Nous avons gardé celle-là, on en fait juste une de plus pour atteindre la perfection!" (...) Ce n'est qu'à la 40ème prise que le metteur en scène s'écria avec enthousiasme: "Coupez ! On la garde ! C'est la bonne !" (...) Surgissant de derrière la caméra, Natasha se précipita vers Marilyn, l'embrassant de joie, tandis que la star, l'air aussi égaré qu'en enfant abandonné, lui demandait: "Pensez-vous vraiment que la dernière était réussie ? ... Je veux dire, parfaite à la lettre près ? Ou bien...". "Ca ne fait aucun doute pour moi, chérie, assura Natasha, c'était tout à fait cela !" Alors Marilyn sembla émerger de sa transe (...) et je me dépêchai de profiter de ce moment de lucidité pour obtenir une photographie insolite de Marilyn, montrant son sens de l'humour. Lorsque Sid Skolsky fit irruption dans la loge, la complimentant chaleureusement sur son interprétation, je demandai à Marilyn de poser pour moi. Marilyn se jeta aussitôt sur le divan, singeant une "star de cinéma un dimanche". 

1952_by_bb_1 1952_by_bb_2 1952_by_bb_3 
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> Marilyn et le photographe Sam Shaw
Marilyn and the photographer Sam Shaw
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 >> sources:
- Livres: Bernard of Hollywood's Marilyn / De Norma Jean à Marilyn, de Susan Bernard / L'Encyclopédie d'Adam Victor.


All photos are copyright and protected by their respective owners. 
copyright text by GinieLand.

01 juin 2013

Bruno Bernard Citation 1

*photographe

It was an emotional bond that Marilyn had to her public, the ordinary people,  the guys in uniform - the working class, those who struggled through wars and the Depression, whose poverty was no shame - that drove Marilyn. They were her public and, like myself, she would never let them down.

film_7yi_by_bb_3795 

Il y avait un lien affectif qui unissait Marilyn à son public, les gens ordinaires, les gars en uniforme - la classe ouvrière, ceux qui ont lutté à travers les guerres et la Dépression, pour qui la pauvreté n'était pas une honte - qui ont conduit Marilyn. Ils formaient son public et, comme pour moi, elle ne les aurait jamais laissés tomber. 

Posté par ginieland à 00:14 - - Commentaires [0] - Permalien [#]
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