23 octobre 2016

Marilyn Monroe Auction - 11/2016 - effets personnels 1


Vêtements
Clothes


Lot 15: MARILYN MONROE ROBE
 A cream cotton mandarin style robe owned by Marilyn Monroe and gifted to her personal assistant Vanessa Reis, sisterin-law of May Reis. The robe has seven self-frog closures, an internal label reading “Tuji” and the collar stamped "REIS." Accompanied by a copy of a letter to Reis dated August 14, 1993, in which Ralph Roberts writes, "Reference Marilyn robe and bracelet. As best I recall, late one Saturday afternoon Marilyn and I were in the dining area of the Miller 9th floor suite at the Mapes Hotel. She had just changed into a robe, sitting on one of the chairs and I was massaging her back and shoulders. She showed me a bracelet she'd brought to Reno with thought of possibly wearing it as a (undecipherable) comment for Roslyn. Upon discussing it, she and Paula had decided somehow it wouldn't be appropriate. Just then May Reis entered with Vanessa Reis (the widow of Irving Reis, May's greatly loved brother and film director). Vanessa had come up from LA for a long weekend visit - there'd been some talk of our going out to some of the casinos to do a bit of gambling. Vanessa told Marilyn how lovely she looked in that robe. Marilyn thanked her + impulsively held out the bracelet, Take this + wear it as a good luck charm. I was wearing it during dance rehearsals for Let's Make Love, smashed into a prop, so a stone is loosened. I wish I could go with you, but Raffe is getting some Misfits knots out. And I should go over that scene coming up Monday.' They left. Marilyn asked me to remind her to have the robe cleaned to give to Vanessa. Whitey, Agnes, May - all of us - knew from experience we couldn't compliment Marilyn on any personal items or had to be very careful. She'd be compulsive about giving it, or getting a copy - to you."
 Estimate: $5,000 - $7,000
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Lot 23: MARILYN MONROE IVORY KNIT TOP
 A knitted mohair and wool vest-top in cream owned by Marilyn Monroe. A label reads “Hand Knitted, Made in Italy." Accompanied by an original Christie’s sale tag.
PROVENANCE: Partial Lot 160, "The Personal Property of Marilyn Monroe," Christie's, New York, Sale number 9216, October 27 & 28, 1999
 Estimate: $2,000 - $4,000
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Lot 24: MARILYN MONROE TURQUOISE KNITTED TOP
 A knitted mohair and wool vest-top in turquoise owned by Marilyn Monroe. A label reads “Hand Knitted, Made in Italy.” Accompanied by an original Christie’s sale tag.
PROVENANCE: Partial Lot 160, "The Personal Property of Marilyn Monroe," Christie's, New York, Sale number 9216, October 27 & 28, 1999
 Estimate: $2,000 - $4,000
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Lot 25: MARILYN MONROE LANVIN GOWN
 A Castillo for Jeanne Lanvin circa 1950s gown owned by Marilyn Monroe. The ivory silk gown is embellished with gold bullion embroidery, simulated pearls, and faceted glass in a tri-squared classical cascading foliate motif. The boned bodice has a silk lining. Hand finishing work is present to the interior. “Jeanne Lanvin” and “Castillo” labels are present.
PROVENANCE: Lot 13, "The Personal Property of Marilyn Monroe," Christie's, New York, Sale number 9216, October 27 & 28, 1999
 Estimate: $20,000 - $40,000
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Lot 27: MARILYN MONROE CEIL CHAPMAN COCKTAIL DRESS
 A Ceil Chapman black figure-hugging cocktail dress worn by Marilyn Monroe on December 19, 1953 when she appeared at the Ambassador Hotel in Los Angeles to receive the Miss Press Club Award and to the restaurant, La Rue. The ruched jersey dress has a black silk taffeta three-tiered detail attached to the hip and a Ceil Chapman label. Chapman was one of Monroe’s favorite designers. A Christie’s lot tag and an in-house inventory tag inscribed “Strasberg #16” with an inventory number to the verso are present.
PROVENANCE: Lot 210, “The Personal Property of Marilyn Monroe,” Christie's, New York, Sale number 9216, October 27 & 28, 1999
 Estimate: $30,000 - $40,000
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Lot 28: MARILYN MONROE ROSE TATTOO PREMIERE GOWN
 A black slender-fitting evening gown worn by Marilyn Monroe while accompanying Marlon Brando to the New York City premiere of The Rose Tattoo (Paramount, 1956) in December 1955. The jersey bias-cut gown has spaghetti straps, a décolletage neckline, and a graduated weighted hemline. The gown is believed to have been custom made for Monroe by the studio wardrobe department and has silk lining and hand finishing work to the interior. Monroe was photographed numerous times at this event, interestingly with studio rival Jayne Mansfield, quite possibly the only time the two were photographed together. Accompanied by the original Christie’s lot tag.
PROVENANCE: Lot 217, “The Personal Property of Marilyn Monroe,” Christie's, New York, Sale number 9216, October 27 & 28, 1999
 Estimate: $50,000 - $70,000
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Lot 84: HISTORIC DRESS WORN BY MARILYN MONROE WHEN SHE SANG HAPPY BIRTHDAY TO JFK AT MADISON SQUARE GARDEN IN 1962
 A Jean Louis designed illusion gown worn by Marilyn Monroe at Madison Square Garden in New York City on May 19, 1962, at a Democratic fundraiser and 45th birthday celebration for President John F. Kennedy.
Early in 1962, Monroe asked famed Hollywood costume designer Jean Louis to create a dress “that only Marilyn Monroe could wear.” The nude soufflé chiffon gown, perfectly matching Monroe’s skin tone, was embellished with hand-sewn round crystals, carefully placed since the dress was created with no underlining layer. Monroe wore no undergarments that night, instead relying on Louis’ masterful swirls of crystals in precisely the right places. Under the stage lights of Madison Square Garden, the fabric of the dress appeared to melt away, leaving only twinkling rays of light from the crystals reflected by the spotlight covering Monroe. The gown was designed as a sleeveless column dress with a scoop neck and open back with clear zipper, covered by hook and eye tab closure and a small train at the back hem. Despite the zipper and closures, the gown was so form fitting that Louis later disclosed that Monroe had to be sewn into the back closure. His hand stitching is still evident beneath the lower back hook and eye tabs. Since 1999, the dress has been displayed on a custom conservator mannequin.
In this dress, Monroe sang her unique version of “Happy Birthday” to President Kennedy and a crowd of 15,000 well-wishers. Some have posited that Monroe’s delayed appearance on stage and her breathless performance can be attributed to getting lost and racing to the stage as Peter Lawford joked about Monroe’s penchant for never being on time.
The effect of her performance was far reaching – not only for Monroe but also for American 1960s culture. Monroe’s seductive serenade remains a crossroads of Hollywood and political touch points more than 54 years later. Part of the appeal may be the intrigue: Were Monroe and Kennedy having an affair? Did she just stand up in front of 15,000 people and sing him that song that way ? The performance has taken on a life of its own, outside the context of the gala. While Monroe’s performance is instantly recognizable and the most memorable of the night, it was one of many that night that included Jack Benny, Ella Fitzgerald, Henry Fonda and Maria Callas. However, it is Monroe singing in this dress that is remembered. It has come to epitomize who Marilyn was in popular culture, including the lyrics she wrote herself for the evening:
Happy Birthday to you
Happy Birthday to you
Happy Birthday Mr. President
Happy Birthday to you
Thanks Mr. President
For all the things you've done
The battles that you've won
The way you deal with U.S. Steel
And our problems by the ton
We thank you so much
Everybody! Happy Birthday!
As an enormous birthday cake was wheeled onstage, President Kennedy commented on Monroe’s performance, joking, “I can now retire from politics after having had ‘Happy Birthday’ sung to me in such a sweet, wholesome way.”
On that special evening, Monroe could not have known that she would live fewer than three months. Perhaps she thought another future performance would replace this as the moment that would epitomize her and her life. Sadly, John F. Kennedy was assassinated eighteen months later, and if tragedy had not intervened, this may not have been the singular iconic moment we associate with Monroe and Kennedy.
Although Monroe could not have known that this performance would be the last image of her remembered by so many following her untimely death, she expended a great deal of effort and money to bring this moment to life. Monroe’s financial statements from this period reveal a great deal about the extraordinary amount of money she put behind her performance. Her May 1962 financial statements list a special expense category titled “New York Birthday Salute to the President” with a $5,000 expense, Monroe’s ticket/donation made to attend the event. Expenses also include $1,000 listed as pertaining to the birthday gala for her maid, Hazel Washington, to accompany Monroe to New York. The expense is coded as “business maid, plane fare, salary.” Her last checkbook also records a check paid to Mary Irvine for makeup for “special appearance at Madison Square Garden.” Monroe’s financial statements also list a $300 deposit paid to Western Costume Company to create this gown with matching shoes in May and a payment for the remaining balance of $1,140.33 in June 1962. There were no doubt other expenses involved in Monroe’s appearance, but the ticket to the event, dress, and the expenses listed above total more than $7,000 in 1962, which with inflation would equate to $60,000 in 2016.
These costs do not begin to take into account the cost Monroe paid professionally for her appearance. At the time she was filming Something’s Got To Give, and Twentieth Century Fox executives would not give Monroe permission to leave filming to attend the event. According to some sources, the employees on the crew were aware, in advance, that Monroe was traveling from Los Angeles to perform at the celebration. Whatever miscommunication or machinations there were behind the absence, it became another strike against the actress on an already contentious film set. Monroe’s unauthorized departure was used against her as she was ultimately fired from the film.
The performance that night in May also had an impact on Monroe’s personal life. Monroe biographer Lois Banner, in her book Marilyn: The Passion and the Paradox (New York: Bloomsbury, 2012), asserts that Monroe told the event planners that she would dress discreetly. When viewed under normal lighting, the dress did appear modest, but under the glare of the Madison Square Garden stage lights, the Jean Louis creation magically transformed into a sparkling second skin. The dress and the song were too much for the political dynasty, and according to Banner, that evening ended whatever relationship Monroe and John F. Kennedy shared and severed her from the rest of the Kennedy family. The magic and myth of Marilyn Monroe as legend was certainly sealed that evening in May 1962, made permanent by her mysterious death a short time later. The fact that she remains a contemporary role model and muse all these decades later is extraordinary and a feat achieved by few. Ten years after her death, Elton John and Bernie Taupin penned “Candle in the Wind” about Monroe, repurposing the lyrics twenty-four years later for the funeral of Princess Diana. From Andy Warhol to Cindy Sherman to Richard Avedon and Bert Stern, the art and photography world has always taken Marilyn Monroe seriously. In fact, it was Monroe’s death in 1962 that inspired Warhol to create the “Marilyn Diptych” among more than 20 silkscreen paintings of her, all based on the publicity photograph from her 1953 film Niagara, plucking her from pop culture, forever immortalized as art.
PROVENANCE Lot 55, “The Personal Property of Marilyn Monroe,” Christie’s, New York, Sale number 9216, October 27–28, 1999
 Estimate: $2,000,000 - $3,000,000
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Lot 218: MARILYN MONROE MINK COAT
 A three-quarter-length mink coat with bell sleeves, wide lapel, two front velvet lined pockets and rose form buttons edged in citrine rhinestones. Label has been cut from front right lining.
It was and still is customary for furriers to embroider an owner’s name onto a label that is attached to the lining or directly onto the lining of high-end fur jackets. Due to the fact that Inez Melson and her family held this and other furs that belonged to Monroe and her estate for many years in violation of Monroe’s wishes as outlined by her will, we believe that the label, which likely featured Monroe’s embroidered name, was removed from the jacket in an effort to conceal the fact that it was a fur owned by Monroe. The labels cut from these furs have never been recovered.
 Estimate: $20,000 - $30,000
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Lot 221: MARILYN MONROE FUR JACKET
 A tourmaline mink, cropped jacket with three-quarter-length sleeves, two plastic gold colored buttons and front inside left seam pocket. Label has been cut from front right lining.
It was and still is customary for furriers to embroider an owner’s name onto a label that is attached to the lining or directly onto the lining of high-end fur jackets. Due to the fact that Inez Melson and her family held this and other furs that belonged to Monroe and her estate for many years in violation of Monroe’s wishes as outlined by her will, we believe that the label, which likely featured Monroe's embroidered name, was removed from the jacket in an effort to conceal the fact that it was a fur owned by Monroe. The labels cut from these furs have never been recovered.
 Estimate: $10,000 - $15,000
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Lot 222: MARILYN MONROE FUR CAPE
 A chinchilla cape with wide lapel, front vertical seamed pockets and notched sides. Label has been cut from front right lining.
It was and still is customary for furriers to embroider an owner’s name onto a label that is attached to the lining or directly onto the lining of high-end fur jackets. Due to the fact that Inez Melson and her family held this and other furs that belonged to Monroe and her estate for many years in violation of Monroe’s wishes as outlined by her will, we believe that the label, which likely featured Monroe’s embroidered name, was removed from the jacket in an effort to conceal the fact that it was a fur owned by Monroe. The labels cut from these furs have never been recovered.
 Estimate: $10,000 - $15,000
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Lot 223: MARILYN MONROE CARDIGAN WITH FUR LAPEL
 A white wool cardigan with lace and tulle lining, rhinestone button closure and rhinestone cufflinks. The cardigan features a removable white and lunaraine mink shawl collar lapel attached with small snaps. Label inside sweater reads "Bonnie Briar Full Fashioned Fur Blend 10% Angora 70% Wool."
 Estimate: $10,000 - $15,000
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Lot 224: MARILYN MONROE STOLE
A white fox fur stole with white silk lining and single hook and eye closure.
 Estimate: $8,000 - $12,000
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Lot 294: MARILYN MONROE PORTRAIT DRESS
A red-orange dress worn by Marilyn Monroe in a 1957 portrait and to a circa 1957 event with Arthur Miller that appears to be a showing of The Prince and the Showgirl (Warner Brothers, 1957). The dress has a fitted jersey halter bodice with a layered silk crepon full skirt. A "Designed by Jax" label is present.
 Estimate: $60,000 - $80,000
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Lot 295: MARILYN MONROE JAX KNITTED TOP
A black sleeveless knitted top with plunging V to front and back. A Designed by Jax label is present.
 Estimate: $3,000 - $5,000
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Lot 296: MARILYN MONROE JAX TOP
An ivory jersey sleeveless cropped top. The top has large pearlized buttons to the back and a Jax label.
 Estimate: $3,000 - $5,000
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Lot 376: MARILYN MONROE JACKET
A black wool tailored jacket. The fitted jacket is lined with pale pink and ivory striped silk. Monroe wore the jacket with a fur lined collar while attending a meeting to launch the New Watergate Club in London with Arthur Miller on September 10, 1956. The unfinished collar indicates that it was originally lined with fur.
 Estimate: $8,000 - $12,000
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Lot 377: MARILYN MONROE LAMB JACKET
 A broadtail lamb cropped long-sleeve jacket with fox fur collar and single black velvet with braided cord trim, front button closure. Label has been cut from front right lining.
It was and still is customary for furriers to embroider an owner’s name onto a label that is attached to the lining or directly onto the lining of high-end fur jackets. Due to the fact that Inez Melson and her family held this and other furs that belonged to Monroe and her estate for many years in violation of Monroe’s wishes as outlined by her will, we believe that the label, which likely featured Monroe’s embroidered name, was removed from the jacket in an effort to conceal the fact that it was a fur owned by Monroe. The labels cut from these furs have never been recovered.
 Estimate: $15,000 - $20,000
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Lot 382: MARILYN MONROE SATIN COAT DRESS
An ivory satin coat dress. The dress has mother of pearl buttons and a self-tie belt. A Rudi Gernreich design for Walter Bass label is present.
 Estimate: $8,000 - $12,000
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Lot 388: MARILYN MONROE SUNDRESS
A silky ivory sundress. The dress has bows to the shoulders and a silk lining.
 Estimate: $8,000 - $12,000
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Lot 427: MARILYN MONROE IVORY DRESS
A figure-hugging ivory silk dress worn during a 1959 photo shoot with Manfred Kreiner while in Chicago promoting Some Like It Hot as shown in photograph at left. The short-sleeve dress has a weighted hem.
 Estimate: $8,000 - $12,000
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Lot 480: MARILYN MONROE SILK WRAPPER
An ivory silk wrapper with ruffle trim.
 Estimate: $5,000 - $7,000
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Lot 889MARILYN MONROE PURPLE BLOUSE
A Marilyn Monroe purple cotton short-sleeve button-down blouse. Label reads “Gabey Original.” The fitted shirt has cuffed sleeves and four-button closure, size 12.
PROVENANCE Partial Lot 50, "Property from the Estate of Marilyn Monroe," Julien's, Los Angeles, June 4, 2005
 Estimate: $2,000 - $4,000
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Costumes Séances Photos
Shooting Sitting Costumes


 Lot 58: MARILYN MONROE PORTRAIT BODICE
 A 19th Century-style bodice worn by Marilyn Monroe in a 1956 Jack Cardiff photo session. The boned faille bodice is embellished with ivory lace, black silk velvet, and jet-like foliate buttons. Originally from The Jack Cardiff Collection. Accompanied by a piece of the original missing button and a copy of Cameraman: The Life and Work of Jack Cardiff (Modus Operandi Films, 2010).
PROVENANCE: Lot 93, “Film and Entertainment,” Christie’s, South Kensington, Sale number 9538, December 17, 2002
 Estimate: $20,000 - $40,000

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Lot 61: MARILYN MONROE RICHARD AVEDON PHOTOSHOOT COSTUME AND LIFE MAGAZINE
 A costume worn by Marilyn Monroe as Lillian Russell for a pictorial feature in the December 22, 1958 issue of Life magazine, photographed by Richard Avedon. The lavender satin, boned leotard has a décolletage neckline trimmed with bouquets of fabric flowers and pink, lavender and cream draped chiffon sashes across the front, embellished with pink satin bows and trimmed in lavender, pink and cream chiffon. The costume has minor post-photoshoot alterations. Monroe also dressed as Theda Bara, Clara Bow, Jean Harlow, and Marlene Dietrich for this series of photographs. Accompanied by a copy of the magazine.
PROVENANCE: Lot 748, “Collectibles & Hollywood Entertainment,” Christie's East, New York, Sale number 7513, December 18, 1993
 Estimate: $20,000 - $40,000

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Costumes de films & Bijoux
Movies costumes & Jewels


Lot 30: MARILYN MONROE HOW TO MARRY A MILLIONAIRE EARRINGS
 A pair of simulated pearl and simulated diamond costume earrings worn by Marilyn Monroe in How To Marry A Millionaire (20th Century, 1953) and in numerous publicity photographs. Monroe also wore the earrings to a St. Jude charity event at the Hollywood Bowl in September 1953 and to Charles Coburn's birthday Party on June 17, 1953. Accompanied by the Christie’s lot card.
Length approximately 2 1/2 inches
PROVENANCE: Lot 230, "The Personal Property of Marilyn Monroe," Christie's, New York, Sale number 9216, October 27 & 28, 1999
 Estimate: $80,000 - $100,000

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Lot 38: MARILYN MONROE STUDIO EVENING GOWN
 A black velvet evening gown with plunging neckline from an unknown production with a bias label inscribed "M. Monroe 1 27 3 0396." Accompanied by a matching black velvet belt.
PROVENANCE: Lot 225, "Collector’s Carrousel, Including Dolls, Toys, Slot Machines, Hollywood and Rock ‘N’ Roll Memorabilia," Sotheby's New York, Sale number 6384, December 17, 1992
 Estimate: $20,000 - $30,000

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Lot 39: MARILYN MONROE NIAGARA NEGLIGEE
 A slender-fitting black chiffon negligee with an applied silk red rose made for Marilyn Monroe as Rose Loomis in the thriller Niagara (20th Century, 1953). The gown is trimmed with lace and has a flesh tone chiffon underlayer. A bias label is inscribed “1-69-1-1180 Marilyn Monroe A-678.” Monroe’s role in this film established her as a star and showcased her dramatic acting abilities. Costume design by Dorothy Jeakins. Post-production alterations are present. The dress is not in the final cut of the film but is documented on Monroe in wardrobe test shots.
PROVENANCE: Lot 224, "Collector’s Carrousel, Including Dolls, Toys, Slot Machines, Hollywood and Rock ‘N’ Roll Memorabilia," Sotheby's New York, Sale number 6384, December 17, 1992
 Estimate: $20,000 - $40,000

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Lot 40: MARILYN MONROE SOME LIKE IT HOT COCKTAIL DRESS AND STUDIO IMAGE
 A figure-hugging sheer black and nude embellished cocktail dress worn by Marilyn Monroe while singing “I’m through with Love” atop a grand piano in Billy Wilder’s Some Like It Hot (United Artists, 1959). The dress is composed of black souffle and nude silk jersey embellished with columns of jet-like beads and sequins, scattered beaded butterfly appliques, and beaded fringes. The dress has a built-in bra and an illusion of a deep plunging back that was considered extremely daring for its’day. Hand finishing work is present to the interior. A Western Costume label inscribed “Marilyn Monroe 1575-1” is attached to the interior of the bra. Legend tells that Monroe had to be lifted to the piano for this scene as the dress was very form fitting. Some Like It Hot is considered to be one of the greatest film comedies of all time. It was voted as the top comedy film by the American Film Institute on their list on AFI's 100 Years...100 Laughs poll in 2000. The film won the 1960 Golden Globe awards for Best Motion Picture-Comedy or Musical, Best Actress in Motion Picture-Comedy or Musical for Monroe, and Best Actor in Motion Picture-Comedy or Musical for Jack Lemmon. Orry-Kelly won the 1959 Academy Award for costume design for his work on this film. Some restoration work is present. Accompanied by a black and white publicity image.
PROVENANCE: Lot 586, “Entertainment, Memorabilia & Collectibles,” Christie's, New York, Sale Number 7327, June 29, 1992
 Estimate: $400,000 - $600,000

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Lot 41: MARILYN MONROE NIAGARA DRESS
 A carnation pink linen halter-style “wiggle dress” made for Marilyn Monroe as Rose Loomis in the thriller Niagara (20th Century, 1953). The dress has pearlized magenta buttons, silk lining and a bias label inscribed “1-27-1-7790 Marilyn Monroe A678-05.” Monroe’s role in this film established her as a star and showcased her dramatic acting abilities. Costume design by Dorothy Jeakins. The dress is not in the final cut of the film but is documented on Monroe in wardrobe test shots, publicity images, and public appearances. Some post production alterations are present.
PROVENANCE: Lot 226, "Collector’s Carrousel, Including Dolls, Toys, Slot Machines, Hollywood and Rock ‘N’ Roll Memorabilia," Sotheby's New York, Sale number 6384, December 17, 1992
 Estimate: $30,000 - $50,000

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Lot 46: MARILYN MONROE JANE RUSSELL GENTLEMEN PREFER BLONDES EMBELLISHED GOWN AND MAGAZINE COVERS
 A ruby red sequin embellished figure-hugging crepe gown worn by Jane Russell in the opening scene of Gentlemen Prefer Blondes (20th Century, 1953) while performing "We're Just Two Little Girls from Little Rock" with Marilyn Monroe. The gown has a built-in leotard with boning, sequins and paillettes in a vermicelli pattern, a high front slit, and a graduated hemline. Hand finishing work is present. Costume design by Academy Award winner William "Billy" Travilla. Accompanied by a cover of the May 25, 1953 issue of Life magazine and a cover of an August 15, 1953, issue of Picture Post. Necklace not included.
PROVENANCE: Lot 245, “Collectors' Carrousel,” Sotheby's, New York, Sale number 5956, December 15, 1989
 Estimate: $30,000 - $50,000

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Lot 47: MARILYN MONROE JANE RUSSELL GENTLEMEN PREFER BLONDES COSTUME
A black sequined dance leotard made for Jane Russell as Dorothy Shaw in Gentlemen Prefer Blondes (20th Century, 1953). The costume consists of a black satin boned leotard embellished with jet-like sequins in a vermicelli pattern and rhinestone trim and a matching sequin bicorne hat. The costume is not seen in the final cut of the film. Russell and Marilyn Monroe wear the costumes in the film’s official trailer and many publicity images. Post-production alterations present. Costume design by Academy Award winner William “Billy” Travilla.
 Estimate: $8,000 - $10,000

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Lot 48: MARILYN MONROE GENTLEMEN PREFER BLONDES COSTUME AND STUDIO IMAGE
A black sequined dance leotard worn by Marilyn Monroe as Lorelei Lee in Gentlemen Prefer Blondes (20th Century., 1953). The costume consists of a black satin boned leotard embellished with black sequins in a vermicelli pattern and rhinestone trim with dangling teardrop rhinestones and a matching black sequin covered bicorne hat. The leotard has a bias label inscribed “1-25-1-4288 Marilyn Monroe A698-69." The hat has a bias label inscribed “1-25-1-4288 M. Monroe A698-69." Costume design by Academy Award winner, William “Billy” Travilla. The costume is not in the final cut of the film, but Monroe and costar Jane Russell wear these costumes in the film’s official trailer and several publicity images. Accompanied by artificial pink roses that are not original to the costume and a studio image.
 Estimate: $20,000 - $40,000

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Lot 49: MARILYN MONROE NO BUSINESS LIKE SHOW BUSINESS GOWN
 A figure-hugging embellished gown worn by Marilyn Monroe while singing “After You Get What You Want You Don’t Want It” in the musical There’s No Business Like Show Business (20th Century, 1954). The flesh tone crepe gown has a netting overlay and is generously embellished with silver and pearlized bugle beads in a starburst and foliate motif, scattered rhinestones, bouquets of bugle beads top with sequins and seed beads, with a cluster of monofilament fiber with silver and glittering flowers to the waist-high left leg slit. A sheer pleated vanity panel is present to the slit and was added post production for alternate filming and publicity images for release in countries that forbade such a revealing costume. Hand finishing work and a couture waistband are present to the interior. A 20th Century label with no inscription and a bias label inscribed “1-25-1-4692 M. Monroe A-729-28” are present. Costume design by William Travilla. Accompanied a matching headpiece of silver and glitter flowers, accented with a spray of monofilament fibers with a bias label inscribed “1-25-4-4692 A729-29 M.Monroe.” Accompanied by a pair of strappy satin Pacelle Saks Fifth Avenue high heels that are not original to the costume.
PROVENANCE: Lot 105, “Television and Film Memorabilia and Posters,” Christie's, New York, Sale number 7741, June 28, 1995
 Estimate: $100,000 - $200,000

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Lot 50: MARILYN MONROE NO BUSINESS LIKE SHOW BUSINESS SWIM COSTUME
 An embellished one-piece swim costume made for Marilyn Monroe as Vicky Hoffman in the musical There’s No Business Like Show Business (20th Century, 1954). The costume consists of a black cotton boned bathing suit with scattered polka dots, two matching bows, a matching belt and a wrap of white cotton decorated with black polka dots. The swimsuit has a couture waistband and a bias label inscribed “1-18-3-1221 A729-41 M.Monroe.” Together with an ivory sequined bathing cap in the form of a flower, with edges trimmed in silver bugle beads with a bias label inscribe “1-25-4-4691-A729-29 M.Monroe.” Costume design by Academy Award winner William "Billy" Travilla. Sir Elton John donated this piece to a charity auction in 1990.
PROVENANCE: Lot 104, “Pop,” Christie's, South Kensington, Sale number 4259, April 25, 1991
 Estimate: $20,000 - $40,000

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245124_0 245125_0 


Lot 54: MARILYN MONROE BUS STOP COSTUME, STUDIO IMAGE AND TEAR SHEET
 A jade green embellished satin leotard worn by Marilyn Monroe while singing “That Old Black Magic” in a saloon scene in Joshua Logan’s Bus Stop (20th Century, 1956). The film was based on William Inge’s play. The boned leotard has black netting overlay to a nude wire brassiere, jet-like sequins in a fish scale pattern, scalloped gold bullion fringe trimmed with topaz-colored faceted glass. A bias label inscribed “Marilyn Monroe” and a 20th Century label inscribed “A-769-03” are present. Post-production alterations are present. The film’s costume designer is Academy Award winner William “Billy” Travilla. Monroe received a Golden Globe nomination for Bus Stop , and the film was nominated for the Best Motion Picture-Musical or Comedy Golden Globe. Accompanied by a studio publicity image and a tear sheet from PhotoPlay magazine.
PROVENANCE: Lot 386, Christie’s Collectibles, Christie's East, New York, Sale number 6841, June 21, 1989
 Estimate: $80,000 - $100,000
245129_0  245132_0 245133_0  
245130_0 245131_0  


Lot 55: MARILYN MONROE AND BUS STOP CAST SIGNED STETSON AND FRAMED IMAGE
 A tan felt Karam’s Stetson purportedly worn by an extra in the rodeo sequence of Bus Stop (20th Century, 1956) and signed in black ballpoint pen by 11 members of the cast and crew of the film, including Marilyn Monroe, Don Murray, Joshua Logan, George Axelrod, Robert Bray, Arthur O'Connell, Betty Field, Eileen Heckart, and Hans Conried, among others. Accompanied by a copy of a letter from the original consigner regarding the provenance of the Stetson and a framed image of Monroe on the set of the film.
Stetson, approximately 5 by 15 by 13 ½ inches; Framed image, approximately 25 by 25 inches
PROVENANCE: Lot 119, “Film & Entertainment,” Christie's, South Kensington, Sale number 9771, December 16, 2003
 Estimate: $8,000 - $10,000

245134_0 245135_0 
245136_0 245137_0 


Lot 56: MARILYN MONROE BUS STOP STUDIO PROMOTIONAL BODICE AND MAGAZINE COVER
 A pale green bodice with black floral lace overlay created by 20th Century Fox in the style of a bodice worn by Marilyn Monroe in Bus Stop (20th Century, 1956) and given away as a promotional prize. The fitted bodice has ribbon ties to neck and sleeves, a snap back closure, an interior bias label inscribed “Marilyn Monroe,” and a 20th Century Fox label inscribed "A-769-04.” The bodice was offered to Picture Show & Film Pictorial magazine in 1956 as the grand prize for a reader contest and was originally described as the blouse Monroe wore in the film. While the blouse contains a 20th Century Fox studio label with Marilyn’s name the and the studio’s accurate production number for Bus Stop, the blouse does not match the costume Monroe wears in the final production of the film or in publicity photos. Accompanied by an original Picture Show & Film Pictorial magazine cover, a clipping announcing that Mrs. Fulcher had won the bodice, the original letter from the magazine addressed to the contest’s winner, Mrs. A.M. Fulcher, reading, “My very sincere congratulations on your postcard entry which wins this unique prize of Marilyn Monroe’s blouse, worn by her during the filming of 'Bus Stop.' I hope you will tell the friends to whom you show your prize that regularly something worn or used by a British or American star in a film will be offered in a free competition to be won by a reader of Picture Show. Again my congratulations. Yours sincerely, The Editor. P.S. If you would like to send an acknowledgement to Marilyn Monroe I will see that it is delivered to her.”
PROVENANCE Lot 471, “Film and Animation Art,” Sotheby's, London, June 8, 1993
Estimate: $5,000 - $10,000

245138_0  245140_0 245141_0  
245139_0 


Lot 57: MARILYN MONROE FUR STOLE
 A Russian sable fur stole originally acquired by costume designer Beatrice Dawson for Marilyn Monroe to wear in The Prince and The Showgirl (Warner Bros., 1957). Accompanied by documentation from Betty Highwood, an associate of Dawson’s who purchased the fur post production from Dawson. Highwood notes that, according to Dawson, Monroe declined to wear the fur due to its dark color. In scenes near the end of the film, Monroe wears a white fur that more closely matches her costume, a full-length white evening gown.
PROVENANCE: Lot 246, “Film & Entertainment,” Christie's, South Kensington, Sale number 3577, December 20, 1989
 Estimate: $5,000 - $10,000

245142_0 245143_0   


Lot 59: MARILYN MONROE THE PRINCE AND THE SHOWGIRL GOWN AND WINDOW CARDS
 A figure-hugging ivory gown worn by Marilyn Monroe throughout the majority of the romantic drama The Prince and The Showgirl (Warner Bros., 1957). The satin gown has a draped souffle overlay that is adorned with simulated pearls, pearlized bead and faceted glass florets, and beaded fringe and has a weighted mermaid tail. Though Monroe was not nominated for an American Academy Award for this film, she won the French and Italian equivalents for her portrayal of Elsie Marina in this film opposite Sir Laurence Olivier. Costume design by Beatrice Dawson. Accompanied by three window cards.
PROVENANCE Lot 2000, ”Marilyn Monroe: The Red Velvet Images,” Butterfields, Los Angeles, Sale number 7232B, March 22, 2001
BIDDING ON THIS LOT WILL REQUIRE SPECIAL REGISTRATION REQUIREMENTS. Please email info@juliensauctions.com or call 310-8361818 for additional information and approval for this lot.
 Estimate: $60,000 - $80,000

245147_0  245152_0


Lot 60: MARILYN MONROE SEVEN YEAR ITCH GLOVES
 A pair of custom-made opera gloves embellished with graduated rows of jet-like sequins worn by Marilyn Monroe in the "Rachmaninoff" scene of The Seven Year Itch (Warner Bros., 1955). Hand finishing work is present. A leather label reads “Made for Marilyn Monroe by Billi Cheatwood Beverly Hills.” Accompanied by a copy of the film.
PROVENANCE Lot 142, “Entertainment Memorabilia,” Christie's East, New York, Sale number 7565, June 2, 1994
 Estimate: $4,000 - $6,000

245153_0 245154_0 245155_0 
245156_0


Lot 64: MARILYN MONROE LET’S MAKE LOVE BLOUSE
 A custom-made pale pink silk blouse worn by Marilyn Monroe as Amanda Dell in Let’s Make Love (20th Century, 1960). The fitted blouse is tailored with simulated pearl buttons and hand finishing work to the interior. A Twentieth Century Fox label with no inscription is present. Accompanied by a copy of the fim.
PROVENANCE Lot 238, “Film and Entertainment,” Christie's, South Kensington, Sale number EPH 3127, December 16, 1988
 Estimate: $20,000 - $40,000

245163_0 245164_0 245168_0 
245165_0 245166_0 245167_0 


Lot 65: MARILYN MONROE LET'S MAKE LOVE WRAP SKIRT
 A vibrant orange wool wrap skirt worn by Marilyn Monroe in Let's Make Love (20Th Century, 1960). The tailored skirt is lined with pink cotton and has hand finishing work. A Twentieth Century Fox label inscribed “F-13 M. Monroe” is present. Costume design by Dorothy Jeakins. Accompanied by a copy of the film.
PROVENANCE: Lot 143, “Entertainment Memorabilia,” Christie's East, New York, Sale number 7565, June 2, 1994
 Estimate: $10,000 - $20,000

245169_0  245170_0 
245171_0 245172_0 
245173_0 245174_0 


Lot 774: MONTGOMERY CLIFT THE MISFITS SHIRT
 A western style shirt worn by Montgomery Clift in The Misfits (United Artists, 1961). The shirt has pearlized snap closures and is labeled "Panhandle Slim." Accompanied by a copy of the book The Making of The Misfits by James Goode, a December 1960 issue of Cosmopolitan , and an August 29, 2004, article from the Los Angeles Times .
PROVENANCE From the Estates of Jack Larson and James Bridges
 Estimate: $4,000 - $6,000

246309_0  246310_0 
246311_0 246312_0 246313_0 
246314_0 246315_0 246316_0  


Chaussures
Shoes


Lot 21: MARILYN MONROE SALVATORE FERRAGAMO HEELS
 A pair of white leather heels owned by Marilyn Monroe, originally from the estate of Marilyn Monroe. The three-inch spiked heels have perforated dot detailing. Size 7.5B. The heels were originally donated by Anna Strasberg for the benefit of the Hereditary Disease Foundation in Los Angeles, California. Accompanied by a copy of a letter of authenticity signed by Strasberg, dated March 10, 1986. Previously exhibited at the Victoria and Albert Museum in the “Shoes: Pleasure and Pain” exhibit, June 13, 2015- January 31, 2016.
PROVENANCE: Lot 483, “Entertainment & Sports Memorabilia," Christie's East, Sale number 7073, June 20, 1990
 Estimate: $2,000 - $4,000

245042_0 245043_0  


Lot 101: MARILYN MONROE SANDALS WORN AS A MODEL
A pair of simple brown leather platform sandals with crisscrossing ankle straps by Cabalano, with 3 1/4-inch heels. Monroe can be seen in a number of early modeling photographs wearing these shoes. Impressions of Monroe's feet are well worn onto the insoles, demonstrating how frequently she wore them.
 Estimate: $4,000 - $6,000

245271_0 245272_0   


Lot 276: MARILYN MONROE FERRAGAMO SHOES
 A pair of white leather stiletto heels, hand made in Italy by Salvatore Ferragamo. No size is stamped to leather sole of shoe, but handwritten notations on interior of each shoe read, "AL 3678 7 1/2 B 899." The shoes are heavily scuffed, and the uppers have been polished with white shoe polish while the heel is a couple of shades darker.
Size 7.5
 Estimate: $3,500 - $4,500

245563_0  245564_0 


Lot 390: MARILYN MONROE FERRAGAMO SHOES
 A pair of white silk satin stiletto heels, hand made in Italy by Salvatore Ferragamo. The number six is stamped to leather sole of each shoe.
Size 6
Estimate: $4,000 - $6,000

245738_0  


Lot 394: MARILYN MONROE WHITE SATIN SHOES
A white satin right-foot shoe by I. Miller Beautiful Shoes with "Marilyn Monroe/ 433/ 22004" handwritten inside and 3 3/4-inch heel. Together with a single white satin shoe by Dal Co. from the Rome boutique, with 3 3/4-inch heel and handwritten notation inside shoe reading "1619."
 Estimate: $1,000 - $1,500

245739_0  


Lot 393: MARILYN MONROE FERRAGAMO SHOE
A single white leather left-foot Ferragamo stiletto heel with scuffed heel, sides and toe. Handwritten notation inside shoe reads "PE-925-7 1/2 B- 899."
 Estimate: $500 - $700

245741_0 


Lot 396: MARILYN MONROE BURGUNDY SATIN PLATFORM SANDALS
A pair of custom handmade sandals with 1 3/4-inch platforms and a heel measuring more than four inches. The bespoke shoes were made by Anello & Davide of London, perhaps most famous for hand crafting the Beatles boots worn by the Fab 4 in the 1960s. Together with two pink plastic and metal shoe forms. Sole of shoe is stamped with maker's mark and UK size 4 1/2. Monroe custom ordered the shoes to match the dress she wore to the premiere of then husband Arthur Miller's play A View From The Bridge in London in October 1956.
 Estimate: $4,000 - $6,000

245744_0  245745_0  245746_0 


Lot 397: MARILYN MONROE RED LEATHER DAL CO. HEELS
A pair of red Italian leather heels by Dal Co. listing a boutique address in Rome. Significant wear to heels and soles with nonslip inserts at heel. Leather soles stamped with a "1" and "38," presumably a European size 38.
 Estimate: $4,000 - $6,000

245747_0   


Lot 398: MARILYN MONROE RED I. MAGNIN HEELS
A pair of red canvas heels from I. Magnin & Co. of California with 3 1/2-inch heels. Soles of shoes have handwritten notation reading "1-12-3-7440 M Gaynor" and inside strap with handwritten notation reading "5m D6298 01-698."
 Estimate: $3,000 - $5,000

245748_0


Lot 399: MARILYN MONROE BEIGE DAL CO. SHOES
A pair of beige heels by Dal Co. with no-slip heel inserts, worn heels and soles, and very scuffed toes and sides. The shoes are stamped both "38" and "15."
 Estimate: $2,500 - $3,500

245749_0  


Lot 400: MARILYN MONROE WHITE LEATHER SANDALS
A pair of white leather open-back sandals with 3 1/2-inch heels. The back of one heel is separating from shoe with multiple scuffs to leather. Handwritten notations inside shoes read "7 1/2 S 30338."
 Estimate: $2,500 - $3,500

245750_0 


Lot 404: MARILYN MONROE PURPLE ALIATA SHOES
A pair of handmade Italian purple leather shoes by Aliata with 3 1/3-inch heels. Sole is stamped simply "8."
 Estimate: $3,000 - $5,000

245755_0  


Lot 405: MARILYN MONROE GREY ALIATA HEELS
 A pair of grey suede stiletto heels with inset cutouts featuring colorful embroidered paisley designs by Aliata. Each shoe, with 4-inch heel, is hand inscribed "ART 705 8 B 899."
 Estimate: $3,500 - $4,500

245756_0   


Lot 406: MARILYN MONROE BLACK ALIATA HEELS
A pair of handmade Italian black leather stiletto heels with leather lacing detail and cutaway arch by Aliata. The shoes have a 3 3/4-inch heel and size stamp on interior of shoe reading "7 1/2 with (AA 899)" and lavender and brown leather detail on sole of shoe.
 Estimate: $3,000 - $5,000

245757_0  


Lot 407: MARILYN MONROE BLACK SATIN DAL CO. HEELS
A pair of black satin Italian shoes by Dal Co. with 4-inch stiletto heels. The shoes list the address of the company’s Rome boutique, and each shoe contains handwritten notation in black ink reading "1360."
 Estimate: $2,500 - $3,500

245758_0


Lot 408: MARILYN MONROE BLACK OVERSHOE
A single black, snap-front overshoe with manufacturer’s mark on bottom reading “Goodyear’s I.R.G.M. Co. Glove Brand” as well as a size “5 1/2” stamped to bottom. Together with red and grey plastic spring-form shoe stretcher.
Estimate: $300 - $500

245759_0  


Lot 410: MARILYN MONROE PLATFORM SANDALS
A pair of woven straw platform summer sandals by Fortuna Shoe of Trieste, Italy, with 3-inch platform heels. Both uppers completely detached at toes.
 Estimate: $400 - $600

245761_0  


Lot 428: MARILYN MONROE WHITE SATIN DELMAN HEELS
A pair of white satin pumps by Delman of New York and Paris with "Especially for Marilyn Miller" embossed in gold inside. Handwritten notation inside each shoe, with 3 1/2-inch heel, reads " BP79741 - 7 1/2 aaa – Venetian."
 Estimate: $2,500 - $3,500

245794_0 


Lot 493: MARILYN MONROE FERRAGAMO SHOES
 A pair of beige leather stiletto heels, hand made in Italy by Salvatore Ferragamo. No size is stamped to leather sole of shoe, but handwritten notations on interior of each shoe read, "PE 925 7 1/2 B 899." The shoes are heavily worn, and the left shoe is missing the tip to the stiletto heel.
Size 7.5
 Estimate: $3,500 - $4,500

245904_0 


Lot 494: MARILYN MONROE FERRAGAMO SHOES
 A pair of beige leather stiletto heels, hand made in Italy by Salvatore Ferragamo. No size is stamped to leather sole of shoe, but handwritten notations on interior of each shoe read "PE 925 7 1/2 B 899." The shoes are heavily worn and are missing the tips to the stiletto heels, revealing the inner metal structure of the heels.
Size 7.5
 Estimate: $3,000 - $5,000

245905_0  


Lot 395: MARILYN MONROE SHOE FORMS
 A pair of quilted champagne silk satin shoe forms.
4 inches
 Estimate: $300 - $500

245743_0 


Accessoires
accessories


Lot 303: MARILYN MONROE EVENING GLOVES
 A pair of white cotton ladies evening gloves featuring an elaborate floral pattern done in white seed beads, minor 1 1/2-inch area of discoloration on back of left glove, although gloves have been cleaned and pressed.
12 inches
 Estimate: $1,500 - $2,000
245618_0 


Lot 304: MARILYN MONROE EVENING GLOVES
 A pair of white cotton ladies evening gloves featuring a cuff with white cotton bows. Label reads "K Gloves The Hand of Fashion."
Size 6.5
 Estimate: $800 - $1,200
245619_0 


Lot 306: MARILYN MONROE LACE GLOVES
A pair of black lace gloves. The gloves are labeled "Cornelia James Made in England." Size 7 1/2.
 Estimate: $3,000 - $5,000
245621_0  


Lot 307: MARILYN MONROE GLOVES
 A pair of black cotton ladies evening gloves featuring elaborate custom beading with black seed and bugle beads throughout. Label reads, "100% double woven cotton made in the British Crown."
8 1/2 inches
 Estimate: $1,500 - $2,000
245622_0 


Lot 145: MARILYN MONROE FUR HEADBAND
A mink fur headband.
 Estimate: $500 - $700

245334_0  


Lot 146: MARILYN MONROE VELVET HAT
A black velvet hat with black satin ribbon trimmed velvet bow at front. Label inside reads "Dawson New York."
 Estimate: $2,000 - $3,000

245335_0 245336_0   


Lot 147: MARILYN MONROE FUR TOQUE
A mink toque, no label present.
 Estimate: $4,000 - $6,000

245337_0  


Lot 148: MARILYN MONROE FEATHER HAT
A lace-lined, white feather covered hat. Label inside reads "Emme Boutique."
 Estimate: $1,800 - $2,000

245338_0 245339_0   


Lot 150: MARILYN MONROE OWNED WOOL DRIVING CAP
 A houndstooth wool driving cap. The interior has a label that reads "By appointment to the Majesty the Queen Hatters Herbert Johnson (Bond Street) Ltd. Made in England for Brooks Brothers."
Size 6/8.
 Estimate: $2,000 - $4,000

245341_0 245342_0  


Lot 151: MARILYN MONROE HAT BOX
 A cardboard hat box with lid from Harryson Fifth Ave. New York. Top of lid is detached from frame.
Estimate: $300 - $500

245343_0   


Lot 152: MARILYN MONROE SATIN HAT
A white satin pillbox hat, with bow at front ornamented with three faux pearl pins. Label inside reads "Fashioned by Ronnie" with two small hair combs sewn to inside brim.
 Estimate: $3,000 - $5,000

245344_0 245345_0 


Lot 153: MARILYN MONROE FEATHER CLOCHE
A two-tone tan wool cloche hat with peach ostrich feather spray. Label printed on hat reads "100% wool, Glenover Henry Pollak, Inc. New York." This was a family business in Manhattan that imported raw materials for hats and knitwear from 1928 to 1958.
 Estimate: $3,000 - $5,000

245346_0 245347_0 


Lot 837: MARILYN MONROE VELVET HAT
 A Marilyn Monroe scarlet velvet pillbox hat with pendant hearts trimmed with black beads to either side and combs on the interior. No size present.
PROVENANCE Partial Lot 165, "The Personal Property of Marilyn Monroe," Christie’s, New York, Sale number 9216, October 27 & 28, 1999
 Estimate: $1,000 - $2,000

246409_0  


Lot 963: MARILYN MONROE WINTER ITEMS
 A group of three Marilyn Monroe winter items: a Scottish maroon wool and cashmere blend scarf, label for Johnstons of Elgin; a grey wool cashmere scarf, label for Frank Brothers of New York; and a cornflower blue wool cap.
PROVENANCE Lot 13, "Property from the Estate of Marilyn Monroe," Julien's, Los Angeles, June 4, 2005
 Estimate: $1,000 - $2,000
246612_0  


Lot 16: MARILYN MONROE NUDE STOCKINGS AND PARKSIDE HOUSE TABLE NAPKIN SIGNED BY VISITORS
 A pair of sheer, seamed nylon thigh-high stockings gifted by Marilyn Monroe to Marianne Geltner, the cook at Parkside House, Englefield Green, Surrey, where Monroe resided with her husband Arthur Miller during the shooting of the film The Prince and the Showgirl (Warner Bros.,1956). Accompanied by a linen table napkin that was signed for Geltner and her husband by approximately 50 visitors to Parkside House between the years 1956 and 1958, including Lee, Paula, and Susan Strasberg, Jack Cardiff, Mrs. Milton H. Greene, Jean Stein, Barbara Hutton von Cramm, Zachary Scott, Charles Coburn and others; a letter from Geltner stating that Marilyn Monroe gave her several things from her wardrobe, including these stockings; and five reproduction images of Geltner and her husband Frank at Parkside House.
Napkin, 22 by 23 1/2 inches
PROVENANCE: Lot 109, “Film and Entertainment,” Christie's, London, Sale number 9287, December 12, 2001
 Estimate: $300 - $500
245028_0 245029_0 245030_0 
245031_0 245032_0 245033_0 
245034_0 245035_0 245036_0


Lot 34: MARILYN MONROE FISHNET STOCKINGS
 A pair of black fishnet thigh-high stockings with elastic leg bands owned by Marilyn Monroe. A Christie’s tag is pinned to garment intended to be sold in 1999 The Personal Property of Marilyn Monroe sale.
PROVENANCE: Lot 85, Property from the Estate of Marilyn Monroe, Julien's Auctions, June 4, 2005
 Estimate: $600 - $800
245077_0  


Lot 912: MARILYN MONROE NYLON STOCKING
 A Marilyn Monroe sheer nylon stocking with light blue stitching at the top hem and stitchmarked “60.” Monroe gave the stocking to Marianne Geltner, the English cook who worked for Monroe while she was in London shooting The Prince and the Showgirl (Warner Bros., 1957).
PROVENANCE Partial Lot 89, "Film and Entertainment," Christie's, London, Sale number 9538, December 17, 2002
 Estimate: $200 - $400
246538_0 


Lot 954: MARILYN MONROE SILK SCARF
 A Marilyn Monroe black silk scarf embellished with red and silver beads. Accompanied by Christie's 1999 lot tag.
Approximately, 26 by 26 inches
PROVENANCE Partial Lot 135, "The Personal Property of Marilyn Monroe," Christie's, New York, Sale number 9216, October 27 & 28, 1999
 Estimate: $1,000 - $2,000
246601_0  246602_0   


Lot 568: MARILYN MONROE PURPLE MARABOU FEATHER FAN
 With a faux tortoiseshell handle.
Length, 26 inches
 Estimate: $600 - $800

246006_0  


Lot 569: MARILYN MONROE GROUP OF FIVE LOOSE BROWN FEATHERS
 Vintage marabou.
Length, 16 inches
 Estimate: $400 - $600

246007_0 


Lot 570: MARILYN MONROE VINTAGE BLACK OSTRICH FEATHER FAN
 A folding hand fan made of ostrich feathers and faux tortoiseshell handle. (Feathers damaged, glass lacking.)
13 1/4 by 21 by 2 inches
 Estimate: $400 - $600

246008_0 


Lot 571: MARILYN MONROE WHITE MARABOU FEATHER FAN
 Four feathers bound by a gold fabric fastener.
Length, 20 inches
 Estimate: $400 - $600

246009_0 


Lot 488: MARILYN MONROE VINTAGE BLACK MINI PARASOL
 With a Bakelite tip and wood cane handle, the fabric marked "NYLON" around the edges.
Length, 37 inches; Diameter, 18 inches
 Estimate: $600 - $800

245897_0    


Lot 486: MARILYN MONROE GARMENT HANGERS
A pair of gold velvet covered padded hangers with matching ribbon bows.
 Estimate: $800 - $1,200

245895_0  


Lot 487: MARILYN MONROE FUR HANGERS
Three hangers from Meshekow Bros. wholesale furs featuring extended hooks to accommodate the bulk of a fur coat. Each is branded with the Meshekow Bros. logo, a Los Angeles based wholesale furrier established in 1937.
 Estimate: $1,000 - $1,500

245896_0 


Sacs
Bags


Lot 137: MARILYN MONROE HANDBAG
 A gold metal and transparent plastic ladies evening purse bordered with round prong set rhinestones and a rhinestone accented snap closure.
5 by 8 inches
 Estimate: $3,000 - $5,000

245324_0   


Lot 215: MARILYN MONROE TRAVEL BAG
 A navy vinyl Japan Airlines carry-on bag, with shoulder strap and outside pocket. Bag reads "JAL Japan Air Lines" with white piped trim. Possibly a bag used during Monroe's honeymoon in Japan with Joe DiMaggio.
9 1/2 by 14 1/2 inches
 Estimate: $1,500 - $2,000

245446_0   


Lot 237: MARILYN MONROE COIN POUCH
 A red satin and gold thread hinged coin pouch.
2 3/4 inches square
 Estimate: $100 - $150

245472_0 


Lot 489: MARILYN MONROE CLUTCH
 A ladies snap closure evening clutch with silver metal closure mounted with two round rhinestones. Bag is lined with white silk, and a label reading "Hand Made In Japan." Exterior completely beaded in white and clear seed beads in a scalloped pattern.
4 1/2 by 10 1/4 inches
 Estimate: $4,000 - $6,000

245898_0 


 Lot 490: MARILYN MONROE CLUTCH
 A ladies snap closure evening clutch with gold metal closure, mounted with two clear cabochon stones. White silk lining with label reading "Bags by Josef Hand Beaded in France." Bag completely covered in white seed beads with gold bugle bead meandering pattern.
3 1/2 by 8 1/2 inches
 Estimate: $4,000 - $6,000

245899_0  245900_0  


 Lot 456: MARILYN MONROE CLUTCH
 A silver swirled plastic clutch with metal clasp closure and interior mirror. Clutch is stamped "Wilardy" on interior below mirror.
4 1/4 by 7 1/2 inches
 Estimate: $4,000 - $6,000

245857_0  


 Lot 453: MARILYN MONROE DESIGNER HANDBAG
 A chocolate brown 1950s alligator handbag with interior stamp that reads, "I. Magnin & Co." as well as a metal insignia mounted to the inside of the bag with lions flanking a crest that reads "Elegance" and a banner that reads "Evans" below. The handbag features gold metal hardware and burgundy leather interior with purpose-built pockets to accommodate matching accessories, including faux tortoise plastic comb, matching leather covered gold metal flint lighter, matching lipstick case containing an unused stick of bright red lipstick, and a matching leather powder compact with mirror.
9 by 9 1/2 inches
 Estimate: $15,000 - $20,000

245850_0 245851_0 
245852_0 245853_0   


 Lot 454: MARILYN MONROE DESIGNER HANDBAG
 A burgundy leather handbag with interior stamp reading "I. Magnin & Co. Rendl Original." The handbag features gold metal hardware, white leather interior and matching change purse chained to the bag's interior.
9 by 10 inches
 Estimate: $8,000 - $12,000

245854_0 245855_0 


 Lot 457: MARILYN MONROE HANDBAG
 A green swirled plastic ladies handbag, with gold metal clasp closure and hardware and mirror mounted to the inside lid with "Wilardy" stamped on the inside metal frame.
9 inches
 Estimate: $3,000 - $5,000

245858_0  245859_0  


 Lot 491: MARILYN MONROE HANDBAG
 A white leather ladies handbag with peach silk interior and gold metal hardware and frame with elastic gold handle. Interior has stamped gold label reading "Duette," which was a model offered by the Evans Company in the late 1940s and early 1950s. Interior pockets hold clear plastic comb and small compact mirror.
10 by 10 inches
 Estimate: $3,000 - $5,000

245901_0  245902_0 


Lot 492: MARILYN MONROE HANDBAG
 A confetti box style Lucite ladies handbag with gold metal hardware and interior sticker label that reads "Gilli Originals New York."
8 3/4 by 3 1/2 by 4 inches
 Estimate: $3,000 - $5,000

245903_0 


 Lot 585: MARILYN MONROE MEXICAN HANDBAG
 A grey pony handbag with gold metal front closure and black leather interior with label reading "Productos Overa, S.A. TEL 17.14.99 Hecho En Mexico D.F." The handbag contains a plastic faux crocodile bi-fold wallet containing three one-peso Mexican bills. It is well documented that Monroe made frequent trips to Mexico for holidays and to purchase furnishings for her Los Angeles home.
7 by 13 inches
 Estimate: $4,000 - $6,000

246058_0  246059_0 


Bijoux
Jewels


Lot 29: MARILYN MONROE SIMULATED DIAMOND EARRINGS
 A pair of simulated diamond, triple drop, mixed cut fringe ear pendants with clip fitting worn by Marilyn Monroe to the world premiere of The Seven Year Itch (20th Century, 1955) on June 1, 1955, in New York City. Accompanied by the Christie’s lot card.
Length, approximately 3 ½ inches
PROVENANCE: Lot 4, "The Personal Property of Marilyn Monroe," Christie's, New York, Sale number 9216, October 27 & 28, 1999
 Estimate: $80,000 - $100,000

245065_0 245067_0 
245066_0 


Lot 31: MARILYN MONROE SIMULATED DIAMOND BROOCH
 A floret styled brooch of simulated diamonds owned by Marilyn Monroe. Accompanied by the Christie’s lot card.
Diameter, 2 inches
PROVENANCE: Lot 249, "The Personal Property of Marilyn Monroe," Christie's, New York, Sale number 9216, October 27 & 28, 1999
 Estimate: $5,000 - $10,000

245073_0 245074_0  


Lot 32: MARILYN MONROE RHINESTONE BRACELET
 A rhinestone bracelet owned by Marilyn Monroe and gifted to Vanessa Reis, the sister-in-law to May Reis, Monroe’s personal assistant and secretary. The bracelet has eight rectangular jeweled panels, each centered with a rounded faceted glass and linked with square rhinestone. The clasp is embossed with Bogoff. In a letter to the consigner dated November 28, 1994, Ralph Roberts, Monroe’s masseur, writes, “Reference Marilyn robe and bracelet. As best I recall, late one Saturday afternoon Marilyn and I were in the dining area of the Miller 9th floor suite at the Mapes Hotel. She had just changed into a robe, sitting on one of the chairs and I was massaging her back and shoulders. She showed me a bracelet she’d brought to Reno with thought of possibly wearing it as a [undecipherable comment] for Roslyn [Monroe’s character in The Misfits]. Upon discussing it, she and Paula [Paula Strasberg was Monroe’s acting coach and friend] had decided somehow it wouldn’t be appropriate. Just then May Reis entered with Vanessa Reis (the widow of Irving Reis, May’s greatly loved brother and film director). Vanessa had come up from LA for a long weekend visit – there’d been some talk of our going out to some of the casinos to do a bit of gambling. Vanessa told Marilyn how lovely she looked in that robe. Marilyn thanked her + impulsively held out the bracelet, ‘Take this + wear it as a good luck charm. I was wearing it during dance rehearsals for Let’s Make Love, smashed into a prop, so a stone is loosened. I wish I could go with you, but Raffe is getting some Misfits knots out. And I should go over that scene coming up Monday.’ They left. Marilyn asked me to remind her to have the robe cleaned to give to Vanessa. Whitey, Agnes, May – all of us – knew from experience we couldn’t compliment Marilyn on any personal items or had to be very careful. She’d be compulsive about giving it, or getting a copy – to you.” Accompanied by a copy of the letter.
PROVENANCE Lot 587, “Western Costume ‘Star Collection’ Part II and Entertainment Memorabilia,” Butterfield & Butterfield, Los Angeles, Sale number 6083B, July 17, 18 & 19, 1994
 Estimate: $3,000 - $5,000

246704_0 


Lot 227: MARILYN MONROE BLANCPAIN PLATINUM AND DIAMOND WATCH
 A ladies platinum and diamond Art Deco cocktail watch by the Swiss watchmaking brand, Blancpain, the oldest watch brand in the world. The watchcase is stamped "KO 900 Plat 100 Irid" and numbered "115557." The watch and bracelet are set with round cut and marquise diamonds. The watch face reads Blancpain and the movement is signed "Blancpain, Rayville Watch Co.” The bracelet has two safety chains with fold over clasp featuring additional round diamonds. Despite her famous portrayal of the diamond obsessed Lorelei Lee in the 1953 film classic Gentlemen Prefer Blondes, Monroe owned very few pieces of fine jewelry.
6 1/4 inches
 Estimate: $80,000 - $120,000

245459_0  


Lot 228: MARILYN MONROE ART DECO WATCH
 A ladies Art Deco white gold wristwatch set with round cut diamonds. The watch is mounted on a newer gold tone metal bracelet with later movement by Marvin.
5 1/2 inch wrist
 Estimate: $15,000 - $20,000

245460_0   


Lot 229: MARILYN MONROE TRIFARI COSTUME NECKLACE
 A silver tone metal necklace featuring a single strand of small round rhinestones with a double circle clasp design signed, "Trifari."
15 inches
 Estimate: $10,000 - $15,000

245461_0  245462_0 


Lot 230: MARILYN MONROE WEISS COSTUME NECKLACE
 A rhinestone necklace featuring a continual strand of alternating and round prong-set stones set into plated rhodium with hood and chain clasp. Founded in New York City in 1942, Weiss was created by former Coro employee Albert Weiss. Weiss, whose height was during the 1950s and 1960s, offered high-end costume jewelry featuring high-quality Austrian rhinestones with exceptional clarity.
Adjustable 15 3/8 inch maximum length
 Estimate: $8,000 - $12,000

245463_0  245464_0 


Lot 231: MARILYN MONROE SIGNED COSTUME JEWELRY BRACELET
 A vintage rhinestone bracelet circa 1940s featuring alternating baguette set rectangles with small round stones, with box clasp and safety chain. Signed "EB Pat Pending" for Engel Bros. of New York founded circa 1931.
7 inches
 Estimate: $6,000 - $8,000

245465_0  245466_0   


Lot 232: MARILYN MONROE COSTUME BRACELET
 A vintage rhinestone bracelet with a central row of baguette stones lined on both sides by round cut stones with box clasp closure, unsigned.
7 inches
 Estimate: $5,000 - $7,000

245467_0  


Lot 233: MARILYN MONROE NECKLACE
 A strand of faux pearls with fishhook clasp.
16 inches
 Estimate: $4,000 - $6,000

245468_0  


Lot 234: MARILYN MONROE BRACELET
 A four-strand, faux pearl bracelet with four rows pearls with 14k gold stamped clasp featuring ornate foliate engraved surface mounted with a faux pearl.
7 inches
Estimate: $4,000 - $6,000

245469_0  


Lot 235: MARILYN MONROE NECKLACE
A strand of faux 10mm pearls with fishhook clasp.
29 inches
Estimate: $5,000 - $7,000

245470_0  


Lot 236: MARILYN MONROE EARRINGS
 A pair of silver tone metal drop earrings with faux pearls and marquis cut stones and screw-post backs.
1 1/16 inches
 Estimate: $3,000 - $5,000

245471_0 


Lot 238: MARILYN MONROE EAR CLIPS
 A pair of signed Eisenberg ear clips with crystal beads and round cut rhinestones. Block lettering signature dates the earrings to between 1945 and 1950.
1 1/4 inches
 Estimate: $3,000 - $5,000

245473_0  


Lot 239: MARILYN MONROE BROOCH
 A silver tone metal brooch signed Eisenberg with crystal drops, each terminating in a prong set pear-shaped rhinestone, one drop detached. Bar closure features rhinestone rhondelle.
2 3/4 inches
 Estimate: $2,000 - $3,000

245474_0  245475_0 


Lot 458: MARILYN MONROE HOBE PARURE
 A vintage costume parure, signed "Hobe", including wide costume bracelet, ear clips, necklace and brooch featuring fuchsia oval cabochon and emerald and round cut rhinestones. Hobe et Cie was founded in Paris in 1887 by Jacques Hobe. Brought to America in 1915 by his son William, Hobe jewelry was popular not only with everyday customers but also with the Hollywood stars.
Necklace, 8 1/2 inches
 Estimate: $15,000 - $20,000

245860_0 


Lot 458A: MARILYN MONROE BRACELET
 A costume bracelet featuring round cut rhinestones, with fold over rectangular hook clasp.
6 3/4 inches
 Estimate: $4,000 - $6,000

246698_0 


Lot 459: MARILYN MONROE BROOCH
 A silver tone metal brooch with rhinestone brooch in a starburst design, including combination of round and marquis cut stones, with bar closure.
3 1/2 inches
 Estimate: $3,000 - $5,000

245861_0 


Lot 460: MARILYN MONROE EAR CLIPS
 A pair of rhinestone ear clips each with concentric circles of alternating round and oval cut stones.
1 1/4 inches
 Estimate: $2,000 - $3,000

245862_0 


Lot 461: MARILYN MONROE NECKLACE
 A strand of faux 6mm pearls with fishhook clasp.
17 3/8 inches
 Estimate: $2,000 - $3,000

245863_0 


Lot 462: MARILYN MONROE EAR CLIPS
 A pair of silver tone metal ear clips signed "Japan" with faux pearls and round cut faux diamonds in a floret design.
1/2 inch
 Estimate: $3,000 - $5,000

245864_0 


Lot 463: MARILYN MONROE EAR CLIPS
 A pair of curved rectangular rhinestone ear clips each with emerald and round cut stones. One piece missing clip on the back.
1 5/8 inches
 Estimate: $1,500 - $2,000

245865_0 


Lot 465: MARILYN MONROE BROOCH
 A gold tone metal starburst brooch accented with round cut rhinestones and bar closure.
2 inches
 Estimate: $3,000 - $5,000

245867_0 


Lot 466: MARILYN MONROE BRACELET
 A costume bracelet featuring round cut rhinestones, with fold over rectangular hook clasp.
 6 3/4 inches
 Estimate: $4,000 - $6,000

246706_0  


Lot 467 : MARILYN MONROE BROOCH
 An ornate foliate brooch of gold tone metal, signed "483/60 Boucher 7704," dating it to between 1955 and 1958, set with round cut stones.
3 inches
 Estimate: $8,000 - $12,000

245868_0 


Lot 468: MARILYN MONROE EARRINGS
 A pair of 10k gold screw-post earrings with grape and gold foliate design, each featuring faux pearls.
1 1/8 inches
 Estimate: $3,000 - $5,000

245869_0 


Lot 469: MARILYN MONROE SUITE OF MIRIAM HASKELL JEWELRY
 Includes a triple-strand necklace of jade and coral colored beads and a beaded clasp, a matching bangle, and pair of clip-on earrings. Housed in a vintage embroidered silk travel case.
Strand length, 12 inches
 Estimate: $4,000 - $6,000
245870_0   


Lot 470: MARILYN MONROE RED LEATHER-BOUND CARTIER BOX
 With a miniature enameled heart stick pin and a beaded heart inside.
4 1/2 by 3 1/2 inches
 Estimate: $1,000 - $2,000

245871_0 245872_0 245873_0 


Lot 471: MARILYN MONROE VINTAGE GUCCI STERLING HORSEHEAD BANGLE
 Marked "16" and "*730/ F1/ 925." 1.84 troy oz.
Diameter, 2 1/4 inches
 Estimate: $1,000 - $2,000

245874_0 


Lot 243: MARILYN MONROE HARDSTONE FOO DOG PIN
A bronze pin with pendant ring in the shape of a foo dog made of white hardstone with coral and turquoise accents.
1 3/4 by 1 1/2 inches
 Estimate: $1,000 - $2,000
245480_0  


Lot 22: MARILYN MONROE GEMINI PENDANT
 A gold and silver tone pendant with a debossed Gemini astrological symbol, from the estate of Marilyn Monroe. Gemini was Marilyn's astrological sign.
Height, 1¼ inches
PROVENANCE: Lot 96, “Fine Manuscripts,” Christie's Los Angeles, Sale 9814, September 20, 2001
Estimate: $300 - $500
245044_0 245045_0  


Cheveux
Hair


Lot 20: MARILYN MONROE HAIRBRUSH
 A vintage gold tone hairbrush with a decorative light-blue enamel back and an image of painterly pink rose. Accompanied by a letter of provenance to the current owner from Anna Strasberg's law firm indicating that some of Marilyn Monroe's possessions were purchased directly from her, this hairbrush being one of them. Anna Strasberg was the second wife of Lee Strasberg, Monroe's acting coach, mentor and inheritor of her estate.
Length, 11 1/2 inches
 Estimate: $300 - $500

245041_0  


Lot 140: MARILYN MONROE VINTAGE BAKELITE COMB
 With a decorative metal handle.
Length, 7 1/2 inches
 Estimate: $600 - $800

245328_0   


Lot 834: MARILYN MONROE HAIR PIN
 A Marilyn Monroe star-shaped rhinestone hair pin. The silver tone pin has a star with multiple rhinestones.
Length, 2 inches
PROVENANCE Partial lot 222, “The Personal Property of Marilyn Monroe,” Christie’s, New York, Sale number 9216, October 27 & 28, 1999
 Estimate: $3,000 - $5,000

246403_0   


Lot 961: MARILYN MONROE HAIR STYLING ITEMS
 A group of Marilyn Monroe hair styling items, including a spring-style wire hair curler, three double-prong curl clips, and three hair pins.
PROVENANCE Partial Lots 244 and 245, "Property from the Estate of Marilyn Monroe," Julien's, Los Angeles, June 4, 2005, and
Partial Lot 112, "Fine Manuscripts," Christie's, Los Angeles, Sale number 9814, September 20, 2001
 Estimate: $2,000 - $4,000

246610_0 


Lot 962: MARILYN MONROE HAIR CREAM
A box of Marilyn Monroe's hair cream. The box contains two tubes of Wella Kolestral conditioning cream for dry hair. Both of the tubes have been opened and partially used. Accompanied by a paper hair cap.
2 by 6 by 1 1/2 inches
PROVENANCE Partial Lot 252, "Property from the Estate of Marilyn Monroe," Julien's Auctions, Los Angeles, June 4, 2005
 Estimate: $600 - $800

246611_0  


Beauté: Maquillage et Produits de Beauté
Beauty: Make Up & Cosmetics


Lot 136: MARILYN MONROE POWDER COMPACT
 An Elizabeth Arden powder compact covered with prong set round rhinestones and an elaborate faux pearl design. The compact contains mirror, powder puff and loose powder.
2 1/2 by 2 1/4 inches
 Estimate: $2,000 - $3,000
245323_0  


Lot 139: MARILYN MONROE FOSTER JEWELRY CO. COMPACT WITH MARCASITE FLOWER
 Cream colored Bakelite lid with applied marcasite flower. Brass bottom case with embossed floral decoration around the edge. Inside is a mirror, opening to a concealed rouge compartment, and the bottom is an empty powder compartment. Marked "FJ Co." and "1973433" inside the lid.
Diameter, 1 3/4 inches
 Estimate: $2,000 - $3,000
245326_0 245327_0 


Lot 141: MARILYN MONROE BLUE OPAQUE GLASS VANITY JAR
 With etched floral parcel gilt decoration and an embossed decorated silverplated lid.
4 1/4 by 4 inches
 Estimate: $600 - $800
245329_0   


Lot 144: MARILYN MONROE VINTAGE AVON PERFUME BOTTLE
 A blue milk glass perfume bottle with parcel gilt rim. Marked on the base. (Lacking stopper.)
Height, 3 3/4 inches
 Estimate: $100 - $200
245332_0 245333_0   


Lot 333: MARILYN MONROE ERNO LASZLO COSMETICS
 A black and marbleized white plastic box once containing Active pHelityl soap from Erno Laszlo.
4 1/4 by 2 3/4 inches
 Estimate: $1,000 - $1,500
245655_0   


Lot 335: MARILYN MONROE ERNO LASZLO PHELITONE FACE CREAM
 Labeled "Fair/ 128." In vintage 1 oz. black and white original packaging.
1 1/2 by 2 by 2 inches
 Estimate: $2,000 - $3,000
245665_0 


Lot 336: MARILYN MONROE ERNO LASZLO DUAL PHASE FACE POWDER
 Labeled "Blush/ 1152." In vintage 2.75 oz. black and white original packaging.
2 by 3 by 3 inches
 Estimate: $2,000 - $3,000
245666_0 


Lot 341: MARILYN MONROE LIPSTICK CASE WITH MIRROR
 An engraved decorated vanity lipstick case with a pop-up mirror and a cabochon turquoise catch. Marked illegibly. .64 troy oz.
2 by 3/4 by 3/4 inches
 Estimate: $1,000 - $2,000
245671_0 


Lot 135: MARILYN MONROE LIPSTICK
 A gold metal lipstick lid embellished with round prong set rhinestones. The tube contains a used stick of "Bachelor's Carnation" by Revlon, "Non-Smear type, N. 1947, Dist. Revlon N.Y."
2 5/16 inches
 Estimate: $3,000 - $5,000
245322_0 


Lot 142: MARILYN MONROE MICHEL LIPSTICK
 In a goldtone case marked "Michel Coral Pink."
Length, 2 1/8 inches
 Estimate: $1,000 - $2,000
245330_0  


Lot 342: MARILYN MONROE ELIZABETH ARDEN LIPSTICK
 In a goldtone case with typewritten label reading "Orange Pink like Miss I./ sample 05022/ May 2, 1960."
Length, 2 1/4 inches
 Estimate: $2,000 - $3,000
245672_0   


Lot 343: MARILYN MONROE ELIZABETH ARDEN LIPSTICK
 In a goldtone case. Color label marked "Subtle."
Length, 2 inches
 Estimate: $1,000 - $2,000
245673_0  


Lot 344: MARILYN MONROE ELIZABETH ARDEN LIPSTICK
 In a goldtone case, with lid stuck in place. Label marked "Click Change."
Length, 2 1/2 inches
 Estimate: $1,000 - $2,000 
246705_0    


Lot 345: MARILYN MONROE MICHEL LIPSTICK
 In a goldtone case marked "Michel Pearl No. 1."
Length, 2 1/8 inches
 Estimate: $1,000 - $2,000
245674_0 


Lot 331: MARILYN MONROE EYEBROW PENCIL
 A clear vinyl snap-closure case with mirror and eyebrow pencil.
Mirror, 2 by 3 inches
 Estimate: $200 - $300

245652_0  


Lot 958: MARILYN MONROE COSMETICS
 A pair of Marilyn Monroe eye makeup items: an S.H. Swick dark brown eye pencil and an Elizabeth Arden “Eye Stopper” black eyeliner.
Longest, 5 inches
PROVENANCE Partial Lot 275, "Property from the Estate of Marilyn Monroe," Julien's, Los Angeles, June 4, 2005
 Estimate: $800 - $1,200
246607_0 


Lot 959: MARILYN MONROE MAKEUP PENCIL
 A Marilyn Monroe Maybelline makeup pencil, in light brown.
Length, 3 inches
PROVENANCE Partial Lot 275, "Property from the Estate of Marilyn Monroe," Julien's Auctions, Los Angeles, June 4, 2005
 Estimate: $600 - $800 
246608_0    


Lot 965: MARILYN MONROE MAKEUP PENCIL
 A Marilyn Monroe Glorene of Hollywood makeup pencil in light brown.
Length, 4 3/4 inches
PROVENANCE Partial Lot 275, "Property from the Estate of Marilyn Monroe," Julien's Auctions, Los Angeles, June 4, 2005
 Estimate: $600 - $800
246614_0  


Lot 966: MARILYN MONROE MAKEUP BRUSH
 A Marilyn Monroe makeup brush with clear plastic handle and black bristles. The brush is typical of the brushes that would accompany cake mascara.
Length, 4 inches
PROVENANCE Partial Lot 275, "Property from the Estate of Marilyn Monroe," Julien's Auctions, Los Angeles, June 4, 2005
 Estimate: $600 - $800
246615_0  


 Lot 967MARILYN MONROE ERNO LASZLO MAKEUP
A pair of Marilyn Monroe Erno Laszlo makeup bottles. The plastic bottles have black Laszlo branded caps. One bottle has a sticker affixed to the underside that identifies it as “Normalizer Shake-It/ Shade BLUSH.” The other bottle contains unidentified liquid makeup.
Height, 5 inches
PROVENANCE Partial Lot 112, "Fine Manuscripts," Christie's, Los Angeles, Sale number 9814, September 20, 2001
 Estimate: $1,000 - $2,000
246616_0 


Lot 968: MARILYN MONROE ERNO LASZLO MAKEUP
 A jar of Marilyn Monroe Erno Laszlo pHelitone makeup. The plastic wide-mouth jar has a black Laszlo branded cap. The jar has a sticker affixed to the underside that identifies it as “pHelitone/ Shade BLUSH” and is additionally stamped “670.”
1 1/4 by 2 1/4 inches
PROVENANCE Partial Lot 112, "Fine Manuscripts," Christie's, Los Angeles, Sale number 9814, September 20, 2001
 Estimate: $1,000 - $2,000
246617_0  


Lot 969: MARILYN MONROE ERNO LASZLO LOTION
A Marilyn Monroe owned bottle of Erno Laszlo controlling lotion contained in its original box. According to the Erno Laszlo company website, Monroe and Laszlo were close friends, and he formulated one of his products specifically for her.
2 1/2 by 4 1/2 by 2 1/2 inches
PROVENANCE Partial Lot 112, "Fine Manuscripts," Christie's, Los Angeles, Sale number 9814, September 20, 2001
Estimate: $200 - $400
246618_0 


Lot 138: MARILYN MONROE ACCESSORIES
 A pair of ladies accessories covered in prong set round rhinestones, including a card case with brushed metal interior and hinged arm to one side, together with a faux tortoise plastic folding comb with rhinestone covered case.
Case, 3 by 4 inches
 Estimate: $1,500 - $2,000

245325_0   


Lot 330: MARILYN MONROE BEVELED GLASS PURSE VANITY MIRROR
 With shagreen back.
2 1/4 by 2 inches
 Estimate: $400 - $600

245650_0 245651_0  


Lot 329: MARILYN MONROE MIRRORED TRINKET BOX
 A glass and brass box with a floral cut-glass lid and a mirrored base.
1 1/2 by 3 3/4 by 2 1/2 inches
 Estimate: $400 - $600
245649_0 

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18 janvier 2016

A Green Jersey Top & Deep Purple Velvet Pants

Le maillot vert en jersey & le pantalon violet en velours
A Green Jersey Top & Deep Purple Velvet Pants

mm_dress-gpb_ensemble-mm_travilla-1 

Cet ensemble est composé d'un maillot vert en jersey à longues manches et au décolleté croisé, d'un pantalon bleu/violet foncé en velours et d'une ceinture en soie de couleur lavande pâle. Il a été conçu par le créateur et couturier de la 20th Century Fox, William "Billy" Travilla pour le film Gentlemen prefer blondes (Les hommes préfèrent les blondes) tourné en 1952.

Marilyn Monroe fit deux essais de tests costumes avec cette tenue: d'abord, le 12 novembre 1952, elle pose seule devant l'ardoise indiquant les notions liées à la tenue dans le film (le rôle, la scène, le nom du couturier, la date). Elle accessoirise la tenue avec des boucles d'oreilles (de couleur vert émeraudes foncées telles qu'on les découvre dans le film), un collier et un bracelet au poignet gauche (qui sont de même couleur que les boucles d'oreilles). Elle porte des sandales noires croisées et ouvertes aux pieds.
Puis, le 17 décembre 1952, elle prend la pose à côté du couturier Travilla (qui tient dans sa main l'esquisse de la tenue) et qui réajuste le maillot. La coiffure de Marilyn est plus fluide, et elle porte les mêmes accessoires, excepté le bracelet remplacé par une bague à la main gauche.

film_gpb_test_sc06_dress_1 film_gpb_test_sc06_with_travilla_1 film_gpb_costume_travilla   

C'est une tenue qui se veut décontractée tout en restant chic: Marilyn la porte dans une scène où son personnage, Lorelei, une chanteuse de Music Hall qui embarque sur un paquebot avec sa partenaire Dorothy (Jane Russell), se retrouve dans sa cabine en pleine discussion avec le riche (et imposteur) Piggy puis avec Dorothy. Les deux chanteuses ne sont pas en représentation et la scène les représente dans un moment de journée ordinaire (sur un paquebot certes, mais dans leur cabine). [> la scène du film sur le blog: voir les captures, les photos et sur le tournage ]. C'est pourquoi on retrouve le côté "casual" dans le top qui se veut court et malgré tout moulant, tout comme le pantalon qui retombe tout en fluidité sur les pieds; et le côté "chic" par les matières (jersey, velours) et la ceinture de soie. On retrouve les bijoux portés aux tests de costumes et il semblerait qu'il s'agisse d'une parure avec les mêmes pierres de même couleur: les boucles d'oreilles, le collier, le bracelet (au poignet gauche) et la bague (à la main droite). 

gpb_scene06_cap01 gpb_scene06_cap11 gpb_scene06_cap12 
gpb_sc06_film_012_1  gpb_sc06_film_020_1  gpb_sc06_set_mm_read_011_1 

Marilyn posera dans cette tenue pour une série de photographies sous l'objectif de John Florea, servant de clichés publicitaires au film; mais pour ces poses ironiques -où elle joue aux cartes avec des billets de banque- elle a changé les bijoux: elle a ôté le collier, le bracelet, la bague et porte de grandes boucles blanches pendantes aux oreilles:

gpb_sc06_studio_by_florea_011_1 lot158_H3257_L40282349 lot155_H3257_L40282325 gpb_sc06_studio_by_florea_030_1 


Il semble indéniable que Travilla se soit fortement inspiré de cette tenue présentée dans le magazine américain Vogue de avril 1952 où dans les pages de mode, on voit cette mannequin portant une tenue similaire (le top est plus près du corps et moins fluide que celui de Marilyn, et le décolleté n'est pas croisé; le pantalon en velours et la ceinture semblent avoir été repris à l'identique. Tout comme l'idée des bijoux -différents que ceux portés par Marilyn, mais en nombre), le tout dans un esprit ethnique / bohème chic:

mm_dress-gpb_ensemble-inspiration_1952-04-vogue 


Jane Russell, la partenaire de Marilyn, portera le top vert dans la suite de "Gentlemen Prefer Blondes" tournée en 1955 -"Gentlemen marry brunettes" ("Les hommes épousent les brunes") réalisé par Richard Sale- la ceinture est mauve et le pantalon est un corsaire noir satiné:

mm_dress-green_top-gentlemen_marry_brunettes-1 mm_dress-green_top-gentlemen_marry_brunettes-2 mm_dress-green_top-gentlemen_marry_brunettes-3 
mm_dress-green_top-gentlemen_marry_brunettes-4 mm_dress-green_top-gentlemen_marry_brunettes-5 mm_dress-green_top-gentlemen_marry_brunettes-6 
mm_dress-gpb_ensemble-jane_russell-gentlemen_marry_brunettes-1  mm_dress-gpb_ensemble-jane_russell-gentlemen_marry_brunettes-2  

L'actrice Sheree North portera aussi à son tour l'ensemble :

mm_dress-gpb_ensemble-sheree_north   


© All images are copyright and protected by their respective owners, assignees or others.
copyright text by GinieLand.

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09 juillet 2015

Expo Marilyn Die Starke Monroe du 26/03 au 01/11/2015

expo-the_strength-1

Cette exposition de la collection de Ted Stampfler est une reprise de l'expo de 2014 Private Marilyn qui avait eu lieu en Suisse. Il y est présenté cette fois-ci près de 400 objets personnels ayant appartenu à Marilyn Monroe au Liechtenstein (entre la Suisse et l'Autriche).
L’exposition se penche sur la question de l’émancipation de la femme dans les années 50 à l’exemple de la femme la plus photographiée du XXe siècle: l’actrice, chanteuse et icône de la mode Marilyn Monroe. Elle présente la forte personnalité de cette femme exceptionnelle qui, 53 ans après sa mort, n’a rien perdu de la fascination qu’elle suscite et dont l’influence sur la société est encore perceptible aujourd’hui.
Le Musée national du Liechtenstein présente 400 objets qui proviennent initialement de sa succession et font actuellement partie de la collection privée Ted Stampfer, la plus grande collection de ce genre regroupant des objets ayant appartenu à Marilyn Monroe.
On peut y voir des vêtements luxueux, des accessoires personnels, des produits de beauté et de coiffure, des accessoires de cinéma, des documents privés, des films et des photos dont la présentation, dans cette constellation, est une première mondiale. Des objets prêtés par des collectionneurs du monde entier viennent compléter cette collection.
Les visiteurs plongent dans le monde de Marilyn et traversent chronologiquement les stades les plus importants de son évolution et les périodes déterminantes de sa vie. Ils découvrent des objets uniques qui témoignent de la vie et de l’œuvre de cette femme exceptionnelle tout en révélant son identité de femme émancipée. Pour cela, l’exposition s’intéresse aussi bien à l’évolution physique de Marilyn et au rôle qu’elle fait jouer à son corps, qu’à la manière très personnelle dont elle se rebelle contre une industrie cinématographique dominée par les hommes. Grâce à sa hardiesse, elle obtiendra entre autres de meilleures conditions contractuelles et des droits de codécision, mais pourra aussi fonder sa propre société de production cinématographique, ce qui lui assurera une plus grande indépendance.
Un catalogue éponyme accompagnant l’exposition est en vente dans la boutique du musée au prix de 20.00 CHF, ainsi que différentes autres publications.
Directeur général: Directeur Prof. Dr. Rainer Vollkommer
Administrateur et collectionneur: Ted Stampfer

> site officiel marilynmonroe-sammlung.de
> photographies sur flickr 

Liechtenstein National Museum
Städtle 43, P.O. Box1216
9490 Vaduz
Principality of Liechtenstein

expo-2066453157  expo-2066453157a  expo-2066453157b 
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expo-2066453157m  expo-2066453157n 

> article de l'expo sur PR Newswire :
The special exhibition presents the emancipation of women in the 1950s through the example of the most photographed woman of the 20th century -- the actress, singer and style icon, Marilyn Monroe.
The exhibition here focuses on the strength behind the exceptional phenomenon who, even 53 years after her death in 1962, has not lost her charm and influence, which in society and the women's movement to this day is palpable.
Presented are more than 400 selected pieces from the private collection of Ted Stampfer, the world's largest collection of Marilyn Monroe originals of its kind. Through his willingness to present his collection in exhibitions, the art collector and expert wants not only to remember the actress, who was intellectually underestimated during her lifetime and reduced by filmmakers and media to her visual appeal, but also to make exhibit attendees aware of the clever and ambitious businesswoman. Most of the pieces originate from her estate, of which the items were stored after Marilyn Monroe's death in August 1962, until 1999, until large portions of it were put up for auction with auction houses like Christie's and Julien's. The exhibition is rounded out by individual pieces from other international collectors.
Uniquely designed and seen for the first time worldwide, the National Museum in Liechtenstein thus enables its exhibition visitors to dive into Monroe's world. Visitors walk through the most important chronological development stages of her life, and can view special exhibits that not only give a glimpse into her life and the work of this extraordinary woman, but also highlight her emancipated side. These include: high-quality articles of clothing; accessories; beauty, skincare and styling products; personal and film company documents; film props; and extensive photo and film footage presented by means of electronic media.
The exhibition, however, is not just focused on presenting personal belongings from a late actress. Rather, it focuses more on the unknown private person -- the real face behind the Hollywood icon. Thus, it gives an intimate look at the real person behind the fictional persona Marilyn Monroe. Using examples, visitors learn about an ambitious woman of the 1940s and 1950s, who, despite the prevailing gender roles of her time, reached her own set goals gradually and with great confidence.
Adressed is on the one hand, the outward makeover of a natural brunette girl, who became with the conscious use of her body the most desirable woman in the world. This is, for example, demonstrated with the original false eyelashes, various containers of makeup, articles and accessories used as highlights for her hair styling, which were significantly involved in the transformation process. But also Marilyn's favorite clothing is presented, including her white and checkered capri pants, which she liked to combine with a black turtleneck sweater. She wore them both in her private life as well as in important photo shoots (for example in the famous shoots with photographer Alfred Eisenstaedt and Milton Greene). These iconic photographs today show us not only a timeless beauty, but a self-confident woman, who was well aware of her own charisma.
In addition, the exhibition also highlights the public person and reports about the strong side of a woman who had to compete in a man's world in the 1950s. There are character traits and self-confident behavior demonstrated, which culminated at the height of Monroe's career to rebel against the male-dominated film industry. This courageous behavior led to, among other things, better contract terms and the ability to have more say over her career, plus to establishing her own film production company -- another way she became more independent. The exhibition presents original costumes, film props and important documents on the films that were produced by Monroe herself.
Besides the interest in her own career and her personal advancement, Marilyn Monroe was also involved in helping the disadvantaged and minorities. This is illustrated with the example of Ella Fitzgerald, the famous African-American jazz singer, for whom Monroe actively campaigned to obtain engagements in a hip nightclub that was typically reserved for white artists. Fitzgerald later reported that Monroe's influence and active action were instrumental in her international success as a singer.
The exhibition offers in all its aspects a comprehensive view of the strong-willed character of a woman who was ahead of her time. And it also reveals to the visitor that Marilyn Monroe, by her behavior in different ways, exerted a formative influence on the emancipation of women, making her one of the most important cultural and historical figures of the 20th century.

Posté par ginieland à 11:54 - - Commentaires [3] - Permalien [#]
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07 février 2014

Blouse kaki et Jupe noire de Bus Stop

Khaki Lace Top and Black Skirt from 'Bus Stop'
Blouse kaki et Jupe noire de 'Bus Stop'

 bus_stop-blouse_skirt-1 

Beaucoup ont longtemps pensé que la tenue avait été conçue par le créateur et couturier de la 20th Century Fox, William "Billy" Travilla pour le film Bus Stop (Arrêt d'Autobus) tourné au printemps 1956. Cependant, il semblerait que Marilyn avait refusé les costumes de Travilla pour le film, qu'elle considérait bien trop beaux pour son rôle de Cherie, une chanteuse paumée d'un petit cabaret miteux, excepté le body de danseuse qu'elle porte quand elle chante "That old Black Magic" qui serait bien une création de Travilla pour le film; et qu'elle avait alors emprunté au département costumes de la Fox les autres tenues qu'elle porte dans le film. Or, on découvre -à tort- le nom de Travilla comme étant le créateur de cette tenue (blouse et jupe) pour les photographies des tests costumes qu'elle a fait le 3 février 1956

film-bs-test_costume-sc07-1  film-bs-test_costume-sc07-1a  film-bs-test_costume-sc07-2 
film-bs-test_costume-sc07-3   film-bs-test_costume-sc07-set-2-1  film-bs-test_costume-sc07-set-2-2 

> Marilyn porte la tenue dans une grande partie du film: dans la fameuse scène de la compétition de rodéo puis toutes celles dans l'auberge restaurant de Grace (scénes 7, 8, et de 13 à 17):

sc07_bs_cap_31 sc07_bs_cap_36 sc07_bs_cap_131
sc08_bs_cap_20 sc13_cap02 sc14_cap27 
smenu_842 smenu_869 tmenu_217

bs-sc07-film-012-1  bs-sc07-film-041-1  bs-sc07-set-piano-1
bs-sc07-on_set-by_mhg-020-2  bs-sc07-on_set-by_dennis_stock-020-1  bs-sc07-on_set-by_mhg-090-1 
bs-sc07-on_set-by_zinn_arthur-03-1  bs-sc07-on_set-with_don_murray-012-1-by_gene_lester-1  bs-sc07-set-publicity-012-1a 
bs-sc07-on_set-026-1  bs-sc07-on_set-030-08  bs-sc07-on_set-by_william_read_woodfield-023-1 
 bs-sc07-set-caravane-2-1  bs-sc07-set-306   bs-sc07-on_set-032-1  
bs-sc07-studio-1956-05-16-by_mhg-011-1  bs-sc07-studio-1956-05-16-by_mhg-012-1  bs-sc07-studio-1956-05-16-by_mhg-020-1-1
 bs-sc12-set-012-1  bs-sc16-film-010-4   bs-sc15-film-021-1a
bs-sc07-on_set-by_dennis_stock-050-4  H3257-L44539093  H3257-L44539072 


 La Blouse

bus_stop-blouse-1 

Le chemisier - blouse est de couleur vert kaki, doublé d'un tissu en dentelles noires transparent, qui dessine des motifs géométriques. Les manches sont courtes, et chacune d'elle est resserrée par une cocarde verte qui se noue, tout comme au décolleté, resserré par un cordon vert, que Marilyn a noué en corcarde et laisse pendre les extrémités.

> Le 15 avril 1956, Marilyn Monroe pose dans les décors de la Fox, pour des portraits publicitaires sous l'objectif de Milton Greene; elle porte la blouse de "Bus Stop" dans la séance nommée "Hooker Sitting", mais la jupe est différente (dans le film, c'est une jupe droite à gros boutons, alors que pour la séance 'Hooker', elle porte une jupe plissée évasée et ouverte jusqu'en haut):

1956_04_LA_H_Hooker_010_2 ph_gr_mag_life_1957_ppp 1956_04_LA_H_Hooker_022_2  1956_04_LA_H_Hooker_027_1

> La blouse n'est pas une création pour le film "Bus Stop" et Marilyn l'a bien emprunté au département costumes des studios de la Fox. En effet, la blouse est portée par l'actrice Susan Hayward dans le film "With a song in my heart" ("Un refrain dans mon coeur") réalisé par Walter Lang et sorti sur les écrans américains le 4 avril 1952, et c'est le couturier Charles Le Maire qui était chargé de la création des tenues de ce film.

mm_dress-bus_stop-susan_hayward-1952-with_a_song_2 
mm_dress-bus_stop-susan_hayward-1952-with_a_song  mm_dress-bus_stop-susan_hayward-charles_lemaire_gown 

> Après le tournage de "Bus Stop", la blouse fut donnée au magazine Picture Show and Film Pictorial et a été gagnée par l'une de ses lectrices lors d'un concours.

>> Par la suite, la blouse fut vendue au enchères: d'abord, en 1988, par Sotheby's où c'est la sosie de Marilyn, Kay Kent, qui défila dans l'assistance en portant la blouse, qui fut rachetée par un homme d'affaire, Patrick Mills, pour la somme de 12 600 dollars, qui l'avait achetée pour sa fille de 16 ans qui souhaitait faire carrière au cinéma et dans la musique (voir l'article sur apnewsarchive.com):

 mmlooklike_kay_kent_1988_auction_cap1 mmlooklike_kay_kent_1988_auction_cap2 mmlooklike_kay_kent_1988_auction_cap3

>> Video "Blouse Auction 1988"
 

>> La blouse et la jupe se retrouvent encore aux enchères les 13 et 14 mars 2000, aux "Butterfields Auctioneers"sur Sunset Blvd à Hollywood. le costume de 'Bus Stop' étant estimé entre 15 000 et 25 000 $ (la robe de 'River of No Return' entre 30 000 et 50 000 $, et celle de 'Gentlemen Prefer Blondes' entre 15 000 et 25 000 $). 

film-bs-test-costume-51090581  film-bs-costume1 

>> Puis la blouse a changé à nouveau de propriétaire; elle appartient aujourd'hui à David Roberts qui l'a prêtée pour l'exposition consacrée à Marilyn Monroe et organisée à Jersey en 2009:

mm_dress-bus_stop-blouse-jersey  mm_dress-bus_stop-blouse-jersey2 

La sosie de Marilyn, Suzie Kennedy, l'a aussi portée pour une séance de photos en 2009:

mm_dress-blouse-suzie-2 mm_dress-blouse-suzie-3  
mm_dress-bus_stop-blouse-suzie  suzie 


Inspirations

> L'actrice Jayne Mansfield porte une robe noire lors de son voyage promotionnel en Europe en 1957 dont le buste de la robe est fortement inspiré par la blouse: tissu noir en dentelles, au même décolleté. Photographies de Jayne prises le 26 juin 1957 à l'hôtel Dorchester de Londres en Angleterre; puis en France; et enfin, le 5 octobre 1957 à Frankfurt en Allemagne:

 mm_dress-bus_stop-inspiration-jayne-1957-allemagne mm_dress-bus_stop-inspiration-jayne-1957-france mm_dress-bus_stop-inspiration-jayne-1957-london3 

> La chanteuse et actrice Madonna copie des photos célèbres de Marilyn Monroe pour l'édition "Vanity Fair" d'avril 1991, sous l'objectif de Steven Meisel. Et pour cette séance, elle reprend la pose de la séance "Hooker" de Marilyn:

1991-meisel-businbed2  1991-meisel-businbed  


  La jupe

 bus_stop-jupe-1

C'est une longue jupe noire droite et très près du corps, voire même moulante. Elle dessine littéralement les courbes de Marilyn. D'un tissu satiné, elle comporte huit gros boutons noirs sur le devant, et elle est fendue dans le bas. Marilyn la porte avec une ceinture noire, dont la boucle est aussi noire.

  bs-sc07-on_set-by_zinn_arthur-03-1 bs-sc07-on_set_coat-010-1a  bs-sc07-on_set-by_william_read_woodfield-023-1a 

> On retrouve la jupe trois ans plus tard, portée par l'actrice d'origine suédoise May Britt dans le film "The Blue Angel" ("L'ange bleu") réalisé par Edward Dmytryk et sorti sur les écrans américains le 4 septembre 1959; l'actrice la porte non boutonnée, afin que la jupe soit fendue jusqu'en haut, pour accentuer le côté sexy de la tenue:

mm_dress-bus_stop-may_britt-1959-blue_angel_3  mm_dress-bus_stop-may_britt-1959-blue_angel_4 
mm_dress-bus_stop-may_britt-1959-blue_angel_1  mm_dress-bus_stop-may_britt-1959-blue_angel_5  mm_dress-bus_stop-may_britt-1959-blue_angel_2 


> article de presse
mm_dress-bus_stop1


© All images are copyright and protected by their respective owners, assignees or others.
copyright text by GinieLand. 

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10 novembre 2013

Expo Private Marilyn du 19/10/2013 au 6/04/2014

Marilyn privée: l'être humain derrière le concept Monroe.
Exposition temporaire unique

Cette exposition temporaire unique permettra de découvrir, pour la première fois en Suisse, plus de 700 objets personnels certifiés ayant appartenu à l'inoubliable et incomparable Marilyn Monroe. L'exposition jette un œil derrière l'aspect glamour de la star hollywoodienne Marilyn Monroe, qui, même des décennies après sa mort, continue de nous envoûter.
> source: museenbasel.ch  
> plus d'infos sur spielzeug-welten-museum-basel 

Musée Spielzeug Welten Museum Basel
Adresse: Steinenvorstadt 1 | 4051 Basel
Horaires: tous les jours de 10 à 18 heures
Prix: 5 / 7 CHF - Gratuit pour les moins de 16 ans

expo Suisse ad La collection privée de Ted Stampfer est la collection privée connue sur Marilyn Monroe la plus importante d'Europe. Considéré comme un expert, Ted Stampfer fait partie des quelques particuliers à faire profiter le public de sa collection. Le but de l'exposition n'est pas seulement de se remémorer l'actrice douée qui a marqué l'histoire de son unique manière d'être et de sa présence incomparable, mais surtout de mettre en évidence la personne Marilyn Monroe, son côté plus intime et moins connu. Car derrière la façade du sex-symbol se cachait une femme d'affaires avisée avec des idées concrètes. Malgré sa célébrité, Marilyn Monroe est restée un être humain tout à fait équilibré.

Marilyn Monroe naît à Los Angeles le 1er juin 1926 sous le nom de Norma Jeane Mortenson et est baptisée du nom de Norma Jeane Baker. Elle grandit dans différentes familles d'accueil. Après une carrière pleine de succès comme mannequin, elle signe son premier contrat cinématographique en 1946. Au cours des années cinquante, elle devient la plus grande star d'Hollywood. Elle meurt le 5 août 1962 d'une overdose de somnifères. Jusqu'ici, il n'a jamais été prouvé que ce soit un accident, une mort délibérée ou un meurtre.

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expo_suisse-ted1 expo_suisse-p30-airplane_tickets_1960 expo_suisse-p37-carnet_1962
expo_suisse-p34-chaise_bus_stop expo_suisse-p35-coffre_voyage_1954_fev expo_suisse-p36-scenario-slih
expo_suisse-p32-slih expo_suisse-p39-scenarios expo_suisse-p38-fiche_de_paie_1947

Posté par ginieland à 14:09 - - Commentaires [11] - Permalien [#]
Tags : , , , , , , ,

11 octobre 2013

'Icons and Idols Hollywood' 11/2013 Vêtements et Objets


Vêtements


lot 1263: MARILYN MONROE BROWN BLOUSE
A Marilyn Monroe brown button-down blouse from her personal wardrobe. The long-sleeved blouse has a "designed by Jax" label.
PROVENANCE Partial Lot 103, "The Personal Property of Marilyn Monroe," Christie's, New York, Sale number 9216, October 27-28, 1999
Estimate: $2 000 - 4 000

lot148520 lot148522 
lot148523 lot148525


lot 1259: MARILYN MONROE COTTON NIGHTGOWN 
A cotton nightgown owned by Marilyn Monroe, embroidered at the collar "Marilyn." Short sleeved, two-button closure, pocket at left breast. No label or size.
PROVENANCE Lot 300, "The Personal Property of Marilyn Monroe," Christie's, New York, Sale number 9216, October 27-28, 1999
Estimate: $15 000 - 20 000
lot148502 lot148503 lot148507
lot148505 lot148508


lot 1171: BETTY GRABLE HOW TO MARRY A MILLIONAIRE HAT 
A violet silk faille hat worn by Betty Grable in How to Marry a Millionaire (20th Century, 1953). The hat has a bow to back, piping and artificial horsehair to interior. A bias label reads "1-39-1-4694 Betty Grable A703-47." Costume design by Travilla. Travilla received an Oscar nomination for outstanding achievement in Color Costume Design for his work on this film. Accompanied by a copy of the film.
Estimate: $300 - 500
lot147982 lot147984 betty_grable
lot147986


Maquillage


lot 1261: MARILYN MONROE MASCARA
A gold-toned metal tube of Helena Rubinstein mascara.
4 1/2 inches
PROVENANCE Partial Lot 264, "Property from the Estate of Marilyn Monroe," Julien's Auctions, Los Angeles, June 4, 2005
Estimate: $300 - 500 
lot148514


Divers Objets


 lot 1258: MARILYN MONROE REDBOOK AWARD
A 1952 Redbook Award presented to Marilyn Monroe. Inscribed "1952/Best Young Box Office Personality/ Marilyn Monroe" and on reverse "Redbook Magazine/ Award For Distinguished Contribution/ To The/ Art Of The Motion Picture." The double-handled bell-shaped loving cup trophy is stamped on the bottom “Sterling 9553 6 IN Black Starr & Gorham.” Accompanied by original Christie’s receipt.
Height, 4 inches
PROVENANCE Lot 353, “The Personal Property of Marilyn Monroe,” Christie’s, New York, October 27-28, 1999
Estimate: $20 000 - 40 000
lot148496 lot148498 lot148500

 


lot 1262: MARILYN MONROE SNUFF BOTTLE
A snuff bottle of jade and coral owned by Marilyn Monroe. The bottle face is carved with an image of a bird in relief; the reverse is carved with four Chinese characters that read "fortune and longevity fill your doors." Affixed to a wooden stand.
3 by 1 3/4 inches
PROVENANCE Lot 370, "The Personal Property of Marilyn Monroe," Christie's, New York, Sale number 9216, October 27-28, 1999
Estimate: $1 000 - 2 000
lot148516 lot148518   

21 septembre 2013

Catalogue Marilyn Monroe's Nachlass

catalogue_expo_allemagne_coverCe catalogue de 150 pages "Marilyn Monroe's Nachlass, Die Privatsammlung Stampfer" en vente sur marilynmonroe-sammlung.de  au prix de 20 Euros, présente la collection personnelle du collectionneur allemand Ted Stampfer, un fan de Marilyn Monroe qui est parvenu à acquérir, au fil des années, plus de 700 pièces. Il a organisé plusieurs expositions de ses pièces en Allemagne (en Bavière en mars 2011, au Rock 'n' Popmuseum en 2013).

> extraits de pages
catalogue_expo_allemagne_p1 catalogue_expo_allemagne_p2
catalogue_expo_allemagne_p3 catalogue_expo_allemagne_p4 catalogue_expo_allemagne_p5
catalogue_expo_allemagne_p6  catalogue_expo_allemagne_p7


> La collection de Ted Stampfer:
- vêtements
collection_ted_vets_1 collection_ted_vets_1b 
collection_ted_vets_2a collection_ted_vets_2b collection_ted_vets_3a
collection_ted_vets_3b collection_ted_vets_4
collection_ted_vets_6a collection_ted_vets_6b collection_ted_vets_7
collection_ted_vets_5a collection_ted_vets_5b collection_ted_vets_10
collection_ted_vets_11 collection_ted_vets_11b collection_ted_vets_11c
collection_ted_vets_8a collection_ted_vets_8b collection_ted_vets_8c
collection_ted_vets_9a collection_ted_vets_9b collection_ted_vets_9c
collection_ted_vets_12 collection_ted_vets_13 
collection_ted_vets_14 collection_ted_vets_14b
collection_ted_vets_14c collection_ted_vets_14d
collection_ted_vets_15 collection_ted_vets_15b
collection_ted_vets_16 collection_ted_vets_16b
collection_ted_vets_17 collection_ted_vets_17b

- Accessoires
collection_ted_accessoires_1 collection_ted_accessoires_2c collection_ted_accessoires_2d
collection_ted_accessoires_2 collection_ted_accessoires_2b
collection_ted_accessoires_3 collection_ted_accessoires_3a
collection_ted_accessoires_4 collection_ted_accessoires_4a
collection_ted_accessoires_5 collection_ted_accessoires_5a
collection_ted_accessoires_6 collection_ted_accessoires_6a
collection_ted_accessoires_7 collection_ted_accessoires_8 collection_ted_accessoires_8a

- Maquillage / Cheveux
collection_ted_make_up_1 collection_ted_make_up_3 collection_ted_make_up_2

- Documents papiers
cache_2414663552 cache_2414663553 cache_2414663644

- Des objets de sa maison de Brentwood,
des photographies de presse.


> Photographies d'expo:
expo_allemagne_1 expo_allemagne_3
expo_allemagne_2 expo_allemagne_5 expo_allemagne_5a
expo_allemagne_4 expo_allemagne_8
 expo_allemagne_9 
expo_allemagne_10 expo_allemagne_11 expo_allemagne_12
expo_allemagne_13 expo_allemagne_13a expo_allemagne_13b

- Ted Stampfler pose à côté d'un ensemble de Marilyn
expo_ted_stampfler 

10 mars 2012

Julien's Auction 03/2012 - Vêtements

lot n°485: MARILYN MONROE LEATHER GLOVES
A pair of white kid elbow-length gloves with three-button closure at each wrist. No maker's label, stamped 8B-732-7.
PROVENANCE Partial Lot 197, "The Personal Property of Marilyn Monroe," Christie's, New York, Sale number 9216, October 27-28, 1999
Estimate: $2 000 - $3 000
lot93144 
lot93145 lot93146 lot93147


lot n°487: MARILYN MONROE BLACK LINEN BLOUSE
A black linen sleeveless blouse with four-button front closure, label reads "Lady Manhattan/ Golden Needle/ 12/ Pure Irish Linen."
PROVENANCE Partial Lot 54, "Property From the Estate of Marilyn Monroe," Julien's Auctions, Los Angeles, June 4, 2005
Estimate: $4 000 - $6 000
lot93150 


lot n°494: MARILYN MONROE RIVER OF NO RETURN PANTALOONS
A pair of cream-colored cotton pantaloons worn by Marilyn Monroe in her role as Kay Weston in River of No Return (20th Century Fox, 1954). The pantaloons are accented with lace trim, metal snaps and drawstring closure at waist. Inner seam has a handwritten label that reads "1-81-13-4736 A-713-04 M. Monroe." Accompanied by a handwritten letter from costume designer June Hudson, dated November 2, 2006, stating that the item was given to her by Monty Berman.
Accompanied by photographs of Monroe wearing the pantaloons. No size present.
PROVENANCE Lot 69, "Rock and Roll and Film Memorabilia," Bonhams, Knightsbridge, Sale number 13643, November 22, 2006
Estimate: $20 000 - $30 000
lot93158 lot93162
lot93159 
lot93160 lot93161


lot n°499: MARILYN MONROE SCARF
A black chiffon scarf owned by Marilyn Monroe. The scarf has a floral pattern over a sheer black ground. Housed in a frame with four reproduction images of Monroe.
Scarf, 26 1/2 by 26 1/2 inches; 36 1/2 by 33 inches, overall
PROVENANCE Partial Lot 216, "Collector's Carrousel," Sotheby's, June 10,1995
Estimate: $500 - $700 
lot93167

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19 novembre 2011

Julien's Auction 12/2011 - Vêtements et chapeau

 lot n°776: MARILYN MONROE OWNED HAT
A Marilyn Monroe owned straw hat with frayed brim. Felt applique reads “Isla Margarita” brim. Hat band is decorated with red applique felt flowers and green felt vegetation. No size present. PROVENANCE Partial Lot 450, “The Personal Property of Marilyn Monroe,” Christie’s, New York, Sale number 9216, October 27 & 28, 1999

Estimate: $4 000 - $6 000
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lot n°774: MARILYN MONROE THEDA BARA CLEOPATRA COSTUME
A harem costume worn by Marilyn Monroe for a 1958 photoshoot with Richard Avedon. Avedon dressed Monroe as five of Hollywood’s famed leading ladies. In this costume, Monroe dressed as Theda Bara in her role as Cleopatra. It is purported that this was part of Monroe’s campaign to play the role of the Egyptian queen in the film Cleopatra that eventually starred Elizabeth Taylor. The costume is comprised of a goldtone brassierewith snake motif cups, prong set costume gems and metal ring straps, and a skirt created by a series of scarves affixed to a gold lame bikini bottom. The accessories include a serpentine headdress with goldtone linked rings at each side, three pressed metal wristbands and armbands with arabesque designs, and a belt designed to be worn at the hip with goldtone bead, gen and paillette embellishments.  Accompanied by one scarfnot affixed to skirt. PROVENANCE Lot 25 “The Personal Property of Marilyn Monroe,” Christie’s, New York, Sale number 9216, October 27 & 28, 1999

Estimate: $200 000 - $300 000

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lot n°784: MARILYN MONROE SCREEN WORN COSTUME
A raw silk pink ensemble worn by Marilyn Monroe in The Seven Year Itch (20th Century Fox, 1955). The costume is composed of a three-quarter-length-sleeve top and tapered leg pants containing a costumer’s label that reads “Marilyn Monroe A-734” and a maker’s label that reads “designed by Jax.” Pants feature back zipper closure and shirt features deep V neckline with wing collar. Monroe can be seen wearing the ensemble with a matching belt, now absent, as she portrayed “The Girl” in the film. No size present.

Estimate: $80 000 - $100 000

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lot n°786: MARILYN MONROE FUR STOLE
A Marilyn Monroe owned fur stole. The fur is Russian Lynx with a sage green wool lining. No label present. Approximately 21 by 60 inches PROVENANCE Lot 181, “The Personal Property of Marilyn Monroe,” Christie’s, New York, Sale number 9216, October 27 & 28, 1999

Estimate: $8 000 - $10 000
 
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lot n°789: MARILYN MONROE OWNED SHIRT
A black button-down shirt owned by Marilyn Monroe. The cotton shirt has a peter pan style collar and five-button closure. Label reads “Made in Italy/ By Rosellina/ 16.” PROVENANCE Partial Lot 50, “Property From The Estate of Marilyn Monroe,” Julien’s Auctions, Los Angeles, June 4, 2005

Estimate: $1000 - $2000

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22 avril 2011

Julien's Auction 05/2011 - lots 570 à 578

lot n°570: MARILYN MONROE PUCCI ENSEMBLE 
A two-piece silk jersey in seafoam green, boatneck, sleeveless shirt with elastic waist together with matching knee-length skirt. Each piece pieces have both Emilio Pucci and Saks Fifth Avenue labels.
PROVENANCE Lot 288, "The Personal Property of Marilyn Monroe," Christie's, New York, Sale number 9216, October 27 & 28, 1999.
Estimate: $2,000 - $4,000
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lot n°571: MARILYN MONROE FALSE EYELASHES
A box containing a pair of Martha Lorraine brand eyelashes owned by Marilyn Monroe. The box contains a plastic tray in which the eyelashes rest. There is also a segment to hold glue, which is absent. The lashes, made of human hair, contain traces of lash glue.
PROVENANCE Partial Lot 112, "Fine Manuscripts Including a Collection of Marilyn Monroe Memorabilia," Christie's, Los Angeles, September 12, 2001
Estimate: $500 - $700
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lot n°572: MARILYN MONROE HAIRNET
A nude hairnet owned by Marilyn Monroe.
PROVENANCE Partial Lot 248, "Property From the Estate of Marilyn Monroe," Julien's Auctions, Los Angeles, June 4, 2005.
Estimate: $400 - $600 
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lot n°573: MARILYN MONROE SATIN SLIP
A cream color satin half slip with side zipper from the personal wardrobe of Marilyn Monroe. Label reads "Virgina Wallace 26." One stain on front and two small stains on back.
PROVENANCE Partial Lot 116, "The Personal Property of Marilyn Monroe," Christie's, New York, sale number 9216, October 27 & 28, 1999
Estimate: $400 - $600
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lot n°574: MARILYN MONROE BRASSIERE LINER  
An off-white brassiere liner from the professional wardrobe of Marilyn Monroe.
PROVENANCE Partial Lot 80, "Property From the Estate of Marilyn Monroe," Julien's Auctions, Los Angeles, June 4, 2005.
Estimate: $200 - $400
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lot n°575: MARILYN MONROE BELT
A black velvet belt owned by Marilyn Monroe. The belt is stamped on the leather back "A Swanky Product." Brass buckle has discolored due to age. Includes original Christie's lot tag. Length, 32 inches
PROVENANCE Partial Lot 114, "The Personal Property of Marilyn Monroe," Christie's, New York, Sale number 9216, October 27 & 28, 1999
Estimate: $400 - $600
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lot n°576: MARILYN MONROE SWEATER
A black mohair sweater vest with lable reading "Ilaria/ Made In Italy."
PROVENANCE Partial Lot 146, "The Personal Property of Marilyn Monroe," Christie's, New York, Sale number 9216, October 27 & 28, 1999.
Estimate: $800 - $1,200
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lot n°577: MARILYN MONROE OWNED SKIRT
A tan corduroy skirt owned by Marilyn Monroe. Label reads "designed by Jax." Straight shape with side zipper and back kick pleat. No size present.
PROVENANCE Lot 30, "Property From the Estate of Marilyn Monroe," Julien's Auctions, Los Angeles, June 4, 2005
Estimate: $600 - $800 
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lot n°578: MARILYN MONROE COCKTAIL DRESS
A black crepe cocktail dress with deep v-neck and low cut back, with pouf hemline. Interior label reads “front” to identify the front of the dress. Monroe wore this dress to a 1958 party at The Beverly Hills Hotel and is pictured on the cover of the book Marilyn Monroe: From Beginning to End by Michael Ventura. No size present.
PROVENANCE Lot 238, “The Personal Property of Marilyn Monroe,” Christie’s, New York, Sale number 9216, October 27 & 28, 1999
Estimate: $20,000 - $30,000 
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