12 juillet 2019

1958 - Portraits de Richard Avedon

Marilyn Monroe et son coiffeur Kenneth Battelle en 1958 dans les coulisses d'une séance photos de Richard Avedon.
Marilyn Monroe and her hairdresser Kenneth Battelle in 1958, in backstage of Richard Avedon photo shoot.

1958-by_richard_avedon-mm_with_kenneth_battelle-012-1 1958-by_richard_avedon-mm_with_kenneth_battelle-013-1 1958-by_richard_avedon-mm_with_kenneth_battelle-013-2 
1958-by_richard_avedon-mm_with_kenneth_battelle-013-4 


- planche contact-
contact sheet

1958-by_richard_avedon-mm_with_kenneth_battelle-010-CS-1 


© All images are copyright and protected by their respective owners, assignees or others.
copyright text by GinieLand.

Posté par ginieland à 19:47 - - Commentaires [0] - Permalien [#]
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29 décembre 2018

Photos promos de Let's Make Love - scene 7

Le Milliardaire
Photos Publicitaires


 - photographies: Arthur Zinn -

de gauche à droite (from left to right):
Frankie Vaughan, Marilyn Monroe
, Arthur Miller, Yves Montand
LML-sc07-studio-MM_Miller_Montand_Vaughan-010-1-1960-01 
LML-sc07-studio-MM_Miller_Montand_Vaughan-011-by_arthur_zinn-1 
LML-sc07-studio-MM_Miller_Montand_Vaughan-011-by_arthur_zinn-1a  LML-sc07-studio-MM_Miller-010-by_arthur_zinn-1 
LML-sc07-studio-MM_Miller-020-by_arthur_zinn-1a LML-sc07-studio-MM_Miller-020-by_arthur_zinn-2  

Frankie Vaughan, Marilyn Monroe, Yves Montand, George Cukor
LML-sc07-studio-MM_Montand_Vaughan_Cukor-by_arthur_zinn-1 
LML-sc07-studio-MM_Vaughan_Montand-010-by_arthur_zinn-1   LML-sc07-studio-MM_Vaughan_Montand-011-1 LML-sc07-studio-MM_Vaughan_Montand-011-1a 
LML-sc07-studio-MM_Vaughan_Montand-013-1 LML-sc07-studio-MM_Vaughan_Montand-013-1a LML-sc07-studio-MM_Vaughan_Montand-014-1 
LML-sc07-studio-MM_Vaughan_Montand-012-by_arthur_zinn-1 LML-sc07-studio-MM_Vaughan_Montand-015-1-by_arthur_zinn-1  LML-sc07-studio-MM_Vaughan_Montand-016-by_arthur_zinn-1a 
LML-sc07-studio-MM_Vaughan_Montand-016-by_arthur_zinn-1  LML-sc07-studio-MM_Vaughan-010-1 LML-sc07-studio-MM_Vaughan-020-1a 
LML-sc07-studio-MM_Vaughan-021-1 LML-sc07-studio-MM_with_cukor-010-1a   LML-sc07-studio-MM_with_cukor-010-1 


Marilyn Monroe

 - photographies: Arthur Zinn -

LML-sc07-studio-MM-010-1-by_arthur_zinn-1 LML-sc07-studio-MM-011-1-by_arthur_zinn-1 LML-sc07-studio-MM-012-1 
LML-sc07-studio-MM-012-2 LML-sc07-studio-MM-013-1-by_arthur_zinn-1 
LML-sc07-studio-MM-013-2  LML-sc07-studio-MM-014-1-by_arthur_zinn-1  LML-sc07-studio-MM-020-CS-1-01 
LML-sc07-studio-MM-020-CS-1-01a 
LML-sc07-studio-MM-020-CS-1-02  LML-sc07-studio-MM-020-CS-1-03  LML-sc07-studio-MM-020-CS-1-04 
LML-sc07-studio-MM-020-CS-1-05  LML-sc07-studio-MM-021-1  LML-sc07-studio-MM-022-1 
LML-sc07-studio-MM-023-1 LML-sc07-studio-MM-023-2 LML-sc07-studio-MM-023-4 
LML-sc07-studio-MM-023-4a LML-sc07-studio-MM-024-1 LML-sc07-studio-MM-024-2 
LML-sc07-studio-MM-024-3 


- Planches Contact -
Contact Sheet

LML-sc07-studio-MM-contact_sheet-1
LML-sc07-studio-MM-contact_sheet-2  LML-sc07-studio-MM-contact_sheet-3a    LML-sc07-studio-MM-contact_sheet-4 
LML-sc07-studio-MM-contact_sheet-3b 


© All images are copyright and protected by their respective owners, assignees or others.
copyright text by GinieLand.

23 décembre 2018

Photos de Let's Make Love 8

Le Milliardaire
Photos scène 8

Chanson / Song
"Specialization"


lml-sc08-film-010-1 


Tony Danton (Frankie Vaughan) & Amanda Dell (Marilyn Monroe)
lml-sc08-film-020-1  lml-sc08-film-020-1a  lml-sc08-film-032-1 
lml-sc08-film-030-1  lml-sc08-film-031-1  lml-sc08-film-033-1 
lml-sc08-film-034-1   lml-sc08-film-041-1 
lml-sc08-film-040-1 

Tony Danton, Amanda Dell &  Jean-Marc Clement (Yves Montand)
lml-sc08-film-050-1 lml-sc08-film-050-1a lml-sc08-film-050-2 
lml-sc08-film-050-3  


- planche contact-
contact sheet

lml-sc08-film-contact_sheet-1  


© All images are copyright and protected by their respective owners, assignees or others.
copyright text by GinieLand.

15 décembre 2018

Photos promos de Let's Make Love - scene 8

Le Milliardaire
Photos Publicitaires

  Marilyn Monroe 

lml-sc08-studio-contact_negatif-010-1 lml-sc08-studio-contact_negatif-010-2 lml-sc08-studio-contact_negatif-010-2a 
lml-sc08-studio-contact_negatif-010-3 lml-sc08-studio-contact_negatif-011-1 lml-sc08-studio-contact_negatif-011-2 
lml-sc08-studio-contact_negatif-011-3 lml-sc08-studio-contact_negatif-011-4 lml-sc08-studio-contact_negatif-011-5 
lml-sc08-studio-contact_negatif-012-1  lml-sc08-studio-MM-020-3 
lml-sc08-studio-contact_negatif-013-1 lml-sc08-studio-contact_negatif-013-2 lml-sc08-studio-contact_negatif-013-3 
lml-sc08-studio-MM-021-1 
lml-sc08-studio-contact_negatif-014-1 lml-sc08-studio-contact_negatif-014-2 lml-sc08-studio-contact_negatif-014-2 
lml-sc08-studio-contact_negatif-014-3 lml-sc08-studio-contact_negatif-014-4 lml-sc08-studio-contact_negatif-014-5 
lml-sc08-studio-contact_negatif-015-1 lml-sc08-studio-contact_negatif-015-2 lml-sc08-studio-contact_negatif-015-3 
lml-sc08-studio-contact_negatif-015-4 lml-sc08-studio-contact_negatif-015-5 lml-sc08-studio-contact_negatif-015-6 
lml-sc08-studio-MM-020-1 lml-sc08-studio-MM-020-2a lml-sc08-studio-MM-020-2 
lml-sc08-studio-contact_negatif-016-1  lml-sc08-studio-contact_negatif-016-2 
lml-sc08-studio-contact_negatif-016-3  lml-sc08-studio-contact_negatif-016-4 
lml-sc08-studio-contact_negatif-016-5 lml-sc08-studio-contact_negatif-016-6 
lml-sc08-studio-contact_negatif-017-1  lml-sc08-studio-contact_negatif-017-2   
lml-sc08-studio-contact_negatif-017-3 lml-sc08-studio-contact_negatif-017-4 lml-sc08-studio-contact_negatif-017-5   
lml-sc08-studio-contact_negatif-017-6 lml-sc08-studio-contact_negatif-017-7 
lml-sc08-studio-contact_negatif-018-1  lml-sc08-studio-contact_negatif-018-1-autograph_montand-1 lml-sc08-studio-contact_negatif-018-2 
lml-sc08-studio-contact_negatif-018-3 lml-sc08-studio-contact_negatif-018-4a lml-sc08-studio-contact_negatif-018-4 
lml-sc08-studio-contact_negatif-018-5 lml-sc08-studio-contact_negatif-019-1 lml-sc08-studio-contact_negatif-019-2 
lml-sc08-studio-contact_negatif-019-3 lml-sc08-studio-contact_negatif-019-4 lml-sc08-studio-contact_negatif-019-5 
lml-sc08-studio-contact_negatif-019-6  lml-sc08-studio-contact_negatif-019-7 
lml-sc08-studio-contact_negatif-020-1 lml-sc08-studio-contact_negatif-020-2 lml-sc08-studio-contact_negatif-020-3 
lml-sc08-studio-contact_negatif-020-4 lml-sc08-studio-contact_negatif-020-5 lml-sc08-studio-contact_negatif-020-6 
lml-sc08-studio-MM-011-1b lml-sc08-studio-MM-011-1 lml-sc08-studio-MM-011-2 
lml-sc08-studio-contact_negatif-021-1 lml-sc08-studio-contact_negatif-021-1a lml-sc08-studio-contact_negatif-021-2 
lml-sc08-studio-MM-010-1 
lml-sc08-studio-contact_negatif-021-3  lml-sc08-studio-contact_negatif-021-4 
lml-sc08-studio-contact_negatif-021-5  lml-sc08-studio-contact_negatif-021-6 
lml-sc08-studio-contact_negatif-021-7 lml-sc08-studio-contact_negatif-021-8 
lml-sc08-studio-contact_negatif-021-8a  lml-sc08-studio-contact_negatif-022-1a  lml-sc08-studio-contact_negatif-022-3a 
lml-sc08-studio-contact_negatif-022-1 lml-sc08-studio-contact_negatif-022-2  lml-sc08-studio-contact_negatif-022-3 

Marilyn Monroe & Jack Cole
lml-sc08-studio-contact_negatif-023-1 


- Planches Contact -
Contact Sheet

lml-sc08-studio-contact_sheet-010-1 lml-sc08-studio-contact_sheet-011-1 
lml-sc08-studio-contact_sheet-012-1  lml-sc08-studio-contact_sheet-013-1   


© All images are copyright and protected by their respective owners, assignees or others.
copyright text by GinieLand.
 

10 novembre 2018

Sur le tournage de Let's Make Love 14

Le Milliardaire
Sur le tournage


Pendant la scène
During the shooting scene

- photographies: Lawrence Schiller -

 Yves Montand & Marilyn Monroe

LML-sc14-on_set-010-1-by_lawrence_schiller-1 LML-sc14-on_set-010-1-by_lawrence_schiller-1a LML-sc14-on_set-011-1 


Sur le plateau
On the set

LML-sc14-on_set-022-1 

- photographies: Lawrence Schiller -

 Yves Montand & Marilyn Monroe

LML-sc14-on_set-020-1-by_lawrence_schiller-1 
LML-sc14-on_set-020-1-by_lawrence_schiller-1b 
LML-sc14-on_set-030-1-by_lawrence_schiller-1 

(de gauche à droite - from left to right):
Agnes Flanagan, Yves Montand,
Marilyn Monroe & Paula Strasberg

LML-sc14-on_set-021-1-by_lawrence_schiller-1a 

- planche contact de Schiller -
- contact sheet from Schiller -
LML-sc14-on_set-contact_sheet-by_lawrence_schiller-1a 


© All images are copyright and protected by their respective owners, assignees or others.
copyright text by GinieLand.
  

24 octobre 2018

Sur le tournage de Let's Make Love 16

Le Milliardaire
Sur le tournage


 Pendant la scène
During the shooting scene

 lml-sc16-on_set-010-contact_negatif-010-1 lml-sc16-on_set-010-contact_negatif-010-2 lml-sc16-on_set-010-contact_negatif-010-3 
lml-sc16-on_set-010-contact_negatif-011-1 lml-sc16-on_set-010-contact_negatif-012-1 lml-sc16-on_set-010-contact_negatif-012-2 
lml-sc16-on_set-010-contact_negatif-012-3 lml-sc16-on_set-010-contact_negatif-012-4 lml-sc16-on_set-010-contact_negatif-013-1 
lml-sc16-on_set-010-contact_negatif-013-2 lml-sc16-on_set-010-contact_negatif-013-3 lml-sc16-on_set-010-contact_negatif-013-4 
lml-sc16-on_set-010-contact_negatif-014-1 lml-sc16-on_set-010-contact_negatif-014-2 
lml-sc16-on_set-010-contact_negatif-015-1 lml-sc16-on_set-010-contact_negatif-015-2 lml-sc16-on_set-010-contact_negatif-015-3 
lml-sc16-on_set-010-contact_negatif-015-4 lml-sc16-on_set-010-contact_negatif-016-1  lml-sc16-on_set-010-contact_sheet-1  

Yves Montand, Marilyn Monroe
 lml-sc16-on_set-020-elevator-011-1  lml-sc16-on_set-020-elevator-011-2 
lml-sc16-on_set-020-elevator-012-1 lml-sc16-on_set-020-elevator-013-1 lml-sc16-on_set-020-elevator-013-2 
lml-sc16-on_set-020-elevator-014-1  lml-sc16-on_set-020-elevator-010-1 

lml-sc16-on_set-020-elevator-050-1  lml-sc16-on_set-020-elevator-041-1 


- photographies: John Bryson -

 Yves Montand, Marilyn Monroe, George Cukor

lml-sc16-on_set-020-elevator-020-1-by_Bryson-1  lml-sc16-on_set-020-elevator-021-with_cukor-1  lml-sc16-on_set-020-elevator-030-with_cukor-by_bryson-1 
 lml-sc16-on_set-020-elevator-040-1-by_Bryson-1a  lml-sc16-on_set-020-elevator-040-1-by_Bryson-1 
lml-sc16-on_set-030-by_Bryson-1  lml-sc16-on_set-030-by_Bryson-1-a 
lml-sc16-on_set-031-by_Bryson-1  lml-sc16-on_set-032-by_Bryson-1 


Sur le plateau
On the set

Marilyn Monroe & George Cukor
LML-sc16-set-cup_red-MM_Cukor-010-1 

 Marilyn Monroe & Yves Montand
LML-sc16-set-cup_red-MM_Montand-012-1 

LML-sc16-set-cup_red-MM_Montand-010-1 LML-sc16-set-cup_red-MM_Montand-010-1a LML-sc16-set-cup_red-MM_Montand-011-1 

 Marilyn Monroe & Arthur Miller
lml-sc16-set-MM_Miller-010-1  lml-sc16-set-MM_Miller-010-1-signed lml-sc16-set-MM_Miller-011-1 
lml-sc16-set-MM_Miller-011-1a  lml-sc16-set-MM_Miller-012-1 

 Marilyn Monroe et le journaliste Donald Zec
lml-sc16-set-MM_with_journalist_donald_zec-1   


12/05/1960 - anniversaire de Wilfrid Hyde-White
1960, May, 12 - Birthday of Wilfrid Hyde-White

  1960-05-12-on_set_LML-birthday_of_Wilfrid_Hyde_White-010-1b    

> 15/05/1960 - jour de tournage de Gene Kelly 
1960, May, 15 - Day of shooting of Gene Kelly
LML-sc16-studio-MM_Kelly_Montand-010-1  LML-sc16-studio-set-MM_Kelly_Montand-010-1  LML-sc16-studio-set-MM_Kelly_Montand-022-1a 
LML-sc16-studio-MM_Kelly_Montand-011-1a  LML-sc16-studio-MM_Kelly_Montand-022-2  LML-sc16-studio-MM_Kelly_Montand-014-1 


© All images are copyright and protected by their respective owners, assignees or others.
copyright text by GinieLand.
 

20 novembre 2012

25/07/1956 Hair Test - Marilyn par Milton

Le Prince et la danseuse
Sur le tournage


Tests Coiffures et Maquillag


Marilyn Monroe dans un jardin en Angleterre, probablement à Parkside House, le 25 juillet 1956. Essais coiffures pour 'Le Prince et la danseuse', avec Laurence Olivier.

Marilyn Monroe in a garden in England, probably in Parkside House, on July, 25, 1956. Hair Test for 'The Prince and the Showgirl', with Laurence Olivier.

> Photos de Milton Greene - session "HT", Hair Test
marilyn_monroe_HT_02 marilyn_monroe_HT_22 marilyn_monroe_HT_20
marilyn_monroe_HT_06 marilyn_monroe_HT_05 marilyn_monroe_HT_03
marilyn_monroe_HT_04 marilyn_monroe_HT_01 marilyn_monroe_HT_07 
marilyn_monroe_HT_09 marilyn_monroe_HT_10 marilyn_monroe_HT_13
marilyn_monroe_HT_11 marilyn_monroe_HT_12
 
marilyn_monroe_HT_16 marilyn_monroe_HT_17 marilyn_monroe_HT_19
marilyn_monroe_HT_18 marilyn_monroe_HT_15 marilyn_monroe_HT_21

     > Photos de la session "Hair Test" 
1956-hair-2 1956-hair-1 1956 
H3257_L44539933 H3257_L44539934 H3257_L44539935 
H3257_L44539936 1956-park-JRuvJZJ57HJzbdJAxDr_w mm_1956_pr_greene
mm33 mm_Untitled 1956-3189686091_1_4_e68raGfX  
H3257_L44539929 H3257_L44539930 H3257_L44539931
1956-london-prince-HT75 1956-london-prince-HT83 
1956-london-prince-HT76  1956-london-prince-HT77 
 1956-london-prince-HT99  1956-london-prince-HT100  1956-london-prince-HT101 
1956-gr-II3AA  1956-gr-II3AA2  1956-07-25-Londres-by_MHG-Hair_Test-052-1 
1956-gr-6emp H3257_L44539932 
1956-london-prince-HT81  1956-london-prince-HT82 


planches contact

lot136 
1956-07-25-Londres-by_MHG-Hair_Test-contact-011-1 
lot136c  1956-07-25-Londres-by_MHG-Hair_Test-contact-010-1a-1 
lot136a  1956-07-25-Londres-by_MHG-Hair_Test-contact-011-1b-1  1956-07-25-Londres-by_MHG-Hair_Test-contact-011-1c 
 lot136d lot136e lot136b 


All photos are copyright and protected by their respective owners. 
copyright text by GinieLand.

05 mai 2012

9/09/1954 Arrivée à New York

Le 8 septembre 1954, Marilyn Monroe s'envole à 21 heures de Los Angeles, d'où Joe DiMaggio est venu l'accompagner à l'aéroport pour l'embrasser et lui dire au revoir, pour se rendre à New York, où elle doit tourner des scènes extérieures du film The Seven Year Itch (Sept ans de réflexion). Joe ne l'accompagne pas. Elle porte un tailleur moulant avec un gros noeud, une tenue qu'elle a emprunté aux studios, qu'elle avait porté dans There's no business like show business (La joyeuse parade) dont le tournage venait à peine de se terminer.

>> Le départ de Los Angeles
1954_09_08_los_angeles_010_1 1954_09_08_los_angeles_010_1_press  
 

Arrivée à l'aéroport de New York le lendemain, le 9 septembre à 8h15, le Idlewild Airport, Marilyn est assaillie par la foule de curieux et de journalistes: des reporters, des photographes et même les caméras sont présentes. Marilyn se prête au jeu et prend la pose longuement sur le tarmac; puis, escortée par la police, elle rentre dans le hall de l'aéroport, où elle est interviewée.
Parmi les photographes présents: Sam Schulman, Paul Schumach, Weegee, Sam Shaw.

>> L'arrivée à Idlewild Airport - sur le tarmac
1954-ny-by_shaw-2  1954-09-09-Press
1954_09_08_new_york_idlewild_airport_010_1 1954_09_08_new_york_idlewild_airport_010_2 1954_09_08_new_york_idlewild_airport_010_2a
 1954_09_09_NY_airport_010_010_by_sam_shaw_1 
1954_09_08_new_york_idlewild_airport_011_1 1954-ny-by_shaw-1 
1954_09_08_new_york_idlewild_airport_020_1 1954_09_09_NY_airport_011_010_by_sam_shaw_1 1954_ny 
1954_09_08_new_york_idlewild_airport_021_1 1954_09_08_new_york_idlewild_airport_021_1a 1954_09_08_new_york_idlewild_airport_022_by_sam_schulman_1 1954_sam_shaw4
1954_09_08_new_york_idlewild_airport_023_1 1954_09_08_new_york_idlewild_airport_023_1a 1954_09_08_new_york_idlewild_airport_024_1
1954_09_08_new_york_idlewild_airport_030_1 1954_09_09_NY_airport_012_010_by_sam_shaw_1 1954_09_08_new_york_idlewild_airport_030_1a

 >> La police escorte Marilyn
 1954_09_08_new_york_idlewild_airport_031_1

 >> Dans le salon de l'aéroport, poses glamour et interview
1954_09_08_new_york_idlewild_airport_040_by_sam_schulman_1
1954_09_08_new_york_idlewild_airport_041_by_sam_schulman_1 1954_09_08_new_york_idlewild_airport_042_1 1954_09_08_new_york_idlewild_airport_043_by_sam_schulman_1 

1954-by_weegee-13551841  
1954_09_08_new_york_idlewild_airport_044_by_weegee_1 1954_09_08_new_york_idlewild_airport_044_by_weegee_2 1954_09_08_new_york_idlewild_airport_044_by_weegee_2a
1954_09_08_new_york_idlewild_airport_045_by_sam_schulman_1 
1954_09_08_new_york_idlewild_airport_050_1 1954_09_08_new_york_idlewild_airport_050_2 1954_09_08_new_york_idlewild_airport_050_3
1954_09_08_new_york_idlewild_airport_050_4 1954_09_08_new_york_idlewild_airport_050_5 1954_09_08_new_york_idlewild_airport_050_5a
1954_09_08_new_york_idlewild_airport_050_6 1954_09_08_new_york_idlewild_airport_050_7
1954_09_08_new_york_idlewild_airport_051_1 1954_09_08_new_york_idlewild_airport_051_2 1954_09_08_new_york_idlewild_airport_051_3
1954_09_08_new_york_idlewild_airport_051_4 1954_09_08_new_york_idlewild_airport_051_4a 1954_09_08_new_york_idlewild_airport_051_5
1954_09_08_new_york_idlewild_airport_052_1 1954_09_08_new_york_idlewild_airport_052_2 1954_09_08_new_york_idlewild_airport_snapshots_1

 >> Le départ en limousine
 1954_09_08_new_york_idlewild_airport_060_1
1954-ny-syi-1 1954_09_08_new_york_idlewild_airport_061_1


 >> videos

L'arrivée à l'aéroport d'Idlewild, descente de l'avion

Marilyn fait sa star, accentuant ses célèbres mimiques

Marilyn se prépare pour l'interview

Un journaliste interviewe Marilyn

  >> captures
1954_09_08_ny_cap_01_1 1954_09_08_ny_cap_01_2 1954_09_08_ny_cap_01_3
1954_09_08_ny_cap_01_4 1954_09_08_ny_cap_01_5 1954_09_08_ny_cap_01_6
1954_09_08_ny_cap_02_01 1954_09_08_ny_cap_02_02 1954_09_08_ny_cap_02_03
1954_09_08_ny_cap_02_04 1954_09_08_ny_cap_02_05 1954_09_08_ny_cap_02_06
1954_09_08_ny_cap_02_07 1954_09_08_ny_cap_02_08 1954_09_08_ny_cap_02_09
1954_09_08_ny_cap_02_10 1954_09_08_ny_cap_02_11 1954_09_08_ny_cap_02_12
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1954_09_ny_cap_06_1 1954_09_ny_cap_06_2 1954_09_ny_cap_06_3
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1954_09_ny_cap_06_7 1954_09_ny_cap_06_8 1954_09_ny_cap_06_9


Elle prend ensuite une limousine qui l'amène au Saint Regis Hotel, dans Manhattan.

  > Photographies de Sam Shaw >
1954_09_09_NY_010_010_by_sam_shaw_1
1954_09_09_NY_010_011_by_sam_shaw_1 1954_09_09_NY_010_012_by_sam_shaw_1 1954_09_09_NY_010_013_by_sam_shaw_1
1954_09_09_NY_010_014_by_sam_shaw_1 1954_09_09_NY_010_015_by_sam_shaw_1 1954_09_09_NY_010_016_by_sam_shaw_1
1954_09_09_NY_011_010_by_sam_shaw_1 1954_09_09_NY_011_020_by_sam_shaw_1 1954_09_09_NY_011_030_by_sam_shaw_1
ph_shaw_13821232_1_x  

 >> Au Saint Regis Hotel

   > Photographies de Sam Shaw >
1954_09_09_NY_hotel_St_Regis_010_020_by_sam_shaw_1 1954_09_09_NY_hotel_St_Regis_010_010_by_sam_shaw_1 1954_09_08_new_york_hotel_room_020_by_shaw_3
1954_sam_shaw1 1954_09_08_new_york_hotel_room_021_by_shaw_1  
1954_09_09_NY_hotel_St_Regis_011_010_by_sam_shaw_1 1954_09_09_NY_hotel_St_Regis_011_020_by_sam_shaw_1 1954_09_08_new_york_hotel_room_021_by_shaw_3 
1954_09_09_NY_hotel_St_Regis_020_020_by_sam_shaw_2 1954_09_09_NY_hotel_St_Regis_020_030_by_sam_shaw_2 1954_09_09_NY_hotel_St_Regis_020_050_by_sam_shaw_2
1954_09_09_NY_hotel_St_Regis_021_010_by_sam_shaw_1
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1954_09_09_NY_hotel_St_Regis_030_020_by_sam_shaw_1  1954_09_09_NY_hotel_St_Regis_040_020
1954_09_09_NY_hotel_St_Regis_030_010_by_sam_shaw_1 1954_sam_shaw2 
1954_09_09_NY_hotel_St_Regis_031_010_by_sam_shaw_1 1954_09_08_new_york_hotel_room_012_by_shaw_1 1954_09_08_new_york_hotel_room_011_1 
 1954_09_09_NY_hotel_St_Regis_032_010_by_sam_shaw_21954_09_09_NY_hotel_St_Regis_032_030_by_sam_shaw_1 1954_09_09_NY_hotel_St_Regis_040_010_by_sam_shaw_1 


Séance "Chambre d'Hôtel"
Hotel Room Sitting
- Milton H Greene -


> Photographies de Milton H Greene
1954-02-09-by_greene-03 

1954-09-09-NY-saint_regis_hotel-Hotel_Room-by_mhg-011-1  1954-09-09-NY-saint_regis_hotel-Hotel_Room-by_mhg-011-2 
1954-09-09-NY-saint_regis_hotel-Hotel_Room-by_mhg-CS-010-1a 
1954-09-09-NY-saint_regis_hotel-Hotel_Room-by_mhg-021-1 1954-09-09-NY-saint_regis_hotel-Hotel_Room-by_mhg-021-2a 1954-09-09-NY-saint_regis_hotel-Hotel_Room-by_mhg-021-2 
1954-09-09-NY-saint_regis_hotel-Hotel_Room-by_mhg-021-1a  1954-09-09-NY-saint_regis_hotel-Hotel_Room-by_mhg-021-4a 
1954-09-09-NY-saint_regis_hotel-Hotel_Room-by_mhg-021-3  1954-09-09-NY-saint_regis_hotel-Hotel_Room-by_mhg-021-4 
1954-09-09-NY-saint_regis_hotel-Hotel_Room-by_mhg-020-1 1954-09-09-NY-saint_regis_hotel-Hotel_Room-by_mhg-030-1a 1954-09-09-NY-saint_regis_hotel-Hotel_Room-by_mhg-030-1 
1954-09-09-NY-saint_regis_hotel-Hotel_Room-by_mhg-CS-010-1b  
1954-09-09-NY-saint_regis_hotel-Hotel_Room-by_mhg-030-2 1954-09-09-NY-saint_regis_hotel-Hotel_Room-by_mhg-030-3 1954-09-09-NY-saint_regis_hotel-Hotel_Room-by_mhg-030-4 
1954-09-09-NY-saint_regis_hotel-Hotel_Room-by_mhg-031-1  1954-09-09-NY-saint_regis_hotel-Hotel_Room-by_mhg-031-2 
1954-09-09-NY-saint_regis_hotel-Hotel_Room-by_mhg-032-1  1954-09-09-NY-saint_regis_hotel-Hotel_Room-by_mhg-032-2 

Planche Contact / Contact Sheet:
1954-09-09-NY-saint_regis_hotel-Hotel_Room-by_mhg-CS-010-1 


All photos are copyright and protected by their respective owners. 
copyright text by GinieLand.

08 juin 2011

Octobre 1953, chez Schenck - Bed par Milton Greene

Séance "Au Lit"
Bed Sitting


Pendant un week-end d'octobre 1953, Joseph Schenck (producteur à la 20th Century Fox), invite le photographe Milton H Greene et Marilyn Monroe dans le pavillon des invités de sa villa à Beverly Hills. Milton Greene va faire quatre séances photos avec Marilyn chez Schenck, dont cette série où Marilyn pose dans le lit. 


During a weekend of October 1953, Joseph Schenck (producer at the 20th Century Fox), invites photographer Milton H Greene and Marilyn Monroe at the guest villa of his Beverly Hills estate. Milton Greene will do four photo sessions with Marilyn at Schenck's, including this series where Marilyn strikes poses in the bed.


Session "BD": "Bed Sitting"

1953-10-LA-BD-Bed-010-1  1953-10-LA-BD-Bed-010-2 
1953-10-LA-BD-Bed-011-1 1953-10-LA-BD-Bed-011-2 1953-10-LA-BD-Bed-012-1 
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1953-10-LA-BD-Bed-015-1 1953-10-LA-BD-Bed-015-3 1953-10-LA-BD-Bed-016-1 
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1953-10-LA-BD-Bed-016-5 1953-10-LA-BD-Bed-016-6 1953-10-LA-BD-Bed-017-1 

1953-10-LA-BD-Bed-020-1 1953-10-LA-BD-Bed-020-2-marilyn_monroe_BD_15 1953-10-LA-BD-Bed-020-3 
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1953-10-LA-BD-Bed-023-4 1953-10-LA-BD-Bed-023-5-marilyn_monroe_BD_42 1953-10-LA-BD-Bed-023-6 
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1953-10-LA-BD-Bed-033-1  1953-10-LA-BD-Bed-033-2 

1953-10-LA-BD-Bed-041-1  1953-10-LA-BD-Bed-042-1 
1953-10-LA-BD-Bed-042-2 
1953-10-LA-BD-Bed-040-1 1953-10-LA-BD-Bed-042-3 1953-10-LA-BD-Bed-042-4 
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1953-10-LA-BD-Bed-044-2 1953-10-LA-BD-Bed-044-3 1953-10-LA-BD-Bed-044-4 
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1953-10-LA-BD-Bed-046-2 1953-10-LA-BD-Bed-046-3 1953-10-LA-BD-Bed-046-4 
1953-10-LA-BD-Bed-046-3a 
1953-10-LA-BD-Bed-050-1  1953-10-LA-BD-Bed-050-2 
1953-10-LA-BD-Bed-051-1  1953-10-LA-BD-Bed-051-2    


- planches contact -
contact sheets

1953-bed-ph-gr-lot131b  1953-bed-ph-gr-lot131d 


- magazine -
mag_look_mhg 


All photos are copyright and protected by their respective owners. 
copyright text by GinieLand.

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06 avril 2011

02/09/1953, Los Angeles - Mandolin par Milton Greene

Séance "Mandoline"
Mandoline Sitting


Fleur Cowles, rédactrice en chef du magazine Look, fait rencontrer le photographe Milton H Greene à Marilyn Monroe, pour un sujet sur l'actrice dans le magazine.
Ce 2 septembre 1953, Milton H Greene photographie pour la première fois Marilyn Monroe: c'est cette séance "Mandoline", prise au studio de Look à Los Angeles. Marilyn est revenue du Canada la veille et ne reprend le tournage de scènes en studio de "La Rivière Sans Retour" à Los Angeles que dans quelques jours car elle s'est faite une entorse à la cheville sur le tournage au Canada. Les photos de la séance "Mandoline" sont restées peu publiées à l'époque du vivant de Marilyn.
Quand Greene a envoyé à Marilyn le rejet de la séance: "elle lui a répondu avec deux douzaines de roses et a appelé pour dire qu'elles étaient les plus belles photos qu'elle n'avait jamais vu."
Pendant les trois jours suivants, Milton et Marilyn vont faire quatre autres séances ensemble (Nude, Evening Dress, Tree, Rock et des instantanés en backstage).


Fleur Cowles, editor-in-chief of Look magazine, brought Milton to Los Angeles to meet Marilyn Monroe, for a publication in the magazine.
This September 2, 1953, Milton H Greene photographes for the first time Marilyn Monroe: it's this sitting "Mandolin", taken in Look studio in Los Angeles. Marilyn is returned from Canada the day before and don't start filming the scenes in the studios of "River of no return" in Los Angeles until a few days later, as she sprained her ankle while filming in Canada. The photos of the setting "Mandoline" are remained little published at the time of Marilyn's lifetime. When Greene has sent Marilyn the rejection of the session, "she answered him with two dozen roses and called to say they were the most beautiful pictures she had ever seen."
Over the next three days, Milton and Marilyn will do four other sessions together (Nude, Evening Dress, Tree, Rock and candids in backstage).


Session "MN": "Mandolin" (aussi appelée "Balalaika")

1953-09-03-LA-Mandolin-010-1 1953-09-03-LA-Mandolin-010-2 1953-09-03-LA-Mandolin-011-1 
1953-09-03-LA-Mandolin-011-1a 
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1953-09-03-LA-Mandolin-015-1  1953-09-03-LA-Mandolin-016-1  1953-09-03-LA-Mandolin-020-1 
1953-09-03-LA-Mandolin-020-1a 1953-09-03-LA-Mandolin-030-2a 1953-09-03-LA-Mandolin-020-3a 
1953-09-03-LA-Mandolin-020-2 1953-09-03-LA-Mandolin-020-3 1953-09-03-LA-Mandolin-020-4 

1953-09-03-LA-Mandolin-030-1b 
1953-09-03-LA-Mandolin-030-1 1953-09-03-LA-Mandolin-030-2 1953-09-03-LA-Mandolin-030-3 
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 1953-09-03-LA-Mandolin-030-4b 
 1953-09-03-LA-Mandolin-031-1  1953-09-03-LA-Mandolin-031-2 
1953-09-03-LA-Mandolin-031-1a   1953-09-03-LA-Mandolin-031-2a 
 1953-09-03-LA-Mandolin-031-3 1953-09-03-LA-Mandolin-031-4 1953-09-03-LA-Mandolin-031-4a 
1953-09-03-LA-Mandolin-032-1 1953-09-03-LA-Mandolin-032-1a 1953-09-03-LA-Mandolin-032-2 
1953-09-03-LA-Mandolin-032-3  1953-09-03-LA-Mandolin-032-4 
1953-09-03-LA-Mandolin-034-1a  
1953-09-03-LA-Mandolin-033-1 1953-09-03-LA-Mandolin-033-2 1953-09-03-LA-Mandolin-034-1 
1953-09-03-LA-Mandolin-034-2 1953-09-03-LA-Mandolin-034-3 1953-09-03-LA-Mandolin-035-1 
1953-09-03-LA-Mandolin-035-2 1953-09-03-LA-Mandolin-035-3 1953-09-03-LA-Mandolin-035-4  
1953-09-03-LA-Mandolin-040-1 1953-09-03-LA-Mandolin-040-1b 1953-09-03-LA-Mandolin-041-1 
1953-09-03-LA-Mandolin-042-1 1953-09-03-LA-Mandolin-043-1 1953-09-03-LA-Mandolin-044-3 

1953-09-03-LA-Mandolin-050-1 1953-09-03-LA-Mandolin-051-1 1953-09-03-LA-Mandolin-051-2 
1953-09-03-LA-Mandolin-051-3 1953-09-03-LA-Mandolin-052-1 1953-09-03-LA-Mandolin-052-1a 
1953-09-03-LA-Mandolin-052-1b 
1953-09-03-LA-Mandolin-052-2 1953-09-03-LA-Mandolin-052-3 1953-09-03-LA-Mandolin-052-4 
1953-09-03-LA-Mandolin-053-1 1953-09-03-LA-Mandolin-053-2 1953-09-03-LA-Mandolin-054-1 
1953-09-03-LA-Mandolin-054-2 1953-09-03-LA-Mandolin-054-3 1953-09-03-LA-Mandolin-054-4 
1953-09-03-LA-Mandolin-055-1  1953-09-03-LA-Mandolin-055-2 


 - Marilyn & Milton -

1953-09-03-LA-Mandolin-MM_with_Milton-010-1 1953-09-03-LA-Mandolin-MM_with_Milton-011-1a 1953-09-03-LA-Mandolin-MM_with_Milton-012-1
1953-09-03-LA-Mandolin-MM_with_Milton-010-1a  
1953-09-03-LA-Mandolin-MM_with_Milton-013-1a 1953-09-03-LA-Mandolin-MM_with_Milton-013-2 1953-09-03-LA-Mandolin-MM_with_Milton-014-1 
1953-09-03-LA-Mandolin-MM_with_Milton-014-2 1953-09-03-LA-Mandolin-MM_with_Milton-015-1 1953-09-03-LA-Mandolin-MM_with_Milton-015-2 


 - Marilyn et les éditeurs du magazine Look -
Le rédacteur en chef Rupert Allan
- Marilyn with Look Editors -
editor in chief Rupert Allan

1953-09-03-LA-Mandolin-MM_with_Look_editors-010-1  1953-09-03-LA-Mandolin-MM_with_Look_editors-011-1 
1953-09-03-LA-Mandolin-MM_with_Look_editors-011-1a 
1953-09-03-LA-Mandolin-MM_with_Look_editors-010-2 1953-09-03-LA-Mandolin-MM_with_Look_editors-012-1 1953-09-03-LA-Mandolin-MM_with_Look_editors-013-1 
1953-09-03-LA-Mandolin-MM_with_Look_editors-014-1 1953-09-03-LA-Mandolin-MM_with_Look_editors-015-1 1953-09-03-LA-Mandolin-MM_with_Look_editors-015-1a 
1953-09-03-LA-Mandolin-MM_with_Look_editors-016-1 1953-09-03-LA-Mandolin-MM_with_Look_editors-016-2 1953-09-03-LA-Mandolin-MM_with_Look_editors-017-1 
1953-09-03-LA-Mandolin-MM_with_Look_editors-017-2  1953-09-03-LA-Mandolin-MM_with_Look_editors-017-2a 


 - backstage -

1953-09-03-LA-Mandolin-backstage-010-1 1953-09-03-LA-Mandolin-backstage-011-1 1953-09-03-LA-Mandolin-backstage-012-1 
1953-09-03-LA-Mandolin-backstage-013-1 


- planches contact -
contact sheets

1953-09-03-LA-Mandolin-contact_sheet-010-1a  1953-09-03-LA-Mandolin-contact_sheet-020-1 
1953-09-03-LA-Mandolin-contact_sheet-030-1  1953-09-03-LA-Mandolin-contact_sheet-040-1 


- couvertures de magazine -
ph_gr_mag_look_1953_11_17_cover_1 ph_gr_mand_mag_tempo_1953_11_26
 


- article paru dans LOOK, 17 novembre 1953 -
1953-11-17-LOOK-cover-usa-2 1953-11-17-LOOK-cover-usa-p1 1953-11-17-LOOK-cover-usa-p2 


All photos are copyright and protected by their respective owners.  
copyright text by GinieLand.

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