09 février 2018

Hollywood Auction 89 - 06/2017 - Profiles In History

Photographies
(diverses)


Lot 151: Marilyn Monroe (3) photographs
with secretarial autographs
and (1) unsigned vintage swimsuit still.
(ca. 1950s)
Collection of (3) vintage original gelatin silver double-weight matte 8 x 10 in. photographs all secretarially inscribed and signed in red ink on the image and in the borders, “Marilyn Monroe”. Also includes (1) vintage gelatin silver single-weight 8 x 10 in. cheesecake photograph of Monroe in a black lace swimsuit. 3-exhibiting even toning, minor edge wear and remain in very good to fine condition. 1-exhibits a repaired 1 in. tear to lower central border as well as edge creasing. In good condition.
Estimate: $300 - $500 / Winning bid: $1,400

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Lot 152: Marilyn Monroe rare signed photograph. (TCF, 1952)
Vintage original gelatin silver 8 x 10 in. double-weight matte photograph by Frank Powolny depicting Marilyn in repose. From the publicity campaign for Monkey Business. Inscribed and signed in blue ink in lower left of image to a crewmember, “To Jack, It’s a pleasure to know you, Marilyn Monroe”. Exhibiting light even toning, and minor handling. In fine condition.
Estimate: $4,000 - $6,000 / Winning bid: $12,500

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Lot 415: Marilyn Monroe (45+) photographs by Avedon, Greene, Florea, Willoughby, and others. (1940s-1960s/printed later)
Collection of (45+) gelatin silver and RC color double-weight and single weight glossy and matte production photographs and portraits ranging in size from 8 x 8 in. to 16 x 20 in. Including images with Cary Grant, William Holden, Montgomery Clift and others,glamour portraits, candid shots of cast and crew, scene stills and character portraits. Some retaining photographer inkstamps and notation on the verso. Exhibiting age, minor wear, some toning, minor soiling and handling. In overall vintage very good to fine condition.
Estimate: $400 - $600 / Winning bid: $4,250

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Lot 444: Movie Star News archive (1 million++) Hollywood and entertainment photographs.
Massive archive of (1 million++) primarily gelatin silver 8 x 10 in. single- and double-weight glossy and matte photographs, as well as RC prints, color photos, color glos stills, and color mini lobby cards. A New York City institution for over 70 years, Movie Star News began life in 1938 as a used bookstore owned by siblings Irving and Paula Klaw. The business struggled until one day Irving noticed customers surreptitiously tearing pictures out of movie magazines. Sensing an opportunity, the Klaws began selling used film publicity photos. Demand was so high that Irving reached out to studio publicity departments directly for additional stock, and discovered that promotional materials were routinely discarded after the run of a film. He was able to acquire as many original photos as he wanted for next to nothing, and often, studio negatives, from which he started producing his own prints. The Klaws stopped selling books and started a mail order photo business in addition to the storefront operation, effectively establishing Hollywood and entertainment photography as a field of collecting. Comprising Movie Star News store stock as well as vintage source material, the breadth and scope of this resulting archive is likely unparalleled anywhere, featuring material on nearly every important star and movie in the history of American film production, from pre-Hollywood silent film period through the Golden Age, New Hollywood, the blockbuster era, and beyond. Every category, genre, and subgenre is represented, including drama, comedy, action, adventure, romance, pre-code, crime, film noir, sci-fi, horror (Universal, Hammer, and more), war, western, pin-up, cheesecake, beefcake, exploitation, sexploitation, Blaxploitation, etc. Additionally featuring television, music, stage, and adult subjects, the archive contains a near-complete narrative of American pop culture throughout the 20th century. Today, it would be virtually impossible to build a collection of entertainment material this comprehensive from scratch and prohibitively expensive to create at this level of quality—the cost of photo paper alone would run well over $1,000,000. The archive consists of roughly 40% vintage original material, the remainder primarily composed of high quality Movie Star News gelatin silver dark room prints, many made from the original negatives that Klaw acquired directly from the studios. Including actresses and female entertainers: Paula Abdul, Julie Adams, Rene Adoree, Gracie Allen, June Allyson, Judith Anderson, Mary Andrewson, The Andrews Sisters, Ursula Andress, Julie Andrews, Even Arden, Jean Arthur, Mary Astor, Lauren Bacall, Carrol Baker, Josephine Baker, Lucille Ball, Anne Bancroft, Talullah Bankhead, Vilma Banky, Brigette Bardot, Theda Bara, Lynne Bari, Ethel Barrymore, Anne Baxter, Constance Bennett, Joan Bennett, Ingrid Bergman, Linda Blair, Joan Blondell, Ann Blythe, Jacqueline Bisset, Clara Bow, Alice Brady, Mary Brian, Fannie Brice, Louise Brooks, Virginia Bruce, Carol Burnett, Mary Carlisle, Madeleine Carroll, Irene Castle, Joan Caulfield, Helen Chandler, Carol Channing, Marguerite Chapman, Cyd Cherise, Claudette Colbert, Jeanne Crane, Joan Crawford, Fifi D’Orsay, Arlene Dahl, Lili Damita, Dorothy Dandridge, Bebe Daniels, Linda Darnell, Marion Davies, Bette Davis, Doris Day, Yvonne DeCarlo, Francis Dee, Sandra Dee, Gloria DeHaven, Olivia DeHavilland, Dolores Del Rio, Myrna Dell, Catherine Deneuve, Sandy Dennis, Bo Derek, Marlene Dietrch, Faith Domergue, Carol Donell, Billie Dove, Betsy Drake, Faye Dunaway, Irene Dunne, Deanna Durbin, Ann Dvorak, Jeanne Eagles, Barbara Eden, Anita Ekberg, Dale Evans, Francis Farmer, Alice Faye, Rhonda Fleming, Bridget Fonda, Jane Fonda, Joan Fontaine, Anne Francis, Kay Francis, Mona Freeman, Anette Funicello, Eva Gabor, Zsa Zsa Gabor, Greta Garbo, Ava Gardner, Judy Garland, Terri Garr, Greer Garson, Janet Gaynor, Lillian Gish, Paulette Goddard, Betty Grable, Gloria Grahame, Katharyn Grayson, Jane Greer, Virginia Grey Corinne Griffith, Melanie Griffith, Daryl Hannah, Ann Harding, Jean Harlow, June Havoc, Goldie Hawn, Helen Hayes, Susan Hayward, Rita Hayworth, Audrey Hepburn, Katharine Hepburn, Billie Holliday, Miriam Hopkins, Lena Horne, Ruth Hussey, Angelica Huston, Betty Hutton, Janet Jackson, Gloria Jean, Zita Johann, Olivia Newton John, Grace Jones, Jennifer Jones, Shirley Jones, Janis Joplin, Ruby Keeler, Grace Kelly, Deborah Kerr, Phyllis Kirk, Eartha Kitt, Laura La Plante, Veronica Lake, Hedy Lamarr, Dorothy Lamour, Elsa Lancaster, Carol Landis, Priscilla Lane, Francis Langford, Angela Lansbury, Piper Laurie, Lila Lee, Peggy Lee, Janet Leigh, Vivien Leigh, Joan Leslie, Gina Lollabrigida, Carole Lombard, Bessie Love, Myrna Loy, Ida Lupino, Jeanette MacDonald, Ali MacGraw, Shirley MacLane, Anna Magnani, Jayne Mansfield, Ann Margret, Marilyn Maxwell, Virginia Mayo, Dorothy McGuire, Fay McKenzie, Una Merkel, Ethel Merman, Vera Miles, Ann Miller, Liza Minnelli, Mary Miles Minter, Carmen Miranda, Marilyn Monroe, Maria Montez, Coleen Moore, Mae Murray, Pola Negri, Kim Novak, Maureen O’Hara, Maureen O’Sullivan, Merle Oberon, Anita Page, Gail Patrick, Mary Pickford, Eleanor Powell, Luise Rainer, Sally Rand, Vanessa Redgrave, Donna Reed, Lee Remick, Debbie Reynolds, Ann Richards, Ginger Rogers, Diana Ross, Lillian Roth, Gail Russell, Jane Russell, Rosalind Russell, Ann Rutherford, Winona Ryder, Lizabeth Scott, Norma Shearer, Ann Sheridan, Dinah Shore, Sylvia Sidney, Jean Simmons, Alexis Smith, Barbara Stanwyck, Meryl Streep, Barbra Streisand, Gloria Swanson, Elizabeth Taylor, Shirley Temple, Emma Thompson, Gene Tierney, Thelma Todd, Claire Trevor, Kathleen Turner, Lana Turner, Twiggy, Mamie Van Doren, Lupe Velez, Martha Vickers, Rachel Ward, Tuesday Weld, Mae West, Marie Windsor, Debra Winger, Shelley Winters, Jane Withers, Anna May Wong, Natalie Wood, Fay Wray, Teresa Wright, Jane Wyman, Loretta Young, and many, many more. Actors and male entertainers: Amos & Andy, Dana Andrews, Roscoe “Fatty” Arbuckle, Louis Armstrong, Desi Arnaz, Fred Astaire, Lex Barker, John Barrymore, Lionel Barrymore, The Beatles, Warren Beatty, Wallace Beery, Harry Belafonte, John Belushi, Jack Benny, Edgar Bergen, Charles Bickford, Humphrey Bogart, David Bowie, Charles Boyer, Marlon Brando, Charles Bronson, Mel Brooks, Yul Brynner, James Cagney, Eddie Cantor, Johnny Cash, John Cassavettes, Lon Chaney, Sr., Charlie Chaplin, Montgomery Clift, Nat King Cole, Ronald Colman, Sean Connery, Gary Cooper, Jackie Cooper, Ricardo Cortez, Joseph Cotten, Bing Crosby, Tony Curtis, Sammy Davis, Jr., The Dead End Kids, James Dean, Robert DeNiro, Walt Disney, Kirk Douglas, Clint Eastwood, Duke Ellington, Douglas Fairbanks, Sr. & Jr., Jose Ferrer, W.C. Fields, Errol Flynn, Henry Fonda, Glenn Ford, Harrison Ford, Clark Gable, John Garfield, James Garner, Richard Gere, Mel Gibson, Benny Goodman, Cary Grant, Alec Guinness, Gene Hackman, Tom Hanks, Rondo Hatton, Sterling Hayden, Charlton Heston, Alfred Hitchcock, Dustin Hoffman, William Holden, Bob Hope, Rock Hudson, Tab Hunter, William Hurt, The “James Bond” franchise, Van Johnson, Al Jolson, Boris Karloff, Buster Keaton, Gene Kelly, Alan Ladd, Burt Lancaster, Harry Langdon, Charles Laughton, Laurel & Hardy, Bruce Lee, Christopher Lee, Jack Lemon, Jerry Lewis, Harold Lloyd, Peter Lorre, Dean Martin, Lee Marvin, the Marx Brothers, James Mason, Victor Mature, Joel McCrea, Roddy McDowell, Steve McQueen, Ray Milland, Sal Mineo, Robert Mitchum, Robert Montgomery, Eddie Murphy, Bill Murray, Ricky Nelson, Paul Newman, Jack Nicholson, David Niven, Chuck Norris, Peter O’Toole, Warner Oland, Laurence Olivier, Al Pacino, Jack Palance, Gregory Peck, Tyrone Power, Elvis Presely, Vincent Price, John Wayne, Johnny Weissmuller, Orson Welles, Bruce Willis, and many, many more. Movies: The African Queen, All Quiet on the Western Front, American Graffiti, Anatomy of a Murder, Animal House, the Back to the Future franchise, Beau Geste, Bell, Book and Candle, The Big Heat, The Birds, The Blue Dahlia, Blue Velvet, Bonnie and Clyde, Born Yesterday, Brigadoon, Cabin in the Sky, Captain’s Courageous, Casablanca, the “James Bond” franchise, Cat People, the “Charlie Chan” franchise, Citizen Kane, Cover Girl, Dance, Fools, Dance, Dark Victory, Dead End, Dial M for Murder, Doctor Strangelove, Dracula, Duel in the Sun, Easy Rider, El Dorado, For Whom the Bell Tolls, Foreign Correspondent, Forsaking All Others, Frankenstein, From Here to Eternity, Full Metal Jacket, Funny Girl, Ghostbusters, Gigi, Gone With the Wind, Grand Illusion, The Grapes of Wrath, The Great Escape, Halloween, High Society, His Girl Friday, Holiday, The Horror of Dracula, Human Desire, Humoresque, I Wanted Wings, Imitation of Life, Inside Daisy Clover, Invasion of the Body Snatchers, Jaws, Jezebel, The Killers, The King and I, The Lady Eve, The Lady Vanishes, Lifeboat, Macao, Marked Woman, The Most Dangerous Game, Mr. Smith Goes to Washington, Mrs. Miniver, Murder, My Sweet, My Darling Clementine, My Man Godfrey, Night of the Hunter, North by Northwest, Notorious, Passage to Marseilles, Paths of Glory, Persona, Picnic, Planet of the Apes, Porgy and Bess, The Postman Always Rings Twice, Prisoner of Zenda, Psycho, Quo Vadis, Random Harvest, Rear Window, Rebecca, Rio Bravo, Robocop, Rope, Sabotage, The Set-Up, Seven Samurai, She!, Showboat, Spellbound, Stagecoach, The Stranger, Sullivan’s Travels, Suspicion, the “Tarzan” franchise, Test Pilot, That Certain Woman, The Three Musketeers, To Catch a Thief, To Have and Have Not, Today We Live, Too Hot to Handle, The Untouchables, Valley of the Dolls, Vertigo, Vivacious Lady, Westside Story, White Christmas, Woman of the Year, The Women, Wuthering Heights, Young Mr. Lincoln, Zoo in Budapest, and many, many more. Includes duplicate images.Condition ranges widely, with the majority ranging from very good to very fine. The archive is housed in approx. (140) 4- and 5-drawer metal filing cabinets, measuring on average 22 x 28 x 53 in. This is a historic opportunity to own one of the most legendary and consequential collections of Hollywood and entertainment photographic material ever assembled. Interested bidders are strongly encouraged to preview the lot in person by appointment.
Estimate: $220,000 - $350,000 / Winning bid: ?

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Lot 868: Marilyn Monroe (3) nude calendar first-release variation collection. (ca. 1940s)
Vintage original (3) iconic Tom Kelly’s legendary Golden Dreams nude calendar print, shot in 1949 when Marilyn was between studio contracts, and not published until at least 1952 for the following year. Including (1) 9 x 13 in. stapled print with advertising headboard present and 4-other prints of various models beneath Marilyn’s, (1) 8 x 9.5 in. print (presumed removed from a complete calendar) and (1) 12 x 16.5 in. print with creased headboard section. All in vintage very good to fine condition.
Estimate: $300 - $500 / Winning bid: $850

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Lot 872: Marilyn Monroe door panel poster. (ca. 1950s)
Vintage original rolled 62 x 21.5 in. panel door poster of Marilyn Monroe in a candy-striped bathing suit. Linen backed. Exhibiting light even fading and a slice to the upper 2 in. of the blank border, not affecting image. In vintage very good to fine condition.
Estimate: $600 - $800 / Winning bid: $3,250
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Lot 878: Marilyn Monroe unpublished behind the scenes color camera transparency from Niagara by Frank Worth.
(TCF, 1953) Vintage original 2.5 x 2.5 in. camera color transparency of Marilyn Monroe in costume as “Rose Loomis” in an unpublished image of the Hollywood icon posing in front of a helicopter behind the scenes of Niagara. Photographed by Frank Worth. In vintage fine condition.
Estimate: $200 - $300 / Winning bid: $350 

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Lot 879: Marilyn Monroe (3) contact sheet strips with 9-portraits by Milton Greene from his personal collection.
(ca. 1950s) Vintage original (9) gelatin silver single-weight glossy 2.5 x 2.25 in. photographs on 3-contact sheet prints measuring approx. 2.25 x 8 in. and with 3-frames per strip. Featuring outdoor portraits of Marilyn Monroe taken by her close friend and legendary photographer Milton Greene. Unevenly trimmed at top and bottom of strips. Exhibiting age, minor wear and some handling. From the personal collection of Milton Greene. In overall very good to fine condition.
Estimate: $300 - $500 / Winning bid: $600

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Lot 885: Marilyn Monroe (3) candid photographs with Tony Curtis, Milton Greene and others.
(ca. 1960s) Vintage original (3) gelatin silver single-weight photos including (1) 8 x 10 in. Marilyn with DJ Fred Robbins and Joe Bynes, (1) 8 x 10 in. Marilyn with Milton Greene and others at Jess Rand's 1954 birthday party and (1) 4.5 x 6.5 in. Marilyn with Tony Curtis and others. Exhibiting some edge chipping, age, handling. With some mounting residue, inkstamps and writing to verso. In vintage very good to fine condition.
Estimate: $300 - $500 / Winning bid: $300

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Lot 886: Marilyn Monroe (3) candid photographs with Sammy Davis Jr., Tony Curtis, Milton Greene and more.
(ca. 1960s) Vintage original (3) gelatin silver single-weight photos including (1) 4.5 x 6.5 in. Marilyn with Tony Curtis and Milton Greene wearing eye patches in solidarity with Sammy Davis Jr. who’d lost his eye in a car accident, (1) 8 x 10 in. Marilyn with Milton Greene and Sammy Davis Jr. at Jess Rand's 1954 birthday party and (1) 8 x 10 in. photo card of Marilyn with Sammy Davis Jr. and Eddie Fisher. Exhibiting some edge chipping, age, handling. With some mounting residue, inkstamps and writing to verso. In vintage good to fine condition.
Estimate: $300 - $500 / Winning bid: $300 

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Lot 888: Marilyn Monroe (10) mammoth prints signed by George Barris.
(ca. 1950s-1960s) Collection of (10) contemporary oversize posed and candid photographs of Monroe ranging in size from 17 x 22.25 in. to 21 x 28 in. Including (2) color images 1-of Monroe wearing a robe at the beach and 1-head shot and (8) black and white prints including 7-in and around a home and 1-at the beach. All signed in lower right of images, “George Barris” (Barris first signed in ballpoint over which he later signed in marking pen). Exhibiting minor wrinkling from handling. In generally fine condition.
Estimate: $1,000 - $1,500 / Winning bid: $1,900
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Lot 889: Bert Stern signed Marilyn Monroe limited edition foil print.
(1962) Vintage original blue ink silkscreen on 40 x 40 in. silver foil limited edition print. The image is from Marilyn Monroe’s last photographic sitting in 1962. Signed by the photographer, “Bert Stern” in the lower right border and numbered, “99/100” in the lower left. Presented in the original fame. In vintage fine condition.
Estimate: $2,000 - $3,000 / Winning bid: $2,000
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Films


Lot 876: Marilyn Monroe (2) window cards from How to Marry a Millionaire and Niagara. (TCF, 1953)
Vintage original (2) window cards for the Marilyn Monroe titles including (1) 14 x 22 in. card for How to Marry a Millionaire featuring Marilyn in swimsuit with Betty Hutton and Lauren Bacall. With playdate field filled in and some toning to edges and including (1) 14 x 22 in. card for Niagara featuring a sultry Monroe reclining and a photo image of she and Joseph Cotten. With blank playdate field, some clean pinholes to corners, and even toning. In generally very good to fine condition.
Estimate: $400 - $600 / Winning bid: $500
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Lot 877: Marilyn Monroe (41) negatives from Bus Stop. (TCF, 1956)
Vintage original (41) 5 x 4 in. black and white negatives with matching contact prints, including images from production with Monroe, Don Murray, Arthur O’Connell, Eileen Heckart and cast, behind the scenes shots, crowd scenes, and images of Monroe in her iconic green costume performing. Contained in original sleeves. Some contact prints with editorial grease pencil cropping for publication. In generally fine vintage condition.
Estimate: $600 - $800 / Winning bid: $7,000
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Lot 880: Marilyn Monroe rolled German A0 large size format poster for The Seven-Year Itch.
Marilyn Monroe rolled German A0 large size format poster for The Seven-Year Itch. (TCF, 1955/R-1960) Vintage original German A0 46 x 33 in. large size format poster by graphic artist, stamp illustrator and art educator Dorothea Fischer-Nosbisch for the re-release of the Billy Wilder, Marilyn Monroe comedy. Rolled. With vibrant color. In vintage fine condition.
Estimate: $300 - $500 / Winning bid: $750

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Lot 881: Marilyn Monroe (11) production photographs from The Seven Year Itch and How to Marry a Millionaire.
 (MGM, 1953/1955) Vintage original (11) gelatin silver single-weight glossy 8 x 10 in. production photographs featuring Marilyn Monroe and cast including (5) How to Marry a Millionaire and (6) The Seven Year Itch. All with studio slugs in lower borders. Exhibiting age, minor wear, some toning, creasing and handling. In overall vintage good to very good condition.
Estimate: $300 - $500 / Winning bid: $600
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Lot 882: Marilyn Monroe (5) photographs from The Seven-Year Itch and others.
(TCF, 1955) Vintage original gelatin silver single-weight production photographs ranging in size from 7.25 x 8 in. to 8 x 10 in. including (3) Seven-Year Itch with Marilyn and Tom Ewell mugging on a couch (1-with two-hole punches at the top border), (1) full-body swimsuit pose and (1) portrait in a jeweled satin gown near a car. All exhibit minor age and handling. In vintage fine condition.
Estimate: $200 - $300 / Winning bid: $650
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Lot 883: Marilyn Monroe lobby card for Dangerous Years, her first appearance in film publicity material.
(TCF, 1948) Vintage original color 11 x 14 in. lobby card for the first film in which Marilyn appeared in publicity material. Exhibiting pinholes, border restoration, and retouching to a vertical crease through the center of the card and a crease in the lower right image. Presents in vintage good to very good condition.
Estimate: $300 - $500 / Winning bid: $300
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Lot 884. Marilyn Monroe and Anne Baxter photograph behind the scenes on All About Eve by Frank Powolny.
(TCF, 1950) Vintage original gelatin silver 8 x 10 in. double-weight matte photograph. Retaining photographer’s inkstamp on the verso. Exceedingly rare early candid moment for Marilyn. In vintage very fine condition.
Estimate: $400 - $600 / Winning bid: $650
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Lot 890: Warner Bros. commemorative brass key to the studio. (ca. 1960s)
Consisting of a cast brass 11 x 4 in. presentation key to Warner Bros. Studios. The shield-shaped bow of the key features raised iconic “WB” letters synonymous with the studio. The key blade reads, in raised letters, “The Largest in the World” on one side and “Welcome to the Warner Bros Studio”, on the other. Keys like this one were presented to special guests, celebrities, and dignitaries visiting the studio. Exhibiting expected age, wear and patina. In vintage fine condition.
Estimate: $600 - $800 / Winning bid: $1,900  

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Documents papiers


lot 869: Marilyn Monroe’s (Norma Jeane Dougherty) first signed studio contract with Twentieth Century-Fox with original screen test request signed by Ben Lyon.
The contract is 17 pages (8.5 x 11 in.), entitled “Agreement Between Twentieth Century-Fox Film Corporation And Norma Jeane Dougherty – Artist August 24, 1946” typed on the heavy stock contract folder bound with two brass brads. The document is an agreement, “That the producer employs the artist, and the artist enters the employ of the producer, to render his services exclusively to the producer, in the capacities and for the purposes herein described, for a term of Six (6) Months, commencing on the 26th day of August, 1946… the producer shall pay to the artist, as his entire compensation hereunder, the sum of One Hundred and Twenty-Five Dollars ($125.00) per week during the term of said employment…” On page 16, the future Marilyn Monroe signed in black ink, “Norma Jeane Dougherty” and was co-signed by a studio executive an a notary public. The final page was signed by Norma Jeane’s foster mother, Grace McKee, granting approval of the agreement for the 20-year-old minor. Accompanying the contract is the 1-page inter-office document, dated July 25, 1946, signed by Twentieth Century Fox executive (and former actor) Ben Lyon, written to Mr. George Wasson, stating in part: “Will you please draw up an optional contract on Norma Jeane Dougherty. We agree to make a test of her and then within ten (10) days after she completes the test, we agree to advise her whether or not we intend to exercise the option: 6 months – 20 out of 26 weeks -- $150.00.” Ben Lyon was a successful actor starring in the 1930 film Hell’s Angels, the film that brought Jean Harlow to prominence. After having met the young Norma Jeane on July 17, 1946, Lyon stated that she was “Jean Harlow all over again!” With this document, he arranged for Norma Jeane’s screen test and her subsequent contract with the studio. Lyon later advised the starlet to change her screen name to “Marilyn Monroe”. Also included is a carbon copy studio memo to Ben Lyon from George Wasson, dated October 25, 1946, stating that “Today is the last day for us to notify Norma Jeane Dougherty in the event we desire her to have any dental work done.” Contract is in fine condition; both the Lyon and dental memos have paper loss from the two-hole binder. An historic assemblage marking the genesis of the silver screen’s greatest star.
Estimate: $8,000 - $12,000 / Winning bid: $35,500
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lot 870: Marilyn Monroe personally hand annotated script from Gentlemen Prefer Blondes. (TCF, 1953)
Marilyn Monroe’s personally-used and annotated script from Gentlemen Prefer Blondes. An incomplete script, being a block of revisions delivered by the production to Marilyn Monroe comprising 69 pages total (numbered 48 through 117, missing page 93) plus a pink title cover-sheet printed “26 November 1952, ‘Gentlemen Prefer Blondes’ (Revised Final Script…13 Nov. 1952),” plus “TO ALL SECRETARIES: Please place these ADDITIONAL PAGES at the back of your script of the above date. THIS IS IMPORTANT! Majority of the prompts for Marilyn’s character “Lorelei Lee” are circled variously in graphite and non-repro blue pencil, with approximately 22-pages annotated in various inks and pencil in Monroe’s hand with amendments and additions to the script and notes on how she proposes to deliver lines and portray Lorelei’s character, with several other pages showing line deletions and other demarcations. Highlights of notes include: pg. 56, when Lord Beekman finds Lorelei stuck in Malone’s porthole, next to Lorelei’s line “Oh yes--Tea with Lady Beekman. Why, she must of forgot. She didn’t show up,” with Monroe adding an alternative line, “Well, I just wanted to see the view. It’s better from here”; pg. 58, Monroe changes the line “Piggie, will you run down to my cabin and get my purse?” to “Maybe I should have that Sherry - will you get me some”; pg. 79, Monroe has written a note to herself in the margin “Feeling that feeds the words, know the lines, go over it inteligently [sic]”; pg. 92, also to herself, “sense the feeling with the body” plus several dialogue changes; pg. 94, again to herself, “grit my teeth and forget it must have my,” “all of feeling in my words,” and “build pull back, don’t stop mutual conflict between partners.” Also, the following page (95) although bearing no notations, features the scene for Monroe’s classic musical number “Diamonds Are a Girl’s Best Friend.” In generally very good condition, with expected handling wear, soiling, and creasing, and some small edge tears and damp-staining to cover page and a few internal margins throughout. Marilyn’s unique, revealing personal notations in this script reveal her private thought processes and fleeting self confidence. On set, she was haunted by her controlling acting coach Natasha Lytess, constantly striving for her approval and insisting on retakes even when director Howard Hawks had already approved. Co-star Jane Russell looked after Marilyn on set and was often one of the only people able to coax her out of her trailer during her bouts of self doubt. Despite her anxieties, it was the role of Lorelei Lee that first fabricated her ‘dumb blonde’ persona—a genius mixture of comedy and sexiness which Marilyn personified on screen, all the while taking her acting very seriously, as evidenced by her occasional heartfelt self-motivational notes in the margins. Monroe biographer Donald Spoto once said: “She put a twist on sexiness. It was not something wicked and shameful...it was something which was terribly funny. And Marilyn enjoyed it.” A remarkable and deeply personal artifact both from Marilyn’s aura imbued within it, and of Hollywood history in general.
Provenance: Christies, New York, June 22, 2006, Lot 160.
Estimate: $20,000 - $30,000 / Winning bid: $20,000
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Lot 871: Marilyn Monroe signed document relating to The Seven Year Itch. (TCF, 1955)
The 1-page document (8.5 x 11 in.), dated and notarized from the State of New York on December 31, 1955, states in part: “I, Marilyn Monroe of New York, New York… for valuable consideration to me in hand paid and the receipt whereof I hereby acknowledge, have and do hereby and herewith release and forever discharge Twentieth Century-Fox Film Corporation… of and from all manner of action and actions, cause and causes of action, claims, demands… that I have ever had… pertaining to the production, distribution, exploitation or other matters or things relating to a certain motion picture photoplay entitled THE SEVEN YEAR ITCH.” Signed “Marilyn Monroe” in black ink. Minor staple holes on left margin. Overall, in fine condition.
Estimate: $3,000 - $5,000 / Winning bid: $3,750
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 Lot 873: (2) Marilyn Monroe signed documents and a block of (3) blank Marilyn Monroe checks.
A 1-page document (8.5 x 11 in.), undated, but retains “Received” stamp dated February 6, 1947. Sent by Marilyn to 20th Century-Fox Film Corporation to the attention of the legal department. In part: “This is to notify you that I am no longer being represented by the National Concert & Artists Corporation… I am now being represented by the Elsie Cukor Lipton Agency…[signed] Marilyn Monroe”. Contains clerical notes in both pencil and ink. Toning at lower half with tearing by two binder holes.
The second document is the second page of a two-page document (page one is missing), dated January 16, 1952 involving Twentieth Century-Fox Film Corporation and RKO Radio Pictures, Inc., pertaining to advertisement release for Marilyn Monroe in promoting “Jantzen Play Suites, Play Clothes and Swim Suits”. Signed “Marilyn Monroe” in blue ink, and co-signed by a Twentieth Century-Fox representative. Staple holes at top, pronounced wrinkling and a 3.75 x 1.25 in. portion clipped from the document.
Included with the documents is a block of (3) unused “Marilyn Monroe” printed checks from her City National Bank, Beverly Hills branch (checks numbered 1950 – 1952). Checks and attached stubs are in fine condition.
Estimate: $1,500 - $2,500 / Winning bid: $3,750
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Lot 874: Marilyn Monroe signed advertising release for House of Westmore Cosmetics.
The 1-page document (8.5 x 13.5 in.), dated July 3, 1952 from Los Angeles, California, states in part: “The undersigned, Twentieth Century-Fox Film Corporation, a New York corporation, hereby gives and grants to House of Westmore, the non-exclusive right to utilize the name and likeness of Marilyn Monroe… Said name and/or likeness shall be used only by House of Westmore in connection with its product Cosmetics in the following manner: Newspapers, magazines, window and counter displays, point of sale material.” Signed “Marilyn Monroe” in black ink, and co-signed by representatives of Twentieth Century-Fox and House of Westmore. Minor paper loss from the binder at upper edge; minor chip at bottom edge not affecting signature.
Estimate: $2,000 - $3,000 / Winning bid: $4,250
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Lot 875: Studio letter warning Marilyn Monroe of her breach of contract for taking off shooting days to participate in President Kennedy’s Birthday Celebration. (1962)
Vintage original 2-page letter on Twentieth Century-Fox Film Corporation letterhead, dated May 16, 1962, addressed to Marilyn Monroe Productions, Inc. In part: “…the services of Miss Marilyn Monroe in the now current employment period commenced on March 6, 1962 in the motion picture tentatively entitled ‘Something’s Gotta Give’… Whereas said motion picture is now in the process of principal photography and is uncompleted… Miss Monroe has advised the executives of the undersigned corporation… that she intends to absent herself from Producer’s studio and from Los Angeles, California, at twelve noon, May 17, 1962, for the purpose of attending a social function being held outside of the State of California, and to continue said absence for the reminder of the said calendar week… Now, therefore, please be advised that said announced action on the part of Miss Monroe constitutes a refusal by her to render services… said action of Miss Monroe will result in serious loss and material damage to the undersigned corporation… [the studio may] be relieved of any of its obligations in respect to the photoplay in which Miss Monroe is now rendering…” Signed “Twentieth Century-Fox Film Corporation” by Frank H. Ferguson, its Assistant Secretary. Included with original registered mail transmittal envelope, postmarked May 16, 1962, with attached studio slip with stamp indicating return date of May 17, 1962 with notation that the letter was refused and returned. Before shooting had begun, Monroe received approval from producer Henry Weinstein for her to perform on May 19th for President Kennedy’s birthday celebration at Madison Square Garden. Despite the agreement, Marilyn’s protracted health issues had delayed production and studio brass ultimately decided to release her from the picture on June 8th.
Estimate: $400 - $600 / Winning bid: $3,750
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Lot 887: Let's Make Love 22-pages of original sheet music for the LP record release.
(TCF, 1960) Vintage original (22) pages of musical charts including (1) 5-page printed 9.5 x 13 in. Conductor score for, “Let’s Make Love” designated for “Marilyn Monroe and Frankie Vaughan”, (1) 4-page handwritten 10.75 x 13.25 in. score for, “Let’s Make Love”, (1) 6-page printed 9.5 x 13 in. Conductor score for, “You With the Crazy Eyes” designated for “Frankie Vaughan (Vocal)” and (1) 7-page handwritten 10.75 x 13.25 in. score for “You With the Crazy Eyes” score. All exhibit edge toning, handling, minor soiling and staining. In vintage very good condition.
Estimate: $300 - $500 / Winning bid: $325
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Accessoires


 Lot 1942: Loni Anderson vintage “MM” evening gloves gifted to her by Burt Reynolds as the personal property of Marilyn Monroe.
(ca. 1950s) Vintage original pair of elegant midnight blue synthetic silk evening gloves with stitched braid detail at back and stitched monogram, “MM” on underside of flared, slit cuffs. Retaining internal Hansen maker’s label, printed size 6. Gifted to Loni Anderson by Burt Reynolds who attributed them to Marilyn Monroe, an idol of Anderson’s. In vintage fine condition.
Estimate: $1,000 - $1,500 / Winning bid: $9,500
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29 décembre 2015

Icons & Idols Feat Joan Collins 12/2015 - Photos


 Andre De Dienes


Lot 478  MARILYN MONROE VINTAGE PHOTOGRAPH BY ANDRE de DIENES
 A black and white silver gelatin print of Marilyn Monroe taken by Andre de Dienes in 1945. Hand printed by de Dienes on double-weight paper and stamped by the photographer twice on verso.
20 by 16 inches
Winning bid:$512 - Estimate: $400 - $600
lot478-220406_0 


Lot 479 MARILYN MONROE VINTAGE PHOTOGRAPH BY ANDRE de DIENES
 A black and white silver gelatin print of Marilyn Monroe taken by Andre de Dienes in 1946. Hand printed by de Dienes on double-weight paper and stamped by the photographer on verso.
20 by 16 inches
Winning bid:$896 - Estimate: $400 - $600
lot479-220407_0 


Lot 480  MARILYN MONROE VINTAGE PHOTOGRAPH BY ANDRE de DIENES
 A black and white silver gelatin print of Marilyn Monroe taken by Andre de Dienes in 1949. Hand printed by de Dienes on double-weight paper and stamped by the photographer twice on verso.
17 by 16 inches
 Winning bid:$750 - Estimate: $400 - $600
lot480-220408_0  


Lot 481  MARILYN MONROE VINTAGE PHOTOGRAPH BY ANDRE de DIENES
 A black and white silver gelatin print of Marilyn Monroe taken by Andre de Dienes in 1949. Hand printed by de Dienes on double-weight paper and stamped by the photographer twice on verso.
20 by 16 inches
 Winning bid:$384 - Estimate: $400 - $600
lot481-220409_0 


Lot 482  MARILYN MONROE VINTAGE PHOTOGRAPH BY ANDRE de DIENES
 A black and white silver gelatin print of Marilyn Monroe taken by Andre de Dienes in 1949. Hand printed by de Dienes on double-weight paper and stamped by the photographer on verso. Additionally handwritten on verso is "17/67 given to [illegible] Shirley de Dienes 11-18-86."
20 by 16 inches
Winning bid:$384 - Estimate: $400 - $600
lot482-220410_0  


Lot 483  MARILYN MONROE VINTAGE PHOTOGRAPH BY ANDRE de DIENES
 A black and white silver gelatin print of Marilyn Monroe taken by Andre de Dienes in 1949. Hand printed by de Dienes on double-weight paper and stamped by the photographer twice on verso. Additionally inscribed on verso "25/67 given to Chad Lewis Shirley de Dienes 11-18-86."
20 by 16 inches
Winning bid:$384 - Estimate: $400 - $600
lot483-220411_0 


Lot 484 MARILYN MONROE VINTAGE PHOTOGRAPH BY ANDRE de DIENES
 A black and white silver gelatin print of Marilyn Monroe taken by Andre de Dienes in 1949. Hand printed by de Dienes on double-weight paper and stamped by the photographer twice on verso.
20 by 16 inches
 Winning bid:$576 - Estimate: $400 - $600
lot484-220412_0  


Lot 485 MARILYN MONROE VINTAGE PHOTOGRAPH BY ANDRE de DIENES
 A black and white silver gelatin print of Marilyn Monroe taken by Andre de Dienes in 1953. Hand printed by de Dienes on double-weight paper and stamped by the photographer twice on verso.
20 by 16 inches
Winning bid:$1,024 - Estimate: $400 - $600
lot485-220413_0 


Lot 486 MARILYN MONROE VINTAGE PHOTOGRAPH BY ANDRE de DIENES
 A black and white silver gelatin print of Marilyn Monroe taken by Andre de Dienes in 1953. Hand printed by de Dienes on double-weight paper and stamped by the photographer twice on verso.
20 by 16 inches
Winning bid:$1,024 - Estimate: $400 - $600
lot486-220414_0 


Lot 487 MARILYN MONROE VINTAGE PHOTOGRAPH BY ANDRE de DIENES
 A black and white silver gelatin print of Marilyn Monroe taken by Andre de Dienes in 1953. Hand printed by de Dienes on double-weight paper and stamped by the photographer twice on verso.
20 by 16 inches
 Winning bid:$640 - Estimate: $400 - $600
lot487-220415_0 


 Bruno Bernard


Lot 502  MARILYN MONROE BERNARD OF HOLLYWOOD PHOTOGRAPH
 A limited edition color photograph of Marilyn Monroe titled “Valentine Heart” taken by Bruno Bernard circa 1946. Numbered 16/90 and signed by The Estate of Bruno Bernard in the lower margin.
20 by 16 inches
PROVENANCE From the Estate of Bruno Bernard
unsold - Estimate: $3,000 - $4,000
lot502-220447_0 


Lot 503  MARILYN MONROE BERNARD OF HOLLYWOOD PHOTOGRAPH
 A limited edition color photograph of Marilyn Monroe titled “Sailor Girl” taken by Bruno Bernard circa 1946. Numbered 16/90 and signed by The Estate of Bruno Bernard in the lower margin.
20 by 16 inches
PROVENANCE From the Estate of Bruno Bernard
unsold - Estimate: $3,000 - $4,000
lot503-220448_0 


Lot 504  MARILYN MONROE BERNARD OF HOLLYWOOD PHOTOGRAPH
 A limited edition color photograph of Marilyn Monroe titled “My Girl Friday” taken by Bruno Bernard circa 1946. Numbered 16/90 and signed by The Estate of Bruno Bernard in the lower margin.
20 by 16 inches
PROVENANCE From the Estate of Bruno Bernard
 unsold - Estimate: $3,000 - $4,000
lot504-220449_0 


Lot 505  MARILYN MONROE BRUNO BERNARD SIGNED ORIGINAL VINTAGE PHOTOGRAPH
 An original vintage black and white pin-up photograph of Marilyn Monroe taken by Bruno Bernard circa 1946. Signed on verso “Bernard of Hollywood.”
10 by 8 inches
PROVENANCE From the Estate of Bruno Bernard
 unsold - Estimate: $6,000 - $8,000
lot505-220450_0 


Lot 510  MARILYN MONROE BERNARD OF HOLLYWOOD PHOTOGRAPH
 A limited edition black and white photograph of Marilyn Monroe titled “Poolside” taken by Bruno Bernard circa 1949. Numbered 16/90 and signed by The Estate of Bruno Bernard in the lower margin.
20 by 16 inches
PROVENANCE From the Estate of Bruno Bernard
Winning bid:$4,062.50 - Estimate: $3,000 - $4,000
lot510-220455_0 


Lot 511  MARILYN MONROE BRUNO BERNARD SIGNED ORIGINAL VINTAGE PHOTOGRAPH
  An original vintage black and white photograph of Marilyn Monroe signing autographs taken by Bruno Bernard circa 1954. Signed on verso “Bernard of Hollywood.”
11 by 14 inches
PROVENANCE From the Estate of Bruno Bernard
unsold - Estimate: $6,000 - $8,000
lot511-220456_0 


Lot 512  MARILYN MONROE BERNARD OF HOLLYWOOD PHOTOGRAPH
 A limited edition black and white photograph of Marilyn Monroe wearing a costume dress from her film Gentlemen Prefer Blondes (20th Century, 1953) taken by Bruno Bernard circa 1953. Numbered 16/90 and signed by The Estate of Bruno Bernard in the lower margin.
20 by 16 inches
PROVENANCE From the Estate of Bruno Bernard
 unsold - Estimate: $3,000 - $4,000
lot512-220457_0 


Lot 513  MARILYN MONROE BRUNO BERNARD SIGNED ORIGINAL VINTAGE PHOTOGRAPH
 An original vintage black and white photograph of Marilyn Monroe on the set of The Seven Year Itch (20th Century, 1955) taken by Bruno Bernard circa 1954. Signed on verso "Bernard of Hollywood" and contained in a brown Bernard of Hollywood folder.
14 by 11 inches
PROVENANCE From the Estate of Bruno Bernard
Winning bid:$12,500 - Estimate: $10,000 - $20,000
lot513-220458_0 


Lot 514  MARILYN MONROE BERNARD OF HOLLYWOOD PHOTOGRAPH
 A limited edition color photograph of Marilyn Monroe wearing the famous white dress from her film The Seven Year Itch (20th Century, 1955) taken by Bruno Bernard circa 1954. Numbered 16/50 and signed by The Estate of Bruno Bernard in the lower margin.
24 by 20 inches
PROVENANCE From the Estate of Bruno Bernard
 unsold - Estimate: $3,000 - $5,000
lot514-220459_0 


 George Barris


Lot 537 MARILYN MONROE GEORGE BARRIS PHOTOGRAPHS
A pair of black and white photographs of Marilyn Monroe taken by George Barris. Each photograph is signed by Barris. One of the photographs is stamped “© 1987 George Barris/ Marilyn Monroe/ Weston Editions LTD./ All Rights Reserved,” and both photographs are stamped “The Private Collection of Kim Goodwin.”
Winning bid:$448 - Estimate: $600 - $800
lot537-220508_0  lot537-220509_0 


Lot 538  MARILYN MONROE GEORGE BARRIS PHOTOGRAPH
A black and white photograph of Marilyn Monroe taken by George Barris in the summer of 1962. Signed by the photographer at lower right and stamped “The Kim Goodwin Collection” on verso.
Winning bid:$250 - Estimate: $800 - $1,200
lot538-220510_0 


Lot 539  MARILYN MONROE GEORGE BARRIS LAST PHOTOGRAPHS PORTFOLIO
 A folder containing eight color prints of George Barris’ photographs of Marilyn Monroe. White folder reads on the cover “Marilyn Monroe/ 25th/ The Last Photos.” Interior left of folder reads “Limited Edition/ Original Photographs by/ George Barris.” Interior right of folder reads “As seen in/ ‘Marilyn’ Norma Jeane/ text by Gloria Steinem.” Accompanied by a card that gives the edition number as 74/99. Each photograph is signed by Barris and stamped on verso “Copyright 1987/ Marilyn Monroe/ Weston Editions LTD.” The photographs are additionally stamped “The Private Collection of Kim Goodwin.”
Photographs, 10 by 8 inches; Folder, 10 1/2 by 9 inches
 Winning bid:$2,240 - Estimate: $1,000 - $2,000
lot539-220511_0 
lot539-220512_0 lot539-220513_0 
lot539-220514_0 lot539-220515_0 lot539-220516_0 
lot539-220517_0 lot539-220518_0 lot539-220519_0 


Photos Diverses


Lot 19  JOAN COLLINS TWO FRAMED POSTERS
 The first, titled "Marilyn Monroe as Jean Harlow," is from a series of photographs photographer Richard Avedon produced with Marilyn Monroe, signed by Avedon. Other photographs from the series show Monroe dressed as actresses Lillian Russell, Marlene Dietrich, Theda Bara, and Clara Bow. The second, an Erte exhibition poster from 1972.
Larger, 32 by 24 1/4 inches
Winning bid:$640 - Estimate: $200 - $300
lot19-219124_0  lot19-219125_0 


Lot 488 MARILYN MONROE ARCHIVE OF PHOTOGRAPHS BY JOSEPH JASGUR
 An archive of photographs of Marilyn Monroe taken by Joseph Jasgur in 1946. The photographs were taken of a 19-year-old Norma Jeane Dougherty, before she was Marilyn Monroe. Taken in Los Angeles for Blue Book Modeling Agency, these photographs comprise one of Monroe’s first modeling portfolios. It was this portfolio she presented to Ben Lyon, the casting director at 20th Century Fox who signed her to the studio and shortly after changed her name. Jasgur’s images of Norma Jeane Dougherty mark the beginning of her career and offer us a unique glimpse of Marilyn Monroe, before she was Marilyn.
All prints in this lot are from these early photoshoots and are directly from the estate of Joseph Jasgur. Included in the archive are approximately 400 color and black and white later prints, size 11 by 14 inches; approximately 120 black and white gelatin silver prints, size 8 by 10 inches; approximately 10 black and white gelatin silver prints, size 11 by 14 inches; some oversize prints, contact prints, and a wooden camera tripod used by Jasgur. Some prints are signed or stamped by the photographer, others are not. Print dates vary. Condition varies.
Sizes vary
PROVENANCE From the Estate of Joseph Jasgur
Winning bid:$8,320 - Estimate: $600 - $800
lot488-220416_0 


Lot 489  MARILYN MONROE JOSEPH JASGUR NEGATIVE AND COPYRIGHT
 One Joseph Jasgur black and white negative of Marilyn Monroe taken in 1946. Copyrights to this image will be transferred to the winning bidder.
5 by 4 inches
Winning bid:$1,280 - Estimate: $1,000 - $1,500
lot489-220417_0  lot489-220418_0  


Lot 490  MARILYN MONROE JOSEPH JASGUR NEGATIVES AND COPYRIGHT
 Two Joseph Jasgur black and white negatives of Marilyn Monroe taken in 1946. Copyrights to this image will be transferred to the winning bidder. Accompanied by a photograph of the image, printed 2000-2001.
Negatives, 5 by 4 inches; Photograph, 14 by 11 inches
 Winning bid:$384 - Estimate: $1,000 - $2,000
lot490-220420_0  lot490-220421_0 


Lot 491  MARILYN MONROE FAMILY PHOTOGRAPH
 An original vintage black and white photograph of Marilyn Monroe circa 1946, with her half sister Berniece Baker Miracle, her mother Gladys, and her niece Mona Rae. Originally from the collection of Eleanor Goddard.
3 1/2 by 2 1/2 inches
PROVENANCE Lot 84, "Julien's Autumn Sale," Julien's, Las Vegas, October 29, 2005
Winning bid:$875 - Estimate: $400 - $600
lot491-220422_0  lot491-220423_0 


Lot 492  MARILYN MONROE INSCRIBED JIM DOUGHERTY PHOTOGRAPH
 A pair of original vintage photographs of Marilyn Monroe's first husband, Jim Dougherty. The first is a passport style portrait, and the second shows Dougherty sleeping on the beach and is inscribed on the back in Monroe's hand "(zzz.....zzz) Jimmie sound asleep." Originally from the collection of Eleanor Goddard.
Larger, 3 3/4 by 4 3/4 inches
PROVENANCE Lot 80, "Julien's Autumn Sale," Julien's, Las Vegas, October 29, 2005
Winning bid:$750 - Estimate: $400 - $600
lot492-220424_0  lot492-220425_0 


Lot 496  MARILYN MONROE TOM KELLEY SIGNED PHOTOGRAPH
 A large-format nude photograph of Marilyn Monroe printed from an image taken by Tom Kelley in 1949 during his famous photoshoot with Monroe. Numbered 146 of 300 to the lower left and signed by Tom Kelley to the lower right. Includes certificate of authenticity from Mirage Editions.
44 by 36 inches, framed
PROVENANCE From the Collection of James Heeren
 Winning bid:$1,562.50 - Estimate: $1,000 - $2,000
lot496a lot496-220431_0 lot496-220432_0 


Lot 497 MARILYN MONROE HUGH HEFNER SIGNED EARL MORAN PHOTOGRAPH
A black and white photograph of Marilyn Monroe posing topless, originally taken by pin-up artist Earl Moran. Numbered 1 of 75 and signed by Playboy founder Hugh Hefner to the lower left. Embossed with the Playboy Legacy Collection logo to the lower right.
 Winning bid:$6,400 - Estimate: $1,000 - $2,000
lot497-220433_0  
lot497-224723_0  


Lot 498  MARILYN MONROE EARL MORAN PHOTOGRAPH
 A black and white photograph of Marilyn Monroe posing topless, originally taken by pin-up artist Earl Moran. Numbered 5 of 75 to the lower left and embossed with the Playboy Legacy Collection logo to the lower right. Housed in a cloth-bound clamshell box with gilt titling and includes a Playboy certificate of authenticity.
24 by 20 inches
Winning bid:$2,187.50 - Estimate: $1,000 - $2,000
lot498-220434_0 lot498-220435_0 lot498-220436_0  


Lot 499  MARILYN MONROE HUGH HEFNER SIGNED PHOTOGRAPH
 A large-format nude photograph of Marilyn Monroe printed from an image taken by Tom Kelley in 1949. This is the iconic Marilyn pose used in the first issue of Playboy magazine. Numbered 171 of 300 to the lower left and signed by Playboy founder Hugh Hefner to the lower right. Includes certificate of authenticity from Light Signatures.
42 by 34 inches, framed
 Winning bid:$2,187.50 - Estimate: $1,000 - $2,000
lot499-220437_0 lot499-220438_0 


Lot 500  MARILYN MONROE FRANK WORTH PHOTOGRAPH
 A large-format gelatin silver photograph of Marilyn Monroe posing in her dress from the film How to Marry a Millionaire (20th Century Fox, 1953) printed from a negative created by Frank Worth. Numbered 9 of 95 to the lower left and embossed by the Frank Worth Estate. Includes cloth-bound clamshell box with gilt-stamped titling and a certificate of authenticity from the Frank Worth Estate.
25 3/4 by 21 3/4 by 1 3/4 inches
PROVENANCE From the Collection of James Heeren
Winning bid:$768 - Estimate: $800 - $1,200
lot500-220439_0  lot500-220440_0  
lot500-220441_0  lot500-220442_0 


Lot 517  MARILYN MONROE EARL LEAF CONTACT SHEET
 A contact sheet containing eight vintage black and white images of Marilyn Monroe taken by Earl Leaf. They were taken at the home of talent agent Johnny Hyde, where Monroe occasionally lived, on May 17, 1950. The images are attached to a sheet of cardstock with numerous notations, including the date the photographs were taken and Monroe’s name; stamped at the bottom left with the photographer's stamp.
EXHIBITED Etherton Gallery, Tucson, Arizona, "Marilyn Monroe Collection," Number 46
10 by 8 inches
Winning bid:$2,187.50 - Estimate: $800 - $1,200
lot517-220464_0 


Lot 519  MARILYN MONROE ORIGINAL 1954 SLIDES
 A group of 12 original vintage color slides showing Marilyn Monroe entertaining members of the United States military in Korea in 1954. Accompanied by a printed mage of each slide and two additional slides showing other performers that do not include Monroe.
This item sold with copyright but is not sold with copyright documentation. It is the responsibility of the winning bidder to apply for copyright. While the seller confirms that this property is sold with copyright, Julien’s can accept no liability in relation to any matters arising as a result of any imperfection in copyright given .
2 by 2 inches, each
PROVENANCE Lot 135, "Entertainment Memorabilia," Christie's, New York, Sale number 8525, July 19, 2001
Winning bid:$2,240 - Estimate: $4,000 - $6,000
lot519-220466_0  lot519-220467_0 


Lot 520 MARILYN MONROE 1954 NEGATIVES
 A pair of black and white negatives of Marilyn Monroe taken in 1954 while the actress was entertaining troops in Korea on a break from her honeymoon with Joe DiMaggio.
This item is sold with copyright but is not sold with copyright documentation. It is the responsibility of the winning bidder to apply for copyright. While the seller confirms that this property is sold with copyright, Julien’s can accept no liability in relation to any matters arising as a result of any imperfection in copyright given.
Strip of negatives, 4 1/2 by 1 3/8 inches
Winning bid:$768 - Estimate: $1,000 - $2,000 
lot520-220469_0  lot520-220470_0  lot520-220471_0 
lot520-220472_0 


Lot 523  MARILYN MONROE EVE ARNOLD PHOTOGRAPH
 A color photograph of Marilyn Monroe taken by Eve Arnold. The image shows Monroe in a one-piece leopard print swimsuit lying in a marsh, taken circa 1955. The photograph is affixed to a board. Some handwritten markings on verso and stamped “The Kim Goodwin Collection.”
15 1/2 by 19 1/2 inches
Winning bid:$768 - Estimate: $1,000 - $2,000
lot523-220477_0 


Lot 524  MARILYN MONROE AND MARLON BRANDO DIGITAL PRINTS
 A group of eight digital prints of Marilyn Monroe and Marlon Brando taken by Milton Greene in November 1955. The photographs were used to publicize a performance of The Rose Tattoo to benefit The Actors Studio. A paper label is affixed to the back of each image from the Milton H. Greene Collection.
Each, 19 by 13 inches
Winning bid:$1,920 - Estimate: $600 - $800
lot524-220478_0 lot524-220479_0 lot524-220480_0 
lot524-220481_0 lot524-220482_0 
lot524-220483_0 lot524-220484_0 lot524-220485_0 


Lot 526  MARILYN MONROE CECIL BEATON PHOTOGRAPH
 A black and white photograph of Marilyn Monroe taken by Cecil Beaton in 1956. The photograph, from Monroe's personal archive, is mounted to board and contained in a brown folder.
Photograph, 9 by 9 1/4 inches; 16 by 14 1/2 inches, overall
PROVENANCE From the Lost Archive of Marilyn Monroe
Winning bid:$2,187.50 - Estimate: $1,000 - $2,000
lot526-220488_0 


Lot 527  MARILYN MONROE VINTAGE PHOTOGRAPH
 A Marilyn Monroe vintage portrait publicity photograph from her personal collection.
10 by 8 inches
PROVENANCE From the Lost Archive of Marilyn Monroe
Winning bid:$576 - Estimate: $600 - $800
lot527-220489_0 


Lot 528  MARILYN MONROE AND ARTHUR MILLER VINTAGE PHOTOGRAPH
 A Marilyn Monroe and Arthur Miller black and white vintage original photograph. Taken by Paul Schumach at the premiere of Some Like It Hot (USA, 1959). Photographer stamp on verso.
10 by 8 inches
PROVENANCE From the Lost Archive of Marilyn Monroe
Winning bid:$896 - Estimate: $600 - $800
lot528-220490_0 


Lot 530 MARILYN MONROE CANDID PHOTOGRAPHS
 A group of nine vintage candid snapshots of Marilyn Monroe. Eight images are in color and one is black and white. Three of the images show Monroe and husband Arthur Miller at the premiere of Some Like It Hot (UA, 1959). Eight of the nine images were sold together as a lot in a previous Christie's auction.
Largest, 5 1/4 by 3 1/2 inches
PROVENANCE Partial Lot 15, "Entertainment Memorabilia," Christie's, New York, Sale number 8609, November 19, 2001
 Winning bid:$1,250 - Estimate: $1,000 - $2,000
lot530-220493_0 


Lot 540 MARILYN MONROE DOUGLAS KIRKLAND PHOTOGRAPH
 A color photograph of Marilyn Monroe taken by Douglas Kirkland on November 17, 1961, on assignment for Look magazine. Signed by Kirkland and numbered 17/49 at lower right.
20 by 16 inches
Winning bid:$1,920 - Estimate: $600 - $800
lot540-220520_0 
lot540-220521_0 


Lot 541  MARILYN MONROE MILTON GREENE SILKSCREEN PRINT
A limited edition silkscreen print of a Milton Greene photograph of Marilyn Monroe taken during the "Black Sitting" photo session in New York in 1956. Numbered 85/300 and signed by Greene at lower right.
 Winning bid:$750 - Estimate: $600 - $800
lot541-220522_0  
lot541-220523_0  lot541-220524_0  


Lot 542  MARILYN MONROE BILL RAY PHOTOGRAPH
 A black and white photograph of Marilyn Monroe at the May 19, 1962, birthday celebration of President John F. Kennedy, taken by Bill Ray. The photograph is inscribed at the lower margin “To Kim, With Best Wishes, Bill Ray 1982.” Stamped “Kim Goodwin” on verso.
 Winning bid:$640 - Estimate: $1,000 - $2,000
lot542-220525_0 

11 décembre 2015

Expo Frank Worth / Helmut Newton à Reims

  lefigaroMarilyn et les nus sculpturaux d'Helmut Newton s'exposent à Reims
Article publié le 11/12/2015
en ligne sur lefigaro.fr

3wgallery 

La 3W Gallery de la capitale de la Champagne réunit des photos splendides du photographe américain Frank Worth et du célèbre inventeur du cliché «porno chic».

Dans le cadre du mois de la photographie Pascal Mignucci, le directeur de la 3W Gallery à Reims, a choisi de présenter les clichés des grands photographes Helmut Newton et Frank Worth jusqu'au 20 décembre 2015.

Ces trente-cinq tirages exceptionnels proviennent d'une collection privée de Los Angeles. Quelque vingt-quatre clichés iconiques, en noir et blanc, signés Helmut Newton, et onze prises de vue rares de Marilyn Monroe réalisées par l'américain Frank Worth sont exposés.

Helmut Newton (1920-2004)

Helmut Newton, est un photographe australien d'origine allemande, célèbre pour ses clichés de nus, essentiellement féminins.

Helmut Newton fait ses études à Berlin et se découvre très tôt un très vif intérêt pour la photographie. Quittant l'Allemagne nazie en 1938, il émigre en Australie. Il prend part à la Seconde Guerre mondiale comme logisticien.
Après la guerre, Newton va se consacrer pleinement à sa passion pour la photo. Il collaborera régulièrement avec le magazine Playboy, pour lequel il créera ses premiers clichés de starlettes dénudées.
Il s'installe à Paris en 1961, et publie notamment ses travaux dans le magazine Vogue. Il est très vite considéré comme l'inventeur du style «porno chic». Ses modèles les plus célèbres seront Catherine Deneuve, Kate Moss, Brigitte Nielsen, Karen Mulder, Cindy Crawford, Claudia Schiffer et Monica Bellucci.

Frank Worth (1923-2000)

3wgallery2 Durant sa vie Frank Worth (1923-2000) ne publia jamais sa collection de plus de 10.000 photos des plus grandes stars de Hollywood. Il restera à la postérité pour la façon dont il sut magnifier l'unique photogénie de Marilyn Monroe. Notamment lors du tournage de Sept ans de réflexion de Billy Wilder, où Worth immortalise l'actrice dans une robe blanche soulevée par une bouche d'aération.

Quelque temps avant sa mort en 2000, il confessa avoir été recruté par le F.B.I. pour surveiller toutes ces célébrités durant la période du Maccarthysme.


Lieu et adresse: 3W Gallery, 27 rue Henri IV, 51100 Reims
Horaires: entrée libre du mardi au vendredi de 14h à 19h et le samedi de 11h à 19h
Contact: 03 26 87 58 62
Site: www.3w-gallery.com

Posté par ginieland à 19:36 - - Commentaires [0] - Permalien [#]
Tags : ,

29 août 2013

8/07/1958 Conference de Presse pour Some Like It Hot

Le mardi 8 juillet 1958, une conférence de presse est organisée par la Fox au Beverly Hills Hotel pour présenter le tournage du film Some Like It Hot, avec les acteurs (Marilyn Monroe, Tony Curtis et George Raft), le réalisateur Billy Wilder, le producteur Harold Mirisch; ainsi que de nombreux journalistes comme Louella Parsons, Army Archerd et de nombreux photographes comme Earl Leaf.
Marilyn informa les journalistes que son mari Arthur Miller, resté à New York, la rejoindra à Los Angeles le week-end prochain.
Elle déclara: "C'est tout simplement merveilleux d'être de retour !"

On Tuesday, July 8, 1958, a press conference was organized by Fox at the Beverly Hills Hotel to present the filming of "Some Like It Hot", with the actors (Marilyn Monroe, Tony Curtis and George Raft), director Billy Wilder, producer Harold Mirisch, as well as many journalists as Louella Parsons, Army Archerd and many photographers like Earl Leaf.
Marilyn told the reporters that her husband Arthur Miller, stayed in New York, would join her in Los Angeles the next weekend.
She said that "it's simply wonderful to be back !"


 >> En extérieur
1958_07_08_beverly_hills_hotel_SLIH_party_010_1 1958_07_08_beverly_hills_hotel_SLIH_party_011_1 

> Marilyn avec les journalistes
(Louella Parsons / Army Arched)
1958_07_08_beverly_hills_hotel_SLIH_party_020_with_louella_parsons_1  1958_07_08_beverly_hills_hotel_SLIH_party_030_with_army_archerd_journalist_1 

> Photographies de Earl Leaf
1958_07_08_beverly_hills_hotel_SLIH_party_031_1_by_leaf 1958_07_08_beverly_hills_hotel_SLIH_party_031_2_by_leaf 1958_07_08_beverly_hills_hotel_SLIH_party_031_3_by_leaf
1958_07_08_beverly_hills_hotel_SLIH_party_031_4_by_leaf 1958_07_08_beverly_hills_hotel_SLIH_party_031_5_by_leaf 1958_07_08_beverly_hills_hotel_SLIH_party_031_6_by_leaf
1958_07_08_beverly_hills_hotel_SLIH_party_031_7_by_leaf 1958_07_08_beverly_hills_hotel_SLIH_party_031_8_by_leaf 1958_07_08_beverly_hills_hotel_SLIH_party_031_9_by_leaf


>> L'équipe assis sur des fauteuils
> Photographies de Earl Leaf 
1958_07_08_beverly_hills_hotel_SLIH_party_041_1_by_earl_leaf_1 1958_07_08_beverly_hills_hotel_SLIH_party_041_3_by_earl_leaf_1 1958_07_08_beverly_hills_hotel_SLIH_party_042_1
1958_07_08_beverly_hills_hotel_SLIH_party_041_2_by_earl_leaf_1  1958_07_08_beverly_hills_hotel_SLIH_party_043_1_with_harold_mirisch
1958_07_08_beverly_hills_hotel_SLIH_party_044_1 1958_07_08_beverly_hills_hotel_SLIH_party_040_by_earl_leaf_1 1958_07_08_beverly_hills_hotel_SLIH_party_045_1_by_earl_leaf_1
1958_07_08_beverly_hills_hotel_SLIH_party_045_2_by_earl_leaf_2 1958_07_08_beverly_hills_hotel_SLIH_party_045_3_with_harold_mirisch_1 1958_07_08_beverly_hills_hotel_SLIH_party_045_3_with_harold_mirisch_1a
 1958_07_08_beverly_hills_hotel_SLIH_party_045_4a
1958-89386272_o 1958_07_08_beverly_hills_hotel_SLIH_party_045_5_by_earl_leaf
1958_07_08_beverly_hills_hotel_SLIH_party_048_5 1958_07_08_beverly_hills_hotel_SLIH_party_048_5a

1958_07_08_beverly_hills_hotel_SLIH_party_046_1 1958_07_08_beverly_hills_hotel_SLIH_party_046_2a
1958_07_08_beverly_hills_hotel_SLIH_party_046_2
1958_07_08_beverly_hills_hotel_SLIH_party_046_1a
1958_07_08_beverly_hills_hotel_SLIH_party_048_2 1958_07_08_beverly_hills_hotel_SLIH_party_046_3
1958_07_08_beverly_hills_hotel_SLIH_party_047_1 1958_07_08_beverly_hills_hotel_SLIH_party_047_2 1958_07_08_beverly_hills_hotel_SLIH_party_047_3 
1958_07_08_beverly_hills_hotel_SLIH_party_048_1 1958_07_08_beverly_hills_hotel_SLIH_party_048_3 1958_07_08_beverly_hills_hotel_SLIH_party_048_3a 1958_07_08_beverly_hills_hotel_SLIH_party_048_4


>> Marilyn prend la pose
1958_07_08_beverly_hills_hotel_SLIH_party_050_1 1958_07_08_beverly_hills_hotel_SLIH_party_050_2 1958_07_08_beverly_hills_hotel_SLIH_party_050_2a 1958_07_08_beverly_hills_hotel_SLIH_party_050_3

> Photographies de Earl Leaf
1958_07_08_beverly_hills_hotel_SLIH_party_051_1_by_leaf_1 1958_07_08_beverly_hills_hotel_SLIH_party_051_3_by_leaf
1958-Some_like_115a
1958_07_08_beverly_hills_hotel_SLIH_party_051_4_by_leaf 1958_07_08_beverly_hills_hotel_SLIH_party_051_2 1958_07_08_beverly_hills_hotel_SLIH_party_052_1_by_leaf
1958_07_08_beverly_hills_hotel_SLIH_party_052_2_by_leaf 1958_07_08_beverly_hills_hotel_SLIH_party_052_4 1958_07_08_beverly_hills_hotel_SLIH_party_052_3_by_leaf


>> Cocktail
1958_07_08_beverly_hills_hotel_SLIH_party_049_1 1958_07_08_beverly_hills_hotel_SLIH_party_049_2 1958_07_08_beverly_hills_hotel_SLIH_party_049_3
1958_07_08_beverly_hills_hotel_SLIH_party_053_1 1958_07_08_beverly_hills_hotel_SLIH_party_053_2 1958_07_08_beverly_hills_hotel_SLIH_party_053_4 
1958_07_08_beverly_hills_hotel_SLIH_party_053_5 1958_07_08_beverly_hills_hotel_SLIH_party_054_1 1958_07_08_beverly_hills_hotel_SLIH_party_054_1_2
1958_07_08_beverly_hills_hotel_SLIH_party_054_2 1958_07_08_beverly_hills_hotel_SLIH_party_054_3 1958_07_08_beverly_hills_hotel_SLIH_party_054_3a
1958_07_08_beverly_hills_hotel_SLIH_party_060_1
1958-slih-hushhush9604
1958_07_08_beverly_hills_hotel_SLIH_party_060_2 1958_07_08_beverly_hills_hotel_SLIH_party_061_1
1958_07_08_beverly_hills_hotel_SLIH_party_054_4
1958-slih_press-1-1  1958-slih_press-1-2  
1958-slih_press-2-1  1958-slih_press-2-2  1958-slih_press-2-3 
1958-slih_press-3-1  1958-slih_press-3-2 
1958-slih_press-4-1  1958-some1 
1958_07_08_beverly_hills_hotel_SLIH_party_054_5  1958_07_08_beverly_hills_hotel_SLIH_party_062_1
1958_07_08_beverly_hills_hotel_SLIH_party_063_2 1958_07_08_beverly_hills_hotel_SLIH_party_063_4 1958_07_08_beverly_hills_hotel_SLIH_party_063_5 
1958_07_08_beverly_hills_hotel_SLIH_party_063_1 1958_07_08_beverly_hills_hotel_SLIH_party_063_6b 1958_07_08_beverly_hills_hotel_SLIH_party_063_6
 1958_07_08_beverly_hills_hotel_SLIH_party_063_6c 1958_07_08_beverly_hills_hotel_SLIH_party_063_7a  
  1958_07_08_beverly_hills_hotel_SLIH_party_063_9 1958-slih_press-4-2 1958-112_PressConferenceForSomeLikeItHot_1958
1958-slih_press-5-1  1958-slih_press-5-2 
1958_07_08_beverly_hills_hotel_SLIH_party_063_8
  1958-slih-topsecret4593   
1958_07_08_beverly_hills_hotel_SLIH_party_064_1_with_harold_mirisch 1958_07_08_beverly_hills_hotel_SLIH_party_064_2_with_wilder
1958_07_08_beverly_hills_hotel_SLIH_party_064_2_with_wilder_2
1958 1958_07_08_beverly_hills_hotel_SLIH_party_064_4 

> Photographie de Frank Worth
1958_07_08_beverly_hills_hotel_SLIH_party_063_6a 

> Photographies de Earl Leaf
1958_07_08_beverly_hills_hotel_SLIH_party_053_3_by_leaf 1958_07_08_beverly_hills_hotel_SLIH_party_063_3_by_leaf   
1958_07_08_beverly_hills_hotel_SLIH_party_063_7_by_leaf_with_george_raft 

> Marilyn avec Earl Leaf (à droite)
1958_07_08_beverly_hills_hotel_SLIH_party_064_3_with_earl_leaf_1 


 >> Banquet
> Photographies de Earl Leaf
1958_07_08_beverly_hills_hotel_SLIH_party_070_1_with_wilder 1958_07_08_beverly_hills_hotel_SLIH_party_071_1 
1958_07_08_beverly_hills_hotel_SLIH_party_070_1a 1958_slih_conf 1958_07_08_beverly_hills_hotel_SLIH_party_071_2_by_leaf
1958_07_08_beverly_hills_hotel_SLIH_party_071_3 1958_07_08_beverly_hills_hotel_SLIH_party_071_4
 1958_07_08_beverly_hills_hotel_SLIH_party_072_2 
1958 1958_07_08_beverly_hills_hotel_SLIH_party_072_1
1958_07_08_beverly_hills_hotel_SLIH_party_073_2_by_leaf 1958_07_08_beverly_hills_hotel_SLIH_party_073_3 
1958_07_08_beverly_hills_hotel_SLIH_party_073_4
1958_07_08_beverly_hills_hotel_SLIH_party_073_1 


 > captures
1958_SLIH_cocktail_cap_010 1958_SLIH_cocktail_cap_020 1958_SLIH_cocktail_cap_030
1958_SLIH_cocktail_cap_040 1958_SLIH_cocktail_cap_050 1958_SLIH_cocktail_cap_060
1958_SLIH_cocktail_cap_070 1958_SLIH_cocktail_cap_080 1958_SLIH_cocktail_cap_090


> video
sur Budget Films  


> dans la presse
1958_SLIH_party_press_article1 1958_SLIH_party_press_article2 1958_SLIH_party_press_mag_cinemonde_1961


© All images are copyright and protected by their respective owners, assignees or others.
copyright text by GinieLand.   

Enregistrer

07 août 2013

15/09/1954 NYC - Sur le tournage de The Seven Year Itch partie 2

Sept ans de réflexion
Sur le tournage - scène 11   

Date: le 15 septembre 1954, à une heure du matin.
Lieu: entre la 51 et 52st Street, au croisement de Lexington Avenue.
Scène: il s'agit d'une scène mythique, l'une des plus célèbres de l'histoire du cinéma, qui reste sans doute la "scène la plus vue au monde", celle où la robe blanche de Marilyn se soulève entraînée par l'air d'une grille de métro. La presse en parla comme de "l'exhibition la plus intéressante depuis Lady Godiva".

Date: September 15, 1954, at one o'clock.
Location: between 51 and 52st Street on the corner of Lexington Avenue.
Scene: it is a mythical scene, one of the most famous in the history of cinema, which is probably the "most scene view in the world," the one where the white dress of Marilyn Monroe rises, driven by the blow of the subway grate. The press spoke of as "the most interesting exhibition since Lady Godiva".


Marilyn Monroe, Tom Ewell, le réalisateur Billy Wilder (homme en noir, chapeau noir), Johnny Graham (homme en costume, chapeau et cigar), manager de production de la Côte Est qui organisa la logistique pour le tournage des scènes à New York, et Natasha Lytess, la coach de Marilyn.


>> Photographies de George Barris
syi_sc11_on_set_by_barris_030_1 syi_sc11_on_set_by_barris_030_2 
syi_sc11_on_set_by_barris_040_1 syi_sc11_on_set_by_barris_040_1a
syi_sc11_on_set_by_barris_040_2 syi_sc11_on_set_by_barris_040_2a
syi_sc11_on_set_by_barris_010_1 syi_sc11_on_set_by_barris_010_1a syi_sc11_on_set_by_barris_010_2
syi_sc11_on_set_by_barris_020_1 syi_sc11_on_set_by_barris_020_2 syi_sc11_on_set_by_barris_020_3 syi_sc11_on_set_by_barris_020_4 

tsyi-299  tsyi-300  tsyi-301
syi_sc11_on_set_by_barris_021_1a syi_sc11_on_set_by_barris_021_2 syi_sc11_on_set_by_barris_021_3
syi_sc11_on_set_by_barris_021_4 syi_sc11_on_set_by_barris_021_5 syi_sc11_on_set_by_barris_021_6
syi_sc11_on_set_by_barris_021_6a syi_sc11_on_set_by_barris_022_1 


>> Photographies de Sam Shaw
syi_sc11_on_set_contact_by_shaw_1 syi_sc11_on_set_by_sam_shaw_010_1  
syi_sc11_on_set_by_sam_shaw_011_1 syi_sc11_on_set_by_sam_shaw_011_2 syi_sc11_on_set_by_sam_shaw_011_3
syi_sc11_on_set_by_sam_shaw_020_1 
syi_sc11_on_set_013_1  syi_sc11_on_set_by_sam_shaw_021_1 
syi_sc11_on_set_by_sam_shaw_030_1 syi_sc11_on_set_by_sam_shaw_030_2 syi_sc11_on_set_by_sam_shaw_031_1
 syi_sc11_on_set_by_sam_shaw_031_2 syi_sc11_on_set_by_sam_shaw_031_3 syi_sc11_on_set_by_sam_shaw_041_2 
syi_sc11_on_set_by_sam_shaw_033_1 syi_sc11_on_set_by_sam_shaw_033_1a syi_sc11_on_set_by_sam_shaw_033_2
syi_sc11_on_set_by_sam_shaw_040_1 syi_sc11_on_set_by_sam_shaw_040_2 syi_sc11_on_set_by_sam_shaw_041_1 
syi_sc11_on_set_by_sam_shaw_042_1 syi_sc11_on_set_by_sam_shaw_050_1 syi_sc11_on_set_by_sam_shaw_050_1c


>> Photographie de Matthew Zimmerman
syi_sc11_on_set_by_Mathew_Zimmerman_010_1 


>> Photographie de Sam Goldstein
syi_sc11_on_set_by_sam_goldstein_1 


 >> Photographies de Weegee
syi_sc11_on_set_by_weegee_1 syi_sc11_on_set_by_weegee_2


>> Photographie de Tom Caffrey 
syi_sc11_on_set_by_tom_caffrey_1


>> Photographies de Kas Heppner
 syi_sc11_on_set_by_Kas_Heppner_1


>> Photographies de Frank Worth
1954_SYI_on_set_with_billy_wilder_010_by_frank_worth_1 


>> Photographies de Milton Greene
syi_sc11_on_set_by_greene_02_1 syi_sc11_on_set_by_greene_marilyn_monroe_7yr_04 syi_sc11_on_set_by_greene_marilyn_monroe_7yr_05 syi_sc11_on_set_by_greene_01_1
syi_sc11_on_set_by_greene_marilyn_monroe_7yr_21
film-7yi-by_mhg-juliens-mmauction2014-lot789 
syi_sc11_on_set_by_greene_marilyn_monroe_7yr_22 syi_sc11_on_set_by_greene_marilyn_monroe_7yr_23
syi_sc11_on_set_by_greene_marilyn_monroe_7yr_24 syi_sc11_on_set_by_greene_marilyn_monroe_7yr_25 syi_sc11_on_set_by_greene_marilyn_monroe_7yr_26

1954-syi-by_gr-1-2  lot129d  


>> Photographies de George S. Zimbel
syi_sc11_on_set_by_george_s_zimbel_010_1 syi_sc11_on_set_by_george_s_zimbel_011_1 syi_sc11_on_set_by_george_s_zimbel_012_1
syi_sc11_on_set_by_george_s_zimbel_020_1 syi_sc11_on_set_by_george_s_zimbel_021_1 syi_sc11_on_set_by_george_s_zimbel_022_1 syi_sc11_on_set_by_george_s_zimbel_022_1a
syi_sc11_on_set_by_george_s_zimbel_023_1 syi_sc11_on_set_by_george_s_zimbel_024_1 syi_sc11_on_set_by_george_s_zimbel_025_1
 
syi_sc11_on_set_by_george_s_zimbel_042_1 syi_sc11_on_set_by_george_s_zimbel_024_1a syi_sc11_on_set_by_george_s_zimbel_043_1
syi_sc11_on_set_by_george_s_zimbel_030_1 syi_sc11_on_set_by_george_s_zimbel_031_1 syi_sc11_on_set_by_george_s_zimbel_032_1 syi_sc11_on_set_by_george_s_zimbel_033_1
syi_sc11_on_set_by_george_s_zimbel_040_1 syi_sc11_on_set_by_george_s_zimbel_041_1
syi_sc11_on_set_by_george_s_zimbel_044_1 syi_sc11_on_set_by_george_s_zimbel_044_2 syi_sc11_on_set_by_george_s_zimbel_joe_leaving
syi_sc11_on_set_by_george_s_zimbel_045_1 syi_sc11_on_set_by_george_s_zimbel_046_1 syi_sc11_on_set_by_george_s_zimbel_047_1
syi_sc11_on_set_by_george_s_zimbel_047_2 syi_sc11_on_set_by_george_s_zimbel_047_3 syi_sc11_on_set_by_george_s_zimbel_050_1


>> Photographies de Elliot Erwitt
syi_sc11_on_set_by_elliott_erwitt_020_1 syi_sc11_on_set_by_elliott_erwitt_020_2 syi_sc11_on_set_by_elliott_erwitt_020_3
syi_sc11_on_set_by_elliott_erwitt_020_4 syi_sc11_on_set_by_elliott_erwitt_020_5 syi_sc11_on_set_by_elliott_erwitt_020_6 syi_sc11_on_set_by_elliott_erwitt_020_7 
syi_sc11_on_set_by_elliott_erwitt_021_2 syi_sc11_on_set_by_elliott_erwitt_021_1 syi_sc11_on_set_by_elliott_erwitt_021_1a syi_sc11_on_set_by_elliott_erwitt_010_1
1954_eliott_erwitt_syi__2_ 1954_eliott_erwitt_syi__3_ 1954_eliott_erwitt_syi__4_ 1954_eliott_erwitt_syi 

by_elliott_erwitt-THE-SEVEN-YEAR-ITCH-CONTACT-SHEET-1954-1-BHC0352 


>> Photographies de Garry Winogrand
syi_sc11_on_set_by_garry_winogrand_1_1 syi_sc11_on_set_by_garry_winogrand_5
1954-syi-by_garry_winogrand_pp_20  
syi_sc11_on_set_by_garry_winogrand_2_1 syi_sc11_on_set_by_garry_winogrand_2_2 syi_sc11_on_set_by_garry_winogrand_3 syi_sc11_on_set_by_garry_winogrand_4 

1954-syi-by_garry_winogrand_pp_17   1954-syi-by_garry_winogrand_pp_18 


>> Photographies de Charles Hagedorn
syi_sc11_on_set_by_charles_hagedorn_1 syi_sc11_on_set_by_charles_hagedorn_2 syi_sc11_on_set_by_charles_hagedorn_3


>> Photographies de John Randolph Hearst
syi_sc11_on_set_by_John_Randolph_Hearst_1 


>> Photographies de Bill Kobrin
syi_sc11_on_set_by_bill_kobrin_1 syi_sc11_on_set_by_bill_kobrin_2 syi_sc11_on_set_by_bill_kobrin_3
syi_sc11_on_set_By_Bill_Kobrin_4 syi_sc11_on_set_by_bill_kobrin_photos 


>> collection de Frieda Hull
1954-09-15-ny-collection_frieda_hull-246146_0  1954-09-15-ny-collection_frieda_hull-246148_0 
1954-09-15-ny-collection_frieda_hull-246145_0  1954-09-15-ny-collection_frieda_hull-246146_0b 


>> Photographies de Bruno Bernard
syi_sc11_on_set_by_bruno_bernard_1 syi_sc11_on_set_by_bruno_bernard_2 

Extraits du journal de Bruno Bernard:
- Le magazine Redbook engagea Bruno Bernard pour couvrir le tournage de Marilyn dans The Seven Year Itch.
- New York - 14/09/1954. Si cela n'avait pas été pour mon travail (la couverture de Redbook) et Marilyn, dix chevaux ne m'auraient pas traîné sur le tournage de Seven year Itch. Zut. J'ai attendu trois heures au milieu des odeurs transpiration et des cris de la foule et d'une bande de paparazzis (...). Soudain, la foule a poussé un formidable hurlement. Marilyn apparaissait en chair et en os. Lorsque Billy Wilder, le metteur en scène, a dit "On tourne", Marilyn est sortie du théâtre, a fait quatre pas sur la gauche avant de s'arrêter juste au-dessus d'une grille d'aération. A ce moment précis, on doit imaginer qu'un métro quitte la station, l'air qu'il déplace soulevant la jupe de Marilyn. Pour mieux contrôler l'action, les accessoiristes ont disposé un ventilateur directement sous la grille. Dans certaines prises, la jupe blanche de Marilyn s'est soulevée au point de lui couvrir le visage, à la grande joie des spectateurs hystériques. D'après le scénario, Marilyn doit simplement dire: "Ah, quel soulagement ! N'est-ce pas délicieux ?!" tandis qu'elle prend plaisir à sentir cet air frais. 
La scène a été refaite trente fois parce que Marilyn se trompait à chaque fois dans son texte. Sous sa robe, elle ne portait qu'une petite culotte de soie blanche transparente. (...) DiMaggio, qui se trouvait juste en face de moi et près de walter Winchell, regardait le spectacle. Je me rendais nettement compte que la gêne de DiMaggio tournait à la fureur. Je me frayais rapidement un chemin à travers la foule, dans l'espoir de le calmer. Mais, avant que je n'arrive près de lui, il avait déjà quitté les lieux très en colère. Winchell (...) m'a dit que DiMaggio était parti "apaiser son tempérament de macho italien au Toot's Shor's". Roy Croft nous rejoignit: "Nous devrions plutôt nous réjouir qu'elle porte au moins quelque chose dessous".
L'absence de DiMaggio ne la troubla pas, et la déesse de l'amour poursuivit ses interminables prises devant son public new-yorkais extasié.
- J'ai vraiment besoin de faire ces photos de Joe et Marilyn pour boucler mon article. Depuis le couloir de leur appartement du Saint Regis, je peux entendre les éclats d'une querelle passionnée suivie par des pleurs hystériques. Je suis parti et je n'ai pas fait mes photos. (...) J'étais abbatu et silencieux. Rencontrant Roy dans l'ascenceur, il tenta de me consoler: "Tout n'est pas perdu. Comme il y avait trop de bruits de fond en extérieur, Wilder a décidé de refaire toute la scène à Hollywood." 


>> sources:
- Livres: Bernard of Hollywood's Marilyn / De Norma Jean à Marilyn, de Susan Bernard / Marilyn among friends, Sam Shaw / L'Encyclopédie d'Adam Victor / Marilyn Monroe et les caméras, de Georges Belmont / Les trésors de Marilyn Monroe, de Jenna Glatzer / Les vies secrètes de Marilyn Monroe, d'Anthony Summers.


All photos are copyright and protected by their respective owners. 
copyright text by GinieLand.

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01 avril 2013

Julien's Auction 04/2013 - Photos Films Divers

 lot n°729: MARILYN MONROE "DANGEROUS YEARS" JUMBO WINDOW CARD
  A jumbo window card for Marilyn Monroe's film debut, Dangerous Years (20th Century Fox, 1947). Printed in black and red on cardstock, the card also features a promotion for The Invisible Wall (20th Century Fox, 1947).
Estimate: $200 - $400

lot128251 


lot n°730: MARILYN MONROE 1950 FILM ARCHIVE
  A publicity still and wardrobe archive of Marilyn Monroe's 1950 films including two wardrobe plot book pages from A Ticket To Tomahawk (20th Century, 1950) for Monroe's character, Clara; with 13 publicity stills (10 black and white, 3 colorized) of Anne Baxter, Dan Dailey and Rory Calhoun. All About Eve (20th Century, 1950) publicity image archive containing 11 small black and white images stamped on verso by the Advertising Code Administration of Hollywood with one image of Monroe and 10 of Celeste Holm and four publicity images from the film. Two black and white publicity images from The Asphalt Jungle (MGM, 1950), one of Monroe.
Estimate: $400 - $600
 
lot128253 lot128255 lot128257


lot n°731: MARILYN MONROE EARLY FILMS PUBLICITY STILLS AND WARDROBE ARCHIVE
  An archive of publicity stills and wardrobe images from three of Marilyn Monroe's early films including a group of 11 black and white publicity images from Ladies of the Chorus (Columbia, 1948), each stamped "Columbia Pictures / Photo by / Lippman" with publicity snipes on verso; three of the images show Monroe's character in an altercation with Marjorie Hoshelle's character. A Monroe wardrobe continuity image, a copy of a Monroe publicity image, and an original publicity image of other cast members from Love Nest (20th Century, 1951). Publicity stills from Clash by Night (RKO, 1952), including approximately 17 black and white publicity stills, some stamped on verso " Photo by Roderick " with RKO information accompanied by publicity snipes; two feature Monroe. Fourteen black and white publicity stills blind stamped "Property of N . S . S . Corp" with two other unstamped publicity stills. As Young As You Feel (20th Century, 1951) wardrobe continuity photo archive containing 14 black and white images; one of Monroe.
Estimate: $600 - $800
 
lot128259 lot128261 lot128264
lot128266 lot128268


lot n°734: "DON'T BOTHER TO KNOCK" WARDROBE AND PUBLICITY PHOTOGRAPH ARCHIVE
  A Marilyn Monroe typed costume continuity sheet for her character Nell Forbes (changes 1 and 2) in the film Don't Bother To Knock (20th Century, 1952). Accompanied by approximately 14 small black and white continuity photographs shot on set and eight black and white publicity photographs, four of which are blind stamped "Property of N.S.S. Corp."
Estimate: $800 - $1 200
 
lot128274 lot128276 
lot128278 lot128280 lot128282


 lot n°742: "WE'RE NOT MARRIED" WARDROBE CONTINUITY SHEETS
  A group of four wardrobe continuity sheets for Marilyn Monroe and Ginger Rogers from the film We're Not Married (20th Century Fox, 1952). The typed sheets with some handwritten notations are for Monroe's character, Annabel (changes 1-4), and Rogers' character, Ramona (changes 1-3A). Accompanied by one black and white wardrobe photograph of Rogers in change 3 and eight black and white publicity images, including one of Monroe that has been cut down from its original size.
Estimate: $600 - $800

lot128311 lot128313 lot128315


lot n°743: "NIAGARA" WARDROBE AND PUBLICITY ARCHIVE
  An archive of wardrobe sheets, photographs taken on set and publicity photographs from Niagara (20th Century, 1953). Including seven handwritten production wardrobe pages and matching typed pages for Marilyn Monroe's costuming in the film. Approximately 65 black and white photographs intended for publicity or continuity including behind-the-scenes images and photographs marked for cropping. Six Marilyn Monroe wardrobe continuity photographs that appear to have been copied from a color transparency, approximately 13 black and white wardrobe continuity images. Approximately 64 black and white publicity images stamped on verso by the Advertising Code Administration including one noted for a retouch on an image of Jean Peters. Also accompanied by approximately 17 other photographs and copies of photographs for an unknown use.
Estimate: $2 000 - $4 000

lot128317 lot128343 
lot128318 lot128327 lot128322
lot128320 lot128325
lot128329 lot128339 lot128341
lot128331 lot128333 lot128335 lot128337


lot n°744: "MONKEY BUSINESS" PUBLICITY AND WARDROBE ARCHIVE
  An archive of materials relating to the film Monkey Business (20th Century Fox, 1952). The collection includes four pages from a wardrobe plot book relating to Marilyn Monroe's character, Miss Lois Laurel. Approximately 30 wardrobe continuity photographs for Ginger Rogers, who played Mrs. Edwina Fulton in the film. A group of approximately 93 black and white photographs that appear to be from a continuity key book. A group of approximately 53 publicity photographs stamped on verso by the Advertising Code Administration, including one photograph of Ginger Rogers marked for editing. Approximately 14 publicity photographs, three blind stamped as being the property of N.S.S. Corp. And six unmarked black and white photographs for publicity or other purposes.
Estimate: $2 000 - $4 000
 
lot128345 lot128362 lot128364
lot128347 lot128348  lot128349 lot128350
lot128351 lot128352 lot128353
lot128354 lot128357
lot128358 lot128360 
lot128355 lot128356 lot128359 lot128361
lot128363 lot128369 lot128370
lot128365 lot128366 lot128367 lot128368


lot n°751: "GENTLEMEN PREFER BLONDES" WARDROBE AND PUBLICITY ARCHIVE
  A Gentlemen Prefer Blondes (20th Century Fox, 1953) archive of publicity images and wardrobe photographs. Includes three Marilyn Monroe wardrobe continuity photographs; 11 Jane Russell wardrobe continuity photographs; four wardrobe continuity photographs for other female cast members; approximately 100 black and white production stills stamped on verso by the Advertising Code Administration of Hollywood; two Jane Russell images marked to be retouched for showing too much cleavage; and 12 original and reproduction publicity stills, including an image of Monroe and Russell on stage accompanied by the negative.
Estimate: $800 - $1 200
 
lot128383 lot128384 lot128385


lot n°752: MARILYN MONROE PHOTOGRAPH BY FRANK WORTH
  A black and white photograph of Marilyn Monroe and Sammy Davis Jr. on the set of How To Marry A Millionaire (20th Century Fox, 1953), taken by Frank Worth circa 1953. Vintage gelatin silver print. Signed (faintly) lower right. Mounted to a photograph of Audie Murphy on the verso.
Estimate: $600 - $800

lot128386 lot128387


lot n°753: "HOW TO MARRY A MILLIONAIRE" PUBLICITY STILL ARCHIVE
  A collection of approximately 19 black and white publicity stills from the film How To Marry A Millionaire (20th Century Fox, 1953) and one . Including 15 images that have been stamped "Approved" by the Advertising Code Administration.
Estimate: $300 - $500
  
lot128388  


lot n°754: MARILYN MONROE "HOW TO MARRY A MILLIONAIRE" PHOTOGRAPH
  A black and white photograph of Marilyn Monroe during the filming of How To Marry A Millionaire (20th Century Fox, 1953).
Estimate: $400 - $600
   
lot128389 


lot n°755: "RIVER OF NO RETURN" ARCHIVE
  A collection of production and publicity items relating to River of No Return (20th Century, 1954). The lot includes two pages of typed studio wardrobe costume sheets for Marilyn Monroe's costumes covering changes 1, 2 and 3 with information on accessories and under clothing. A large copy negative from a publicity photograph of Monroe with co-star Rory Calhoun and three prints of the photograph. A black and white original publicity photograph of Monroe in one of her saloon costumes. And approximately 19 black and white publicity stills from the film.
Estimate: $800 - $1 200
 
lot128390  lot128391
lot128393 lot128395
lot128392 lot128394


lot n°758: "THERE'S NO BUSINESS LIKE SHOW BUSINESS" ARCHIVE
  An archive of wardrobe plot book pages, key book photographs, and publicity photographs from the film There's No Business Like Show Business (20th Century, 1954). The collection includes nine pages from the wardrobe plot book for Marilyn Monroe's character in the film, Vicky Parker. The typed and handwritten pages include fabric swatches, scene information and list of accessories worn by Monroe with the costumes. Eight wardrobe continuity photographs appear to be from a key book: four for Ethel Merman, three for Mitzi Gaynor and one for an unknown woman. Approximately 29 black and white photographs are believed to be from a key book with two hole punches at the top of each, six with Monroe and Donald O'Connor. A collection of 15 publicity photographs with studio markings, including four with scenes of Monroe. Seven images of Monroe performing in the film from the collection of John Wind. Twelve copies of studio publicity stills and other stills from the film, most showing Marilyn Monroe. And one colorized still.
Estimate: $4 000 - $6000
   
 lot128401 lot128402 
lot128403 lot128404 lot128405
lot128406 lot128407 lot128408
lot128409 lot128410
lot128411 lot128412
lot128413 lot128414


lot n°769: MARILYN MONROE PUBLICITY STILL ARCHIVE
   Publicity stills from two of Marilyn Monroe's films, The Prince and the Showgirl (Warner Bros., 1957) and The Misfits (Seven Arts, 1961). The Misfits archive contains three black and white original publicity stills and one black and white scene still reproduction image. The Prince and the Showgirl archive contains six color lobby card (8 by 10 inches) images, seven original black and white promotional images, six black and white scene still reproduction images, and one color scene still reproduction image.
Estimate: $400 - $600
lot128430 lot128433
lot128431 lot128434  


lot n°770: "SEVEN YEAR ITCH" AND "SOME LIKE IT HOT" PUBLICITY STILL ARCHIVE
   Two groups of publicity photo stills, one from the film The Seven Year Itch (20th Century, 1955) and one from Some Like It Hot (UA, 1959). The Seven Year Itch archive includes three small black and white photographs shot on set; nine black and white images that are a mixture of publicity stills released to theatres and stills for unknown use; and 10 wardrobe continuity images for actresses Carolyn Jones and Marguerite Chapman. The Some Like It Hot archive includes two black and white images stamped "Photo by Coburn" on verso; two poster artwork images; and 15 black and white publicity images distributed by the studio for reproduction in newspapers and magazines.
Estimate: $600 - $800
 
lot128435  
lot128436 lot128438 lot128440 
lot128437 lot128439
lot128441 lot128442 lot128443


lot n°773: MARILYN MONROE "SOME LIKE IT HOT" PHOTOGRAPH
   A black and white photograph of Marilyn Monroe and Jack Lemmon on the beach filming Some Like It Hot (United Artists, 1959). Gelatin silver print, printed later. Stamp on verso marked "Silver Screen."
Estimate: $200 - $400
 
lot128446 


lot n°774"SOME LIKE IT HOT" ITALIAN MOVIE POSTER
   A Some Like It Hot (UA, 1959) Italian 1970s re-release one-sheet movie poster, fully folded.
Estimate: $100 - $200
 
lot128447 


  lot n°776: "BUS STOP" ARCHIVE
   An archive of continuity and publicity photographs for the film Bus Stop (20th Century, 1956). The collection includes approximately 100 publicity photographs stamped on verso by the Advertising Code Administration. Twelve of these photographs have been additionally stamped "Retouch as Indicated" in red ink, and the surface of the photo has been drawn on where censors indicated to make Marilyn Monroe's wardrobe less revealing in the photographs. Nineteen small black and white prints also stamped by the Advertising Code Administration of Hollywood. Three black and white small prints stamped "Marilyn Monroe Productions Approved by _______" on verso. Nineteen black and white snapshots taken on and off the set. Sixteen black and white publicity images. Two wardrobe shots with the transparencies of Don Murray. A small number of other photographs for unknown use. And nine color publicity clips that would have been sent to newspapers and magazines for promotion of the film.
Estimate: $1 000 - $1 500

lot128453 lot128454 lot128455
lot128456 lot128457 lot128458 
lot128459 lot128460
lot128461 lot128462
lot128463 lot128464
lot128465 lot128466
lot128467 lot128468
lot128469 lot128470 
lot128471 lot128472
lot128473 lot128474 
lot128475 lot128476
lot128477 lot128478
lot128479 lot128480 lot128481


lot n°780: "LET'S MAKE LOVE" PUBLICITY PHOTOGRAPH ARCHIVE
   An archive of publicity images from the film Let's Make Love (20th Century, 1960). The archive includes four small black and white photographs from the set of the film: two of Marilyn Monroe in her revealing black costume, one with notations on where to phototouch the image, and two of co-star Yves Montand. Approximately 45 stills from the set have been stamped on verso by the Advertising Code Administration of Hollywood. Seven publicity stills distributed to newspapers and other print media to publicize the film. And two additional images for an unknown use.
Estimate: $500 - $700
 
 lot128487 lot128488
lot128489 lot128490

17 octobre 2012

Julien's Auction 11/2012 - Photos Diverses

lot n°526: MARILYN MONROE YEARBOOK
  A Chiefton 1942 Yearbook from University High School in Los Angeles. Marilyn Monroe appears on page 48 as a tenth grade student. Some notations written in pencil within the book by the student who owned the book.
Estimate: $600 - $800
lot109167 lot109168


lot n°527: MARILYN MONROE PHOTOGRAPHS AND SLIDES BY DAVID CONOVER
 A group of four color photographs and two Kodachrome transparency slides of Marilyn Monroe, taken by David Conover in 1945. These photographs represent some of Monroe's earliest modeling images. Photographs printed circa 1987.
Photogaphs, 10 by 8 inches
Estimate: $300 - $500
lot109169 lot109170
lot109171

 


lot n°528: MARILYN MONROE PIN-UP POSTER
Color lithograph poster showing an almost life-size full-length image of Marilyn Monroe in a bath suit from a photograph taken in the 1940s. Reads at bottom right " 'Marilyn Monroe Pin-Up,'/write: Pin-Ups, Dept. X, Box 86, Boston Mass./ Printed in U.S.A."
62 by 21 1/2 inches
Estimate: $600 - $800 
lot109172  
lot109173

 


lot n°547: MARILYN MONROE GOLDEN DREAMS CALENDAR
A Marilyn Monroe "Golden Dreams" calendar from 1953. The calendar reads "Souvenir of New York City."
17 by 11 inches, framedcc
Estimate:  $200 - $400
lot109221


lot n°550: MARILYN MONROE LAS VEGAS PHOTOGRAPH
 A black and white photograph of Marilyn Monroe circa 1947. The photograph is stamped on verso "Ullom Studio Photo Las Vegas, Nev." The reason for Monroe's appearance in Nevada is explained by Monroe's former boyfriend, Bill Pursel, in the book Marilyn Monroe : Private and Undisclosed by Michelle Morgan. Pursel explains that Monroe was in Las Vegas for a show at the Flamingo Hotel. Monroe is seen in the photograph, second from right, in a one-piece bathing suit. The photograph was obtained from the estate of a former Flamingo Hotel housekeeping manager.
8 by 10 inches
Estimate: $400 - $600
lot550


lot n°562: MARILYN MONROE NEGATIVES AND COPYRIGHT
   A group of five negatives of Marilyn Monroe taken circa 1952 by photographer William Kotler and sold with the copyrights. During the filming of How to Marry a Millionaire (20th Century Fox, 1953), Monroe posed for publicity photographs at Greenacres, the home of actor and photographer Harold Lloyd. It was there that Kotler took these photographs showing Monroe in various poses, reclining on a lounge chair poolside. Rights to these images will be transferred to the winning bidder.
4 by 5 inches each
Estimate: $2 000 - $3 000

lot562 lot562a 


lot n°563: MARILYN MONROE PHOTOGRAPH BY FRANK WORTH
   A black and white photograph of Marilyn Monroe on the set of How to Marry a Millionaire (20th Century Fox, 1953), taken by Frank Worth circa 1953. Gelatin silver print, printed later in a limited edition. Embossed in margin with Frank Worth Estate copyright stamp and numbered 100/195.
16 by 20 inches
Estimate: $400 - $600
 
lot563 


lot n°564: MARILYN MONROE PHOTOGRAPH BY PHILIPPE HALSMAN
   "Marilyn Monroe Laughing," taken by Philippe Halsman in 1954. Gelatin silver print, printed 1978. Artist's blind stamp lower right, titled and dated in pencil on verso, artist's copyright stamp on verso.
14 by 11 inches; 20 1/2 by 16 1/2 inches
Estimate: $1 000 - $2 000

lot564 


lot n°565: MARILYN MONROE INSCRIBED MAGAZINE COVER
  A Marilyn Monroe signed magazine cover from the August 1954 issue of Modern Photography. Inscribed by Monroe "To Roy Green/ Love & Kisses/ Marilyn Monroe."
15 1/2 by 12 3/4 inches, framed
Estimate: $3 000 - $5 000
 
lot565 lot565a 


lot n°566: MARILYN MONROE PHOTOGRAPH BY FRANK WORTH
  A black and white photograph of Marilyn Monroe, taken by Frank Worth circa 1949. Gelatin silver print, printed later in a limited edition. Embossed in margin with Frank Worth Estate copyright stamp and numbered 100/195.
20 by 16 inches
Estimate: $400 - $600
lot566 


lot n°567: MARILYN MONROE SIGNED CUT SHEET AND CANDID PHOTOGRAPHS
  A scrapbook containing original vintage candid black and white photographs of the cast on the set of River of No Return (20th Century Fox, 1954) accompanied by three cut sheets with the signatures of Marilyn Monroe, Robert Mitchum, and Rory Calhoun.
7 1/2 by 10 inches
Estimate: $1 000 - $2 000
lot567 lot567a
lot567b lot567c lot567d
lot567e lot567f

 


lot n°568:  MARILYN MONROE GROUP OF PHOTOGRAPHS AND NEGATIVES
   A group comprised of five photographs and five copy negatives of Marilyn Monroe, from the archive of Monroe's makeup artist, Allan "Whitey" Snyder. Taken by various photographers at varying sets and locations.
Largest, 8 by 10 inches
PROVENANCE From the estate of Allan "Whitey" Snyder
Estimate: $200 - $400
lot568  
lot568a lot568b


lot n°571: MARILYN MONROE PHOTOGRAPH
  A candid black and white photograph of Marilyn Monroe while filming The Seven Year Itch (20th Century Fox, 1955). The photograph was taken by an unknown photographer on September 15, 1954, outside the Trans-Lux Theatre on 52nd and Lexington in New York City. It is believed that this photograph has never before been published.
5 by 3 1/4 inches
Estimate: $400 - $600
lot571


lot n°597: MARILYN MONROE PHOTOGRAPH FROM THE SET OF SOMETHING'S GOT TO GIVE
  A black and white photograph of Marilyn Monroe taken by Lawrence Schiller. The photograph shows Monroe in the pool on the set of Something's Got to Give (20th Century, 1962). Stamped on verso with copyright information as well as a sticker from The New Ingot Company.
10 by 6 3/4 inches
PROVENANCE Lot 359, "Summer Entertainment Sale," Julien's Auctions, Las Vegas, June 21, 2008
Estimate: $800 - $1 200
lot597 

05 mars 2012

Julien's Auction 03/2012 - Photographies

 lot n°458: MARILYN MONROE VINTAGE PHOTOGRAPHS
Two vintage black and white photographs, taken circa 1940, depicting Marilyn Monroe, dressed as a pilgrim, and a turkey. Accompanied by a typed letter relating to "Tom," the turkey, and Curly Twiford, the animal trainer used for the photo shoot.
Photographs, 10 by 8 1/4 inches each
Estimate: $400 - $600 
lot93112  


lot n°459: MARILYN MONROE MILTON GREENE SILKSCREEN PRINT
A limited edition silkscreen print of a Milton Greene photograph of Marilyn Monroe, taken during the famed "Black Sitting" photo session in New York in 1956. Printed later. Signed by the artist in pencil lower right, numbered 106/300 lower left. 46 by 35 inches; 48 by 37 inches, framed
Estimate: $600 - $800 
 lot93113 


 lot n°465: MARILYN MONROE PHOTOGRAPH BY FRANK WORTH
A black and white photograph of Marilyn Monroe on the set of How to Marry a Millionaire (20th Century Fox, 1953), taken by Frank Worth, circa 1953. Gelatin silver print, printed later in a limited edition. Embossed in margin with Frank Worth Estate copyright stamp and numbered 135/195. Accompanied by a Certificate of Authenticity from the Frank Worth Estate.
20 by 16 inches
Estimate: $400 - $600 
lot93122  


 lot n°467: MARILYN MONROE PHOTOGRAPH BY FRANK WORTH
A black and white photograph of Marilyn Monroe, taken by Frank Worth, circa 1949. Gelatin silver print, printed later in a limited edition. Embossed in margin with Frank Worth Estate copyright stamp and numbered 135/195. Accompanied by a Certificate of Authenticity from the Frank Worth Estate.
20 by 16 inches
Estimate: $400 - $600
lot93125 


lot n°486: MARILYN MONROE PHOTOGRAPHS
A pair of black and white photographs of Marilyn Monroe. The first is a head and shoulders image of Monroe behind an NBC microphone. The second shows Monroe at a restaurant sipping from a cup. 10 by 8 inches.
PROVENANCE Lot 281, "Property from the Estate of Marilyn Monroe," Julien's Auctions, Los Angeles, June 4, 2005
Estimate: $200 - $400 
lot93148 lot93149


 lot n°514: MARILYN MONROE GROUP OF PHOTOGRAPHS AND NEGATIVES
A group comprised of six photographs and six copy negatives of Marilyn Monroe, from the archive of Monroe's makeup artist, Allan "Whitey" Snyder.
Largest, 10 by 8 inches
PROVENANCE From the Estate of Allan "Whitey" Snyder
Estimate: $600 - $800 
lot93214 lot93208 lot93213
lot93209 
lot93210 lot93211 lot93212


lot n°524: MARILYN MONROE COLOR PHOTOGRAPHS ON CANVAS
Two color images of Marilyn Monroe, printed on canvas.
Largest, 20 by 24 inches
PROVENANCE From the Estate of Allan "Whitey" Snyder
Estimate: $300 - $500 
lot93230 lot93231


lot n°525: MARILYN MONROE COLOR PHOTOGRAPH ON CANVAS
A color image of Marilyn Monroe, printed on canvas.
30 by 20 inches
PROVENANCE From the Estate of Allan "Whitey" Snyder
Estimate: $300 - $500 
lot93232

Posté par ginieland à 11:59 - - Commentaires [1] - Permalien [#]
Tags : , ,

01 mars 2012

Pendant How to Marry... par Frank Worth

 Comment épouser un millionnaire
S
ur l
e tournage - scène 3

Marilyn Monroe sur le tournage du film How to Marry a Millionaire (Comment épouser un millionaire) en mars 1953; dans les coulisses et loges du plateau avec sa coiffeuse Gladys Rasmussen, et les actrices Lauren Bacall et Betty Grable. Photographies prises par  Frank Worth.
Marilyn Monroe on the shooting of the movie How to Marry a Millionaire in March 1953; behind the scenes and dressing-room with her hairdresser Gladys Rasmussen and actresses Lauren Bacall and Betty Grable. Photographs taken by Frank Worth.

1953_HTMAM_publicity_on_set_011_010_by_frank_worth_2 
sc03_set_For_My_Friends__Frank_Worth__Marilyn_candid_on_the_set_of_HTMaM 1953_HTMAM_publicity_on_set_012_010_by_frank_worth_11953_HTMAM_publicity_on_set_011_010_by_frank_worth_1
1953_HTMAM_publicity_on_set_010_010_by_frank_worth_2a sc03_set_HTMAM_7 sc03_MarilynMonroe_HowToMarryAMillionairePhotoshoots_7_1953_03   
1953_HTMAM_publicity_on_set_012_020_by_frank_worth_1 1953_HTMAM_publicity_on_set_013_010_by_frank_worth_1 1953_HTMAM_publicity_on_set_013_020_by_frank_worth_1
1953_HTMAM_publicity_on_set_013_030_by_frank_worth_2 sc03_set_MarilynMonroe_HowToMarryAMillionairePhotoshoots_7_1953_01 ph_frankworth
ph_frankworth2 1953_HTMAM_publicity_on_set_013_030_by_frank_worth_1 1953_HTMAM_publicity_on_set_013_020_by_frank_worth_3 


Le photographe Frank Worth, qui travaille en free-lance, se trouve à cette période sous contrat avec la 20th Century Fox, et il travaille aussi pour mettre en scène les véhicules Singer. Pendant le tournage de Comment épouser un millionaire, dans les studios de la Fox, il photographie Donald O'Connor et Debbie Reynolds sur le parking.
Frank Worth, who works as a freelance photographer, is on that time, on contract with 20th Century Fox, and he has also the job to shoot Singer cars. During the shooting of How to marry a millionaire, in the parking lot of Fox studios, he photographs Donald O'Connor and Debbie Reynolds.

1953_HTMAM_publicity_on_set_030_OConnor_Reynolds_by_frank_worth_1 

Il a besoin d'une image plus iconique et glamour destinée à faire la couverture du magazine Motor World (édition du 19 juin 1953) pour mettre en scène la voiture Singer roadster. Il convie Sammy Davis Jr. (qui en plus d'être acteur, chanteur, danseur et musicien, s'intéresse à la photographie en collectionnant les appareils photos et pratiquant la photographie en amateur). Sammy vient accompagner d'Arthur Silbert, son meilleur ami et associé. Et ils posent ensemble avec Marilyn Monroe devant la voiture.
Arthur Silbert racontera: "N'ayant normalement rien à faire la journée car nous travaillons la nuit dans toutes les boîtes de nuit à travers le pays, c'était dans notre habitude de passer pas mal de temps dans les studios à rendre visite à des amis."
He needs a more iconic and glamorous image to make the cover of Motor World (published in June, 19) magazine to emphasis on the roadster Singer car. He invites Sammy Davis Jr. (who, besides being an actor, singer, dancer and musician, is interested in photography by collecting cameras and practicing amateur photography). Sammy comes with Arthur Silbert, his best friend and business partner. And they pose together with Marilyn Monroe in front of the car.
Arthur Silbert later tell: "Normally having nothing to do during the day as we worked at night in all-night clubs around the country, it was our practise to spend a lot of time hanging out at the studios visiting friends."

lot128386 1953_HTMAM_publicity_on_set_027_020_by_frank_worth_1   

Sur l'une des photographies, Marilyn dédicace une photo d'elle à Arthur Silbert: "To Art, Love and kisses, Marilyn Monroe".
Arthur Silbert expliquera: "Après la courte séance photo, le photographe a pris une photo de nous trois devant la voiture. Sammy et moi avions eu chacun une photographie de Marilyn et nous lui avons demandé de nous la dédicacer."
On one of the photographs, Marilyn signs a photo of her to Arthur Silbert: "To Art, Love and kisses, Marilyn Monroe".
Arthur Silbert will explain: "After the brief shoot, the photographer took a picture of all three us standind and sitting on and around the car. Sammy and I each had been given a pictures of Marilyn and we asked her to autograph the for us."

1953-03-by_frank_worth 
1953-03-by_frank_worth-autograph 


Frank Worth photographie Marilyn, qui se fait photographiée par Sammy Davis Jr.
Frank Worth takes this photograph of Marilyn, being shot by Sammy Davis Jr.

1953_HTMAM_publicity_on_set_020_020_by_frank_worth_1 


Les photographies en noir et blanc sont de Frank Worth
The black and white photographs are by Frank Worth 
 1953_HTMAM_publicity_on_set_025_010_by_frank_worth_1 1953_HTMAM_publicity_on_set_025_010_by_frank_worth_2 1953_HTMAM_publicity_on_set_025_020_by_frank_worth_1 
1953_HTMAM_publicity_on_set_026_010_by_frank_worth_1 ph_worth_monroeoncarsmall_282441gm_e
1953_HTMAM_publicity_on_set_026_010_by_frank_worth_2 
1953_HTMAM_publicity_on_set_026_020_by_frank_worth_1 1953_HTMAM_publicity_on_set_023_010_by_frank_worth_1 1953_HTMAM_publicity_on_set_023_020_by_frank_worth_1 
1953_HTMAM_publicity_on_set_024_010_by_frank_worth_1 
1953_HTMAM_publicity_on_set_020_020_by_frank_worth_1 


Les photographies en couleur sont de Sammy Davis Jr.
The color photographs are from Sammy Davis Jr.
1953_HTMAM_publicity_on_set_020_010_by_frank_worth_1  sc03_set_htm_set_0930mm1  1953_HTMAM_publicity_on_set_026_030_by_frank_worth_1 


Marilyn pose avec la voiture rare (500 séries) de Frank Worth, une Riley RMD DHC de 1951 (coupé décapotable) - Photographies de Sammy Davis Jr.
Marilyn posed next to Frank Worth's rare (only 500 made of that model) 1951 Riley RMD DHC (drop-head-coupe) - Photographs taken by Sammy Davis Jr.

 1953_HTMAM_publicity_on_set_023_030_by_frank_worth_1  1953-03-by_frank_worth-car 
1953_HTMAM_publicity_on_set_022_010_by_frank_worth_1 1953_HTMAM_publicity_on_set_022_020_by_frank_worth_1 1953_HTMAM_publicity_on_set_022_030_by_frank_worth_1 
 ph_worth_10 1953_HTMAM_publicity_on_set_022_020_by_frank_worth_2
 

- Frank Worth & Marilyn -

1953_HTMAM_publicity_on_set_021_010_with_frank_worth_1  1953-03-by_frank_worth-car2 


> planche contact
1953 


> dans la presse
sc03_set_mag 


>> sources web :
article sur Serviside 
anecdote Art Silvert autour de la vente de l'autographe sur Arcadja


© All images are copyright and protected by their respective owners, assignees or others.
copyright text by GinieLand.

28 octobre 2011

Epreuves Cinématographiques n°4

epreuvescinema_banner

en ligne sur cine-images.com

Après les centaines de livres qui lui ont été consacrés, que peut-on encore révéler sur Marilyn Monroe ?

Pourtant, la présente sélection photographique vous donnera un sentiment d’inédit. L’ensemble (45 numéros d’une ou plusieurs photos) couvre l’intégralité de la carrière de l’actrice, de la fin des années 1940 jusqu’à son dernier film, inachevé, en 1962. On y trouve les catégories classiques de la photo de cinéma : presse, reportage, tournage ou studio, mais également des photos plus intimes, prises à l’occasion d’événements privés : avec Joe DiMaggio et Arthur Miller, en conférence de presse, ou lors du coup d’envoi d’un match de football.

Les films majeurs sont représentés par un ou plusieurs numéros ; par exemple « Niagara », avec notamment la photo qui a servi à l’élaboration de l’affiche, « Sept ans de réflexion » ou « Certains l’aiment chaud ».

Plusieurs des grands photographes ayant accompagné Marilyn sont présents dans la sélection – Bruno of Hollywood, Paul Slade, Frank Powolny, Ed Clark...

Aussi, pour toutes ces raisons, nous sommes fiers de vous présenter cette quatrième édition des « Epreuves cinématographiques ». A coup sûr, elles enrichissent le regard sur cette icône emblématique du 7ème art et du 20ème siècle.

Jean-Louis Capitaine.