Vente aux enchères 'Julien's 90210 Exclusive Spring Online Only Entertainment Auction' le 17 mars 2014 par Julien's Auction aux Etats-Unis.

Cette enchère inclu des lots des thèmes d'hollywood vintage et contemporain, du Rock 'n Roll, et tout ce qui touche au divertissement: costumes de films, photographies publicitaires, lobby cards,photographies de Marilyn Monroe et Elizabeth Taylor, affiches de films etc... La partie musique contient des awards de Heart, ZZ Top, Eric Clapton, Fleetwood Mac, James Taylor, Linda Ronstadt, and Jefferson Starship; des démos de Bob Dylan; des photos de Grateful Dead et Michael Jackson, des chèques de Bing Crosby etc...
Les lots avec leur description sont en consultation libre sur julienslive.
43 lots concernent Marilyn Monroe: des photographies deJoseph Jasgur, George Barris, Andre de Dienes, et Steve Kaufman.

> Lot 306: BOB HOPE MARILYN MONROE GOLDEN DREAMS CALENDAR
A pair of Bob Hope related items. The first is a 1955 Marilyn Monroe "Golden Dreams" calendar with the quote "Did I say Bob Hope was the sweetest guy I have ever met? I sure did - and you can quote me" with Monroe's facsimile signature. With a color image of Hope and Angela Lansbury inscribed by Lansbury "Dear Bob/ I'll never/ forget this!/ Love/ Angie X."

> Lot 377: A COLLECTION OF MARILYN MONROE THEMED LOBBY CARDS

 > Lot 378 à 401: MARILYN MONROE PHOTOGRAPH BY JOSEPH JASGUR
 
     
 
     
     
   
   
     
   
     
     
   
   
 

> Lot 402 à 411: MARILYN MONROE GEORGE BARRIS PHOTOGRAPHS
     
     
 

> Lot 412: MARILYN MONROE PHOTOGRAPH BY BERT STERN

> Lot 413: MARILYN MONROE ARCHIVE OF BOOKS
A collection of fifteen books about Marilyn Monroe: Marilyn and Me by Susan Strasberg (Hardcover with DJ, 1st Printing - Time Warner, NY, 1992) inscribed by Strasberg, and with a color photograph of her at the signing; The Last Sitting by Bert Stern (Hardcover with DJ, 1st Printing - William Morrow, NY, 1982); The Birth of Marilyn (Hardcover with DJ, 1st Printing - St. Martin's, NY, 1991); along with a group of seven black & white photographic images of costume designs for the Monroe comedy classic Some Like It Hot (Ashton Productions, 1959); as well as a DVD of the film Home Town Story (MGM, 1951); a cassette tape recording labeled "Mrs. Betty Nunez"; and two modern magazines featuring Marilyn on the cover. Only partially photographed.
Largest, 12 3/4 by 10 1/4 by 5/8 inches
PROVENANCE From the Collection of Glenn Brown

> Lot 414: MARILYN MONROE GOLDEN DREAMS CALENDAR
A Marilyn Monroe Golden Dreams pin-up calendar from 1955.

> Lot 415, 416, 418: MARILYN MONROE ANDRE de DIENES PHOTOGRAPH

> Lot 417: MARILYN MONROE ARTWORK BY STEVE KAUFMAN
 

Photographies de George Barris revisitées par Dennis Mukai
> source InHollywoodLand

lot 1237: MARILYN MONROE CHILDHOOD PHOTOGRAPHS
A group of three vintage black and white photographs of Marilyn Monroe as a child. An image of Monroe and another child on the beach is inscribed on the back "The Blonde is Norma Jeane [crossed out and rewritten in pencil 'Marilyn Monroe'] and the other is Dona, my Chum's little girl. P.S. Just two little (illegible)." An image of Monroe on the beach alone is marked on verso "Marilyn Monroe age 3 1/2 yrs." The final image is of Monroe and another child sitting on a bench. Marked on verso "Marilyn Monroe age 2 1/2 yrs." The photographs were taken when Monroe was living with her foster parents, Albert and Ida Bolender.
Each, 3 3/4 by 4 3/4 inches
Estimate: $600 - 800
 

lot 1238: MARILYN MONROE DAVID CONOVER PHOTOGRAPH
A contemporary photographic print of Marilyn Monroe taken by David Conover circa 1945. The black and white photograph shows a smiling curly haired Monroe. The photographs were made from the digitally restored original negatives.
30 by 24 inches
Estimate: $150 - 300
  

lot 1239: MARILYN MONROE "A NEW WRINKLE" TOM KELLEY PRINT
A limited edition print of Tom Kelley's 1949 photograph of Marilyn Monroe titled "A New Wrinkle." Signed in the lower right by Tom Kelley and numbered 1270/2000.
Framed, 20 1/4 by 16 1/4 inches; Image, 16 by 12 inches
Estimate: $600 - 800
 
  

lot 1240: MARILYN MONROE PHOTOGRAPHS BY JOSEPH JASGUR
A group of 11 black and white photographs of Marilyn Monroe in a plaid shirt, taken by Joseph Jasgur in 1946 in a photoshoot for Blue Book Modeling Agency. Gelatin silver prints. Some mounted, some with photographer's stamp on verso.
Most, 8 by 10 inches
PROVENANCE From the Estate of Joseph Jasgur
Estimate: $600 - 800
 

lot 1241: MARILYN MONROE PHOTOGRAPHS BY JOSEPH JASGUR
A group of 13 black and white photographs of Marilyn Monroe, taken by Joseph Jasgur in 1946 in a photoshoot for Blue Book Modeling Agency. Gelatin silver prints. Some mounted, some with photographer's stamp on verso, one signed in ink on recto.
8 by 10 inches, each
PROVENANCE From the Estate of Joseph Jasgur
Estimate: $600 - 800 
 

lot 1242: MARILYN MONROE PHOTOGRAPHS BY JOSEPH JASGUR
A group of five black and white photographs and three color photographs of Marilyn Monroe on the beach, taken by Joseph Jasgur in 1946 in a photoshoot for Blue Book Modeling Agency. Gelatin silver prints and chromogenic prints. Some mounted, some with photographer's stamp on verso.
8 by 10 inches, each
PROVENANCE From the Estate of Joseph Jasgur
Estimate: $600 - 800
  

lot 1243: MARILYN MONROE PHOTOGRAPHS BY JOSEPH JASGUR
A group of 11 black and white photographs of Marilyn Monroe and a group of local actors, taken by Joseph Jasgur in 1946 at Zuma Beach in Malibu, California. Gelatin silver prints. Some mounted, some with photographer's stamp on verso, one signed in ink on recto.
8 by 10 inches, each
PROVENANCE From the Estate of Joseph Jasgur
Estimate: $600 - 800
  

lot 1244: MARILYN MONROE PHOTOGRAPHS BY JOSEPH JASGUR
A group of five black and white photographs and one color photograph of Marilyn Monroe, taken by Joseph Jasgur in 1946 for Blue Book Modeling Agency. Gelatin silver prints. Some mounted, some with photographer's stamp on verso, one signed in ink on recto.
8 by 10 inches, each
PROVENANCE From the Estate of Joseph Jasgur
Estimate: $600 - 800
  
 

lot 1245: MARILYN MONROE JOSEPH JASGUR PORTFOLIO 
A portfolio containing 39 photographs of Marilyn Monroe, taken by Joseph Jasgur in 1946 for Blue Book Modeling Agency. The album contains 20 signed black and white prints, 13 unsigned black and white prints, and 6 unsigned color prints. Prints are high-quality laser prints, printed later. Accompanied by a typed document written and signed by Jasgur, detailing his work photographing a young Norma Jeane Dougherty/Marilyn Monroe.
Prints, 14 by 11 inches, each
PROVENANCE From the Estate of Joseph Jasgur
Estimate: $4 000 - 6 000
  

lot 1247: MARILYN MONROE IN KOREA PHOTOGRAPHS AND COPYRIGHTS
An album of photographs taken by Daryl Mitchell, who served in the Korean War from August 1952 to August 1954 as "Senior Still Photographer" of the 101st Signal Battalion. Mitchell photographed visiting dignitaries, government visitors including Senator Richard Nixon, generals, and entertainers, namely Marilyn Monroe. Included in the album are approximately 93 vintage black and white photographs Mitchell took in Korea, including approximately nine of Nixon and eight of Monroe during her visit to Korea. The images of Monroe show her entertaining, signing autographs, getting out of a Jeep, getting food in line, and two of Monroe with the troops, wearing a flight jacket. Also accompanied by 10 color transparency slides of Monroe on stage entertaining the troops. Seven photographs of Monroe are 14 by 11 inches; one is 10 by 8 inches. Copyrights to these images will be transferred to the winning bidder. NOTE: While the seller confirms that this property is sold with copyright, Julien’s cannot accept liability in relation to any matters arising as a result of any imperfection in copyright given.
Overall, 16 by 12 inches
PROVENANCE From the photographer's estate
Estimate: $2 000 - 4 000
  

  

lot 1248: MARILYN MONROE ORIGINAL SLIDES
A group of three slides showing Marilyn Monroe on the roof of a building holding a white fan. Taken by an unknown photographer and believed to be previously unpublished. Accompanied by negatives of the slide images.
Estimate: $1 000 - 2 000
 
   

lot 1249: MARILYN MONROE GEORGE BARRIS PHOTOGRAPHS
 A suite of five George Barris photographs of Marilyn Monroe. Accompanied by a limited edition card stating that the images were published by Marilyn Monroe Weston Editions LTD. and numbered 833/2500. Contained in a white folder that reads "Marilyn Monroe/ 25/ 'The Last Photos.' "
Photographs, 14 by 11 inches
Estimate: $600 - 800
  

  

Lot 1250: MARILYN MONROE ORIGINAL PHOTOGRAPH
  An original photograph of Marilyn Monroe with Ron Stein of Hollywood Fancy Feather Co. Stein provided feathers for studio props and costumes. This image hung in his North Hollywood shop. Accompanied by two black and white images of Monroe and Jane Russell in Gentlemen Prefer Blondes (20th Century, 1953), three publicity stills from other Monroe films, and four other images of Monroe.
Most, 8 by 10 inches
Estimate: $400 - 600
  

Lot 1251: MARILYN MONROE SCREENPRINT
  A screenprint of Marilyn Monroe. Signed and numbered "3 of 40" in pencil on verso and stamped "Fugsreen Studios," "Printed by Zissou Tasseff-Elenkoff" and "Galerie F" on verso.
24 by 20 inches
Estimate: $300 - 500
   

Lot 1256: MARILYN MONROE SOMETHING'S GOT TO GIVE CONTACT SHEET
 A contact sheet of 29 images of Marilyn Monroe on the set of the unfinished film Something's Got To Give (20th Century) believed to be from the negatives of photographer Lawrence Schiller. The images are primarily of Monroe in and around the pool on set. Some markings and notes on sheet.
14 1/4 by 11 1/4 inches
Estimate: $1 500 - 2 500
  

Lot 1264: EARL MORAN (AMERICAN, 1893-1984) MARILYN MONROE NUDE
 An oil on canvas painting of Marilyn Monroe reclining nude in bed. Signed middle right “Earl Moran.”
Earl Moran was a prominent pin-up artist during the 1930s and 40s with a stylish flair that helped sell millions of calendars for publishers Brown & Bigelow. In 1946 Moran had the good fortune of meeting an aspiring model named Norma Jean Dougherty, soon to become famous as Marilyn Monroe. Dozens of photographs were taken of Monroe in various poses which Moran then used to paint seductive nudes in oil and pastel, portraying Marilyn as a blonde, redhead and even as a brunette. The painting shown here was purchased by the consignor's wife directly from Moran after they met him at the Laguna Art Festival. The consignor fondly recalls how Moran explained to them that the model for the painting was a young woman named Norma Jean Dougherty.
56 by 32 inches, Framed
Estimate: $20 000 - 30 000
  

Lot 1265: MARILYN MONROE PHILIPPE HALSMAN IMAGES
 A group of three original black and white photographs and proof images of Marilyn Monroe taken by Philippe Halsman. The photographs were purchased from Philippe Halsman’s daughter by the current owner and include images believed to have never been released previously. The two multiple proof images are mounted to board.
Largest, 21 by 15 1/4 inches, framed
Estimate: $10 000 - 20 000
  

Sept ans de réflexion
Sur le tournage - scène 10

Tournage de la scène de Marilyn Monroe en nuisette dans l'appartement situé au 164 East 61 Street, à Manhattan, New York.

Filming the scene of Marilyn Monroe in white gown in the apartment located at 164 East 61 Street, Manhattan, New York City.

> 2ème partie: A la fenêtre - dans l'appartement

> photographies de Garry Winogrand
   
 

> photographie de Nick de Morgoli

> photographies de Bob Henriques 
   

> photographies de Sam Shaw
   
   
  
 
 
 

> photographies de Sam Schulman
   

> photographies de George Barris
  

  

 
   

© All images are copyright and protected by their respective owners, assignees or others.
copyright text by GinieLand.

Sept ans de réflexion
Sur le tournage - scène 11   

Date: le 15 septembre 1954, à une heure du matin.
Lieu: entre la 51 et 52st Street, au croisement de Lexington Avenue.
Scène: il s'agit d'une scène mythique, l'une des plus célèbres de l'histoire du cinéma, qui reste sans doute la "scène la plus vue au monde", celle où la robe blanche de Marilyn se soulève entraînée par l'air d'une grille de métro. La presse en parla comme de "l'exhibition la plus intéressante depuis Lady Godiva".

Date: September 15, 1954, at one o'clock.
Location: between 51 and 52st Street on the corner of Lexington Avenue.
Scene: it is a mythical scene, one of the most famous in the history of cinema, which is probably the "most scene view in the world," the one where the white dress of Marilyn Monroe rises, driven by the blow of the subway grate. The press spoke of as "the most interesting exhibition since Lady Godiva".

Marilyn Monroe, Tom Ewell, le réalisateur Billy Wilder (homme en noir, chapeau noir), Johnny Graham (homme en costume, chapeau et cigar), manager de production de la Côte Est qui organisa la logistique pour le tournage des scènes à New York, et Natasha Lytess, la coach de Marilyn.

>> Photographies de George Barris
  



 
   


 

>> Photographies de Sam Shaw
 
 
     

    

 

>> Photographie de Matthew Zimmerman
 

>> Photographie de Sam Goldstein
 

 >> Photographies de Weegee
 

>> Photographie de Tom Caffrey 

>> Photographies de Kas Heppner
 

>> Photographies de Frank Worth
 

>> Photographies de Milton Greene
  
 


    

>> Photographies de George S. Zimbel
  


 
  

>> Photographies de Elliot Erwitt
  
  
 
    
 

>> Photographies de Garry Winogrand
   
 
    

>> Photographies de Charles Hagedorn
  

>> Photographies de John Randolph Hearst
 

>> Photographies de Bill Kobrin
  
  

>> collection de Frieda Hull
   
   

>> Photographies de Bruno Bernard
  

Extraits du journal de Bruno Bernard:
- Le magazine Redbook engagea Bruno Bernard pour couvrir le tournage de Marilyn dans The Seven Year Itch.
- New York - 14/09/1954. Si cela n'avait pas été pour mon travail (la couverture de Redbook) et Marilyn, dix chevaux ne m'auraient pas traîné sur le tournage de Seven year Itch. Zut. J'ai attendu trois heures au milieu des odeurs transpiration et des cris de la foule et d'une bande de paparazzis (...). Soudain, la foule a poussé un formidable hurlement. Marilyn apparaissait en chair et en os. Lorsque Billy Wilder, le metteur en scène, a dit "On tourne", Marilyn est sortie du théâtre, a fait quatre pas sur la gauche avant de s'arrêter juste au-dessus d'une grille d'aération. A ce moment précis, on doit imaginer qu'un métro quitte la station, l'air qu'il déplace soulevant la jupe de Marilyn. Pour mieux contrôler l'action, les accessoiristes ont disposé un ventilateur directement sous la grille. Dans certaines prises, la jupe blanche de Marilyn s'est soulevée au point de lui couvrir le visage, à la grande joie des spectateurs hystériques. D'après le scénario, Marilyn doit simplement dire: "Ah, quel soulagement ! N'est-ce pas délicieux ?!" tandis qu'elle prend plaisir à sentir cet air frais. 
La scène a été refaite trente fois parce que Marilyn se trompait à chaque fois dans son texte. Sous sa robe, elle ne portait qu'une petite culotte de soie blanche transparente. (...) DiMaggio, qui se trouvait juste en face de moi et près de walter Winchell, regardait le spectacle. Je me rendais nettement compte que la gêne de DiMaggio tournait à la fureur. Je me frayais rapidement un chemin à travers la foule, dans l'espoir de le calmer. Mais, avant que je n'arrive près de lui, il avait déjà quitté les lieux très en colère. Winchell (...) m'a dit que DiMaggio était parti "apaiser son tempérament de macho italien au Toot's Shor's". Roy Croft nous rejoignit: "Nous devrions plutôt nous réjouir qu'elle porte au moins quelque chose dessous".
L'absence de DiMaggio ne la troubla pas, et la déesse de l'amour poursuivit ses interminables prises devant son public new-yorkais extasié.
- J'ai vraiment besoin de faire ces photos de Joe et Marilyn pour boucler mon article. Depuis le couloir de leur appartement du Saint Regis, je peux entendre les éclats d'une querelle passionnée suivie par des pleurs hystériques. Je suis parti et je n'ai pas fait mes photos. (...) J'étais abbatu et silencieux. Rencontrant Roy dans l'ascenceur, il tenta de me consoler: "Tout n'est pas perdu. Comme il y avait trop de bruits de fond en extérieur, Wilder a décidé de refaire toute la scène à Hollywood." 

>> sources:
- Livres: Bernard of Hollywood's Marilyn / De Norma Jean à Marilyn, de Susan Bernard / Marilyn among friends, Sam Shaw / L'Encyclopédie d'Adam Victor / Marilyn Monroe et les caméras, de Georges Belmont / Les trésors de Marilyn Monroe, de Jenna Glatzer / Les vies secrètes de Marilyn Monroe, d'Anthony Summers.

All photos are copyright and protected by their respective owners. 
copyright text by GinieLand.

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Sept ans de réflexion
Sur le tournage - scène 15

Le 13 septembre 1954, Marilyn Monroe tourne ce qui sera la scène finale du film "Sept ans de réflexion", celle où elle est en peignoir dans l'appartement de Richard Sherman (Tom Ewell); et lui lance ses chaussures par la fenêtre. Il s'agit de la première scène tournée en extérieur, à New York, dans l'appartement situé au 164 East 61 Street. Près de 1000 personnes (des photographes, gens de la presse et beaucoup de passants et de fans), se sont amassés devant l'immeuble.

In September, 13, 1954, Marilyn Monroe shoots what will be the final scene of "The Seven Year Itch", the one where she is in a white robe in the apartment of Richard Sherman (Tom Ewell); and she throws his shoes from out the window. This is the first scene shot on location in New York, in an apartment located at 164 East 61 Street. Nearly 1,000 people (photographers, press people and a lot of shoppers and fans), were raised in front of the building.

> 1ère partie:
- Tournage de la scène
   
   

-Marilyn à la fenêtre
  
 
 
   
   
 
    
  

> photographies de George Barris
  






 
 

> photographies de Bob Henriques
  

> photographies de Garry Winogrand 
 
 

> photographies de Myron Ehrenberg
 

> photographies de Milton H. Greene
 

> photographie de Sam Schulman
 

 > photographies de Sam Shaw  
  



   

> photographie de Walter Jacobsen 
 

> photographie de Elliott Erwitt
 

 > planche contact
 

> dans la presse
 

> captures








  

 
 
 

> video

> video (color footage in Kodachrome by Jules Schulback)

> source captures:
Documentaires "The Legend of Marilyn Monroe", "Marilyn in Manhattan".

© All images are copyright and protected by their respective owners, assignees or others.
copyright text by GinieLand.

Enregistrer

Sept ans de réflexion
Sur le tournage - scène 15

Le 13 septembre 1954, Marilyn Monroe devant l'immeuble au 164 East 61 Street, à New York, où elle tourne une scène du film "Sept ans de réflexion".

In September, 13, 1954, Marilyn Monroe in front of the the building at 164 East 61 Street, in New York, where she shoots a scene of the movie "The Seven Year Itch".

> 2ème partie: Devant l'immeuble
 
   
  

> photographies de Sam Shaw
  
 
  

> photographies de George Barris

  
 
 

- avec Billy Wilder

 > photographies de Bob Henriques
  
 

 > photographies de Elliott Erwitt
  

> captures
 
 
 

> video

© All images are copyright and protected by their respective owners, assignees or others.
copyright text by GinieLand. 

Enregistrer

Sept ans de réflexion
Sur le tournage - scène 15

Le 13 septembre 1954, Marilyn Monroe dans l'immeuble au 164 East 61 Street, à New York, où elle tourne une scène du film "Sept ans de réflexion".

In September, 13, 1954, Marilyn Monroe in the building at 164 East 61 Street, in New York, where she shoots a scene of the movie "The Seven Year Itch".

> 3ème partie:
- Dans le hall
  

> photographie de Sam Schulman

- Dans les escaliers
  

> photographies de George Barris
  

> photographies de Bob Henriques

   

> photographies de Sam Shaw
 

© All images are copyright and protected by their respective owners, assignees or others.
copyright text by GinieLand.

Sept ans de réflexion
Sur le tournage - scène 15

Le 13 septembre 1954, Marilyn Monroe à la fenêtre de l'appartement situé au 164 East 61 Street, à New York, où elle tourne une scène du film "Sept ans de réflexion".

In September, 13, 1954, Marilyn Monroe at the window of the apartment located at 164 East 61 Street, in New York, where she shoots a scene of the movie "The Seven Year Itch".

> 4ème partie: A la fenêtre - dans l'appartement

> photographies de George Barris

> photographies de Bob Henriques
  

> photographies de Elliott Erwitt