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26 novembre 2023

Dressing - Robe en laine à carreaux de Travilla

Robe en laine à carreaux auburn et noire
Auburn and black checked wool dress

Longue robe en laine, près du corps qui moule à la perfection la silhouette, à carreaux (de style pied-de-poule) de couleur noir et auburn (on peut parfois lire que la robe est marron, mais elle est bien dans une nuance de rouge / marron), au large col noir croisé, avec la taille marquée par une large ceinture noire à stretch qui se ferme par une boucle en métal doré qui se clipse et aux manches longues de 5/8ème.

Long wool dress, close to the body which perfectly molds the silhouette, with checks (houndstooth style) in black and auburn (you can sometimes read that the dress is brown, but it is indeed in a shade red / brown), with a wide black crossed collar, with the waist marked by a wide black stretch belt which closes with a gold metal buckle which clips and with long 5/8th sleeves.

Cette robe en laine a été conçue par le créateur et couturier de la 20th Century Fox, William "Billy" Travilla pour le film Les hommes préfèrent les blondes tourné fin 1952 / début 1953.
Marilyn a effectué les essais coiffure, maquillage et "costume" de la robe le 25 novembre 1952, tel qu'on peut le lire sur le panneau de ces essais tests qui étaient photographiés (ci-contre) et pour lequel elle porte les mêmes accessoires que ceux dans le film:
- deux larges bracelets dorés (un à chaque bras, non portés au poignet, mais à l'arrêt des manches 5/8ème de la robe),
- une paire de boucles d'oreilles dorées de style créoles,
- et des chaussures noires ouvertes aux orteils.
(voir les articles sur Gentlemen prefer blondes )

This wool dress was designed by 20th Century Fox designer and stylist William "Billy" Travilla for the film Gentlemen prefer blondes filmed in late 1952/early 1953.
Marilyn did the hair, makeup and "costume" of the dress tests on November 25, 1952, as can be read on the panel of these tests which were photographed (see opposite) and for which, she wears the same accessories as those in the film:
- two large golden bracelets (one on each arm, not worn on the wrist, but at the end of the 5/8th sleeves of the dress),
- a pair of golden hoop-style earrings,
- and black shoes open to the toes.

- scene du film -

GIF-GPB-2 GIF-GPB-3

- pendant le tournage / behind the scenes -

Après avoir terminé le tournage du film Les hommes préfèrent les blondes, Marilyn enchaîne avec celui de Comment épouser un millionnaire. Pour promouvoir les deux films de la 20th Century Fox dans la presse (par les commandes des magazines américains Collier's et Eye), elle pose en studio portant les vêtements des deux films au printemps 1953, photographiée par John Florea. Elle est mise en scène allongée sur un sofa, près d'un homme vu de dos prenant des notes, telle une patiente qui se raconte chez son psy. Elle porte la robe avec les mêmes bijoux et chaussures que dans le film Les hommes préfèrent les blondes. Au final, cette séance ne sera pas retenue dans la publication des magazines.
(voir la séance Les Hommes préfèrent les Blondes - scène 8 )

After finishing filming the movie Gentlemen Prefer Blondes, Marilyn continued with How to Marry a Millionaire. To promote the two 20th Century Fox films in the press (through orders from the American magazines Collier's and Eye), she posed in the studio wearing clothes from both films in the spring of 1953, photographed by John Florea. She is shown lying on a sofa, near a man seen from behind taking notes, like a patient talking to her shrink. She wears the dress with the same jewelry and shoes as in the movie Gentlemen Prefer Blondes. Finally, this session will not be included in the publication of the magazines.

Marilyn devait aimer le confort et la chaleur de cette robe car elle va ensuite l'emprunter aux studios pour la porter dans des lieux aux températures plutôt froides.

Marilyn must have loved the comfort and warmth of this dress because she then borrowed it from the studios to wear it in places with rather cold temperatures.

Quand Marilyn part au Canada l'été 1953 pour tourner le film La Rivière sans retour, elle emporte la robe dans ses bagages. Dans la province d'Alberta, un autre film est tourné: La brigade héroïque avec Shelley Winters. Les acteurs des deux films (Marilyn, Robert Mitchum, Rory Calhoun et sa femme Lita Baron, ainsi que Shelley Winters) passent une soirée ensemble en août 1953 où Marilyn est vêtue de la robe et elle ne porte pas de bijoux. Elle porte son plâtre à la jambe gauche, après être tombée pendant le tournage du film.
(voir l'article Août 1953 Canada Pendant River of no return )

When Marilyn left for Canada in the summer of 1953 to shoot the film The River of No Return, she took the dress with her. In the province of Alberta, another film is being filmed: Saskatchewan with Shelley Winters. The actors from both films (Marilyn, Robert Mitchum, Rory Calhoun and his wife Lita Baron, as well as Shelley Winters) spend an evening together in August 1953 where Marilyn is dressed in the dress and she does not wear jewelry. She is wearing a cast on her left leg, after falling during the filming of the film.

Une fois les extérieurs du film La rivière sans retour tournés au Canada sont terminés, Marilyn (en compagnie de Joe DiMaggio et Robert Mitchum) prend l'avion à l'aéroport de Vancouver le 01er septembre 1953 pour retourner à Los Angeles. Sur le tarmac de l'aéroport de Vancouver, elle est photographiée et même filmée par des reporters. Toujours le pied plâtrée et se déplacant à l'aide de béquilles, elle est vêtue de la robe, que l'on distingue sous son long manteau beige Dior.
(voir l'article Manteau beige en poil de chameau de Dior ).

Once the exteriors of the film The River of No Return shot in Canada were completed, Marilyn (along with Joe DiMaggio and Robert Mitchum) took the plane to Vancouver airport on September 1, 1953 to return to Los Angeles. On the tarmac of Vancouver airport, she was photographed and even filmed by reporters. Still with her foot in a cast and moving around with the help of crutches, she is dressed in the dress, which can be seen under her long beige Dior coat.

A sa descente d'avion de Los Angeles, les températures étant plus douces qu'au Canada, elle a ôté le manteau. Elle porte à son pied droit la chaussure à talon noire avec le bout ouvert aux orteils.
(voir l'article 1/09/1953 Retour à Los Angeles )

When she got off the plane from Los Angeles, the temperatures being milder than in Canada, she took off the coat. On her right foot she wears the black heeled shoe with the open toe.

Marilyn épouse Joe DiMaggio le 14 janvier 1954, mais Joe doit partir au Japon (avec Lefty O Doul, son ancien manager) pour une tournée de présentation pour inaugurer la nouvelle saison du base-ball, sport très populaire au Japon. Marilyn ayant été suspendue par les studios de la Fox, pour avoir refuser de tourner dans le film The Girl in pink tights, Joe demande à Marilyn de l'accompagner. C'est ainsi que la lune de miel de Marilyn et Joe s'est greffée sur un voyage d'affaires prévu de longue date. Ils partent le 29 janvier 1954 et arrivent à Tokyo le lendemain (après une escale à Hawaï). Ils vont rester en Asie presque un mois (ils repartiront le 23 février). Mais Marilyn ne restera pas qu'au Japon, puisqu'elle ira en tournée pendant 4 jours chanter devant les soldats (du 16 au 19 février) en Corée du Sud.
Pour ce voyage en Asie, Marilyn a emporté beaucoup de bagages, dans lesquels se trouve la robe en laine. Pendant son séjour au Japon, elle se rend avec Joe DiMaggio dans la ville d'Hiroshima, sur l'île japonaise de Honshū (tristement célèbre pour avoir été en grande partie détruite lors du bombardement atomique par les américains le 06 août 1945, pendant la Seconde Guerre mondiale). Ils restent deux jours à Hiroshima: le 12 février 1954, ils visitent les environs et vont dans des musées; le 13 février 1954, Marilyn accompagne Joe en représentation au stade de baseball de Hiroshima: sous son grand manteau de fourrure qu'elle a laissé ouvert, elle porte la robe en laine, les boucles d'oreilles créoles et les chaussures à talons noires ouvertes aux orteils.
(voir l'article Les 12 et 13/02/1954, Japon - Joe & Marilyn à Hiroshima )

Marilyn married Joe DiMaggio on January 14, 1954, but Joe had to go to Japan (with Lefty O Doul, his former manager) for a presentation tour to inaugurate the new baseball season, a very popular sport in Japan. Marilyn having been suspended by the Fox studios, for refusing to make the film The Girl in Pink Tights, Joe asks Marilyn to accompany him. This is how Marilyn and Joe's honeymoon was grafted onto a long-planned business trip. They left on January 29, 1954 and arrived in Tokyo the next day (after a stopover in Hawaii). They will stay in Asia for almost a month (they will leave on February 23). But Marilyn will not only stay in Japan, since she will go on tour for 4 days to sing in front of soldiers (from February 16 to 19) in South Korea.
For this trip to Asia, Marilyn took a lot of luggage, including the wool dress. During her stay in Japan, she went with Joe DiMaggio to the city of Hiroshima, on the Japanese island of Honshū (infamous for having been largely destroyed during the atomic bombing by the Americans on August 6, 1945, during the Second World War). They stayed two days in Hiroshima: on February 12, 1954, they visited the surrounding area and went to museums; on February 13, 1954, Marilyn accompanies Joe in performance at the baseball stadium in Hiroshima: under her large fur coat that she left open, she wears the wool dress, the hoop earrings and the open black heeled shoes to the toes.

Pendant sa tournée de quatre jours en Corée, Marilyn sera aperçue vêtue de la robe en laine dans les coulisses. Les températures sont glaciales en cette saison et Marilyn a décidé de porter une fine robe à bretelles de Ceil Chapman (laissant le décolleté et ses bras nus) pour ses prestations scéniques. Alors hors de la scène, elle se couvre pour visiter les bases et participer aux dîners: elle porte des vêtements militaires (pantalon et blouson de l'armée, avec souvent un gros pull col roulé noir et des rangers aux pieds); ou encore la robe en laine qui tient bien chaud.
(voir l'article Du 16 au 19/02/1954 Tournée en Corée + l'album photos Marilyn en Corée )
(voir l'article Les Robes de Cocktail brodées de Ceil Chapman )

During her four-day tour of Korea, Marilyn will be seen wearing the wool dress in backstage. The temperatures are freezing this season and Marilyn decided to wear a thin strappy dress by Ceil Chapman (leaving the neckline and her arms bare) for her stage performances. So off stage, she covers up to visit the bases and participate in dinners: she wears military clothing (army pants and jacket, often with a big black turtleneck sweater and rangers on her feet); or the wool dress that keeps her warm.

* * *

Le soir du 16 février 1954, elle se trouve à la base de la 7th Infantery: elle donne d'abord un concert vêtue de sa robe scintillante (dans une grande tente avec une partie scène sur estrade), puis elle est l'invité d'honneur à un dîner tenu par 55 officiers où elle porte la robe en laine, avec toujours la paire de chaussures noires ouvertes aux orteils et cette fois-ci, de longues boucles d'oreilles pendantes.

On the evening of February 16, 1954, she was at the base of the 7th Infantry: she first gave a concert dressed in her sparkling dress (in a large tent with a stage section on a platform), then she was the guest of honor at a dinner held by 55 officers where she wears the wool dress, always with the pair of black shoes open to the toes and this time, long dangling earrings.

Sans doute a-t-elle froid, car au cours de cette soirée, elle porte ensuite une écharpe autour du cou et une large chemise militaire par dessus la robe.

No doubt she is cold, because during this evening, she then wears a scarf around her neck and a large military shirt over the dress.

* * *

Le 18 février 1954, elle passe la fin de journée à la base de la 2nde Division. Après avoir donné son concert sur une estrade en plein air (scène nommée Bulldozer Bowl), elle se change pour aller visiter la base: elle porte la robe en laine pour saluer les soldats, debout dans une jeep, avec des boots noires aux pieds. Puis elle ajoute sur ses épaules le blouson de l'armée par-dessus.

On February 18, 1954, she spent the end of the day at the 2nd Division base. After giving her concert on an open-air stage (stage called Bulldozer Bowl), she changes to go visit the base: she wears the wool dress to greet the soldiers, standing in a jeep, with black boots on her feet. Then she adds the army jacket on her shoulders on top.

* * *

Le soir, elle est invitée au dîner organisé par la 2nde Division. Refusant de se faire servir, Marilyn attend dans la file d'attente et porte son plateau devant les plats des cuisiniers qui la servent puis va manger à table des officiers. Comme pour chaque repas qu'elle fait pendant sa tournée, un gros gâteau lui est présenté, qu'elle coupe en part.

In the evening, she is invited to the dinner organized by the 2nd Division. Refusing to be served, Marilyn waits in the queue and carries her tray in front of the dishes of the cooks who serve her then goes to eat at the officers' table. As with every meal she has during her tour, a large cake is presented to her, which she cuts into slices.

Les soldats lui remettent ensuite un écusson (posé sur sa robe au niveau de l'épaule gauche), et elle partage un gros gâteau avec eux. Puis elle se transforme en serveuse avec Jean O' Doul, portant une petite toque blanche sur la tête pour servir les assiettes des soldats.

The soldiers then give her a badge (placed on her dress at the left shoulder), and she share a large cake with them. Then she transforms into a waitress with Jean O' Doul, wearing a small white hat on her head to serve the soldiers' plates.

On ne verra plus Marilyn porter la robe après son séjour en Corée. La robe étant une propriété des studios de la Fox, Marilyn l'a sans doute reportée au département costumes des studios. On ne sait pas non plus ce que la robe est devenue car elle n'a jamais été ni présentée dans une quelconque exposition, ni revendue aux enchères.
Certains sites webs proposent à la vente des copies de la robe (sites comme etsy par exemple) ou des blogeuses présentent leur création de copie (comme Miss Dixie O'Dare sur son blog missdixieodare.blogspot.com ).

We will no longer see Marilyn wearing the dress after her stay in Korea. The dress being a property of the Fox studios, Marilyn undoubtedly took it to the studios' costume Department. We also do not know what became of the dress because it was never presented in any exhibition, nor resold at auction.
Some websites offer copies of the dress for sale (sites like Etsy for example) or bloggers present their creation of a copy (like Miss Dixie O'Dare on her blog).

- robe sur etsy -

Autre style
Other style

Robe pour l'hiver: en laine, bicolore, de Charles Le Maire
- Robe bicolore en laine de Le Maire -
Dress for winter: in wool, two-tone, by Charles Le Maire

* * *

Longues robes avec une large ceinture, portées au Japon
Long dresses with a wide belt worn in Japan

Posté par ginieland à 19:29 - mode - Commentaires [0] - Permalien [#]
Tags : 1952, 1953, 1954, canada, gentlemen prefer blondes, hiver, japan, john florea, korea, robes, ronr, william travilla

23 octobre 2023

06-08/09/2023, JULIEN'S “Legends: Hollywood & Royalty” Lots Partie 2

Enchères "Legends: Hollywood & Royalty"
du 06 au 08 septembre 2023
- 27 lots avec Marilyn Monroe -
- Partie 2 : Effets personnels

> 06-08/09/2023, JULIEN'S “Legends: Hollywood & Royalty” : Vente et Catalogue

Photographies

Lot #850 MARILYN MONROE | PERSONALLY-OWNED "THERE'S NO BUSINESS LIKE SHOW BUSINESS" LOBBY CARD A lobby card for the film There's No Business Like Show Business (Twentieth Century Fox, 1954) that personally belonged to Marilyn Monroe. Monroe costarred alongside Ethel Merman, Mitzi Gaynor, and Donald O'Connor in the ensemble musical which featured the songs of Irving Berlin and her sensual rendition of "Heat Wave" was a highlight and created a scandal at the time. Television personality and newspaper columnist Ed Sullivan described it as "one of the most flagrant violations of good taste" he had seen.
PROVENANCE From the Archives of Marilyn Monroe's Personal Property
Estimate: $300 - $500 - Winning bid:$2,925

Presse

Lot #851 MARILYN MONROE | PERSONALLY-OWNED CLIPPINGS ABOUT HER PERFORMANCE IN KOREA
A pair of clippings from the Honolulu Star-Bulletin reporting on Marilyn Monroe's visit to Korea and her performance for the U.S. troops that personally belonged to the actress. The headlines read: "No Ermine Suits for Marilyn When She Visits GIs in Korea" and "Air Force, Army Battle Over Marilyn Monroe."
Monroe visited Korea in February 1954 with husband Joe DiMaggio a few weeks after their marriage. Monroe was invited to perform before the troops and and the trip caused an interruption in the couple's honeymoon.
PROVENANCE From the Archives of Marilyn Monroe's Personal Property
Estimate: $300 - $500 - Winning bid:$520

Lot #852 MARILYN MONROE | PERSONALLY OWNED "MARILYN MONROE VISITS OSAKA ARMY HOSPITAL" NEWSLETTER
An issue of The Host, an Osaka Army Hospital newsletter, that belonged to Marilyn Monroe. The Volume V, number 2 issue is dated March 6, 1954 and the cover features a photograph of Monroe next to the headline "Marilyn Monroe visits Osaka Army Hospital." Inside is a two-page spread of photos showing Monroe performing and having lunch with military patients at the hospital along with a short article about her visit.
Monroe took time out from her honeymoon with husband Joe DiMaggio in early 1954 to entertain U.S. military troops in Korea and subsequently stopped by the Osaka Army Hospital in Japan.
PROVENANCE From the Archives of Marilyn Monroe's Personal Property
Estimate: $500 - $700 - Winning bid:$780

Film "Le Milliardaire": scénario & autres documents

Lot #856 MARILYN MONROE | PAULA STRASBERG ANNOTATED "LET'S MAKE LOVE" SCRIPT
A bound original copy of the screenplay for Let's Make Love (Twentieth Century Fox, 1960) that personally belonged to Marilyn Monroe's acting coach Paula Strasberg and is annotated by her throughout. The blue cover is printed with the words "Let's Make Love / January 15, 1960" in the center, "822" in the upper left, "Property of Twentieth Century-Fox Film Corporation" at the bottom, and has the initials "PMS" (for Paula Miller Strasberg) written in red pencil near the top. A white sticker on the upper right of the cover has the words "Krasna, Norman / "Let's Make Love" written in ink. The first page inside the cover also has the initials "PMS" written in red pencil on the upper right and lower half of the page reads in part: "Received January 15, 1960 / 1 Script Second Revised Shooting Final / Title "Let's Make Love." The script is 139 pages and Strasberg circled every mention of Monroe's character's name Amanda in red ink and wrote her notes throughout in red ink.
Let's Make Love would become Monroe's penultimate film and her final movie musical.
PROVENANCE From the Archives of Marilyn Monroe's Personal Property
Estimate: $500 - $700 - Winning bid:$3,575

Lot #864 MARILYN MONROE | PERSONALLY-OWNED "LET'S MAKE LOVE" CALL SHEET
A call sheet for the film Let's Make Love (Twentieth Century Fox, 1960) that was personally-owned by Marilyn Monroe. The two-sided call sheet is dated May 19, 1960 and the font side indicates it was day 64 of the film shoot and had a call time of 8:30 a.m. The setting for the scene filmed that day was the exterior of a church on a New York City street. Actors required include Monroe and costar Yves Montand, three stand-ins, and extras. The back side features a list of the production requirements, including the call times for the camera team, wardrobe, and the makeup department.
PROVENANCE From the Archives of Marilyn Monroe's Personal Property
Estimate: $300 - $500 - Winning bid:$1,950

Lot #865 MARILYN MONROE | PERSONALLY OWNED "LET'S MAKE LOVE" SHEET MUSIC
A sheet music arrangement for the song "Specialization" that was owned by Marilyn Monroe. The song features lyrics by Sammy Cahn and music by James Van Heusen and was performed by Monroe as a duet with costar Frankie Vaughan in her final film musical Let's Make Love (Twentieth Century Fox, 1960). The front page of the nine-page arrangement shows the title of the song with Monroe's name in parentheses beneath it and the film's original title, The Billionaire, in the upper left and is dated October 20, 1959 in the upper right.
PROVENANCE From the Archives of Marilyn Monroe's Personal Property
Estimate: $300 - $500 - Winning bid:$9,100

Beauté

Lot #866 MARILYN MONROE | HAIR PINS
A box of Scoldy Lox brand glamour guards (hair pins) that belonged to Marilyn Monroe. The front of the box is stamped with the word "BLONDE" and the box contains more than two dozen hair pins and a piece of paper printed with the product inspection information. Also included is a long piece of twine that had been wrapped around the box.
Accompanied by the original Christie's receipt.
PROVENANCE Partial lot 112, "Fine Manuscripts," Christie's, September 20, 2001
Estimate: $600 - $800 - Winning bid:$4,550

Lot #867 MARILYN MONROE SIGNED RECEIPT
An Elizabeth Arden receipt signed by Marilyn Monroe. Monroe has signed the receipt in blue ballpoint ink over the salon’s handwritten itemization of services.
Includes original Julien's Auctions lot card and tag.
PROVENANCE Lot 960, "Property from the Estate of Lee Strasberg," Julien's Auctions, November 17, 2016
Estimate: $3,000 - $5,000 - Winning bid:$3,900

Posté par ginieland à 17:47 - enchères Lots - Commentaires [0] - Permalien [#]
Tags : 2023, elizabeth arden, factures, juliens auction, korea, let's make love, MM se coiffe, objets personnels, paula strasberg, scenarios, tnblsb

08 juin 2023

Angel Wings T8: Anything Goes

Angel Wings T8: Anything Goes
Catégorie: Bande Dessinée
Auteur / Scénariste: Yann
Illustrateur: Romain Hugault

Prix éditeur : 14,50 Euros
Date de sortie : 07 juin 2023
48 pages - taille 24 cm x 32,4 cm
Langue : français
Éditeur : Paquet
ISBN 10 : 2889323943
ISBN 13 : 978-2889323944
Ou le trouver ? le site de l'éditeur Paquet
en commande sur amazon

Cette BD s'inscrit dans la série de collection "Angel Wings" consacré au thème de l'aviation et de la guerre. Le titre "Anything Goes" est en fait celui du nom de l'orchestre de musiciens qui accompagnait Marilyn Monroe lors de sa tournée en Corée.

Description par l'éditeur Paquet: Février 1954... En Corée, après quatre années d’un sanglant conflit, un fragile armistice a été signé! La guerre est comme mise sur pause pour des milliers de GI’s, alors que la situation est plus tendue que jamais et qu’un conflit nucléaire menace. Pourtant, c’est l’effervescence sur les bases américaines... Car, en voyage de noces au Japon avec son nouveau mari, la célèbre vedette du Baseball, Joe DiMaggio, Marilyn Monroe a fait un crochet au “Pays du matin calme” pour une tournée des bases militaires afin de remonter le moral des troupes... Et c’est un triomphe! De bains de foule en concerts, la star rayonne et illumine les yeux des combattants. Mais Miss Monroe ne ferait-elle pas une cible idéale pour mettre à terre le moral de l’Amérique! C’est compter sans le sang froid de Marilyn pour qui, malgré le danger, le show est en place, alors “Anything goes !”

- extraits -

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Apportez votre critique, votre avis ou votre note

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Posté par ginieland à 18:56 - presse livres - Commentaires [0] - Permalien [#]
Tags : 2023, angel wings, creation art, korea, livres BD, ma collection, romain hugault, yann

10 novembre 2020

Figurines Marilyn Monroe - Star Ace Toys 1/6 Scale Action

Figurines de collection articulées
Echelle 1/6
Dimensions: 5.08 x 2.54 x 27.94 cm
Poids: 737 grammes

Prix moyen: 260 à 300 €

MILITARY OUTFIT
- Date: 2019 -

Vêtements: T-Shirt noir, pantalon marron,
écharpe blanche, blouson de pilote, chaussures boots marron
Accessoires: miroir avec fard à paupières, mascara,
rouge à lèvres, reproduction carte Corée

GENTLEMEN PREFER BLONDS
Pink Dress Version
- Date: 2017 -

Vêtements: Robe rose, ceinture, gants, culotte,
fourreau blanc, chaussures à talons hauts
Accessoires: fourreau, éventail,
boucles d'oreilles, collier, 2 bracelets

GENTLEMEN PREFER BLONDS
Gold Dress Version
- Date: 2016 -

Vêtements: robe lamé or, une culotte, chaussures à talons hauts
Accessoires: éventail, miroir avec fard à paupières,
rouge à lèvres, mascara, boucles d'oreilles

Site officiel Star Ace Toys Limited

Dans la même collection:

Audrey Hepburn dans "Breakfast at Tiffany's"
James Dean dans "La Fureur de Vivre"
Steve Mc Queen dans "La Grande Evasion"
Kate Beckinsale dans "Underworld"
Samuel L Jackson et John Travolta dans "Pulp Fiction"
Uma Thurman dans "Kill Bill"
Peronnages de "Harry Potter"
Jennifer Lawrence dans "Hunger Games"

-> un aperçu des figurines sur onesixthoutfitters

en vente sur fnac, amazon, ebay, cdiscount...

Posté par ginieland à 22:24 - merchandising - Commentaires [0] - Permalien [#]
Tags : 2016, 2017, 2019, creation art, figurines, gentlemen prefer blondes, korea, star ace toys

07 novembre 2020

Figurines Marilyn Monroe - Life Miniatures

Marilyn Monroe in Korea for her USO Tour 1954

BUSTE

"Bye Bye Baby" Marilyn Monroe in Korea
for her USO Tour 1954
Echelle 1/10

en résine, à peindre
en vente à 69 Dollars sur lifeminiatures
en vente à 27,19 Euros sur amazon

exemple d'un modèle peint:

FIGURINE EN PIED

Marilyn Monroe in Korea for her USO Tour 1954

en résine, à assembler (10 pièces) et à peindre

Echelle 1/16 - en vente à 62 Dollars sur lifeminiatures
Echelle 1/35 - en vente à 18 Dollars sur lifeminiatures

exemple d'un modèle assemblé et peint:

Posté par ginieland à 23:02 - merchandising - Commentaires [0] - Permalien [#]
Tags : creation art, figurines, korea

04 novembre 2019

TV - Apocalypse La Guerre des Mondes

gif_tvmarilyn

Les mardis de novembre 2019 - à 21h05 - France 2
A revoir en replay

Documentaire: Apocalypse:
La Guerre des Mondes
1945 - 1991

Réalisation: Isabelle Clarke & Daniel Costelle
Narration: Matthieu Kassovitz
Pays: France
Année: 2019
En 6 épisodes
Durée d'un épisode: 53 min

À l’occasion des commémorations de la chute du mur de Berlin qui marque la fin de la guerre froide, France 2 diffuse la septième saison d’Apocalypse : La Guerre des mondes. Deux soirées événements qui reviennent sur plus de quarante années qui ne sont, en fait, qu’une succession de guerres chaudes : Indochine, Corée, Vietnam, Afghanistan… entrecoupées de confrontations périlleuses entre l’Est et l’Ouest. Si, en 1945, les femmes et les hommes de la planète pensent laisser derrière eux les atrocités de la guerre, dans les coulisses de la reconstruction du monde, un affrontement plus long et plus insidieux se prépare. Bientôt, un « rideau de fer » va tomber entre l’Est communiste, dominé par l’Union soviétique, et l’Ouest, avec les États-Unis. C’est la guerre froide, la « guerre des mondes ». Dans une folle course aux armements, les États ont inventé la pire menace : l’arme nucléaire. Durant près d’un demi-siècle les grands dirigeants – Staline, Khrouchtchev, Mao, Kennedy – se rapprochent ou s’affrontent, dans un dangereux équilibre de la terreur. À tout moment, c’est l’humanité tout entière qui peut plonger dans l’apocalypse.

Episode 1: Été 1945. Alors que les peuples victorieux célèbrent le retour à la paix, un rideau de fer tombe entre ceux qui furent autrefois alliés. Pendant cinquante ans, le bloc de l'Est communiste affronte le bloc de l'Ouest, dominé par les Américains. C'est la guerre froide, la guerre des mondes. En Indochine, en Corée, au Vietnam, les grands se font face par peuples interposés. Et la toute nouvelle arme nucléaire fait peser sur l’humanité la menace d’une nouvelle apocalypse.

Episode 2: En 1947, craignant que l'Europe abîmée ne devienne le terreau du communisme, les Etats-Unis lancent le plan Marshall, pour permettre aux pays européens de se reconstruire. Les Français ont aussi besoin d'aide en Indochine, où Ho Chi Minh, caché dans la jungle, ne cesse d’accroître son armée et son influence. A Berlin, Staline impose un blocus, mais il préfère se concentrer sur le succès de sa toute nouvelle bombe atomique. Et la vague rouge continue de progresser. En Corée, la guerre est déclarée entre les communistes du Nord et une armée sud-coréenne démunie. Truman envoie ses hommes : une véritable débâcle les attend.

Episode 3: Septembre 1950. En Corée, le conflit continue mais les Américains font face à un nouvel ennemi : la Chine. Truman songe à la bombe atomique. En Indochine, les Français aussi sont au plus mal. Le parallèle entre les deux conflits est frappant : mêmes acteurs dissimulés, mêmes colonnes de prisonniers. Et le véritable ennemi, c'est Staline.

Episode 1: La grande rupture 1945-1946: diffusion le 05/11/19
Episode 2: L'escalade de la peur 1947-1950: diffusion le 05/11/19
Episode 3: Le monde tremble 1950-1952: diffusion le 05/11/19
Episode 4: La conquête 1953-1955: diffusion le 12/11/19
Episode 5: Le Mur 1956-1962: diffusion le 12/11/19
Episode 6: L'Abîme 1963-1991: diffusion le 12/11/19

Pour Info... Documentaire contenant des images filmées de Marilyn Monroe:
- dans l'épisode 4, des extraits colorisés de sa tournée en Corée en 1954;
- dans l'épisode 5: des extraits de sa participation au gala organisé pour la venue de Khrouchtchev en 1959.

captures

Episode 3: Le monde tremble 1950-1952
Des images colorisées de Marilyn Monroe en Corée
apparaissent dans le générique de fin

Posté par ginieland à 00:02 - news - Commentaires [0] - Permalien [#]
Tags : 2019, captures, documentaires, korea, à la télé

31 octobre 2018

11/11/2017, HERITAGE "Entertainment & Music Memorabilia": Lots

2017-11-11-HERITAGE-Entertainment_Music_Memorabilia-cat-01

Lots sur Marilyn Monroe des enchères
'Entertainment & Music Memorabilia'
organisées le 11 novembre 2017
par Heritage Auctions à Dallas aux Etats-Unis.

> 11/11/2017, HERITAGE "Entertainment & Music Memorabilia": Vente et Catalogue

Lot 89001: A Marilyn Monroe Unusual Inscribed 'Frame Glass' to Arthur Miller, Circa 1960.
A black and white photograph of the star circa 1956, looking wistful, housed in a black wooden frame with the glass signed by her in red wax pencil "I know when / I am not there / for you -- !!!" with her added line marks below forming what look like "X's" or "M's" or both but hard to decipher; consigned directly by the daughters of Aaron Frosch [Monroe's attorney] who said that when their father was handling MM's divorce from Arthur Miller, she gave Frosch a number of items she didn't want anymore, including this photograph which she evidently inscribed to Miller as an apology; interestingly, MM wrote this note with a colored wax pencil, the same kind she used to cross out images of herself on contact sheets that she didn't like; also intriguing to speculate about the photograph itself: it was likely a favorite of hers or Miller's and it was probably hanging somewhere in the couple's home where MM knew Miller would see her message on it. (Please note the inscription has changed to an orangish color and it's faded due to age.)
Matted and framed: 14 1/2" x 12"

Lot 89002: A Marilyn Monroe Signed Document, 1952.
Two pages, typed, first page is on Twentieth Century Fox letterhead, dated "June 5, 1952," an eight paragraph agreement outlining the tedious details of the star's payment schedule at the studio, signed by her on the second page in blue fountain pen ink "Marilyn Monroe;" matted and framed in a pretty display featuring a black and white image of MM above brass-like plaques relaying general information about her.
Document only: 10" x 8"; Overall piece: 24" x 34"

Lot 89003: A Marilyn Monroe Signed Waiver, 1957.
One page, typed, dated "July 24, 1957," short document outlining how a meeting of Marilyn Monroe Productions was to be held at an office on Madison Avenue in NYC, signed by the star in blue foutain pen ink in the lower right corner "Marilyn Monroe" along with the signatures of two of her business associates; matted and framed next to three MM collectibles: a plastic "Marilyn Monroe Drawing Aid" (with its original backing), a piece of "Marilyn's Bedsheet!" with its original packaging, and a pocket knife featuring her 'Golden Dreams' nude image (but reversed); included with a LOA from JSA Authentication.
Document only: 10 1/2" x 8"; Whole display: 19" x 26 1/2"

Lot 89004: A Marilyn Monroe (and Others) Signed Autograph Book Page, 1956.
Brownish-red leather cover, inside pastel pages inscribed in various colors of fountain pen or ballpoint ink (some to "Henry") by stars including Marilyn Monroe who signed in blue ballpoint ink and added "Warmest Regards" and (in alphabetical order): Ray Bolger, Bing Crosby, Xavier Cugat, Edward Duke of Windsor (who added "March 23rd 1956"), Hedda Hopper, President Herbert Hoover, Frank Sinatra, and President Harry Truman, among a few others who are illegible.
4 1/2" x 5"

Lot 89005: A Marilyn Monroe Signed Program from the 'April in Paris Ball,' 1957.
Oversized, 15 pages filled with great 'of the era' advertisements plus text about the gala that the star attended with her husband [Arthur Miller] as did JFK, Jackie, and the Duke and Duchess of Windsor among other luminaries; signed in pencil upside down on the front cover "Marilyn Monroe Miller;" included with an undated handwritten note from a "Beverly Heath" who writes in part "Mrs. Marilyn Monroe Miller / autographed the evening's program which / I also attended / ...At the time I was a 'Rockette' at Radio City Music Hall / ...As I recall, Marilyn was / wearing a quite revealing (for the time) / low cut black sequined dress;" further included is a LOA from PSA/DNA. (Please note MMM's signature is somewhat faded now as it was written in pencil and the program is somewhat dog-eared and creased.)
14" x 11"

Lot 89006: A Marilyn Monroe Group of Business Documents, 1950s.
Five total including:
1) an invoice from 'Hearst Metrotone News,' addressed to "Marilyn Monroe Productions," dated "November 21, 1956," in the amount of "$257.50" for "Coverage of arrival of Marilyn Monroe and Arthur / Miller at Idlewild Airport;"
2) a paycheck stub from 'Twentieth Century Fox,' dated "12-12-59," for "services of Marilyn Monroe;"
3) an invoice from 'The Waldorf-Astoria,' addressed to "Monroe Miss Marilyn," dated "Apr 19-25, 1955," outlining charges to her hotel room totaling "$75.80,"
4) a paycheck stub from 'Marilyn Monroe Productions, Inc.,' noting the gross earnings of "$7,142.86,"
and 5) a bank statement from 'Colonial Trust Company,' addressed to "Marilyn Monroe Productions, Inc.," dated "Sept 1-27, 1957," showing the various balances for the month;
all originally from the star's personal files.
11" x 8 1/2" and smaller

Lot 89007: A Marilyn Monroe-Related Group of Documents, 1955-1956.
Three total including:
1) an invoice addressed to "Mlle. Marilyn Monroe / Hotel Waldorf-Astoria / Park Avenue / New York City" from 'Signorina Eugenia Inc.,' dated "June 29, 1955," in the amount of "$39.14 for special order shoes;"
2) a check from 'Marilyn Monroe Productions, Inc.,' dated "July 14, 1955," to the shoemaker, interestingly signed in black fountain pen ink in the lower right corner "Milton H. Greene" [her short-lived business partner in MMP, Inc.];
and 3) another check from MMP, Inc., dated "Feb 3, 1956," written out to MM in the amount of "$404.30," also signed by Greene in blue ballpoint ink. (Please note there is a small hole in the upper center of the invoice and its original fold marks are still evident.)
11" x 8 1/2"

Lot 89008: A Marilyn Monroe Group of Likely Never-Before-Seen Black and White Photographs from Korea, 1954.
Twenty total, all original prints with a glossy finish, all shot by one of the official Army photographers who had close access to the star; including: three that show MM wearing pants, a bomber jacket, and combat boots; seven that show MM in a black turtleneck, pants, and combat boots surrounded by others in the mess hall; three that show MM in a houndstooth-like print dress; six that show MM on stage wearing a sequined dress with spaghetti straps as she sings for the soldiers; and one that shows the outdoor stage and the audience before MM appears (so MM is not in this shot); though these images are all similar to many others we've seen before, these exact ones have never been viewed by the public before; consigned by the family of soldier who shot them 63 years ago.
5" x 4"

Lot 89009: A Marilyn Monroe Pair of Rare Black and White Photographs by Jean Howard, Circa 1952.
Both original prints with a semi-gloss finish, both on double-weight paper, both depicting the star in a sultry pose as she wears a spaghetti-strapped top with a dark-colored over-blouse, both stamped twice on the verso "Photograph / by / Jean Howard" -- Howard being the 1930s-era actress turned photographer who was married to the Hollywood power player Charles K. Feldman who was MM's agent for a number of years; directly from Howard's own files as consigned to this auction by her grand-niece. (Please note both negatives, which are not included, appear to have been scratched or dusty when the photographs were printed.)
13" x 9"

Lot 89010: A Marilyn Monroe Group of Rare Black and White Photographs by Jean Howard, Circa 1952.
All original prints with a semi-gloss finish, all on double-weight paper, all depicting the star looking happy as she smiles (two are identical but printed differently), all stamped twice on the verso "Photograph / by / Jean Howard" -- Howard being the 1930s-era actress turned photographer who was married to the Hollywood power player Charles K. Feldman who was MM's agent for a number of years; directly from Howard's own files as consigned to this auction by her grand-niece. (Please note both negatives, which are not included, appear to have been scratched or dusty when the photographs were printed.)
13" x 10"

Lot 89011: A Marilyn Monroe Pair of Rare Black and White Photographs by Jean Howard, 1953.
Both original prints, both with a glossy finish, one depicting MM alone on the set of her 1953 20th Century Fox film, "How To Marry A Millionaire;" one showing her deep in discussion with director Jean Negulesco; both shot by Jean Howard -- the 1930s-era actress turned photographer who was married to the Hollywood power player Charles K. Feldman who was MM's agent for a number of years; Howard had access to the set of this now-classic film for a few days where she shot a number of still photographs in-between and during filming; directly from Howard's own files as consigned to this auction by her grand-niece. (Please note both negatives, which are not included, appear to have been scratched or dusty when the photographs were printed; image with MM and JN has wrinkling in the lower left corner.)
10" x 8"

Lot 89012: A Marilyn Monroe Pair of Rare Black and White Photographs by Jean Howard, 1953.
Both original prints with a glossy finish, both depicting MM and co-star Lauren Bacall on the set of their 1953 20th Century Fox film, "How To Marry A Millionaire," both shot by Jean Howard -- the 1930s-era actress turned photographer who was married to the Hollywood power player Charles K. Feldman who was MM's agent for a number of years; Howard had access to the set of this now-classic film for a few days where she shot a number of still photographs in-between and during filming; directly from Howard's own files as consigned to this auction by her grand-niece.
10" x 8"

Lot 89013: A Marilyn Monroe Group of Rare Black and White Photographs by Jean Howard, 1953.
Four total, all original prints with a glossy finish; three depicting MM and director Jean Negulesco on the set of their 1953 20th Century Fox film, "How To Marry A Millionaire;" one showing just MM alone; all shot by Jean Howard -- the 1930s-era actress turned photographer who was married to the Hollywood power player Charles K. Feldman who was MM's agent for a number of years; Howard had access to the set of this now-classic film for a few days where she shot a number of still photographs in-between and during filming; directly from Howard's own files as consigned to this auction by her grand-niece. (Please note two negatives, which are not included, appear to have been scratched or dusty when the photographs were printed.)
8" x 10"

Lot 89014: A Marilyn Monroe Group of Sepia Photographs by Jean Howard, 1953.
Three total, all original prints with a matte finish, all on double weight paper, all depicting MM and co-stars Lauren Bacall and Betty Grable in outtake shots from the very well-known set of their 1953 20th Century Fox film, "How To Marry A Millionaire," all stamped on the verso "Photograph by / Jean Howard," one further stamped "Photograph by / Jean Howard" and "Copyright / Jean Howard" in different ink -- Howard being the 1930s-era actress turned photographer who was married to the Hollywood power player Charles K. Feldman who was MM's agent for a number of years; Howard had access to the set of this now-classic film for a few days where she shot a number of still photographs in-between and during filming; directly from Howard's own files as consigned to this auction by her grand-niece.
9 1/2" x 7 1/2"

Lot 89015: A Marilyn Monroe Pair of Rare Black and White Photographs by Jean Howard, 1953.
Both original prints, one with a glossy finish, one with a semi-gloss finish, both depicting MM with her co-stars [Betty Grable, Lauren Bacall, and extras] from the 1953 20th Century Fox film, "How To Marry A Millionaire," both stamped twice on the verso "Photograph by / Jean Howard," one further stamped "Copyright / Jean Howard" -- Howard being the 1930s-era actress turned photographer who was married to the Hollywood power player Charles K. Feldman who was MM's agent for a number of years; Howard had access to the set of this now-classic film for a few days where she shot a number of still photographs in-between and during filming; directly from Howard's own files as consigned to this auction by her grand-niece. (Please note both show slight creases and dents in raking light; the horizontal image has further wrinkling on the upper right margin.)
13" x 10"

Lot 89016: A Marilyn Monroe Group of Rare Black and White Photographs by Jean Howard, 1953.
Five total, all original prints with a glossy finish, all depicting MM and co-star William Powell on the set of their 1953 20th Century Fox film, "How To Marry A Millionaire," all shot by Jean Howard -- the 1930s-era actress turned photographer who was married to the Hollywood power player Charles K. Feldman who was MM's agent for a number of years; Howard had access to the set of this now-classic film for a few days where she shot a number of still photographs in-between and during filming; directly from Howard's own files as consigned to this auction by her grand-niece. (Please note the negatives, which are not included, appear to have been scratched or dusty when the photographs were printed; four have slight paper loss in the corners but main images are not affected.)
8" x 10"

Lot 89017: A Marilyn Monroe Group of Rare Black and White Photographs by Jean Howard, 1953.
Five total, all original prints with a glossy finish, all depicting MM and co-stars Lauren Bacall and William Powell on the set of their 1953 20th Century Fox film, "How To Marry A Millionaire," all shot by Jean Howard -- the 1930s-era actress turned photographer who was married to the Hollywood power player Charles K. Feldman who was MM's agent for a number of years; Howard had access to the set of this now-classic film for a few days where she shot a number of still photographs in-between and during filming; directly from Howard's own files as consigned to this auction by her grand-niece. (Please note the negatives, which are not included, appear to have been scratched or dusty when the photographs were printed.)
8" x 10"

Lot 89018: A Marilyn Monroe Rare Group of Black and White Photographs by Jean Howard, 1953. Four total, all original prints with a glossy finish, all depicting MM, Lauren Bacall, and William Powell on the set of their 1953 20th Century Fox film, "How To Marry A Millionaire," all shot by Jean Howard -- the 1930s-era actress turned photographer who was married to the Hollywood power player Charles K. Feldman who was MM's agent for a number of years; Howard had access to the set of this now-classic film for a few days where she shot a number of still photographs in-between and during filming; directly from Howard's own files as consigned to this auction by her grand-niece. (Please note the negatives, which are not included, appear to have been scratched or dusty when the photographs were printed.)
8" x 10"

Lot 89019: A Marilyn Monroe Group of Rare Black and White Photographs by Jean Howard, 1953. Seven total, all original prints with a glossy finish, all depicting MM and co-stars William Powell and Lauren Bacall (with one also showing director Jean Negulesco) on the set of their 1953 20th Century Fox film, "How To Marry A Millionaire," all shot by Jean Howard -- the 1930s-era actress turned photographer who was married to the Hollywood power player Charles K. Feldman who was MM's agent for a number of years; Howard had access to the set of this now-classic film for a few days where she shot a number of still photographs in-between and during filming; directly from Howard's own files as consigned to this auction by her grand-niece. (Please note the negatives, which are not included, appear to have been scratched or dusty when the photographs were printed.)
8" x 10"

Lot 89020: A Marilyn Monroe Group of Rare Black and White Photographs by Jean Howard, 1953. Seven total, all original prints with a glossy finish, all depicting MM mainly with co-star Betty Grable but also with Lauren Bacall and William Powell (while director Jean Negulesco appears in four) on the set of their 1953 20th Century Fox film, "How To Marry A Millionaire," all shot by Jean Howard -- the 1930s-era actress turned photographer who was married to the Hollywood power player Charles K. Feldman who was MM's agent for a number of years; Howard had access to the set of this now-classic film for a few days where she shot a number of still photographs in-between and during filming; directly from Howard's own files as consigned to this auction by her grand-niece. (Please note the negatives, which are not included, appear to have been scratched or dusty when the photographs were printed.)
8" x 10"

Lot 89021: A Marilyn Monroe Group of Rare Black and White Photographs by Jean Howard, 1953.
Four total, all original prints with a glossy finish, all depicting MM and co-stars Lauren Bacall, Rory Calhoun, and Betty Grable on the set of their 1953 20th Century Fox film, "How To Marry A Millionaire," all shot by Jean Howard -- the 1930s-era actress turned photographer who was married to the Hollywood power player Charles K. Feldman who was MM's agent for a number of years; Howard had access to the set of this now-classic film for a few days where she shot a number of still photographs in-between and during filming; directly from Howard's own files as consigned to this auction by her grand-niece. (Please note the negatives, which are not included, appear to have been scratched or dusty when the photographs were printed.)
8" x 10"

Lot 89022: A Marilyn Monroe Playboy Magazine-Related Limited Edition Serigraph Initialed by Hugh Hefner, 1991.
Depicting the now-famous first cover of the magazine from December 1953, numbered in pencil in the lower left corner "771/950" and initialed in pencil in the lower right corner "HMH" [Hugh Marston Hefner]; issued by Special Editions Limited in August 1991; included with a Certificate of Documentation; a beautiful quality print in excellent condition displaying the oversized image of one of the most famous magazine covers of the 20th century!
36" x 26"

Lot 89023: A Marilyn Monroe Black and White Photograph Signed by Milton H. Greene, 1956, 1979.
A later print with a glossy finish, depicting the star from her famous 'Black Sitting,' photographer's stamp on the verso as well as his black felt-tip ink signature reading "Milton H. Greene / 4-12-79." (Please note there is a 2" diagonal tear at the center top and a 1 1/4" diagonal tear near the center right edge.)
16" x 19 3/4"

Lot 89725: A Marilyn Monroe and Clark Gable Black and White Photograph by Jean Howard, 1954, 1989.
A later reprint with a glossy finish, depicting a now well-known image of the star dancing with her childhood hero at a post-production party for "The Seven Year Itch" in 1954, verso has typed caption taped to the lower margin noting this detail as well as "copyright / 1989 Jean Howard" -- Howard being the 1930s-era actress turned photographer who was married to the Hollywood power player Charles K. Feldman who was MM's agent for a number of years as well as the producer of "TSYI;" directly from Howard's own files as consigned to this auction by her grand-niece. (Please note there are slight creases seen in raking light only and there is a 1" tear on the lower left margin.)
10" x 8"

Lot 89726: A Marilyn Monroe and Jean Negulesco Black and White Photograph by Jean Howard, 1953.
An original print with a matte finish, on double-weight paper, depicting the star and her director at the premiere party for "How To Marry a Millionaire" in November 1953, verso with typed press snipe glued to lower right corner reading "L to R: Marilyn Monroe, Director Jean Negulesco;" shot by Jean Howard -- the 1930s-era actress turned photographer who was married to the Hollywood power player Charles K. Feldman who was MM's agent for a number of years; directly from Howard's own files as consigned to this auction by her grand-niece. (Please note there are slight creases along the lower margin.)
10" x 8"

Lot 89727: A Group of Rare Black and White Photographs by Jean Howard from the Set of "How To Marry A Millionaire," 1953.
Fourteen total, all original prints with a glossy finish, mainly depicting stars Lauren Bacall and Betty Grable (none of Marilyn Monroe) on the set of the 1953 20th Century Fox film; all shot by Jean Howard -- the 1930s-era actress turned photographer who was married to the Hollywood power player Charles K. Feldman who was MM's agent for a number of years; Howard had access to the set of this now-classic film for a few days where she shot a number of still photographs in-between and during filming; directly from Howard's own files as consigned to this auction by her grand-niece. (Please note a few of the images have slight creasing and some of the negatives, which are not included, appear to have been scratched or dusty when the photographs were printed.)
8" x 10"

Lot 89728: A Marilyn Monroe-Related Citation from "The Seven Year Itch," 1955.
An "Exhibitor / Laurel Awards / Official 1955 Nomination" [for 'Best Picture'] certificate for MM's most famous film, presented to producer Charles K. Feldman who was also MM's agent; consigned directly by Feldman's ex-wife's [actress turned photographer Jean Howard] grand-niece. (Please note the paper is brittle and wrinkled due to age and the gold seal is missing.)
14" x 10"

Lot 89730: A Marilyn Monroe Group of Black and White Publicity Stills from "Let's Make Love."
20th Century Fox, 1960. Eighteen total, all original prints with a glossy finish, each depicting MM and co-stars in various scenes from this musical that she made with Yves Montand where they infamously lived out the film's title, each image has printed text on the lower margin noting the film's title and studio, etc.
10" x 8"

Lot 89731: A Marilyn Monroe Pair of Black and White Negatives.
One showing the screen icon from her film "Home Town Story," the other showing her wearing a potato sack 'dress;' both images shot in 1951 though it's not known if these negatives are from that era or are later ones; includes glossy printed image of both photos.
5" x 4"

Lot 89732: A Collection of Female Movie Star Memorabilia, Circa 1960s-1970s.
Ten pieces total from David Gest's massive memorabilia collection, including: a 4" metal plate and five playing cards featuring famed Tom Kelley images of a young, nude Marilyn Monroe; a 3" porcelain plate featuring a painted image of Audrey Hepburn, stamped "Mah Vigo / Santa Clara / Made in Spain" on the verso; s similar 3" porcelain plate featuring a painted image of Kim Novak, with the same stamp on the verso as the Hepburn plate; a 1.5" makeup compact, engraved "Mary Pickford" on the bottom; a vinyl record containing a Kathryn Grant interview for radio for her 1959 film The Big Circus, includes a typed transcription of the interview. Conditions: LP - VG-EX 6/ transcription - Very Good; all other pieces Fine to Excellent. From the David Gest Memorabilia Archive.

Posté par ginieland à 16:29 - enchères Lots - Commentaires [0] - Permalien [#]
Tags : 2017, autographes, awards, cheques, clark gable, contrats, docs papiers, factures, heritage auctions, htmam, jean howard, jean negulesco, korea, let's make love, lettres, milton h greene, MM prod, playboy, the seven year itch

05 février 2018

Marilyn Through The Lens - 03/2017 - Julien's I

Photographies
(diverses)

Lot 1: MARILYN MONROE AT NIAGARA PARTY, BRUNO BERNARD
Winning bid: $1,875

Lot 2: MARILYN MONROE AT NIAGARA PARTY, BRUNO BERNARD
Winning bid: $1,875

Lot 3: MARILYN MONROE AT NIAGARA FALLS, BRUNO BERNARD
Winning bid: $3,750

Lot 4: MARILYN MONROE WITH FLOWERS, ANDRE DE DIENES
Winning bid: $1,250

Lot 5: MARILYN ON SET OF THE MISFITS, BRUCE DAVIDSON
Winning bid: $1,000

Lot 6: MARILYN ON SET OF LET'S MAKE LOVE, NAT DALLINGER
Winning bid: $1,250

Lot 7: MARILYN ON SET OF LET'S MAKE LOVE, NAT DALLINGER
unsold

Lot 8: MARILYN IN GENTLEMEN PREFER BLONDES, JOHN FLOREA
Winning bid: $ 562.50

Lot 9: MARILYN READING BOOK, EVE ARNOLD
Winning bid: $ 625

Lot 10: MARILYN MONROE & JACK LEMON IN SOME LIKE IT HOT
Winning bid: $ 1,500

Lot 11: MARILYN MONROE AND ARTHUR MILLER, JOHN BRYSON
Unsold

Lot 12: MARILYN MONROE HOLDING CAMERA, JOSEPH JASGUR
Winning bid: $ 375

Lot 13: MARILYN MONROE AT ZUMA BEACH, JOSEPH JASGUR
Winning bid: $ 375.75

Lot 14: MARILYN MONROE AT ZUMA BEACH, JOSEPH JASGUR
Winning bid: $ 625

Lot 15: MARILYN MONROE AT ZUMA BEACH, JOSEPH JASGUR
Winning bid: $ 531.25

Lot 16: MARILYN MONROE AT ZUMA BEACH (2), JOSEPH JASGUR
Winning bid: $ 750

Lot 17: MARILYN ON HOLLYWOOD ROOF (3), JOSEPH JASGUR
Winning bid: $ 812.50

Lot 58: MARILYN MONROE PUBLICITY PHOTOGRAPH
Winning bid: $ 1,250

Lot 59: MARILYN MONROE PUBLICITY PHOTOGRAPH, NICK DE MORGOLI
Winning bid: $ 437.50

Lot 60: MARILYN MONROE PUBLICITY PHOTOGRAPH, ED CLARK
Winning bid: $ 1,187.50

Lot 61: MARILYN MONROE PUBLICITY PHOTOGRAPH, ERNEST BACHRACH
Winning bid: $ 812.50

Lot 62: MARILYN MONROE PUBLICITY PHOTOGRAPH, BERT REISFELD
Winning bid: $ 812.50

Lot 63: MARILYN MONROE PUBLICITY PHOTOGRAPH, EARL THEISEN
Winning bid: $ 625

Lot 64: MARILYN SUPPORTING 'STOP ARTHRITIS', MILTON GREENE
Winning bid: $ 812.50

Lot 65: MARILYN PHOTOS ON RIVERBANK, MILTON GREENE
unsold

Lot 66: MARILYN SUPPORTING 'STOP ARTHRITIS', MILTON GREENE
Winning bid: $ 2,000

Lot 67: MARILYN MONROE (BLACK RAINCOAT), MILTON GREENE
Winning bid: $ 750

Lot 68: MARILYN WITH A TIGER, RICHARD AVEDON
Winning bid: $ 937,50

Lot 69: MARILYN ON ARMY TANK IN KOREA, ROBERT H. MCKINLEY
unsold

Lot 70: MARILYN MONROE PUBLICITY PHOTOGRAPH
Winning bid: $ 437,50

Lot 71: MARILYN MONROE KOREA IMAGES WITH COPYRIGHT
Winning bid: $ 1,000

Posté par ginieland à 17:59 - enchères Personal MM - Commentaires [4] - Permalien [#]
Tags : andre de dienes, bert reisfeld, bruce davidson, bruno bernard, ed clark, ernest bachrach, eve arnold, joe jasgur, john florea, juliens auction, korea, let's make love, milton h greene, nat dallinger, nick de morgoli, richard avedon, some like it hot, the misfits

07 mai 2016

Entertainment & Music Memorabilia Signature Auction 02/2016 -2

Photographies

Lot 89009 - A Marilyn Monroe Signed Black and White Photograph, 1955.
An original print with a glossy finish, an enlarged snapshot depicting the star wearing a white evening gown and a white fur coat, signed in blue ballpoint ink in the lower right corner "To Jim / Love & Kisses / Marilyn Monroe;" from the personal collection of James Collins, one of the 'Monroe Six' -- the group of young kids who followed Marilyn around NYC so often that the star ended up knowing them all by name and allowing them special access to her (like letting them take countless pictures and giving them numerous autographs); included is a black and white photograph of Collins: an original print with a matte finish, depicting Collins as a teenager in 1955 standing at a typewriter that was set up outside of a shop on an NYC street, verso is stamped in part "Life Magazine / ...Photo by Michael Rouger / ... Apr 13 1955;" Collins remembers that this photograph of him actually ran in the magazine with a caption noting what he had just typed which was "Marilyn Monroe is a beautiful girl." (Please note the photograph of MM is heavily wrinkled on the lower margin and has a 1 1/2" tear in same area which somewhat affects her signature; the photograph of Collins is heavily wrinkled with two lower corners missing.)
10" x 8"
More Information:
"Marilyn Monroe is a beautiful girl!" were the words I was typing when as a 17 year-old, this picture of me was shot by a photographer from LifeMagazine in 1955. The photo, which actually appeared in the magazine a couple of months later, launched my own collection of Marilyn Monroe photos taken overseveral years by me and fivefellow teenage fans who became known as "The Monroe 6." During Marilyn's time in New York, I and the others photographed herin various locations around the city. We would then run to the drugstore to get our snapshots developed in multiples so that all of us could have all the shots we had taken of her (thus the reason for the different shapes and sizes of the photos my collection). In the era before Google and GPS and TMZ and smartphones, we were alerted to Marilyn's appearancesand whereabouts by sources ranging fromVariety Magazinetoher Upper East Side hairdresser. Marilyn got to know the six of us well as we journeyed around the city with her and I remember her always being gracious and friendly. We wanted nothing from her except the opportunity to take her picture or to get her autograph - and often times she would sign on the very photographs we had just taken of her the day before. After Marilyn died, I put these photographs in a closet for many decades, though over the last few years, I have posted a few of them on the Internet for fans to see. I am now ready to let others have my original 1950s-era snapshots of the movie star I had the luck and pleasure to see many times up close and in the flesh - Miss Marilyn Monroe! And she did not disappoint - she was absolutely beautiful as all these photos clearly indicate. When you saw her in person, shewas THE movie star, no doubt about it!
James Collins
New York City, 2016

Lot 89010 - A Marilyn Monroe Signed Black and White Photograph, Circa 1955.
An original print with a matte finish, an enlarged snapshot showing the smiling star, signed in blue fountain pen ink on the right side "Love & Kisses / Marilyn Monroe;" from the personal collection of James Collins, one of the 'Monroe Six' -- the group of young kids who followed Marilyn around NYC so often that the star ended up knowing them all by name and allowing them special access to her (like letting them take countless pictures and giving them numerous autographs); also included with an identical photograph but not signed. (Please note the ink is slightly faded but still legible and there are a number of creases throughout which somewhat detract from the image.)
7" x 5"

Lot 89011 - A Marilyn Monroe Signed Black and White Photograph, 1955.
An original print with a matte finish, depicting an enlarged snapshot of the star standing next to her business partner, Milton Greene, as the two attend the New York City premiere of the James Dean film, "East of Eden," on March 9, 1955, signed in brown fountain pen ink on the lower left side "Love & / Kisses / Marilyn Monroe;" from the personal collection of James Collins, one of the 'Monroe Six' -- the group of young kids who followed Marilyn around NYC so often that the star ended up knowing them all by name and allowing them special access to her (like letting them take countless pictures and giving them numerous autographs). (Please note the ink is slightly faded but still legible and there are a number of creases throughout but they don't detract from the overall image.)
9 3/4" x 7 3/4"

Lot 89012 - A Marilyn Monroe Signed Color Snapshot, 1955.
An original print with a glossy finish, depicting the star outside the Gladstone Hotel in NYC (where she briefly lived) wearing a black gown, black gloves, and a white fur coat, signed in blue fountain pen ink in the lower center "Marilyn Monroe," verso has stamp reading in part "This is a / Kodacolor Print / ...Week Ending Mar. 12, 1955;" from the personal collection of James Collins, one of the 'Monroe Six' -- the group of young kids who followed Marilyn around NYC so often that the star ended up knowing them all by name and allowing them special access to her (like letting them take countless pictures and giving them numerous autographs). (Please note the ink is noticeably smudged from the time when it was signed.)
3 1/2" x 3 1/2"

Lot 89013 - A Marilyn Monroe Signed Color Snapshot, 1955.
An original print with a glossy finish, depicting the star outside the Gladstone Hotel in NYC (where she briefly lived) wearing a black gown, black gloves, and a white fur coat, signed in blue fountain pen ink in the lower center "Marilyn Monroe," verso has stamp reading in part "This is a / Kodacolor Print / ...Week Ending Mar. 12, 1955;" from the personal collection of James Collins, one of the 'Monroe Six' -- the group of young kids who followed Marilyn around NYC so often that the star ended up knowing them all by name and allowing them special access to her (like letting them take countless pictures and giving them numerous autographs). (Please note the ink is somewhat smudged from the time when it was signed.)
3 1/2" x 3 1/2"

Lot 89014 -
An original print with a glossy finish, depicting the star outside the Gladstone Hotel in NYC (where she briefly lived) wearing a black gown, black gloves, and a white fur coat, signed in blue fountain pen ink in the lower center right "Marilyn Monroe," verso has stamp reading in part "This is a / Kodacolor Print / ...Week Ending Mar. 12, 1955;" from the personal collection of James Collins, one of the 'Monroe Six' -- the group of young kids who followed Marilyn around NYC so often that the star ended up knowing them all by name and allowing them special access to her (like letting them take countless pictures and giving them numerous autographs). (Please note the ink is somewhat smudged from the time when it was signed.)
3 1/2" x 3 1/2"

Lot 89015 - A Marilyn Monroe Signed Color Snapshot, 1955.
An original print with a glossy finish, depicting the star inside the Gladstone Hotel in NYC (where she briefly lived) wearing a black gown, black gloves, and a white fur coat (with two men seen in the background), signed almost illegibly in blue fountain pen ink in the upper right "Marilyn Monroe," verso has stamp reading in part "This is a / Kodacolor Print / ...Week Ending Mar. 12, 1955;" from the personal collection of James Collins, one of the 'Monroe Six' -- the group of young kids who followed Marilyn around NYC so often that the star ended up knowing them all by name and allowing them special access to her (like letting them take countless pictures and giving them numerous autographs). (Please note much of signature is invisible as the pen MM was using evidently ran out of ink.)
3 1/2" x 3 1/2"

Lot 89016 - A Marilyn Monroe Group of Rare Black and White Snapshots, 1955.
Twenty-one total, all original prints with a glossy finish, depicting the star wearing a gold lamé gown, a black fur coat, and black gloves as she arrives with Milton Greene at the Waldorf Astoria Hotel in NYC to attend a Friar's Club dinner on March 11, 1955 (which honored Jerry Lewis and Dean Martin), MM is seen either alone or among others (including Milton Berle), some snapshots are clear, others are out of focus, in three different sizes; though these images have been seen, these are the original snapshots developed and printed in 1955; from the personal collection of James Collins, one of the 'Monroe Six' -- the group of young kids who followed Marilyn around NYC so often that the star ended up knowing them all by name and allowing them special access to her (like letting them take countless pictures and giving them numerous autographs). (Please note there is black paper remnants on the back from when they were in a scrapbook.)
5" x 3 1/2"; 3" x 3"; 3 1/2" x 2 1/2"

Lot 89017 - A Marilyn Monroe Group of Rare Black and White Snapshots, Circa 1955-1956.
Twenty-seven total, all original prints with a glossy finish, three different sizes, each a candid shot depicting the star as she was out and about in NYC, sometimes in casual wear, other times in cocktail attire, many showing her surrounded by others (including business partner Milton Greene, photographer Sam Shaw, and super-fans Jimmy Collins and James Haspiel, to name a few); from the personal collection of James Collins, one of the 'Monroe Six' -- the group of young kids who followed Marilyn around NYC so often that the star ended up knowing them all by name and allowing them special access to her (like letting them take countless pictures and giving them numerous autographs). (Please note there is black paper remnants on the back from when they were in a scrapbook and some have slight wrinkles but overall, all are still in very good condition.)
3 1/2" x 5"; 3 1/2" x 3 1/2"; 2 1/2" x 3 1/2"

Lot 89018 - A Marilyn Monroe Group of Rare Black and White Snapshots, 1955-1956.
Twenty-two total, all original prints with a glossy finish, four different sizes, all showing the star in evening wear on about five different occasions (judging from her different dresses), many depict others with MM such as Joe DiMaggio, business partners Milton and Amy Greene, and fans; from the personal collection of James Collins, one of the 'Monroe Six' -- the group of young kids who followed Marilyn around NYC so often that the star ended up knowing them all by name and allowing them special access to her (like letting them take countless pictures and giving them numerous autographs). (Please note there is black paper remnants on the back from when they were in a scrapbook and some are slightly wrinkled but overall, all are in very good condition.)
5" x 3 1/2"; 3 1/2" x 4 1/2"; 3 1/2" x 3 1/2"; 2 1/2" x 3 1/2"

Lot 89019 - A Marilyn Monroe Group of Rare Black and White Snapshots, 1955-1957.
Twenty-two total, all original prints with a glossy finish (except one), four different sizes, all depicting the star at various public events she attended including seven showing her with then-husband, Arthur Miller; from the personal collection of James Collins, one of the 'Monroe Six' -- the group of young kids who followed Marilyn around NYC so often that the star ended up knowing them all by name and allowing them special access to her (like letting them take countless pictures and giving them numerous autographs). (Please note there is black paper remnants on the back from when they were in a scrapbook and some have evident wrinkling due to age.)
10" x 8" (one only); 5" x 3 1/2"; 3 1/2" x 3 1/2"; 3 1/2" x 2 1/4"

Lot 89020 - A Marilyn Monroe Group of Rare Black and White Snapshots, 1955.
Twelve total, all original prints with a glossy finish, three different sizes (with four slightly trimmed from their original size), all depicting the star next to others (including her business partners, Milton and Amy Greene) as she wears a brocade evening gown and matching cape at the March 9, 1955 NYC premiere of the James Dean film, "East of Eden" ; from the personal collection of James Collins, one of the 'Monroe Six' -- the group of young kids who followed Marilyn around NYC so often that the star ended up knowing them all by name and allowing them special access to her (like letting them take countless pictures and giving them numerous autographs). (Please note there is black paper remnants on the back from when they were in a scrapbook.)
5" x 3 1/2"; 3" x 3"; 3 1/2" x 2 1/2"

Lot 89021 - A Marilyn Monroe Group of Rare Black and White Snapshots, 1955.
Ten total, all original prints with a glossy finish, all sequentially shot as Marilyn goes from a NYC street into a parking garage and then takes off in a car while wearing white pedal pushers, a polka-dotted shirt, white flats, and a white summer coat, five are stamped on the right side margin "Jun 55," super-fan James Haspiel appears in one (as do a few others); all originally housed in a mint green "Photo Book" from "Berkey / Photo Service;" from the personal collection of James Collins, one of the 'Monroe Six' -- the group of young kids who followed Marilyn around NYC so often that the star ended up knowing them all by name and allowing them special access to her (like letting them take countless pictures and giving them numerous autographs). (Please note one photo is severely creased across MM's face.)
3 1/2" x 3 1/2"

Lot 89022 - A Marilyn Monroe Group of Rare Black and White Snapshots, 1955.
Seven total, all original prints with a glossy finish, each depicting the star wearing a lamé dress and a white fur coat as she sits in the lobby of The Hotel 14 in NYC while others surround her (including Milton Berle); from the personal collection of James Collins, one of the 'Monroe Six' -- the group of young kids who followed Marilyn around NYC so often that the star ended up knowing them all by name and allowing them special access to her (like letting them take countless pictures and giving them numerous autographs); Collins recalls that on this night he waited for MM and her group (which included her date, Milton Berle) to come out of the Copacabana night club which was located upstairs in the same building as The Hotel 14 at 14 East 60th Street in Manhattan -- his patience paid off when he was able to snap these great candid photos of the star as well as pose next to her in one (top row, center). (Please note there is black paper remnants on the back from when they were in a scrapbook.)
4 1/2" x 3 1/4"

Lot 89023 - A Marilyn Monroe Group of Rare Black and White Snapshots, 1955.
Eight total, two different sizes, all original prints with a glossy finish, depicting the star sitting in the lobby of the Gladstone Hotel (where she briefly lived) as she wears a black dress, black jacket, and black fishnet gloves, verso of all faintly stamped "Kodak / Velox / Paper;" from the personal collection of James Collins, one of the 'Monroe Six' -- the group of young kids who followed Marilyn around NYC so often that the star ended up knowing them all by name and allowing them special access to her (like letting them take countless pictures and giving them numerous autographs). (Please note there is black paper remnants on the back from when they were in a scrapbook.)
3 1/2" x 3 1/2" and 3 1/2" x 2 1/2"

Lot 89024 - A Marilyn Monroe Group of Rare Black and White Snapshots, 1955.
Eight total, all original prints with a glossy finish, three different sizes (two being trimmed from their original size), all depicting the star wearing a white cocktail dress and white fur as she and her date, Joe DiMaggio, attend the June 1, 1955 premiere of "The Seven Year Itch" (which was also MM's 29th birthday); most images are out of focus but still of interest as this is a now-historic event in film history; from the personal collection of James Collins, one of the 'Monroe Six' -- the group of young kids who followed Marilyn around NYC so often that the star ended up knowing them all by name and allowing them special access to her (like letting them take countless pictures and giving them numerous autographs). (Please note there is black paper remnants on the back from when they were in a scrapbook and the largest one has a 1" tear on the center right side.)
6 1/2" x 5"; 3 1/2" x 5"; 3 1/2" x 2 1/2"

Lot 89025 - A Marilyn Monroe Group of Rare Color Snapshots, Mid-1950s.
Thirty-eight total, all original prints with a glossy finish, seven different sizes, depicting the star at various times over a number of years, most are candid shots though many appear to have been taken by professional photographers due to their clarity, four have stamps on the verso reading in part "This is a / Kodacolor Print / ...Week Ending July 2, 1955;" from the personal collection of James Collins, one of the 'Monroe Six' -- the group of young kids who followed Marilyn around NYC so often that the star ended up knowing them all by name and allowing them special access to her (like letting them take countless pictures and giving them numerous autographs). (Please note there is black paper remnants on the back from when they were in a scrapbook and some are slightly wrinkled due to age.)
5" x 3 1/2" biggest; 2 3/4" x 1 3/4" smallest

Lot 89026 - A Marilyn Monroe Rare Black and White Snapshot, 1955.
An original print with a glossy finish, depicting the star wearing her famous 'white dress' with a fur coat thrown over her shoulders and a script in her hand as she leaves the St. Regis hotel in New York City, getting ready to promote a film (likely "The Seven Year Itch"); though this image has been seen, this is the original snapshot developed and printed in 1955; from the personal collection of James Collins, one of the 'Monroe Six' -- the group of young kids who followed Marilyn around NYC so often that the star ended up knowing them all by name and allowing them special access to her (like letting them take countless pictures and giving them numerous autographs). (Please note there is black paper remnants on the back from when this was in a scrapbook and there are slight creases on the surface seen in raking light only.)
3 1/2" x 3 1/2"

Film Footage

Lot 89027 - A Marilyn Monroe Never-Before-Seen Piece of Color Film Footage from Korea, 1954.
Shot on 8mm, approximately 1 minute and 21 seconds long, footage shows MM walking outside with a soldier escort (as she wears pants and a bomber jacket) while dozens of other soldiers surround her (to take her photograph), then it shows her getting into a car, then it (briefly) shows her performing on stage (as she wears the purple spaghetti-strapped sequined dress); shot by the current owner's father when he was stationed in Korea, he had close access to the star during the walking sequences, but was farther away when she was on stage; the original 1954 film was on three separate reels as the soldier shot tons of footage that didn't include MM (it's of the Korean people, the landscape, and fellow American soldiers) but it has now been spliced together and put on one modern-day plastic reel; the three 1954-era metal reels are still included as is a DVD transfer so the footage can be viewed.
Plastic Reel: 7"; Metal Reels: 5"

Posté par ginieland à 12:17 - enchères Personal MM - Commentaires [0] - Permalien [#]
Tags : amy greene, arthur miller, james collins, james haspiel, joe dimaggio, korea, milton h greene, MM et les fans, monroe six, the seven year itch

29 décembre 2015

Icons & Idols Feat Joan Collins 12/2015 - Photos

Andre De Dienes

Lot 478 MARILYN MONROE VINTAGE PHOTOGRAPH BY ANDRE de DIENES
A black and white silver gelatin print of Marilyn Monroe taken by Andre de Dienes in 1945. Hand printed by de Dienes on double-weight paper and stamped by the photographer twice on verso.
20 by 16 inches
Winning bid:$512 - Estimate: $400 - $600

Lot 479 MARILYN MONROE VINTAGE PHOTOGRAPH BY ANDRE de DIENES
A black and white silver gelatin print of Marilyn Monroe taken by Andre de Dienes in 1946. Hand printed by de Dienes on double-weight paper and stamped by the photographer on verso.
20 by 16 inches
Winning bid:$896 - Estimate: $400 - $600

Lot 480 MARILYN MONROE VINTAGE PHOTOGRAPH BY ANDRE de DIENES
A black and white silver gelatin print of Marilyn Monroe taken by Andre de Dienes in 1949. Hand printed by de Dienes on double-weight paper and stamped by the photographer twice on verso.
17 by 16 inches
Winning bid:$750 - Estimate: $400 - $600

Lot 481 MARILYN MONROE VINTAGE PHOTOGRAPH BY ANDRE de DIENES
A black and white silver gelatin print of Marilyn Monroe taken by Andre de Dienes in 1949. Hand printed by de Dienes on double-weight paper and stamped by the photographer twice on verso.
20 by 16 inches
Winning bid:$384 - Estimate: $400 - $600

Lot 482 MARILYN MONROE VINTAGE PHOTOGRAPH BY ANDRE de DIENES
A black and white silver gelatin print of Marilyn Monroe taken by Andre de Dienes in 1949. Hand printed by de Dienes on double-weight paper and stamped by the photographer on verso. Additionally handwritten on verso is "17/67 given to [illegible] Shirley de Dienes 11-18-86."
20 by 16 inches
Winning bid:$384 - Estimate: $400 - $600

Lot 483 MARILYN MONROE VINTAGE PHOTOGRAPH BY ANDRE de DIENES
A black and white silver gelatin print of Marilyn Monroe taken by Andre de Dienes in 1949. Hand printed by de Dienes on double-weight paper and stamped by the photographer twice on verso. Additionally inscribed on verso "25/67 given to Chad Lewis Shirley de Dienes 11-18-86."
20 by 16 inches
Winning bid:$384 - Estimate: $400 - $600

Lot 484 MARILYN MONROE VINTAGE PHOTOGRAPH BY ANDRE de DIENES
A black and white silver gelatin print of Marilyn Monroe taken by Andre de Dienes in 1949. Hand printed by de Dienes on double-weight paper and stamped by the photographer twice on verso.
20 by 16 inches
Winning bid:$576 - Estimate: $400 - $600

Lot 485 MARILYN MONROE VINTAGE PHOTOGRAPH BY ANDRE de DIENES
A black and white silver gelatin print of Marilyn Monroe taken by Andre de Dienes in 1953. Hand printed by de Dienes on double-weight paper and stamped by the photographer twice on verso.
20 by 16 inches
Winning bid:$1,024 - Estimate: $400 - $600

Lot 486 MARILYN MONROE VINTAGE PHOTOGRAPH BY ANDRE de DIENES
A black and white silver gelatin print of Marilyn Monroe taken by Andre de Dienes in 1953. Hand printed by de Dienes on double-weight paper and stamped by the photographer twice on verso.
20 by 16 inches
Winning bid:$1,024 - Estimate: $400 - $600

Lot 487 MARILYN MONROE VINTAGE PHOTOGRAPH BY ANDRE de DIENES
A black and white silver gelatin print of Marilyn Monroe taken by Andre de Dienes in 1953. Hand printed by de Dienes on double-weight paper and stamped by the photographer twice on verso.
20 by 16 inches
Winning bid:$640 - Estimate: $400 - $600

Bruno Bernard

Lot 502 MARILYN MONROE BERNARD OF HOLLYWOOD PHOTOGRAPH
A limited edition color photograph of Marilyn Monroe titled “Valentine Heart” taken by Bruno Bernard circa 1946. Numbered 16/90 and signed by The Estate of Bruno Bernard in the lower margin.
20 by 16 inches
PROVENANCE From the Estate of Bruno Bernard
unsold - Estimate: $3,000 - $4,000

Lot 503 MARILYN MONROE BERNARD OF HOLLYWOOD PHOTOGRAPH
A limited edition color photograph of Marilyn Monroe titled “Sailor Girl” taken by Bruno Bernard circa 1946. Numbered 16/90 and signed by The Estate of Bruno Bernard in the lower margin.
20 by 16 inches
PROVENANCE From the Estate of Bruno Bernard
unsold - Estimate: $3,000 - $4,000

Lot 504 MARILYN MONROE BERNARD OF HOLLYWOOD PHOTOGRAPH
A limited edition color photograph of Marilyn Monroe titled “My Girl Friday” taken by Bruno Bernard circa 1946. Numbered 16/90 and signed by The Estate of Bruno Bernard in the lower margin.
20 by 16 inches
PROVENANCE From the Estate of Bruno Bernard
unsold - Estimate: $3,000 - $4,000

Lot 505 MARILYN MONROE BRUNO BERNARD SIGNED ORIGINAL VINTAGE PHOTOGRAPH
An original vintage black and white pin-up photograph of Marilyn Monroe taken by Bruno Bernard circa 1946. Signed on verso “Bernard of Hollywood.”
10 by 8 inches
PROVENANCE From the Estate of Bruno Bernard
unsold - Estimate: $6,000 - $8,000

Lot 510 MARILYN MONROE BERNARD OF HOLLYWOOD PHOTOGRAPH
A limited edition black and white photograph of Marilyn Monroe titled “Poolside” taken by Bruno Bernard circa 1949. Numbered 16/90 and signed by The Estate of Bruno Bernard in the lower margin.
20 by 16 inches
PROVENANCE From the Estate of Bruno Bernard
Winning bid:$4,062.50 - Estimate: $3,000 - $4,000

Lot 511 MARILYN MONROE BRUNO BERNARD SIGNED ORIGINAL VINTAGE PHOTOGRAPH
An original vintage black and white photograph of Marilyn Monroe signing autographs taken by Bruno Bernard circa 1954. Signed on verso “Bernard of Hollywood.”
11 by 14 inches
PROVENANCE From the Estate of Bruno Bernard
unsold - Estimate: $6,000 - $8,000

Lot 512 MARILYN MONROE BERNARD OF HOLLYWOOD PHOTOGRAPH
A limited edition black and white photograph of Marilyn Monroe wearing a costume dress from her film Gentlemen Prefer Blondes (20th Century, 1953) taken by Bruno Bernard circa 1953. Numbered 16/90 and signed by The Estate of Bruno Bernard in the lower margin.
20 by 16 inches
PROVENANCE From the Estate of Bruno Bernard
unsold - Estimate: $3,000 - $4,000

Lot 513 MARILYN MONROE BRUNO BERNARD SIGNED ORIGINAL VINTAGE PHOTOGRAPH
An original vintage black and white photograph of Marilyn Monroe on the set of The Seven Year Itch (20th Century, 1955) taken by Bruno Bernard circa 1954. Signed on verso "Bernard of Hollywood" and contained in a brown Bernard of Hollywood folder.
14 by 11 inches
PROVENANCE From the Estate of Bruno Bernard
Winning bid:$12,500 - Estimate: $10,000 - $20,000

Lot 514 MARILYN MONROE BERNARD OF HOLLYWOOD PHOTOGRAPH
A limited edition color photograph of Marilyn Monroe wearing the famous white dress from her film The Seven Year Itch (20th Century, 1955) taken by Bruno Bernard circa 1954. Numbered 16/50 and signed by The Estate of Bruno Bernard in the lower margin.
24 by 20 inches
PROVENANCE From the Estate of Bruno Bernard
unsold - Estimate: $3,000 - $5,000

George Barris

Lot 537 MARILYN MONROE GEORGE BARRIS PHOTOGRAPHS
A pair of black and white photographs of Marilyn Monroe taken by George Barris. Each photograph is signed by Barris. One of the photographs is stamped “© 1987 George Barris/ Marilyn Monroe/ Weston Editions LTD./ All Rights Reserved,” and both photographs are stamped “The Private Collection of Kim Goodwin.”
Winning bid:$448 - Estimate: $600 - $800

Lot 538 MARILYN MONROE GEORGE BARRIS PHOTOGRAPH
A black and white photograph of Marilyn Monroe taken by George Barris in the summer of 1962. Signed by the photographer at lower right and stamped “The Kim Goodwin Collection” on verso.
Winning bid:$250 - Estimate: $800 - $1,200

Lot 539 MARILYN MONROE GEORGE BARRIS LAST PHOTOGRAPHS PORTFOLIO
A folder containing eight color prints of George Barris’ photographs of Marilyn Monroe. White folder reads on the cover “Marilyn Monroe/ 25th/ The Last Photos.” Interior left of folder reads “Limited Edition/ Original Photographs by/ George Barris.” Interior right of folder reads “As seen in/ ‘Marilyn’ Norma Jeane/ text by Gloria Steinem.” Accompanied by a card that gives the edition number as 74/99. Each photograph is signed by Barris and stamped on verso “Copyright 1987/ Marilyn Monroe/ Weston Editions LTD.” The photographs are additionally stamped “The Private Collection of Kim Goodwin.”
Photographs, 10 by 8 inches; Folder, 10 1/2 by 9 inches
Winning bid:$2,240 - Estimate: $1,000 - $2,000

Photos Diverses

Lot 19 JOAN COLLINS TWO FRAMED POSTERS
The first, titled "Marilyn Monroe as Jean Harlow," is from a series of photographs photographer Richard Avedon produced with Marilyn Monroe, signed by Avedon. Other photographs from the series show Monroe dressed as actresses Lillian Russell, Marlene Dietrich, Theda Bara, and Clara Bow. The second, an Erte exhibition poster from 1972.
Larger, 32 by 24 1/4 inches
Winning bid:$640 - Estimate: $200 - $300

Lot 488 MARILYN MONROE ARCHIVE OF PHOTOGRAPHS BY JOSEPH JASGUR
An archive of photographs of Marilyn Monroe taken by Joseph Jasgur in 1946. The photographs were taken of a 19-year-old Norma Jeane Dougherty, before she was Marilyn Monroe. Taken in Los Angeles for Blue Book Modeling Agency, these photographs comprise one of Monroe’s first modeling portfolios. It was this portfolio she presented to Ben Lyon, the casting director at 20th Century Fox who signed her to the studio and shortly after changed her name. Jasgur’s images of Norma Jeane Dougherty mark the beginning of her career and offer us a unique glimpse of Marilyn Monroe, before she was Marilyn.
All prints in this lot are from these early photoshoots and are directly from the estate of Joseph Jasgur. Included in the archive are approximately 400 color and black and white later prints, size 11 by 14 inches; approximately 120 black and white gelatin silver prints, size 8 by 10 inches; approximately 10 black and white gelatin silver prints, size 11 by 14 inches; some oversize prints, contact prints, and a wooden camera tripod used by Jasgur. Some prints are signed or stamped by the photographer, others are not. Print dates vary. Condition varies.
Sizes vary
PROVENANCE From the Estate of Joseph Jasgur
Winning bid:$8,320 - Estimate: $600 - $800

Lot 489 MARILYN MONROE JOSEPH JASGUR NEGATIVE AND COPYRIGHT
One Joseph Jasgur black and white negative of Marilyn Monroe taken in 1946. Copyrights to this image will be transferred to the winning bidder.
5 by 4 inches
Winning bid:$1,280 - Estimate: $1,000 - $1,500

Lot 490 MARILYN MONROE JOSEPH JASGUR NEGATIVES AND COPYRIGHT
Two Joseph Jasgur black and white negatives of Marilyn Monroe taken in 1946. Copyrights to this image will be transferred to the winning bidder. Accompanied by a photograph of the image, printed 2000-2001.
Negatives, 5 by 4 inches; Photograph, 14 by 11 inches
Winning bid:$384 - Estimate: $1,000 - $2,000

Lot 491 MARILYN MONROE FAMILY PHOTOGRAPH
An original vintage black and white photograph of Marilyn Monroe circa 1946, with her half sister Berniece Baker Miracle, her mother Gladys, and her niece Mona Rae. Originally from the collection of Eleanor Goddard.
3 1/2 by 2 1/2 inches
PROVENANCE Lot 84, "Julien's Autumn Sale," Julien's, Las Vegas, October 29, 2005
Winning bid:$875 - Estimate: $400 - $600

Lot 492 MARILYN MONROE INSCRIBED JIM DOUGHERTY PHOTOGRAPH
A pair of original vintage photographs of Marilyn Monroe's first husband, Jim Dougherty. The first is a passport style portrait, and the second shows Dougherty sleeping on the beach and is inscribed on the back in Monroe's hand "(zzz.....zzz) Jimmie sound asleep." Originally from the collection of Eleanor Goddard.
Larger, 3 3/4 by 4 3/4 inches
PROVENANCE Lot 80, "Julien's Autumn Sale," Julien's, Las Vegas, October 29, 2005
Winning bid:$750 - Estimate: $400 - $600

Lot 496 MARILYN MONROE TOM KELLEY SIGNED PHOTOGRAPH
A large-format nude photograph of Marilyn Monroe printed from an image taken by Tom Kelley in 1949 during his famous photoshoot with Monroe. Numbered 146 of 300 to the lower left and signed by Tom Kelley to the lower right. Includes certificate of authenticity from Mirage Editions.
44 by 36 inches, framed
PROVENANCE From the Collection of James Heeren
Winning bid:$1,562.50 - Estimate: $1,000 - $2,000

Lot 497 MARILYN MONROE HUGH HEFNER SIGNED EARL MORAN PHOTOGRAPH
A black and white photograph of Marilyn Monroe posing topless, originally taken by pin-up artist Earl Moran. Numbered 1 of 75 and signed by Playboy founder Hugh Hefner to the lower left. Embossed with the Playboy Legacy Collection logo to the lower right.
Winning bid:$6,400 - Estimate: $1,000 - $2,000

Lot 498 MARILYN MONROE EARL MORAN PHOTOGRAPH
A black and white photograph of Marilyn Monroe posing topless, originally taken by pin-up artist Earl Moran. Numbered 5 of 75 to the lower left and embossed with the Playboy Legacy Collection logo to the lower right. Housed in a cloth-bound clamshell box with gilt titling and includes a Playboy certificate of authenticity.
24 by 20 inches
Winning bid:$2,187.50 - Estimate: $1,000 - $2,000

Lot 499 MARILYN MONROE HUGH HEFNER SIGNED PHOTOGRAPH
A large-format nude photograph of Marilyn Monroe printed from an image taken by Tom Kelley in 1949. This is the iconic Marilyn pose used in the first issue of Playboy magazine. Numbered 171 of 300 to the lower left and signed by Playboy founder Hugh Hefner to the lower right. Includes certificate of authenticity from Light Signatures.
42 by 34 inches, framed
Winning bid:$2,187.50 - Estimate: $1,000 - $2,000

Lot 500 MARILYN MONROE FRANK WORTH PHOTOGRAPH
A large-format gelatin silver photograph of Marilyn Monroe posing in her dress from the film How to Marry a Millionaire (20th Century Fox, 1953) printed from a negative created by Frank Worth. Numbered 9 of 95 to the lower left and embossed by the Frank Worth Estate. Includes cloth-bound clamshell box with gilt-stamped titling and a certificate of authenticity from the Frank Worth Estate.
25 3/4 by 21 3/4 by 1 3/4 inches
PROVENANCE From the Collection of James Heeren
Winning bid:$768 - Estimate: $800 - $1,200

Lot 517 MARILYN MONROE EARL LEAF CONTACT SHEET
A contact sheet containing eight vintage black and white images of Marilyn Monroe taken by Earl Leaf. They were taken at the home of talent agent Johnny Hyde, where Monroe occasionally lived, on May 17, 1950. The images are attached to a sheet of cardstock with numerous notations, including the date the photographs were taken and Monroe’s name; stamped at the bottom left with the photographer's stamp.
EXHIBITED Etherton Gallery, Tucson, Arizona, "Marilyn Monroe Collection," Number 46
10 by 8 inches
Winning bid:$2,187.50 - Estimate: $800 - $1,200

Lot 519 MARILYN MONROE ORIGINAL 1954 SLIDES
A group of 12 original vintage color slides showing Marilyn Monroe entertaining members of the United States military in Korea in 1954. Accompanied by a printed mage of each slide and two additional slides showing other performers that do not include Monroe.
This item sold with copyright but is not sold with copyright documentation. It is the responsibility of the winning bidder to apply for copyright. While the seller confirms that this property is sold with copyright, Julien’s can accept no liability in relation to any matters arising as a result of any imperfection in copyright given .
2 by 2 inches, each
PROVENANCE Lot 135, "Entertainment Memorabilia," Christie's, New York, Sale number 8525, July 19, 2001
Winning bid:$2,240 - Estimate: $4,000 - $6,000

Lot 520 MARILYN MONROE 1954 NEGATIVES
A pair of black and white negatives of Marilyn Monroe taken in 1954 while the actress was entertaining troops in Korea on a break from her honeymoon with Joe DiMaggio.
This item is sold with copyright but is not sold with copyright documentation. It is the responsibility of the winning bidder to apply for copyright. While the seller confirms that this property is sold with copyright, Julien’s can accept no liability in relation to any matters arising as a result of any imperfection in copyright given.
Strip of negatives, 4 1/2 by 1 3/8 inches
Winning bid:$768 - Estimate: $1,000 - $2,000

Lot 523 MARILYN MONROE EVE ARNOLD PHOTOGRAPH
A color photograph of Marilyn Monroe taken by Eve Arnold. The image shows Monroe in a one-piece leopard print swimsuit lying in a marsh, taken circa 1955. The photograph is affixed to a board. Some handwritten markings on verso and stamped “The Kim Goodwin Collection.”
15 1/2 by 19 1/2 inches
Winning bid:$768 - Estimate: $1,000 - $2,000

Lot 524 MARILYN MONROE AND MARLON BRANDO DIGITAL PRINTS
A group of eight digital prints of Marilyn Monroe and Marlon Brando taken by Milton Greene in November 1955. The photographs were used to publicize a performance of The Rose Tattoo to benefit The Actors Studio. A paper label is affixed to the back of each image from the Milton H. Greene Collection.
Each, 19 by 13 inches
Winning bid:$1,920 - Estimate: $600 - $800

Lot 526 MARILYN MONROE CECIL BEATON PHOTOGRAPH
A black and white photograph of Marilyn Monroe taken by Cecil Beaton in 1956. The photograph, from Monroe's personal archive, is mounted to board and contained in a brown folder.
Photograph, 9 by 9 1/4 inches; 16 by 14 1/2 inches, overall
PROVENANCE From the Lost Archive of Marilyn Monroe
Winning bid:$2,187.50 - Estimate: $1,000 - $2,000

Lot 527 MARILYN MONROE VINTAGE PHOTOGRAPH
A Marilyn Monroe vintage portrait publicity photograph from her personal collection.
10 by 8 inches
PROVENANCE From the Lost Archive of Marilyn Monroe
Winning bid:$576 - Estimate: $600 - $800

Lot 528 MARILYN MONROE AND ARTHUR MILLER VINTAGE PHOTOGRAPH
A Marilyn Monroe and Arthur Miller black and white vintage original photograph. Taken by Paul Schumach at the premiere of Some Like It Hot (USA, 1959). Photographer stamp on verso.
10 by 8 inches
PROVENANCE From the Lost Archive of Marilyn Monroe
Winning bid:$896 - Estimate: $600 - $800

Lot 530 MARILYN MONROE CANDID PHOTOGRAPHS
A group of nine vintage candid snapshots of Marilyn Monroe. Eight images are in color and one is black and white. Three of the images show Monroe and husband Arthur Miller at the premiere of Some Like It Hot (UA, 1959). Eight of the nine images were sold together as a lot in a previous Christie's auction.
Largest, 5 1/4 by 3 1/2 inches
PROVENANCE Partial Lot 15, "Entertainment Memorabilia," Christie's, New York, Sale number 8609, November 19, 2001
Winning bid:$1,250 - Estimate: $1,000 - $2,000

Lot 540 MARILYN MONROE DOUGLAS KIRKLAND PHOTOGRAPH
A color photograph of Marilyn Monroe taken by Douglas Kirkland on November 17, 1961, on assignment for Look magazine. Signed by Kirkland and numbered 17/49 at lower right.
20 by 16 inches
Winning bid:$1,920 - Estimate: $600 - $800

Lot 541 MARILYN MONROE MILTON GREENE SILKSCREEN PRINT
A limited edition silkscreen print of a Milton Greene photograph of Marilyn Monroe taken during the "Black Sitting" photo session in New York in 1956. Numbered 85/300 and signed by Greene at lower right.
Winning bid:$750 - Estimate: $600 - $800

Lot 542 MARILYN MONROE BILL RAY PHOTOGRAPH
A black and white photograph of Marilyn Monroe at the May 19, 1962, birthday celebration of President John F. Kennedy, taken by Bill Ray. The photograph is inscribed at the lower margin “To Kim, With Best Wishes, Bill Ray 1982.” Stamped “Kim Goodwin” on verso.
Winning bid:$640 - Estimate: $1,000 - $2,000

Posté par ginieland à 19:00 - enchères Personal MM - Commentaires [0] - Permalien [#]
Tags : andre de dienes, arthur miller, bill ray, bruno bernard, cecil beaton, douglas kirkland, earl leaf, earl moran, eve arnold, frank worth, george barris, jim dougherty, joe jasgur, korea, marlon brando, milton h greene, paul schumach, tom kelley

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