02 janvier 2014

Let's Make Love caps 9

Le milliardaire
Captures

9ème partie des captures du film

lml-sc09-cap01  lml-sc09-cap02  lml-sc09-cap03 
lml-sc09-cap04  lml-sc09-cap05  lml-sc09-cap06 
lml-sc09-cap07  lml-sc09-cap08  lml-sc09-cap09 
lml-sc09-cap10  lml-sc09-cap11  lml-sc09-cap12 
lml-sc09-cap13  lml-sc09-cap14  lml-sc09-cap15 
lml-sc09-cap16  lml-sc09-cap17  lml-sc09-cap18 
lml-sc09-cap19  lml-sc09-cap20  lml-sc09-cap21 
lml-sc09-cap22  lml-sc09-cap23  lml-sc09-cap24 
lml-sc09-cap25  lml-sc09-cap26  lml-sc09-cap27 
lml-sc09-cap28  lml-sc09-cap29  lml-sc09-cap30 
lml-sc09-cap31  lml-sc09-cap32  lml-sc09-cap33 
lml-sc09-cap34  lml-sc09-cap35  lml-sc09-cap36 
lml-sc09-cap37  lml-sc09-cap38  lml-sc09-cap39 
lml-sc09-cap40  lml-sc09-cap41  lml-sc09-cap42 

Posté par ginieland à 13:02 - - Commentaires [0] - Permalien [#]
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26 décembre 2013

'Hollywood Auction 62' 12/2013


Photographies


lot 47: Oversized Photograph of Marilyn Monroe in The Seven Year Itch
(TCF, 1955) Vintage original 9.75 x 12 in. gelatin silver glossy borderless photo print of Marilyn Monroe and Tom Ewell from The Seven Year Itch. The production photo exhibits some minor flaws from the negative and very minor corner bumping. In vintage very good condition.
Sold: $300
lot47


 lot 48: Collection of (7) Photos of Marilyn Monroe
(Various studios, 1957-1961)
Gelatin-silver glossy approx. 8 x 10 in. prints (7) all featuring Marilyn Monroe in (3) films:
The Prince and the Showgirl (Warner Bros., 1957) (1), Let’s Make Love (TCF, 1960) (5),
and The Misfits (United Artists, 1961) (1).
All are in very fine condition and (1) has descriptive studio snipes on verso
Sold: $350
lot48a  lot48b 
lot48c  lot48d  


lot 128: Collection of (32) contact sheet Prints of Marilyn Monroe with Milton Berle  and Maurice Chevalier and Marlene Dietrich by Milton h. Greene
(32) Silver gelatin glossy 8 x 10 in. contact sheet prints from 35mm negatives of Marilyn Monroe with Marlene Dietrich at
cocktail party announcing formation of MM Productions, Milton Berle for Mike Todd Circus at Madison Sq. Garden and at Friars’ Club Roast, and Maurice Chevalier for Look, dated 1/7/55, 3/15/55 and 9/30/55. Very good.
Estimate: $200 - $300
Sold: $3 250 
lot128 
lot128a  lot128b 
lot128c  lot128d 


lot 129: Collection of (10) contact sheet Prints of Marilyn Monroe from Seven Year Itch  and other sittings by Milton H Greene.
(10) Silver gelatin glossy 8 x 10 in. contact sheet prints from 35mm negatives of Marilyn Monroe from Seven Year Itch (20th Century-Fox, 1955), “Nude,” “Nightgown and Mink Stole,” “White Robe” and “Gypsy” sittings by Milton H. Greene, dated 9/2/53, 10/7/53, 9/13/54, 3/8/55 and 4/15/56. Very good.
Estimate: $200 - $300
Sold: $ 1 000
lot129 
lot129a  lot129b 
lot129c  lot129d 


  lot 130: Collection of (8) contact sheet Prints of Marilyn Monroe from “balalaika” by Milton H Greene
(8) Silver gelatin glossy 8 x 10 in. contact sheet prints (2 double-weight) from 2.25
x 2.25 in. and 35mm negatives of Marilyn Monroe from “Balalaika” sitting by Milton
H. Greene, dated 9/2/53. Very good to Fine.
Estimate: $300 - $500
Sold: $ 1 200
lot130 
lot130a  lot130b 
lot130c  lot130d


lot 131: Collection of (8) contact sheet Prints of Marilyn Monroe from “ballerina” by Milton H Greene
(8) Silver gelatin glossy 8 x 10 in. contact sheet prints (1 double-weight) from 2.25 x 2.25 in. negatives of Marilyn Monroe from “Nightgown and Mink Stole” “Ballerina” and “White Robe” sittings by Milton H. Greene, dated 10/7/53, 10/6/54 and 3/8/55. Very good.
Estimate: $300 - $500
Sold: $ 1 600 
lot131 
lot131a  lot131b 
lot131c  lot131d  


lot 132: Collection of (14) contact sheet Prints of Marilyn Monroe with Marlon Brando Edward R. Murrow by Milton H Greene
(14) Silver gelatin glossy 8 x 10 in. contact sheet prints from 2.25 x 2.25 in. and 35mm negatives of Marilyn Monroe
with Marlon Brando for Actor’s Studio Benefit for Muscular Dystrophy and Edward R. Murrow for Person to Person by Milton H. Greene, dated 4/1/55 and 12/12/55. Very good.
Estimate: $200 - $300
Sold: $ 1 600 
lot132a  lot132b
lot132c1  lot132c2 
lot132c3  lot132c4 


lot 133: Collection of (17) Proof Prints of Marilyn Monroe from Bus Stop by Milton H. Greene (20th Century-Fox, 1956)
(17) Silver gelatin glossy 8 x 10 in. proof prints (1 double-weight) of Marilyn Monroe from Bus Stop by Milton H. Greene, dated 1/1/56. Fine.
Estimate: $200 - $30
Sold: $ 2 750
lot133a  lot133b 
lot133c  lot133d  


  lot 134: Collection of (98) Proof Prints of Marilyn Monroe from Bus Stop by Milton H. Greene (20th Century-Fox, 1956)
(98) Silver gelatin glossy 4 x 5 in. proof prints of Marilyn Monroe from Bus Stop by Milton H. Greene, dated 5/16/56. Good to Fine; with missing corners to some.
Estimate: $300 - $500
Sold: $ 1 900
lot134a  lot134b  lot134c 
lot134d  lot134e 
lot134f  lot134g  lot134h  


  lot 135: Collection of (33) Proof Prints of Marilyn Monroe from Bus Stop by Milton H. Greene (20th Century-Fox, 1956)
(33) Silver gelatin glossy 8 x 10 in. contact sheet prints from 2.25 x 2.25 in. (4) and 35mm negatives of Marilyn Monroe from Bus Stop by Milton H. Greene, dated 5/16/56. Very good.
Estimate: $200 - $300
Sold: $ 900 
lot135  lot135c  lot135d 
lot135a  lot135b 


 lot 136: Collection of (9) contact sheet Prints of Marilyn Monroe  from The Prince and the Showgirl by Milton H. Greene
(Warner Bros., 1957)
(9) Silver gelatin glossy 8 x 10 in. contact sheet prints from 2.25 x 2.25 in. negatives of Marilyn
Monroe from The Prince and the Showgirl
by Milton H. Greene, dated 6/26/56. Very good.
Estimate: $200 - $300
Sold: $ 700 
lot136 
lot136a  lot136b  lot136c 
lot136d  lot136e 


lot 137: Collection of (33) contact sheet Prints of Marilyn Monroe with Lawrence Olivier, Vivien Leigh and Arthur Miller from the Prince and the Showgirl, by Milton H Greene (Warner Bros., 1957)
(33) Silver gelatin glossy 4 x 5 in.
contact sheet prints of Marilyn Monroe with Lawrence Olivier, Vivien Leigh and Arthur Miller at press reception at Heathrow for
The Prince and the Showgirl by Milton H. Greene, dated 7/56. Very good to Fine.
Estimate: $200 - $300
Sold: $ 1 400  
lot137a  lot137b 
lot137c  lot137d 


lot 138: Collection of (170) contact Prints of Marilyn Monroe with Lawrence Olivier, Vivien Leigh and Arthur Miller from the Prince and the Showgirl, by Milton H Greene (Warner Bros., 1957)
(170) Silver gelatin glossy 2.25 x 2.25 in. contact prints of Marilyn Monroe with Lawrence Olivier, Vivien Leigh and
Arthur Miller at press reception at Heathrow for The Prince and the Showgirl
by Milton H. Greene, dated 7/56. Very good.
Estimate: $200 - $300
Sold: $ 1 100 
lot138a  lot138b  
lot138c1  lot138c2 
lot138c3  lot138c4 


 lot 139: Collection of (17) contact sheet Prints of Marilyn Monroe with Lawrence Olivier from The Prince and the Showgirl by Milton H. Greene (Warner Bros., 1957)
(17) Silver gelatin glossy 8 x 10 in. proof prints (5) and contact sheet prints from 2.25 x 2.25 in. negatives of Marilyn
Monroe with Lawrence Olivier at press reception for The Prince and the Showgirl by Milton H. Greene, dated 7/56. Very
good.
Estimate: $200 - $300
Sold: $ 1 500 
lot139a  lot139b  lot139c3 
lot139c1  lot139c2  lot139c4


Lot 140: Collection of (15) contact sheet Prints of Marilyn Monroe and Lawrence Olivier with Terence Rattigan from The Prince and the Showgirl by Milton H. Greene (Warner Bros.,1957)
(15) Silver gelatin glossy 8 x 10 in. contact sheet prints from 2.25 x 2.25 in. negatives of Marilyn Monroe and Lawrence Olivier with
Terence Rattigan in publicity sitting for The Prince and the Showgirl by Milton H. Greene, dated 7/56; with
photographer rubber stamp on verso. Very good.
Estimate: $200 - $300
Sold: $ 2 750 
lot140a  lot140b 
lot140c1  lot140c2 
lot140c3  lot140c4  


 Lot 141: Collection of (496) contact Prints of Marilyn Monroe from The Prince and the Showgirl by Milton H. Greene
(Warner Bros., 1957)
(496) Silver gelatin glossy contact prints including (164) 2.25 x 2.25 in. and (332) 35mm negatives of Marilyn Monroe for The Prince and the Showgirl by Milton H. Greene, dated 6/28/56; with photographer rubber stamp on verso. Very good.
Estimate: $200 - $300
Sold: $ 3 750  
lot141  lot141a  lot141b 
lot141c  lot141d 


Lot 142: Collection of (14) camera negatives of Marilyn Monroe from The Prince and the Showgirl by Milton H. Greene
(Warner Bros., 1957)
(14) Black-and-white 2.25 x 2.25 in. camera negatives (3 with contact print) of Marilyn Monroe from The Prince and the Showgirl
by Milton H. Greene, dated 11/29/73. Very fine.
Estimate: $200 - $300
Sold: $ 1 100  
lot142  lot142b 
lot142a  lot142c  lot142d 


Lot 161: Travilla “subway dress” costume design for The Seven Year Itch. (TCF, 1955)
In this landmark film from the mid-1950s, Tom Ewell reprises his Broadway role as a husband whose wife goes on a brief vacation with their children. He remains behind in New York on business, alone for the first time in seven years of marriage, and begins fantasizing about a model who has sublet the apartment above. Marilyn Monroe plays The Girl with her characteristic mix of innocence and sexual allure. The Seven Year Itch storyline, unlike some of Monroe’s earlier films, held forth no promise as a costume showcase. It was not a period piece and she had no dance routines. Still, this was to become the vehicle for Travilla’s most famous dress design. It was a deceptively simple dress, classic but sexy, and it was meant to make Monroe look cool on the hot, sticky sidewalks of New York. “I’m going to have my precious baby standing over a grate,” Travilla remembered. “I wanted her to look fresh
and clean. So I wondered what could I do with this most beautiful girl that Marilyn was to play to make her look clean, talcum-powdered and adorable,” Travilla mused. “What would I give her to wear that would blow in the breeze and be fun and pretty? I knew there would be a wind blowing so that would require a skirt.” In his trademark painterly style, Travilla then drew his visualization of what would become the most famous garment in Hollywood history – a white crepe bias-cut dress with a halter-top and sunburst pleated skirt. Accomplished in gouache and ink on a 15 in. x 20 in. sheet of artist’s illustration board, the sketch features the now-famous skirt billowing around her waist, in the scene that would electrify audiences all over the world and reportedly bring an abrupt end to Marilyn’s celebrated marriage to slugger Joe Dimaggio.
Giving the actress a broad smile, Travilla positioned her left arm delicately across her body, while her hand holds up the skirt in a playful tease. The sketch is signed boldly at the lower right of the image in black ink, “Travilla”, with notation at the upper right corner in dark graphite, “7 Year Itch – Wind Scene at Subway”. When she stood over the subway grate and a blast of air caused her pleated skirt to swirl above her waist, Monroe made Hollywood history. Travilla’s contribution was almost forgotten, although he often mused in private about the fame of The Dress. “Here’s how famous it was,” he said. “We were traveling in London to promote the Littlewoods catalog in the 1970s, and my copy of the dress was on display along with millions of dollars in jewelry.” There was a break-in at the show, but the only item stolen was The Dress (which was later anonymously returned). This sketch perfectly embodies the many competing themes of American life during the conservative 1950s, all of which seemed to converge in this film and in this dress at the very moment Marilyn paused over the Subway grate: the responsibilities of modern life as represented by Tom Ewell’s character, the growing independence of American women, and the changing attitude of the country towards
sex and desire, which would culminate in the sexual revolution of the 1960s just a few years away. The crown jewel of Travilla’s Lost Collection, this sketch is not only a wonderful piece of Hollywood history, but an important snapshot of American popular culture from the apex of Marilyn Monroe’s meteoric film career. Provenance: Profiles in History Auction 20, Lot 114.
Estimate: $60,000 - $80,000
Sold: $ 80 000
lot161c 
lot161a  lot161b   


Lot 226: Marilyn Monroe hand–signed and inscribed photograph.
Vintage 8 in. x 10 in., black & white, gelatin silver photo of the sex symbol in a low-cut, clinging blouse. Inscribed in blue ink on the image, “To Lou, When you come back – come around, Marilyn Monroe”. With chipped, upper right hand corner. Pinholes in corners and minor creasing not affecting image or signature. In good condition.
Estimate: $15,000 - $20,000
Sold: $19 000
lot226 


Lot 227: Original Marilyn Monroe anniversary Playboy cover artwork by Victoria Fuller, signed by Hugh Hefner.
Original commemorative Marilyn Monroe Playboy magazine cover painting accomplished in oil paints and silkscreen on a 30 x 40 in. stretched canvas. A one of a kind collection of 11 paintings were created by artist Victoria Fuller in celebration of the 60th anniversary of Marilyn Monroe’s appearance in the first issue of Playboy in December, 1953. The art depicts the iconic cover of the first issue of Playboy. In addition to being a fine art painter, Fuller was one of Playboy’s most popular Playmates, and the most photographed ‘Bunnies’ in the magazine’s last 50. She is also the first and only artist to ever receive a licensing contract from Playboy allowing her to use the famous trademark Rabbit Head Playboy, and Bunny Costume as subjects of her paintings and limited addition prints. The piece is hand-signed by the artist and Playboy Magazine founder and American icon Hugh Hefner. In fine condition.
Estimate: $6,000 - $8,000
Sold: $ Pass
lot227 


 Documents papiers


Lot 224: Marilyn Monroe contract for The Asphalt Jungle. (MGM, 1950)
1-page, printed, typed contract on approx. 21 x 8.5 paper, signed, “Marilyn Monroe” dated 29 November 1949. In John Huston’s The Asphalt Jungle, an unknown actress named Marilyn Monroe in her early breakthrough roll as “Angela Finlay”, a small but important roll in this film noir classic. This oversize “Screen Actors Guild Minimum Contract for Freelance Players” outlines the terms of Monroe’s employment on the film. The contract states that Monroe will play the role of “Angela” in the “photoplay” The Asphalt Jungle and be paid the sum of $300 for 1 week of work beginning on November 9th, 1949. The contract lists Monroe’s’ current address as, “1301 N. Harper Ave. Los Angeles, California” and her phone number, “Hampstead 9943”. The contract verso exhibits an additional amendment typed on 8 x 4 in. paper, tipped to the contract. Signed at the bottom of the page by MGM casting director “Fred A Datig” and below that, in black pen, “Marilyn Monroe”. Retaining original folds. In very good condition.
Estimate: $2,500 - $3,500
Sold: $ 4 750
lot224a  lot224b 


Lot 225: Marilyn Monroe’s personal title and service agreement to her 1950 Pontiac
Marilyn Monroe Pontiac sedan paperwork consisting of (3) documents, including: (1) 8.5 x 3.75 in. Beverly Motor Company, tri-folded, printed Pontiac Service Policy. With typed “Miss Marilyn Monroe / 1301 N. Harper Ave. / Los Angeles, CA”. Inside there are terms of ownership and two attached, perforated 1000 and 2000 mile service coupons also type to “Miss Marilyn Monroe” with other information filled in, dated July 1, 1950, (1) 7.25 x 3.25 in folded printed warranty for the car’s Delco Battery. Type written to Miss Marilyn Monroe and with other technical information, dated July 1, 1950 and (1) State of California DMV “pink slip” certificate of ownership printed to “Monroe Marilyn / 1301 N Harper AV / Los Angeles” including vehicle engine number, make, model, total fees ($24.00) and Monroe’s license number, “19B29921”. All documents in fine condition.
Estimate: $1,000 - $1,500 
sold: $ 1 400
lot225a  
lot225d  
lot225b  lot225c  


 Objets Divers


Lot 231: Warner Bros. commemorative key. (c. 1950s)
10 x 3.75 in. brass key to Warner Brothers Studios. The key’s bow is shield-shaped and features the raised “WB” letters synonymous with the studio. One side of the key blade reads, in raised letters, “Welcome to Warner Bros. Studios” and the reverse side, “The Largest in the World”. In vintage very fine condition.
Estimate: $1,000 - $1,500
Sold: $2 500
lot231a  lot231b 
lot231c 


Lot 764: Jane Russell extremely limited #1 of an intended run of up to 4 hand and footprint impressions from the Chinese Theatre.
The glitter and glamour of Hollywood continue to attract visitors from all over the world, and there is no monument to Hollywood that is more glamorous or iconic than TCL Chinese Theatre. The forecourt of the theatre remains a must-see spot for tourists and the star-struck to see how they fill the shoes of their favorite stars by placing their own feet in the celebrity footprints that mosaic the courtyard. This is a replica of the hand and footprint square of Jane Russell created from the original concrete impression at the Chinese Theatre when she placed her hand and footprints in the cement along with Marilyn Monroe for the west coast premiere of Gentlemen Prefer Blondes.  Rumor has it that Both Jane and Marilyn wanted to make more than just hand and foot print impressions in the forecourt and that they actually wanted to imprint the physical attributes that they were both known for. Theatre management turned down this request though as it would have been considered too risqué. Measuring 37.25 x 41 in. Inscribed, “Jane Russell 6 26 53” and then “Gentleman” as the beginning of the Gentlemen Prefer Blondes title which begins on her square and ends on Monroe’s. The impression is made out of a synthetic casting compound to produce the real look and feel of concrete and does include natural materials that are found in cement.  However, this is sensitive to heat and like all valuable art, it should not be kept in high heat or be displayed in the exterior direct heat/sunlight. This piece is the first of an extremely limited intended run of up to four impressions. No rights to the Jane Russell name, signature or imprint are transferred to the buyer with this sale. Special shipping arrangements will apply.
Estimate: $4,000 - $6,000
Sold: $4,000
lot764 


Lot 765: Marilyn Monroe extremely limited #1 of an intended run of up to 4 hand and footprint impressions from the Chinese Theatre.
The glitter and glamour of Hollywood continue to attract visitors from all over the world, and there is no monument to Hollywood that is more glamorous or iconic than TCL Chinese Theatre. The forecourt of the theatre remains a must-see spot for tourists and the star-struck to see how they fill the shoes of their favorite stars by placing their own feet in the celebrity footprints that mosaic the courtyard. This is a replica of the hand and footprint square of Marilyn Monroe created from the original concrete impression at the Chinese Theatre which is, by far, the most photographed imprint square in the TCL Chinese Theatre forecourt, honored with the opening of her film Gentlemen Prefer Blondes. She originally wanted them to dot the “I” in her name with a diamond, but theatre management suggested that someone would steal the diamond and suggested an earring be placed instead. A short time later someone over night came along and attempted to steal the earring. The top broke off, but the back remains firmly implanted in the cement to this day. 42.5 x 42.25 in. Inscribed, “Marilyn Monroe” and then “Prefer Blondes” as half of the Gentlemen Prefer Blondes title started on Jane Russell’s square and finished on Monroe’s. Marilyn’s “I” is dotted by a faux diamond imbedded in the square. The impression is made out of a synthetic casting compound to produce the real look and feel of concrete and does include natural materials that are found in cement.  However, this is sensitive to heat and like all valuable art, it should not be kept in high heat or be displayed in the exterior direct heat/sunlight. This piece is the first of an extremely limited intended run of up to four impressions. No rights to the Marilyn Monroe name, signature or imprint are transferred to the buyer with this sale. Special shipping arrangements will apply.
Estimate: $4,000 - $6,000
Sold: $7 500
lot765  


Vêtements


lot 701: Marilyn Monroe “Pola Debevoise” black felt hat from How to Marry a Millionaire. (TCF, 1953)
 Black felt hat with soft ruffle brim and simple bow. Bodies by Lee yellow stamp. Internal bias label handwritten “1-39-1-4691 A-705-54 M. MONROE”. Created by Travilla for Marilyn Monroe as “Pola Debevoise” in How to Marry a Millionaire but not in the final version of the film. Lot includes a wardrobe test photo showing Monroe wearing the hat. This hat was originally created for the scene with David Wayne on the plane but was replaced with a simple beret.
Estimate: $15,000 - $20,000
Sold: $15, 000 
lot701a  lot701b  lot701c 
lot701d 

18 décembre 2013

Let's Make Love caps 10

Le milliardaire
Captures

10ème partie des captures du film  

lml-sc10-cap01 lml-sc10-cap02 lml-sc10-cap03 
lml-sc10-cap04 lml-sc10-cap05 lml-sc10-cap06 
lml-sc10-cap07 lml-sc10-cap08 lml-sc10-cap09 
lml-sc10-cap10 lml-sc10-cap11 lml-sc10-cap12 
lml-sc10-cap13 lml-sc10-cap14 lml-sc10-cap15 
lml-sc10-cap16 lml-sc10-cap17 lml-sc10-cap18 
lml-sc10-cap19 lml-sc10-cap20 lml-sc10-cap21 
lml-sc10-cap22 lml-sc10-cap23 lml-sc10-cap24 
lml-sc10-cap25 lml-sc10-cap26 lml-sc10-cap27 
lml-sc10-cap28 lml-sc10-cap29 lml-sc10-cap30 
lml-sc10-cap31 lml-sc10-cap32 lml-sc10-cap33 
lml-sc10-cap34 lml-sc10-cap35 lml-sc10-cap36 
lml-sc10-cap37 lml-sc10-cap38 lml-sc10-cap39
lml-sc10-cap40 lml-sc10-cap41 lml-sc10-cap42 
lml-sc10-cap43 lml-sc10-cap44 lml-sc10-cap45 

Posté par ginieland à 13:12 - - Commentaires [0] - Permalien [#]
Tags : , , ,

07 décembre 2013

Let's Make Love caps 11

Le milliardaire
Captures

11ème partie des captures du film 

lml-sc11-cap01  lml-sc11-cap02  lml-sc11-cap03 
lml-sc11-cap04  lml-sc11-cap05  lml-sc11-cap06 
lml-sc11-cap07  lml-sc11-cap08  lml-sc11-cap09 
lml-sc11-cap10  lml-sc11-cap11  lml-sc11-cap12 
lml-sc11-cap13  lml-sc11-cap14  lml-sc11-cap15 
lml-sc11-cap16  lml-sc11-cap17  lml-sc11-cap18 
lml-sc11-cap19  lml-sc11-cap20  lml-sc11-cap21 
lml-sc11-cap22  lml-sc11-cap23  lml-sc11-cap24 
lml-sc11-cap25  lml-sc11-cap26  lml-sc11-cap27 
lml-sc11-cap28  lml-sc11-cap29  lml-sc11-cap30 
lml-sc11-cap31  lml-sc11-cap32  lml-sc11-cap33 
lml-sc11-cap34  lml-sc11-cap35  lml-sc11-cap36 
lml-sc11-cap37  lml-sc11-cap38  lml-sc11-cap39 
lml-sc11-cap40  lml-sc11-cap41  lml-sc11-cap42 
lml-sc11-cap43  lml-sc11-cap44  lml-sc11-cap45 
lml-sc11-cap46  lml-sc11-cap47  lml-sc11-cap48 
lml-sc11-cap49  lml-sc11-cap51  lml-sc11-cap52

Posté par ginieland à 14:31 - - Commentaires [0] - Permalien [#]
Tags : , , ,

16 novembre 2013

Let's Make Love caps 12

Le milliardaire
Captures

12ème partie des captures du film

lml-sc12-cap01 lml-sc12-cap02 lml-sc12-cap03
lml-sc12-cap04 lml-sc12-cap05 lml-sc12-cap06
lml-sc12-cap07 lml-sc12-cap08 lml-sc12-cap09
lml-sc12-cap10 lml-sc12-cap11 lml-sc12-cap12
lml-sc12-cap13 lml-sc12-cap14 lml-sc12-cap15
lml-sc12-cap16
lml-sc12-cap17 lml-sc12-cap18
lml-sc12-cap19 lml-sc12-cap20 lml-sc12-cap21
lml-sc12-cap22 lml-sc12-cap23 lml-sc12-cap24

Posté par ginieland à 13:12 - - Commentaires [0] - Permalien [#]
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04 octobre 2013

Let's Make Love

Vidéo et Paroles
de la chanson
Let's Make Love 

interprétée en duo par Marilyn Monroe et Frankie Vaughan
mais aussi en duo par Marilyn Monroe et Yves Montand 
en
1960 pour le film  Let's make love

All the gentle art of conversation is deader
Than the Dead Sea scrolls
We've become the mutest kind of nation,
We're uncommunicating souls

No one talks, no one talks
It's something we seldom ever do
No one talks, no one talks

No one talks but... you

Here we sit, and we chatter,
What are we thinking of ?
Let's not make with the pattern, baby
Let's make love

If you roar like a lion
I could coo like dove
If you're sold, begin buying baby
Let's make love

Gosh, it's hot !

No, don't turn TV... on
Instead just turn me... on
I light up like neon
Just a tiny section of your affection
In my direction do... ooh !

You just love my embrace
'cause they'll fit like a glove
We could get down to Casey's maybe
Kiss me baby
Let's make love

Don't just lay there
Honey, do something !
Don't just contemplate me
Prove that you don't hate me
Come on, auscultate me
Maybe moonlight trips with me
Come to grips with me
Lips to lips with me
Do... Ooh !

You just love my embrace
'cause they'll fit like a glove
We could get down to Casey's maybe
Kiss me baby
Let's make love

My oh my, but it's warm here
-Let's Make Love-
I sure wore a tight collar
-Let's Make Love-
Do you know a good doctor ?
Let's make love...


Traduction

 Faisons l'amour

Tout le bel art de la conversation est aussi mort
que les rouleaux de la mert morte
Nous sommes devenus la nation la plus muette
Nous sommes des âmes sans communication.

Personne ne parle, personne ne parle
C'est quelque chose que nous faisons rarement
Personne ne parle, personne ne parle
Personne ne parle à part... toi

Nous voici assis à bavarder
A quoi pensons-nous ?
Pas de baratin, bébé
Faisons l'amour.

Si tu rugis comme un lion,
Il se pourrait que je roucoule comme une colombe
Si tu es vendu, commence à acheter, bébé
Faisons l'amour

Bon sang, il fait chaud !

Non, n'allume pas la télé
Allume-moi à la place
Je m'éclaire comme un néon
Juste une petite portion de ton affection
dans ma direction fera l'affaire... Ooh !

Tu aimes mes étreintes
car elles te vont comme un gant
Peut-être irons-nous chez Casey
Embrasse-moi bébé
Faisons l'amour

Ne reste pas allongé là
Chéri, fais quelque chose !
Ne reste pas à me contempler,
Prouve que tu ne me détestes pas
Viens, ausculte-moi
Une promenade au clair de lune avec moi ?
Attrape-moi
Mets tes lèvres sur les miennes
Fais-le... Ooh !

Tu aimes mes étreintes
car elles te vont comme un gant
Nous pourrions aller chez Casey's
Embrasse-moi chéri
Faisons l'amour

Mais ce qu'il fait chaud ici
-Faisons l'amour-
Mon col était vraiment trop serré
-Faisons l'amour-
Tu connais un bon docteur ?
Faisons l'amour..


Fiche Chanson avec paroles et traduction

fiche_lml 
> source fiche: blog sugarkane 


>> Bonus Infos

  • Le compositeur de cette chanson est Jimmy Van Heusen qui travailla avec le parolier Sammy Cahn.
  • Il existe plusieurs versions de cette chanson, présentes sur la bande originale: une est interprétée par Marilyn seule accompagnée d'un choeur d'hommes; une par Marilyn en duo avec Yves Montand; une par Marilyn accompagnée de Frankie Vaughan; et enfin, une par Marilyn avec Montand et Vaughan (la version qui figure dans le film).

Posté par ginieland à 13:22 - - Commentaires [2] - Permalien [#]
Tags : , , ,

16 août 2013

Specialization

Vidéo et Paroles
de la chanson
Specialization
interprétée en duo par Marilyn Monroe et Frankie Vaughan
en
1960 pour le film  Let's make love

If you peruse the people in the news,
The people that the magazines refer to.

You'll find that they are naturally soigné,
The special ones that all of us defer to.

They've each a trait that seems to state first raters.

Which separates them from the small potaters.

Maria Callas
Is booked in Dallas.
The carpet's rolled out and they're sold out clear to the skies.

Specialization, specialization.

They'll love your high notes if

If you specialize.

When Elvis rotates,
Each creep notates.
It may look funny,
But the money's what it supplies.

Specialization, specialization.

You'll meet the colonel if

If you specialize.

Salome did it with veils.
Abe Lincoln did it with rails.
Toledo did it with scales !
The Chinese built that Wall.

Specialized star.

Marc Clement gives gals the tremors.
This Casanova sure has the roverest eyes.

Specialization, specialization.

You'll rule the barnyard if

If you specialize.

The Farrows did it with springs.
And Darwin did it with links.
Some robbers did it with Brinks.
Carnegie used a Hall.

Specialized star.

Van Cliberen caused us a high burn.
While we were blushin'
Some Russian gave him the prize.

Specialization, specialization.

They'll give you medals if,
They'll love your high notes if,
You'll meet the Colonel if,
You'll rule the barnyard if,

If you specialize!
I specialize.


Traduction

Specialisation

Si vous heurtez les gens à la Une
les gens dont les magazines font mention

Vous découvrirez qu'ils sont naturellement soignés
ceux devant qui nous nous inclinons

Ils ont tous un trait qui semble dire "première classe"
Qui les sépare des autres qui sont en guenilles

Maria Callas, va chanter à Dallas
Le tapis est déroulé et tout est plein à craquer

Spécialisation, spécialisation

On aimera tes aiguës si ...

tu te spécialises

Quand Elvis tournoie, tous les fans le voient
C'est peut-être ridicule mais c'est d'argent qu'il s'agit

Spécialisation, spécialisation

Vous rencontrerez le Colonel si ...

vous vous spécialisez

Salomé l'a fait avec des voiles, Abe Lincoln avec sa tête
Toledo avec ses balances, les Chinois ont construit une Muraille

Star spécialisée,

Marc Clement fait frissonner les filles
Ce Casanova a vraiment des yeux de velours

Spécialisation, spécialisation

Vous dirigerez la basse cour si ...

vous vous spécialisez

Les Farrows l'ont fait avec les ressorts, et Darwin avec l'évolution
Certains voleurs l'ont fait avec la Brinks, Carnegie a fait son Hall

Star spécialisée.

Van Cliberen nous a fait rôtir
Et pendant que nous rougissons, un Russe a emporté le prix

Spécialisation, spécialisation

On vous donnera des médailles si ...
On aimera vos aiguës si ...
Vous rencontrerez le Colonel si ...
Vous dirigerez la basse cour si ...

Vous vous spécialisez
Moi, je me spécialise !


Fiche Chanson avec paroles et traduction

song-lml-specialization 
> source fiche: blog sugarkane


>> Bonus Infos

  • Le compositeur de cette chanson est Jimmy Van Heusen qui travailla avec le parolier Sammy Cahn.

Posté par ginieland à 12:49 - - Commentaires [0] - Permalien [#]
Tags : , , ,

08 juin 2013

Let's make love caps 13

Le milliardaire
Captures

13ème partie des captures du film

lml_sc13_cap01 lml_sc13_cap02 lml_sc13_cap03
lml_sc13_cap04 lml_sc13_cap05 lml_sc13_cap06
lml_sc13_cap07 lml_sc13_cap08 lml_sc13_cap09
lml_sc13_cap10 lml_sc13_cap11 lml_sc13_cap12
lml_sc13_cap13 lml_sc13_cap14 lml_sc13_cap15
lml_sc13_cap16 lml_sc13_cap17 lml_sc13_cap18
lml_sc13_cap19 lml_sc13_cap20 lml_sc13_cap20
lml_sc13_cap22 lml_sc13_cap23 lml_sc13_cap24

Posté par ginieland à 12:59 - - Commentaires [0] - Permalien [#]
Tags : , , , ,

20 mai 2013

Let's Make Love Dress

'Let's Make Love' Dress
robe du "Milliardaire"
 

1960_01_16_LML_press_043_02_1 

Robe à la ligne simple, en jersey de soie, au décolleté en forme V, qui, à partir de la taille, part en longue jupe de mousseline évasée.


La conception a été initialement attribuée à John Moore, qui en créa une version pour Marilyn de couleur rouge profond, qu'elle porta pour des portraits photos en studio: d'abord, en 1955, posant sous l'objectif de John Florea; puis, en janvier 1957, pour la dernière séance photos d'avec Milton Greene, nommée la 'Red Sitting' (séance en rouge), qui étaient destinées à être des photos publicitaires pour le film The Prince and the Showgirl (Le Prince et la Danseuse).
Marilyn adorait tellement cette robe qu'elle en recommanda une autre à Moore, la même, mais de couleur noire.

  ph_0012330 1957_01_ny_RS_red_sitting_01_1b 

La robe rouge fut vendue par Christies en 2001.
La robe noire fut vendue par Sothebys en 2001.
mm dress_Lot41a_1_ mm


La robe qu'elle porte dans le film "Let's Make Love" ("Le Milliardaire") en 1960 existe en trois versions: elles ont été créées par Jax. Marilyn se basa sur les créations de Moore et demanda à Jax d'en faire plusieurs copies. Les boutiques Jax étaient tenues et dirigées par Jack Hanson (qui en ouvrit deux au début des années 50: une à Beverly Hills et une à New York, près de l'appartement où vivait Marilyn). En 1960, Rudi Gernreich était le nouveau couturier qui travaillait pour Hanson, il est donc probable que ce soit lui qui créa les trois robes:

  • 1/ Dans le film, Marilyn porte une robe légèrement rosée, dont la longue jupe contient une graduation de nuances de rose plus foncées. Elle apparaît ainsi vêtue dans deux scènes qui s'enchaînent: l'une avec Yves Montand, et l'autre avec Frankie Vaughan où ils chantent ensemble "Incurably Romantic".

lml_sc14_cap06 lml_sc15_cap09
dress_lml_movie_2 dress_lml_movie_1

> La robe est aujourd'hui la propriété du fan et collectionneur Greg Shreiner,
qui la prête occasionnellement à des organisateurs d'expositions
(comme à l'expo 
Marilyn Remembered de 2010;
voir son site web: 
The Marilyn Monroe Site )

dress_pink_shreiner_1 dress_pink_shreiner_2 

* * * * * * * * * * * * * *

  • 2/ Puis, une version blanche au ton gris pâle, que Marilyn porta le 16 janvier 1960 pour la conférence de presse du film "Let's Make Love", et plus tard la même année, durant la période de tournage de "The Misfits": dans un casino, et le 16 octobre 1960 à un dîner avec Monty Clift.

 1960_01_16_LML_press_041_01_1 1960_01_16_LML_press_043_04_1 1960_01_16_LML_press_023_3 
1960_01_16_LML_press_022_03 1960_01_16_LML_press_075_04_1 ph_arnold_1960_8104bArnold mm_et_monty_2

Durant la conférence de presse, toute l'équipe du film participa à un cocktail et but du champagne. Il semble que Marilyn renversa sa coupe sur le décolleté de sa robe, tel qu'on peut le voir sur les photographies suivantes où Yves Montand désigne du doigt à Marilyn la tâche qu'a laissé le champagne sur sa robe, une tâche visible sur certaines photographies:

1960_01_16_LML_press_051_03_1  1960_01_16_LML_press_080_01_2  1960_01_16_LML_press_082_01_1  
 1960_01_16_LML_press_080_01_3  1960_01_16_LML_press_082_03_4  1960_01_16_LML_press_082_02_1  

> La robe fut vendue 52 900 Dollars par Christies en 1999,
et remise en vente par 
Julien's en 2005
dress_reception_3 dress_reception_1  dress_reception_2
dress_reception_sold_52900_christies_1999_b  

* * * * * * * * * * * * * *

  • 3/ Enfin, la version de la robe dans les tons rouge orangé que Marilyn porta en 1957 en se rendant au cinéma avec Arthur Miller à New York pour voir le film "The Prince and the showgirl":

1957-ny-the_prince_and_the_showgirl_showing-by_frieda_hull-01 1957-ny-the_prince_and_the_showgirl_showing-by_frieda_hull-02 1957-ny-the_prince_and_the_showgirl_showing-by_frieda_hull-03 

> La robe est vendue aux enchères Juliens de novembre 2016
lot294-245604_0  lot294-245605_0 


All photos are copyright and protected by their respective owners. 
Copyright text by GinieLand.

Enregistrer

Posté par ginieland à 13:23 - - Commentaires [8] - Permalien [#]
Tags : , , , , , ,

01 mai 2013

Marie-Claire Octobre 1960

marieclairecovercot1960Le magazine Marie-Claire n°72, de octobre 1960, consacrait un article de 15 pages à Marilyn Monroe: "Marilyn et son mari confient à Marie-Claire ce qu'ils n'ont jamais dit", avec la publication de son interview par Georges Belmont, et de propos d'Arthur Miller, illustré par des photographies de John Bryson sur tournage de 'Let's make love'. 
(source scans: Chris)

marieclairepage1 marieclairepage2 marieclairepage3
marieclairepage4 marieclairepage5 marieclairepage6
marieclairepage7 marieclairepage8 marieclairepage9 
marieclairepage10 marieclairepage11 marieclairepage12
marieclairepage13 marieclairepage14 marieclairedernierepage