08/04/2023, GWS AUCTIONS "Artifacts of Hollywood, Music, and Sports": Lots
Enchères "Artifacts of Hollywood, Music, and Sports"
08 avril 2023
- 30 lots avec Marilyn Monroe -
> 08/04/2023, GWS AUCTIONS "Artifacts of Hollywood, Music, and Sports": Vente
Lot # 1: Marilyn Monroe's Orange Floral Bathing Suit
Marilyn Monroe's Personally Owned Orange Floral Bathing Suit From The Sydney Guilaroff Collection W/Notarized Letter of Provenance - This lovely orange floral one piece bathing suit was personally owned by Marilyn Monroe. The swimsuit has a back zipper, adjustable straps, and has "M. Monroe 1961" handwritten on the interior lining. The piece comes with a notarized letter of provenance from Marilyn Monroe's personal hairstylist Sydney Guilaroff, which states in part, "Marilyn gave me this one piece bathing suit with built in cups and zipper of orange, brown and tan flower design to add to my star worn collection. No one has worn it but Marilyn."
- Sydney Guilaroff was a hair stylist during Hollywood's Golden Age who was the first to receive on-screen credit in films. He worked for more than forty years at the Metro Goldwyn Mayer studios on more than a thousand films, and was instrumental in crafting many of the hairstyles which became the signature looks for numerous film stars. Guilaroff was a friend, stylist, and confidante to many Golden Age stars including Greta Garbo, Joan Crawford, and Audrey Hepburn along with Marilyn Monroe, and styled Marilyn's hair for her funeral in 1962.
Estimate: $1,000.00 
Lot # 2: Marilyn Monroe's Personally Owned 1950s Red Velvet Gown
Marilyn Monroe's Personally Owned 1950s Red Velvet Gown From The Sydney Guilaroff Collection W/Notarized Letter of Provenance - This red velvet gown was personally owned by Marilyn Monroe. The gown has a sleeveless design with a back zipper and slit up the back hem. The piece comes with a notarized letter of provenance from Marilyn Monroe's personal hairstylist Sydney Guilaroff, which states in part, "Marilyn herself gave me this beautiful 1950s red velvet long dress to add to my star worn collection. No one has worn it except Marilyn."
Estimate: $1,500.00 
Lot # 3: Marilyn Monroe's Silver Glitter Evening Gown
Marilyn Monroe's Personally Owned Silver Glitter Evening Gown From The Sydney Guilaroff Collection W/Notarized Letter of Provenance - This beautiful silver glitter evening gown was personally owned and worn by Marilyn Monroe. The gown has a sleeveless design with silver glitter stripes and accent beading at the waist. The piece comes with a notarized letter of provenance from Marilyn Monroe's personal hairstylist Sydney Guilaroff, which states in part, "Marilyn gave me this silver speckle sleeveless spectacular gown with rhinestone accents around the waist to add to my star worn collection. No one has worn it but Marilyn. She did have the gown let out and wore it to an event around 1960." It is visible where the gown was let out beneath the arms and around the bust (see photos).
Estimate: $1,300.00 
Lot # 4: Marilyn Monroe's Rhinestone Choker Necklace
Marilyn Monroe's Personally Owned Rhinestone Choker Necklace From The Sydney Guilaroff Collection W/Notarized Letter of Provenance - This lovely costume necklace was personally owned by Marilyn Monroe. The necklace is made of silver metal with round and cushion shaped rhinestones. The necklace comes with a notarized letter of provenance from Marilyn Monroe's personal hairstylist Sydney Guilaroff, which states in part, "Marilyn gave me this costume 'Weiss' multi-shaped rhinestone choker necklace around 1954. No one has worn it since Marilyn."
Estimate: $1,300.00 
Lot # 53: Marilyn Monroe's Black Sequin Cocktail Dress
Marilyn Monroe's Personally Owned Black Sequin Cocktail Dress From the Sydney Guilaroff Collection W/Notarized Letter of Provenance - This lovely black sequin cocktail dress was personally owned by Marilyn Monroe. The dress has a back zipper closure, double spaghetti straps, and is completely covered in shiny black sequins. The dress comes with a notarized letter of provenance from Marilyn Monroe's personal hairstylist Sydney Guilaroff, which states in part, "Marilyn gave me this spaghetti strap black sequin stretch cocktail dress to add to my star worn collection. No one has worn it but Marilyn."
Estimate: $2,000.00 
Lot # 54: Marilyn Monroe's Weiss Clip-On Drop Earrings
Marilyn Monroe's Personally Owned Weiss Clip-On Drop Earrings From The Sydney Guilaroff Collection W/Notarized Letter of Provenance - These Weiss silver metal clip-on drop earrings were personally owned by Marilyn Monroe. The earrings come with a notarized letter of provenance from Marilyn Monroe's personal hairstylist Sydney Guilaroff, which states in part, "This pair of dangling multi-strand and size rhinestone clip-on earrings by 'Weiss' were given to me by Marilyn herself around 1960, to add to my star worn client personal item collection."
Estimate: $800.00 
Lot # 55: Marilyn Monroe's Cut Glass Bracelet and Bead Necklace
Marilyn Monroe's Personally Owned Cut Glass Bracelet and Bead Necklace From The Sydney Guilaroff Collection W/Notarized Letter of Provenance - This necklace and bracelet were personally owned by Marilyn Monroe. The lot includes an iridescent cut glass bead 3-strand bracelet with silver metal closure and 3-strand bead necklace. The lot comes with a notarized letter of provenance from Marilyn Monroe's personal hairstylist Sydney Guilaroff, which states in part, "This triple strand costume glass diamond cut crystal bracelet with silver metal and three round rhinestone accent and triple strand larger plastic diamond cut necklace with silver metal accents was given to me by Marilyn herself around May 1959, to add to by star worn client personal item collection."
Estimate: $1,000.00 
Lot # 55 B: George Barris "Marilyn Monroe: Last Shoot" Signed Photo
George Barris "Marilyn Monroe: The Last Shoot" Signed 8" x 10" Photograph Printed From Original Negative #50/99 W/COA - This striking photo is a beautiful and rare photograph of Marilyn Monroe from the series entitled "The Last Photos", taken by photographer George Barris in 1962 just two weeks before Monroe's death. The series of photographs are considered the last photos ever taken of the icon. This is a type II photograph printed from the original negative, and is hand-signed by photographer George Barris. The photo is also numbered 50/99 inverso and bears the Edward Weston copyright stamp. The lot includes a certificate of authenticity. Measurements: 8" x 10".
Estimate: $1,000.00 
Lot # 55 C: George Barris "Marilyn Monroe: Last Shoot" Signed Photo
George Barris "Marilyn Monroe: The Last Shoot" Signed 11" x 14" Photograph Printed From Original Negative W/COA - This striking photo is a beautiful and rare photograph of Marilyn Monroe from the series entitled "The Last Photos", taken by photographer George Barris in 1962 just two weeks before Monroe's death. The series of photographs are considered the last photos ever taken of the icon. This is a type II photograph printed from the original negative, and is hand-signed by photographer George Barris. The photo also bears the Edward Weston copyright stamp inverso. The lot includes a certificate of authenticity. Measurements: 8" x 10".
Estimate: $525.00 
Lot # 55 D: Marilyn Monroe Signed Black and White Photo (Framed)
Marilyn Monroe Signed Black and White Photo in Exhibit Quality Frame - This stunning black and white photograph pictures the blonde bombshell, Marilyn Monroe, looking directly into the camera in a full length pose draped in a semi-sheer nightgown and wearing slippers. The photograph has been boldly signed and inscribed "To __ Kisses, Marilyn Monroe". The photograph has been professionally matted and framed in an exhibit quality framed display. The photo was acquired from respected autograph dealer and authenticator Stephen Koschal, who is a Former Director of the U.A.C.C. and First Place Winner of the U.A.C.C. Sixth Annual H. Roger Phillips Memorial Award. Measurements: image-7.25" x 9.25", frame-19.5" x 16.5".
Estimate: $3,750.00
Lot # 140: Marilyn Monroe's Personally Owned Underwire Support Bra
Marilyn Monroe's Personally Owned Underwire Support Bra From The Sydney Guilaroff Collection W/Notarized Letter of Provenance - This underwire support bra was personally owned by Marilyn Monroe. The piece comes with a notarized letter of provenance from Marilyn Monroe's personal hairstylist Sydney Guilaroff, which states in part, "This 1960's nude color strapless bra size 36C with the padding cut out of the cups was given to me by Marilyn herself around May 1962 to add to my star worn client personal item collection. Marilyn would cut the padding out herself to give her support in a dress when she wanted nipples to show through dress or she wore them to sleep because she was so worried about her breasts sagging."
Estimate: $750.00
Lot # 141: Marilyn Monroe's 1950s Sendra White Nylon Gloves
Marilyn Monroe's Personally Owned 1950s Sendra White Nylon Gloves From The Sydney Guilaroff Collection W/Notarized Letter of Provenance and Reference Photo - These Sendra white nylon gloves with ruffled cuffs were personally owned by iconic American actress, Marilyn Monroe. The gloves come with a notarized letter of provenance from Marilyn Monroe's personal hairstylist Sydney Guilaroff, which states in part, "Marilyn herself gave me this beautiful 1950s pair of white thin nylon gloves with ruffled edges to add to my star worn collection. No one has worn it except Marilyn."
Estimate: $750.00 
Lot # 142: Marilyn Monroe's Multi-Colored Floral Tapestry Handbag
Marilyn Monroe's Personally Owned Multi-Colored Floral Tapestry Handbag From The Sydney Guilaroff Collection W/Notarized Letter of Provenance - This beautiful and colorful tapestry bag was owned by iconic actress Marilyn Monroe. The handbag features a multi-colored floral design with multiple compartments and a black leather top handle. The piece comes with a notarized letter of provenance from Marilyn Monroe's personal hairstylist Sydney Guilaroff, which states in part, "This heavy multiple compartment tapestry handbag with multi-color flower and leaf design was left at my studio when she flew in from New York and changed to get ready for a dinner engagement around 1960. Marilyn was pretty irresponsible with her things and when I told her that it was here, she told me to take anything left out of it and to give it away (which of course I couldn't)."
Estimate: $1,800.00 
Lot # 143: Marilyn Monroe's Personally Owned Clip-On Drop Earrings
Marilyn Monroe's Personally Owned Clip-On Drop Earrings From The Sydney Guilaroff Collection W/Notarized Letter of Provenance - These silver metal clip-on drop earrings were personally owned by Marilyn Monroe in the 1950s. The piece comes with a notarized letter of provenance from Marilyn Monroe's personal hairstylist Sydney Guilaroff, which states in part, "This pair of quarter size silver metal Florentine design clip-on hoop earrings were left in my studio when she changed to get ready for a party around 1953. Marilyn was pretty irresponsible with her things and when I told her that it was here, she told me to add them to my collection."
Estimate: $475.00 
Lot # 144: Marilyn Monroe's Black Silk Pleated Clutch
Marilyn Monroe's Personally Owned Black Silk Pleated Clutch From The Sydney Guilaroff Collection W/Notarized Letter of Provenance - This vintage black pleated satin clutch with gold metal trim was personally owned by iconic American actress, Marilyn Monroe. The piece comes with a notarized letter of provenance from Marilyn Monroe's personal hairstylist Sydney Guilaroff, which states in part, "This black silk pleated 9 x 6 gold metal trimmed evening purse with rhinestone encrusted closure was left behind when she changed to get ready for a party after I did her hair late in 1961. Marilyn was pretty irresponsible with her things and when I told her that it was here, she told me to add it to my collection."
Estimate: $1,800.00 
Lot # 145: Marilyn Monroe's Rhinestone Embellished Bra W/COA
Marilyn Monroe's Rhinestone Embellished Bra From Her Studio Trailer in Exhibit Quality Framed Display W/COA - This Magicform under wire bra was obtained from Marilyn Monroe's studio trailer by a gentleman who was working refurbishing studio trailers and acquired it from Marilyn's trailer where it had been left behind. The bra is heavily embellished with rhinestones and floral embroidery on the cups, and notably has the straps cut. Marilyn Monroe was known to cut the straps on the back of her bras and tie them around the neck to give a higher life as opposed to when worn the conventional way. The bra has been professionally matted and framed to museum quality with several lovely photos of the actress. The lot will come with a certificate of authenticity and a typeset description of the piece from the person from whom it was acquired, who sold the piece for a friend who was the sister-in-law of the gentleman who refurbished Marilyn's trailer. Measurements: 31.75" x 37.5".
Estimate: $1,700.00
Lot # 146: Marilyn Monroe's Rhinestone Bib Necklace
Marilyn Monroe's Personally Owned Rhinestone Bib Necklace From The Sydney Guilaroff Collection W/Notarized Letter of Provenance - This lovely costume necklace was personally owned by Marilyn Monroe. The necklace is made of silver metal with round and teardrop rhinestones that hang and create a bib-style design. The necklace comes with a notarized letter of provenance from Marilyn Monroe's personal hairstylist Sydney Guilaroff, which states in part, "Marilyn gave me this large 'Weiss' costume rhinestone 'bib' type necklace with many different sized stones and a pendant like rhinestone highlight to add to my star worn collection around 1955. No one has worn it but Marilyn."
Estimate: $1,800.00
Lot # 151: Marilyn Monroe Lock of Hair in Exhibit Quality Display
Marilyn Monroe Lock of Hair From the Collection of Harold Shigley in Exhibit Quality Framed Display W/Letter of Authenticity and More - This is a genuine lock of hair which was cut from Marilyn Monroe by her hairstylist Sydney Guilaroff. Guilaroff was a hair stylist during Hollywood's Golden Age who was the first to receive on-screen credit in films. He worked for more than forty years at the Metro Goldwyn Mayer studios on more than a thousand films, and was instrumental in crafting many of the hairstyles which became the signature looks for numerous film stars. The lock comes with several documents including a letter of authenticity from Ryan Mack of Griffin Memorabilia, which states in part, "I have removed pieces of Marilyn Monroe's hair from a lock originally obtained by her hairdresser, Sydney Guilaroff on the set of 'Something's Got to Give' on June 1, 1962." The lot also includes a copy of an original Certificate of Authenticity and Provenance from American collector Harold Shigley, whose collection contained iconic items such as an uncirculated $10,000 bill, burial ring of Leonardo da Vinci, nails from Jesse James' coffin, and the doorknocker from the home of Christopher Columbus, among others. Sydney Guilaroff and Harold Shigley were good friends, as is documented in the accompanying copies of correspondence from the stylist, and Shigley was given the lock of hair from Guilaroff during their more than 50 year friendship. The lock of hair has been professionally matted and framed in a wood and gilt frame along with a photo of the iconic starlette. Measurements: 17" x 21"
Estimate: $600.00 
Lot # 152: Marilyn Monroe Personally Owned and Used Hair Pin
Marilyn Monroe Personally Owned and Used Hair Pin in Exhibit Quality Framed Display W/COA - This framed presentation contains a hair pin that was personally owned and used by Marilyn Monroe. The pin is framed together with a lovely photo of the star with a similar pin in her mouth, and a photo getting her hair done. The lot comes with a certificate of authenticity from Mark Bellinghaus. Measurements: 15" x 12".
Estimate: $300.00 
Lot # 153: Marilyn Monroe Owned and Worn Stocking Remnant 37/300
Marilyn Monroe Limited Edition Owned and Worn Stocking Remnant Numbered 37/300 W/COA and Provenance - This limited edition piece includes a remnant of a nude stocking that was owned and worn by Marilyn Monroe. The presentation is numbered 37/300, and comes with a certificate of authenticity from John Reznikoff. Reznikoff also included supporting provenance by way of a photocopy of the original auction listing in which several of Marilyn Monroe's stockings were sold. The stockings were given by Marilyn to Marianne Geltner, who was the cook at Parkside House in Surrey, England in 1956 where she resided while filming The Prince And The Showgirl.
Estimate: $300.00
Lot # 177 A: George Barris "Marilyn Monroe: Last Shoot" Signed Photo
George Barris "Marilyn Monroe: The Last Shoot" Signed and Numbered Photograph Printed From Original Negative W/COA - This striking photo is a beautiful and rare photograph of Marilyn Monroe from the series entitled "The Last Photos", taken by photographer George Barris in 1962 just two weeks before Monroe's death. The series of photographs are considered the last photos ever taken of the icon. This is a type II photograph printed from the original negative, and is hand-signed by photographer George Barris. The lot includes a certificate of authenticity which states that the photograph is "Printed from the Original Negative, Hand Signed and Numbered Inverso." Note: The photograph is framed and the back is not visible. Measurements: Frame-21 x 18 inches, Image-approximately 11 x 14 inches.
Estimate: $750.00
Lot # 177 B: George Barris "Marilyn Monroe: Last Shoot" Signed Photo
George Barris "Marilyn Monroe: The Last Shoot" Signed and Numbered Photograph Printed From Original Negative W/COA - This striking photo is a beautiful and rare photograph of Marilyn Monroe from the series entitled "The Last Photos", taken by photographer George Barris in 1962 just two weeks before Monroe's death. The series of photographs are considered the last photos ever taken of the icon. This is a type II photograph printed from the original negative, and is hand-signed by photographer George Barris. The lot includes a certificate of authenticity which states that the photograph is "Printed from the Original Negative, Hand Signed and Numbered Inverso." Note: The photograph is framed and the back is not visible. Measurements: Frame-21 x 18 inches, Image-approximately 11 x 14 inches.
Estimate: $800.00 
Lot # 177 C: Marilyn Monroe II Mixed Media by Nastya Rovenskaya
Marilyn Monroe II Original Mixed Media on Paper by Nastya Rovenskaya W/COA (Framed) - This mixed media art piece titled Marilyn Monroe II was made by Russian artist Nastya Rovenskaya. The art piece features hand painting on a print of Marilyn Monroe, and is hand-signed by the artist. Nastya Rovenskaya is a master of pop and street art, and is regarded as one of the most innovative and exciting artists on the international stage. She constructed a unique technique of pop art using free brush strokes with acrylic and oil paints. The piece comes with a certificate of authenticity from Yosi Gol Art Gallery and Publishing. Measurements: 49"x40", 58"x49" framed.
Estimate: $750.00 
Lot # 179: Andy Warhol Signed "Marilyn Monroe" 1986 Print #063/200
Andy Warhol Signed "Marilyn Monroe, 1962" Limited Edition 1986 Color Print #063/200 W/COA - This is a limited edition color print published in 1986 by the Royal Palace Gallery, after Andy Warhol's work featuring iconic film star Marilyn Monroe, "Marilyn Monroe, 1962". The print is signed by Andy Warhol and numbered 063/200. The print also bears the embossed gallery seal on the front along with the Royal Palace Gallery stamp and representative signature on the back. The print comes with a certificate of authenticity from Royal Palace Gallery, and a letter from the gallery confirming that it was printed in 1986 by the Cartier Foundation as part of an exhibition by the Museum of Modern Art, N.Y. Measurements: 11" X 14".
Estimate: $5,250.00
Lot # 180: Andy Warhol Signed "Marilyn Monroe" 1986 Print #034/200
Andy Warhol Signed "Marilyn Monroe, 1967" Limited Edition 1986 Color Print #034/200 W/COA - This is a limited edition color print published in 1986 by the Royal Palace Gallery, after Andy Warhol's work featuring iconic film star Marilyn Monroe, "Marilyn Monroe, 1967". The print is signed by Andy Warhol and numbered 034/200. The print also bears the embossed gallery seal on the front along with the Royal Palace Gallery stamp and representative signature on the back. The print comes with a certificate of authenticity from Royal Palace Gallery, and a letter from the gallery confirming that it was printed in 1986 by the Cartier Foundation as part of an exhibition by the Museum of Modern Art, N.Y. Measurements: 11" X 14".
Estimate: $2,400.00
Lot # 183: Sunday B. Morning "Marilyn Monroe 11.27" Print W/COA
Sunday B. Morning After Andy Warhol "Marilyn Monroe 11.27" Silkscreen Print W/COA - This silkscreen print titled " Marilyn Monroe 11.27" was published in 2018 by Sunday B. Morning featuring the work of Andy Warhol. The print is printed on 'museum board' with the highest quality archival inks, and the colors are absolutely vibrant and stunning. The print comes with a certificate of authenticity from Sunday B. Morning, and is stamped in blue on the back with "Published by Sunday B. Morning" and "fill in your own signature". Measurements: 36" x 36".
Estimate: $100.00 
Lot # 184: Gail Rodgers "Marilyn Monroe" One-of-a-Kind Silkscreen
Gail Rodgers "Marilyn Monroe" Signed One-of-a-Kind Hand Pulled Silkscreen on Canvas W/LOA - This one-of-a-kind silkscreen print was made by Gail Rodgers, and depicts the iconic American starlet, Marilyn Monroe. Gail Rodgers combines silk-screening with hand painting to create original one-of-a-kind designs and portraits that have caught the eye of numerous art collectors and A-list celebrities alike. This silkscreen is printed on canvas with hand painting, and is hand signed by Rodgers in the bottom left corner. The lot includes a letter of authenticity. Measurements: 23" x 24".
Estimate: $120.00 
Lot # 185: Death NYC "Marilyn Monroe" Signed Lithograph #30/100
Death NYC "Marilyn Monroe" Limited Edition Signed Lithograph #30/100 (Framed) - This lithograph from NYC street artist, Death NYC, depicts Marilyn Monroe with devil horns. The print is signed "RAW" (an alternative alias of DEATH NYC), dated 2016 and numbered 30/100 by the artist. The lithograph is framed in a black bamboo motif frame with the Death NYC authenticity sticker affixed to the back of the piece. Measurements: 19" x 14". DEATH chooses to keep her identity anonymous, she believes that it gives her more freedom to continue to work on the street. She began painting on walls and floors of popular shops in Soho and Chelsea area of New York City. She gets the name DEATH from the abbreviation of Don't Easily Abandon The Hope. DEATH tries to ridicule the mainstream media by making fun of popular images.
Estimate: $225.00 
Lot # 186: Death NYC "Marilyn Monroe" Signed Fine Art Print #11/100
Death NYC "Marilyn Monroe" Limited Edition Signed Fine Art Print #11/100 W/COA - This fine art print was made by NYC street artist, Death NYC. The print depicts Marilyn Monroe against a background of the iconic Christian Dior print, and is signed in pencil by the artist and numbered 11/100. The print comes with a certificate of authenticity and Death NYC sticker. Measurements: 17" x 12".
Estimate: $140.00 
Lot # 187: George Barris "Marilyn Monroe, Malibu 1962" Poster
George Barris "Marilyn Monroe, Malibu 1962" Poster From Edward Weston Collection W/LOA - This poster on paper pictures an image titled "Marilyn Monroe, Malibu 1962" taken by famous photographer George Barris. The poster is from the Edward Weston Collection, Marilyn Monroe Weston Editions Ltd. and comes with a letter of authenticity. Measurements: 29" x 23".
Estimate: $25.00 
All photos are copyright and protected by their respective owners.
Rose Marie Reid
Rose Marie Reid
(1906 - 1978)
Créatrice de Maillots de Bain - 1940s-1960s
Designer of Swimsuits - 1940s-1960s
Rose Marie Reid naît le 12 septembre 1906 sous le nom de Rose Marie Yancey à Cardston, dans la province d'Alberta au Canada. Elle grandit auprès de parents attentifs, William Elvie Yancey Sr. et Marie Hyde Yancey, qui lui inculquent les valeurs du travail et ses six frères et soeurs (Elvie Hyde Yancey, Oliver Yancey, Hugh Hyde Yancey, Marion Yancey Helneir, Ruth Yancey Keller et Don Merlin Yancey). Sa mère, couturière professionnelle, lui apprend à coudre et à dessiner des patrons. En 1916, la famille déménage dans une communauté mormone et s'installe dans une ferme à Weiser, dans l'Idaho aux Etats-Unis.
En septembre 1925, elle n'a que 19 ans et achète un salon de beauté à Baker City dans l'Oregon où elle y travaille avec sa mère alors que ses frères ouvrent un atelier de peinture dans le local à côté.
Elle épouse plutôt à contre coeur Gareth Rhynhart, un artiste itinérant. Ses frères ayant commencé à prendre des cours de peinture auprès de Rhynhart, qu'ils avaient connu à Cardston, au bout de deux semaines celui-ci refuse de poursuivre l'enseignement à moins qu'il ne puisse épouser Rose Marie. Bien qu'elle ne soit pas intéressée, elle finit par accepter le mariage car elle souhaite que ses frères poursuivent leurs cours d'art - un arrangement que la famille de Rose Marie ne connaîtra que bien des années plus tard ! D'ailleurs, le mariage ne tient pas et Rose Marie divorce de Rhynhart en 1935.
C'est après son divorce qu'elle s'installe à Vancouver, en Colombie-Britannique au Canada. Le 30 novembre 1935, elle se remarrie avec Jack Crossman Reid, qu'elle a rencontré à la piscine (il lui donnait des cours de natation - pour elle, il se convertit et devient membre de l'Eglise) et ensemble ils ont trois enfants: Bruce Alan Reid (1937-2015), Sharon Reid Alden (1938) et Carole Marie Reid Burr (1940-2020).
Rose Marie, ses enfants et des associés - 1957
Rose Marie, her children and associates - 1957
Rose Marie Reid was born on September 12, 1906 as Rose Marie Yancey in Cardston, Alberta, Canada. She grew up with attentive parents, William Elvie Yancey Sr. and Marie Hyde Yancey, who instilled in her the values of work and her six brothers and sisters (Elvie Hyde Yancey, Oliver Yancey, Hugh Hyde Yancey, Marion Yancey Helneir, Ruth Yancey Keller and Don Merlin Yancey). Her mother, a professional seamstress, taught her to sew and draw patterns. In 1916, the family moved to a Mormon community and settled on a farm in Weiser, Idaho in the United States.
In September 1925, she is only 19 years old when she buy a beauty salon in Baker City, Oregon where she works there with her mother while her brothers open a paint shop in the room next door.
She rather reluctantly marries Gareth Rhynhart, an itinerant artist. Her brothers having started taking painting lessons from Rhynhart, whom they had known in Cardston, after two weeks he refuses to continue teaching unless he could marry Rose Marie. Although she is not interested, she eventually accepts the marriage because she wants her brothers to continue their art lessons - an arrangement that Rose Marie's family will not know about until many years later! Moreover, the marriage doesn't held and Rose Marie divorces from Rhynhart in 1935.
It is after her divorce that she moves to Vancouver, British Columbia in Canada. On November 30, 1935, she remarried with Jack Crossman Reid, whom she met at the swimming pool (he gave her swimming lessons - for her, he will convert and become a member of the Church) and together they have three children : Bruce Alan Reid (1937-2015), Sharon Reid Alden (1938) and Carole Marie Reid Burr (1940-2020).
C'est à Vancouver que Rose Marie se lance dans la conception de maillots de bain. Son inspiration vient du fait que son mari, Jack, qui passait beaucoup de temps à la piscine de par son activité d'entraîneur, se plaignait de l'inconfort des maillots de bain: en crêpe de laine, en coton, ou même en caoutchouc, ils deviennent lourds une fois trempés, sont très inconfortables et n'existent qu'en une taille unique. Rose Marie conçoit alors un maillot de bain pour son mari en coupant du tissu dans un vieux manteau de canard et de lacer les côtés avec des lacets à chaussures pour un ajustement parfait. Jack est très satisfait et Rose Marie conçoit d'autres maillots pour des nageurs (le modèle homme porté par son mari et par le nageur Freddie Rossiter et le modèle femme porté par la nageuse Noel Oxenbury et la plongeuse Bunty Harrington). Lors d'une compétition de natation, un cadre de Hudson's Bay (un grand magasin au Canada), remarque évidemment les maillots et décident d'en commander une douzaine. Mais Rose Marie reste méfiante à l'idée de vendre des maillots de bain: poussée par son mari et vers le Seigneur (elle est mormone et très dévote), elle accepte après une prière et le consentement du Seigneur. Elle achète du beau tissu et se lance dans la confection de maillot de bain fait de tissu élastique (utilisé jusqu'alors par les fabricants de gaines) avec des lacets sur les côtés: c'est ainsi que son entreprise est lancée en 1936 sous le nom de "Reid's Holiday Togs, Ltd". Au cours de sa première année d'activité, Rose Marie avait déjà 16 employés, et son entreprise rapportait 10 000 $ bien qu'elle n'avait conçu que six modèles de maillots de bain (dont le plus vendu est le "Skintite"). Mais Rose Marie n'a jamais été une ambitieuse et le succès n'est arrivé que par un concours de circonstances, car son rêve était d'être simplement une mère au foyer.
En raison d'infidélités et d'abus de violences envers elle et ses enfants, Rose Marie finit par divorcer de Jack le 10 avril 1946 et ouvre une nouvelle usine à Vancouver en 1947. Ayant des difficultés à se procurer certains tissus (du au contexte de la seconde Guerre Mondiale), elle fait plusieurs tentatives pour installer sa marque aux Etats-Unis (elle dépose même la license de son nom dès 1938); les Etats-Unis l'ont toujours aussi attirée de par la présence de communauté de Mormons. Après son divorce et avec l'aide de Jack Kessler, avec qui elle s'associe, et de Marjorie Griswold, une représentante et acheteuse de produits pour les boutiques Lord & Taylor, elle installe sa grande entreprise en Californie: le 20 septembre 1946, son entreprise américaine "Rose Marie Reid, Inc." est lancée, tout en poursuivant l'activité de son entreprise canadienne car en 1946, près de 50 % des maillots de bain vendus au Canada étaient ses créations. Les autres marques de maillots de bain qui dominaient le marché américain étaient alors Cole of California, Jantzen et Catalina. Et ce sont ses maillots de bain qui vont rapidement prendre la première place sur ce marché américain en devenant aussi populaires en Europe occidentale, en Amérique du Sud et en Australie. Rose Marie vit dans un espace aménagé au sein de son entreprise en Calfornie et ce n'est qu'en 1949 qu'elle s'achète une maison à Brentwood, en Californie.
Défilé au Canada en 1945 de la collection des "Skintite"
A fashion show in Canada in 1945 from the "Skintite" collection
Le modèle "Pearl Diver" porté par Jane Russell - vers 1948
The "Pearl Diver" model worn by Jane Russell - circa 1948
Publicité française - années 1950s / French advertising - 1950s
It is in Vancouver that Rose Marie started designing bathsuit. Her inspiration comes from the fact that her husband, Jack, who spent a lot of time at the pool because of his job of swimming instructor and athletic manager, complained about the discomfort of bathsuits: wool crepe, cotton, or even rubber, they become heavy when soaked, are very uncomfortable and only available in one size. Rose Marie then designs a bathsuit for her husband by cutting fabric from an old duck coat and lacing the sides with shoe laces for a perfect fit. Jack is very satisfied and Rose Marie designs other swimsuits for swimmers (the men's model worn by her husband and by swimmer Freddie Rossiter and the women's model worn by swimmer Noel Oxenbury and diver Bunty Harrington). During a swimming competition, an executive from Hudson's Bay (a department store in Canada), obviously notices the swimsuits and decides to order a dozen. But Rose Marie remains wary of the idea of selling swimsuits: pushed by her husband and towards the Lord (she is a Mormon and very devout), she accepts after a prayer and the consent of the Lord. She buys beautiful fabric and launches into making swimsuits made of elastic fabric (used until then by manufacturers of girdles) with laces on the sides: this is how her business was launched in 1936 under the name of "Reid's Holiday Togs, Ltd". In her first year of business, Rose Marie already has 16 employees, and her business was bringing in $10,000 despite having only designed six bathsuits designs (the best-selling of which is the "Skintite") . But Rose Marie was never ambitious and success only came by a combination of circumstances, as her dream was to simply be a stay-at-home mom.
It is for reasons of infidelity and abuse of violence against her and her children that Rose Marie ends up divorcing Jack on April 10, 1946 and opening a new factory in Vancouver in 1947. Having difficulty obtaining certain fabrics (due to the context of the Second World War), she makes several attempts to establish her brand in the United States (she even registered the license of her name in 1938); the United States has always attracted her because of the presence of the Mormon community. After her divorce and with the help of Jack Kessler, who becomes a business partner, and Marjorie Griswold, a representative and purchaser of products for Lord & Taylor, she sets up her big business in California: on September 20, 1946, her American company "Rose Marie Reid, Inc." is launched, while continuing the activity of her Canadian company because in 1946, nearly 50% of the swimsuits sold in Canada were her creations. Other bathsuits brands that dominated the US market then were Cole of California, Jantzen and Catalina. And this were her bathsuits that would quickly take the top spot in this American market, becoming as popular in Western Europe, South America and Australia. Rose Marie lives in a space arranged within her factory in Calfornia and it id not until 1949 that she buys a house in Brentwood, California.
Style & Succès -/- Style & Success
Vitrines de magasins / Showcase window shops
En 1949, la célèbre boutique chic new-yorkaise Lord & Taylor's (grâce au soutien de Griswold) expose ses maillots de bain en exclusivité dans l'une de leurs vitrines sur la Cinquième Avenue, avec, en vedette. un maillot de bain en or 29 carats vendu 100 $.
Des défilés sont organisés et des consultantes de son entreprise se rendent même certains jours dans des boutiques pour conseiller les acheteuses.
Ses créations deviennent vite tendance et une mode à suivre, au design innovant permettant l'aisance des mouvements dans l'eau, et aux tissus colorés faits pour être vus. Elle est la première créatrice de maillots de bain à utiliser des soutiens-gorge intérieurs, des panneaux abdominaux, des jambes fixes, des bandes élastiques, des jupes courtes et des tissus de base dans les maillots de bain. Elle invente même le maillot permettant de bronzer en utilisant du tissu photo perméable.
Ses premiers maillots ont la caractéristique d'avoir une fermeture à lacets pour un ajustement au corps, et des tissus tels que la gabardine et le coton qui ne s'étirent pas et ne s'emballent pas une fois mouillé. Elle conçoit même des maillots plus glamour en lamé métallique, en velours et même en dentelle, étant ainsi une sorte de précursseur de la lingerie féminine sexy et moderne.
Elle est aussi la première créatrice à introduire des tailles de robe dans les maillots de bain, concevant des maillots de bain pour plusieurs tailles et types de corps, plutôt que de produire une seule taille standard. Elle conçoit des maillots pour hommes, pour femmes, pour enfants et pour ados et elle est ainsi la première à distinguer des classes d'âges à travers les maillots de bain; tout comme à établir des maillots selon les saisons (distinguant l'hiver de l'été) et de proposer aussi des accessoires (sacs, chapeaux) mais aussi des vêtements de plage (vestes courtes et robes de plage).
Pour Rose Marie, la femme doit "être aussi belle en maillot de bain qu'en robe de soirée."
Des maillots en short & en jupette / Suits in shorts and skirtiny
Maillots "une pièce" classiques / Classic "One-Piece" Swimsuits
Maillots style lingerie (dentelle et nylon)
Lingerie-style swimsuits (lace and nylon)
Maillots "deux pièces" / "Two-Piece" Swimsuits
In 1949, the famous chic New York store Lord & Taylor's (thanks to the support of Griswold) exhibited her swimsuits exclusively in one of their windows on Fifth Avenue, starring a 29-karat gold swimsuit sold for $100.
Fashion shows are organized and consultants from her company even go to shops on certain days to advise buyers.
Her creations quickly become trendy and a fashion to follow, with innovative design allowing ease of movement in the water, and colorful fabrics made to be seen. She is the first swimwear designer to use inner bras, abdominal panels, fixed legs, elastic bands, short skirts and base fabrics in the swimwears. She even invents the bathing suit for tanning using photo permeable fabric.
Her early bath suits feature a lace-up closure for a snug fit, and fabrics such as gabardine and cotton that don't stretch or bunch up when wet. She even designs more glamorous swimsuits in metallic lamé, velvet and even lace, thus being a kind of precursor of sexy and modern women's lingerie.
She is also the first designer to introduce dress sizes into swimwear, designing swimsuits for multiple sizes and body types, rather than producing just one standard size. She designs swimsuits for men, women, children and teenagers and is thus the first to distinguish age groups through swimsuits; as well as establishing swimsuits according to the seasons (distinguishing winter from summer) and also offering accessories (bags, hats) but also beach clothing (short jackets and beach dresses).
For Rose Marie, the woman must "be as beautiful in a bathing suit as in an evening dress."
Côté innovation, elle dépose en 1950 une demande de brevet américain pour un maillot de bain une pièce utilisant un tissu élastique et dépourvu de boutons, permettant de l'enfiler facilement: elle reste la créatrice du maillot une pièce moderne. Le brevet, déposé en 1946 mais non délivré avant 1950, rapporte que l'invention «façonnerait et soutiendrait des parties du corps du porteur dans les zones du buste et de l'abdomen d'une manière flatteuse sans gêne ni entrave aux mouvements libres du corps.» La conception de Reid, comme le montre le brevet, est encore beaucoup plus adaptée qu'une pièce moderne, mais elle s'écarte des fermetures à glissière, des boutons et - à un moment donné - des lacets qu'elle avait utilisé dans ses précédentes conceptions.
Son entreprise a breveté une machine pour un point fagot qui est devenu la marque de fabrique de ses créations. Elle avait plusieurs autres brevets pour des maillots de bain et des accessoires.
Elle élabore rarement des croquis et travaille plutôt directement sur les mannequins au sein de son entreprise sur Sunset Boulevard (Los Angeles) et fait toujours tester ses maillots en les mettant dans l'eau douce et salée.
On the innovation side, in 1950 she applies for an American patent for a one-piece swimsuit using an elastic fabric with no buttons, allowing it to be easily put on: she remains the creator of the modern one-piece swimsuit. The patent, filed in 1946 but not granted until 1950, reports that the invention would "shape and support portions of the body of the wearer in areas of the bust and abdomen in a flattering manner without discomfort or impedance to free movements of the body." Reid's design, as the patent shows, is still much more tailored than a modern one-piece, but it departs from the zippers, buttons and - at one point - laces that she had used in her previous designs.
Her company patented a machine for a fagot stitch that became the hallmark of her designs. She had several other patents for swimwear and accessories.
She rarely draws sketches and instead works directly on girls models within her company on Sunset Boulevard (Los Angeles) and always has her bath suits tested by putting them in fresh and salt water.
Parmi ses créations célèbres, on retrouve le maillot surnommé le "Sablier" introduit en 1951 et produit dans de nombreuses variantes. Il est devenu l'un des best-sellers de son entreprise.
Sa ligne de maillots de bain "Magic Length" ("longueur magique") comportait un "soutien-gorge miracle" intérieur, des bretelles escamotables, un panneau de contrôle du ventre, à la jambe qui reste vers le bas et un dos élastiqué pour empêcher le corsage de s'ouvrir. Avec ses nombreuses adaptations pour différents types de corps, la "Magic Length" devient un classique de Rose Marie Reid et reste très populaire dans les années 1950.
Pour les adolescentes, elle créé la ligne Juniors avec ses initiales: "RMR Juniors".
~ Quelques modèles "Sablier" ~ Some "Hourglass" suits ~
~ Variantes du modèle "Magic Length" ~
~ La ligne "Mood Renaissance", publication dans Vogue, 12/1956 ~
~ The "Mood Renaissance" line, published in Vogue, 12/1956 ~
~ RMR Juniors, fin 1950s /début 1960s ~
Among her famous creations is the suit named the "Hourglass" introduced in 1951 and produced in many variations. It became one of his company's bestsellers.
Her "Magic Length" swimsuit line featured an inner "miracle bra", stow-away straps, tummy control panel, stay-down leg, and elasticated back for prevent the bodice from opening. With its many adaptations for different body types, the "Magic Length" became a Rose Marie Reid classic and remained very popular in the 1950s.
For teenage girls, she creates the Juniors line with her initials: "RMR Juniors".
Parmi les slogans utilisés dans les publicités, au début des années 1950s: "Rose Marie Reid, Maillots de bain sculptés" mettant en avant la ligne du corps, puis remplacé par "Rose Marie Reid, les joyaux de la mer" pour donner alors un aspect plus noble et accentuer le côté chic et mode des maillots.
~ Pubs "Rose Marie Reid, Sculptured Swimsuits" ~
~ Pubs "Rose Marie Reid, Jewels of the Sea" ~
Among the slogans used in advertisements in the early 1950s: "Rose Marie Reid, Sculptured Swimsuits" putting forward the body line, then replaced by "Rose Marie Reid, the jewels of the sea" to give an appearance more noble and accentuate the chic and fashionable side of the swimsuits.
En 1952, le chiffre d'affaires de son entreprise est à 5 millions de dollars, pour atteindre en 1958 la somme de 15 millions. En 1959, la production est de 10 000 costumes par jour et la distribution mondiale atteint 46 pays (sa marque est vendue à travers plusieurs bureaux de vente dans le monde: Los Angeles, Chicago, Miami, New York, Londres, Amsterdam et Paris), faisant de Rose Marie Reid la plus grand fabricante de maillots de bain au monde. En 1960, les ventes de l'entreprise représentent alors près de 10 % du volume total de vente au détail de maillots de bain pour femmes.
Son succès l'amène à voyager fréquemment et à rencontrer des vendeurs pour leur donner des instructions sur les tissus, les styles et les designs. Elle sera même la première femme aux États-Unis à parcourir en avion plus de 800 000 km à travers les Etats-Unis. Sa fille Carole R. Burr, dira qu'"elle voyageait partout avec un Livre de Mormon, et souvent avec un bébé dans les bras" car quand elle le peut, elle emmène ses enfants lors de ses voyages d'affaires, quand elle ne les fait pas garder par sa mère et sa soeur. En 1938, elle prend même sa fille Sharon, âgée que de 10 jours, ce qui fera du bébé "la plus jeune personne ayant voyagé en avion."
Elle est également nommée en 1955 l'une des 10 femmes de l'année par le Los Angeles Times, et en 1958, le Sports Illustrated la célèbre par le prix du designer de l'année ("American Sportwear and Design Award").
Ses créations sont publiées dans les pages mode des magazines américains: Life, Harper's Bazaar, Esquire, California Stylist, New Yorker, Seventeen, Mademoiselle.
28 mai 1958, New York, Saint Regis Hotel
Rose Marie Reid et son prix de Sports Illustrated
Publicités & Maillots de bain correspondants
Publicités années 1950s
Publicités parues dans Vogue, 11/1954
Publicités parues dans Vogue, 1958-1961
Mannequins des années 1950s dans les magazines de mode:
Evelyn Tripp, Nancy Berg, Carmen Dell 'Orefice, Joanna McCormick...
Mannequins des années 1960s dans les magazines de mode:
Anna Carin Bjorck, Dorothy McGowan, Suzie Parker, Jean Shrimpton ...
In 1952, the turnover of her company was 5 million dollars, to reach in 1958 the sum of 15 million. In 1959, production was 10,000 suits per day and worldwide distribution reached 46 countries (her brand was sold through several sales offices around the world: Los Angeles, Chicago, Miami, New York, London, Amsterdam and Paris) , making Rose Marie Reid the largest swimwear manufacturer in the world. By 1960, company sales were nearly 10% of total women's swimwear retail volume.
Her success led her to travel frequently and meet with salespeople to instruct them on fabrics, styles and designs. She will even be the first woman in the United States to fly more than 800,000 km across the United States. Her daughter, Carole R. Burr, will say that "she traveled everywhere with a Book of Mormon, and often with a baby in her arms" because when she can, she takes her children on her business trips, when she doen't make them keeping by her mother and her sister. In 1938, she even takes her 10-day-old daughter Sharon, making the baby "the youngest person to travel by plane."
She is also named one of the 10 women of the year by the Los Angeles Times in 1955, and in 1958, Sports Illustrated celebrates her with the designer of the year award ("American Sportwear and Design Award").
Her creations are published in the fashion pages of American magazines: Life, Harper's Bazaar, Esquire, California Stylist, New Yorker, Seventeen, Mademoiselle.
Très croyante, Rose Marie Reid est membre de l'Église de Jésus-Christ des Saints des Derniers Jours pour lesquels elle contribue à de nombreuses collecte de fonds, notamment en 1954 pour la construction de bâtiments d'église et du temple de Los Angeles en Californie. Elle partage sa foi autant avec ses voisins passagers d'avion, que ses mannequins ou ses associés en affaire. Parmi son entourage proche, elle a de nombreux amis juifs avec qui elle partage ses croyances. Elle tient le rôle de missionnaire pour l'Eglise en Californie.
En 1959, elle est invitée par l'Église de Jésus-Christ des Saints des Derniers Jours à redessiner les vêtements du temple LDS. Rose Marie était également une bienfaitrice très généreuse de l'Université Brigham Young (elle y a prononcé un discours "dévotionnel" en 1953) et a siégé au Conseil consultatif national.
Et quand elle conçoit le maillot de bain blanc à motif perlé rose appelé "Starlight", elle demande aux membres locaux de la Société de Secours de coudre des paillettes sur les maillots: des centaines de soeurs se portent bénévoles, et le maillot d'être renommé le maillot de "Relief Society Suit" ("la société de secours"), se vendant au prix de 50 $. Elle fait don des bénéfices des ventes à succès de ce maillot au fonds de construction du temple. "Starlight" est si populaire que même le magazine Life publie en 1956 un article deux pages et demie sur ce maillot "le plus photographié cette saison".
Rose Marie dans son rôle de missionnaire mormone pour l'Eglise
Rose Marie in her role as a Mormon missionary for the Church
Le modèle "Starlight"
"Starlight" dans Life - 16 avril 1956
Very religious, Rose Marie Reid is a member of the The Church of Jesus Christ of Latter-day Saints for which she contributes to numerous fundraisers, notably in 1954 for the construction of church buildings and the temple of Los Angeles in California. She shares her faith as much with her fellow airline passengers as her models or business associates. Among her close entourage, she has many Jewish friends with whom she shares her beliefs. She serves as a missionary for the Church in California.
In 1959, she is invited by The Church of Jesus Christ of Latter-day Saints to redesign the clothing for the LDS temple. Rose Marie is also a very generous benefactor of Brigham Young University (she gave a "devotional" address there in 1953) and serves on the National Advisory Board.
And when she designs the pink-beaded white bathing suit called "Starlight," she asks local Relief Society members to sew sequins onto the bathing suits: Hundreds of sisters volunteer, and the bathing suit is renamed the "Relief Society Suit", selling for $50. She donates the proceeds from the successful sales of this suit to the temple building fund. "Starlight" was so popular that even Life magazine in 1956 published a two-and-a-half-page article on this "most photographed swimsuit that season".
Les stars -/- The celebrities
Son succès gagne Hollywood et des actrices célèbres portent ses maillots de bain en posant pour des photos de style pin-up comme Joan Crawford, Jane Russell, Marilyn Monroe, Rhonda Fleming, Yvonne de Carlo, Mary Murphy et Cyd Charisse.
Her success is gaining Hollywood and famous actresses wear her bathsuits posing for pin-up style photos like Joan Crawford, Jane Russell, Marilyn Monroe, Rhonda Fleming, Yvonne de Carlo, Mary Murphy and Cyd Charisse.
~ Mary Murphy, Yvonne De Carlo, Rhonda Fleming, Cyd Charisse ~
~ Diana Dors porte le modèle Starlight -
~ Rita Hayworth, 1947 ~
Pour une séance photos, Rita Hayworth va rendre célèbre le maillot qui sera surnommé le "Lamé métalissé scintillant" en 1947, en posant pour des portraits publicitaires du photographe Robert Coburn pour le film "L'étoile des étoiles". Maillot qui sera porté la même année par une autre actrice en herbe qui faisait ses débuts: Shelley Winters.
~ Rita Hayworth, 1947 ~
For a photo shoot, Rita Hayworth will make famous the suit which will be nicknamed the "glittering metallic lamé" in 1947, by posing for publicity portraits of photographer Robert Coburn for the film "Down to Earth". Suit that will be worn the same year by another budding actress who was making her debut: Shelley Winters.
~ Shelley Winters, 1947 ~
Ses maillots sont aussi portés par des actrices et acteurs dans plusieurs films montrant des fêtes sur les plages californiennes de la fin des années 1950 au début des années 1960, notamment dans "Gidget" (1959 - avec Sandra Dee), dans "Where the Boys Are" (1960 - avec George Hamilton, Yvette Mimieux et Barbara Nichols) et "Muscle Beach Party" (1964), permettant de contribuer à l'esprit juvénile de la culture balnéaire de la Californie prônant le soleil et le surf.
Gidget - 1959
Where The Boys Are - 1960
Her swimsuits are also worn by actresses and actors in several films showing Californian beach parties from the late 1950s to the beginning of the 1960s, notably in "Gidget" (1959 - with Sandra Dee), in "Where the Boys Are" (1960 - with George Hamilton, Yvette Mimieux and Barbara Nichols) and "Muscle Beach Party" (1964), contributing to the youthful spirit of California's sun and surf beach culture.
Publicité collection Juniors - Sandra Dee & James Darren / Yvette Mimieux
La fin de son style -/- The end of her style
Début des années 1960s, les maillots de bain deux pièces deviennent très populaires et sont de plus en plus petits: c'est l'ère du bikini. En plus de rejetter les offres lucratives pour des partenariats publicitaires (comme pour les cigarettes Camel), Rose Marie Reid, mêlant sa foi à son métier, refuse catégoriquement de suivre la tendance du bikini trop "impudique" et sans avenir aux USA selon elle, pour continuer à prôner ses maillots une pièce, ou ses deux pièces à la culotte couvrante. En 1963, c'est donc en raison de désaccords avec ses investisseurs et partenaires commerciaux sur la conception et la production de bikinis, que Rose Marie Reid quitte son entreprise en cédant sa marque à Jonathan Logan Company et ses maillots continuent à être produit sous son nom par Munsingwear.
En 1964, elle lance une perruque pour femmes, faite de fibres synthétiques, sous le nom de "Reid-Meredith".
En 1967, elle s'installe à Provo, dans l'Utah, pour se rapprocher de sa famille et travaille pour l'Eglise mormone. À la fin des années 1960, elle aide son fils Bruce à créer la société The R&M Living Wig.
Elle décède le 16 décembre 1978 des complications après une opération chirurgicale, à l'âge de 72 ans (et non à 66 ans tel que l'indiquait sa nécrologie du New York Times ), dans la maison de sa fille Carole à Provo, dans l'Utah. A sa mort, elle laissait dans le deuil ses trois enfants et avait 19 petits-enfants.
Perruques "Reid Meredith" - 1969
At the beginning of the 1960s, two-piece swimsuits become very popular and are smaller: it is the era of the bikini. In addition to rejecting lucrative offers for advertising partnerships (like for Camel cigarettes), Rose Marie Reid, mixing her faith with her profession, categorically refuses to follow the bikini trend that is too "immodest" and without a future in the USA according to her, to continue to advocate its one-piece swimsuits, or its two-pieces with covering panties. In 1963, it is therefore due to disagreements with her investors and business partners on the design and production of bikinis, that Rose Marie Reid leaves her company by selling her brand to Jonathan Logan Company and her swimsuits continue to be produced under her name by Munsingwear.
In 1964, she launches a wig for women, made of synthetic fibers, under the name "Reid-Meredith".
In 1967, she moves to Provo, Utah, to be closer to her family and works for the Mormon Church. In the late 1960s, she helps her son Bruce to establish The R&M Living Wig Company.
She dies of complications after surgery on December 16, 1978, at the age of 72 (not 66 as her New York Times obituary indicated), at her daughter Carole's home in Provo, NY. Utah. At her death, she was survived by her three children and had 19 grandchildren.
Des créations mythiques -/- Legendary Creations
Sa marque et son nom se perpétue: après Munsingwear qui distribue ses maillot jusqu'en 1965, United Merchants représentait son nom jusqu'en 1986, c'est ensuite au tour de Sirena Apparel Group qui a racheté la licence en 1994.
Aujourd'hui, la plus grande collection de documents et de maillots de bain de Rose Marie Reid se trouve dans les collections spéciales L. Tom Perry de la bibliothèque Harold B. Lee de l'Université Brigham Young à Provo, dans l'Utah.
Plusieurs expositions de ses créations sont organisées à travers les années: le 17 août 2015, la bibliothèque Harold B. Lee organise une grande exposition qui dure 9 mois sur la vie et la carrière de Reid intitulée "Rose Marie Reid: Glamour by Design", avec en parallèle une exposition en ligne
-(à voir sur la page Rose Marie Reid Glamour by Design )
Les amoureux de la mode vintage et de l'ère pin-up achètent ses maillots d'occasion revendus en moyenne entre 100 et 300 € sur les sites internets (ebay, etsy ...).
Publicités années 1980s: le nom de Rose Marie Reid par la marque Lycra
Maillots de bain, foulards et robes d'été
Herbrand and name continue till today: after Munsingwear which distributed its suits until 1965, United Merchants represented her name until 1986, it was then the Sirena Apparel Group which bought the license in 1994.
Today, the largest collection of Rose Marie Reid documents and swimwear is in the L. Tom Perry Special Collections of the Harold B. Lee Library at Brigham Young University in Provo, Utah.
Several exhibitions of her creations are organized throughout the years: on August 17, 2015, the Harold B. Lee Library organizes a major exhibition which lasts 9 months on the life and career of Reid entitled "Rose Marie Reid: Glamour by Design", with an online exhibition in parallel.
Lovers of vintage fashion and the pin-up era buy his second-hand swimsuits resold on average between €100 and €300 on websites (ebay, etsy...).
Marilyn Monroe en Rose Marie Reid
Marilyn Monroe wearing Rose Marie Reid's
1948-1952
On connaît 6 maillots de bain de Rose Marie Reid portés par Marilyn Monroe; mais sans doute en a-t-elle portés d'autres. Les marques de vêtements sont rarement cités dans les pages de magazines qui publiaient les photographies de Marilyn et elle fait partie des célébrités des années 1950s qui a beaucoup posé en maillot de bain (une pièce ou deux pièces) - à travers ses débuts de mannequins devenant une référence de pin-up mais aussi durant le reste de sa carrière.
We know 6 Rose Marie Reid's swimsuits worn by Marilyn Monroe; but no doubt she wore others. Clothing brands are rarely mentioned in the pages of magazines that published Marilyn's photographs and she was one of the celebrities of the 1950s who posed a lot in swimsuits (one-piece or two-piece) - through her beginnings as models becoming a pin-up reference but also during the rest of her career.
1- Le maillot deux pièces en taffetas "The Swish"
1- The taffeta plaid two-piece swimsuit "The Swish"
Maillot de bain deux pièces de la ligne "The Swish" ("frou-frou" en français), composé d'un soutien-gorge à carreaux et d'une jupe en biais faite de taffetas à carreaux noir et blanc à volants, apposée sur un short en satin noir.
Two-piece swimsuit from the "The Swish" line, consisting of a plaid bra and a bias skirt made of ruffled black and white plaid taffeta, affixed to a black satin shorts.
Marilyn l'a porté 5 fois entre 1948 et 1949:
pour des portraits publicitaires des studios de la Columbia par Cronenweth ;
à une séance style pin-up à un hôtel ;
à la piscine de Rockford pour la tournée promo de Love Happy ;
à son hôtel à Détroit lors de la tournée de Love Happy ;
pour une séance publicitaire pour de la bière.
Marilyn wore it 5 times between 1948 and 1949:
for publicity portraits of Columbia studios by Cronenweth;
at a pin-up shoot at a hotel;
at the Rockford Pool for the Love Happy promo tour;
at her hotel in Detroit while touring to promote Love Happy;
for a publicity session for beer.
On ne sait pas ce qu'est devenu le maillot.
It is not known what became of the suit.
article Maillot de bain en taffetas à carreaux de Rose Marie Reid
2- Le maillot deux pièces en satin blanc
2- The white satin two-piece swimsuit
Maillot de bain deux pièces en satin blanc délavé, composé d'un soutien-gorge et d'un short.
Two-piece swimsuit in white delustered satin, consisting of a bra and shorts.
Marilyn l'a porté 1 fois en 1948:
Séance en style pin-up le 07/07/1948, Los Angeles - Tow House Hotel Tennis
Marilyn wore it 1 time in 1948:
Pin-up sitting style, the July 07, 1948 at Town House Hotel Tennis
On ne sait pas ce qu'est devenu le maillot.
It is not known what became of the suit.
3- Le maillot or et bleu "Cut Diamond Magic"
3- The gold and blue suit "Cut Diamond Magic"
Maillot de la ligne "Magic Length", surnommé le "Cut Diamond Magic" (la "coupe magique de diamant"), de forme bustier, avec des fils de nylon élastique afin de s'ajuster parfaitement au corps, avec des motifs géométriques, de couleur or canyon et des nuances de bleu.
Swimsuit from the "Magic Length" line, nicknamed the "Cut Diamond Magic", bustier shape, with elastic nylon threads to fit perfectly to the body, with geometric patterns, in color of canyon gold and shades of blue..
Marilyn l'a porté 1 fois en 1951:
Séance de portraits publicitaires de la RKO par Phil Burchman
Marilyn wore it 1 time in 1951:
Sitting of publicity portraits for RKO Studios by Phil Burchman
On ne sait pas ce qu'est devenu le maillot.
It is not known what became of the suit.
4- Le maillot gris, rouge et vert "Cut Diamond Magic"
4- The grey, red and green suit "Cut Diamond Magic"
Maillot de la ligne "Magic Length", surnommé le "Cut Diamond Magic" (la "coupe magique de diamant"), avec ou sans bretelles (elles sont amovibles), de forme bustier, avec des fils de nylon élastique pour mouler la silhouette et de la dentelle, avec des motifs de fleurs rouge poinsettia et des nuances de gris ou de vert clairière.
Swimsuit from the "Magic Length" line, nicknamed the "Cut Diamond Magic", with or without straps (they are removable), bustier shape, with elastic nylon threads to mold the silhouette and lace, with poinsettia red flower patterns and shades of gray or glade green.
Marilyn l'a porté 1 fois en 1951:
Séance de portraits publicitaires de la RKO par Phil Burchman
Marilyn wore it 1 time in 1951:
Sitting of publicity portraits for RKO Studios by Phil Burchman
On ne sait pas ce qu'est devenu le maillot.
It is not known what became of the suit.
5- Le maillot jaune doré "Sea Scallop"
5- The golden yellow "Sea Scallop" suit
Maillot de la ligne "Sea Scallop" (signifiant littérallement "le homard de mer"), se fermant par six gros boutons. Maillot semblant être populaire par Reid, car en plus d'avoir été porté par Jane Russell, il figurait aussi dans une publicité (de couleur verte).
Swimsuit from the "Sea Scallop" line, closing with six large buttons. Suit seemed to be popular by Reid, because in addition to having been worn by Jane Russell, it also appeared in an advertisement (in green color).
Marilyn l'a porté 1 fois en 1952:
pour une séance photos avec le photographe Earl Theisen
Marilyn wore it 1 time in 1952:
for a photo shoot with photographer Earl Theisen
On ne sait pas ce qu'est devenu le maillot.
It is not known what became of the suit.
article Maillot de bain doré de Rose Marie Reid
6- Le maillot métallique
6- The metallic swimsuit
Maillot de forme bustier, métallique doré avec des formes géométriques noires à l'imitation lingerie. Elle porte un autre modèle de maillot similaire, d'une couleur plus claire.
Strapless swimsuit, gold metallic with black geometric shapes in imitation lingerie. She wears another similar suit model, in a lighter color.
Marilyn l'a porté 2 fois en 1951:
pour une fête simulée à la villa de Hoover pour Modern Screen;
pour une séance photos avec le photographe Earl Theisen
Marilyn wore it 2 times in 1951:
for a fake party at Hoover's villa for Modern Screen;
for a photo shoot with photographer Earl Theisen
On ne sait pas ce que sont devenus les maillots.
It is not known what became of the suits.
article Maillot de bain métallique de Rose Marie Reid
Une biographie intitulée "Rose Marie Reid: An Extraordinary Life Story" (en français: "Rose Marie Reid, l'histoire d'une vie extraordinaire"), de Carole Reid Burr (sa fille) et Roger K Peterson, est sortie en 1995. Livre disponible qu'en anglais, aucune édition en français.
A biography entitled "Rose Marie Reid: An Extraordinary Life Story", by Carole Reid Burr (her daughter) and Roger K Peterson, was released in 1995.
- livre sur amazon
- Sources rédaction de l'article -
> sur le web
Biographie:
Bio illustrée sur Rose Marie Reid Glamour by Design
La bio de Reid sur wikipedia
Page Rose Marie Yancey Reid de Find A Grave
Photographies:
Scans de magazines d'époque sur Forum The Fashion Spot
Des maillots de bain de Rose Marie Reid revendus sur 1stDibs / Etsy / Ebay ...
> livres
Extrait de Clothing and Fashion: American Fashion from Head to Toe , 2016
All photos are copyright and protected by their respective owners.
Copyright text by GinieLand.
1947s - Marilyn Monroe dans la rue
Photographie de de Marilyn Monroe en maillot de bain dans une rue
- date et lieu inconnus - vers 1947
Photograph of Marilyn Monroe in a swimsuit in a street
- date and location unknown - circa 1947
© All images are copyright and protected by their respective owners, assignees or others.
copyright text by GinieLand.
27 & 28/10/1999, Christie's, "The Personal Property of Marilyn Monroe": Lots Partie 2
Enchères "The Personal Property Of Marilyn Monroe"
27 & 28 octobre 1999
- Partie 2 : Lots 100 à 183 : Vêtements & Accessoires:
été / hiver
> 27 & 28/10/1999, Christie's: Catalogue "The Personal Property of Marilyn Monroe"
Vêtements & Accessoires d'été
Summer Clothes & Accessories
Lot 100: A DRESS FORM
Circa 1950s, the form marked English Size 14, constructed of flesh tone fabric, made for Marilyn Monroe.
Estimate: $3,000 - $5,000 / Sold: $10,350
Non illustré / Not illustrated
Lot 101: A SILK DRESS AND JACKET (2)
The dress of black and white striped silk, labeled Jax; together with a matching black cropped jacket with elbow-length sleeves, similarly labeled.
Estimate: $1,000 - $1,500 / Sold: $10,350
Lot 102: A GROUP OF SIX SKIRTS AND ONE WOOL VEST (7)
Including a white checked wool skirt together with a skirt of fawn jersey and another of corn silk; a white linen skirt, one of cream wool and one of black silk. Together with a navy sleeveless wool vest.
Estimate: $2,000 - $2,500 / Sold: $9,200
Lot 103: A GROUP OF CASUAL GARMENTS (7)
Comprising a cream silk long-sleeved shift, three blouses by JAX, a blue linen skirt and a cream wool skirt both labeled Dalton and a Grecian-style cocktail dress of eau de nil silk jersey.
Estimate: $2,000 - $2,500 / Sold: $7,475
Non illustré / Not illustrated
Lot 104: A GROUP OF ACCESSORIES (9)
Including four pairs of faux pearl earrings; comprising two pairs of bottom ear clips and two pairs of drop earrings. Together with a red and black checkered square scarf adorned with horses, whales and roosters.
Estimate: $1,000 - $1,500 / Sold: $9,200
Lot 105: A GROUP OF SCARVES (5)
Comprising five scarves of silk, cotton and chiffon, in various colors, including a scarf painted by hand in Paris and inscribed in French to Marilyn Monroe, and a scarf depicting a cartoon.
Estimate: $1,000 - $1,500 / Sold: $11,500
Non illustré / Not illustrated
Lot 106: A GROUP OF BELTS (10)
Comprising ten belts of various colors including black, brown, and white, and materials including jersey, wool, and leather.
Estimate: $400 - $600 / Sold: $5,750
Non illustré / Not illustrated
Lot 107: A GROUP OF GLOVES (9)
Comprising a pair of black leather driving gloves labeled Saks Fifth Avenue, one pair of tan kid gloves, one pair of tan suede elbow-length gloves, one pair of black leather gloves, and one single black suede glove.
Estimate: $400 - $600 / Sold: $9,200
Non illustré / Not illustrated
Lot 108: A COCKTAIL SUIT
Of cream jersey, the dress with draped wrap-over bodice, labeled JAX; together with a cream silk evening jacket with matching belt, similarly labeled.
Estimate: $2,000 - $2,500 / Sold: $17,825
Lot 109: A GROUP OF THREE DRESSES (3)
One of black jersey, labeled Walter Bass; a cream silk jersey shift probably by Walter Bass (unlabeled); together with a cocktail dress of black jersey, high-waisted and draped at the bodice.
Estimate: $2,000 - $2,500 / Sold: $8,625
Lot 110: A JACKET AND A PAIR OF PANTS (2)
The jacket of scarlet plush velvet, cropped and labeled Walter Bass Design; together with a pair of high-waisted trousers of black and grey herring bone weave.
Estimate: $1,000 - $1,500 / Sold: $6,900
Lot 111: TWO DRESSES AND A TUNIC (3)
One shift dress of turquoise silk with a scoop neck; a black silk dress with high neckline and cap sleeves; together with a tunic of black silk with short cropped sleeves.
Estimate: $1,000 - $1,500 / Sold: $7,475
Lot 112: A GROUP OF BLOUSES AND CAMISOLES (7)
Comprising a black silk jersey long sleeved top, a beige chiffon short sleeved blouse, an ivory jersey three-quarter sleeve blouse, a checked cotton camisole, a pale blue jersey camisole, and a turquoise camisole, all by JAX.
Estimate: $1,000 - $1,500 / Sold: $5,750
Non illustré / Not illustrated
Lot 113: A GROUP OF SCARVES AND HOODS (7)
Comprising seven scarves and hoods of silk, sheer chiffon, corduroy or velvet, including a silk butterfly-print scarf.
Estimate: $400 - $600 / Sold: $6,325
Non illustré / Not illustrated
Lot 114: A GROUP OF BELTS (14)
Comprising fourteen belts of various colors and styles including velvet and suede.
Estimate: $600 - $800 / Sold: $7,475
Non illustré / Not illustrated
Lot 115: A GROUP OF NINE PAIRS OF PANTS (9)
Various colors including beige, cream and turquoise, of linen and silk, the majority by JAX. One of grey silk by Pucci.
Estimate: $1,000 - $1,500 / Sold: $7,475
Non illustré / Not illustrated
Lot 116: A GROUP OF GARMENTS (8)
A cropped black velvet evening jacket by JAX, a black velvet floppy hat, a black astrakhan hat, and a wool beret, a cream satin slip, a white cotton blouse, a turquoise checked sundress, and a black and cream scarf.
Estimate: $2,000 - $2,500 / Sold: $9,200
Lot 117: AN EVENING DRESS
Of black wool, high-waisted with three-quarter length sleeves, labeled Talmac, John Moore, New York.
Estimate: $2,000 - $2,500 / Sold: $5,175
Non illustré / Not illustrated
Lot 118: AN IVORY SILK DRESS
Designed strapless, with a gathered waist, printed with black polka dots, labeled JAX.
Estimate: $2,000 - $2,500 / Sold: $13,800
Lot 119: A DRESS ENSEMBLE (2)
A jacket of sky blue plush velvet lined in lime green; together with a matching lime green silk jersey dress.
Estimate: $2,000 - $2,500 / Sold: $5,175
Lot 120: TWO DRESSES (2)
Including one black dress labeled Bonwit Teller, and a grey dress labeled Lord & Taylor.
Estimate: $2,000 - $2,500 / Sold: $9,200
Non illustré / Not illustrated
Lot 121: TWO PAIRS OF EYEGLASSES (2)
Two prescription cat-eye style eyeglasses in fabric cases labeled Evonaire.
Estimate: $1,000 - $1,500 / Sold: $39,100
Lot 122: A SHOULDER BAG
A maroon and pink bag in a floral motif, containing assorted pamphlets and fan mail.
Estimate: $600 - $800 / Sold: $23,000
Lot 123: A GROUP OF SCARVES AND HOODS (6)
Comprising six scarves and hoods of silk, cotton and chiffon, in various colors.
Estimate: $400 - $600 / Sold: $8,050
Non illustré / Not illustrated
Lot 124: A GROUP OF BELTS (14)
Comprising fourteen belts of various colors and styles including leather and suede.
Estimate: $600 - $800 / Sold: $9,200
Non illustré / Not illustrated
Lot 125: A GROUP OF GARMENTS (11)
Comprising seven pairs of silk, satin and linen trousers by JAX, various colors including black, white and cream. Together with four camisole tops by JAX, two fo silk and two of cotton.
Estimate: $3,000 - $5,000 / Sold: $9,775
Non illustré / Not illustrated
Lot 126: TWO DRESSES (2)
Both of cotton pique, both sleeveless with front button closure and black cinch belt, one of blue and white stripes and the other plain white, labeled Women's Haberdashers. Please note: The black belts are not included in this lot.
Estimate: $1,000 - $1,500 / Sold: $12,650
Lot 127: A CASUAL DRESS
Of lime green, with scoop neck and cap sleeves.
Estimate: $1,000 - $1,500 / Sold: $4,600
Non illustré / Not illustrated
Lot 128: A GROUP OF SIX DRESSES (6)
Comprising two halter-neck dresses labeled Ceil Chapman, one royal blue, one red; a turquoise sleeveless dress and three cream dresses.
Estimate: $2,000 - $2,500 / Sold: $63,000
Lot 129: AN EVENING DRESS
Of pale blue cotton, embroidered with blue opalescent sequins, designed with halter-neck, labeled Ceil Chapman.
Estimate: $4,000 - $6,000 / Sold: $16,100
Lot 130: A DAY DRESS AND A TAILORED SUIT (3)
A black double-breasted day dress with black velvet tunic; together with a tailored suit of black wool, with double-breasted jacket and straight skirt, labeled Monor Bourne Suites, Exclusive from I. Magnin.
Estimate: $2,000 - $2,500 / Sold: $20,700
Lot 131: TWO FULL-LENGTH COATS (2)
One of black knit wool with front closure; the other of ivory wool, labeled JAX.
Estimate: $1,000 - $1,500 / Sold: $14,950
Lot 132: TWO DRESSES AND TWO COATS (4)
The dresses of ivory silk, one sleeveless, one long-sleeved; both labeled JAX; together with a coat of ivory cotton, labeled Bergdorf Goodman - London and another coat of ivory cotton, labeled JAX.
Estimate: $3,000 - $5,000 / Sold: $23,000
Lot 133: A PAIR OF LACE DRESSES (2)
Including one of white lace, constructed with blue underdress, designed sleeveless with boat neck; and a white lace dress with white underdress (unlabeled), sleeveless with boat neck.
Estimate: $6,000 - $8,000 / Sold: $51,750
Lot 134: A GROUP OF ITEMS (6)
Comprising a cashmere turquoise sweater, labeled S. Fisher, London; a blue cardigan labeled Munrospun, a knitted sundress of ivory wool cotton jersey and a white toweling bathing suit with cord belt; together with a black crocheted shawl and a black knit tube top.
Estimate: $2,000 - $2,500 / Sold: $14,950
Lot 135: A GROUP OF SCARVES (6)
Comprising six scarves of silk, sheer chiffon or terrycloth, in various colors, including a flower-print scarf, and one with leopard-print.
Estimate: $400 - $600 / Sold: $6,900
Non illustré / Not illustrated
Lot 136: A SELECTION OF COSTUME JEWELRY (17)
Comprising a rhinestone stylized bow brooch, a target cluster rhinestone brooch fragment, one imitation pearl hairpin, two imitation ruby fruit drops, two gilt-metal ear pendants by "A Napier," a rhinestone chain necklace, a faceted black bead choker, a gilt-metal choker with pin bow pendant, a ring of black imitation onyx, four gilt-metal bangles, one plastic hair band, and one black hair comb.
Estimate: $4,000 - $6,000 / Sold: $27,600
Non illustré / Not illustrated
Lot 137: A GROUP OF HANDBAGS (7)
Comprising a black leather grip-style bag with purses at either end, a summer handbag of gilt balls, a black satin purse, an off-white silk clutch purse, a soft black leather bag, a black leather purse and a white leather handbag.
Estimate: $1,000 - $1,500 / Sold: $12,650
Non illustré / Not illustrated
Lot 139: A COUTURE DRESS AND MATCHING JACKET (2)
Of navy blue wool, labeled in waistband Pauline Trigre jacket with top front closure and cap sleeves.
Estimate: $2,000 - $2,500 / Sold: $7,475
Lot 140: A SELECTION OF PANTS (5)
Five pairs of pants including one pair of copper and one pair of black, both by JAX; two pairs of orange pants and one pair of grey capri pants.
Estimate: $1,000 - $1,500 / Sold: $5,750
Lot 141: A SELECTION OF BLOUSES (5)
A group of five blouses including a blouse of ivory satin, two blouses of ivory silk, one of white cotton and another of fawn cotton, all by JAX.
Please note: This lot is sold as described. The black blouse pictured is not in this lot.
Estimate: $1,000 - $1,500 / Sold: $9,200
Lot 143: A BED JACKET AND CASUAL ROBE (3)
A pink quilted bed jacket, together with a white terry cloth zippered beach robe, together with a black Capezio leotard.
Estimate: $1,000 - $1,500 / Sold: $18,400
Lot 144: A BLACK POLKA DOT DRESS
Of black layered tulle with polka dots and spaghetti straps.
Estimate: $600 - $800 / Sold: $9,200
Lot 145: A PAIR OF SHORTS AND TWO SHIRTS (3)
A pair of brightly-colored plaid cotton walking shorts, labeled Jackelin, Master Tailors; together with an ivory silk short-sleeved blouse and a pink cotton blouse printed with champagne labels.
Estimate: $600 - $800 / Sold: $12,650
Lot 146: A GROUP OF CASUAL WEAR (4)
Comprising a black mohair sweater vest with fringed hem and red velvet neckline; together with a poncho, denim skirt, and one wool top, labeled Kluck, Los Angeles.
Estimate: $600 - $800 / Sold: $6,900
Lot 147: A PICNIC BASKET
Circa 1950s, the rectangular basket of natural wicker with leather straps and grip.
Estimate: $600 - $800 / Sold: $6,325
Lot 148: A PAIR OF HAIR ACCESSORIES (2)
Two imitation tortoiseshell hairbands.
Estimate: $400 - $600 / Sold: $4,600
Lot 149: A GROUP OF SCARVES (5)
Comprising four scarves of silk and chiffon in various colors including white, pink, green and black, and one black velvet collar.
Estimate: $400 - $600 / Sold: $7,475
Non illustré / Not illustrated
Lot 150: A PAIR OF SANDALS (2)
Of crosswoven straw with cotton cross straps.
Estimate: $400 - $600 / Sold: $4,025
Lot 151: A STRAW BAG
Of woven straw, adorned with two red appliqus with two handles, and a travel tag marked Arthur Miller.
Estimate: $400 - $600 / Sold: $6,325
Lot 152: TWO STRAW HATS AND A BAG (5)
One woven straw hat with flat rim; together with a woven straw hat decorated with silk poppies around circumference and a Laddie Northridge hatbox and lid, and a straw bag containing a handkerchief and a newspaper clipping about Monkey Business.
Estimate: $800 - $1,200 / Sold: $9,775
Lot 153: A PAIR OF SUNGLASSES
The black frames with glass lenses in a red case.
Estimate: $1,000 - $1,500 / Sold: $27,600
Lot 154: A GROUP OF BIKINIS (6)
Comprising a blue jersey and a brown striped bikini, a pair of black cotton shorts and a leopard-skin print bikini bottom.
Estimate: $2,000 - $2,500 / Sold: $48,300
Lot 155: A SELECTION OF SUMMER WEAR (5)
Including a bikini of turquoise printed cotton, the shorts and string bikini top with blue polka dots; a pair of yellow polka dot cotton shorts, and a pair of lime green shorts and lime green silk chiffon scarf.
Estimate: $2,000 - $2,500 / Sold: $39,100
Lot 156: TWO BIKINIS (4)
A black knitted wool bikini; together with a black and white leaf pattern cotton bikini.
Estimate: $1,000 - $1,500 / Sold: $46,000
Lot 157: A SUMMER ENSEMBLE (5)
Of blue and white checked cotton comprising a sleeveless cropped top, frilled bathing bottom, trousers, flounced skirt; accompanied by a matching hat.
Estimate: $2,000 - $2,500 / Sold: $27,600
Vêtements & Accessoires d'Hiver
Winter Clothes & Accessories
Lot 158: A SWEATER
Of ivory wool, knit with cables in an Aran style.
Estimate: $600 - $800 / Sold: $17,250
Lot 159: A PAIR OF WINTER BOOTS (2)
Of black felt, with leather soles, faux fur lining and black laces.
Estimate: $400 - $600 / Sold: $8,625
Lot 160: TWO VESTS (2)
Comprising a turquoise sleeveless wool vest and an ivory wool vest.
Estimate: $400 - $600 / Sold: $4,830
Non illustré / Not illustrated
Lot 161: A GROUP OF WOOL GARMENTS (3)
Comprising a striped grey wool hand-knitted cowl neck sweater, a cropped red and black striped short-sleeved jersey top and a black sleeveless knitted turtleneck top.
Estimate: $600 - $800 / Sold: $10,925
Lot 162: AN OVERCOAT
Of fawn silk with black velvet collar, worn by Marilyn Monroe in June 1956.
Estimate: $3,000 - $5,000 / Sold: $29,900
Lot 163: A WOOL ENSEMBLE (2)
Comprising a skirt and button-through long coat, labeled Women's Haberdashers.
Estimate: $600 - $800 / Sold: $7,475
Lot 164: A DIAMOND PATTERN COAT
Of blue and white jersey, woven in a diamond pattern and lined in silk, labeled Women's Haberdashers.
Estimate: $3,000 - $5,000 / Sold: $36,800
Lot 165: A GROUP OF HATS (4)
A circa 1920s cloche, of draped black mohair with simulated knot at front, labeled Jay Thorpe, New York, and possibly made for Some Like It Hot, 1959; together with a black feather whirl; a skull cap trimmed with black silk cabbage roses and fabric leaves and veil of black spotted tulle, labeled Rex Inc. and a scarlet velvet pill-box trimmed with pendant hearts decorated with black glass beads.
Estimate: $3,000 - $5,000 / Sold: $11,500
Lot 167: A FANCY MUFF
Designed as a hand-warming accessory, in American broadtail.
Estimate: $1,000 - $1,500 / Sold: $4,025
Non illustré / Not illustrated
Lot 168: A COAT WITH LEATHER TRIM
Of beige faux fur with leather trim, labeled Claire Mcardle by Townley.
Estimate: $2,000 - $4,000 / Sold: $27,600
Lot 169: A GROUP OF BERETS (8)
A cream linen beret, labelled Madcaps, Paris, New York, together with a black felt beret, labelled Saks Fifth Avenue, a wide-brimmed black velvet floppy hat, labelled Madcaps, New York, a black velvet cloche trimmed with a bow, labelled Made to Order, Rex, Beverly Hills, California, a black silk beret, labelled Madcaps New York, a cream angora beret, and a black velvet brimmed hat with black ribbon brim and a black and brown velvet floppy hat.
Estimate: $3,000 - $5,000 / Sold: $10,350
Non illustré / Not illustrated
Lot 170: A GROUP OF HATS (4)
A broad-trimmed hat of white felt trimmed with ivory swan's feathers, labeled Frederick Linfield Couturier, stamped St. Moritz Fine Quality Fur,, an angory tubular knitted hat decorated with shiny black sequins and sequin tassel trim, a black velvet pill-box with upturned brim, trimmed with velvet buttons, and a red wool floppy hat.
Estimate: $2,000 - $4,000 / Sold: $8,050
Lot 171: AN EVENING STOLE (2)
Of fox fur, lined in black velvet; together with a mink hat, labelled Gunter Jaeckel, New York.
Estimate: $2,000 - $4,000 / Sold: $8,625
Lot 171 A: A STOLE OF BLACK FOX FUR (2)
Labelled I. MAGNIN & CO. IMPORTERS and monogrammed MM, together with a mink and ermine pill-box with net veil decorated with ermine tails and diamant hat-pin, labelled Made to Order Rex.
Estimate: $4,000 - $6,000 / Sold: $25,300
Non illustré / Not illustrated
Lot 172: AN EVENING CAPE
Of black satin, trimmed with black fox, labelled Made to Order, Rex, Beverly Hills, California.
Estimate: $2,000 - $4,000 / Sold: $10,350
Lot 172 A: AN EVENING STOLE
Of ivory satin, trimmed with white fox fur and labelled Teitelbaum Furs, Beverly Hills.
Estimate: $2,000 - $4,000 / Sold: $9,775
Non illustré / Not illustrated
Lot 173: A FANCY STOLE
Of black wool, trimmed with black fox fur.
Estimate: $4,000 - $6,000 / Sold: $9,200
Lot 173 A: A BLACK CHIFFON STOLE
Trimmed with black fox fur.
Estimate: $2,000 - $4,000 / Sold: $8,625
Non illustré / Not illustrated
Lot 174: A TAILORED JACKET
Of fine grey wool, with three-quarter length sleeves and trimmed with a deep fox-fur collar, labelled Irene, exclusively for Gunther Jaeckel, New York.
Estimate: $4,000 - $6,000 / Sold: $27,600
Lot 175: A WINTER COAT
Of beige beaver fur, with turned-back cuffs, lined with scarlet-satin woven with a pattern of ties, labeled Fantasia, Beaver..
Estimate: $4,000 - $6,000 / Sold: $19,550
Lot 178: A CARDIGAN
Of black cashmere, trimmed with a natural Russian sable collar, labelled Jay Thorpe, New York.
Estimate: $2,000 - $4,000 / Sold: $32,200
Lot 179: A GROUP OF FUR AND FEATHER ACCESSORIES
A sable collar, a white fox-fur muff, two white fox-fur collars, a mink-fur collar, a baum marten collar, and a small pink feather boa.
Estimate: $2,000 - $4,000 / Sold: $10,925
Non illustré / Not illustrated
Lot 180: A FUR COLLAR
Of fox fur with a black satin lining.
Estimate: $1,000 - $1,500 / Sold: $13,800
Lot 181: AN EVENING STOLE
Of sage green wool with a Russian lynx border. .
Estimate: $4,000 - $6,000 / Sold: $13,800
Lot 182: A GROUP OF ACCESSORIES (4)
Comprising pair of beige kid gloves, a bag of sage green silk, and a green leather belt.
Estimate: $400 - $600 / Sold: $5,750
© All images are copyright and protected by their respective owners, assignees or others.
27 & 28/10/1999, Christie's, "The Personal Property of Marilyn Monroe": Lots Partie 3
Enchères "The Personal Property Of Marilyn Monroe"
27 & 28 octobre 1999
- Partie 3 : Lots 184 à 310 : Vêtements & Accessoires
de soirée (vie publique) / de journée (vie privée)
> 27 & 28/10/1999, Christie's: Catalogue "The Personal Property of Marilyn Monroe"
Vêtements & accessoires de soirée / de sortie
Evening / Outing Clothes & Accessories
Lot 184: A SILK JERSEY DRESS
The three-quarter length sleeveless cocktail dress of black silk jersey with deep decolletage.
Estimate: $3,000 - $5,000 / Sold: $8,050
Lot 185: AN EVENING DRESS
The three-quarter length, backless halter-neck cocktail dress of black silk jersey draped onto the front waistline.
Estimate: $3,000 - $5,000 / Sold: $19,550
Lot 186: A BLACK JERSEY DRESS
The three-quarter length strapless dres of black jersey, with boned bodice asymmetrically draped, the skirt draped onto the hips trimmed with an oversized black silk box, labeled Ceil Chapman.
Estimate: $3,000 - $5,000 / Sold: $14,950
Lot 186 A: A VELVET DRESS AND COAT
The three-quarter length cocktail dress of black velevet, decorated with ivory satin lapels; with a matching loose-fitting double-breasted evening coat of ivory satin fastened with mother-of-pearl buttons and decorated with wide lapels.
Estimate: $3,000 - $5,000 / Sold: $14,950
Lot 187: A SILK DRESS
The three-quarter length cocktail dress of black silk, with bodice and straps of ivory organza trimmed with an oversized organza bow at the front center, labeled Talmac, John Moore, New York.
Estimate: $4,000 - $6,000 / Sold: $43,700
Lot 188: A NECKLACE
Of black ovals each mounted in a plain surround on a gold-tone box-link chain, worn by Marilyn Monroe, circa 1956.
Estimate: $2,000 - $2,500 / Sold: $19,550
Lot 189: A GROUP OF ACCESSORIES (3)
A pair of shoes of black suede, decorated with black polka dots, labeled Ferragamo; together with a small black feather boa.
Estimate: $1,000 - $1,500 / Sold: $34,500
Lot 190: GROUP OF EVENING ACCESSORIES (9)
Comprising a pair of short black crocheted gloves, a pair of white kid elbow-length gloves with faux pearl button closure, one pair of ivory satin elbow-length gloves, and three evening stoles of champagne satin.
Estimate: $600 - $800 / Sold: $12,650
Lot 191: A SILK JERSEY DRESS
The three-quarter length dress of black silk jersey constructed with an empire waist and spaghetti straps.
Estimate: $3,000 - $5,000 / Sold: $32,200
Lot 192: A WOOL DRESS
The three-quarter length dress of black wool, the bodice halter-necked and crossing over in the back.
Estimate: $3,000 - $5,000 / Sold: $16,100
Lot 193: A VELVET DRESS
Of black velvet, bound in black grosgrain.
Estimate: $4,000 - $6,000 / Sold: $8,625
Non illustré / Not illustrated
Lot 194: A SILK CREPE DRESS
The three-quarter length dress of black silk crepe decorated with a vermicular pattern of black bugle beads, with front slit pockets, labeled Ceil Chapman.
Estimate: $4,000 - $6,000 / Sold: $29,900
Lot 195: A GROUP OF FIVE NECKLACES (5)
Of faceted black beads of various lengths and sizes.
Estimate: $2,000 - $4,000 / Sold: $12,650
Lot 196: TWO PAIRS OF SHOES (4)
The black leather stiletto-heeled shoes; together with a pair of black suede stiletto heels, both pairs labeled Aliata.
Estimate: $1,000 - $1,500 / Sold: $9,200
Lot 197: A GROUP OF GLOVES (6)
Comprising one pair of black leather gloves, two pairs of white kid elbow-length gloves.
Estimate: $400 - $600 / Sold: $6,900
Non illustré / Not illustrated
Lot 198: SOME LIKE IT HOT, 1959 (4)
A white cloche hat, possibly made for Marilyn Monroe in Some Like It Hot of iridescent white feathers, labeled Made to Order Beverly Hills, California; together with a black cloche hat of iridescent feathers, possibly made for Marilyn Monroe for the film but not used in the final version, labeled Frederick Linfield Couturier, and two photographs, color snapshots owned by Marilyn Monroe and taken during the filming of Some Like It Hot. Each 4 x 5 in.,, the first shows Monroe (as the character 'Sugar') showing her gown or stockings to 'Joe' (Tony Curtis) and 'Jerry' (Jack Lemmon), both dressed as women ('Josephine' and 'Daphne') in a dressing room or restroom. The second is a fine image of Monroe as 'Sugar', her back to the camera, knees slightly bent. Surrounding her are the blond women musicians of the all-girl orchestra with whom she, 'Daphne' and 'Josephine' are touring Florida.
Estimate: $400 - $600 / Sold: $16,100
Lot 199: A BELT BUCKLE AND A PAIR OF GLOVES (3)
The circular rhinestone belt buckle constructed with two loop holes; together with a pair of black suede evening gloves.
Estimate: $600 - $800 / Sold: $8,625
Lot 200: A PAIR OF EAR CLIPS (2)
Comprising five lines of baguette-cut rhinestones, worn by Marilyn Monroe to the premiere of The Seven Year Itch, June 1, 1955, to the premiere of Rose Tattoo, 1955 and to the Broadway opening of Middle of the Night.
Estimate: $3,000 - $5,000 / Sold: $81,700
Lot 201: A BLACK SILK DRESS
The knee-length dress of black silk, sleeveless with jewel neckline and full overskirt, with puff-ball hemline.
Estimate: $3,000 - $5,000 / Sold: $11,500
Lot 202: A SILK JERSEY DRESS
A fancy overcoat possibly made for the film, designed in transparent black silk, trimmed with black ostrich feathers on sleeves and border, labeled Elizabeth Arden.
Estimate: $10,000 - $15,000 / Sold: $25,300
Lot 203: TWO PAIRS OF SHOES (4)
One pair of gold kid stiletto heels and a pair of black suede stilettos, both pairs labeled Ferragamo.
Estimate: $1,000 - $1,500 / Sold: $34,500
Lot 204: A GROUP OF FANCY BOAS (3)
Three ostrich feather boas, one black, one white, and one mixed, of varying lengths, worn around the neck and shoulders.
Estimate: $2,000 - $2,500 / Sold: $25,300
Lot 206: AN EVENING DRESS
The three-quarter length dress of black velvet with spaghetti straps, labeled JAX.
Estimate: $3,000 - $5,000 / Sold: $40,250
Non illustré / Not illustrated
Lot 207: A MAGNIFYING GLASS AND A MAKE-UP CASE (2)
The silver-plated magnifying glass with cylindrical lens in a beaded bezel, the handle molded with foliate terminal; together with an Italian sterling silver make-up case, circa 1950's-1960's, of rectangular form, with molded grip opening to reveal a mirrored interior and two hinged, covered powder compartments flanking a lipstick holder.
Estimate: $2,000 - $2,500 / Sold: $27,600
Lot 208: A SILK DRESS
The three-quarter length sleeveless dress of black silk overlaid with black lace and slit to the knee, labeled Ceil Chapman.
Estimate: $3,000 - $5,000 / Sold: $25,300
Lot 209: AN EVENING STOLE
Of black silk jersey, trimmed with white fox fur.
Sold to Benefit World Wildlife Fund.
Estimate: $4,000 - $6,000 / Sold: $46,000
Lot 210: A SILK JERSEY DRESS
The three-quarter length dress of black silk jersey decorated with waterfall pleats on sleeves and neckline and trimmed with a black silk bow to hip, labeled Ceil Chapman.
Estimate: $3,000 - $5,000 / Sold: $16,100
Lot 211: A FANCY CAPE
The black silk shoulder cape trimmed with ostrich feathers and velvet ribbon closure.
Estimate: $2,000 - $2,500 / Sold: $7,475
Lot 211 A: A PAIR OF EAR CLIPS (2)
Decorated with three lines of drop-cut rhinestones, circa 1959.
Estimate: $2,000 - $4,000 / Sold: $11,500
Lot 212: A PAIR OF GLOVES
Not presented / Non présenté
Lot 213: TWO PAIRS OF SHOES (4)
One pair of black satin stiletto heeled shoes decorated with a cluster of circular rhinestones; together with a pair of black leather stiletto heels; both pairs labeled Ferragamo.
Estimate: $1,000 - $1,500 / Sold: $34,500
Lot 214: TWO WOOL DRESSES (2)
The three-quarter length dresses of black wool, close fitting, with high neck. One possibly worn on the announcement of Marilyn's divorce from Joe DiMaggio on October 6, 1954.
Estimate: $4,000 - $6,500 / Sold: $36,800
Lot 215: A BLACK DRESS
A three-quarter length black wool dress designed with a boat neck and long sleeves of wool knit.
Estimate: $2,000 - $2,500 / Sold: $16,100
Lot 217: A SILK CREPE DRESS
The full-length sleeveless dress of black silk crpe, with slight train at rear (unlabeled).
Estimate: $4,000 - $6,000 / Sold: $68,500
Lot 218: AN EVENING DRESS
The full-length sleeveless black dress with deep dcolletage and high waistline.
Estimate: $4,000 - $6,000 / Sold: $29,900
Lot 219: A COCKTAIL DRESS AND OPERA COAT (2)
The three-quarter length dress of black silk velvet with shoestring straps; together with a matching opera coat with high collar and three-quarter length batwing sleeves.
Estimate: $4,000 - $6,000 / Sold: $16,100
Lot 220: A COMPACT
The silver and gold tone make-up case, including an interior lipstick case, made by Vollipt.
Estimate: $1,000 - $1,500 / Sold: $18,400
Lot 221: TWO PAIRS OF SHOES
Scarlet red satin with stiletto heels, labeled Marilyn Miller together with a pair of red leather stiletto heels, labeled Ferragamo.
Estimate: $2,000 - $2,500 / Sold: $43,700
Lot 222: A GROUP OF ACCESSORIES (10)
Including four rhinestone hair clips, four rhinestone star hair pins; together with a rhinestone star stick pin and a gold tone heart.
Estimate: $600 - $8500 / Sold: $12,650
Lot 223: AN EVENING BAG AND GLOVES (3)
The red satin evening bag, labeled Saks Fifth Avenue, trimmed with a row of rhinestones on the closure; together with a pair of scarlet red leather evening gloves.
Estimate: $600 - $800 / Sold: $18,400
Lot 224: A FANCY CAPE
A white silk shoulder cape, with ostrich feathers and velvet ribbon closure.
Estimate: $2,000 - $2,500 / Sold: $8,625
Lot 226: AN EVENING DRESS
The dress of black silk jersey, draped in waterfall folds on hips, probably by JAX (unlabeled).
Estimate: $2,000 - $2,500 / Sold: $19,550
Lot 227: A LINEN DRESS AND COAT (2)
The three-quarter length cocktail dress of black linen with threaded velvet straps; together with a black velvet coat trimmed with wide lapels and lined with ivory satin, labeled Talmack, New York.
Estimate: $2,000 - $2,500 / Sold: $18,400
Lot 228: A COCKTAIL DRESS
The high-necked backless cocktail dress of black silk, labeled JAX.
Estimate: $2,000 - $2,500 / Sold: $14,950
Non illustré / Not illustrated
Lot 229: A PAIR OF EARRINGS (2)
One rhinestone heart-shaped earring, set with circular-cut simulated diamonds; together with a fragment piece of the matching pair. .
Estimate: $1,500 - $2,000 / Sold: $8,050
Lot 230: HOW TO MARRY A MILLIONAIRE, 1953
SIMULATED DIAMOND AND FAUX PEARL PENDANTS (2)
A pair of simulated diamond and faux pearl ear pendants from the film, each pendant designed as a faux button pearl, suspending circular-cut simulated diamond fringe, terminating with faux pearls (one faux button pearl missing).
Estimate: $2,000 - $4,000 / Sold: $16,150
Lot 231: A PAIR OF BROOCHES (2)
Each designed as a cluster of circular-cut simulated diamonds, with two loops set with circular-cut simulated diamonds.
Estimate: $2,000 - $2,000 / Sold: $12,650
Lot 233: AN OVERCOAT POSSIBLY FOR SOME LIKE IT HOT 1959
The knee-length dress of black silk jersey, with V-neckline, labeled JAX.
Estimate: $3,000 - $5,000 / Sold: $6,900
Lot 234: A BROOCH
Of shell cameo, late-19th century, the oval frame carved with the figure of a maiden and Putto in flight amidst clouds, in a gilt-metal surrounded with beads and scrolling filigree decoration.
Estimate: $1,500 - $2,000 / Sold: $11,500
Lot 235: TWO PAIRS OF SHOES (4)
One of cut-out black suede with mauve lining;together with a pair of black suede stiletto heels, both labeled Ferragamo.
Estimate: $1,000 - $1,500 / Sold: $34,500
Lot 236: A PAIR OF GLOVES AND A SCARF (3)
The purple nylon full-length evening gloves; together with a matching purple full-length scarf.
Estimate: $600 - $800 / Sold: $13,800
Lot 237: A JERSEY DRESS
The three-quarter length, sleeveless black jersey sheath dress with the boned bodice asymmetrically-draped, the skirt draped onto the hips, trimmed with an outsized black silk bow, labeled Ceil Chapman.
Estimate: $3,000 - $5,000 / Sold: $21,850
Lot 238: A SILK CREPE DRESS
The three-quarter length dress of black silk crepe, with deeply cut front and rear cap sleeve affect and "pouf" hemline (unlabeled).
Estimate: $10,000 - $15,000 / Sold: $23,000
Lot 239: A BROOCH
Of 19th century inspiration, designed as a cluster of circular-cut simulated diamonds, with star-patterned borders.
Estimate: $1,500 - $2,000 / Sold: $12,650
Lot 240: A PENDANT
Set with a white hardstone, suspending four branch corals.
Estimate: $1,500 - $2,000 / Sold: $9,775
Lot 241: TWO BROOCHES (2)
One of elongated design, the central cluster extending rays of varying length, the other designed as an oval, both set with variously-cut simulated diamonds.
Estimate: $2,000 - $2,500 / Sold: $8,625
Non illustré / Not illustrated
Lot 242: A COMPACT
Circa 1920's, the chrome-plated metal rectangular powder compact with a hammered finish and panels of bright-cut decoration and opening to reveal a mirror, with chain handle.
Estimate: $1,000 - $1,500 / Sold: $14,950
Lot 244: A CREPE WOOL DRESS
Of ivory crpe wool with plaited shoestring straps.
Estimate: $600 - $800 / Sold: $6,900
Non illustré / Not illustrated
Lot 245: A COUTURE DRESS
The three-quarter length dress of ivory silk crpe, labeled Galanos.
Estimate: $6,000 - $8,000 / Sold: $8,625
Lot 246: TWO PAIRS OF SHOES (4)
Two pairs of black leather high heeled shoes, labeled Ferragamo.
Estimate: $1,000 - $1,500 / Sold: $23,000
Lot 247: A GROUP OF SIX SCARFS (6)
A black square scarf with orange, lime, yellow and white flowers; a square chiffon scarf with black and green geometric motifs; two long rectangular off-white chiffon scarves; an off-white satin scarf with fringes at the ends and a rectangular white satin scarf with a black and red pattern.
Estimate: $2,000 - $4,000 / Sold: $25,300
Lot 248: A GROUP OF EIGHTEEN CRYSTAL NECKLACES (18)
Of various colors, including pink, blue, purple, clear, yellow and black of various lengths.: 1 with gold and yellow drops in fair condition, needs repair. 3 pink, 3 purple, 2 green, 1 green and blue, 2 aqua, 3 grey, 1 olive, 2 clear.
Estimate: $600 - $800 / Sold: $36,800
Lot 249: A FLORET SHAPED BROOCH
Of simulated diamonds, with five petals extending and interspaced by white metal and circular-cut arms.
Estimate: $1,000 - $1,500 / Sold: $7,475
Non illustré / Not illustrated
Lot 250: AN IVORY SILK DRESS
Of ivory silk jersey asymmetrically draped, labeled Ceil Chapman with paper tag inscribed Fox 964467.
Estimate: $2,000 - $4,000 / Sold: $8,625
Non illustré / Not illustrated
Lot 251: AN EVENING DRESS
The three-quarter length dress of ivory silk jersey embroidered with silver bugle beads, with deep back decolletage.
Estimate: $2,000 - $4,000 / Sold: $14,950
Lot 252: A GROUP OF NECKLACES (4)
One single-row pearl necklace and three imitation pearl necklaces, designed as one graduated necklace of four rows, one uniform bead necklace of two rows and two single-row necklaces.
Estimate: $2,000 - $4,000 / Sold: $40,250
Lot 253: A GROUP OF EVENING GLOVES (6)
Comprising a pair of formal gloves of shell pink satin, one pair of black and two pairs of white kid elbow-length gloves, all with faux pearl button closure.
Estimate: $600 - $800 / Sold: $9,200
Lot 254: A FANCY STOLE
The champagne hip-length stole of satin designed with a square collar.
Estimate: $1,000 - $1,500 / Sold: $11,500
Lot 255: A GREEN VELVET DRESS
The three-quarter length dress of green plush velvet, with rhinestone shoestring straps and flaring skirt, labeled JAX.
Estimate: $3,000 - $5,000 / Sold: $10,350
Lot 256: AN OPERA COAT
Of gold lam, figured with flowers, labeled MOHAN'S, 14 HANKOW ROAD, KOWLOON, HONG KONG with woven tag MM, the pocket tagged Md0310, date: May 17, 1962.
Estimate: $6,000 - $8,000 / Sold: $27,600
Lot 257: A SWEATER
The cowl-neck sweater of ivory wool shot with gold lam.
Estimate: $600 - $800 / Sold: $7,475
Lot 258: A DRESS
Of red velvet, unrestored, designed with fitting waist and flared hem.
Estimate: $2,000 - $4,000 / Sold: $26,450
Vêtements de tous les jours / décontractés
Everyday / Casual Clothes
Lot 259: PURPLE PUCCI
A blouse of purple printed silk jersey with geometric motif pattern.
Estimate: $600 - $800 / Sold: $20,700
Lot 260: TWO PUCCI BLOUSES (4)
A blouse of lime green silk jersey designed with a boat neck and long sleeves; accompanied by a lime green belt with beaded tassels; together with a blouse of mandarin orange silk jersey, constructed with boat neck and long sleeves and an orange Pucci belt.
Estimate: $1,200 - $1,600 / Sold: $23,000
Lot 261: TWO PUCCI DRESSES (4)
A dress of turquoise silk jersey, with boat neck, long sleeves, and a turquoise belt; together with a dress of lime green silk jersey with boat neck, long sleeves, and a matching belt .
Estimate: $1,200 - $1,600 / Sold: $23,000
Lot 262: TWO PUCCI DRESSES (4)
A dress of royal blue silk jersey, with wide scoop neck and short cap sleeves, and a royal blue belt; together with a dress of mauve silk jersey, designed with wide scoop neck, accompanied by a mauve belt.
Estimate: $1,200 - $1,600 / Sold: $13,800
Lot 264: A PUCCI HANDBAG
Of printed silk chiffon trimmed with blue kid, with gilt sides labeled Elizabeth Arden, New York, Paris and stamped Emilio Pucci, 1960.
Estimate: $1,000 - $1,500 / Sold: $9,200
Lot 265: SHOCKING PINK PUCCI (2)
A dress of shocking pink silk jersey, designed with jewel-neck and long sleeves; together with a shocking pink Pucci rope belt with beaded tassels.
Estimate: $600 - $800 / Sold: $29,900
Lot 266: PRINTED SILK PUCCI
A blouse of white twilled silk with panels, transportation motifs at borders in reds, pinks, greys and golds.
Estimate: $600 - $800 / Sold: $20,700
Lot 267: THREE PUCCI DRESSES (6)
A dress of taupe silk jersey with boat neck, long sleeves and a taupe belt with beaded tassels; together with a dress of green silk jersey, with v-neck, long sleeves and green belt; and a dress of taupe silk jersey, with boat neck, cap dolman sleeves and a matching belt.
Estimate: $1,800 - $2,400 / Sold: $17,250
Lot 268: A GROUP OF SHOES (6)
Comprising a pair of brown leather stiletto shoes; together with a pair of white leather stiletto heels labeled Aliata; and a pair of black leather stiletto heels labeled Dal Co.
Estimate: $1,000 - $1,500 / Sold: $17,250
Lot 269: PINK PUCCI AND TROUSERS (2)
A pale pink blouse of silk jersey, with wide v-neck and cap sleeves; together with trousers of white cotton, printed with an orange and yellow blossom pattern.
Estimate: $1,200 - $1,800 / Sold: $13,800
Lot 270: TAUPE PUCCI (2)
A dress of silk jersey, with jewel neck and long sleeves; together with a belt of brown silk rope with beaded tassels.
Estimate: $600 - $800 / Sold: $14,950
Lot 271: JEWEL PATTERN PUCCI
A blouse of white twilled silk with pattern in pinks, purples and golds.
Estimate: $600 - $800 / Sold: $20,700
Lot 272: A SHOCKING PINK PUCCI BLOUSE
A blouse of shocking pink silk jersey, with boat neck and long sleeves.
Estimate: $600 - $800 / Sold: $9,775
Lot 273: TWO PAIRS OF SHOES AND A CLUTCH PURSE (5)
One pair of shoes with flesh tone silk and stiletto heels, by Ferragamo, the other of ivory/beige leather, also by Ferragamo; together with a clutch purse constructed of ivory canvas, designed with a metal closure.
Estimate: $1,200 - $1,500 / Sold: $32,200
Lot 274: A PAIR OF PUCCI BIKINI BOTTOMS
Of orange silk jersey, gathered at the hips.
Estimate: $1,000 - $1,500 / Sold: $17,250
Lot 275: A PUCCI BLOUSE
Of white silk jersey, printed with geometric pattern in pinks and greys, with boat neck and long sleeves.
Estimate: $600 - $800 / Sold: $19,550
Lot 276: OFF-WHITE PUCCI (2)
A dress of off-white silk jersey, with wide scoop neck and cap sleeves, with a matching belt.
Estimate: $600 - $800 / Sold: $9,200
Lot 277: A STRAW HAT
A circa 1950s black straw hat with natural braided straw applique and black chinstrap.
Estimate: $400 - $600 / Sold: $14,950
Lot 278: VARIOUS PUCCI (4)
A dress of turquoise silk jersey, with wide scoop neck and long sleeves and matching belt; a mauve blouse of silk jersey, with scoop neck and cap sleeves; together with a royal blue skirt of silk jersey, with elastic waistband.
Estimate: $2,000 - $2,500 / Sold: $14,950
Lot 279: THREE PAIRS OF SHOES (6)
A pair of dark green crossover flats labeled Bullocks; two pairs of stiletto heels labeled Aliata; pair of one white and one pair of black leather.
Estimate: $400 - $600 / Sold: $17,250
Lot 280: A BERET AND NECKLACE (2)
A yellow beret; together with a necklace of pink faceted beads.
Estimate: $200 - $400 / Sold: $8,625
Lot 281: TWO PUCCI DRESSES (4)
A dress of taupe silk jersey, with wide scoop neck and long sleeves, and a matching belt; together with a dress of turquoise silk jersey; wtih boat neck and long sleeves, and a matching belt.
Estimate: $1,200 - $1,600 / Sold: $20,700
Lot 282: TWO PAIRS OF SHOES (4)
A pair of dark brown leather stiletto-heeled shoes; together with a pair of black leather stiletto heels, both by Creazioni Dal Co.
Estimate: $800 - $1,200 / Sold: $14,950
Lot 283: TWO HATS (2)
A pair of taupe hats embellished with veil, sequins and rhinestones.
Estimate: $600 - $800 / Sold: $6,325
Lot 284: AN EVENING BAG
In a silver and gold Indian-style pattern.
Estimate: $600 - $800 / Sold: $8,050
Lot 285: TURQUOISE PUCCI AND SHOES (4)
A dress of silk jersey, with wide V neck and cap sleeves; and a green silk belt with beaded tassels; together with slides of purple suede with wedge heel.
Estimate: $1,200 - $1,600 / Sold: $23,000
Lot 286: MAUVE PUCCI (2)
A dress of mauve silk jersey, with wide scoop neck and long sleeves; together with mauve belt.
Estimate: $600 - $800 / Sold: $18,400
Lot 287: A PUCCI DRESS (2)
Of printed silk jersey, geometric paterns in greens and pinks, with matching belt.
Estimate: $2,000 - $2,500 / Sold: $46,000
Lot 288: A TWO PIECE PUCCI ENSEMBLE (2)
Of green silk jersey, the sleeveless blouse with boat-neck and elastic waisband; together with a knee-length skirt with elastic waistband.
Estimate: $600 - $800 / Sold: $9,775
Lot 289: A CASUAL HAT
Of beige canvas, designed with wide brim.
Estimate: $200 - $400 / Sold: $7,475
Lot 290: A PUCCI DRESS
Of taupe silk jersey, sleeveless with wide scoop neck.
Estimate: $600 - $800 / Sold: $8,050
Lot 291: BLACK PUCCI
A dress of black silk jersey, sleeveless with wide scoop neck.
Estimate: $600 - $800 / Sold: $16,100
Non illustré / Not illustrated
Lot 292: A PUCCI BLOUSE + Shoes + Beret (4)
Of white twilled silk with Renaissance-inspired jewel pattern in blues, greens and golds; together with a pair of white leather shoes labeled Ferragamo and a beige beret.
Estimate: $4,000 - $6,000 / Sold: $85,000
Lot 293: A GROUP OF HATS (9)
Comprising a cream satin beret, labeled Madcaps, New York, a red velvet hat, labeled Dachettes, a red, white and blue wool hat with brim, a black visor style hat, a cream linen beret, a black linen beret, labeled Madcaps, New York, a black velvet floppy hat, labeled Madcaps, New York, ad cream mohair ski-hat, and a black velvet floppy hat with black ribbon trim.
Estimate: $2,000 - $2,500 / Sold: $17,250
Non illustré / Not illustrated
Lot 294: TWO PAIRS OF SHOES (4)
One pair of lime green leather stilleto heels; together with a pair of black leather stiletto heels, both pairs labeled Ferragamo.
Estimate: $1,000 - $1,800 / Sold: $16,100
Non illustré / Not illustrated
Lot 295: AN OVERBLOUSE
Of Black Chiffon bound with black grosgrain, with elastisized waist, labeled Rudi Gernreich designed for Walter Bass, the paper tag inscribed M. Monroe, style 104.
Estimate: $2,000 - $4,000 / Sold: $14,950
Lot 296: A NIGHT ROBE
Of fawn satin with matching belt.
Estimate: $1,000 - $1,500 / Sold: $7,475
Non illustré / Not illustrated
Lot 297: A GROUP OF NIGHTGOWNS (4)
Including a full-length neglige/g of cream lace applique/gd with rhinestones and pale pink and blue satin leaf motifs; a full-length nightdress of biscuit-colored chiffon applique/gd with black ribbon flowers under the bust and black ribbon ties, decorated with black lace; a nightdress of similar style of sheer pink gauze decorated with pale blue nylon ribbon; and a full-length nightdress of cream silk gathered under the bust and decorated with a pattern of applique/gd leaves.
Estimate: $6,000 - $8,000 / Sold: $63,000
Lot 298: TWO BOUDOIR CAPS AND ACCESSORIES (4)
A boudoir cap of baby blue nylon decorated with frills and embroidered with pink rosebuds, labeled Kleinerts; the other cap of pale peach nylon decorated with peach frills, accompanied by a decorative frilled spotted gauze tissue-box cover; and a handkerchief of white linen, embroidered with the initial M in blue script over white letters Marilyn - framed.
Estimate: $2,000 - $2,500 / Sold: $12,650
Lot 299: A SELECTION OF SLEEPWEAR (3)
A nightgown of oyster silk, knee-length, labeled Serendipity, and a noghtgown of cream cotton, trimmed with lace, labeled Vicki Barbizon; together with a pair of cream silk pajama bottoms.
Estimate: $3,000 - $5,000 / Sold: $14,950
Lot 300: A NIGHTSHIRT
Of cream cotton, trimmed with a breast pocket and embroidered at the neck with beige silk lettering, Marilyn.
Estimate: $10,000 - $15,000 / Sold: $40,250
Lot 301: A GROUP OF SILK PAJAMAS (6)
Comprising a Japanese jacket of gold brocade labeled Hagorono, Kyoto, Japan; a nightshirt and belt of scarlet silk woven with a pattern of butterflies; a japanese robe of sky blue silk; a green silk pajama suit; and a pair of silk pajama bottoms.
Estimate: $3,000 - $5,000 / Sold: $18,400
Lot 302: A GROUP OF FIVE NIGHT SHIRTS (5)
Three of cotton and two of silk, in various colors.
Estimate: $1,000 - $1,500 / Sold: $8,625
Lot 303: A GROUP OF BABY DOLL NIGHT DRESSES (3)
Comprising: one of black chiffon, trimmed with lace and decorated with applique/gd bows, labeled Juel Park, Beverly Hills, California; together with another of pale pink gauze decorated with peach lace and trimmed with pink silk ribbon, and another of pale pink gauze with frilled hem and sleeves.
Estimate: $4,000 - $6,000 / Sold: $36,800
Lot 304: A HANDKERCHIEF
Of white linen, embroidered with the initial M surrounded by a pattern of rosettes and vines. Square 16 in. framed.
Estimate: $1,500 - $2,000 / Sold: $12,650
Lot 305: A PAIR OF "GLASS SLIPPERS" (2)
Of transparent plexiglass with white fox fur straps, labeled juel Park,Beverly Hills, California.
Estimate: $1,000 - $1,500 / Sold: $85,000
Lot 307: A COMPACT
A square black lacquer compact opened to reveal a mirror and a square typed eleven-line speech, possibly written as Marilyn Monroe's acceptance speech when winning the Golden Globe for World's Favorite Female Star in 1961.
Estimate: $2,000 - $4,000 / Sold: $34,500
Lot 308: A CLUTCH BAG (2)
An orange satin clutch bag, monogrammed MM in the interior; together with a matching orange satin make-up bag.
Estimate: $1,500 - $2,000 / Sold: $13,800 
Lot 310: A TRAVELING CASE AND MAKE-UP
The black case with five metal drawers containing an assortment of make-up comprising:
- Three lipsticks by Max Factor, labeled LS/7-22/N.I.
- One highlighter and two Elizabeth Arden cream eyeshadows in gold tone tubes named "Autumn Smoke" and "Pearly Blue"
- Two Elizabeth Arden "Eye Stopper" eyeliners, one brown and one black
- One cream "Light Green" eyeshadow in a pot by Leichner of London
- Two bottles of nail polish by Revlon, one "Cherries a la Mode", the other "Hot Coral", and a bottle of cuticle oil
- An eyeliner and a box containing flash eyelashes by Glorene of Hollywood
- A bottle of black liquid eyeliner
- A box of "Hollywood Wings"
- Two bottles of perfumed lotion from the "Quintess" line by Shisheido, in their box
- Anita d'Foged "Day Dew" cream make-up and cover-up
- Two pots of Erno Lazlo make-up
- A box of tissue
- A selection of matchbooks, including one printed MMM and others from restaurants including Sardi's
- Two paper fans
- Three satin purses
- Two pocket mirrors
- A bottle of smelling salts.
Estimate: $1,000 - $1,500 / Sold: $266,500
Lot 310 A: A BLACK LEATHERETTE COVERED TRAVELING CASE
Circa 1950s / With hinged lid and fall-front over a fitted interior with wooden drawers covered in green felt.
Estimate: $1,000 - $1,500 / Sold: $32,200
Non illustré / Not illustrated
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