Photos liées au tag 'milton h greene'

Voir toutes les photos
07 août 2019

Photographies - Inspiration de "Wicker" Sitting

La séance "en osier" de Marilyn Monroe photographiée par Milton Greene à New York en septembre 1954 la représente assise sur un siège en osier.
The "Wicker" sitting of Marilyn Monroe photographed by Milton Greene in New York in September 1954 depicts her sitting on a wicker chair.

1954-09-13-NY-Wicker-012-1a2 1954-09-13-NY-Wicker-040-2a-HQ-1 1954-09-13-NY-Wicker-021-1a1 
1954-09-13-NY-Wicker-015-1a 


Marilyn reprendra la pose dans un siège en osier blanc, sous l'objectif de Cecil Beaton et de son assistant Hans Knopf en 22 février 1956 à l'hôtel Ambassador de New York.
Marilyn will strike a similar pose in a white wicker chair, photographed by Cecil Beaton and his assistant Hans Knopf on February 22, 1956 at the Ambassador Hotel in New York.

 Wicker_sitting_inspiration-marilyn-1956-beaton-1 Wicker_sitting_inspiration-marilyn-1956-beaton-3 Wicker_sitting_inspiration-marilyn-1956-beaton-2 
Wicker_sitting_inspiration-marilyn-1956-beaton-4 


Il s'agit de fauteuils d'origine Tahitienne, appelés fauteuils Pomare. Avec son allure de "trône", qu'il tient de ses origines car était l'assise des rois de Tahiti (la dynastie des Pomare, d'où il tient son nom), il fait son apparition à la fin du XIXème siècle, quand le prince Hinoï, neveu de Pomare V (le dernier roi de la dynastie des Pomare), meurt dans l'un de ces fauteuils.
Mi-élégant, mi-décontracté, son dossier est plus ou moins haut et évasé, l'osier est travaillé et ajouré par des lignes entrelacées formant des jeux géométriques, figuratifs ou non.
These are chairs of Tahitian origin, called Pomare armchairs. With its appearance of "throne", which it holds from its origins because it was the seat of the kings of Tahiti (the Pomare dynasty, from which it takes its name), he made its appearance at the end of the XIX century, when Prince Hinoï, nephew of Pomare V (the last king of the Pomare dynasty), dies in one of these armchairs.
Mid-elegant, half-relaxed, with its backrest is more or less high and flared, the wicker is worked and perforated by intertwined lines forming geometric shapes, figuratives or not.

Déjà au début du XXème siècle (années 1920s), des femmes sont photographiées assises dans un grand siège en osier.
Already in the early twentieth century (years 1920s), women are photographed sitting in a big wicker seat.

Wicker_sitting_inspiration-1900s-010-1  Wicker_sitting_inspiration-1920s-010-1 

- Katharine Hepburn, 1935 -
Wicker_sitting_inspiration-Katharine_Hepburn-1935 


Peu d'hommes sont photographiés assis dans une chaise en osier; ce petit fauteuil reste principalement "féminin" dans l'iconographie.
Few men are photographed sitting in a wicker chair; this little chair remains mainly "feminine" in the iconography.

Wicker_sitting_inspiration-model-man-1  

L'assise du fauteuil en rotin va devenir un accessoire très utilisé dans la photographie mettant en scène les plus belles femmes du monde entier: actrices, chanteuses et mannequins.
The seat of the rattan chair will become a widely used accessory in the photography featuring the most beautiful women in the world: actresses, singers and models.

- Doris Day, 1955s -
Wicker_sitting_inspiration-doris_day-1955s-1  Wicker_sitting_inspiration-doris_day-1955s-2 

- Elizabeth Taylor, 1955s -
Wicker_sitting_inspiration-liz_taylor-1 

- Natalie Wood, 1960s -
Wicker_sitting_inspiration-natalie_wood-1 

- Virna Lisi, 1960s -
Wicker_sitting_inspiration-virna_lisi-1 

- Romy Schneider, 1963 -
Wicker_sitting_inspiration-romy_schneider-1963  

- Audrey Hepburn, septembre 1966, William Klein -
Wicker_sitting_inspiration-audrey_hepburn-1966-09-by_william_klein-1-1 Wicker_sitting_inspiration-audrey_hepburn-1966-09-by_william_klein-1-2
Wicker_sitting_inspiration-audrey_hepburn-1966-09-by_william_klein-1-3 Wicker_sitting_inspiration-audrey_hepburn-1966-09-by_william_klein-1-4 
Wicker_sitting_inspiration-audrey_hepburn-1966-09-by_william_klein-1-5  Wicker_sitting_inspiration-audrey_hepburn-1966-09-by_william_klein-1-6 

- Brigitte Bardot, 1964 -
Wicker_sitting_inspiration-brigitte_bardot-1964-by_dussart-1  Wicker_sitting_inspiration-brigitte_bardot-1964-by_dussart-2 

- Carolyn Jones, "The Addams Family", 1965s -
Wicker_sitting_inspiration-carolyn_jones-adams-1965s 

- Claudia Cardinale - 1960s -
Wicker_sitting_inspiration-claudia_cardinale-1960s 

- Jean Shrimpton & Cecil Beaton, 1965 -
Wicker_sitting_inspiration-jean_shrimpton_and_cecil_beaton-1965 

- Sharon Tate, 1967s -
Wicker_sitting_inspiration-sharon_tate-1 

- Brigitte Bardot, 1967 -
Wicker_sitting_inspiration-brigitte_bardot-1967-by_jc_sauer-1 
Wicker_sitting_inspiration-brigitte_bardot-1967-by_jc_sauer-2 

- Brigitte Bardot, 1968 -
Wicker_sitting_inspiration-brigitte_bardot-1968-by_dussart-1  Wicker_sitting_inspiration-brigitte_bardot-1968-by_dussart-2 
Wicker_sitting_inspiration-brigitte_bardot-1968-by_dussart-3  Wicker_sitting_inspiration-brigitte_bardot-1968-by_dussart-4  

 - Marianne Faithfull, fin 1960s -
Wicker_sitting_inspiration-marianne_faithfull-1 

L'actrice Sylvia Kristel va érotiser le fauteuil en rotin: elle y est représentée dénudée sur l'affiche du film érotique français Emmanuelle en 1974 (film qui va connaître un succès mondial). A partir de cette photographie iconique qui va devenir culte, le fauteuil en rotin devient alors indissociable de la féminité et la sensualité et l'incarnation des moeurs libérées et de la vie de bohème des années 1970s; et il est désormais nommé et connu sous le nom du "fauteuil d'Emmanuelle" !
The actress Sylvia Kristel will eroticize the rattan armchair: she is represented naked on the poster of the French erotic film Emmanuelle in 1974 (a film that will be a worldwide success). From this iconic photograph that will become cult, the rattan armchair becomes inseparable from femininity and sensuality and incarnation of liberated mores and bohemian life of the 1970s; and it's now named and known as the "Emmanuelle's chair" !

- Sylvia Kristel, "Emmanuelle", 1974 -
Wicker_sitting_inspiration-sylvia_kristel-emmanuelle-1974 
Wicker_sitting_inspiration-model-1970s-1  

  - Dolly Parton, 1970s -
Wicker_sitting_inspiration-dolly_parton-1 

- Françoise Hardy, 1970s -
Wicker_sitting_inspiration-francoise_hardy-1970s 

- Mannequins, 1970s -
Wicker_sitting_inspiration-model-010-1 
Wicker_sitting_inspiration-model-020-1  Wicker_sitting_inspiration-model-040-1 

- Michelle Obama, 1980s -
Wicker_sitting_inspiration-michelle_obama-1 

- Ornella Mutti, 1980s -
Wicker_sitting_inspiration-ornella_mutti-1 

Dans les années 2000s et 2010s, des mannequins sont représentées assises dans un siège en rotin pour souvent illustrer une mode à tendance hippie ou folk. Le fauteuil reste indémodable dans les intérieurs à tendance déco, qu'il soit placé dans une chambre ou dans un salon, ou à l'extérieur sur une terrasse ou dans une véranda, et comporte des connotations bohèmiennes d'authenticité, par son aspect vintage et de sensualité par l'imagerie d'Emmanuelle.
In the years 2000s and 2010s, models are represented sitting in a rattan seat to often illustrate a trend with hippie or folk tendency. The armchair is timeless in deco-style interiors, whether in a bedroom or in a living room, or outside on a terrace or veranda, and has Bohemian connotations of authenticity, with its vintage look and sensuality through Emmanuelle's imagery.

- Mannequins, 2000s / 2010s -
Wicker_sitting_inspiration-model-011-1 Wicker_sitting_inspiration-model-015-1 Wicker_sitting_inspiration-model-016-1 
Wicker_sitting_inspiration-model-012-1 Wicker_sitting_inspiration-model-013-1 Wicker_sitting_inspiration-model-014-1 
 Wicker_sitting_inspiration-model-021-1 Wicker_sitting_inspiration-model-022-1 Wicker_sitting_inspiration-model-023-1 
Wicker_sitting_inspiration-model-030-1  Wicker_sitting_inspiration-model-030-2 

- Zella Day, 2010s -
Wicker_sitting_inspiration-zella_day-singer-1 Wicker_sitting_inspiration-zella_day-singer-2 Wicker_sitting_inspiration-zella_day-singer-3 

- Sienna Miller, 2010s -
Wicker_sitting_inspiration-sienna_miller-1 Wicker_sitting_inspiration-sienna_miller-2 


All photos are copyright and protected by their respective owners. 
copyright text by GinieLand.

12 juillet 2019

10/07/2019 - Vernissage de l'expo "Divine Marilyn"

Le 10 juillet 2019 à 19h, a eu lieu le vernissage de l'exposition consacrée à Marilyn Monroe à Paris, intitulée "Divine Marilyn".

2019-07-10-expo_divine_vernissage-010  2019-07-10-expo_divine_vernissage-020  

Pour le lancement de l'ouverture de l'expo, plusieurs personnalités étaient présentes pour cet événement:

Joshua Greene (fils de Milton Greene)
2019-07-10-expo_divine_vernissage-joshua_greene-1 2019-07-10-expo_divine_vernissage-joshua_greene-2 2019-07-10-expo_divine_vernissage-joshua_greene-3

Joshua Greene et Suzie Kennedy
2019-07-10-expo_divine_vernissage-joshua_greene_suzie-1 2019-07-10-expo_divine_vernissage-joshua_greene_suzie-2 2019-07-10-expo_divine_vernissage-joshua_greene_suzie-3  

Suzie Kennedy (sosie professionnel de Marilyn)
2019-07-10-expo_divine_vernissage-suzie-01 
2019-07-10-expo_divine_vernissage-suzie-02 

Edie et Meta Shaw (filles de Sam Shaw)
2019-07-10-expo_divine_vernissage-shaw_filles-edie_et_meta-1 

photo de groupe
 Joshua Greene, Suzie Kennedy, Edie & Meta Shaw
2019-07-10-expo_divine_vernissage-groupe-1 2019-07-10-expo_divine_vernissage-groupe-2 2019-07-10-expo_divine_vernissage-groupe-3   

Hugues Aufray (chanteur) et sa maîtresse:
2019-07-10-expo_divine_vernissage-hugues-aufray-1  2019-07-10-expo_divine_vernissage-hugues-aufray-et-sa-compagne-1 

Gilles Lhote (biographe de Johnny Hallyday)
2019-07-10-expo_divine_vernissage-gilles_lhote-1 

Stephane de Bourgies (photographe)
2019-07-10-expo_divine_vernissage-stephane_de_bourgies-1 

Tony Franck, Patrice Gaulupeau, Hugues Aufray
2019-07-10-expo_divine_vernissage-tony_franck-patrice_gaulupeau-hugues_aufray-1  


source images:
purepeople.com


Rappel sur le blog: les informations sur
l'exposition Divine Marilyn

Exposition Divine Marilyn
du 9 juillet au 22 septembre 2019
Galerie Joseph, 116 rue de Turenne, 75003 Paris


© All images are copyright and protected by their respective owners, assignees or others.
copyright text by GinieLand.

Posté par ginieland à 15:53 - - Commentaires [2] - Permalien [#]
Tags : , , , , ,

14 juin 2019

Màj posts: 2èmes séances Milton Greene en octobre 1953

Les posts sur la deuxième collaboration entre Milton Greene et Marilyn Monroe ont été mis à jour: ajout et réorganisation des photographies et des informations liées aux séances.
The posts on the second collaboration between Milton Greene and Marilyn Monroe have been updated: addition and reorganization of photographs and information related to the sessions.


Un mois après leurs premières séances photos organisées pour le magazine Look, le photographe Milton Greene et Marilyn Monroe sont invités en octobre 1953 chez Joseph M Schenck, producteur et co-fondateur des studios de la 20th Century Fox. Quatre séries de photos sont prises durant ce week-end.
One month after their first photos shoots for Look magazine, photographer Milton Greene and Marilyn Monroe are invited in October 1953 at Joseph M Schenck's guest house, producer and co-founder of 20th Century Fox Studios. Three series of photos are taken during this weekend.


 Les quatre "séances" de la deuxième collaboration entre Milton et Marilyn
The four "sessions" of the second collaboration between Milton and Marilyn

Cliquez sur les liens ci-dessous pour accéder aux posts:
Click on the links below to access the posts:

Octobre 1953, Los Angeles - Schenck House par Milton Greene - serie 1
Marilyn en chemisier blanc et pantalon noir,
prend la pose devant une statue, au téléphone et sur un sofa
Marilyn in white blouse and black pants,
poses in front of a statue, on the phone and on a sofa
ph-gr-statue-1  

Octobre 1953, Los Angeles - Schenck House par Milton Greene - serie 2
Marilyn en chemisier et pantalon rayé,
prend des poses décontractées buvant un verre dans un sofa et au téléphone
Marilyn wearing a blouse and striped pants,
takes casual poses drinking in a sofa and on the phone
 1953-10-LA-Schenck_House-013-1a 

> Octobre 1953, chez Schenck - Bed par Milton Greene
Série "au lit", Marilyn dans le lit, et boit dans une tasse de cuivre
"Bed" sitting, Marilyn in the bed, and drinks in a copper cup
zz1953-10-LA-BD-Bed-032-1  

> Octobre 1953, chez Schenck - Umbrella par Milton Greene
Série de "l'ombrelle", Marilyn prend son petit-déjeuner
"Umbrella" sitting, Marilyn takes her breakfast 
1953-LA-UM-Umbrella-010-1 


All photos are copyright and protected by their respective owners.  
copyright text by GinieLand. 

Posté par ginieland à 22:54 - - Commentaires [0] - Permalien [#]
Tags : , ,

11 juin 2019

Wallpaper Milton Greene (24) - Evening Dress

1953-09-LA-Evening_Dress-050-1-wp 

Posté par ginieland à 22:37 - - Commentaires [0] - Permalien [#]
Tags : ,

10 juin 2019

Màj posts: 1ères séances Milton Greene en septembre 1953

Les posts sur la première collaboration entre Milton Greene et Marilyn Monroe ont été mis à jour: ajout et réorganisation des photographies et des informations liées aux séances.
The posts on the first collaboration between Milton Greene and Marilyn Monroe have been updated: addition and reorganization of photographs and information related to the sessions.


Fleur Cowles, la rédactrice en chef du magazine Look souhaite faire un article sur le cinéma dans une prochaine édition du magazine. Elle demande au photographe Milton Greene de s'occuper des séances photos avec Marilyn Monroe.
Milton photographie pour la première fois Marilyn Monroe le 2 septembre 1953, le lendemain de son retour au Canada où elle a tourné les extérieurs du film "La rivière sans retour": Marilyn porte encore un bandage à sa cheville gauche suite à l'entorse qu'elle s'est faite sur le tournage. Milton fait plusieurs séances dans les studios photos du magazine Look à Los Angeles mais aussi à l'extérieur (Laurel Canyon, studios de la Fox sur le tournage de "Rivière sans retour" et dans les locaux de Look) les jours suivants. Très satisfaite du travail de Milton, cette première collaboration marque aussi le début d'une amitié durable.
Fleur Cowles, the editor-in-chief of Look magazine, wants to make an article about cinema in a future edition of the magazine. She asks photographer Milton Greene to take photo sessions with Marilyn Monroe.
Milton first photographs Marilyn Monroe on September 2, 1953, the day after she came back from Canada where she shot the exterior scenes of the movie "River of no Return": Marilyn still wears a bandage in her left ankle after sprained it was done on the set. Milton does several sessions in the studios of Look magazine in Los Angeles but also outside (Laurel Canyon, on the Fox's studio set of "River of no return" and in the office of Look) the following days. Very satisfied with Milton's work, this first collaboration also marks the beginning of a lasting friendship.


Les six "séances" de la première collaboration entre Milton et Marilyn
The six "sessions" of the first collaboration between Milton and Marilyn

Cliquez sur les liens ci-dessous pour accéder aux posts:
Click on the links below to access the posts:

02/09/1953, Los Angeles - Mandolin par Milton Greene
Jour 1: "Mandoline" est la première séance qu'ils font ensemble
dans les studios du magazine Look
Day 1: "Mandolin" is the first session they do together
in the studios of Look magazine

> 02/09/1953, Los Angeles - Evening Dress par Milton Greene
Jour 1: "Evening Dress", deuxième séance, dans les studios de Look
Day 1: "Evening Dress", second session, in Look Studios

02/09/1953, Los Angeles - Nude par Milton Greene
Jour 1: "Nude" est la troisième séance, dans les studios de Look
Day 1: "Nude" is the third session, in Look Studios

1953-09-03-LA-Mandolin-052-1a 1953-09-LA-Evening_Dress-010-2a 1953-09-02-LA-Nude-022-1b 

> 03/09/1953, Los Angeles - Tree par Milton Greene
  Jour 2: "Tree" est une séance improvisée dans la nature
Day 2: "Tree" is an improvised session in nature

> 03/09/1953, Los Angeles - Rock par Milton Greene
Jour 2: "Rock", séance dans la nature
Day 2: "Rock", sitting in nature

1953-09-02-LA-Laurel_Canyon-Tree_Sitting-042-1 z-1953-09-03-LA-Rock-032-2a z-1953-09-03-LA-Rock-025-2a 

> Septembre 1953, Los Angeles - Candids par Milton Greene
Jours suivants: des instantanés pris en dehors des séances officielles
Next days: snapshots taken as an anside of official sessions

  1953-09-CA-California-Fox_studio_RONR-011-1a 1953-09-CA-California-look_office-012-1a 1953-09-CA-California-office-021-1a  


All photos are copyright and protected by their respective owners.  
copyright text by GinieLand. 

Posté par ginieland à 18:35 - - Commentaires [0] - Permalien [#]
Tags : , ,

10 mai 2019

Expo Divine Marilyn

 affiche-Marilyn-1-version-4-768x1086    Du 9 juillet au 22 septembre 2019, exposition Divine Marilyn à la Galerie Joseph de Paris. 

Pour la première fois en France, cette grande exposition sur 850m2 regroupera les trois plus grands noms de la photographie américaine : Sam Shaw, Milton Greene et Bert Stern - qui ont immortalisé Marilyn Monroe à différentes époques de sa vie au travers de près de 200 photos ou documents. 
Elle sera réalisée avec la collaboration de Meta et Edith Shaw, filles de Sam Shaw ; Joshua Greene, fils de Milton Greene, et Olivier Lorquin, Président de la Fondation Dina Vierny – Musée Maillol pour Bert Stern.

L’exposition visera à montrer à travers des clichés inédits que Marilyn était loin d’être la « Pin-up blonde » qu’elle prétendait être et qui lui avait servi de masque lors de chaque sortie publique, mais qu’elle était également une femme enjouée et vraie, loin de l’image à laquelle elle est souvent rattachée.
Marilyn a réussi à construire sa propre histoire et sa légende, au-delà de l’image emblématique que les industries de la publicité et du cinéma ont fait d’elle.


 Sam Shaw

expo-1-Marilyn-Monroe-et-Arthur-Miller-par-Sam-Shaw De 1952 à 1962, Sam Shaw capture un grand nombre de clichés de la vie privée de la pin-up, notamment son quotidien de jeune épouse auprès du dramaturge Arthur Miller, une période où elle semble comblée de bonheur.
50 photos respirant la simplicité seront exposées dans ce corner, mais aussi des clichés emblématiques, comme celui de Marilyn retenant l’envolée de sa robe blanche au-dessus d’une bouche de métro à New York, sur le tournage du film de Billy Wilder « Sept ans de réflexion ».
nb: Meta et Edith Shaw, filles de Sam Shaw, seront présentes au vernissage.


Milton Greene

expo-3-Marilyn-Monroe-en-ballerine-par-Milton-Greene-1  Un autre corner mettra en avant 50 photos du photographe Milton Greene. Des clichés iconiques qui ont fait le tour du monde comme ceux de la star en tenue de ballerine.
Grâce à son travail tout en finesse et en élégance, Milton Greene rappelle la capacité de cette femme aux mille visages à changer de personnage avec un naturel qui étonne.
nb: Joshua Greene, le fils de Milton sera présent au vernissage.


Bert Stern

expo-marilyn_monroe_bert_stern_estate_crucifixion_ii__1962_jpg_2926_north_640x640_transparent  Mondialement connu pour avoir été le dernier photographe à immortaliser Marilyn Monroe, Bert Stern sera également à l’honneur à travers l’exposition de douze tirages grands formats de la « dernière » séance photo de Marilyn qu’il réalise pour Vogue en 1962, quelques jours avant sa disparition. Une séance photos qui durera 3 jours pendant lesquels 2571 photos seront shootées.
Stern avait capturé une Marilyn sans fards, dans un moment de liberté et d’abandon mais c’est elle-même qui avait choisi les photos sur les planches contact avec le souci constant de contrôler son image.


Arty
Symbole de la culture Pop et du Street-Art, Marilyn est souvent revisitée sous d’autres formes. Collages, pochoirs et dessins, une quinzaine d’oeuvres d’artistes émergents y seront exposées.


Norma Jean avant Marilyn
L’exposition retracera également le parcours et la métamorphose de Norma Jeane Baker en Marilyn Monroe.
Un morphing photo depuis ses clichés de bébé jusqu’à cette jeune fille aux boucles brunes qui rêvait de devenir célèbre.
Elle avait très vite compris  que  si elle faisait un grand nombre de couvertures de magazine, elle deviendrait vite très populaire. La jeune femme multiplie donc les séances photos, que ce soit pour gagner sa vie comme avec ce calendrier de 1949 où elle apparaît nue, ou pour construire les premiers échelons de sa carrière. En posant devant une multitude de photographes, Marilyn Monroe voulait être regardée et aimée par le public, mais aussi remarqué par les studios de cinéma.


Marilyn pendant la guerre de Corée
Alors qu’elle était en voyage de noces en Japon avec son mari Joe DiMaggio, Marilyn s’est rendue en Corée pour divertir les soldats américains à la fin de la guerre de Corée en 1954. Un épisode méconnu de sa vie que les commissaires d’exposition ont pu recréer grâce à des films d’archives et des clichés réalisés par les quatre photographes officiels mais aussi par des photos prises par les soldats eux-mêmes.


Tournage de "Sept ans de réflexion"
Un corner consacré à l’histoire de la photo la plus célèbre et la plus sulfureuse du cinéma hollywoodien. Une scène culte qui élèvera Marilyn au rang des légendes mondiales, mais qui provoquera aussi son divorce avec Joe DiMaggio.


Et aussi...
Des clichés connus et moins connus, des affiches de film, couvertures de magazines et presse d’époque…


Affiche 1 

Lieu et adresse: Galerie Joseph, 116 rue de Turenne, 75003 Paris.
Horaires: tous les jours de 11h à 20h
(jusqu'à 22h les vendredis et samedis)
y compris jours fériés. 

Tarifs: Individuels:
Plein tarif : 12 €
Tarif étudiant: 8 €
Gratuit pour les moins de 12 ans.

Groupe: au-delà de 10 personnes: 9 €
Offre pass les 2 expos "Divine Marilyn" et "Jackie une icône":
Plein tarif: 18 €
Tarif étudiant: 12 €

Affiche 2 

Sites Web:
galeriejoseph.com
display-productions.com


© All images are copyright and protected by their respective owners, assignees or others.

Posté par ginieland à 23:54 - - Commentaires [0] - Permalien [#]
Tags : , , , ,

01 mai 2019

Wallpaper Milton Greene (23) - Red Sweater

wp-greene-RS-1

> site wall.alphacoders 

Posté par ginieland à 19:49 - - Commentaires [0] - Permalien [#]
Tags : ,

17 novembre 2018

29/06/1955, New York - achat de chaussures

Le 29 juin 1955, la boutique "Signorina Eugenia Inc." située au 400 Park Avenue à New York envoie une facture à Marilyn Monroe, à l'hôtel Waldorf-Astoria, pour une commande de chaussures pour un montant de 39,14 Dollars. Ils vendent notamment des chaussures Ferragamo. 
In June 29, 1955, the "Signorina Eugenia Inc." store, located at 400 Park Avenue in New York, sends an invoice to Marilyn Monroe, at Waldorf-Astoria Hotel, for an order of shoes for an amount of $39.14. They send especially Ferragamo shoes.

1955-06-29-invoice_from_Signorina_Eugenia_Inc-heritage_auction-2017-11b 


Milton H Greene procède au réglement de cette facture le 14 juillet 1955 par chèque au nom de la société des Marilyn Monroe Productions.
Milton H Greene proceeds to the payment of the invoice by check in July 14, 1955 to the name of the Marilyn Monroe Productions.

1955-07-14-check_from_MM_Prod_to_Signorina_Eugenia-heritage_auction-2017-11 


> source: vente aux enchères Heritage Auction, 11/2017


© All images are copyright and protected by their respective owners, assignees or others.
copyright text by GinieLand.

31 octobre 2018

Lots Entertainment & Music Memorabilia - Heritage Auctions - 11/2017

Lots sur Marilyn Monroe des enchères
'Entertainment & Music Memorabilia'

organisées le 11 novembre 2017
par Heritage Auctions
à Dallas aux Etats-Unis.


Lot 89001: A Marilyn Monroe Unusual Inscribed 'Frame Glass' to Arthur Miller, Circa 1960.
A black and white photograph of the star circa 1956, looking wistful, housed in a black wooden frame with the glass signed by her in red wax pencil "I know when / I am not there / for you -- !!!" with her added line marks below forming what look like "X's" or "M's" or both but hard to decipher; consigned directly by the daughters of Aaron Frosch [Monroe's attorney] who said that when their father was handling MM's divorce from Arthur Miller, she gave Frosch a number of items she didn't want anymore, including this photograph which she evidently inscribed to Miller as an apology; interestingly, MM wrote this note with a colored wax pencil, the same kind she used to cross out images of herself on contact sheets that she didn't like; also intriguing to speculate about the photograph itself: it was likely a favorite of hers or Miller's and it was probably hanging somewhere in the couple's home where MM knew Miller would see her message on it. (Please note the inscription has changed to an orangish color and it's faded due to age.)
Matted and framed: 14 1/2" x 12"

lot89001a  lot89001b 


Lot 89002: A Marilyn Monroe Signed Document, 1952.
Two pages, typed, first page is on Twentieth Century Fox letterhead, dated "June 5, 1952," an eight paragraph agreement outlining the tedious details of the star's payment schedule at the studio, signed by her on the second page in blue fountain pen ink "Marilyn Monroe;" matted and framed in a pretty display featuring a black and white image of MM above brass-like plaques relaying general information about her.
Document only: 10" x 8"; Overall piece: 24" x 34"

lot89002a  lot89002b  


Lot 89003: A Marilyn Monroe Signed Waiver, 1957.
One page, typed, dated "July 24, 1957," short document outlining how a meeting of Marilyn Monroe Productions was to be held at an office on Madison Avenue in NYC, signed by the star in blue foutain pen ink in the lower right corner "Marilyn Monroe" along with the signatures of two of her business associates; matted and framed next to three MM collectibles: a plastic "Marilyn Monroe Drawing Aid" (with its original backing), a piece of "Marilyn's Bedsheet!" with its original packaging, and a pocket knife featuring her 'Golden Dreams' nude image (but reversed); included with a LOA from JSA Authentication.
Document only: 10 1/2" x 8"; Whole display: 19" x 26 1/2"

lot89003a  lot89003b   


Lot 89004: A Marilyn Monroe (and Others) Signed Autograph Book Page, 1956.
Brownish-red leather cover, inside pastel pages inscribed in various colors of fountain pen or ballpoint ink (some to "Henry") by stars including Marilyn Monroe who signed in blue ballpoint ink and added "Warmest Regards" and (in alphabetical order): Ray Bolger, Bing Crosby, Xavier Cugat, Edward Duke of Windsor (who added "March 23rd 1956"), Hedda Hopper, President Herbert Hoover, Frank Sinatra, and President Harry Truman, among a few others who are illegible.
4 1/2" x 5" 

lot89004a 
lot89004b lot89004c lot89004d 
lot89004e  lot89004f    


Lot 89005: A Marilyn Monroe Signed Program from the 'April in Paris Ball,' 1957.
Oversized, 15 pages filled with great 'of the era' advertisements plus text about the gala that the star attended with her husband [Arthur Miller] as did JFK, Jackie, and the Duke and Duchess of Windsor among other luminaries; signed in pencil upside down on the front cover "Marilyn Monroe Miller;" included with an undated handwritten note from a "Beverly Heath" who writes in part "Mrs. Marilyn Monroe Miller / autographed the evening's program which / I also attended / ...At the time I was a 'Rockette' at Radio City Music Hall / ...As I recall, Marilyn was / wearing a quite revealing (for the time) / low cut black sequined dress;" further included is a LOA from PSA/DNA. (Please note MMM's signature is somewhat faded now as it was written in pencil and the program is somewhat dog-eared and creased.)
14" x 11"

lot89005a lot89005b lot89005c   


Lot 89006: A Marilyn Monroe Group of Business Documents, 1950s.
Five total including:
1) an invoice from 'Hearst Metrotone News,' addressed to "Marilyn Monroe Productions," dated "November 21, 1956," in the amount of "$257.50" for "Coverage of arrival of Marilyn Monroe and Arthur / Miller at Idlewild Airport;"
2) a paycheck stub from 'Twentieth Century Fox,' dated "12-12-59," for "services of Marilyn Monroe;"
3) an invoice from 'The Waldorf-Astoria,' addressed to "Monroe Miss Marilyn," dated "Apr 19-25, 1955," outlining charges to her hotel room totaling "$75.80,"
4) a paycheck stub from 'Marilyn Monroe Productions, Inc.,' noting the gross earnings of "$7,142.86,"
and 5) a bank statement from 'Colonial Trust Company,' addressed to "Marilyn Monroe Productions, Inc.," dated "Sept 1-27, 1957," showing the various balances for the month;
all originally from the star's personal files.
11" x 8 1/2" and smaller

lot89006  


Lot 89007: A Marilyn Monroe-Related Group of Documents, 1955-1956.
Three total including:
1) an invoice addressed to "Mlle. Marilyn Monroe / Hotel Waldorf-Astoria / Park Avenue / New York City" from 'Signorina Eugenia Inc.,' dated "June 29, 1955," in the amount of "$39.14 for special order shoes;"
2) a check from 'Marilyn Monroe Productions, Inc.,' dated "July 14, 1955," to the shoemaker, interestingly signed in black fountain pen ink in the lower right corner "Milton H. Greene" [her short-lived business partner in MMP, Inc.];
and 3) another check from MMP, Inc., dated "Feb 3, 1956," written out to MM in the amount of "$404.30," also signed by Greene in blue ballpoint ink. (Please note there is a small hole in the upper center of the invoice and its original fold marks are still evident.)
11" x 8 1/2"

lot89007   


Lot 89008: A Marilyn Monroe Group of Likely Never-Before-Seen Black and White Photographs from Korea, 1954.
Twenty total, all original prints with a glossy finish, all shot by one of the official Army photographers who had close access to the star; including: three that show MM wearing pants, a bomber jacket, and combat boots; seven that show MM in a black turtleneck, pants, and combat boots surrounded by others in the mess hall; three that show MM in a houndstooth-like print dress; six that show MM on stage wearing a sequined dress with spaghetti straps as she sings for the soldiers; and one that shows the outdoor stage and the audience before MM appears (so MM is not in this shot); though these images are all similar to many others we've seen before, these exact ones have never been viewed by the public before; consigned by the family of soldier who shot them 63 years ago.
5" x 4"

lot89008a 
lot89008b 


Lot 89009: A Marilyn Monroe Pair of Rare Black and White Photographs by Jean Howard, Circa 1952.
Both original prints with a semi-gloss finish, both on double-weight paper, both depicting the star in a sultry pose as she wears a spaghetti-strapped top with a dark-colored over-blouse, both stamped twice on the verso "Photograph / by / Jean Howard" -- Howard being the 1930s-era actress turned photographer who was married to the Hollywood power player Charles K. Feldman who was MM's agent for a number of years; directly from Howard's own files as consigned to this auction by her grand-niece. (Please note both negatives, which are not included, appear to have been scratched or dusty when the photographs were printed.)
13" x 9"

lot89009  


Lot 89010: A Marilyn Monroe Group of Rare Black and White Photographs by Jean Howard, Circa 1952.
All original prints with a semi-gloss finish, all on double-weight paper, all depicting the star looking happy as she smiles (two are identical but printed differently), all stamped twice on the verso "Photograph / by / Jean Howard" -- Howard being the 1930s-era actress turned photographer who was married to the Hollywood power player Charles K. Feldman who was MM's agent for a number of years; directly from Howard's own files as consigned to this auction by her grand-niece. (Please note both negatives, which are not included, appear to have been scratched or dusty when the photographs were printed.)
13" x 10"

lot89010a  


Lot 89011: A Marilyn Monroe Pair of Rare Black and White Photographs by Jean Howard, 1953.
Both original prints, both with a glossy finish, one depicting MM alone on the set of her 1953 20th Century Fox film, "How To Marry A Millionaire;" one showing her deep in discussion with director Jean Negulesco; both shot by Jean Howard -- the 1930s-era actress turned photographer who was married to the Hollywood power player Charles K. Feldman who was MM's agent for a number of years; Howard had access to the set of this now-classic film for a few days where she shot a number of still photographs in-between and during filming; directly from Howard's own files as consigned to this auction by her grand-niece. (Please note both negatives, which are not included, appear to have been scratched or dusty when the photographs were printed; image with MM and JN has wrinkling in the lower left corner.)
10" x 8"

lot89011a   


Lot 89012: A Marilyn Monroe Pair of Rare Black and White Photographs by Jean Howard, 1953.
Both original prints with a glossy finish, both depicting MM and co-star Lauren Bacall on the set of their 1953 20th Century Fox film, "How To Marry A Millionaire," both shot by Jean Howard -- the 1930s-era actress turned photographer who was married to the Hollywood power player Charles K. Feldman who was MM's agent for a number of years; Howard had access to the set of this now-classic film for a few days where she shot a number of still photographs in-between and during filming; directly from Howard's own files as consigned to this auction by her grand-niece.
10" x 8"

lot89012a   


Lot 89013: A Marilyn Monroe Group of Rare Black and White Photographs by Jean Howard, 1953.
Four total, all original prints with a glossy finish; three depicting MM and director Jean Negulesco on the set of their 1953 20th Century Fox film, "How To Marry A Millionaire;" one showing just MM alone; all shot by Jean Howard -- the 1930s-era actress turned photographer who was married to the Hollywood power player Charles K. Feldman who was MM's agent for a number of years; Howard had access to the set of this now-classic film for a few days where she shot a number of still photographs in-between and during filming; directly from Howard's own files as consigned to this auction by her grand-niece. (Please note two negatives, which are not included, appear to have been scratched or dusty when the photographs were printed.)
8" x 10"

lot89013a    


Lot 89014: A Marilyn Monroe Group of Sepia Photographs by Jean Howard, 1953.
Three total, all original prints with a matte finish, all on double weight paper, all depicting MM and co-stars Lauren Bacall and Betty Grable in outtake shots from the very well-known set of their 1953 20th Century Fox film, "How To Marry A Millionaire," all stamped on the verso "Photograph by / Jean Howard," one further stamped "Photograph by / Jean Howard" and "Copyright / Jean Howard" in different ink -- Howard being the 1930s-era actress turned photographer who was married to the Hollywood power player Charles K. Feldman who was MM's agent for a number of years; Howard had access to the set of this now-classic film for a few days where she shot a number of still photographs in-between and during filming; directly from Howard's own files as consigned to this auction by her grand-niece.
9 1/2" x 7 1/2"

lot89014a    


Lot 89015: A Marilyn Monroe Pair of Rare Black and White Photographs by Jean Howard, 1953.
Both original prints, one with a glossy finish, one with a semi-gloss finish, both depicting MM with her co-stars [Betty Grable, Lauren Bacall, and extras] from the 1953 20th Century Fox film, "How To Marry A Millionaire," both stamped twice on the verso "Photograph by / Jean Howard," one further stamped "Copyright / Jean Howard" -- Howard being the 1930s-era actress turned photographer who was married to the Hollywood power player Charles K. Feldman who was MM's agent for a number of years; Howard had access to the set of this now-classic film for a few days where she shot a number of still photographs in-between and during filming; directly from Howard's own files as consigned to this auction by her grand-niece. (Please note both show slight creases and dents in raking light; the horizontal image has further wrinkling on the upper right margin.)
13" x 10"

lot89015a  


Lot 89016: A Marilyn Monroe Group of Rare Black and White Photographs by Jean Howard, 1953.
Five total, all original prints with a glossy finish, all depicting MM and co-star William Powell on the set of their 1953 20th Century Fox film, "How To Marry A Millionaire," all shot by Jean Howard -- the 1930s-era actress turned photographer who was married to the Hollywood power player Charles K. Feldman who was MM's agent for a number of years; Howard had access to the set of this now-classic film for a few days where she shot a number of still photographs in-between and during filming; directly from Howard's own files as consigned to this auction by her grand-niece. (Please note the negatives, which are not included, appear to have been scratched or dusty when the photographs were printed; four have slight paper loss in the corners but main images are not affected.)
8" x 10"

lot89016a   


Lot 89017: A Marilyn Monroe Group of Rare Black and White Photographs by Jean Howard, 1953.
Five total, all original prints with a glossy finish, all depicting MM and co-stars Lauren Bacall and William Powell on the set of their 1953 20th Century Fox film, "How To Marry A Millionaire," all shot by Jean Howard -- the 1930s-era actress turned photographer who was married to the Hollywood power player Charles K. Feldman who was MM's agent for a number of years; Howard had access to the set of this now-classic film for a few days where she shot a number of still photographs in-between and during filming; directly from Howard's own files as consigned to this auction by her grand-niece. (Please note the negatives, which are not included, appear to have been scratched or dusty when the photographs were printed.)
8" x 10"

lot89017a   


Lot 89018: A Marilyn Monroe Rare Group of Black and White Photographs by Jean Howard, 1953. Four total, all original prints with a glossy finish, all depicting MM, Lauren Bacall, and William Powell on the set of their 1953 20th Century Fox film, "How To Marry A Millionaire," all shot by Jean Howard -- the 1930s-era actress turned photographer who was married to the Hollywood power player Charles K. Feldman who was MM's agent for a number of years; Howard had access to the set of this now-classic film for a few days where she shot a number of still photographs in-between and during filming; directly from Howard's own files as consigned to this auction by her grand-niece. (Please note the negatives, which are not included, appear to have been scratched or dusty when the photographs were printed.)
8" x 10"

lot89018a  


Lot 89019: A Marilyn Monroe Group of Rare Black and White Photographs by Jean Howard, 1953. Seven total, all original prints with a glossy finish, all depicting MM and co-stars William Powell and Lauren Bacall (with one also showing director Jean Negulesco) on the set of their 1953 20th Century Fox film, "How To Marry A Millionaire," all shot by Jean Howard -- the 1930s-era actress turned photographer who was married to the Hollywood power player Charles K. Feldman who was MM's agent for a number of years; Howard had access to the set of this now-classic film for a few days where she shot a number of still photographs in-between and during filming; directly from Howard's own files as consigned to this auction by her grand-niece. (Please note the negatives, which are not included, appear to have been scratched or dusty when the photographs were printed.)
8" x 10" 

lot89019a  


Lot 89020: A Marilyn Monroe Group of Rare Black and White Photographs by Jean Howard, 1953. Seven total, all original prints with a glossy finish, all depicting MM mainly with co-star Betty Grable but also with Lauren Bacall and William Powell (while director Jean Negulesco appears in four) on the set of their 1953 20th Century Fox film, "How To Marry A Millionaire," all shot by Jean Howard -- the 1930s-era actress turned photographer who was married to the Hollywood power player Charles K. Feldman who was MM's agent for a number of years; Howard had access to the set of this now-classic film for a few days where she shot a number of still photographs in-between and during filming; directly from Howard's own files as consigned to this auction by her grand-niece. (Please note the negatives, which are not included, appear to have been scratched or dusty when the photographs were printed.)
8" x 10"

lot89020a  


Lot 89021: A Marilyn Monroe Group of Rare Black and White Photographs by Jean Howard, 1953.
Four total, all original prints with a glossy finish, all depicting MM and co-stars Lauren Bacall, Rory Calhoun, and Betty Grable on the set of their 1953 20th Century Fox film, "How To Marry A Millionaire," all shot by Jean Howard -- the 1930s-era actress turned photographer who was married to the Hollywood power player Charles K. Feldman who was MM's agent for a number of years; Howard had access to the set of this now-classic film for a few days where she shot a number of still photographs in-between and during filming; directly from Howard's own files as consigned to this auction by her grand-niece. (Please note the negatives, which are not included, appear to have been scratched or dusty when the photographs were printed.)
8" x 10"

lot89021a   


Lot 89022: A Marilyn Monroe Playboy Magazine-Related Limited Edition Serigraph Initialed by Hugh Hefner, 1991.
Depicting the now-famous first cover of the magazine from December 1953, numbered in pencil in the lower left corner "771/950" and initialed in pencil in the lower right corner "HMH" [Hugh Marston Hefner]; issued by Special Editions Limited in August 1991; included with a Certificate of Documentation; a beautiful quality print in excellent condition displaying the oversized image of one of the most famous magazine covers of the 20th century!
36" x 26"

lot89022a  


Lot 89023: A Marilyn Monroe Black and White Photograph Signed by Milton H. Greene, 1956, 1979.
A later print with a glossy finish, depicting the star from her famous 'Black Sitting,' photographer's stamp on the verso as well as his black felt-tip ink signature reading "Milton H. Greene / 4-12-79." (Please note there is a 2" diagonal tear at the center top and a 1 1/4" diagonal tear near the center right edge.)
16" x 19 3/4"

lot89023a  lot89023b  


Lot 89725: A Marilyn Monroe and Clark Gable Black and White Photograph by Jean Howard, 1954, 1989.
A later reprint with a glossy finish, depicting a now well-known image of the star dancing with her childhood hero at a post-production party for "The Seven Year Itch" in 1954, verso has typed caption taped to the lower margin noting this detail as well as "copyright / 1989 Jean Howard" -- Howard being the 1930s-era actress turned photographer who was married to the Hollywood power player Charles K. Feldman who was MM's agent for a number of years as well as the producer of "TSYI;" directly from Howard's own files as consigned to this auction by her grand-niece. (Please note there are slight creases seen in raking light only and there is a 1" tear on the lower left margin.)
10" x 8"

lot89725a lot89725b   


Lot 89726: A Marilyn Monroe and Jean Negulesco Black and White Photograph by Jean Howard, 1953.
An original print with a matte finish, on double-weight paper, depicting the star and her director at the premiere party for "How To Marry a Millionaire" in November 1953, verso with typed press snipe glued to lower right corner reading "L to R: Marilyn Monroe, Director Jean Negulesco;" shot by Jean Howard -- the 1930s-era actress turned photographer who was married to the Hollywood power player Charles K. Feldman who was MM's agent for a number of years; directly from Howard's own files as consigned to this auction by her grand-niece. (Please note there are slight creases along the lower margin.)
10" x 8"

lot89726a  lot89726b 


Lot 89727: A Group of Rare Black and White Photographs by Jean Howard from the Set of "How To Marry A Millionaire," 1953.
Fourteen total, all original prints with a glossy finish, mainly depicting stars Lauren Bacall and Betty Grable (none of Marilyn Monroe) on the set of the 1953 20th Century Fox film; all shot by Jean Howard -- the 1930s-era actress turned photographer who was married to the Hollywood power player Charles K. Feldman who was MM's agent for a number of years; Howard had access to the set of this now-classic film for a few days where she shot a number of still photographs in-between and during filming; directly from Howard's own files as consigned to this auction by her grand-niece. (Please note a few of the images have slight creasing and some of the negatives, which are not included, appear to have been scratched or dusty when the photographs were printed.)
8" x 10" 

lot89727 


Lot 89728: A Marilyn Monroe-Related Citation from "The Seven Year Itch," 1955.
An "Exhibitor / Laurel Awards / Official 1955 Nomination" [for 'Best Picture'] certificate for MM's most famous film, presented to producer Charles K. Feldman who was also MM's agent; consigned directly by Feldman's ex-wife's [actress turned photographer Jean Howard] grand-niece. (Please note the paper is brittle and wrinkled due to age and the gold seal is missing.)
14" x 10"

lot89728a  lot89728b 


Lot 89730: A Marilyn Monroe Group of Black and White Publicity Stills from "Let's Make Love."
20th Century Fox, 1960. Eighteen total, all original prints with a glossy finish, each depicting MM and co-stars in various scenes from this musical that she made with Yves Montand where they infamously lived out the film's title, each image has printed text on the lower margin noting the film's title and studio, etc.
10" x 8"

lot89730 


Lot 89731: A Marilyn Monroe Pair of Black and White Negatives.
One showing the screen icon from her film "Home Town Story," the other showing her wearing a potato sack 'dress;' both images shot in 1951 though it's not known if these negatives are from that era or are later ones; includes glossy printed image of both photos.
5" x 4"

lot89731a  lot89731b


Lot 89732: A Collection of Female Movie Star Memorabilia, Circa 1960s-1970s.
Ten pieces total from David Gest's massive memorabilia collection, including: a 4" metal plate and five playing cards featuring famed Tom Kelley images of a young, nude Marilyn Monroe; a 3" porcelain plate featuring a painted image of Audrey Hepburn, stamped "Mah Vigo / Santa Clara / Made in Spain" on the verso; s similar 3" porcelain plate featuring a painted image of Kim Novak, with the same stamp on the verso as the Hepburn plate; a 1.5" makeup compact, engraved "Mary Pickford" on the bottom; a vinyl record containing a Kathryn Grant interview for radio for her 1959 film The Big Circus, includes a typed transcription of the interview. Conditions: LP - VG-EX 6/ transcription - Very Good; all other pieces Fine to Excellent. From the David Gest Memorabilia Archive.

lot89732 


© All images are copyright and protected by their respective owners, assignees or others.

07 octobre 2018

Retro 20/09/2018

2018-09-20-retro  Retro
n°18
pays: France
paru le 20 septembre 2018
prix: 3,50 Euros.
article de 2 pages sur Marilyn Monroe / JFK

Posté par ginieland à 15:49 - - Commentaires [0] - Permalien [#]
Tags : , , ,