09 mai 2011

1949, Portraits Studio - Séance du saut par Laszlo Willinger

Portraits de Marilyn Monroe - "séance saut" - vers 1949
Photographies de Laszlo Willinger

Marilyn Monroe portraits - "Jump Sitting" - circa 1949
Photographs by Laszlo Willinger

1949-studio-jump_sitting-010-1-by_willinger-1-1  1949-studio-jump_sitting-010-1-by_willinger-1-2  1949-studio-jump_sitting-010-1-by_willinger-1-2HQ 
1949-studio-jump_sitting-010-1-by_willinger-1-1a 


All photos are copyright and protected by their respective owners. 
copyright text by GinieLand.

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08 mai 2011

1949, Portraits Studio de Marilyn par Laszlo Willinger

Portraits en studio de Marilyn Monroe en 1949
Photographies de Laszlo Willinger

Studio portraits of Marilyn Monroe in 1949
Photographs by Laszlo Willinger

1948_studio_in_bathing_suit_010_byLazlo_Willinger_1 1948_studio_in_white_dress_010_byLazlo_Willinger_1_GF
1948_studio_in_white_dress_020_byLazlo_Willinger_1 1948_studio_in_white_dress_040_byLazlo_Willinger_2
1949_studio_dentelles_love_happy_010_by_lazlo_willinger_1 


> dédicace
inscribed by Marilyn to her agent :
To Ferdinand, Many thanks for your encouragement and friendship.
Sincerely, Marilyn Monroe
”.
 
lot1116-H3257-L78860441 


> magazine
 
ph_w_MAG_CHICAGO_SUNDAY_TRIBUNE_1950_08_06_COVER_1 


All photos are copyright and protected by their respective owners. 
copyright text by GinieLand.

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30 avril 2011

21/02/1955, Connecticut - Black Cape & Fur par Milton Greene & Hal Berg

Séance "Cape Noire et Fourrure"
Black Cape and Fur Sitting


Marilyn Monroe photographiée par Milton H Greene et son assistant Hal Berg, le 21 février 1955 ; Connecticut

Marilyn Monroe photographed by Milton H Greene and his assistant Hal Berg, in February, 21, 1955 ; Connecticut.


"BC": "Black Cape" 

Marilyn porte une cape noire en laine qui arrive à la taille, coupée par un ruban vert enfilé. Doublée par une blouse noire en crêpe aux épaules, avec des pompons de 15 cm suspendus, avec des volants et des fronces au col. Création de Norman Norell.

Marilyn wears a black wool waist length cape, slashed with green ribbon threaded through. Lined with a black crepe blouse on the shoulders, with six-inch tassels suspended, with ruffles and ruching at the collar. Creation of Norman Norell. 

1955-02-21-Connecticut-BC-Black_Cape-010-1-retouche 
 1955-02-21-Connecticut-BC-Black_Cape-011-1-Marilyn-Monroe-MHG-MMO-BCP-01  1955-02-21-Connecticut-BC-Black_Cape-012-1a  1955-02-21-Connecticut-BC-Black_Cape-012-2 
1955-02-21-Connecticut-BC-Black_Cape-012-3  1955-02-21-Connecticut-BC-Black_Cape-013-1  1955-02-21-Connecticut-BC-Black_Cape-013-2 
1955-02-21-Connecticut-BC-Black_Cape-014-1  1955-02-21-Connecticut-BC-Black_Cape-013-2b 
1955-02-21-Connecticut-BC-Black_Cape-020-1-marilyn_monroe_BC_26o  1955-02-21-Connecticut-BC-Black_Cape-020-2-Marilyn-Monroe-MHG-MMO-BCP-04  1955-02-21-Connecticut-BC-Black_Cape-020-4-marilyn_monroe_BC_30d 
1955-02-21-Connecticut-BC-Black_Cape-020-3-Marilyn-Monroe-MHG-MMO-BCP-05 
1955-02-21-Connecticut-BC-Black_Cape-020-5-marilyn_monroe_BC_25i  1955-02-21-Connecticut-BC-Black_Cape-020-6-marilyn_monroe_BC_29s  1955-02-21-Connecticut-BC-Black_Cape-020-7-marilyn_monroe_BC_27p 


Marilyn porte la robe noire à bretelles spaghettis de Norman Norell, qu'elle portera à la conférence de presse au Plaza Hotel le 09 février 1956 pour annoncer le tournage du "Prince et la danseuse" avec Laurence Olivier, et durant laquelle la bretelle de la robe va craquer.

Marilyn wears a Norman Norell's black dress with spaghetti straps, which she will wear to the press conference at the Plaza Hotel on February 09, 1956 to announce the filming of "The Prince and the Showgirl" with Laurence Olivier, and during on which the strap of the dress will crack.

1955-02-21-Connecticut-BC-Black_Cape-030-2 
1955-02-21-Connecticut-BC-Black_Cape-030-1-marilyn_monroe_BC_32g  1955-02-21-Connecticut-BC-Black_Cape-030-2-marilyn_monroe_BC_33h  1955-02-21-Connecticut-BC-Black_Cape-030-3-marilyn_monroe_BC_31f 
1955-02-21-Connecticut-BC-Black_Cape-030-4-Marilyn-Monroe-MHG-MMO-BCP-06  1955-02-21-Connecticut-BC-Black_Cape-031-1-marilyn_monroe_BC_28a 
1955-02-21-Connecticut-BC-Black_Cape-031-1 


En Fourrure Noire

Crédit: Milton H Greene / Hal Berg

1955-02-21-Connecticut-BC-Black_Fur-010-1 
1955-02-21-Connecticut-BC-Black_Fur-010-1b  1955-02-21-Connecticut-BC-Black_Fur-010-2  1955-02-21-Connecticut-BC-Black_Fur-010-3 
1955-02-21-Connecticut-BC-Black_Fur-010-1a  1955-02-21-Connecticut-BC-Black_Fur-010-3a  1955-02-21-Connecticut-BC-Black_Fur-013-1-by_hal_berg-1a 
1955-02-21-Connecticut-BC-Black_Fur-012-2  
1955-02-21-Connecticut-BC-Black_Fur-011-1-Marilyn-Monroe-MHG-MMO-BCP-08  1955-02-21-Connecticut-BC-Black_Fur-012-1  1955-02-21-Connecticut-BC-Black_Fur-014-1 
1955-02-21-Connecticut-BC-Black_Fur-014-1a  1955-02-21-Connecticut-BC-Black_Fur-014-2  1955-02-21-Connecticut-BC-Black_Fur-014-3-Marilyn-Monroe-MHG-MMO-BCP-07 
1955-02-21-Connecticut-BC-Black_Fur-020-1  


- Magazines -

Modern Screen , 06/1955 - USA
American Weekly, 25/09/1955 - USA
L'Europeo, 25/01/1961 - ITALIE

mhg_mag_ms_1955june  mhg_mag_aw_1955_09_25  mhg_mag_leuropeo_1961_01_25 

Foto Video , 12/2010 - Republique Tcheque

ph_gr_mag 


* Dates différentes dans les sources officielles:

- Photos datées de février 1955
sur le site officiel du photographe (archivesimages.com)

- Photos datées du 21 février 1955
à la vente aux enchères de Profiles in History (juillet 2013)

- Photos datées de octobre 1955
dans le livre "Marilyn inédite" de Milton Greene (2017)


* Different dates in official sources:

- Photos dated February 1955
on the photographer's official website (archivesimages.com)

- Photos dated February 21, 1955
at the Profiles in History auction (July 2013)


- Photos dated October 1955
in the book "The essential Marilyn Monroe by Milton Greene" (2017)


All photos are copyright and protected by their respective owners. 
copyright text by GinieLand.

06 avril 2011

02/09/1953, Los Angeles - Mandolin par Milton Greene

Séance "Mandoline"
Mandoline Sitting


Fleur Cowles, rédactrice en chef du magazine Look, fait rencontrer le photographe Milton H Greene à Marilyn Monroe, pour un sujet sur l'actrice dans le magazine.
Ce 2 septembre 1953, Milton H Greene photographie pour la première fois Marilyn Monroe: c'est cette séance "Mandoline", prise au studio de Look à Los Angeles. Marilyn est revenue du Canada la veille et ne reprend le tournage de scènes en studio de "La Rivière Sans Retour" à Los Angeles que dans quelques jours car elle s'est faite une entorse à la cheville sur le tournage au Canada. Les photos de la séance "Mandoline" sont restées peu publiées à l'époque du vivant de Marilyn.
Quand Greene a envoyé à Marilyn le rejet de la séance: "elle lui a répondu avec deux douzaines de roses et a appelé pour dire qu'elles étaient les plus belles photos qu'elle n'avait jamais vu."
Pendant les trois jours suivants, Milton et Marilyn vont faire quatre autres séances ensemble (Nude, Evening Dress, Tree, Rock et des instantanés en backstage).


Fleur Cowles, editor-in-chief of Look magazine, brought Milton to Los Angeles to meet Marilyn Monroe, for a publication in the magazine.
This September 2, 1953, Milton H Greene photographes for the first time Marilyn Monroe: it's this sitting "Mandolin", taken in Look studio in Los Angeles. Marilyn is returned from Canada the day before and don't start filming the scenes in the studios of "River of no return" in Los Angeles until a few days later, as she sprained her ankle while filming in Canada. The photos of the setting "Mandoline" are remained little published at the time of Marilyn's lifetime. When Greene has sent Marilyn the rejection of the session, "she answered him with two dozen roses and called to say they were the most beautiful pictures she had ever seen."
Over the next three days, Milton and Marilyn will do four other sessions together (Nude, Evening Dress, Tree, Rock and candids in backstage).


Session "MN": "Mandolin" (aussi appelée "Balalaika")

1953-09-03-LA-Mandolin-010-1 1953-09-03-LA-Mandolin-010-2 1953-09-03-LA-Mandolin-011-1 
1953-09-03-LA-Mandolin-011-1a 
1953-09-03-LA-Mandolin-012-1 1953-09-03-LA-Mandolin-013-1-marilyn_monroe_MN_20 1953-09-03-LA-Mandolin-014-1-marilyn_monroe_MN_21 
1953-09-03-LA-Mandolin-015-1  1953-09-03-LA-Mandolin-016-1  1953-09-03-LA-Mandolin-020-1 
1953-09-03-LA-Mandolin-020-1a 1953-09-03-LA-Mandolin-030-2a 1953-09-03-LA-Mandolin-020-3a 
1953-09-03-LA-Mandolin-020-2 1953-09-03-LA-Mandolin-020-3 1953-09-03-LA-Mandolin-020-4 

1953-09-03-LA-Mandolin-030-1b 
1953-09-03-LA-Mandolin-030-1 1953-09-03-LA-Mandolin-030-2 1953-09-03-LA-Mandolin-030-3 
1953-09-03-LA-Mandolin-030-1a 1953-09-03-LA-Mandolin-030-3a 1953-09-03-LA-Mandolin-030-4 
 1953-09-03-LA-Mandolin-030-4b 
 1953-09-03-LA-Mandolin-031-1  1953-09-03-LA-Mandolin-031-2 
1953-09-03-LA-Mandolin-031-1a   1953-09-03-LA-Mandolin-031-2a 
 1953-09-03-LA-Mandolin-031-3 1953-09-03-LA-Mandolin-031-4 1953-09-03-LA-Mandolin-031-4a 
1953-09-03-LA-Mandolin-032-1 1953-09-03-LA-Mandolin-032-1a 1953-09-03-LA-Mandolin-032-2 
1953-09-03-LA-Mandolin-032-3  1953-09-03-LA-Mandolin-032-4 
1953-09-03-LA-Mandolin-034-1a  
1953-09-03-LA-Mandolin-033-1 1953-09-03-LA-Mandolin-033-2 1953-09-03-LA-Mandolin-034-1 
1953-09-03-LA-Mandolin-034-2 1953-09-03-LA-Mandolin-034-3 1953-09-03-LA-Mandolin-035-1 
1953-09-03-LA-Mandolin-035-2 1953-09-03-LA-Mandolin-035-3 1953-09-03-LA-Mandolin-035-4  
1953-09-03-LA-Mandolin-040-1 1953-09-03-LA-Mandolin-040-1b 1953-09-03-LA-Mandolin-041-1 
1953-09-03-LA-Mandolin-042-1 1953-09-03-LA-Mandolin-043-1 1953-09-03-LA-Mandolin-044-3 

1953-09-03-LA-Mandolin-050-1 1953-09-03-LA-Mandolin-051-1 1953-09-03-LA-Mandolin-051-2 
1953-09-03-LA-Mandolin-051-3 1953-09-03-LA-Mandolin-052-1 1953-09-03-LA-Mandolin-052-1a 
1953-09-03-LA-Mandolin-052-1b 
1953-09-03-LA-Mandolin-052-2  1953-09-02-LA-Mandolin-052-3a  1953-09-03-LA-Mandolin-052-4 
1953-09-03-LA-Mandolin-053-1 1953-09-03-LA-Mandolin-053-2 1953-09-03-LA-Mandolin-054-1 
1953-09-03-LA-Mandolin-054-2 1953-09-03-LA-Mandolin-054-3 1953-09-03-LA-Mandolin-054-4 
1953-09-03-LA-Mandolin-055-1  1953-09-03-LA-Mandolin-055-2 


 - Marilyn & Milton -

1953-09-03-LA-Mandolin-MM_with_Milton-010-1 1953-09-03-LA-Mandolin-MM_with_Milton-011-1a 1953-09-03-LA-Mandolin-MM_with_Milton-012-1
1953-09-03-LA-Mandolin-MM_with_Milton-010-1a  
1953-09-03-LA-Mandolin-MM_with_Milton-013-1a 1953-09-03-LA-Mandolin-MM_with_Milton-013-2 1953-09-03-LA-Mandolin-MM_with_Milton-014-1 
1953-09-03-LA-Mandolin-MM_with_Milton-014-2 1953-09-03-LA-Mandolin-MM_with_Milton-015-1 1953-09-03-LA-Mandolin-MM_with_Milton-015-2 


 - Marilyn et les éditeurs du magazine Look -
Le rédacteur en chef Rupert Allan
- Marilyn with Look Editors -
editor in chief Rupert Allan

1953-09-03-LA-Mandolin-MM_with_Look_editors-010-1  1953-09-03-LA-Mandolin-MM_with_Look_editors-011-1 
1953-09-03-LA-Mandolin-MM_with_Look_editors-011-1a 
1953-09-03-LA-Mandolin-MM_with_Look_editors-010-2 1953-09-03-LA-Mandolin-MM_with_Look_editors-012-1 1953-09-03-LA-Mandolin-MM_with_Look_editors-013-1 
1953-09-03-LA-Mandolin-MM_with_Look_editors-014-1 1953-09-03-LA-Mandolin-MM_with_Look_editors-015-1 1953-09-03-LA-Mandolin-MM_with_Look_editors-015-1a 
1953-09-03-LA-Mandolin-MM_with_Look_editors-016-1 1953-09-03-LA-Mandolin-MM_with_Look_editors-016-2 1953-09-03-LA-Mandolin-MM_with_Look_editors-017-1 
1953-09-03-LA-Mandolin-MM_with_Look_editors-017-2  1953-09-03-LA-Mandolin-MM_with_Look_editors-017-2a 


 - backstage -

1953-09-03-LA-Mandolin-backstage-010-1 1953-09-03-LA-Mandolin-backstage-011-1 1953-09-03-LA-Mandolin-backstage-012-1 
1953-09-03-LA-Mandolin-backstage-013-1 


- planches contact -
contact sheets

1953-09-03-LA-Mandolin-contact_sheet-010-1a  1953-09-03-LA-Mandolin-contact_sheet-020-1 
1953-09-03-LA-Mandolin-contact_sheet-030-1  1953-09-03-LA-Mandolin-contact_sheet-040-1 


- couvertures de magazine -
ph_gr_mag_look_1953_11_17_cover_1 ph_gr_mand_mag_tempo_1953_11_26
 


- article paru dans LOOK, 17 novembre 1953 -
1953-11-17-LOOK-cover-usa-2 1953-11-17-LOOK-cover-usa-p1 1953-11-17-LOOK-cover-usa-p2 


All photos are copyright and protected by their respective owners.  
copyright text by GinieLand.

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02/09/1953, Los Angeles - Evening Dress par Milton Greene

Séance "Négligé"
Evening Dress Sitting


Séance qui appartient à la série de photos prises au studio du magazine Look à Los Angeles le 2 septembre 1953, où Milton H Greene photographie pour la première fois Marilyn Monroe. Pour cette seconde séance appelée "Evening Dress", Marilyn porte un négligé en satin assorti d'une étole en fourrure (de chez Neiman-Marcus) et un bracelet en diamant au poignet.


Sitting that belongs to the series of photos taken at the Look magazine studio in Los Angeles on September 2, 1953, where Milton H Greene photographes for the first time Marilyn Monroe. For this second session called "Evening Dress, Marilyn wears evening dress and mink stole (from Neiman-Marcus) and a diamond bracelet.


- "ED": "Evening Dress" (aussi appelée “Nightgown and Mink Stole”)-

1953-09-LA-Evening_Dress-010-1-marilyn_monroe_ED_01  1953-09-LA-Evening_Dress-010-2a 1953-09-LA-Evening_Dress-010-3 
ph_gr_ED_05  ph_gr_ED_04  ph_gr_ED_06 
1953-09-LA-Evening_Dress-010-4 ph_gr_ED_02a 1953-09-LA-Evening_Dress-011-1 
1953-09-LA-Evening_Dress-011-2  ph_gr_ED_12  1953-09-LA-Evening_Dress-011-3 
1953-09-LA-Evening_Dress-011-4 1953-09-LA-Evening_Dress-012-1 1953-09-LA-Evening_Dress-012-2 
1953-09-LA-Evening_Dress-012-3 1953-09-LA-Evening_Dress-012-4 1953-09-LA-Evening_Dress-012-5a 
1953-09-LA-Evening_Dress-012-6  ph_gr_ED_03  1953-09-LA-Evening_Dress-012-7 
1953-09-LA-Evening_Dress-014-1 1953-09-LA-Evening_Dress-014-3 1953-09-LA-Evening_Dress-015-1-marilyn_monroe_ED_05 
1953-09-LA-Evening_Dress-014-2 
1953-09-LA-Evening_Dress-020-1 1953-09-LA-Evening_Dress-020-2 1953-09-LA-Evening_Dress-021-1 
1953-09-LA-Evening_Dress-021-2 1953-09-LA-Evening_Dress-021-3 1953-09-LA-Evening_Dress-022-1 
1953-09-LA-Evening_Dress-023-1 1953-09-LA-Evening_Dress-030-1 1953-09-LA-Evening_Dress-031-1 
1953-09-LA-Evening_Dress-032-1 1953-09-LA-Evening_Dress-033-1 1953-09-LA-Evening_Dress-034-1 
1953-09-LA-Evening_Dress-040-1 1953-09-LA-Evening_Dress-040-2 1953-09-LA-Evening_Dress-041-5  
1953-09-LA-Evening_Dress-041-1a 1953-Milton_Greene_21 1953-09-LA-Evening_Dress-041-2a 
1953-09-LA-Evening_Dress-041-3  1953-09-LA-Evening_Dress-041-4 
1953-09-LA-Evening_Dress-042-1 1953-09-LA-Evening_Dress-042-2  1953-09-LA-Evening_Dress-042-3 
1953-09-LA-Evening_Dress-042-4   ph_gr_ED_01b  1953-09-LA-Evening_Dress-042-5  
1953-09-LA-Evening_Dress-043-1a  1953-09-LA-Evening_Dress-044-1a  
1953-09-LA-Evening_Dress-050-1a 
1953-09-LA-Evening_Dress-050-1 1953-09-LA-Evening_Dress-050-1-marilyn_monroe_ED_27 1953-09-LA-Evening_Dress-050-2 
1953-09-LA-Evening_Dress-050-1c  1953-09-LA-Evening_Dress-051-1  1953-09-LA-Evening_Dress-060-1a 
1953-09-LA-Evening_Dress-060-1-marilyn_monroe_ED_04 1953-09-LA-Evening_Dress-060-2-marilyn_monroe_ED_07 1953-09-LA-Evening_Dress-060-3  
1953-09-LA-Evening_Dress-060-1  1953-09-LA-Evening_Dress-062-1a 1953-09-LA-Evening_Dress-063-1a  
1953-by_greene-1c  H3257_L44539609  1953-09-LA-Evening_Dress-063-2 
1953-09-LA-Evening_Dress-063-3 1953-09-LA-Evening_Dress-063-4 1953-09-LA-Evening_Dress-063-5 
1953-09-LA-Evening_Dress-064-1 1953-09-LA-Evening_Dress-064-2 1953-09-LA-Evening_Dress-064-3 
1953-09-LA-Evening_Dress-065-1 ph_gr_ED_15 ph_gr_ED_15a 
1953-09-LA-Evening_Dress-070-1  1953-09-LA-Evening_Dress-070-3b 
1953-09-LA-Evening_Dress-070-2 1953-09-LA-Evening_Dress-070-3 1953-09-LA-Evening_Dress-070-3a 
1953-09-LA-Evening_Dress-070-4 1953-09-LA-Evening_Dress-071-1 1953-09-LA-Evening_Dress-071-2 
1953-09-LA-Evening_Dress-071-3 1953-09-LA-Evening_Dress-071-4 1953-09-LA-Evening_Dress-071-5 
1953-09-LA-Evening_Dress-071-4a 1953-09-LA-Evening_Dress-071-5b 1953-09-LA-Evening_Dress-071-6 
1953-09-LA-Evening_Dress-071-4b  
1953-09-LA-Evening_Dress-072-1 1953-09-LA-Evening_Dress-072-1a 1953-09-LA-Evening_Dress-073-1 


- montages -

  1953-09-LA-Evening_Dress-mix-020 
1953-09-LA-Evening_Dress-mix-010  


- planches contact -
- contact sheets -

1953-10-07-nightgown-by_gr-1 
1953-10-07-nightgown-ph-gr-lot129b  1953-10-07-nightgown-ph-gr-lot131c  1953-by_greene-1 
1953-by_greene-1a  1953-by_greene-1b 


All photos are copyright and protected by their respective owners. 
copyright text by GinieLand.

02 avril 2011

10/07/1962 Light Coat with Hat par Bert Stern

The Last Sitting
day 2
 

Le 10 juillet 1962, deuxième séance photos avec Bert Stern, dans le bungalow 96, l'une des plus grande suite du Bel Air Hotel de Los Angeles. Portraits de mode de Marilyn Monroe portant un manteau avec une ceinture et un chapeau. 

 **** Light Coat with Hat Sitting ****
1962_07_2012_taschen__64_ 1962_07_10_by_bert_stern_light_coat_with_hat_1_03 1962_07_10_by_bert_stern_light_coat_with_hat_1_11
1962_07_10_by_bert_stern_light_coat_with_hat_2_06 1962_07_10_by_bert_stern_light_coat_with_hat_2_08
1962_07_10_by_bert_stern_light_coat_with_hat_3_08 1962_07_10_by_bert_stern_light_coat_with_hat_4_09 1962_07_10_by_bert_stern_light_coat_with_hat_5_08

>> Planches Contact
1962_07_10_by_bert_stern_light_coat_with_hat_1_contact 1962_07_10_by_bert_stern_light_coat_with_hat_2_contact 1962_07_10_by_bert_stern_light_coat_with_hat_3_contact
1962_07_10_by_bert_stern_light_coat_with_hat_4_contact 1962_07_10_by_bert_stern_light_coat_with_hat_5_contact

Posté par ginieland à 18:57 - - Commentaires [0] - Permalien [#]
Tags : , , , ,

02/09/1953, Los Angeles - Nude par Milton Greene

Séance "Nue"
Nude Sitting


Séance qui appartient à la série de photos prises au studio du magazine Look à Los Angeles le 2 septembre 1953, où Milton H Greene photographie pour la première fois Marilyn Monroe. Cette séance appelée "Nude" a été prise après le départ de l'équipe du magazine, Marilyn étant nue sous le manteau qui appartient à Amy Greene, la femme du photographe.
Marilyn reste au sol, à genoux, en tailleur ou allongée, suite à l'entorse à la cheville qu'elle s'est faite sur le tournage de "La rivière sans retour" au Canada. On remarque d'ailleurs la trace du bandage sur sa cheville gauche sur certains clichés.
Les photos étant considérées comme étant trop osées pour une star, seules les prises de vues où Marilyn est assise en tailleur, manteau bien fermée, seront publiées dans l'édition de Look. Ce n'est qu'en 1997 que la photographie de Marilyn à genoux sera publiée en Une du magazine Playboy.


Sitting that belongs to the series of photos taken at the Look magazine studio in Los Angeles on September 2, 1953, where Milton H Greene photographes for the first time Marilyn Monroe. This session called "Nude" was taken after the left of the magazine team, Marilyn being naked under the sweater coat that belongs to Amy Greene, the wife of the photographer.
Marilyn remains on the floor, on her knees, cross-legged or lying, following the sprained ankle she made on the set of "River of no return" in Canada. Note also the trace of the bandage on his left ankle on some shots.
The photos being considered too daring for a star, only the shots of Marilyn sits cross-legged, coat well closed, will be published in the edition of Look. It's only in 1997 that the photograph of Marilyn on her knees will be published in cover of Playboy magazine.


- "NU": "Nude" -

1953-09-02-LA-Nude-010-1 1953-09-02-LA-Nude-011-1 1953-09-02-LA-Nude-013-1 
1953-09-02-LA-Nude-011-1b  1953-09-02-LA-Nude-012-1-marilyn_monroe_NU_23  

1953-09-02-LA-Nude-020-1-marilyn_monroe_NU_07 1953-09-02-LA-Nude-020-2 1953-09-02-LA-Nude-021-1a 
1953-09-02-LA-Nude-021-2 1953-09-02-LA-Nude-021-3 1953_LA_NU_by_mhg_020_2 
1953-09-02-LA-Nude-021-4 1953_LA_NU_by_mhg_030_1 1953_LA_NU_by_mhg_030_3 
1953-09-02-LA-Nude-022-1b 
1953-09-02-LA-Nude-023-1 1953-09-02-LA-Nude-024-1-marilyn_monroe_NU_10 1953-09-02-LA-Nude-023-2-marilyn_monroe_NU_09 
1953-09-02-LA-Nude-025-1 1953-09-02-LA-Nude-026-1a 1953-09-02-LA-Nude-026-2 
1953-09-02-LA-Nude-026-3 1953-09-02-LA-Nude-027-1 1953-09-02-LA-Nude-027-2 
1953_LA_NU_by_mhg_040_1  ph_gr_13821168_1_x 
1953-09-02-LA-Nude-029-2   
1953-09-02-LA-Nude-029-1-marilyn_monroe_NU_31 1953-09-02-LA-Nude-029-2-marilyn_monroe_NU_24 1953-09-02-LA-Nude-029-3-marilyn_monroe_NU_14 

1953-09-02-LA-Nude-030-1-marilyn_monroe_NU_27 1953-09-02-LA-Nude-030-2 1953-09-02-LA-Nude-030-3-marilyn_monroe_NU_25 
1953-09-02-LA-Nude-030-4-marilyn_monroe_NU_16  1953-09-02-LA-Nude-030-5  1953-09-02-LA-Nude-030-6 
1953-09-02-LA-Nude-031-3a 
1953-09-02-LA-Nude-031-1  1953-09-02-LA-Nude-031-2  1953-09-02-LA-Nude-031-3 

1953-09-02-LA-Nude-mix-1 

1953-09-02-LA-Nude-032-1 1953-09-02-LA-Nude-032-2 1953-09-02-LA-Nude-033-1 
1953-09-02-LA-Nude-032-1a  1953-09-02-LA-Nude-032-2a  1953-09-02-LA-Nude-033-5 
1953-09-02-LA-Nude-033-1c 
1953-09-02-LA-Nude-033-2 1953-09-02-LA-Nude-033-3a 1953-09-02-LA-Nude-033-4 
1953-09-02-LA-Nude-034-1 1953-09-02-LA-Nude-034-1b 1953-09-02-LA-Nude-034-2 
1953-09-02-LA-Nude-034-3 1953-09-02-LA-Nude-034-4 1953-09-02-LA-Nude-034-5 
1953-09-02-LA-Nude-040-1-marilyn_monroe_NU_29 1953-09-02-LA-Nude-040-2-colorized 1953-09-02-LA-Nude-041-1 


- planches contact -
contact sheets
 

1953-09-02-LA-Nude-contact_sheet-1  1953-09-02-LA-Nude-contact_sheet-2 
1953-09-02-nude-by_gr-1-1  1953-09-02-nude-by_gr-1-2   


- couverture de magazine -
ph_gr_mm 


- article paru dans LOOK, 17 novembre 1953 -
1953-11-17-LOOK-cover-usa-2 1953-11-17-LOOK-cover-usa-p1 1953-11-17-LOOK-cover-usa-p2 


All photos are copyright and protected by their respective owners. 
copyright text by GinieLand.

Posté par ginieland à 13:57 - - Commentaires [4] - Permalien [#]
Tags : , , , , , , , ,

28 mars 2011

10/07/1962 Marilyn Mink Fur Hat par Bert Stern

The Last Sitting
day 2
 

Le 10 juillet 1962, deuxième séance photos avec Bert Stern, dans le bungalow 96, l'une des plus grande suite du Bel Air Hotel de Los Angeles. Portraits de mode de Marilyn Monroe en étole et chapeau de fourrure.

 **** Mink Fur Hat Sitting ****
1962_07_10_by_bert_stern_mink_fur_hat_col_010_1 1962_07_10_by_bert_stern_mink_fur_hat_col_011_1 1962_07_10_by_bert_stern_mink_fur_hat_col_012_1
1962_07_10_by_bert_stern_mink_fur_hat_col_013_1 1962_07_10_by_bert_stern_mink_fur_hat_col_014_1 1962_07_10_by_bert_stern_mink_fur_hat_col_015_1
1962_07_fur_2012_taschen__69_1962_07_10_by_bert_stern_mink_fur_hat_col_020_1 1962_07_10_by_bert_stern_mink_fur_hat_col_020_2
1962_07_10_by_bert_stern_mink_fur_hat_wb_020_1 lot64380
 1962_07_fur_2012_taschen__70_

>> Planches Contact
1962_07_10_by_bert_stern_mink_fur_hat_col_contact_1 1962_07_10_by_bert_stern_mink_fur_hat_col_contact_2
1962_07_10_by_bert_stern_mink_fur_hat_wb_contact_1

10/07/1962 Marilyn Black Wig par Bert Stern

The Last Sitting
day 2
 

Le 10 juillet 1962, deuxième séance photos avec Bert Stern, dans le bungalow 96, l'une des plus grande suite du Bel Air Hotel de Los Angeles. 
Portraits de mode de Marilyn Monroe affublée d'une perruque noire, cette séance est aussi surnommée "The Jackie Kennedy Sitting".

 **** Black Wig Sitting ****
>> Couleurs
1962_07_10_by_bert_stern_black_wig_col_010_1 1962_07_10_by_bert_stern_black_wig_col_010_2 ph_stern_jackie_1
1962_07_10_by_bert_stern_black_wig_col_020_1 1962_07_10_by_bert_stern_black_wig_col_020_2
1962_07_10_by_bert_stern_black_wig_col_100_1 1962_07_10_by_bert_stern_black_wig_col_100_2 1962_07_10_by_bert_stern_black_wig_col_100_3
1962_07_10_by_bert_stern_black_wig_col_030_1 1962_07_10_by_bert_stern_black_wig_col_030_2 1962_07_10_by_bert_stern_black_wig_col_031_1
1962_07_10_by_bert_stern_black_wig_col_032_1 1962_07_10_by_bert_stern_black_wig_col_040_1 1962_07_10_by_bert_stern_black_wig_col_041_1
1962_07_brune_img209 1962_07_brune_2012_taschen__17_
1962_07_10_by_bert_stern_black_wig_col_070_1 1962_07_10_by_bert_stern_black_wig_col_071_1
1962_07_10_by_bert_stern_black_wig_col_200_1 1962_07_10_by_bert_stern_black_wig_col_210_1 1962_07_10_by_bert_stern_black_wig_col_220_1

>> Planches Contact couleur
1962_07_10_by_bert_stern_black_wig_col_contact_1 1962_07_10_by_bert_stern_black_wig_col_contact_2 
1962_07_10_by_bert_stern_black_wig_col_contact_3a
1962_07_10_by_bert_stern_black_wig_col_contact_3 1962_07_0624 
ph_stern_jackie_contact_1 ph_stern_jackie_contact_2   

>> Noir et Blanc
1962_07_10_by_bert_stern_black_wig_wb1_010_1 1962_07_10_by_bert_stern_black_wig_wb1_020_1 1962_07_10_by_bert_stern_black_wig_wb1_020_3
1962_07_10_by_bert_stern_black_wig_wb2_020_1 1962_07_10_by_bert_stern_black_wig_wb2_032_1 1962_07_10_by_bert_stern_black_wig_wb2_040_1
1962_07_10_by_bert_stern_black_wig_wb2_042_1 1962_07_10_by_bert_stern_black_wig_wb3_042_1
1962_07_10_by_bert_stern_black_wig_wb3_010_1 1962_07_10_by_bert_stern_black_wig_wb3_011_1 1962_07_10_by_bert_stern_black_wig_wb3_020_1
1962_07_10_by_bert_stern_black_wig_wb3_022_1 1962_07_10_by_bert_stern_black_wig_wb3_031_1 1962_07_10_by_bert_stern_black_wig_wb3_031_2
1962_07_10_by_bert_stern_black_wig_wb3_032_1 1962_07_10_by_bert_stern_black_wig_wb3_040_1 1962_07_10_by_bert_stern_black_wig_wb3_041_1
1962_07_10_by_bert_stern_black_wig_wb4_010_1 1962_07_10_by_bert_stern_black_wig_wb4_012_1 1962_07_10_by_bert_stern_black_wig_wb4_021_1
1962_07_10_by_bert_stern_black_wig_wb4_030_1 1962_07_10_by_bert_stern_black_wig_wb4_031_1 1962_07_10_by_bert_stern_black_wig_wb5_012_1
1962_07_10_by_bert_stern_black_wig_wb5_020_1 1962_07_10_by_bert_stern_black_wig_wb5_021_1 1962_07_10_by_bert_stern_black_wig_wb5_022_1
1962_07_10_by_bert_stern_black_wig_wb5_030_1 1962_07_10_by_bert_stern_black_wig_wb5_032_1 1962_07_10_by_bert_stern_black_wig_wb5_042_1
1962_07_10_by_bert_stern_black_wig_wb6_010_1 1962_07_10_by_bert_stern_black_wig_wb6_011_1 1962_07_10_by_bert_stern_black_wig_wb6_013_1
1962_07_10_by_bert_stern_black_wig_wb6_014_1 1962_07_10_by_bert_stern_black_wig_wb6_020_1 1962_07_10_by_bert_stern_black_wig_wb6_021_1
1962_07_10_by_bert_stern_black_wig_wb6_021_2 1962_07_10_by_bert_stern_black_wig_wb6_022_1 1962_07_10_by_bert_stern_black_wig_wb6_030_1
1962_07_10_by_bert_stern_black_wig_wb6_031_1 1962_07_10_by_bert_stern_black_wig_wb6_032_1 1962_07_10_by_bert_stern_black_wig_wb6_033_1
1962_07_10_by_bert_stern_black_wig_wb7_010_1 1962_07_10_by_bert_stern_black_wig_wb7_012_1 1962_07_10_by_bert_stern_black_wig_wb7_020_1
1962_07_10_by_bert_stern_black_wig_wb7_021_1 1962_07_10_by_bert_stern_black_wig_wb7_022_1 1962_07_10_by_bert_stern_black_wig_wb7_030_1
1962_07_10_by_bert_stern_black_wig_wb7_031_1 1962_07_10_by_bert_stern_black_wig_wb7_032_1
1962_07_10_by_bert_stern_black_wig_wb8_011_1 1962_07_10_by_bert_stern_black_wig_wb8_012_1 1962_07_10_by_bert_stern_black_wig_wb8_020_1
1962_07_10_by_bert_stern_black_wig_wb8_021_1 1962_07_10_by_bert_stern_black_wig_wb8_030_1 1962_07_10_by_bert_stern_black_wig_wb8_030_2
1962_07_10_by_bert_stern_black_wig_wb8_031_1 1962_07_10_by_bert_stern_black_wig_wb8_032_1

>> Planches Contact Noir et Blanc
1962_07_10_by_bert_stern_black_wig_wb1_contact_1 1962_07_10_by_bert_stern_black_wig_wb2_contact_1 1962_07_10_by_bert_stern_black_wig_wb3_contact_1
1962_07_10_by_bert_stern_black_wig_wb4_contact_1 1962_07_10_by_bert_stern_black_wig_wb5_contact_1
1962_07_10_by_bert_stern_black_wig_wb6_contact_1 1962_07_10_by_bert_stern_black_wig_wb7_contact_1 1962_07_10_by_bert_stern_black_wig_wb8_contact_1

Posté par ginieland à 19:32 - - Commentaires [11] - Permalien [#]
Tags : , , ,

20 mars 2011

10/07/1962 Marilyn Fashion Sitting par Bert Stern

The Last Sitting
day 2
 

Le 10 juillet 1962, deuxième séance photos avec Bert Stern, dans le bungalow 96, l'une des plus grande suite du Bel Air Hotel de Los Angeles. Portraits de mode de Marilyn Monroe portant une robe Pucci bariolée.

**** Fashion Sitting ****
1962_bert_stern_fashion_sitting_0010_1 1962_bert_stern_fashion_sitting_0011_1
1962_07_pucci_2012_taschen__16_1962_bert_stern_fashion_sitting_0012_1 ph_stern_blog_pucci
1962_bert_stern_fashion_sitting_0013_1 1962_bert_stern_fashion_sitting_0014_1
1962_bert_stern_fashion_sitting_0015_1 1962_bert_stern_fashion_sitting_0016_1 1962_bert_stern_fashion_sitting_020_1

>> Planche Contact
1962_bert_stern_fashion_sitting_contact_1

Posté par ginieland à 17:45 - - Commentaires [8] - Permalien [#]
Tags : , , ,