27 mai 2012

13/06/1957 Gala et Première du Prince et la Danseuse

Le 13 juin 1957, Marilyn Monroe et Arthur Miller se rendent à la première du film The Prince and the Showgirl (Le Prince et la Danseuse) au Radio City Music Hall à Manhattan, New York. Puis ils se rendent à la soirée de bienfaisance de la "Milk Fund" au Waldorf Astoria à Manhattan, de l'opération "Give Milk to Children" ("Donnons du lait aux enfants"), pour laquelle Marilyn participa à la campagne. Marilyn fit don des recettes de bénéfices de la première du film ainsi que de la soirée à l'association "Free Milk Fund For Babies".
Photographies de Sam Schulman, Michael D. Roban, Paul Slade, Sam Shaw, Gary Wagner.

> Programme de la soirée
1957 1957 1957
1957 1957


Première The Prince and the Showgirl   
Radio City Music Hall

1957_06_13_tpatsg_premiere_010_1_by_michael_D_roban_1 1957_06_13_tpatsg_premiere_010_2  
1957_06_13_tpatsg_premiere_010_1_by_michael_D_roban_1a 1957_06_13_tpatsg_premiere_010_2a 1957_06_13_tpatsg_premiere_010_3
1957_06_13_tpatsg_premiere_011_7 1957-MONROE__MARILYN_-_PRINCE_AND_SHOWGIRL_PREMIERE529
1957_06_13_tpatsg_premiere_014_5_by_michael_D_roban_1  1957_06_13_tpatsg_premiere_011_6_with_warner_2
1957_06_13_tpatsg_premiere_011_1_by_paul_slade_1 1957_06_13_tpatsg_premiere_011_2 
1957_06_13_tpatsg_premiere_011_3 1957_06_13_tpatsg_premiere_011_4 1957_06_13_tpatsg_premiere_011_5 
1957_06_13_tpatsg_premiere_011_5_by_michael_D_roban_1 1957_06_13_tpatsg_premiere_013_3_by_michael_D_roban_1
1957_06_13_tpatsg_premiere_011_8_by_shaw_1
  1957-marilynmonroe_moglov108

> Jack Warner, Marilyn et Arthur
1957_06_13_tpatsg_premiere_011_6_with_warner_1 

 > Arthur, Marilyn et Ed Sullivan (ainsi que Earl Wilson derrière)
1957_06_13_tpatsg_premiere_012_1_with_ed_sullivan_by_shaw_1a 1957_06_13_tpatsg_premiere_012_2_with_ed_sullivan_by_shaw_1
1957_06_13_tpatsg_premiere_012_3_with_ed_sullivan_by_shaw_1 1957_prince_premiere_by_shaw_4 1957_06_13_tpatsg_premiere_012_4_with_ed_sullivan_by_shaw_1
 1957_06_13_tpatsg_premiere_012_6_with_ed_sullivan_by_shaw_1 1957_06_13_tpatsg_premiere_012_5_with_ed_sullivan_by_shaw_1 1957_06_13_tpatsg_premiere_012_7_by_paul_slade_1
1957_06_13_tpatsg_premiere_012_6_with_ed_sullivan_by_shaw_2 1957_06_13_tpatsg_premiere_012_8_with_ed_sullivan_by_shaw_1
 marilyn_monroe_by_sam_shaw_contact_sheet_1954_1957_1 marilyn_monroe_by_sam_shaw_contact_sheet_1957_1 

1957_06_13_tpatsg_premiere_013_1 1957_06_13_tpatsg_premiere_013_2 1957_06_13_tpatsg_premiere_013_4
1957_06_13_tpatsg_premiere_014_1 1957_06_13_tpatsg_premiere_014_2 1957_06_13_tpatsg_premiere_015_1
1957_06_13_tpatsg_premiere_014_2a 1957_06_13_tpatsg_premiere_014_3 1957_06_13_tpatsg_premiere_014_4 

1957_06_13_tpatsg_premiere_020_1 1957_06_13_tpatsg_premiere_020_2
1957_prince_premiere_by_shaw_3 1957_prince_premiere_by_shaw_2  
1957_06_13_tpatsg_premiere_021_1  1957_06_13_tpatsg_premiere_021_2


Action Caritative
Waldorf Astoria

1957_06_13_tpatsg_premiere_030_1 1957_06_13_tpatsg_premiere_030_1a 1957_06_13_tpatsg_premiere_030_2
1957_06_13_tpatsg_premiere_031_1 by_gary_wagner-MONROE__MARILYN_-_PRINCE_AND_THE_SHOWGIRL_PREMIERE_19_68172 1957_06_13_tpatsg_premiere_031_2 
1957_06_13_tpatsg_premiere_040_1 1957_06_13_tpatsg_premiere_040_2_by_shaw_1 1957_06_13_tpatsg_premiere_040_2_by_shaw_1a 
1957-prem_prince-5  1957-prem_prince-2 
1957-prem_prince-1 1957-prem_prince-4 1957-prem_prince-3 

1957_06_13_tpatsg_premiere_045_1 1957_06_13_tpatsg_premiere_045_2 1957_06_13_tpatsg_premiere_047_1
1957_06_13_tpatsg_premiere_046_1 1957_06_13_tpatsg_premiere_046_1a 1957_06_13_tpatsg_premiere_046_2
1957_06_13_tpatsg_premiere_047_2 1957_06_13_tpatsg_premiere_050_1 1957_premiere_prince 1957_06_13_tpatsg_premiere_047_2a 

1957_06_13_tpatsg_premiere_042_1 1957_06_13_tpatsg_premiere_042_2_by_paul_slade_1

> Eartha Kitt et Marilyn
1957_06_13_tpatsg_premiere_041_1_with_eartha_kitt_1 1957_06_13_tpatsg_premiere_041_1_with_eartha_kitt_2

 > Avec Sarah Vaughn
1957_MM__AM___Miss_Sarah_Vaughn 

  > Avec Robert F. Wagner, le maire de New York
1957_06_13_tpatsg_premiere_044_1_with_mayor_wagner_1 1957_06_13_tpatsg_premiere_044_1_with_mayor_wagner_2 1957_06_13_tpatsg_premiere_044_3_with_mayor_wagner_2
1957_06_13_tpatsg_premiere_044_2_with_mayor_wagner_1 1957_06_13_tpatsg_premiere_044_3_with_mayor_robert_wagner_1

 > Avec l'épouse du maire de New York
1957_06_13_tpatsg_premiere_043_2_with_mayors_wife_1 1957_06_13_tpatsg_premiere_043_3_with_mayors_wife 1957_06_13_tpatsg_premiere_043_4_with_mayors_wife
1957_06_13_tpatsg_premiere_043_2_with_mayors_wife_2  1957_06_13_tpatsg_premiere_040_3_by_shaw_1


> dans la presse
1957_06_13_tpatsg_premiere_press_1


On June 13, 1957, Marilyn Monroe and Arthur Miller go to the premiere of The Prince and the Showgirl movie, at the Radio City Music Hall, Manhattan, New York City. After, they participate to the "Milk fund for Babies" party at the Waldorf Astoria.  Marilyn donated the money of the charity premiere and the champagne supper to the "Free Milk Fund for Babies Inc".

Enregistrer

05 mai 2012

9/09/1954 Arrivée à New York

Le 8 septembre 1954, Marilyn Monroe s'envole à 21 heures de Los Angeles, d'où Joe DiMaggio est venu l'accompagner à l'aéroport pour l'embrasser et lui dire au revoir, pour se rendre à New York, où elle doit tourner des scènes extérieures du film The Seven Year Itch (Sept ans de réflexion). Joe ne l'accompagne pas. Elle porte un tailleur moulant avec un gros noeud, une tenue qu'elle a emprunté aux studios, qu'elle avait porté dans There's no business like show business (La joyeuse parade) dont le tournage venait à peine de se terminer.

>> Le départ de Los Angeles
1954_09_08_los_angeles_010_1 1954_09_08_los_angeles_010_1_press  
 

Arrivée à l'aéroport de New York le lendemain, le 9 septembre à 8h15, le Idlewild Airport, Marilyn est assaillie par la foule de curieux et de journalistes: des reporters, des photographes et même les caméras sont présentes. Marilyn se prête au jeu et prend la pose longuement sur le tarmac; puis, escortée par la police, elle rentre dans le hall de l'aéroport, où elle est interviewée.
Parmi les photographes présents: Sam Schulman, Paul Schumach, Weegee, Sam Shaw.

>> L'arrivée à Idlewild Airport - sur le tarmac
1954-ny-by_shaw-2  1954-09-09-Press
1954_09_08_new_york_idlewild_airport_010_1 1954_09_08_new_york_idlewild_airport_010_2 1954_09_08_new_york_idlewild_airport_010_2a
 1954_09_09_NY_airport_010_010_by_sam_shaw_1 
1954_09_08_new_york_idlewild_airport_011_1 1954-ny-by_shaw-1 
1954_09_08_new_york_idlewild_airport_020_1 1954_09_09_NY_airport_011_010_by_sam_shaw_1 1954_ny 
1954_09_08_new_york_idlewild_airport_021_1 1954_09_08_new_york_idlewild_airport_021_1a 1954_09_08_new_york_idlewild_airport_022_by_sam_schulman_1 1954_sam_shaw4
1954_09_08_new_york_idlewild_airport_023_1 1954_09_08_new_york_idlewild_airport_023_1a 1954_09_08_new_york_idlewild_airport_024_1
1954_09_08_new_york_idlewild_airport_030_1 1954_09_09_NY_airport_012_010_by_sam_shaw_1 1954_09_08_new_york_idlewild_airport_030_1a

 >> La police escorte Marilyn
 1954_09_08_new_york_idlewild_airport_031_1

 >> Dans le salon de l'aéroport, poses glamour et interview
1954_09_08_new_york_idlewild_airport_040_by_sam_schulman_1
1954_09_08_new_york_idlewild_airport_041_by_sam_schulman_1 1954_09_08_new_york_idlewild_airport_042_1 1954_09_08_new_york_idlewild_airport_043_by_sam_schulman_1 

1954-by_weegee-13551841  
1954_09_08_new_york_idlewild_airport_044_by_weegee_1 1954_09_08_new_york_idlewild_airport_044_by_weegee_2 1954_09_08_new_york_idlewild_airport_044_by_weegee_2a
1954_09_08_new_york_idlewild_airport_045_by_sam_schulman_1 
1954_09_08_new_york_idlewild_airport_050_1 1954_09_08_new_york_idlewild_airport_050_2 1954_09_08_new_york_idlewild_airport_050_3
1954_09_08_new_york_idlewild_airport_050_4 1954_09_08_new_york_idlewild_airport_050_5 1954_09_08_new_york_idlewild_airport_050_5a
1954_09_08_new_york_idlewild_airport_050_6 1954_09_08_new_york_idlewild_airport_050_7
1954_09_08_new_york_idlewild_airport_051_1 1954_09_08_new_york_idlewild_airport_051_2 1954_09_08_new_york_idlewild_airport_051_3
1954_09_08_new_york_idlewild_airport_051_4 1954_09_08_new_york_idlewild_airport_051_4a 1954_09_08_new_york_idlewild_airport_051_5
1954_09_08_new_york_idlewild_airport_052_1 1954_09_08_new_york_idlewild_airport_052_2 1954_09_08_new_york_idlewild_airport_snapshots_1

 >> Le départ en limousine
 1954_09_08_new_york_idlewild_airport_060_1
1954-ny-syi-1 1954_09_08_new_york_idlewild_airport_061_1


 >> videos

L'arrivée à l'aéroport d'Idlewild, descente de l'avion

Marilyn fait sa star, accentuant ses célèbres mimiques

Marilyn se prépare pour l'interview

Un journaliste interviewe Marilyn

  >> captures
1954_09_08_ny_cap_01_1 1954_09_08_ny_cap_01_2 1954_09_08_ny_cap_01_3
1954_09_08_ny_cap_01_4 1954_09_08_ny_cap_01_5 1954_09_08_ny_cap_01_6
1954_09_08_ny_cap_02_01 1954_09_08_ny_cap_02_02 1954_09_08_ny_cap_02_03
1954_09_08_ny_cap_02_04 1954_09_08_ny_cap_02_05 1954_09_08_ny_cap_02_06
1954_09_08_ny_cap_02_07 1954_09_08_ny_cap_02_08 1954_09_08_ny_cap_02_09
1954_09_08_ny_cap_02_10 1954_09_08_ny_cap_02_11 1954_09_08_ny_cap_02_12
1954_09_08_ny_cap_02_13 1954_09_08_ny_cap_02_14 1954_09_08_ny_cap_02_15
1954_09_08_ny_cap_03_01 1954_09_08_ny_cap_03_02 1954_09_08_ny_cap_03_03
1954_09_08_ny_cap_03_04 1954_09_08_ny_cap_03_05 1954_09_08_ny_cap_03_06
1954_09_08_ny_cap_03_07 1954_09_08_ny_cap_03_08 1954_09_08_ny_cap_03_09
1954_09_08_ny_cap_03_10 1954_09_08_ny_cap_03_11 1954_09_08_ny_cap_03_12
1954_09_08_ny_cap_04_01 1954_09_08_ny_cap_04_02 1954_09_08_ny_cap_04_03
1954_09_08_ny_cap_04_04 1954_09_08_ny_cap_04_05 1954_09_08_ny_cap_04_06
1954_09_08_ny_cap_04_07 1954_09_08_ny_cap_04_08 1954_09_08_ny_cap_04_09
1954_09_08_ny_cap_04_10 1954_09_08_ny_cap_04_11 1954_09_08_ny_cap_04_12
1954_09_08_ny_cap_05_01 1954_09_08_ny_cap_05_02 1954_09_08_ny_cap_05_03
1954_09_08_ny_cap_05_04 1954_09_08_ny_cap_05_05 1954_09_08_ny_cap_05_06
1954_09_08_ny_cap_05_07 1954_09_08_ny_cap_05_08 1954_09_08_ny_cap_05_09
1954_09_08_ny_cap_05_10 1954_09_08_ny_cap_05_11 1954_09_08_ny_cap_05_12
1954_09_08_ny_cap_05_13 1954_09_08_ny_cap_05_14 1954_09_08_ny_cap_05_15
1954_09_08_ny_cap_06_01 1954_09_08_ny_cap_06_02 1954_09_08_ny_cap_06_03
1954_09_08_ny_cap_08_01 1954_09_08_ny_cap_08_02 1954_09_08_ny_cap_08_03
1954_09_08_ny_cap_08_04 1954_09_08_ny_cap_08_05 1954_09_08_ny_cap_08_06
1954_09_08_ny_cap_08_07 1954_09_08_ny_cap_08_08 1954_09_08_ny_cap_08_09
1954_09_08_ny_cap_08_10 1954_09_08_ny_cap_08_11 1954_09_08_ny_cap_08_12
1954_09_08_ny_cap_08_13 1954_09_08_ny_cap_08_14 1954_09_08_ny_cap_08_15
1954_09_08_ny_cap_08_16 1954_09_08_ny_cap_08_17 1954_09_08_ny_cap_08_18
1954_09_08_ny_cap_09_01 1954_09_08_ny_cap_09_02 1954_09_08_ny_cap_09_03
1954_09_08_ny_cap_09_04 1954_09_08_ny_cap_09_05 1954_09_08_ny_cap_09_06
1954_09_08_ny_cap_09_07 1954_09_08_ny_cap_09_08 1954_09_08_ny_cap_09_09
1954_09_ny_cap_06_1 1954_09_ny_cap_06_2 1954_09_ny_cap_06_3
1954_09_ny_cap_06_4 1954_09_ny_cap_06_5 1954_09_ny_cap_06_6
1954_09_ny_cap_06_7 1954_09_ny_cap_06_8 1954_09_ny_cap_06_9


Elle prend ensuite une limousine qui l'amène au Saint Regis Hotel, dans Manhattan.

  > Photographies de Sam Shaw >
1954_09_09_NY_010_010_by_sam_shaw_1
1954_09_09_NY_010_011_by_sam_shaw_1 1954_09_09_NY_010_012_by_sam_shaw_1 1954_09_09_NY_010_013_by_sam_shaw_1
1954_09_09_NY_010_014_by_sam_shaw_1 1954_09_09_NY_010_015_by_sam_shaw_1 1954_09_09_NY_010_016_by_sam_shaw_1
1954_09_09_NY_011_010_by_sam_shaw_1 1954_09_09_NY_011_020_by_sam_shaw_1 1954_09_09_NY_011_030_by_sam_shaw_1
ph_shaw_13821232_1_x  

 >> Au Saint Regis Hotel

   > Photographies de Sam Shaw >
1954_09_09_NY_hotel_St_Regis_010_020_by_sam_shaw_1 1954_09_09_NY_hotel_St_Regis_010_010_by_sam_shaw_1 1954_09_08_new_york_hotel_room_020_by_shaw_3
1954_sam_shaw1 1954_09_08_new_york_hotel_room_021_by_shaw_1  
1954_09_09_NY_hotel_St_Regis_011_010_by_sam_shaw_1 1954_09_09_NY_hotel_St_Regis_011_020_by_sam_shaw_1 1954_09_08_new_york_hotel_room_021_by_shaw_3 
1954_09_09_NY_hotel_St_Regis_020_020_by_sam_shaw_2 1954_09_09_NY_hotel_St_Regis_020_030_by_sam_shaw_2 1954_09_09_NY_hotel_St_Regis_020_050_by_sam_shaw_2
1954_09_09_NY_hotel_St_Regis_021_010_by_sam_shaw_1
1954_09_09_NY_hotel_St_Regis_020_020_by_sam_shaw_1 1954_09_09_NY_hotel_St_Regis_020_030_by_sam_shaw_1
1954_09_09_NY_hotel_St_Regis_020_040_by_sam_shaw_1 1954_09_09_NY_hotel_St_Regis_020_060_by_sam_shaw_1
1954_09_09_NY_hotel_St_Regis_020_050_by_sam_shaw_1 1954_09_09_NY_hotel_St_Regis_020_080_by_sam_shaw_1 1954_09_09_NY_hotel_St_Regis_020_070_by_sam_shaw_1
1954_09_09_NY_hotel_St_Regis_030_020_by_sam_shaw_1  1954_09_09_NY_hotel_St_Regis_040_020
1954_09_09_NY_hotel_St_Regis_030_010_by_sam_shaw_1 1954_sam_shaw2 
1954_09_09_NY_hotel_St_Regis_031_010_by_sam_shaw_1 1954_09_08_new_york_hotel_room_012_by_shaw_1 1954_09_08_new_york_hotel_room_011_1 
 1954_09_09_NY_hotel_St_Regis_032_010_by_sam_shaw_21954_09_09_NY_hotel_St_Regis_032_030_by_sam_shaw_1 1954_09_09_NY_hotel_St_Regis_040_010_by_sam_shaw_1 


Séance "Chambre d'Hôtel"
Hotel Room Sitting
- Milton H Greene -


> Photographies de Milton H Greene
1954-02-09-by_greene-03 

1954-09-09-NY-saint_regis_hotel-Hotel_Room-by_mhg-011-1  1954-09-09-NY-saint_regis_hotel-Hotel_Room-by_mhg-011-2 
1954-09-09-NY-saint_regis_hotel-Hotel_Room-by_mhg-CS-010-1a 
1954-09-09-NY-saint_regis_hotel-Hotel_Room-by_mhg-021-1 1954-09-09-NY-saint_regis_hotel-Hotel_Room-by_mhg-021-2a 1954-09-09-NY-saint_regis_hotel-Hotel_Room-by_mhg-021-2 
1954-09-09-NY-saint_regis_hotel-Hotel_Room-by_mhg-021-1a  1954-09-09-NY-saint_regis_hotel-Hotel_Room-by_mhg-021-4a 
1954-09-09-NY-saint_regis_hotel-Hotel_Room-by_mhg-021-3  1954-09-09-NY-saint_regis_hotel-Hotel_Room-by_mhg-021-4 
1954-09-09-NY-saint_regis_hotel-Hotel_Room-by_mhg-020-1 1954-09-09-NY-saint_regis_hotel-Hotel_Room-by_mhg-030-1a 1954-09-09-NY-saint_regis_hotel-Hotel_Room-by_mhg-030-1 
1954-09-09-NY-saint_regis_hotel-Hotel_Room-by_mhg-CS-010-1b  
1954-09-09-NY-saint_regis_hotel-Hotel_Room-by_mhg-030-2 1954-09-09-NY-saint_regis_hotel-Hotel_Room-by_mhg-030-3 1954-09-09-NY-saint_regis_hotel-Hotel_Room-by_mhg-030-4 
1954-09-09-NY-saint_regis_hotel-Hotel_Room-by_mhg-031-1  1954-09-09-NY-saint_regis_hotel-Hotel_Room-by_mhg-031-2 
1954-09-09-NY-saint_regis_hotel-Hotel_Room-by_mhg-032-1  1954-09-09-NY-saint_regis_hotel-Hotel_Room-by_mhg-032-2 

Planche Contact / Contact Sheet:
1954-09-09-NY-saint_regis_hotel-Hotel_Room-by_mhg-CS-010-1 


All photos are copyright and protected by their respective owners. 
copyright text by GinieLand.

01 mars 2012

1953, Portraits Publicitaires pour "How to marry a Millionaire" - scène 3

Comment épouser un millionnaire
Photos Publicitaires  

Scène 3


 Portraits de Marilyn Monroe
Photographies de John Florea

Portraits of Marilyn Monroe 
 Photographs by John Florea

1953-06-COLLIERS_sitting-dress_htmam-sc_03-010-1  1953-06-COLLIERS_sitting-dress_htmam-sc_03-010-2  1953-06-COLLIERS_sitting-dress_htmam-sc_03-011-1 
1953-06-COLLIERS_sitting-dress_htmam-sc_03-020-1-by_florea-1a  
1953-06-COLLIERS_sitting-dress_htmam-sc_03-020-1-by_florea-1  1953-06-COLLIERS_sitting-dress_htmam-sc_03-020-2-by_florea-1  1953-06-COLLIERS_sitting-dress_htmam-sc_03-020-3-by_florea-1 
1953-06-COLLIERS_sitting-dress_htmam-sc_03-020-4-by_florea-1  1953-06-COLLIERS_sitting-dress_htmam-sc_03-030-1  1953-06-COLLIERS_sitting-dress_htmam-sc_03-040-2b 
1953-06-COLLIERS_sitting-dress_htmam-sc_03-040-1  1953-06-COLLIERS_sitting-dress_htmam-sc_03-040-3  1953-06-COLLIERS_sitting-dress_htmam-sc_03-040-2 
1953-06-COLLIERS_sitting-dress_htmam-sc_03-040-2a  1953-06-COLLIERS_sitting-dress_htmam-sc_03-041-1  1953-06-COLLIERS_sitting-dress_htmam-sc_03-041-2 
1953-06-COLLIERS_sitting-dress_htmam-sc_03-050-1  1953-06-COLLIERS_sitting-dress_htmam-sc_03-050-1b  1953-06-COLLIERS_sitting-dress_htmam-sc_03-050-2 
1953-06-COLLIERS_sitting-dress_htmam-sc_03-050-1c  
1953-06-COLLIERS_sitting-dress_htmam-sc_03-060-1  1953-06-COLLIERS_sitting-dress_htmam-sc_03-060-3-GF  1953-06-COLLIERS_sitting-dress_htmam-sc_03-060-2 


- En coulisses: le photographe Gene Trindl dirige Marilyn -
- Behind the scenes: photographer Gene Trindl directs Marilyn -

1953-06-COLLIERS_sitting-dress_htmam-sc_03-set-with_trindl-010-1-by_florea-1a 
1953-06-COLLIERS_sitting-dress_htmam-sc_03-set-with_trindl-010-1-by_florea-1  1953-06-COLLIERS_sitting-dress_htmam-sc_03-set-with_trindl-010-1-by_florea-1b 
1953-06-COLLIERS_sitting-dress_htmam-sc_03-set-with_trindl-020-1-by_florea-1 
1953-06-COLLIERS_sitting-dress_htmam-sc_03-set-with_trindl-020-2-by_florea-1  1953-06-COLLIERS_sitting-dress_htmam-sc_03-set-with_trindl-020-2-by_florea-1a 


- credit photographe -

1953-06-COLLIERS_sitting-dress_htmam-sc_03-020-1-by_florea-1b1  1953-06-COLLIERS_sitting-dress_htmam-sc_03-020-1-by_florea-1b2 


  - colorisations -

sc03_htm_st_by_john_florea_010_1c  sc03_htm_st_by_john_florea_012_3 


 - Magazines -

Movies, 06/1954 - USA
Movieland's, 1954 - USA

1953-06-COLLIERS_sitting-dress_htmam-sc_03-mag-1954-06-movies-usa-1  1953-06-COLLIERS_sitting-dress_htmam-sc_03-mag-1954-movieland-usa 

Mon Film, 01/12/1954 - dos couverture - FRANCE
Cinema, 1954 - CUBA
1953-06-COLLIERS_sitting-dress_htmam-sc_03-mag-1954-12-01-mon_film-france-back_cover  
1954-cinema-cuba 

Liberty, 07/1955 - CANADA
Tempo, 04/11/1958 - ITALIE
Gaceta Ilustrada , 02/1971 - ESPAGNE

1953-06-COLLIERS_sitting-dress_htmam-sc_03-mag-1955-07-Liberty-canada  1953-06-COLLIERS_sitting-dress_htmam-sc_03-mag-1958-11-04-italie  1953-06-COLLIERS_sitting-dress_htmam-sc_03-mag-1971-02-gaceta-espagne 

titre et année inconnus ?  - JAPON
1953-06-COLLIERS_sitting-dress_htmam-sc_03-mag-japon 


  Portraits de Marilyn Monroe
Photographies de Sam Shaw

Portraits of Marilyn Monroe 
 Photographs by Sam Shaw

 sc03_htm_st_by_sam_shaw_010_1 ph_shaw_Htm40 sc03_htm_st_by_sam_shaw_011_1 


 - Magazines -

 Movieland, 11/1954 - USA

sc03_htm_st_by_sam_shaw_011_mag_movieland_1954 


  Portrait de Lauren Bacall

lauren_BacallMillionaire 


© All images are copyright and protected by their respective owners, assignees or others.
copyright text by GinieLand.

13 décembre 2011

Entertainment Memorabilia 14/12/2011

catalogue_bonhams_14decembre2011Vente aux enchères "Entertainment Memorabilia" le 14 Décembre 2011 par Bonhams à Los Angeles en Californie, USA.

Vente de photographies, d'affiches de films, de costumes, d'autographes et autres documents de stars de cinéma, dont quelques lots concernent Marilyn, à découvrir ci-dessous (photographies et un télégramme).

> Le catalogue:
catalogue_bonhams_14decembre2011 catalogue_bonhams_p1
catalogue_bonhams_p2 catalogue_bonhams_p3 catalogue_bonhams_p4
catalogue_bonhams_p5 catalogue_bonhams_p6


Lot 4047Marilyn Monroe photographs by Sam Shaw, 1950s
Candid photographs depicting Marilyn laying barefoot across a bed while speaking on the phone, the other catches the sex symbol yawning. Each signed "SShaw" in pencil on verso. The image of Marilyn yawning is matted, the condition of these photographs is fair. 10 x 13 1/2 in and 14 x 16 in (with mat)
Estimate: US$2,500 - 3,500
bonhams_4047a bonhams_4047b 


Lot 4048: Marilyn Monroe photographs by Sam Shaw, 1950s
Candid photographs of Marilyn wearing a fur coat and greeting fans. Each signed "S Shaw" in pencil on verso.
Fair condition. 9 1/4 x 13 1/2 in and 13 1/2 x 9 1/4 in
Estimate: US$2,500 - 3,500
bonhams_4048a bonhams_4048b 


Lot 4049Marilyn Monroe photographs by Sam Shaw,
taken during the filming of The Seven Year Itch, 1954
In one, Marilyn wears a lacy slip and smiles directly at the camera while holding a hairdryer; in the other, Marilyn sits and smokes a cigarette in an apparent dressing room. One photograph signed in pencil on verso: "Sam Shaw," the other is stamped with a credit to Shaw.
Fair condition. 13 x 9 in
Estimate: US$2,500 - 3,500
bonhams_4049a bonhams_4049b 


Lot 4050Candid snapshots of Marilyn Monroe taken in South Korea, 1954
9 black and white photos of Monroe while visiting soldiers in South Korea in 1954. She wears a flight jacket and combat boots and poses with a various soldiers. Together with an autograph letter signed ("Joseph D. Dominguez") by the consignor who took the photos while serving as a Private in the United States army: "It was Ferbuary 1954 ... and better yet, Marilyn Monroe came to Korea at this time to entertain the troops. I got to be one of her guards during her two day stay! I sneaked my cheapie camera into my field jacket and took several photos of her as I went about my guard duties ... I got to exchange small talk with Marilyn and found her to be genuinely warm, tender and beautiful. I wrote some of our small talk 'comments' on the back of the photos ... All photos are unpublished." Condition fair. 5 x 3 1/4 in
Estimate: US$600 - 900
bonhams_4050 


Lot 4051: Marilyn Monroe snapshots, 1954
A group of 5 black and white snapshots taken on two different occasions while sitting in the rear of a car, identified in unknown hand as outside the St. Regis and the 21 Club.
Pictures taped to a single piece of paper, condition fair. 5 x 7 in (each snapshot)
Estimate: US$300 - 500
bonhams_4051


Lot 4052: A contact sheet with candid images of Marilyn Monroe, 1955
A black and white contact sheet by photographer Bob Henriques, including four candid images of Mornoe wearing a lacy, white slip and blow drying her hair while looking out the window. Henriques was known for his candid images of famous people. Matted. 10 x 8 in (contact sheet only)
Estimate: US$400 - 600
bonhams_4052 


Lot 4053Marilyn Monore 3-D negatives, 1952, sold with photographer's copyright
A collection of 10 color three-dimensional negatives of Marilyn Monroe, taken by Lani Carlson in 1952 at a party thrown by bandleader Ray Anthony, celebrating the release of the song Marilyn, written by Ervin Drake and Jimmy Shirl. Carlson took these photos with a David White Stereo Realist Camera, a dual-lens camera that creates a three-dimensional effect when seen through a special viewer.
Carlson was hired as a sound engineer for the party, and had ample opportunity to take candid pictures of the actress that day. Wearing a hot pink cocktail dress that she also wore in her breakout film Niagara, Monroe arrived in a helicopter and proceeded to pose for photos with Anthony, Mickey Rooney, the helicopter pilot, a dog and alone in front of a blown-up piece of sheet music for the song.
A fantastic collection of Marilyn Monroe images.
In addition to the original negatives and the original viewer through which the 3-d effect can be experienced, this lot includes an Assignment of Copyrights document executed by Lani Carlson which states that he assigns all of his right, title and interest including worldwide copyrights in and to the photographic images to the auction buyer. For more information or to review the seller's copyright assignment document, please contact the department. Each slide 1 1/2 x 4 in
Estimate: US$70,000 - 90,000
bonhams_4053a bonhams_4053b bonhams_4053c
bonhams_4053d bonhams_4053e
bonhams_4053f bonhams_4053g bonhams_4053h
bonhams_4053i bonhams_4053j 


Lot 4054: Limited edition printing of Marilyn Monroe photographs by Lani Carlson, 1952 (2011)
A group of 15 prints (8 color, 6 black and white) being special artist's editions printed in 2011, all signed in pencil by the artist on recto; set is all numbered 1/15; each additionally stamped on verso: "Photographed by Lani Carlson copyright 2011 reproduction forbidden all rights reserved by artist ID: LCA-MM)-01 ED# 1 of 15 Printed 10/14/11." A limited edition deluxe printing of the negatives offered in the previous lot. 20 x 16 in
Estimate: US$5,000 - 7,000
bonhams_4054 


Lot 4055Marilyn Monroe telegram to director George Cukor, 1962
Western Union telegram stamped June 8, 1862: "Dear George. Please believe me it was not my doing. I had so looked forward to working with you. Warmly Marilyn."
Cukor and Monroe had worked together on the 1960 musical, Let's Make Love. Cukor admired Monroe's star quality and gift for comedy, but found her to be difficult, to say the least. Nonetheless, he signed on again two years later for what would be Monroe's final project: the never completed Something's Got To Give, a remake of the screwball comedy, My Favorite Wife. During filming of the latter, Monroe was frequently absent from the set or held up filming when she was there with her erratic work habits. She also left California in May to travel to New York and sing her infamous rendition of "Happy Birthday" to JFK. When Cukor had shot every scene not containing Monroe, and when she still did not appear on set, 20th Century Fox famously fired her on the morning of June 8, 1962. After receiving the news, Monroe sent this apologetic telegram to Cukor, but it made no difference. Less than two months later, she was found dead in her Brentwood home.
Light toning, right corner and margin torn (not affecting text). 8 1/2 x 11 1/2 in
Estimate: US$300 - 500
bonhams_4055 


Lot 4093: A collection of movie stills, 1950s-1960s
Approximately 200, including scenes from On the Beach, The Revolt of the Slaves, Screaming Eagles, The Unholy Wife, The Story of Ruth, Stolen Hours, Penelope, The Violent People, Lock Up Your Daughters, The Scarlett Hours, The Empty Canvas and others, also including shots of Marilyn Monroe, Natalie Wood, Gregory Peck and other actors and actresses. Condition generally good. Various sizes
Estimate: US$100 - 150
bonhams_4056a

07 décembre 2011

Marilyn Monroe Collector Cards Update Set

MM_Shaw_Family_Archives_coffretUne autre boîte, éditée -encore- par la société "Marilyn Monroe Shaw Family", protégeant les droits du photographe Sam Shaw, est sortie en 2008. La boîte a été tirée à 900 exemplaires, numérotés. Elle contient plusieurs éditions de cartes postales. Vendu par Breygent, où le coffret est désormais indisponible car tout y a été vendu, on peut le retrouver néanmoins quelques pièces du coffret sur leur site. Cependant, le coffret est en vente sur le site rakuten pour 80 Euros.

Description: One set (one piece of 33 kinds of six pieces of regular + insert + memo rabbi rear case).
A card set for addition of 75 cases (900 sets) of limited production comes up to Marilyn Monroe trading card! Six pieces of insert cards (all 32 kinds) and one piece of costume card (all five kinds) enclose it in one set other than all regular card 33 kinds!
In addition, hair card very precious Six kinds and two kinds of cut handwriting signatures, Enclosure random four kinds of cards!

 Contenu de la collection:
MM_Shaw_collector_cards_1


33 Cards Glamour Set :

MM_Shaw_Family_Archives_carte1 MM_Shaw_Family_Archives_carte2 MM_Shaw_Family_Archives_carte3 


32 Cards Classic Chase Set:
carte en hologramme

MM_Shaw_Family_Archives_MC2 MM_Shaw_Family_Archives_MC3
MM_Shaw_Family_Archives_MC4 MM_Shaw_Family_Archives_MC7
MM_Shaw_Family_Archives_MC23 MM_Shaw_Family_Archives_MC1_MC32


5 Costume Cards:
5 cartes contenant un bout de vie de Marilyn
(tissu d'un vêtement, empreinte de rouge à lèvres) 

MM_Shaw_Family_Archives_stamp_2 MM_Shaw_Family_Archives_stamp_4 
MM_Shaw_Family_Archives_stamp_6 MM_Shaw_Family_Archives_stamp_7


  Send Away Cards

  MM_Shaw_Family_Archives_stamp_1 MM_Shaw_Family_Archives_stamp_3


2 cut Signature Cards

MM_Shaw_Family_Archives_sign_1 MM_Shaw_Family_Archives_sign_2 


4 Handwriting Cards

MM_Shaw_Family_Archives_hand1 MM_Shaw_Family_Archives_hand2 MM_Shaw_Family_Archives_hand3 


6 Hair Cards

MM_Shaw_Family_Archives_stamp_5


8 Promo Cards

MM_Shaw_Family_Archives_promocard_1_de8

Posté par ginieland à 13:47 - - Commentaires [1] - Permalien [#]
Tags : ,

06 décembre 2011

Marilyn Monroe Shaw Family Archives Cards Box

MM_Shaw_Family_Archives_Cards_BoxUne boîte éditée par la société "Marilyn Monroe Shaw Family", protégeant les droits du photographe Sam Shaw, est sortie en 2008. Elle contient plusieurs éditions de cartes postales, à ranger dans un classeur. Vendu par Breygent, où le coffret est désormais indisponible car tout y a été vendu, on peut le retrouver néanmoins pour pas moins de 80 Dollars sur le site astore d'amazon ou encore vendu en pièces détachées (par série de cartes ou les cartes à l'unité) sur des sites d'enchères comme ebay.

MM_Shaw_Family_Archives_Cards_Box_cards MM_Shaw_Family_Archives_Cards_Box_classeur MM_Shaw_Family_Archives_promo

Contenu de la collection:
MM_Shaw_Family_Archives_Cards_Box_list 


Album Promo Cards:
composé de 72 cartes

MM_Shaw_Family_Archives_cards_1 MM_Shaw_Family_Archives_cards_2
MM_Shaw_Family_Archives_cards_3 MM_Shaw_Family_Archives_cards_4
MM_Shaw_Family_Archives_cards_5 MM_Shaw_Family_Archives_cards_6
MM_Shaw_Family_Archives_cards_7 MM_Shaw_Family_Archives_cards_8 


Costume Cards:
comprend 4 cartes, avec un certificat d'authenticité
chaque carte contient un bout de tissu d'un vêtement de Marilyn
(robe, gant, mouchoir, chapeau)

MM_Shaw_Family_Archives_costume_card_1 MM_Shaw_Family_Archives_costume_card_2
MM_Shaw_Family_Archives_costume_card_3 MM_Shaw_Family_Archives_costume_card_4 MM_Shaw_Family_Archives_costume_card_5


Autograph Card:
carte signée par l'acteur Kevin MacCarthy,
  partenaire de Marilyn dans The Misfits

  MM_Shaw_Family_Archives_autograph


Chase Cards - Swim Suit Fun:
comprend 6 cartes de Marilyn en maillot de bain

MM_Shaw_Family_Archives_swimsuit_MS3 MM_Shaw_Family_Archives_swimsuit_MS6 MM_Shaw_Family_Archives_swimsuit_1
MM_Shaw_Family_Archives_swimsuit_2 MM_Shaw_Family_Archives_swimsuit_3 MM_Shaw_Family_Archives_swimsuit_4 


   Chase Cards - The Shot Seen 'Round the World:
comprend 9 cartes du tournage de la scène de la robe
dans  "Seven Year Itch"

MM_Shaw_Family_Archives_shot_seen1 


Chase Cards - Marilyn behind the Scenes:
comprend 9 cartes sur le tournage de "Seven Year Itch" 

MM_Shaw_Family_Archives_behind_scenes_MB2 MM_Shaw_Family_Archives_behind_scenes_MB3
MM_Shaw_Family_Archives_behind_scenes_MB4 MM_Shaw_Family_Archives_behind_scenes_MB5 MM_Shaw_Family_Archives_behind_scenes_MB6 
MM_Shaw_Family_Archives_behind_scenes_MB7 MM_Shaw_Family_Archives_behind_scenes_1
MM_Shaw_Family_Archives_behind_scenes_1a MM_Shaw_Family_Archives_behind_scenes_1b 


Sketch Art Card:
cartes de Marilyn croquée par 16 artistes;
chaque verso de carte est signée par l'artiste.

MM_Shaw_Family_Archives_sketch_persampieri MM_Shaw_Family_Archives_sketch_shipper MM_Shaw_Family_Archives_sketch_shipper2 MM_Shaw_Family_Archives_sketch_shipper3 

Posté par ginieland à 14:56 - - Commentaires [8] - Permalien [#]
Tags : ,

19 novembre 2011

Julien's Auction 12/2011 - Photographies Diverses

lot n°764: MARILYN MONROE PIN-UP IMAGE
A color poster showing an almost life-sized full-length image of Marilyn Monroe, taken in the 1940s, posing playfully in a red striped bikini. Reads “Marilyn Monroe” in bottom left corner and “Printed in USA” at bottom right. 71 by 31 inches, framed
Estimate: $1 000 - $1 200
lot64314


lot n°764: MARILYN MONROE PHOTOGRAPH
A black and white print of a photograph of Marilyn Monroe fishing. Stamped on verso “Silver Screen.” 14 by 11 inches
Estimate: $300 - $500
lot64324


lot n°766: MARILYN MONROE HAROLD LLOYD PHOTOGRAPH PRINT
A limited edition poster print (25/250) featuring a color image of Marilyn Monroe(circa 1952) in lingerie, seated cross-legged before a bookcase, holding a book. The photo was taken by silent screen star turned photographer Harold Lloyd during a photo shoot at Monroe’s Los Angeles apartment by PhilippeHalsman. Later in 1952, a photograph from Halsman’s session appeared on thecover of LIFE magazine. Printed on crystal archive paper from the original 35mm Kodachrome negative in 2005. 20 by 40 inches PROVENANCE Lot 208, “Property from the Estate of Marilyn Monroe and other Collections,” Julien’s, Los Angeles, June 4, 2005
Estimate: $1 000 - $ 2 000
lot64325 lot64326 lot64327

 


lot n°768: MARILYN MONROE MILTON GREENE SILKSCREEN PRINT
A silkscreen print of a Milton Greene photograph of Marilyn Monroe taken in 1953 from The Black Sitting. Numbered 224/300. 46 by 35 inches
Estimate: $300 - $500
lot64333 lot64334 lot64335 


lot n°769: MARILYN MONROE PHOTOGRAPH
A black and white print of a Marilyn Monroe photograph taken in 1954 while in Japan with Joe DiMaggio for their honeymoon. Marked “silver screen” on verso. 14 by 11 inches
Estimate: $300 - $500
lot64336


lot n°770: MARILYN MONROE IMAGES
A group of three Marilyn Monroe images from various stages of her career, including a poster print signed by photographer George Barris in gold ink at bottom right, a laser print by Jack Cardiff from The Prince and the Showgirl , and a laser print by Bert Stern from the well noted “last sitting” session. Largest, 20 by 24 inches PROVENANCE Lot 133, “Julien’s Summer Sale,” Julien’s Auctions, Planet Hollywood Times Square, New York, June 17, 2006
Estimate: $150 - $300

lot64337 
lot64338 lot64339
lot64340 lot64341 


lot n°773: MARILYN MONROE THEDA BARRA POSTER
A poster of Marilyn Monroe as Theda Barra as photographed by Richard Avedon in the 1958 sitting of Monroe portraying legendary actresses for a pictorial in LIFE magazine. 23 by 28 inches
Estimate: $200 - $400

lot64349 


lot n°778: MARILYN MONROE PHOTOGRAPH BY SAM SHAW
A black and white print of a Marilyn Monroe photograph taken by Sam Shaw. Stamped “Silver Screen” on verso. 14 by 11 inches 
Estimate: $300 - $500

lot64366 


lot n°779: MARILYN MONROE PHOTOGRAPH BY ROY SCHATT
A black and white photograph of Marilyn Monroe at The Actors Studio taken by Roy Schatt. Signed by Schatt in the lower right corner. Photographer’s stamp on verso. 20 by 16 inches
Estimate: $800 - $1 200
lot64367  lot64368


 lot n°782: MARILYN MONROE PHOTOGRAPH ON STAGE FOR LET’S MAKE
A black and white photograph of Marilyn Monroe dancing on the set of Let’s Make Love (20th Century Fox, 1960). Monroe made this film to help complete her 1955–56 contract with 20th Century Fox to complete four films in a seven-year period. By 1960, she had completed only Bus Stop (20th Century Fox, 1956), so she agreed to star in Let’s Make Love . Stamped on verso “John Bryson, Box 616, Beverly Hills, California.” 13 5/16 by 10 inches
Estimate: $200 - $400
lot64371 


lot n°785: MARILYN MONROE PHOTOGRAPH BY BERT STERN
A Marilyn Monroe photograph print of an image taken by Bert Stern as part of the last sitting. Marked on verso “Silver Screen.” The image shows Monroe wrapped in fur. 14 by 11 inches
Estimate: $300 - $500 
lot64380

19 octobre 2011

28/01/1955, New York - Lexington Avenue, Gladstone Hotel et Central Park

Le 28 janvier 1955 à New YorkMarilyn Monroe fait la publicité des Marilyn Monroe Productions:
Elle se rend au studio de Milton Greene sur Lexington Avenue, non loin de son hôtel pour se faire photographier.
Elle donne une interview (sur plusieurs jours) au journaliste George Carpozi Jr au Gladstone Hotel où elle vit; ses fans la rencontrent et elle accepte volontiers de poser pour des photographies avec eux, de discuter et de signer des autographes.
Elle se ballade en début de soirée dans Central Park avec George Carpozi Jr et le photograghe Sam Shaw.
Elle prend un taxi avec Milton Greene.

On January 28, 1955 in New York, Marilyn Monroe makes the publicity of the Marilyn Monroe Productions:
She goes to Milton Greene's studio on Lexington Avenue, not far from her hotel, to be photographed.
She gives an interview (on several days) to journalist George Carpozi Jr at the Gladstone Hotel where she lives; her fans meet her and she gladly agrees to pose for photographs with them, chats and signs autographs.
She walks in the early evening in Central Park with George Carpozi Jr and the photographer Sam Shaw.

She takes a cab with Milton Greene.


Au studio de Milton Greene

Séance "Lexington Avenue" de Milton Greene
Lexington Avenue Sitting


Marilyn Monroe est photographiée en compagnie de son associé Milton H Greene, le 28 janvier 1955, au studio de Milton, au 480 Lexington Avenue, 45th Street à New York.
Marilyn Monroe is photographed with her business partner Milton H Greene, in January 28, 1955, at Milton's studio, at 480 Lexington Avenue, 45th Street in New York.

- Marilyn & Milton Greene -

1955-01-28-NY-Lexington_avenue-010-1  1955-01-28-NY-Lexington_avenue-010-2a1  1955-01-28-NY-Lexington_avenue-011-1-Marilyn-Monroe-MHG-MMO-CP-26 
1955-01-28-NY-Lexington_avenue-011-2 
1955-01-28-NY-Lexington_avenue-012-1-Marilyn-Monroe-MHG-MMO-CP-27  1955-01-28-NY-Lexington_avenue-012-2-Marilyn-Monroe-MHG-MMO-CP-28  

1955-01-28-NY-Lexington_avenue-020-1-Marilyn-Monroe-MHG-MMO-CP-22  1955-01-28-NY-Lexington_avenue-020-2 
1955-01-28-NY-Lexington_avenue-022-1 
1955-01-28-NY-Lexington_avenue-021-1-Marilyn-Monroe-MHG-MMO-CP-23 1955-01-28-NY-Lexington_avenue-021-3 1955-01-28-NY-Lexington_avenue-021-2-Marilyn-Monroe-MHG-MMO-CP-24 
 1955-01-28-NY-Lexington_avenue-023-1-Marilyn-Monroe-MHG-MMO-CP-25 


1955-01-28-NY-Lexington_avenue-030-1-marilyn_monroe_EM_38  1955-01-28-NY-Lexington_avenue-030-2  1955-01-28-NY-Lexington_avenue-030-2-marilyn_monroe_EM_39 

Marilyn et le photographe Sam Shaw
Marilyn with photographer Sam Shaw
1955-01-28-NY-Lexington_avenue-030-3-marilyn_monroe_EM_40 


1955-01-28-NY-Lexington_avenue-031-1-Marilyn-Monroe-MHG-MMO-CP-21  1955-01-28-NY-Lexington_avenue-032-1  1955-01-28-NY-Lexington_avenue-032-2 
1955-01-28-NY-Lexington_avenue-033-1  1955-01-28-NY-Lexington_avenue-033-2  1955-01-28-NY-Lexington_avenue-033-3 
1955-01-28-NY-Lexington_avenue-036-2  1955-01-28-NY-Lexington_avenue-033-1a 
1955-01-28-NY-Lexington_avenue-033-3b  1955-01-28-NY-Lexington_avenue-034-1 

- planche contact -
contact sheet

1955-01-28-NY-Lexington_avenue-CS-010-1  
  Séance nommée "CP" - "Cocktail Party" par Greene


Dans les bureaux de Greene , salle de repos
Photographies de George Miller

In Greene's offices, break room
Photographs by George Miller


1955-01-28-NY-Lexington_avenue-040-1  1955-01-28-NY-Lexington_avenue-036-1 
1955-01-28-NY-Lexington_avenue-035-1   1955-01-28-NY-Lexington_avenue-041-1-by_george_miller-1 
1955-01-28-NY-Lexington_avenue-035-1a  

- information presse -

1955-01-28-NY-Lexington_avenue-010-2a2  
1955-01-28-NY-Lexington_avenue-035-1-press 


A l'hôtel Gladstone
At the Gladstone Hotel


Marilyn discute avec ses fans et signe des autographes

Marilyn chats with her fans and signs autographs

1955-01-28-NY-2-Gladstone_Hotel-031-1-with_man-1 

- Marilyn avec John Reilly, fan de la bande des "Monroe Six" -
- Marilyn with John Reilly, fan of the "Monroe Six" group -

1955-01-28-NY-2-Gladstone_Hotel-030-1-with_fan-john_reiley_from_monroeSix-1 

- Marilyn avec James Collins, fan de la bande des "Monroe Six" -
- Marilyn with James Collins, fan of the "Monroe Six" band -

1955-01-28-NY-2-Gladstone_Hotel-030-1-with_fan-james_collins_from_monroeSix-1 

- Marilyn dans un sofa et au téléphone -
Photographies prises par ses fans de la bande "Monroe Six":
James Collins et Frieda Hull
- Marilyn on a sofa and on the phone -
Photographs taken by his fans of the band "Monroe Six":
James Collins and Frieda Hull

1955-01-28-NY-2-Gladstone_Hotel-sofa-010-1a  1955-01-28-NY-2-Gladstone_Hotel-sofa-010-1 1955-01-28-NY-2-Gladstone_Hotel-sofa-011-1  
  1955-01-28-NY-2-Gladstone_Hotel-sofa-020-1  1955-01-28-NY-2-Gladstone_Hotel-sofa-021-1 
1955-01-28-NY-2-Gladstone_Hotel-tel-021-1b   
1955-01-28-NY-2-Gladstone_Hotel-tel-010-1a  1955-01-28-NY-2-Gladstone_Hotel-tel-011-1a  1955-01-28-NY-2-Gladstone_Hotel-tel-012-1a 
1955-01-28-NY-2-Gladstone_Hotel-tel-013-1  1955-01-28-NY-2-Gladstone_Hotel-tel-020-1a  

- photographie de Anthony Calvacca -
1955-01-28-NY-2-Gladstone_Hotel-sofa-012-1  

- article magazine Screen Life, 08/1955 -
1955-01-28-NY-2-Gladstone_Hotel-tel-mag-1955-07-screen_life-1  


Marilyn Monroe donne une interview au journaliste George Carpozi Jr
Photographies de George Miller

Marilyn Monroe gives an interview to journalist George Carpozi Jr
Photographs by George Miller

1955-01-28-NY-3-Gladstone_Hotel-interview_george_carpozi-010-1-by_george_miller-1 
1955-01-28-NY-3-Gladstone_Hotel-interview_george_carpozi-020-1-by_george_miller-1  


 Dans le hall de l'hôtel avec Milton H Greene

 In the hotel lobby with Milton H Greene

1955-01-28-NY-Gladstone_Hotel-020-1-with_mhg-1  

- photographie de Frieda Hull (fan des Monroe Six)-
1955-01-28-NY-2-Gladstone_Hotel-010-1-by_frieda_hull-1 

- Milton & Marilyn -
photographie de James Haspiel, fan
1955-01-28-NY-2-Gladstone_Hotel-021-1-with_mhg-by_haspiel-1  


 Central Park


Marilyn Monroe se promène avec le journaliste George Carpozi Jr

 Marilyn Monroe walks with journalist George Carpozi Jr

1955-01-28-NY-4-Central_Park-with_george_carpozi-1 

Sam Shaw (photographe), James Haspiel (fan), et Marilyn Monroe
1955-01-28-NY-4-Central_Park-with_sam_shaw-James_Haspiel-1  


Taxi


Photographies de fans: James Haspiel & Frieda Hull

1955-01-28-NY-5-Taxi-010-1-by_james_haspiel-1a  1955-01-28-NY-5-Taxi-011-1-by_james_haspiel-1a  1955-01-28-NY-5-Taxi-012-1-by_james_haspiel-1 
Marilyn tient une photo d'elle avec Haspiel
Marilyn holds a picture of her with Haspiel
1955-01-28-NY-5-Taxi-010-1-by_james_haspiel-1b  1955-01-28-NY-5-Taxi-012-1-by_james_haspiel-1a 


All photos are copyright and protected by their respective owners. 
copyright text by GinieLand.

13 août 2011

6/11/1954 Romanoff's Party

Le 6 novembre 1954, Marilyn Monroe est l'invitée d'honneur d'une soirée organisée par son agent Charles Feldman, au restaurant Romanoff's à Beverly Hills, afin de marquer la fin du tournage de The Seven Year Itch (Sept ans de réflexion). Pour représenter le film, l'acteur Tom Ewell et le réalisateur Billy Wilder sont présents. Et de nombreuses personnalités, stars du cinéma et producteurs influents, sont invités: Humphrey Bogart, Lauren Bacall, James Stewart, Doris Day, Susan Hayward, Gary Cooper, Clifton Web, Darryl Zanuck, Jack Warner, Sidney Skolsky, Groucho Marx, Loretta Young... mais surtout, l'idole de Marilyn, l'acteur Clark Gable. Il s'agit de leur première rencontre et Marilyn danse avec celui qu'elle imaginait enfant, être son père ! Elle lui demande même un autographe.
Photographies prises par Sam Shaw et Jean Howard.

 >> Marilyn à table avec Billy Wilder
1954_11_06_romanoffs_with_billy_wilder_1   

 >> Marilyn embrasse Charles Vidor, Billy Wilder est debout.
1954_11_06_romanoffs_with_billy_wilder_charles_vidor_1  1954_11_06_romanoffs_with_billy_wilder_charles_vidor_2 1954 

>> Marilyn embrasse Sidney Skolsky,
au côté de
Jean Howard (femme de Charles Feldman) et Clark Gable.

1954-MONROE__MARILYN_-_MILTON_GREENE_1954_SIDNEY_SKOLSKY_CLARK_  1954_11_06_romanoffs_with_sydney_skolsky_1  

 >> Marilyn et Barry Fitzgerald
1954 

  >> Tom Ewell, Billy Wilder et Marilyn
1954_11_06_romanoffs_with_billy_wilder_tom_ewell_1  

 >> Charles Feldman, Marilyn, Jean Howard et Clark Gable
1954_11_06_romanoffs_with_charles_feldman_gable_1  1954_11_06_romanoffs_with_charles_feldman_gable_1a 
1954_romanoffs_1 
1954_11_06_romanoffs_with_clark_gable_1  1954_11_06_romanoffs_with_clark_gable_1a 

>> Marilyn discute avec Darryl Zanuck
1954_11_06_romanoffs_with_darryl_zanuck_1 
1954_11_06_romanoffs_with_darryl_zanuck_2 1954
1954_11_06_NY_012_SevenYears_RomanovParty_010_010_bySamShaw_1
1954_11_06_romanoffs_with_darryl_zanuck_4  1954_romanoffs_3 

 >> Marilyn avec Humphrey Bogart
1954_romanoffs_2 
1954 

 >> Les invités: Humphrey Bogart, Susan Hayward...
1954_11_06_romanoffs_with_humphrey_bogart_1  1954_11_06_romanoffs_with_susan_hayward_1 

  >> Humphrey Bogart, Marilyn et Clifton Web
1954_11_06_romanoffs_with_humphrey_bogart_et_clifton_webb_1  


>> Marilyn danse...

1954_11_06_romanoffs_with_charles_feldman_1 
... avec
Charles Feldman

1954_11_06_romanoffs_with_clark_gable_2  1954_11_06_romanoffs_with_clark_gable_2a 
... avec Clark Gable

   1954_11_06_NY_011_SevenYears_RomanovParty_00200_1_bySamShaw_1 1954_11_06_romanoffs_with_clifton_webb_1
1954 1954_romanof 1954

 ... avec Clifton Web

1954_11_06_romanoffs_with_tom_ewell_1  mag_life_1954_11_29_p1a
1954
lot1173-H3257-L78855648 1954 
... avec Tom Ewell  

1954_11_06_romanoffs_with_sydney_skolsky_2 
 
... avec Sidney Skolsky 


Radieuse dans une robe de velour rouge au décolleté prononcé, les ongles vernis de rouge et un fourreau blanc sur les épaules, Marilyn était bien la plus belle de la soirée. 

1954_11_06_romanoffs_010_1 
1954_11_06_romanoffs_010_1a 1954_11_06_romanoffs_010_1b 
lot89025o 1954-11-06-beverly_hills-246149_0 
1954_11_06_romanoffs_011_1  1954_11_06_romanoffs_011_1a 


Un carton publicitaire représentant Marilyn dans la robe blanche du film était disposé sur chacune des tables des invités. Une carte photographique de Marilyn circula de table en table et les invités la dédicacèrent. Marilyn garda cette carte toute sa vie. Elle fut vendue à la grande vente chez Chritie's en 1999.

 >> Clark Gable signe la photographie de Marilyn
1954_romanoffs_picture  


>> Planche Contact
1954_contact_romanoffs   

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18 avril 2011

07/01/1955, New York - Marilyn Monroe Productions

Après un exil d'une année loin d'Hollywood, Marilyn s'est installée à New York et s'est engagée dans une bataille contre la 20th Century Fox, refusant les rôles que les studios lui proposent. Le 7 janvier 1955, Marilyn Monroe organise avec désormais son associé, le photographe Milton H. Greene, une conférence de presse où sont conviés près de 80 journalistes, ainsi que quelques amis. La réunion a lieu dans la maison de leur avocat Frank Delaney, sur la 64ème Avenue à New York.
Marilyn porte une robe de satin blanc et un manteau de fourrure d’hermine, des créations du couturier Norman Norell. Elle porte des boucles d'oreilles en diamants de chez Van Cleef & Arpels.
After a year of an exil far from Hollywood, Marilyn is settled in New York and is battling against the 20th Century Fox Studios, refusing the roles that the studios propose to her. In January 7, 1955, Marilyn Monroe organizes with his partner, photographer Milton H. Greene, a press conference where are invited nearly 80 journalists and some friends. The meeting takes place in the home of their lawyer Frank Delaney, on 64th Avenue in New York.
Marilyn wears a white satin dress and an ermine fur coat, creations of designer Norman Norell. She wears earrings in diamonds from Van Cleef & Arpels.

1955_01_07_mm_prod_010_arrive_010_1 1955_01_07_mm_prod_010_arrive_030_1 1955_01_07_mm_prod_010_arrive_020_1
 1955_01_07_mm_prod_010_arrive_050_1
1955_01_07_mm_prod_010_arrive_040_1 ph_greene_1955a 1955_01_07_mm_prod_010_arrive_060_1 

Elle annonce elle-même officiellement la création de la maison de production "Marilyn Monroe Productions" (MMP), dont elle en est la présidente (elle détient 51% des parts), et Milton Greene le vice-président (il en détient 49%). Frank Delaney répond à quelques questions des journalistes, déclarant notamment qu’elle n’est plus sous contrat avec la Fox et qu'elle envisage de travailler pour la télévision. De leur côté, la Fox tient aussi une conférence de presse pour affirmer que Marilyn est encore sous contrat pour quatre ans.
She announces officially the creation of the production company the "Marilyn Monroe Productions" (MMP) on which she is the president (she helds 51% of shares), and Milton Greene is the vice president (he owns 49%). Frank Delaney answers questions of journalists, by stating that she is no longer under contract with Fox and she plans to work for television. For their part, the 20th Century Fox also helds a press conference to say that Marilyn is still under contract for four years.

 1955_01_07_mm_prod_020_sit_010_1 1955_01_07_mm_prod_020_sit_010_2 1955_01_07_mm_prod_020_sit_011_1
1955_01_07_mm_prod_020_sit_012_3  1955_01_07_mm_prod_020_sit_011_2 
 1955_01_07  1955-mm_prod-1a  1955_01_07_mm_prod_020_sit_013_1 
1955_01_07_mm_prod_020_sit_012_1 1955_01_07_mm_prod_020_sit_012_2 
1955_01_07_mm_prod_020_sit_014_2 1955_01_07_mm_prod_020_sit_015_2
1955_01_07_mm_prod_020_sit_014_1 1955_01_07_mm_prod_020_sit_015_1 1955_mmprod
1955_01_07_mm_prod_030_sit_010_1 1955_01_07_mm_prod_030_sit_020_1 1955_01_07_mm_prod_030_sit_030_1 1955_01_07_mm_prod_030_sit_030_2
1955_01_07_mm_prod_030_sit_040_with_delaney_1 1955_GYUFTYFRR 1955_01_07_mm_prod_030_sit_050_1 1955_01_07_mm_prod_030_sit_050_2
1955_01_07_mm_prod_030_sit_060_1 1955_01_07_mm_prod_030_sit_with_frank_delaney_1 1955_01_07_mm_prod_030_sit_with_frank_delaney_2 1955_07_01_mmprod
1955_01_07_mm_prod_031_room_010_with_frank_delaney_1 
1955_01_07_mm_prod_031_room_020_1 1955_01_07_mm_prod_031_room_030_with_elsa_maxwell_1 1955_01_07_mm_prod_042_wall_010_1
1955_01_07_mm_prod_031_room_050_with_elsa_maxwell_1  1955_01_07_mm_prod_031_room_050_with_elsa_maxwell_2 
1955_01_07_mm_prod_031_room_040_with_elsa_maxwell_1 1955_MarilynMonroe_PressConferenceForMarilynMonroeProductions_Jan_7_1955_09   
1955_01_07_mm_prod_042_wall_030_2 1955_01_07_mm_prod_043_stairs_020_1 1955_01_07_mm_prod_043_stairs_021_1  
1955_01_07_mm_prod_042_wall_020_1 1955_01_07_mm_prod_042_wall_030_1 1955_01_07_mm_prod_043_stairs_010_with_milton_1
 1955_01_07_mm_prod_043_stairs_030_2 1955_01_07_mm_prod_043_stairs_030_1 1955_01_07_mm_prod_043_stairs_031_1
1955_01_07_mm_prod_032_room_050_1 1955_01_07_mm_prod_032_room_060_with_milton_1 H3257_L44538766_by_greene 

- Avec le photographe Sam Shaw (à droite) -
1955_01_07_mm_prod_042_wall_040_1 1955_01_07_mm_prod_042_wall_050_with_sam_shaw_1 1955_01_07_mm_prod_042_wall_051_with_sam_shaw_1

>> Marilyn signe des autographes à ses fans
1955_01_07_mm_prod_040_door_010_1 1955_01_07_mm_prod_040_door_020_1 1955_01_07_mm_prod_040_door_030_1

>> Photos prises par ses fans (James Haspiel ?)
1955_01_07_mm_prod_040_door_040_1 1955_01_07_mm_prod_041_talking_010_by_haspiel_2 1955_01_07_mm_prod_041_talking_020_2
1955_01_07_mm_prod_041_talking_010_by_haspiel_1 1955_01_07_mm_prod_041_talking_030_by_haspiel_1
1955_01_07_mm_prod_041_talking_040_by_haspiel_1 1955_01_07_mm_prod_041_talking_050_by_haspiel_1 

> photographies de James Collins, fan des 'Monroe Six' 
lot89018k  lot89018m  lot89017n 
lot89018a  lot89018d  

> photographies collection de Frieda Hull, fan des 'Monroe Six' 
1955-01-07-MMProd-collection_frieda_hull-1  1955-01-07-MMProd-collection_frieda_hull-1b 
1955-01-07-MMProd-collection_frieda_hull-1a  1955-01-07-MMProd-collection_frieda_hull-1c 1955-01-07-MMProd-collection_frieda_hull-1d 

>> Photographie de Michael Rouger
Autographe pour James Collins, un des 'Monroe Six'
("To Jim / Love & Kisses / Marilyn Monroe")
lot89009-a  


Marilyn ne s'est pas montrée en public depuis près d'un mois, ce qui attise la curiosité des journalistes mais aussi de ses fans, dont certains sont conviés. Parmi les convives célèbres, figure la journaliste à potins Elsa Maxwell, le dramaturge Sidney Kingsley, le compositeur Richard Rodgers (ami de Milton Greene), le photographe Sam Shaw, ainsi que Marlène Dietrich.
Marilyn was not shown in public apperance for almost a month, which arouses the curiosity of journalists but also her fans, some of whom are invited. From the famous guests, are included the gossip columnist Elsa Maxwell, playwright Sidney Kingsley, composer Richard Rodgers (friend of Milton Greene), the photographer Sam Shaw and Marlene Dietrich.

 Marilyn Monroe & Marlene Dietrich

1955-01-07-NY-Cocktail_Party-070-1  1955-01-07-NY-Cocktail_Party-071-1 
1955-01-07-NY-Cocktail_Party-073-1 
1955-01-07-NY-Cocktail_Party-072-1a  1955-01-07-NY-Cocktail_Party-073-1a 
1955-01-07-NY-Cocktail_Party-072-1  1955-01-07-NY-Cocktail_Party-074-1  1955-01-07-NY-Cocktail_Party-075-1 

Après la conférence de presse, Marilyn, Milton et Marlene fêtent l’événement au Copacabana Club, où se produit Frank Sinatra. Ils vont ensuite dîner avec Sinatra au Club 21 et finissent la soirée chez Marlene Dietrich.
After the press conference, Marilyn, Marlene and Milton celebrate the event at the Copacabana Club, where Frank Sinatra produces on stage. Then, they go to dinner with Sinatra at the Club 21 and they end the evening on Marlene Dietrich's home.


Séance "Soirée Cocktail"
Cocktail Party Sitting
- Milton H Greene -


1955-01-07-NY-Cocktail_Party-011-1-MHG-MMO-CP-02  
1955-01-07-NY-Cocktail_Party-010-1-MHG-MMO-CP-01  1955-01-07-NY-Cocktail_Party-013-1-MHG-MMO-CP-04 
1955-01-07-NY-Cocktail_Party-012-1-MHG-MMO-CP-03  1955-01-07-NY-Cocktail_Party-021-1-MHG-MMO-CP-13  1955-01-07-NY-Cocktail_Party-031-1-MHG-MMO-CP-10  
1955-01-07-NY-Cocktail_Party-020-1-MHG-MMO-CP-06 
1955-01-07-NY-Cocktail_Party-022-1-MHG-MMO-CP-07  1955-01-07-NY-Cocktail_Party-023-1-MHG-MMO-CP-09  1955-01-07-NY-Cocktail_Party-030-1-MHG-MMO-CP-08 
1955-01-07-NY-Cocktail_Party-040-1 
1955-01-07-NY-Cocktail_Party-050-1-MHG-MMO-CP-14  1955-01-07-NY-Cocktail_Party-052-1-MHG-MMO-CP-16   1955-01-07-NY-Cocktail_Party-051-1-MHG-MMO-CP-15 
1955-01-07-NY-Cocktail_Party-060-1-MHG-MMO-CP-11  1955-01-07-NY-Cocktail_Party-060-2-MHG-MMO-CP-12 
1955-01-07-NY-Cocktail_Party-070-1-MHG-MMO-CP-17  1955-01-07-NY-Cocktail_Party-072-1-MHG-MMO-CP-19 
1955-01-07-NY-Cocktail_Party-071-1-MHG-MMO-CP-18  1955-01-07-NY-Cocktail_Party-073-1-marilyn_monroe_CP_20 
1955-01-07-NY-Cocktail_Party-073-1-MHG-MMO-CP-20  1955-01-07-NY-Cocktail_Party-074-1  1955-01-07-NY-Cocktail_Party-075-1 

- planche contact -
contact sheet   

1955-01-07-NY-Cocktail_Party-CS-1 


- photo de presse -

1955-mm_prod-1a 1955-mm_prod-1b


 dans la presse

1955_mmprod_australianmagazinecover04051955 mag_cronaca_1962_08_11_num32_cover_1 1955_times


All photos are copyright and protected by their respective owners. 
copyright text by GinieLand.

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