Enchères "Hollywood: Classic & Contemporary"
22 & 23 avril 2023
- 120 lots avec Marilyn Monroe -
- Partie 1 : Photographies
> 22/04/2023, JULIEN'S "Hollywood: Classic & Contemporary": Vente et Catalogue
Photographes époque Norma Jeane
Norma Jeane era photographers
Lot 87: MARILYN MONROE: LIMITED EDITION ANDRE DE DIENES PHOTO
A color Cibachrome print of Marilyn Monroe taken by Andre de Dienes in 1945, printed in an authorized limited edition on October 15, 2006.
The image depicts Monroe leaning on a wooden farm fence. It is numbered 12/50 and stamped by the photographer's estate and OneWest Publishing on the verso.
Monroe met de Dienes in 1945 while pursuing a modeling career under the name Norma Jean Baker, for the Blue Book Modeling Agency. He would photograph Monroe many times between 1945 and 1953. Accompanied by a Certificate of Authenticity from OneWest Publishing. 20 x 16 inches
PROVENANCE Lot 663, "Property from the Life and Career of Marilyn Monroe," Julien's Auctions, Beverly Hills, December 5, 2014
Estimate: $100 - $200 - (7 bids) - Sold Price: $325
Lot 88: MARILYN MONROE: VINTAGE 1946 JOSEPH JASGUR PHOTO
A vintage color photograph of Marilyn Monroe (then known as Norma Jean) wearing a white sweater and plaid shorts, taken by Joseph Jasgur at Zuma Beach on March 18, 1946. The verso is stamped "Silver Screen." 14 x 11 inches
Estimate: $200 - $300 - (7 bids) - Sold Price: $325
Lot 89: MARILYN MONROE: VINTAGE 1946 RICHARD C. MILLER BEACH PHOTO
A vintage color photograph of Marilyn Monroe running on the beach, taken by Richard C. Miller circa 1946. The verso is stamped "Silver Screen." 13.75 x 11 inches
Estimate: $200 - $300 - (7 bids) - Sold Price: $325
Lot 90: MARILYN MONROE: TOM KELLEY PHOTO
A black and white nude photograph of Marilyn Monroe taken by photographer Tom Kelley. The photo is from Kelley's "Red Velvet" series shot in 1949 of Monroe nude against a red velvet background that resulted in the famous "New Wrinkle" calendar in 1953.
The back of the photograph is stamped with the words reading in part "Copyright Bruno Bernard / Transworld Feature Syndicate, Inc. / 231, rue Saint-Honore / 75001 Paris (France)." The back also features a sticker that reads in part "New Eyes / Marilyn Monroe." 4.25 x 6 inches
Estimate: $800 - $1,200 - (13 bids) - Sold Price: $1,625
Lot 91: MARILYN MONROE: VINTAGE ANDRE DE DIENES PHOTO
A vintage black and white silver gelatin print of Marilyn Monroe taken by Andre de Dienes in 1949. The image is a double exposure of Monroe.
The photograph is hand printed by de Dienes on double-weight paper, numbered 1/2 and hand stamped by him on the verso.
Monroe met de Dienes in 1945 while pursuing a modeling career under the name Norma Jean Baker, for the Blue Book Modeling Agency. He would photograph Monroe many times between 1945 and 1953.
Accompanied by a Certificate of Authenticity from OneWest Publishing. 20 x 16.25 inches
PROVENANCE Lot 682, "Property from the Life and Career of Marilyn Monroe," Julien's Auctions (Sale #12514), December 5, 2014
Estimate: $500 - $700 - (9 bids) - Sold Price: $650
Lot 92: MARILYN MONROE: ANDRE DE DIENES PRINT
A vintage print of Marilyn Monroe by photographer Andre de Dienes (shot in 1950 but believed to have been printed in the early 1960s). Monroe's eyes are closed and her hands are clasped and her image is superimposed onto a celestial image. The photo has a matte finish and the verso is stamped, reading, "Photo / Andre de Dienes / 1401 Sunset Plaza Drive / Hollywood, Calif. 90069." The back has a title written in blue ink that possibly reads "Inside Love." 11 x 14 inches
Estimate: $500 - $600 - (9 bids) - Sold Price: $650
Lot 120: MARILYN MONROE: ANDRE DE DIENES PRINT
A vintage print of Marilyn Monroe by photographer Andre de Dienes (shot in the 1950s but believed to have been printed in the early 1960s). An image of Monroe with her mouth open is superimposed onto an image of clouds. The photo has a glossy finish and the verso is stamped, reading, "Photo / Andre de Dienes / 1401 Sunset Plaza Drive / Hollywood, Calif. 90069." 11 x 14 inches
Estimate: $500 - $600 - (10 bids) - Sold Price: $650
Lot 121: MARILYN MONROE: ANDRE DE DIENES PRINT
A vintage print of Marilyn Monroe by photographer Andre de Dienes (shot in the 1950s but believed to have been printed in the early 1960s). An image of Monroe smiling is superimposed onto an image of clouds. The photo has a glossy finish and the verso is stamped, reading, "Photo / Andre de Dienes / 1401 Sunset Plaza Drive / Hollywood, Calif. 90069." The back has notes written in blue ink that reads "cc 1985 /Andre de Dienes." 11 x 14 inches
Estimate: $500 - $600 - (8 bids) - Sold Price: $585
Lot 122: MARILYN MONROE: ANDRE DE DIENES PRINT
A vintage print of Marilyn Monroe by photographer Andre de Dienes (shot in the 1950s but believed to have been printed in the early 1960s). Monroe's eyes are closed and her image is superimposed onto a celestial image. The photo has a glossy finish and the verso is stamped, reading, "Photo / Andre de Dienes / 1401 Sunset Plaza Drive / Hollywood, Calif. 90069." The back has notes written in blue ink that read "1953 MM / AD / SD / 6/85" and "cc11985 /Andre de Dienes." 11 x 14 inches
Estimate: $500 - $600 - (9 bids) - Sold Price: $650
Photographies époque Marilyn
Marilyn era photographs
Lot 93: MARILYN MONROE: VINTAGE 1950 ED CLARK PHOTO TRANSPARENCY (A1)
A vintage color photographic transparency - printed later - featuring Marilyn Monroe, originally taken by Ed Clark in 1950. She was 24.
Clark is most well known as a photographer for LIFE magazine. According to Clark, a friend called him in 1950 and asked if he wanted to photograph a "hot tomato." Monroe had just had a supporting role in The Asphalt Jungle and was about to appear in All About Eve. In a 1999 interview with Digital Journalist, Clark said:
"She was almost unknown then, so I was able to spend a lot of time shooting her...We'd go out to Griffith Park [in Los Angeles] and she'd read poetry. I sent several roles to LIFE in New York, but they wired back, 'Who the hell is Marilyn Monroe?'"
The photos were not published until after she became a star.
Estimate: $300 - $500 - (11 bids) - Sold Price: $650
Lot 94: MARILYN MONROE: VINTAGE 1950 ED CLARK PHOTO TRANSPARENCY (B2)
A vintage color photographic transparency of Marilyn Monroe - printed later - originally taken by Ed Clark in 1950. She was 24.
Clark is most well known as a photographer for LIFE magazine. According to Clark, a friend called him in 1950 and asked if he wanted to photograph a "hot tomato." Monroe had just had a supporting role in The Asphalt Jungle and was about to appear in All About Eve. In a 1999 interview with Digital Journalist, Clark said:
"She was almost unknown then, so I was able to spend a lot of time shooting her...We'd go out to Griffith Park [in Los Angeles] and she'd read poetry. I sent several roles to LIFE in New York, but they wired back, 'Who the hell is Marilyn Monroe?'"
The photos were not published until after she became a star. 10 x 7.75 inches
Estimate: $300 - $500 - (12 bids) - Sold Price: $780
Lot 95: MARILYN MONROE: VINTAGE 1951 FRANK POWOLNY PHOTO TRANSPARENCY
A vintage color photographic transparency of Marilyn Monroe - printed later - originally taken by Frank Powolny in 1951. Monroe wears a Catalina bathing suit. 10 x 8 inches
Estimate: $300 - $500 - (12 bids) - Sold Price: $780
Lot 105: MARILYN MONROE: DEAN MARTIN, JERRY LEWIS PHOTO
A black and white photograph of Marilyn Monroe, Dean Martin, and Jerry Lewis that was taken by Joseph Scheer at the 1953 Redbook Awards. Monroe won Best Young Box Office Personality of 1952. The photo is matted in a black metal frame and has not been examined outside the frame. 16.25 x 16.25 x 1 inches
Estimate: $300 - $500 - (13 bids) - Sold Price: $1,040
Lot 106: MARILYN MONROE: DEAN MARTIN, JERRY LEWIS PHOTO
A black and white photograph of Marilyn Monroe, Dean Martin, and Jerry Lewis that was taken by Joseph Scheer at the 1953 Redbook Awards. Monroe won Best Young Box Office Personality of 1952. The photo is matted in a black metal frame and has not been examined outside the frame. 16.25 x 16.25 x 1 inches
Estimate: $300 - $500 - (17 bids) - Sold Price: $1,950
Lot 107: MARILYN MONROE: VINTAGE BOB BEERMAN BED PHOTO
A vintage black and white photograph of Marilyn Monroe lying in bed under a satin comforter, taken by Bob Beerman in 1953. The verso is stamped "Silver Screen." 11 x 14 inches
Estimate: $200 - $300 - (19 bids) - Sold Price: $1,950
Lot 108: MARILYN MONROE: VINTAGE OVERSIZED BOB BEERMAN BED AND CHANEL NO. 5 PHOTO
A large vintage black and white photograph of Marilyn Monroe in bed, with a bottle of Chanel No. 5 perfume visible on her night table, taken by Bob Beerman in 1953.
Monroe became associated with Chanel No. 5 when she was interviewed for her first LIFE magazine cover story in 1952. Describing the press, she said:
"You know, they ask you questions, like just an example, 'What do you wear to bed? A pajama top? The bottoms of pajamas? A nightgown? So I said Chanel No. 5, 'cause it's the truth. And yet I don't want to say 'nude,' you know. But, it's the truth."
Chanel released the audio recording of the interview for the first time in 2012 as part of an ad campaign. 19.75 x 16 inches
Estimate: $200 - $300 - (21 bids) - Sold Price: $2,925
Lot 109: MARILYN MONROE: VINTAGE 1954 NORTH KOREA PHOTO
A vintage black and white photograph of Marilyn Monroe entertaining troops in North Korea in February of 1954. 13.75 x 10.75 inches
Estimate: $200 - $300 - (14 bids) - Sold Price: $1,040
Lot 123: MARILYN MONROE: ORIGINAL SET OF APPLE PHOTO SHOOT LITHOGRAPHS
An original set of lithographs from photographer Nickolas Muray's shoot of Marilyn Monroe wearing a pink off-the-shoulder blouse and blue plaid skirt and holding a basket of apples, circa early 1950s. A black and white and one of the 7-9 layer color negatives are of the most famous from the shoot, while the other two color sets appear to be non-published alternates. Included is an original proof sheet and a while envelope that reads in part, "Job #1635 / Date October 24, 1958 / Subject M. Monroe w/ basket of apples." The photos and negatives are housed in a Kodak box with a sticker on one side that reads "Marilyn Monroe with apples." Kodak box, 10.75 x,0 12.75 x 1 inches
Estimate: $1,000 - $200 - (11 bids) - Sold Price: $1,300
Lot 129: MARILYN MONROE: VINTAGE OVERSIZED 1956 JACK CARDIFF PHOTO
A vintage oversized black and white photograph of Marilyn Monroe wearing a floral hat, taken by Jack Cardiff in 1956. 19.75 x 15.75 inches
Estimate: $200 - $300 - (15 bids) - Sold Price: $1,040
Lot 132: MARILYN MONROE: VINTAGE 1957 APRIL IN PARIS BALL PHOTO
A vintage black and white photograph of Marilyn Monroe with Winthrop W. Aldrich, former U.S. ambassador to Great Britain, at the April in Paris Ball at the Hotel Waldorf Astoria in New York City in 1957. The verso is stamped "Silver Screen." 11 x 13.75 inches
Estimate: $200 - $300 - (9 bids) - Sold Price: $455
Lot 133: MARILYN MONROE: SIGNED NOTE WITH PHOTOS
A note written in pencil by Marilyn Monroe reads: "To Bill / Warmest Regards / Marilyn Monroe / March 5, 1958," matted and framed beneath three color reproductions of photographs taken of Monroe by Milton Greene and next to two matted plaques. The plaque in center reads : Marilyn Monroe / (Norma Jeane Mortenson / 1926-1962" and the plaque on the lower right is printed with a quote attributed to Monroe that reads: "Hollywood is a place where they'll pay you a thousand dollars for a kiss and fifty cents for your soul." The three photographs across the top are from Greene's "Wicker Chair Sitting" which feature Monroe wearing an aqua-colored blouse and pants and holding a beverage in her hands while sitting in a wicker chair. The photos were taken in New York in 1954.
Frame, 32.25 x 19.5 x 1 inches; autograph, 5 x 4 inches
PROVENANCE Lot 162, "TCM Presents - A Celebration of Robert Osborne Part II (online)," Bonhams Los Angeles, June 14-28, 2018
Estimate: $2,000 - $3,000 - (25 bids) - Sold Price: $19,500
Lot 135: MARILYN MONROE: "BLACK RAINCOAT" MILTON GREENE PHOTO
A vintage gelatin silver print of Marilyn Monroe, circa 1958, wearing a black raincoat standing and leaning on an outdoor stairway that was taken by her friend and business partner, photographer Milton Greene. The verso features an artist stamp and reproduction stamp, The photo hasn't been inspected outside the black metal and wooden frame, which shows some chipping on the lower left. 17.25 x 17.25 x 2 inches
PROVENANCE Lot 67, "Marilyn Through The Lens - A Collection of Photography of Marilyn Monroe" (#3173), Julien's Auctions, March 27, 2017
Estimate: $1,000 - $2,000 - (11 bids) - Sold Price: $1,300
Lot 165: MARILYN MONROE: WITH ARTHUR MILLER VINTAGE PHOTO
A vintage black and white photograph of Marilyn Monroe and Arthur Miller, who were married from 1956 to 1961. The verso is stamped "Silver Screen." 11 x 14 inches
Estimate: $200 - $300 - (9 bids) - Sold Price: $520
Lot 194: MARILYN MONROE: ARNOLD NEWMAN ORIGINAL PHOTOS
A pair of original black and white photographs of Marilyn Monroe and Carl Sandburg that were taken in January 1962 by photographer Arnold Newman. Monroe had been an admirer of the three time Pulitzer Prize-winning poet and author and the two had become friends years earlier. Newman's photographs depict the two stretching and dancing. The verso of both photographs are stamped with Newman's copyright.
Estimate: $2,000 - $3,000 - (9 bids) - Sold Price: $1,950
Lot 195: MARILYN MONROE: MILTON GREENE ORIGINAL SIGNED LIMITED EDITION PRINT
A limited edition black, white, and silver portrait of Marilyn Monroe taken by her friend and business partner, photographer Milton H. Greene. The print is in a black metal frame beneath UV protection plexiglass. The print is numbered "236/300" in the lower left and signed by Greene in the lower right. 45.25 x 35.5 x 1 inches.
Estimate: $1,000 - $2,000 - (19 bids) - Sold Price: $3,575
Lot 196: MARILYN MONROE: VINTAGE BLACK WIG BERT STERN PHOTO
A vintage black and white photograph that was taken by Bert Stern of Marilyn Monroe wearing black pants, a white blouse, and a black wig. Stern took the photo of Monroe during a sitting at the Bel Air Hotel in June 1962. Although Monroe's wig is shaped in the style of Jacqueline Kennedy's famous hairstyle at the time, the rumor that the actress was emulating the First Lady has been disputed by many Monroe experts. 11 x 14 inches
Estimate: $300 - $500 - (5 bids) - Sold Price: $260
Films
Lot 97: MARILYN MONROE: "MONKEY BUSINESS" MOVIE BANNER
A vintage movie banner for Howard Hawks's Monkey Business (20th Century Fox, 1952) starring Marilyn Monroe, Cary Grant, and Ginger Rogers. The film is about a chemist (Grant) whose life goes crazy when one of his laboratory chimpanzees drops his fountain of youth elixir in the office water cooler. It leads him to take a new interest in his gorgeous secretary (Monroe). 4.75 x 28 inches
Estimate: $100 - $200 - (6 bids) - Sold Price: $260
Lot 98: MARILYN MONROE: VINTAGE "HOW TO MARRY A MILLIONAIRE" PUBLICITY PHOTO
A vintage color publicity photograph for How to Marry a Millionaire (20th Century Fox, 1953) featuring Marilyn Monroe reading an edition of Reference Book of Dun & Bradstreet, Inc. The verso is stamped "Silver Screen." 10.75 x 13.75 inches
Estimate: $200 - $300 - (14 bids) - Sold Price: $1,040
Lot 99: MARILYN MONROE: WITH LAUREN BACALL "HOW TO MARRY A MILLIONAIRE" VINTAGE SET PHOTO
A vintage black and white photograph of Marilyn Monroe and Lauren Bacall on the set of How to Marry a Millionaire (20th Century Fox, 1953). The verso is stamped "Silver Screen" and marked "M-19" in blue pen ink. 10.75 x 14 inches
Estimate: $200 - $300 - (15 bids) - Sold Price: $1,040
Lot 100: MARILYN MONROE: "NIAGARA" STUDIO TRANSPARENCY
A color studio transparency showing two images of Marilyn Monroe in a red dress taken during a shoot for Niagara (20th Century, 1953). 8 x 10 inches
Estimate: $700 - $900 - (13 bids) - Sold Price: $1,170
Lot 101: MARILYN MONROE: "NIAGARA" VINTAGE WARDROBE TEST PHOTO TRANSPARENCY
A vintage color photographic transparency from Marilyn Monroe's wardrobe test for Niagara (20th Century Fox, 1953).
The chalkboard next to her states "Marilyn Monroe as 'Rose'" / To Be Spotted #1 / "5/21/52 / Des-Jeakins."
Monroe plays Rose Loomis in the classic film noir. It's costumes were designed by Dorothy Jeakins. 10 x 7.75 inches
Estimate: $300 - $500 - (14 bids) - Sold Price: $1,040
Lot 102: MARILYN MONROE: "GENTLEMEN PREFER BLONDES" UK LINEN BACKED POSTER
A vintage UK linen backed poster for Howard Hawks' film musical, Gentlemen Prefer Blondes (Twentieth Century Fox, 1953) featuring Jane Russell and Marilyn Monroe in green showgirl costumes. 31.25 x 41.75 inches
Estimate: $800 - $1,200 - (9 bids) - Sold Price: $780
Lot 113: MARILYN MONROE: "RIVER OF NO RETURN" 20TH CENTURY FOX WOOD TITLE (WITH DVD)
A carved wood title created by Pacific Title for the closing credits of the film River of No Return (Twentieth Century Fox, 1954) with text that reads: "The Twentieth Century-Fox Film Corporation thanks the Canadian Government for its cooperation in the production of this motion picture." The title can be seen at the end of the film. A Western set in the Pacific Northwest in the 19th century, River of No Return was directed by Otto Preminger and starred Marilyn Monroe and Robert Mitchum. 15.25 x 42 inches
Estimate: $500 - $700 - (10 bids) - Sold Price: $350
Lot 115: MARILYN MONROE: PERSONALLY OWNED "RIVER OF NO RETURN" LOBBY CARD
A lobby card of the 1961 reissue for the film River of No Return (Twentieth Century Fox, 1954) that personally belonged to Marilyn Monroe. Monroe costarred alongside Robert Mitchum in the Otto Preminger-directed western. The one-sheet features an image from the film of Monroe and Mitchum on a raft in the river, with the latter shooting at Native Americans on a cliff. The film was shot in CinemaScope in the Canadian Rockies. 14 x 11 inches
PROVENANCE From the Archives of Marilyn Monroe's Personal Property
Estimate: $300 - $500 - (13 bids) - Sold Price: $1,040
Lot 116: MARILYN MONROE: "RIVER OF NO RETURN" VINTAGE SET PHOTO
A vintage black and white photograph of Marilyn Monroe reading a script on the set of Otto Preminger's River of No Return (20th Century Fox, 1954). The verso is stamped "Silver Screen." 10.75 x 14 inches
Estimate: $200 - $300 - (15 bids) - Sold Price: $1,170
Lot 117: MARILYN MONROE: WITH STUNT DOUBLE "RIVER OF NO RETURN" VINTAGE SET PHOTO
A vintage black and white photograph of Marilyn Monroe with her stunt double, Helen Thurston, on the set of Otto Preminger's River of No Return (20th Century Fox, 1954). The verso is stamped "Silver Screen." 10.75 x 14 inches
Estimate: $200 - $300 - (11 bids) - Sold Price: $650
Lot 119: MARILYN MONROE: PERSONALLY OWNED "THERE'S NO BUSINESS LIKE SHOW BUSINESS" LOBBY CARD
A lobby card for the film There's No Business Like Show Business (Twentieth Century Fox, 1954) that personally belonged to Marilyn Monroe. Monroe costarred alongside Ethel Merman, Mitzi Gaynor, and Donald O'Connor in the ensemble musical which featured the songs of Irving Berlin and her sensual rendition of "Heat Wave" was a highlight and created a scandal at the time. Television personality and newspaper columnist Ed Sullivan described it as "one of the most flagrant violations of good taste" he had seen. 14 x 11 inches
PROVENANCE From the Archives of Marilyn Monroe's Personal Property
Estimate: $300 - $500 - (11 bids) - Sold Price: $780
Lot 124: MARILYN MONROE: PERSONALLY OWNED "THE SEVEN YEAR ITCH" LOBBY CARD
A lobby card for the film The Seven Year Itch (Twentieth Century Fox, 1955) that personally belonged to Marilyn Monroe. Monroe costarred alongside Tom Ewell in the Billy Wilder-directed comedy, an adaptation of the hit Broadway play. The one-sheet features the image of Monroe wearing a white halter dress billowing above a subway grate, which instantly became one of the most iconic pop culture images of the 20th century and perhaps the image most closely identified with Monroe. The film was both a critical and commercial success. Please be aware the lower right corner is missing. 13 x 10 inches
PROVENANCE From the Archives of Marilyn Monroe's Personal Property
Estimate: $300 - $500 - (14 bids) - Sold Price: $1,170
Lot 125: MARILYN MONROE: "THE SEVEN YEAR ITCH" VINTAGE FLYING SKIRT PHOTO (A1)
A vintage black and white photograph of Marilyn Monroe in the iconic scene from The Seven Year Itch (20th Century Fox, 1955) in which her skirt flies up over a subway grate. The scene was shot twice, once on location in New York (open to the public), the other privately on a studio lot (since crowd noise rendered the on location takes unusable). Monroe's friend, photographer Sam Shaw, was present to shoot stills at both locations. 12 x 7.25 inches
Estimate: $200 - $300 - (18 bids) - Sold Price: $1,625
Lot 126: MARILYN MONROE: "THE SEVEN YEAR ITCH" VINTAGE FLYING SKIRT PHOTO (B2)
A vintage black and white photograph of Marilyn Monroe in the iconic scene from The Seven Year Itch (20th Century Fox, 1955) in which her skirt flies up over a subway grate. The scene was shot twice, once on location in New York (open to the public), the other privately on a studio lot (since crowd noise rendered the on location takes unusable). Monroe's friend, photographer Sam Shaw, was present to shoot stills at both locations.
The verso is stamped "PLEASE CREDIT / United Press International Photo." 14 x 11 inches
Estimate: $200 - $300 - (17 bids) - Sold Price: $1,625
Lot 139: MARILYN MONROE: "SOME LIKE IT HOT" FILM POSTER
A British quad film poster for Billy Wilder's classic comedy Some Like It Hot (United Artists, 1959) starring Marilyn Monroe, Tony Curtis, and Jack Lemmon. A snipe affixed to the poster announces that the film will be shown with the classic giant ant movie Them! (Warner Bros., 1954) for the "next staff presentation," a "special holiday double feature." The snipe's lettering is hand-colored red. Them receives the "X certificate" forbidding admission to anybody under the age of 16.
Please note: The poster exhibits several tape marks. It appears to have been folded at one time, but has been stored rolled.
40 x 30 inches; 30.25 x 2.75 x 2.75 inches (rolled)
Estimate: $800 - $1,200 - (11 bids) - Sold Price: $1,040
Lot 140: MARILYN MONROE: "SOME LIKE IT HOT" VINTAGE SET PHOTO
A vintage photograph of Marilyn Monroe sitting on the set of Billy Wilder's classic comedy Some Like It Hot (Ashton Productions, 1959), with Paula Strasberg, Monroe's acting coach. Monroe, who stars as Sugar Kane Kowalczyk in the film, sits in Joe E. Brown's director chair. Brown plays Osgood Fielding III, who takes a liking to Daphne and delivers the film's famous last line to Lemmon: "Well, nobody's perfect." The photograph is stamped "Silver Screen" on the verso. 11 x 14 inches
Estimate: $200 - $300 - (15 bids) - Sold Price: $1,170
Lot 146: MARILYN MONROE: "LET'S MAKE LOVE" CONTACT SHEET
A rare contact sheet from Marilyn Monroe's final musical Let's Make Love (Twentieth Century Fox, 1960). The photos on the sheet are black and white and Monroe is in each one, sometimes alone, other times with director George Cukor and choreographer Jack Cole. The actress went through the contact sheets herself and personally crossed out many images that didn't meet her approval, using a thick black or red ink marker. The verso on the sheet is stamped with Advertising Code Administration "Approved" and "Disapproved" with dates in green and red ink. 14 x 11 inches
PROVENANCE Partial lot 283, "TCM Presents...A Celebration of Robert Osborne," Bonhams New York, June 13, 2018
Estimate: $1,000 - $2,000 - (12 bids) - Sold Price: $1,300
Lot 147: MARILYN MONROE: "LET'S MAKE LOVE" CONTACT SHEET
A rare contact sheet from Marilyn Monroe’s final musical Let’s Make Love(Twentieth Century Fox, 1960). The photos on the sheet are black and white and Monroe is in each one, sometimes alone, other times with choreographer Jack Cole rehearing the “My Heart Belongs to Daddy” number. The actress went through the contact sheets herself and personally crossed out many images that didn’t meet her approval, using a thick black or red ink marker. The verso on the sheet is stamped with Advertising Code Administration “Approved” and “Disapproved” with dates in green and red ink. 11 x 14 inches
PROVENANCE Partial lot 283, “TCM Presents...A Celebration of Robert Osborne,” Bonhams New York, June 13, 2018
Estimate: $1,000 - $2,000
Lot 148: MARILYN MONROE: "LET'S MAKE LOVE" CONTACT SHEET
A rare contact sheet from Marilyn Monroe's final musical Let's Make Love (Twentieth Century Fox, 1960). The photos on the sheet are black and white and Monroe is in each one, seen rehearsing a scene with costar Yves Montand. The actress went through the contact sheets herself and personally crossed out many images that didn't meet her approval, using a thick black or red ink marker. 14 x 11 inches
PROVENANCE Partial lot 283, "TCM Presents...A Celebration of Robert Osborne," Bonhams New York, June 13, 2018
Estimate: $1,000 - $2,000 - (13 bids) - Sold Price: $1,625
Lot 149: MARILYN MONROE: "LET'S MAKE LOVE" CONTACT SHEET
A rare contact sheet from Marilyn Monroe's final musical Let's Make Love (Twentieth Century Fox, 1960). The photos on the sheet are black and white and Monroe is in each one, sometimes alone, other times with director George Cukor and choreographer Jack Cole. The actress went through the contact sheets herself and personally crossed out many images that didn't meet her approval, using a thick black or red ink marker. The verso on the sheet is stamped with Advertising Code Administration "Approved" and "Disapproved" with dates in green and red ink. 14 x 11 inches
PROVENANCE Partial lot 283, "TCM Presents...A Celebration of Robert Osborne," Bonhams New York, June 13, 2018
Estimate: $1,000 - $2,000 - (12 bids) - Sold Price: $1,300
Lot 150: MARILYN MONROE: "LET'S MAKE LOVE" CONTACT SHEET
A rare contact sheet from Marilyn Monroe's final musical Let's Make Love (Twentieth Century Fox, 1960). The photos on the sheet are black and white and Monroe is in each one, seen rehearsing a musical number for the film. The actress went through the contact sheets herself and personally crossed out many images that didn't meet her approval, using a thick black or red ink marker. 14 x 11 inches
PROVENANCE Partial lot 283, "TCM Presents...A Celebration of Robert Osborne," Bonhams New York, June 13, 2018
Estimate: $1,000 - $2,000 - (12 bids) - Sold Price: $1,300
Lot 151: MARILYN MONROE: "LET'S MAKE LOVE" CONTACT SHEET
A rare contact sheet from Marilyn Monroe's final musical Let's Make Love (Twentieth Century Fox, 1960). The photos on the sheet are black and white and Monroe is in each one, sometimes alone, other times with choreographer Jack Cole rehearing the musical number "My Heart Belongs to Daddy." The actress went through the contact sheets herself and personally crossed out many images that didn't meet her approval, using a thick black or red ink marker. The verso on the sheet is stamped with Advertising Code Administration "Approved" and "Disapproved" with dates in green and red ink. 14 x 11 inches
PROVENANCE Partial lot 283, "TCM Presents...A Celebration of Robert Osborne," Bonhams New York, June 13, 2018
Estimate: $1,000 - $2,000 - (12 bids) - Sold Price: $1,300
Lot 152: MARILYN MONROE: "LET'S MAKE LOVE" CONTACT SHEET
A rare contact sheet from Marilyn Monroe's final musical Let's Make Love (Twentieth Century Fox, 1960). The photos on the sheet are black and white and Monroe is in each one of these behind-the-scenes images. The actress went through the contact sheets herself and personally crossed out many images that didn't meet her approval, using a thick black or red ink marker. The verso on the sheet is stamped with Advertising Code Administration "Approved" and "Disapproved" with dates in green and red ink. 14 x 11 inches
PROVENANCE Partial lot 283, "TCM Presents...A Celebration of Robert Osborne," Bonhams New York, June 13, 2018
Estimate: $1,000 - $2,000 - (12 bids) - Sold Price: $1,625
Lot 157: MARILYN MONROE: "LET'S MAKE LOVE" CONTACT SHEET
A rare contact sheet from Marilyn Monroe's final musical Let's Make Love (Twentieth Century Fox, 1960). The photos on the sheet are black and white and Monroe is in each one. The actress went through the contact sheets herself and personally crossed out many images that didn't meet her approval, using a thick black or red ink marker. 14 x 11 inches
PROVENANCE Partial lot 283, "TCM Presents...A Celebration of Robert Osborne," Bonhams New York, June 13, 2018
Estimate: $1,000 - $2,000 - (12 bids) - Sold Price: $1,300
Lot 158: MARILYN MONROE: "LET'S MAKE LOVE" CONTACT SHEET
A rare contact sheet from Marilyn Monroe's final musical Let's Make Love (Twentieth Century Fox, 1960). The photos on the sheet are black and white and Monroe is in each one, sometimes with costar Yves Montand. The actress went through the contact sheets herself and personally crossed out many images that didn't meet her approval, using a thick red ink marker. 14 x 11 inches
PROVENANCE Partial lot 283, "TCM Presents...A Celebration of Robert Osborne," Bonhams New York, June 13, 2018
Estimate: $1,000 - $2,000 - (12 bids) - Sold Price: $1,625
Lot 159: MARILYN MONROE: "LET'S MAKE LOVE" CONTACT SHEET
A rare contact sheet from Marilyn Monroe's final musical Let's Make Love (Twentieth Century Fox, 1960). The photos on the sheet are black and white and Monroe is in each one, sometimes with costar Yves Montand. 14 x 11 inches
PROVENANCE Partial lot 283, "TCM Presents...A Celebration of Robert Osborne," Bonhams New York, June 13, 2018
Estimate: $1,000 - $2,000 - (12 bids) - Sold Price: $1,300
Lot 160: MARILYN MONROE: "LET'S MAKE LOVE" CONTACT SHEET
A rare contact sheet from Marilyn Monroe's final musical Let's Make Love (Twentieth Century Fox, 1960). The photos on the sheet are black and white and Monroe is in each one, sometimes with Yves Montand. The actress went through the contact sheets herself and personally crossed out many images that didn't meet her approval, using a thick red ink marker. 14 x 11 inches
PROVENANCE Partial lot 283, "TCM Presents...A Celebration of Robert Osborne," Bonhams New York, June 13, 2018
Estimate: $1,000 - $2,000 - (12 bids) - Sold Price: $1,300
Lot 161: MARILYN MONROE: "LET'S MAKE LOVE" CONTACT SHEET
A rare contact sheet from Marilyn Monroe's final musical Let's Make Love (Twentieth Century Fox, 1960). The photos on the sheet are black and white and Monroe is in each one, rehearsing a musical number. The actress went through the contact sheets herself and personally crossed out many images that didn't meet her approval, using a thick black or red ink marker. 14 x 11 inches
PROVENANCE Partial lot 283, "TCM Presents...A Celebration of Robert Osborne," Bonhams New York, June 13, 2018
Estimate: $1,000 - $2,000 - (11 bids) - Sold Price: $1,300
Lot 162: MARILYN MONROE: "LET'S MAKE LOVE" CONTACT SHEET
A rare contact sheet from Marilyn Monroe's final musical Let's Make Love (Twentieth Century Fox, 1960). The photos on the sheet are black and white and Monroe is in nearly each one. The actress went through the contact sheets herself and personally crossed out many images that didn't meet her approval, using a thick black or red ink marker. 14 x 11 inches
PROVENANCE Partial lot 283, "TCM Presents...A Celebration of Robert Osborne," Bonhams New York, June 13, 2018
Estimate: $1,000 - $2,000 - (11 bids) - Sold Price: $1,300
Lot 163: MARILYN MONROE: "LET'S MAKE LOVE" CONTACT SHEET
A rare contact sheet from Marilyn Monroe's final musical Let's Make Love (Twentieth Century Fox, 1960). The photos on the sheet are black and white and Monroe is in each one, rehearsing a scene with costar Yves Montand. 14 x 11 inches
Estimate: $1,000 - $2,000 - (12 bids) - Sold Price: $1,300
Lot 164: MARILYN MONROE: "LET'S MAKE LOVE" CONTACT SHEET
A rare contact sheet from Marilyn Monroe's final musical Let's Make Love (Twentieth Century Fox, 1960). The photos on the sheet are black and white and Monroe is in each one, sometimes alone, other times with director George Cukor. The photos on this sheet appear to be from a wardrobe test. The verso on the sheet is stamped with Advertising Code Administration "Approved" with date in green ink. 14 x 11 inches
PROVENANCE Partial lot 283, "TCM Presents...A Celebration of Robert Osborne," Bonhams New York, June 13, 2018
Estimate: $1,000 - $2,000 - (13 bids) - Sold Price: $1,625
Lot 172: MARILYN MONROE: "LET'S MAKE LOVE" CONTACT SHEET
A rare contact sheet from Marilyn Monroe's final musical Let's Make Love (Twentieth Century Fox, 1960). The photos on the sheet are black and white and Monroe is in each one, sometimes alone, other times with director George Cukor and choreographer Jack Cole. The actress went through the contact sheets herself and personally crossed out many images that didn't meet her approval, using a thick black ink marker. The verso on the sheet is stamped with Advertising Code Administration "Approved" with date in green ink. 14 x 11 inches
PROVENANCE Partial lot 283, "TCM Presents...A Celebration of Robert Osborne," Bonhams New York, June 13, 2018
Estimate: $1,000 - $2,000 - (13 bids) - Sold Price: $1,625
Lot 173: MARILYN MONROE: "LET'S MAKE LOVE" CONTACT SHEET
A rare contact sheet from Marilyn Monroe's final musical Let's Make Love (Twentieth Century Fox, 1960). The photos on the sheet are black and white and Monroe is in each one, sometimes alone, other times with costars Yves Montand and Frankie Vaughan. 14 x 11 inches
PROVENANCE Partial lot 283, "TCM Presents...A Celebration of Robert Osborne," Bonhams New York, June 13, 2018
Estimate: $1,000 - $2,000 - (13 bids) - Sold Price: $1,950
Lot 174: MARILYN MONROE: "LET'S MAKE LOVE" CONTACT SHEET
A rare contact sheet from Marilyn Monroe's final musical Let's Make Love (Twentieth Century Fox, 1960). The photos on the sheet are black and white and Monroe is in each one, sometimes alone, other times with costars Yves Montand and Frankie Vaughan. 14 x 11 inches
PROVENANCE Partial lot 283, "TCM Presents...A Celebration of Robert Osborne," Bonhams New York, June 13, 2018
Estimate: $1,000 - $2,000 - (12 bids) - Sold Price: $1,300
Lot 175: MARILYN MONROE: "LET'S MAKE LOVE" CONTACT SHEET
A rare contact sheet from Marilyn Monroe's final musical Let's Make Love (Twentieth Century Fox, 1960). The photos on the sheet are black and white and Monroe is in each one, seen rehearsing a musical number. The actress went through the contact sheets herself and personally crossed out many images that didn't meet her approval, using a thick black ink marker. The verso on the sheet is stamped with Advertising Code Administration "Approved" with date in green ink. 14 x 11 inches
PROVENANCE Partial lot 283, "TCM Presents...A Celebration of Robert Osborne," Bonhams New York, June 13, 2018
Estimate: $1,000 - $2,000 - (12 bids) - Sold Price: $1,300
Lot 176: MARILYN MONROE: "LET'S MAKE LOVE" CONTACT SHEET
A rare contact sheet from Marilyn Monroe's final musical Let's Make Love (Twentieth Century Fox, 1960). The photos on the sheet are black and white and Monroe is in nearly each one, sometimes alone, other times with costar Frankie Vaughan. The actress went through the contact sheets herself and personally crossed out many images that didn't meet her approval, using a thick black or red ink marker. 14 x 11 inches
PROVENANCE Partial lot 283, "TCM Presents...A Celebration of Robert Osborne," Bonhams New York, June 13, 2018
Estimate: $1,000 - $2,000 - (12 bids) - Sold Price: $1,300
Lot 177: MARILYN MONROE: "LET'S MAKE LOVE" CONTACT SHEET
A rare contact sheet from Marilyn Monroe's final musical Let's Make Love (Twentieth Century Fox, 1960). The photos on the sheet are black and white and Monroe is in nearly each one, sometimes alone, other times rehearsing with costar Yves Montand. The actress went through the contact sheets herself and personally crossed out many images that didn't meet her approval, using a thick black or red ink marker. 14 x 11 inches
PROVENANCE Partial lot 283, "TCM Presents...A Celebration of Robert Osborne," Bonhams New York, June 13, 2018
Estimate: $1,000 - $2,000 - (12 bids) - Sold Price: $1,300
Lot 178: MARILYN MONROE: "LET'S MAKE LOVE" CONTACT SHEET
A rare contact sheet from Marilyn Monroe's final musical Let's Make Love (Twentieth Century Fox, 1960). The photos on the sheet are black and white and Monroe is in each one, sometimes rehearsing a scene for the film. The actress went through the contact sheets herself and personally crossed out many images that didn't meet her approval, using a thick black or red ink marker. 14 x 11 inches
PROVENANCE Partial lot 283, "TCM Presents...A Celebration of Robert Osborne," Bonhams New York, June 13, 2018
Estimate: $1,000 - $2,000 - (12 bids) - Sold Price: $1,300
Lot 179: MARILYN MONROE: "LET'S MAKE LOVE" CONTACT SHEET
A rare contact sheet from Marilyn Monroe's final musical Let's Make Love (Twentieth Century Fox, 1960). The photos on the sheet are black and white and Monroe is in each one, sometimes rehearsing a scene for the film. The actress went through the contact sheets herself and personally crossed out many images that didn't meet her approval, using a thick black or red ink marker. 14 x 11 inches
PROVENANCE Partial lot 283, "TCM Presents...A Celebration of Robert Osborne," Bonhams New York, June 13, 2018
Estimate: $1,000 - $2,000 - (12 bids) - Sold Price: $1,625
Lot 180: MARILYN MONROE: "LET'S MAKE LOVE" CONTACT SHEET
A rare contact sheet from Marilyn Monroe's final musical Let's Make Love (Twentieth Century Fox, 1960). The photos on the sheet are black and white and Monroe is in each one, sometimes alone, other times with director George Cukor and choreographer Jack Cole. The actress went through the contact sheets herself and personally crossed out many images that didn't meet her approval, using a thick black or red ink marker. 14 x 11 inches
PROVENANCE Partial lot 283, "TCM Presents...A Celebration of Robert Osborne," Bonhams New York, June 13, 2018
Estimate: $1,000 - $2,000 - (12 bids) - Sold Price: $1,300
Lot 181: MARILYN MONROE: "LET'S MAKE LOVE" CONTACT SHEET
A rare contact sheet from Marilyn Monroe's final musical Let's Make Love (Twentieth Century Fox, 1960). The photos on the sheet are black and white and Monroe is in each one, sometimes alone, other times with costar Yves Montand. The actress went through the contact sheets herself and personally crossed out many images that didn't meet her approval, using a thick black or red ink marker. 14 x 11 inches
PROVENANCE Partial lot 283, "TCM Presents...A Celebration of Robert Osborne," Bonhams New York, June 13, 2018
Estimate: $1,000 - $2,000 - (12 bids) - Sold Price: $1,300
Lot 183: MARILYN MONROE: "THE MISFITS" CONTACT SHEET
A contact sheet of 17 images from the set of The Misfits (Seven Arts, 1961) possibly taken by Eve Arnold. The sheet contains images of Marilyn Monroe in a truck, as well as images of Clark Gable, Eli Wallach, and Montgomery Clift in the desert. Verso is marked "194." 14 x 11 inches
PROVENANCE Lot 923, "Property from the Life and Career of Marilyn Monroe," Julien's Auctions, Beverly Hills, CA, 12/6/2014.
Estimate: $100 - $200 - (16 bids) - Sold Price: $1,170
Lot 184: MARILYN MONROE: WITH ELI WALLACH "THE MISFITS" VINTAGE SET PHOTO
A vintage black and white photograph of Marilyn Monroe in a car with Eli Wallach on the set of John Huston's The Misfits (United Artists, 1961), her final film. The verso is stamped "Silver Screen" and marked "M-9" in pen ink. 11 x 14 inches
Estimate: $200 - $300 - (17 bids) - Sold Price: $1,300
Lot 185: MARILYN MONROE: WITH CLARK GABLE "THE MISFITS" VINTAGE SET PHOTO (A1)
A vintage black and white photograph of Marilyn Monroe playing paddleball on the set of John Huston's The Misfits (United Artists, 1961) while Clark Gable stands beside her. This was the last film for both actors. The verso is stamped "Silver Screen." 13.5 x 10.75 inches
Estimate: $200 - $300 - (11 bids) - Sold Price: $650
Lot 186: MARILYN MONROE: WITH CLARK GABLE "THE MISFITS" VINTAGE SET PHOTO (B2)
A vintage black and white photograph of Marilyn Monroe in a robe with Clark Gable on the set of John Huston'sThe Misfits (United Artists, 1961). This was the last film for both actors. The verso is stamped "Silver Screen." Please note: This photograph has discoloration spots on its left edge. 13.75 x 11 inches
Estimate: $200 - $300 - (12 bids) - Sold Price: $780
Lot 192: MARILYN MONROE: WITH GEORGE CUKOR "SOMETHING'S GOT TO GIVE" VINTAGE SET PHOTO
A vintage black and white photograph of Marilyn Monroe with George Cukor on the set of Something's Got to Give (20th Century Fox, 1962). The film was never completed due to various factors, including Monroe's personal problems and conflicts with the studio. The verso is stamped "Silver Screen" with a small amount of semi-legible handwriting. 11 x 14 inches
Estimate: $200 - $300 - (7 bids) - Sold Price: $325
Lot 193: MARILYN MONROE: WITH DEAN MARTIN "SOMETHING'S GOT TO GIVE" VINTAGE SET PHOTO
A vintage black and white photograph of Marilyn Monroe celebrating her birthday with Dean Martin and Wally Cox in Martin's dressing room on the set of their film, George Cukor's Something's Got to Give (20th Century Fox, 1962). The photograph was taken on June 1, 1962, Monroe's last day on set before she was fired from the project. It was never completed. The verso is stamped "Silver Screen" and marked "No # 11" in black pen ink. 11 x 14 inches
Estimate: $200 - $300 - (13 bids) - Sold Price: $910
© All images are copyright and protected by their respective owners, assignees or others.
Enchères "Photographs Signature"
22 octobre 2022
- 12 lots avec Marilyn Monroe -
> 22/10/2022, HERITAGE, "Photographs Signature": Vente
LOT #73164: Marvin Scott (American, b. 1944)
Marilyn Monroe on an Elephant (from Marilyn's Circus), 1955
Gelatin silver print, printed later / 49 x 39 inches (124.5 x 99.1 cm) (image/sheet) / Signed and editioned 1/4 in ink in the image.
This iconic image and the ones in lot 73167 were taken in March of 1955, when "America's Sex Goddess" made a guest appearance at a charity opening of the Ringling Brothers, Barnum & Bailey Circus at Madison Square Garden in New York City. In her first public appearance since her divorce from Joe DiMaggio, Monroe donned a characteristically form-fitting costume, mounted a pink elephant, and strode into the ring to roaring applause from the thousands in attendance. These rare photographs capture the magnetic beauty of a Hollywood star who continues to capture the imagination of new generations of fans, even sixty years after her death. This captivating series was shot by Marvin Scott, then only fifteen years old, an enterprising young photographer who secured entry into the event with his high school press pass. Marvin Scott is currently an Emmy Award-winning television reporter in New York City, who will never forget that evening, or Monroe's love affair with the camera.
Estimate: $7,000 - $10,000
LOT #73165: Sam Shaw (American, 1912-1999)
Marilyn Monroe, Improvisation in Central Park (for Look Magazine), 1957
Gelatin silver print / 13-1/2 x 9 inches (34.3 x 22.9 cm) (image)
14 x 11 inches (sheet) / Signed and titled in ink, mat recto. Signed in ink, verso.
Estimate: $1,500 - $2,500
LOT #73166: Sam Shaw (American, 1912-1999)
Marilyn Monroe, Amagansett, New York, 1957
Dye coupler print on Kodak paper, printed later / 10-3/4 x 13-3/4 inches (27.3 x 34.9 cm) (sight) / Signed in ink in the image.
Estimate: $1,500 - $2,500
LOT #73167: Marvin Scott (American, b. 1944)
Marilyn's Circus (8 works), 1955
Gelatin silver prints, printed later / 13-7/8 x 10-7/8 inches (35.2 x 27.6 cm) (images) / 14 x 11 inches (sheets) / Each signed in ink in the image and signed, titled, and dated in ink, verso.
These iconic images and the one in lot 73164 were taken in March of 1955, when "America's Sex Goddess" made a guest appearance at a charity opening of the Ringling Brothers, Barnum & Bailey Circus at Madison Square Garden in New York City. In her first public appearance since her divorce from Joe DiMaggio, Monroe donned a characteristically form-fitting costume, mounted a pink elephant, and strode into the ring to roaring applause from the thousands in attendance. These rare photographs capture the magnetic beauty of a Hollywood star who continues to capture the imagination of new generations of fans, even sixty years after her death. This captivating series was shot by Marvin Scott, then only fifteen years old, an enterprising young photographer who secured entry into the event with his high school press pass. Marvin Scott is currently an Emmy Award-winning television reporter in New York City, who will never forget that evening, or Monroe's love affair with the camera.
Estimate: $4,000 - $6,000
LOT #73168: Bert Stern (American, 1929-2013)
Marilyn Monroe (contact sheet from the Last Sitting), 1962
Digital pigment print, printed later / 14 x 10-5/8 inches (35.6 x 27.0 cm) (image) / 15-3/4 x 11-3/4 inches (sheet) / Signed in red crayon, lower margin recto.
Estimate: $1,500 - $2,500
LOT #73169: Philippe Halsman (American, 1906-1979)
Marilyn Monroe (cover for Life Magazine), 1952
Gelatin silver print, printed later / 12-3/4 x 9-7/8 inches (32.4 x 25.1 cm) (sight) / Editioned 107/250 in ink in photographer's estate stamp, verso.
Estimate: $2,000 - $3,000
LOT #73170: Bert Stern (American, 1929-2013)
Marilyn Monroe, "Marilyn Aroused" (from The Last Sitting), 1962
Dye coupler print on Kodak paper, printed later
18-3/4 x 19 inches (47.6 x 48.3 cm) (image)
24 x 20 inches (sheet)
Signed in ink, lower margin recto. Editioned 225/250 in ink in 'Edward Weston Graphics' stamp, verso.
Estimate: $1,500 - $2,500
LOT #73171: Bert Stern (American, 1929-2013)
Marilyn Monroe, "I Beg of You" (from The Last Sitting), 1962
Dye coupler print on Kodak paper, printed later / 19 x 19 inches (48.3 x 48.3 cm) (image) / 24 x 20 inches (sheet)
Signed in ink, lower margin recto. Editioned 225/250 in ink in 'Edward Weston Graphics' stamp, verso.
Estimate: $1,500 - $2,500
LOT #73172: Sam Shaw (American, 1912-1999)
Marilyn Monroe (The Seven Year Itch), 1954
Gelatin silver print, printed later, ferrotyped / 12-1/4 x 10-1/4 inches (31.1 x 26.0 cm) (image) / 14 x 11 inches (sheet) / Signed in ink, mat recto.
Estimate: $2,000 - $3,000
LOT #73173: Ernst Haas (American/Austrian, 1921-1986)
Marilyn Monroe, Clark Gable, and Montgomery Clift (on the set of The Misfits), 1960
Gelatin silver print, printed later / 8-3/4 x 13 inches (22.2 x 33.0 cm) (image) / 11 x 14 inches (sheet) / Photographer's studio stamp, verso.
Property from the Collection of Susan and G. Ray Hawkins, Beverly Hills, California
Estimate: $1,500 - $2,500
LOT #73174: Eve Arnold (American, 1913-2012)
Marilyn Monroe Studio Session, Hollywood, California, 1960
Gelatin silver print / 10 x 7-1/4 inches (25.4 x 18.4 cm) (image) / 10 x 8 inches (sheet)
Signed, titled, and dated in pencil, and with photographer's 'Magnum Photo' stamp, verso.
LITERATURE: E. Arnold, Marilyn Monroe: An Appreciation, Knopf, 1987, p. 132 (variant).
Estimate: $1,500 - $2,500
LOT #73175: John Florea (American, 1916-2000)
Marilyn Monroe, circa 1953
Dye coupler print on Kodak paper, printed later / 58 x 46-1/4 inches (147.3 x 117.5 cm) (sight)
Estimate: $2,000 - $3,000
LOT #73176: Sam Shaw (American, 1912-1999)
Marilyn Monroe with a Carnation, Amagansett, New York, 1957
Dye coupler print on Kodak paper, printed later / 13 x 8-3/4 inches (33.0 x 22.2 cm) (sight) / Signed in ink in the image.
Estimate: $1,500 - $2,500
© All images are copyright and protected by their respective owners, assignees or others.
Enchères "Depth of Field: Photographs"
12 octobre 2022
- 8 lots avec Marilyn Monroe -
> 12/10/2022, HERITAGE, "Depth of Field: Photographs": Vente
LOT #39008: Attributed to Eve Arnold (American, 1913-2012)
Marilyn Monroe playing paddle ball with Clark Gable and Montgomery Clift in a scene from the film, The Misfits, 1961
Gelatin silver print, ferrotyped, printed later / 9-1/2 x 6-3/8 inches (24.1 x 16.2 cm) (image) / 10 x 8 inches (sheet) / Magnum stamp, verso.
Estimate: $800 - $1,200
LOT #39012: George Barris (American, 1928-2016)
Marilyn Monroe, from The Last Photos, 1962
Dye coupler print, printed 1987 / 13-3/8 x 10-1/2 inches (34 x 26.7 cm) (image) / 14 x 11 inches (sheet) / Signed in ink, lower right, with photographer's stamps, verso.
Estimate: $600 - $800
LOT #39013: George Barris (American, 1928-2016)
Six views of Marilyn Monroe Her Car, 1962
Offset lithograph, printed later / 7 x 9 inches (17.8 x 22.9 cm) (image, each) / 18-3/4 x 29 inches (sight) / Signed in ink, lower margin recto.
Estimate: $1,000 - $2,000
LOT #39083: Tom Kelley (American, 1914-1984)
Pose #6, from Red Velvet, 1946
Digital pigment print, printed later on Satin Aurora Gallery Archival paper / 22 x 17 inches (55.9 x 43.2 cm) (sheet) / 20 x 16 inches (image) / Signed by Tom Kelley Jr. and editioned 37/70 in silver ink, lower image recto.
Lot is accompanied by a Certificate of Authentication.
Estimate: $1,200 - $1,800.
LOT #39084: Tom Kelley (American, 1914-1984)
Pose #7, from Red Velvet, 1949
Digital pigment print, printed later on Satin Aurora Gallery Archival paper / 22 x 17 inches (55.9 x 43.2 cm) (sheet) / 20 x 16 inches (image) / Signed by Tom Kelley Jr. and editioned 19/70 in silver ink, lower image recto. /
Lot is accompanied by a Certificate of Authentication.
Estimate: $1,500 - $2,500
LOT #39124: Arnold Newman (American, 1918-2006)
Marilyn Monroe and Carl Sandburg, 1962
Gelatin silver print / 5-1/8 x 7-1/2 inches (13.0 x 19.1 cm) (image)
14 x 11 inches (sheet) / Signed in pencil, lower margin recto. Photographer's stamp, verso.
Estimate: $800 - $1,200
LOT #39188: Frank Worth (American, 1923-2000)
Marilyn Monroe Poolside, Los Angeles, 1955
Gelatin silver print, printed later / 12-3/4 x 10 inches (32.4 x 25.4 cm) (image) / 14 x 11 inches (sheet) / Editioned 3/6 in ink, verso, with photographer's estate blindstamp, lower margin recto.
Estimate: $800 - $1,200
LOT #39191: Frank Worth (American, 1923-2000)
Marilyn Monroe, 1955
Digital pigment print, printed later / 15 x 11 inches (38.1 x 27.9 cm) (image) / 16 x 12 inches (sheet) / Editioned 7/12 in ink, verso, with photographer's estate blindstamp, lower right
Estimate: $800 - $1,200
© All images are copyright and protected by their respective owners, assignees or others.
Jeudi 04 août 2022 - dès 20h50 - TCM CINEMA
Disponible sur le replay de la chaîne
Pour les 60 ans de la disparition de Marilyn Monroe (décédée le 04 août 1962), la chaîne TCM Cinéma célèbre cette icône avec une programmation entière qui lui est consacrée la nuit du 04 au 05 août 2022. La soirée spéciale débutera à 20h50 avec «Certains l’aiment chaud», un monument de la comédie signé Billy Wilder dans lequel Marilyn partage l'affiche avec le duo Jack Lemmon / Tony Curtis. La programmation se poursuivra à 22h50 avec «Le Prince et la danseuse», de Laurence Olivier puis à 00h50 avec «Les Desaxés», réalisé par John Huston, le film met également en scène Eli Wallach, Clark Gable et Montgomery Clift. Adapté d’une nouvelle d’Arthur Miller, ce drame est le dernier long-métrage des deux derniers acteurs cités, un point commun qu’ils partagent avec la tête d’affiche féminine du projet. La soirée se conclura à 02h50 avec «Quand la ville dort», un autre film de John Huston.
20h50 - Certains l'aiment Chaud
22h50 - Le Prince et la Danseuse
00h50 - Les Désaxés
02h50 - Quand la ville dort
© All images are copyright and protected by their respective owners, assignees or others.
Enchères "Hollywood Legends"
16 juillet 2022
- 115 lots avec Marilyn Monroe -
Partie 1: Photos, Films, Effets personnels & Merchandising
Part 1: Photos, Films, Personal Effects & Merchandising
> 16/07/2022, Julien's, "Hollywood Legends": Catalogue
Photos
Lot 0924: JOSEPH JASGUR PHOTOGRAPH
A black and white image of Marilyn Monroe taken by Joseph Jasgur in 1946, printed later with Jasgur's approval. Monroe is posed smiling with hand on hip beside a tripod. 14 x 11 inches
Estimate: $200 - $400 / Sold: -
Lot 0925: LASZLO WILLINGER SIGNED LIMITED-EDITION PHOTOGRAPH
A limited edition black and white 1990 print of a photograph of Marilyn Monroe taken by Laszlo Willinger in the 1940's with the verso signed by Willinger in black marker. Numbered 17/50 in pencil. 20 x 16 inches
Estimate: $300 - $500 / Sold: -
Lot 0927: MILTON GREENE CONTACT SHEET
A vintage black and white partial contact sheet featuring candid and posed images of Marilyn Monroe and Milton Greene. The sheet, which consists of two partial contact sheets stapled together, contains 17 images of Monroe. 4.5 x 10 inches
PROVENANCE Lot 890, Property From The Life and Career of Marilyn Monroe, Juliens Auctions, Los Angeles, November 17-19, 2016
Estimate: $200 - $300 / Sold: -
Lot 0930: BERT STERN COLOR PHOTOGRAPH PRINT
A color high-gloss photograph print of Marilyn Monroe taken by photographer Bert Stern, printed circa the 1980's.
16 x 20 inches
Estimate: $200 - $300 / Sold: -
Lot 0931: GEORGE BARRIS "LAST PHOTO SHOOT" PHOTOGRAPHS
A group of five black and white photographs of Marilyn Monroe from a series taken by photographer George Barris. These are among the last images captured of Monroe before she died in August 1962.
14.5 x 12 inches (overall).
Estimate: $500 - $700 / Sold:
Lot 0932: GEORGE BARRIS SIGNED PHOTOGRAPH
A framed color photograph of Marilyn Monroe taken as part of the Marilyn Monroe Weston Editions Ltd. by photographer George Barris, signed by the photographer in black ink.
35.5 x 23.25 inches
Estimate: $1,000 - $2,000 / Sold: -
Lot 0933: GEORGE BARRIS SIGNED PHOTOGRAPH
A framed color photograph of Marilyn Monroe taken as part of the Marilyn Monroe Weston Editions Ltd. by photographer George Barris, signed by the photographer in black ink.
35.5 x 23.25 inches
Estimate: $1,000 - $2,000 / Sold: -
Films
Lot 0521: "GENTLEMEN PREFER BLONDES" PHOTO-SHOOT RENTED BRACELET
A gold-plated sterling silver bracelet, designed by Joseff of Hollywood. The bracelet is composed of series of rectangular wirework links of foliate design, enhanced by brilliant-cut simulated diamonds, joined by fluted triangular shaped links with hinged locking clasp and safety chain, and mounted in gold plated sterling silver.
The bracelet was among a set rented for Marilyn Monroe in a series of Fox publicity photos shot by staff photographer Frank Powolny, used to promote the film Gentlemen Prefer Blondes (Twentieth Century Fox, 1953). The bracelet was ultimately not photographed, but the photoshoot produced legendary images of Monroe wearing the racy gold pleated gown designed by Travilla for Gentlemen Prefer Blondes. Although the gown was deemed to be too revealing because of its plunging neckline and was cut from the film, Monroe liked it and insisted on wearing it to the 1953 Photoplay Awards ceremony. She also wore it during this photoshoot, together with the rest of the jewelry set, producing some of the most iconic images of Monroe ever captured.
Length, 6.75 inches
PROVENANCE From The Joseff Archives
Estimate: $30,000 - $50,000 / Sold: -
Lot 0958: MARILYN MONROE: "HOW TO MARRY A MILLIONAIRE" PHOTO-SHOOT WORN EARRINGS (WITH MAGAZINE)
A pair of gold-tone floral basket pendant ear clips with faceted crystal beads, worn by Marilyn Monroe in promotional photos for How To Marry A Millionaire (Twentieth Century Fox, 1953). By Napier, no. MMF889. Each clip back earring is designed as a gold-tone flower basket, with wirework detail and sculpted flowers enhanced by faceted crystal beads, and suspended by a gold-tone floret centering a faceted crystal bead.
In the glamorous 20th Century Fox 1953 promotional photo shoot, Monroe posed in the earrings wearing a burgundy satin evening gown designed by William Travilla.
This set is one of two sets made for the photo shoot. Joan Castle had rented two pairs of earrings and other pieces including an engagement ring. One pair never made it back and the other was slightly damaged. This set was the former, which Marilyn had purportedly taken from the set as she was seen wearing them after the film wrapped.
Accompanied by a notarized letter of provenance from the husband of actress Carmen Miranda, as well as a vintage copy of Movieland magazine featuring Monroe on the cover wearing the earrings.
Length, 3.75 inches
Estimate: $60,000 - $80,000 / Sold: -
Lot 0971: MARILYN MONROE AND JANE RUSSELL: "GENTLEMEN PREFER BLONDES" PHOTO-SHOOT AND FILM WORN COSTUMES (WITH PHOTOS)
A pair of sequin embellished costumes screen-worn by Marilyn Monroe and Jane Russell in the classic film Gentlemen Prefer Blondes (Twentieth Century Fox, 1953).
The first costume is a black sequined dance leotard worn by Marilyn Monroe as Lorelei. The costume consists of a black satin boned leotard embellished with black sequins in a vermicelli pattern and rhinestone trim with dangling teardrop rhinestones and a matching black sequin covered bicorne hat. The leotard has a bias label inscribed "1-25-1-4288 Marilyn Monroe A698-69." The hat has a bias label inscribed "1-25-1-4288 M. Monroe A698-69."
The second costume is a black sequined dance leotard worn by Jane Russell as Dorothy Shaw. The costume consists of a black satin boned leotard embellished with jet-like sequins in a vermicelli pattern and rhinestone trim and a matching sequin bicorne hat. Costume design by Academy Award winner, William "Billy" Travilla.
Monroe and costar Jane Russell wear these costumes during the scene in which the duo are forced to find work as showgirls in Paris, headlining the "Les Chanteuses Americaines," as well as in the official trailer and in several publicity images.
Professional museum restoration and conservation that includes application of missing sequins, replacement of a velvet panel that was not original to the Jane Russell costume but was created by the studio for use in other productions, and the creation and placement of fabric flowers has been performed on these costumes by The Museo de la Moda in Santiago, Chile.
Accompanied by: an original print photograph with glossy finish, depicting Marilyn Monroe with co-star Jane Russell in an image from their classic film Gentlemen Prefer Blondes with a press-snipe glued to the verso, credit stamps, and a red date stamp for "May 4 1953"; an original vintage print photograph of Marilyn and Jane from the film holding top hats from the National Film Archive London; and a National Screen Service Corp. press release photo of Marilyn and Jane depicted from the film; each 8 x 10 inches.
Estimate: $80,000 - $120,000 / Sold: -
Lot 0987: "THERE'S NO BUSINESS LIKE SHOW BUSINESS" FILM-WORN ENSEMBLE (WITH BOOK AND PHOTOS)
A figure-hugging embellished gown worn by Marilyn Monroe while singing "After You Get What You Want You Don't Want It" in the musical There's No Business Like Show Business (Twentieth Century Fox, 1954).
The flesh tone crepe gown has a netting overlay and is generously embellished with silver and pearlized bugle beads in a starburst and foliate motif, scattered rhinestones, bouquets of bugle beads top with sequins and seed beads, with a cluster of monofilament fiber with silver and glittering flowers to the waist-high left leg slit. A sheer pleated vanity panel is present to the slit and was added post production for alternate filming and publicity images for release in countries that forbade such a revealing costume. Hand finishing work and a couture waistband are present to the interior. A 20th Century label with no inscription and a bias label inscribed "1-25-1-4692 M. Monroe A-729-28" are present. Costume design by William "Billy" Travilla.
Also included is a matching headpiece of silver and glitter flowers, accented with a spray of monofilament fibers with a bias label inscribed "1-25-4-4692 A729-29 M.Monroe," and a pair of strappy satin Pacelle Saks Fifth Avenue high heels that are not original to the costume.
Accompanied by a coffee table book titled The Marilyn Album (Gallery Books, 1991) by Nicki Giles, which features photographs of Monroe wearing the ensemble. Also accompanied by an original vintage press photo of Marilyn in the film and a 20th Century Fox press release photo of Marilyn from a scene in the film; each 8 x 10 inches.
Estimate: $80,000 - $100,000 / Sold: -
Lot 0988: "THERE'S NO BUSINESS LIKE SHOW BUSINESS" LOBBY CARD
A #6 lobby card from the Marilyn Monroe film There's No Business Like Show Business (20th Century Fox, 1954).
11 x 14 inches
Estimate: $25 - $50 / Sold: -
Lot 0989: "THERE'S NO BUSINESS LIKE SHOW BUSINESS" 3D SLIDES
A pair of three-dimensional stereo viewer slides of Marilyn Monroe as Vicky Parker in There's No Business Like Show Business (20th Century Fox, 1954). The stereo three-dimensional slides come from the collection of Ad Schaumer, an Assistant Director active in Hollywood between 1928 and 1966.
1.75 x 4 inches (each)
PROVENANCE Lot 859, Property From The Life and Career of Marilyn Monroe, Juliens Auctions, Los Angeles, November 17-19, 2016
Estimate: $200 - $300 / Sold: -
Lot 1006: BUS STOP" HANDWRITTEN NOTE
A note containing dialogue from Marilyn Monroe's classic film Bus Stop (20th Century Fox, 1956), with red ink stains and acting notes handwritten in pencil by Marilyn Monroe. Monroe's character, Cherie, asks Elma for help: "Pardon me I'm sorry to wake you/But I wonder if you could help/me/I'm being abducted/you know-kidnapped-by-him/I thought maybe as soon as/we got some place I'd ask the/driver to stop and let me off/But we been driving for hours, and we still don't seem to be, nowhere at all-not only that/but I'm freezing to death-I/ain't got much on under/my coat."
This note is reproduced in the book Fragments: Poems, Intimate Notes, Letters by Marilyn Monroe. Edited by Stanley Buchthel and Bernard Comment. (Farrar, Straus and Giroux, New York, 2010).
11 x 8.5 inches
PROVENANCE Lot 193, Property From The Life and Career of Marilyn Monroe, Juliens Auctions, Los Angeles, November 17-19, 2016
Estimate: $2,000 - $3,000 / Sold: -
Lot 1007: "BUS STOP" LOBBY CARD GROUP WITH EILEEN HECKART SIGNED CARD (x 18)
A group of 18 Lobby cards from the film Bus Stop (20th Century Fox, 1956), starring Marilyn Monroe, one of which is signed in faded red marker by Monroe's co-star, Eileen Heckart. 8 x 10 inches (largest)
PROVENANCE Lot 736, Property From The Life and Career of Marilyn Monroe, Juliens Auctions, Los Angeles, November 17-19, 2016
Estimate: $200 - $300 / Sold: -
Lot 1008: 1956 PORTRAIT BODICE (WITH DVD)
A 19th Century-style bodice worn by Marilyn Monroe in a 1956 Jack Cardiff photo session. Monroe wore this bodice during a private photo session in which she was depicted with different hats as she purportedly reminded him of works by the great French painter, Renoir, with the series of photographs referred to as "Renoir Girl".
The boned faille bodice is embellished with ivory lace, black silk velvet, and jet-like foliate buttons. Also includes a piece of the original missing button.
Includes a DVD copy of Cameraman: The Life and Work of Jack Cardiff (Modus Operandi Films, 2010).
PROVENANCE Lot 93, Film and Entertainment, Christies, South Kensington, Sale number 9538, December 17, 2002
Estimate: $20,000 - $30,000 / Sold: -
Lot 1009: "THE FIREBALL" STUDIO EVENING GOWN (WITH DVD AND BOOK)
A black velvet studio evening gown from the Marilyn Monroe production The Fireball (1950, Bert E. Friedlob Productions), with a bias label inscribed "M. Monroe 1 27 3 0396." The floor-length gown features a plunging neckline front zipper and tie, as well as three hook and eye closures. Also included is a matching black velvet belt and a loose shoulder pad.
Monroe has a very small role in the film, which premiered in Los Angeles on October 7, 1950, less than a week before her watershed performance in All About Eve (20th Century Fox, 1950) premiered in New York. She plays Polly, one of several women vying for the attention of roller-skating champion Johnny Casar (Mickey Rooney). As usual, she stands out as a vixen who loves him only for his fame and success.
The gown is seen worn in a publicity photo used to promote the film and also possibly worn in an early photo session with photographer, Ed Clark (photos available upon request).
Includes a DVD of the film and an edition of the book Monroe: Her Life in Pictures by James Spada (New York: Doubleday, 1982).
PROVENANCE Lot 225, Collectors Carrousel, Including Dolls, Toys, Slot Machines, Hollywood and Rock N Roll Memorabilia, Sothebys New York, Sale number 6384, December 17, 1992
Estimate: $20,000 - $30,000 / Sold: -
Lot 1010: "SOME LIKE IT HOT" PROMOTIONAL EPHEMERA ( x 16)
A collection of promotional items for the classic Marilyn Monroe comedy Some Like It Hot (Ashton Productions, 1959) starring Monroe, Jack Lemmon, and Tony Curtis. Included is a collection of twelve photographs of Monroe taken by photographer Richard Avedon (in original paper sleeve), two Art studies scrapbook pages, a page from the United Artists Pressbook, and a red postcard.
12.25 x 12.25 inches (largest)
Estimate: $500 - $700 / Sold: -
Lot 1011: "SOME LIKE IT HOT" AND "MARILYN" PERSONALLY OWNED RECORD ALUMS (x 2)
Two record albums, personally owned by Marilyn Monroe: Some Like It Hot: Original Music from the Motion Picture Soundtrack (United Artists Records, 1959) and Marilyn (20th Fox Records, 1962).
12.25 x 12.25 inches
PROVENANCE From the Estate of Marilyn Monroe
Estimate: $1,000 - $2,000 / Sold: -
Lot 1012: "LET'S MAKE LOVE" FILM-WORN BLOUSE (WITH DVD)
A custom-made pale pink silk blouse worn by Marilyn Monroe as "Amanda Dell" in Let's Make Love (Twentieth Century Fox, 1960). The fitted blouse is tailored with simulated pearl buttons and hand finishing work to the interior. A Twentieth Century Fox label with no inscription is present.
Monroe as Amanda can be seen wearing the blouse while rehearsing the musical number "Incurably Romantic" with Jean-Marc Clement (played by Yves Montand). After a rehearsed stage kiss, Amanda realizes she is falling in love with her co-star.
Includes a DVD of the film.
PROVENANCE Lot 238, Film and Entertainment, Christies, South Kensington, Sale number EPH 3127, December 16, 1988
Estimate: $20,000 - $30,000 / Sold: -
Lot 1013: "THE MISFITS" EVE ARNOLD PHOTOGRAPH
A large color photograph print of Marilyn Monroe on the set of The Misfits (Seven Arts Productions, 1961) taken by photographer Eve Arnold in 1960.
21.5 x 18.5 inches
Estimate: $600 - $800 / Sold: -
Lot 1014: "THE MISFITS" RECEIVED TELEGRAM AND PERSONAL PRESS CLIPPINGS (x 8)
From the Personal Files of Marilyn Monroe: A Western Union telegram dated January 12, 1961, from "Nan" who praised Marilyn on her performance in The Misfits (Seven Arts Productions, 1961). The message reads, "Your Roslyn is a gift of Joy and Light and 'The still sad music of Humanity.' Love, Nan." Also included in this lot, eight press clippings from various newspapers across the United States with stories about Marilyn's latest film, The Misfits, from her personal files.
PROVENANCE: From the Archives of Marilyn Monroes Personal Property
Estimate: $150 - $250 / Sold: -
Effets personnels / Personal Effects
Lot 0955: BRENTWOOD HOUSE BATHROOM TILE
A small ceramic flower bathroom tile from the Brentwood, CA house in which Marilyn Monroe died in August 1962.
5.5 x 1.75 inches
PROVENANCE From The Collection of Lynda Nunez
Estimate: $1,000 - $2,000 / Sold: -
Lot 0956: SET OF ROSENTHAL "DONATELLO" PATTERN COFFEE CUPS AND SAUCERS
A set of five Rosenthal "Donatello" pattern cream colored coffee cups and six saucers with gilt rims. These belonged to Marilyn Monroe and passed into the collection of Lee Strasberg, her acting coach and executor of her estate.
2.25 inches
PROVENANCE From the Estate of Lee Strasberg
Estimate: $1,000 - $2,000 / Sold: -
Lot 0957: MARILYN MONROE: BEIGE DAL CO. SHOES
A pair of beige heels by Dal Co., worn by Marilyn Monroe. The heels exhibit no-slip heel inserts, worn heels and soles, and very scuffed toes and sides. The shoes are stamped both "38" and "15."
PROVENANCE Lot 399, Marilyn Monroe: Property From the Estate of Lee Strasberg, Juliens Auctions, November 17-20, 2016
Estimate: $6,000 - $8,000 / Sold: -
Lot 0999: 1950S-1960S PERSONALLY OWNED PRESS CLIPPINGS (x 35)
A collection of global press articles and newspaper clippings from various years all related to Marilyn Monroe; the articles feature headlines and stories about the star's personal life and career, and many are circled or annotated in colored wax pencil or pen; like most stars of the era, Monroe paid a 'clipping service' to scour national and international publications that wrote about her; lot includes approximately 35 clippings. Various Sizes
PROVENANCE: From the Archives of Marilyn Monroes Personal Property
Estimate: $300 - $500 / Sold: -
Lot 1000: 1950S-1960S PERSONALLY OWNED PRESS CLIPPINGS (x 45)
A collection of global press articles and newspaper clippings from various years all related to our gal; the articles feature headlines and stories about the star's personal life and career, and many are circled or annotated in colored wax pencil or pen; l ike most stars of the era, Monroe paid a 'clipping service' to scour national and international publications that wrote about her; lot includes approximately 45 clippings, along with Marilyn's personal copy of LIFE magazine dated August 15, 1960. Various Sizes
PROVENANCE: From the Archives of Marilyn Monroes Personal Property
Estimate: $300 - $500 / Sold: -
Lot 1001: 1950S-1960S PERSONALLY OWNED PRESS CLIPPINGS (x 45)
A collection of global press articles and newspaper clippings from various years all related to our gal; the articles feature headlines and stories about the star's personal life and career, and many are circled or annotated in colored wax pencil or pen; like most stars of the era, Monroe paid a 'clipping service' to scour national and international publications that wrote about her; lot includes approximately 45 clippings along with Marilyn's personal copy of McCall's magazine dated April 1960.
Various Sizes
PROVENANCE: From the Archives of Marilyn Monroes Personal Property
Estimate: $300 - $500 / Sold: -
Lot 1002: 1950S-1960S PERSONALLY OWNED PRESS CLIPPINGS (x 65)
A collection of global press articles and newspaper clippings from various years all related to our gal; the articles feature headlines and stories about the star's personal life and career, and many are circled or annotated in colored wax pencil or pen; like most stars of the era, Monroe paid a 'clipping service' to scour national and international publications that wrote about her; lot includes approximately 45 clippings along with Marilyn's personal copy of The American Weekly magazine from May 10, 1959.
Various Sizes
PROVENANCE: From the Archives of Marilyn Monroes Personal Property
Estimate: $300 - $500 / Sold: -
Lot 1003: 1950S-1960S PERSONALLY OWNED PRESS CLIPPINGS (x 65)
A collection of global press articles and newspaper clippings from various years all related to our gal; the articles feature headlines and stories about the star's personal life and career, and many are circled or annotated in colored wax pencil or pen; like most stars of the era, Monroe paid a 'clipping service' to scour national and international publications that wrote about her; lot includes approximately 65 clippings, along with Marilyn's own copy of a McCall's magazine dated May 1953 which has a handwritten message to her penned in blue ballpoint ink on the cover reading "Pg 28 - The story I told you about."
Various Sizes
PROVENANCE: From the Archives of Marilyn Monroes Personal Property
Estimate: $300 - $500 / Sold: -
Merchandising & Hommages / Tributes
Lot 0923: MARILYN MONROE AFTER ANDY WARHOL SUNDAY B. MORNING PRINTS PORTFOLIO (x 10)
A portfolio of 10 Sunday B. Morning prints of Andy Warhol's art featuring Marilyn Monroe. The verso of each print features an embossed stamp certifying that it was published by Morning.
Accompanied by 10 Certificates of Authenticities from Sunday B. Morning.
36.25 x 36.25 inches (each)
Estimate: $2,000 - $3,000 / Sold: -
Lot 0926: MARILYN MONROE AND OTHERS UNCUT ARCADE CARD SHEET
An uncut arcade card sheet of Marilyn Monroe, Charlotte Austin, Debra Paget, Midge Ware, and other models from the 1930's-1950's.
22.75 x 28.75 inches
Estimate: $500 - $700 / Sold: -
Lot 0928: MARILYN MONROE: DOUGLAS KIRKLAND POSTER PRINT
A 1987 poster print of Marilyn Monroe taken by photographer Douglas Kirkland in 1961. The poster is rolled.
28 x 20 inches
Estimate: $100 - $200 / Sold:
Lot 0929: MARILYN MONROE: DOUGLAS KIRKLAND POSTER PRINT
A 1986 poster print of Marilyn Monroe taken by photographer Douglas Kirkland in 1961. The poster is rolled.
23 x 35 inches
Estimate: $100 - $200 / Sold:
Lot 1022: 1990-1992 WALL CALENDARS BY ATHENA INTERNATIONAL, LTD.
A group of 22; all oversized with a spiral-bound top margin; one is from 1990; eight are from 1991; 13 are from 1992; these old calendars with their high-gloss images are great for art projects like decoupage!
The 1991 and 1992 calendars feature images of the star that were shot by Ed Feingersh in New York City for an article that appeared in the July 1955 issue of Redbook magazine. These images were then lost for 33 years until they were rediscovered in 1988, making the cover story of the February 1988 issue of L.A. Style under the tagline: "Marilyn: Lost Images." There was also a 1988 exhibit of these images at the G. Ray Hawkins gallery in Los Angeles, CA.
16 x 12 inches
Estimate: $25 - $50 / Sold: -
Lot 1023: 1990-2006 UNUSED WALL CALENDARS
A group of 17; ranging in date from 1990 to 2006, most still sealed, issued by various companies throughout the decades, featuring a range of, of course, stunning images of the star; these old calendars are good for art projects like decoupage - that's what I use them for, anyway.
Largest, 12 x 12 inches
Estimate: $25 - $50 / Sold: -
Lot 1024: 1990S "PRINT PORTFOLIOS"
A group of three; the first issued by Pyramid Books is titled "Marilyn Monroe: The Classic Poster Book" and features 5 separate color images of the star (the 'blue Capri pants' image is now missing); the second issued by Pomegranate Publications in 1990 is titled "Marilyn Monroe: Print Portfolio" and features 8 separate color images of the star (these are actually very pretty 'colorized' ones); the third issued by Classico San Francisco, Inc. is titled "Marilyn Monroe by Sam Shaw" and features 6 separate color images of the star all shot by her good friend, Sam Shaw.
Largest, 17 x 12 inches
Estimate: $25 - $50 / Sold: -
Lot 1025: 1990S "VINTAGE INSPIRED" TIN ADVERTISING SIGNS
A set of two both featuring beautiful images of the star from different stages of her career; one is for "Lustre-Creme Shampoo" with a vivid blue background, handwritten production information is penned in black felt-tip ink in the lower left corner; one is for "Tru-Glo Liquid Make-Up" with a tomato red background, text in the lower left corner reads "TM & © 1994 The Estate of Marilyn Monroe."
12 x 16 inchess
Estimate: $25 - $50 / Sold: -
Lot 1026: 1990S RANDOM FLAT COLLECTIBLES
A group of eight pieces all featuring images of Marilyn on them including: 1) a still-sealed tabletop standee with no year indicated; 2) a still-sealed pack of gift wrap paper from 1988; 3) a pack of Hallmark invitations from 1984; 4) another identical pack of invitations from 1984; 5) a checkbook cover from 1988; 6) a different checkbook cover from 1988; 7) a checkbook cover with no year indicated; and 8) a lapel button with no year indicated.
Largest, 19.5 x 7 inches.
Estimate: $25 - $50 / Sold: -
Lot 1027: 1990S T-SHIRTS
A group of seven; all cotton, still new and never worn; including two identical 'men's cut' pink ones, size L; one 'women's cut' pink one, size L; two identical 'men's cut' black ones, size L; one 'women's cut' black one, size L; and one 'women's cut' black one, size S.
Estimate: $25 - $50 / Sold: -
Lot 1028: 1992 COLLECTION OF IDENTICAL SMALL POSTERS RELEASED BY THE ESTATE OF MARILYN MONROE
A group of 18 identical posters all featuring a stunning black and white image of our gal with her red facsimile signature below and additional text noting in part that "The Estate of Marilyn Monroe" and the "Estate of Lee Strasberg" released these in 1992; also, a teeny tiny image of a self-portrait MM did randomly appears in the lower right corner - weird.
14 x 10.5 inches
Estimate: $25 - $50 / Sold: -
Lot 1029: 1995 COLLECTIBLES RELATED TO HER USPS STAMP
A group of two items that were officially released to commemorate the 32-cent stamp of the star that the United States Postal Service issued in 1995 including: an enlarged version of the stamp printed on tin, and a weighty pewter belt buckle; both note the date of "1995" and that they're sanctioned by the "United States Postal Service" and "The Estate of Marilyn Monroe."
Largest, 16.5 x 10.5 inches
Estimate: $25 - $50 / Sold: -
Lot 1030: 1995 COLLECTIBLES RELATED TO HER USPS STAMP
A group of three items that were officially released to commemorate the 32-cent stamp of the star that the United States Postal Service issued in 1995 including: an enlarged version of the stamp printed on tin, a weighty pewter belt buckle, and a ceramic mug; all note the date of "1995" and that they're sanctioned by the "United States Postal Service" and "The Estate of Marilyn Monroe."
Largest, 16.5 x 10.5 inches
Estimate: $50 - $75 / Sold: -
Lot 1031: 1998 LIMITED EDITION COLLECTOR'S PLATE BY THE BRADFORD EXCHANGE
A brass wall hanging with a raised image depicting a larger version of the 32-cent stamp the United States Postal Service issued of Marilyn Monroe in 1995; back has a sticker reading in part "The Estate of Marilyn Monroe / and United States Postal Service."
12 x 8 x .5 inches
Estimate: $50 - $100 / Sold: -
Lot 1032: 1998 LIMITED EDITION COLLECTOR'S PLATE BY THE BRADFORD EXCHANGE
A piece made of ceramic; depicting an alluring color image of the star shot by Milton H. Greene with her facsimile signature printed on the lower right side; verso displays the date of "1998" plus other relevant information; included with a COA noting this is a "limited edition" titled "Satin and Lace."
Diameter, 8 inches
Estimate: $25 - $50 / Sold: -
Lot 1033: 2010 LIMITED EDITION COLLECTIBLE WINE GLASSES BY THE BRADFORD EXCHANGE
A group of four white wine glasses; featuring two different black and white images of the star on the front, all with black-painted stems; included with two COAs noting these are called "Blonde Perfection" and that they're from a "Limited Edition" of the "Marilyn Monroe Signature Wine Glass Collection."
Estimate: $25 - $50 / Sold: -
Lot 1034: 1998 SMALL MUSICAL STATUETTE BY THE FRANKLIN MINT
A piece made of hard resin with the star's facsimile signature on the bottom front; featuring a tiny 3D Marilyn inside a glass dome. She wears a costume from Some Like It Hot (Ashton Productions, 1959). A button on the bottom activates a recording of her singing "I Wanna Be Loved By You.".
Estimate: $25 - $50 / Sold: -
Lot 1369: HUGH HEFNER: SIGNED FIRST-ISSUE "MARILYN MONROE" "PLAYBOY" MAGAZINE
A December 1953 "Volume I, Number I" issue of Playboy magazine featuring a black and white image of Marilyn Monroe on the cover as well as a three-page spread depicting her nude on pages 17-19, signed in black marker on the cover by magazine founder Hugh Hefner.
Accompanied by a Letter of Authenticity from JSA.
Estimate: $10,000 - $20,000 / Sold: -
Lot 1494: WILLEM DAFOE: SUPER BOWL COMMERCIAL-WORN "THE SEVEN YEAR ITCH" MARILYN MONROE STYLE DRESS
Dafoe wore the gown in a 2016 Snickers brand Super Bowl commercial, in which he plays a hungry version of Marilyn Monroe on the set of The Seven Year Itch filming the subway grate scene. William Travilla designed the original white halter dress with sunburst pleated skirt that Monroe wore.
Estimate: $2,000 - $3,000 / Sold: -
© All images are copyright and protected by their respective owners, assignees or others.
Enchères "Marilyn Monroe 96th Birthday Celebration"
01er juin 2022
- 190 lots avec Marilyn Monroe -
> 01/06/2022, JULIEN'S, "Marilyn Monroe 96th Birthday Celebration": Vente
Documents papiers
Lot 60: MARILYN MONROE 1955-1957 ODD SCRAPBOOK COMPILED BY HER HAIRDRESSER/ASSISTANT PETER LEONARDI
estimate: US $ 25 - 50 / starting: $25
A scrapbook filled with a handful of newspaper clippings that relate to Marilyn's onetime gofer, Peter Leonardi, who was hired by her company, Marilyn Monroe Productions, Inc., to assistant her while in NYC; the cover has a title hand-painted in white lettering which reads "Marilyn / & / Peter," and inside are about 15 articles from various publications, dated from 1955 to 1957, that Leonardi saved, outlining his short association with the star which ended on a bad note.
Lot 62: MARILYN MONROE 1956 LIQUOR STORE RECEIPT
estimate: US $ 400 - 600 / starting: $25
A single sheet from Luria's Wine & Spirits shop on Madison Avenue in New York City, undated but circa 1956, listing the star's "2 Sutton Place South / N.Y.C. 8E" address and the booze she ordered, including some Courvoisier VSOP.
Photographies
Lots 01-09 + 11 + 49 + 50 : PHOTOS BY ANDRE DE DIENES
estimate: US $ 50 - 100 - 200 - 300 / starting: $25
Lot 01-09: Black and White photos by Andre De Dienes
Lot 11: 1992 Print signed by Shirley De Dienes
Lot 49: 1970 Print of Marilyn in Hotel Bel-Air
Lot 50: 1970 Print depicting Marilyn in the cosmos
Lot 10: COLOR PHOTOGRAPH SIGNED BY JOSEPH JASGUR
estimate: US $ 200 - 300 / starting: $25
1987 print photo with handwritten annotation on verso "...Jeane Dougherty (Marilyn...) / was taken by me on March 18... / Joseph Jasgur"
Lots 43-46 + 51-53 + 61: PHOTOS BY FRANK WORTH
estimate: US $ 100 - 200 - 300 - 500 / starting: $25
Lot 43: 1952 Marilyn with Ralph Edwards
Lots 44 + 45: 1952 Cheesecake Marilyn
Lot 46: 2000s print of 1952 Ray Anthony party
Lot 51: Limited Edition Photo 1953 by FRANK WORTH
Lot 52: Limited Edition Photo 1953 by FRANK WORTH
Lot 53 : PRINT COLORIZED PHOTO BY FRANK WORTH
Lot 61: Color limited edition photo by FRANK WORTH
Lots 65 + 66: Limited Edition Print "BLACK SITTING" by MILTON H. GREENE
estimate: US $ 400 - 600 / starting: $25
Lots 80-82: MARILYN MONROE PRINT BY BERT STERN FROM "AVANT GARDE" MAGAZINE
estimate: US $ 25 - 50 / $ 100 - 200 / starting: $25
Lots 85-90: MARILYN MONROE PHOTOGRAPHS + PRINTS BY BERT STERN
estimate: US $ 100 - 200 / $ 200 - 300 / starting: $25
Lots 91-101 + 103-105: MARILYN MONROE PHOTOGRAPHS BY GEORGE BARRIS
estimate: US $ 100 - 200 / starting: $25
Lots 69 + 111: MARILYN MONROE PHOTOGRAPHS BY CARL PERUTZ
estimate: US $ 100 - 200 / starting: $25
Lot 69: 1958 RARE BLACK AND WHITE CONTACT SHEET BY CARL PERUTZ
Lot 111: 1970S print by CARL PERUTZ
"The Hat Sitting" shot by noted Magnum photographer, Carl Perutz, in New York on June 16, 1958
Lots 40-41 + 54 + 57 + 175 : PHOTOS PUBLIC MARILYN
estimate: US $ 25 - 50 / 50 - 100 / starting: $25
Lot 40: June 26,1952, Marilyn in court
Lot 41: 1952 Ray Anthony party
Lot 54: Korea, 1954, Fébruary
Lot 57: MM with Jerry Giesler (announce divorce from Joe DiMaggio in October, 1954)
Lot 175: A group of four 2000s era later prints with a glossy finish
Lots 14-17 + 47 + 70 + 83-84 + 190: PHOTOS MARILYN'S FILMS
estimate: US $ 100 - 200 - 300 / starting: $25
Lot 14-17: PHOTOS FROM "THE ASPHALT JUNGLE"
Lot 47: 1953 PUBLICITY PHOTOGRAPH FROM "GENTLEMEN PREFER BLONDES"
Lot 70: 1960 FILM STILL PHOTOGRAPH FROM "LET'S MAKE LOVE"
Lots 83-84: PHOTOGRAPHS "Something's Got to Give"
Lot 190: 1961 PHOTO OF CO-STAR CLARK GABLE FROM "THE MISFITS" BY EVE ARNOLD
Lot 56: 1954 ORIGINAL LOBBY CARD FROM "THERE'S NO BUSINESS LIKE SHOW BUSINESS"
estimate: US $ 25 - 50 / starting: $25
Magazines
Lot 12: MARILYN MONROE 1940S MAGAZINE
estimate: US $ 25 - 50 / starting: $25
Lot 12: "GLAMOROUS MODELS" December 1949
Lots 18-20 + 22-23 + 37-38 + 48 + 55 + 63 + 67: MARILYN MONROE 1950S MAGAZINES
estimate: US $ 25 - 50 / starting: $25
Lot 18: 3 "FOCUS" September 1952, January 1955, and November 1955.
Lot 19: 4 MINI MAGAZINES Behind the Scene (July 1955); Picture Week (February 1955); Sensation (January 1954); and Show (March 1953).
Lot 20: 2 "PICTUREGOER" August 9, 1952 and November 17, 1956.
Lot 22: 2 "TEMPO" March 18, 1954 and November 1, 1955
Lot 23: 3 "VUE" August 1952, January 1955, and August 1955.
Lot 37: 1952 MAGAZINES x 5: Movie Pix (October); Movieland (July); Screen Fan (December); Screenland (August); Sir! (December).
Lot 38: 1952 "PEOPLE TODAY" (June 18 and December 3)
Lot 48: 1953 MAGAZINES x8: Cheesecake (circa January); Esquire (July); Motion Picture and Television Magazine (November); Movie Stars Parade (October); Movies (Februrary); New Liberty (March); Redbook (March); See (November).
Lot 55: 1954 MAGAZINES x5: Art Photography (October); Collier’s (July); Movie Time (November); Movieland (November); Movies (June).
Lot 58: 1955 mini magazine 65 pages dedicated to Marilyn: "THE MARILYN MONROE STORY"
Lot 63: 4 MAGAZINES 1956: Collier’s (August); Modern Man (June); Rave (August); The Saturday Evening Post (May).
Lot 67: 1957 august True Strange Incredible Weird and Factual cover + article 7 pages
Lot 24 - 32: MARILYN MONROE 1950S-1960S MAGAZINES LOTS
estimate: US $ 25 - 50 / starting: $25
Lot 24: 4 "CONFIDENTIAL" September 1955; November 1956; May 1957; November 1960.
Lot 25: 3 "COSMOPOLITIAN" May 1953, October 1956, and December 1960.
Lot 26: FOREIGN 6 MAGAZINES: Billed Bladet (May 1953, Danish); Billed Bladet (November 1952, Danish); Buenhogar (September 1969, Spanish); Ecran (1957, Spanish); Stern (December 1960, German); Vea y Lea (September 1960, Spanish).
Lot 27: 4 "INSIDE STORY": October 1956; April 1958; May 1959; and July 1960.
Lot 28: 3 mags: Behind the Scene (July 1957); Behind the Scene (November 1957); Jerry Giesler's Hollywood (1962).
Lot 29: 4 mags not on cover: Cover Girls Models (March 1953); Movieland and TV Time (October 1960); Photoplay (October 1953); Photoplay (January 1955).
Lot 30: 4 mini magazines: Films in Review (October 1962); Ladies Home Companion (January 1965); Picture Scope (May 1955); Why (June 1953)
Lot 31 : 7 "MODERN SCREEN" : October 1953; March 1954; September 1954; October 1955; November 1956; December 1960; and November 1963
Lot 32: 6 "THE NATIONAL POLICE GAZETTE": February 1955; March 1956; November 1956; October 1960; May 1961; and October 1962
Lots 79 + 109: MARILYN MONROE 1960S MAGAZINES
estimate: US $ 25 - 50 / starting: $25
Lot 79: 1962-1963 with 4 POSTHUMOUS MAGAZINES: Marilyn (1962); Marilyn's Life Story (1962); Parade (March 1963); Photoplay (June 1963).
Lot 109: "AVANT-GARDE" , n°2, 03/1968 cover + 13 pages
Lot 112: MARILYN MONROE 1970S MAGAZINES
estimate: US $ 25 - 50 / starting: $25
Lot 112: 3 mags: Ladies Home Journal (07/1973); Photoplay (09/1975); Screen Greats Series: Marilyn (1971).
Lot 107 + 116 + 117: MARILYN MONROE VARIOUS MAGAZINES LOTS
estimate: US $ 25 - 50 / starting: $25
Lot 107: "LIFE" MAGAZINES from August 7, 1964 and September 8, 1972.
Lot 116: 1970S-1990S NEWSMAGAZINES 3: 1/Time (July 1973); Newsweek (October 1972), and Newsweek (March 1999).
Lot 117: 1970s-2000s FRENCH MAGAZINES 11 titles: Elle (July 1956); Elle (April 1988); Jours de France (November 1960); Lectures d’Aujourd’hui (May 1958); Marie-Claire (January 1965); Nous Deux (July 2001); Paris Match (February 1959); Paris Match (July 1953); Paris Match (July 1956); Photo (November 1974); and Tele Programme Magazine (October 1957).
Lot 125: MARILYN MONROE 1980 TAWDRY "CELEBRITY SKIN" MAGAZINE
estimate: US $ 25 - 50 / starting: $25
Lots 186 - 189: MARILYN MONROE EARLY 1980S / 1990S MAGAZINES LOTS
each lot: estimate: US $ 25 - 50 / starting: $25
lot 186 - 12 magazines of 1980s: After Dark (September 1981); The Faces of Marilyn (Circa 1985); Marilyn: The Complete Story (Circa 1982); The Movie (1980); The Newsday Magazine (August 1982); New York Sunday News Magazine (August 1982); Nostalgia World (1983); The Photo (1982); Sunday (1982); Sunday Express Magazine (December 1983); Today's Photographer (1982); and Unsolved (1984).
lot 187 - 10 magazines of 1990s: American Movie Classics (December 1990); American Photo (March/April 1995); The Australian Magazine (November 1991); The Australian Women's Weekly (April 1993); Entertainment Weekly (August 1992); Palm Springs Life (June 1993); The Sharper Image Catalog (June 1992); Sunday Express Magazine (July 1992); Sunday News of the World Magazine (May 1991); and Woman's World (December 1991).
lot 188 - 9 magazines of 1980s: American Heritage (February 1989); Bombshells (1989); Hollywood Studio Magazine Then and Now (August 1987); Hollywood Studio Magazine Then and Now (August 1989); Idols (September 1988); Idols (April 1989); People (October 1985); Picture Week (October 1985); and You Magazine (July 1987).
lot 189 - 7 magazines of 1990s: Cineaction Performance (July 1997); Collecting (December 1997); Harpers (October 1999); People (August 1999); Saturday Night (September 1996); Worth (October 1997); and You (April 1995).
Lots 176 + 179 + 181: MARILYN MONROE 2000S MAGAZINES
estimate: US $ 25 - 50 / 50-100 / starting: $25
Lot 176: 2 magazines: The Sunday Times Magazine (July 2002); and Where New York (September 2000).
Lot 179: 2 issues 2001 (12-18 May) "Tv Guide"
Lot 181: 2007 Limited Edition German "Fotographie" signed by "Bert Stern / 2011"
Lot 34: 1950S-1990S PRESS CLIPPINGS
each lot: estimate: US $ 25 - 50 / starting: $25
Livres
Lots 21 + 59 + 64 : MARILYN MONROE BOOKS 1950s
each lot: estimate: US $ 25 - 50 / 50 - 100 / starting: $25
Lot 21 : 2 rare danish books: 1/"An American Success Story of Marilyn Monroe [En Amerikansk Sukces Historien Om Marilyn Monroe]," by Kai Berg Madsen, published by Illustrations Forlaget circa 1953, 32 pages; 2/ "Marilyn Monroe" by Mogens Fønss, published by Samlerens Forlag in 1958, 56 pages
Lot 59: 1955 rare 2 books: 1/"The Seven Year Itch," published by Bantam Books in 1955, by George Axelrod; 2/ "Marilyn Monroe as The Girl," published by Ballantine Books in 1955, by Sam Shaw
Lot 64: 1956 small book 96 pages "BUS STOP"
Lots 75 + 77 + 78 + 106 : MARILYN MONROE BOOKS 1960s
each lot: estimate: US $ 25 - 50 / 50 - 100 / starting: $25
Lot 75: 1961 book 223 pages "THE MISFITS" BY ARTHUR MILLER
Lot 77: 1962 automn, rare book "EROS" FEATURING IMAGES BY BERT STERN"
Lot 78: 1962 SORDID LITTLE BOOK "VIOLATIONS OF THE CHILD MARILYN MONROE" by "Her Psychiatrist-Friend"
Lot 106: 1963 BOOK "THE STORY OF THE MISFITS" BY JAMES GOODE
Lots 71 + 72: MARILYN MONROE BOOKS 1960S-2000S
estimate: US $ 50 - 100 / starting: $25
Lot 71: 1960S-1970S 4 books: 1) "Marilyn: An Untold Story," 1973, by Norman Rosten; 2) "Marilyn: The Last Months," 1975, by Eunice Murray with Rose Shade; 3) "Who Killed Marilyn and Did the Kennedys Know?," 1976, by Tony Sciacca; and 4) "The Mysterious Death of Marilyn Monroe," 1968, by James A. Hudson
Lot 72: 1960S-1970S books 4 biographies: 1) "Conversations with Marilyn," 1976, by W.J. Weatherby; 2) "Marilyn Monroe: A Composite View," 1969, by Edward Wagenknecht; 3) "My Story," 1974, by Marilyn Monroe; and 4) "The Pictorial Tresury of Film Stars: Marilyn Monroe," 1973, by Joan Mellen.
Lots 73 + 74: MARILYN MONROE BOOKS 1960S-2000S
estimate: US $ 25 - 50 / 200 -300 / starting: $25
Lot 73: 38 fantasists books: 1) Africa and the Marriage of Walt Whitman and Marilyn Monroe; 2) All the Available Light: A Marilyn Monroe Reader; 3) Anyone Can See I Love You; 4) Bogart '48; 5) Collins English Library: Marilyn Monroe; 6) The Films of Marilyn Monroe; 7) Goddess; 8) The Immortal Marilyn: The Depiction of an Icon; 9) Impossibly Blonde; 10) Inside Marilyn Monroe; 11) Marilyn & Joe DiMaggio; 12) The Marilyn Conspiracy; 13) The Marilyn Diaries; 14) The Marilyn Files (signed by author/fantasist Robert F. Slatzer); 15) Marilyn Lives!; 16) Marilyn Monroe Alive in 1984?; 17) Marilyn Monroe and Other Poems; 18) Marilyn Monroe in Hollywood; 19) Marilyn Monroe: In Her Own Words; 20) Marilyn Monroe: In Her Own Words (2nd copy); 21) Marilyn Monroe: Murder by Consent; 22) Marilyn Monroe: Murder Cover-Up; 23) Marilyn Monroe: Norma Jeane's Dream; 24) Marilyn Monroe: Photographs 1945-1962; 25) Marilyn Monroe: The Biography; 26) Marilyn Monroe: The FBI Files; 27) Marilyn, Norma Jean and Me; 28) Marilyn: The Last Take; 29) The Mmm Girl; 30) Mondo Marilyn: An Anthology of Fiction and Poetry; 31) Movie Icons: Monroe; 32) The Murder of Marilyn Monroe; 33) My Sex is Ice Cream: The Marilyn Monroe Poems; 34) Pocket Biographies: Marilyn Monroe; 35) The Pocket Essential: Marilyn Monroe; 36) Skouras: King of Fox Studios; 37) Some Like It Hot: Original Movie Script; 38) UFOs and the Murder of Marilyn Monroe
Lot 74: 9 medium sized book: 1) Blonde Heat: The Sizzling Screen Career of Marilyn Monroe, 2001, by Richard Buskin; 2) The Films of Marilyn Monroe, 1964, by Michael Conway and Mark Ricci; (dust jacket missing) 3) Forever Marilyn, 1992, by Marie Cahill; 4) The Marilyn Encyclopedia, 1999, by Adam Victor; 5) Marilyn in Her Own Words, 1991, by Neil Grant; 6) Marilyn Monroe: A Never-Ending Dream, 1983, by Guus Luijters; 7) Marilyn on Location, 1989, by Bart Mills; 8) Marilyn, 1989, by Neil Sinyard; 9) The Screen Greats: Marilyn Monroe, 1982, Tom Hutchinson.
Lots 113 + 115 + 118 + 120 & 123-124: MARILYN MONROE BOOKS 1970s-2000s
each lot: estimate: US $ 25 - 50 / 50 - 100 / starting: $25
Lot 113: 1970S-1980S BOOKS BY HER FRIENDS: 1/"The Joy of Marilyn," 1979, by Sam Shaw; 2/ "Marilyn Among Friends," 1988, by Sam Shaw and Norman Rosten.
Lot 115: 1970S-1990S BY PEOPLE WHO PROBABLY DID NOT KNOW HER BUT CLAIMED TO HAVE KNOWN HER: 1) "Diary of a Lover of Marilyn Monroe," 1977, by Hans Jørgen Lembourn; 2) "I Remember Marilyn," 1995, by Peter Collins; 3) "Norma Jean: My Secret Life with Marilyn Monroe;" 1989, by Ted Jordan (signed by him); and 4) "The Prince, The Showgirl and Me: Six Months on the Set with Marilyn and Olivier," 1995, by Colin Clark
Lot 118: 1970S-2000S SMALLISH 12 BOOKS: 1) Marilyn; 2) Marilyn Monroe; 3) Marilyn Monroe; 4) Marilyn Monroe: Book of 30 Postcards; 5) Marilyn Monroe: Hometown Girl; 6) Marilyn Monroe: Quotes/Trivia; 7) Marilyn Monroe: The Sad, Tragic Story of the Sweater Girl Who Had Everything Except Happiness; 8) Marilyn: A Postcard Book; 9) Marilyn's Addresses; 10) Mysterious Deaths: Marilyn Monroe; 11) The Some Like it Hot Cookbook; and 12) They Died Too Young: Marilyn Monroe.
Lot 120: 1973 & 1990 PAPERBACK BOOKLETS: 1/"Marilyn Monroe: Her Own Story" by George Carpozi, Jr., 112 pages 1973; 2/"Marilyn Monroe: In Her Own Words" by Guus Luijters, 128 pages, 1990
Lot 121: 1973 book of 271 pages "MARILYN" BY NORMAN MAILER
Lot 123: Books by people who knew and/or met her; 1/ "Marilyn Monroe Confidential," 1979, by Lena Pepitone and Willaim Stadiem [Pepitone was MM's NYC maid]; 2/ "Legend: The Life and Death of Marilyn Monroe," 1984, by Fred Lawrence Guiles [he met her once or twice].
Lot 124: 1980 Book "Of Women and their elegance" by Norman Mailer and Milton H Greene
Lots 33 + 129-136: MARILYN MONROE BOOKS LOTS
estimate: US $ 25 - 50 / 100 - 200 / starting: $25
Lot 33: 1950S-1961 rare 5 books: 1) "Bus Stop," published by Bantam Books in 1956, by William Inge; 2) "Marilyn Monroe: Her Own Story," published by Belmont Books in 1961, by George Carpozi, Jr.; 3) "The Prince and the Show Girl," published by Signet Books in 1957, by Terence Rattigan; 4) "Some Like It Hot," published by Signet Books in 1959, by Billy Wilder and I.A.L. Diamond; and 5) "Let's Make Love," published by Bantam Books in 1960, by Matthew Andrews.
Lot 129: 1980S OVERSIZED COLLECTIBLE 'POSTER BOOKS' 1986 and in 1989; both feature 20 "tear out posters" along with text.
Lot 130: 1980S RARE JAPANESE PAPERBACK BOOKS : 1/ book of 144 pages "Marilyn Monroe: An Appreciate" by Eve Arnold, 1987; 2/ book of 235 pages "Marilyn," unknown author circa 1985
Lot 131: 1980S-1990S BOOKS BY PHOTOGRAPHERS WHO ACTUALLY KNEW HER: 1) Bernard of Hollywood's Marilyn, 1993, by Susan Bernard; 2) Falling for Marilyn: The Lost Niagara Collection, 1996, by Jock Carroll; 3) Finding Marilyn: A Romance by David Conover, the Photographer Who Discovered Marilyn Monroe, 1981, by David Conover; 4) The Last Sitting, 1982, by Bert Stern; and 5) Marilyn Monroe: An Appreciation, 1987, by Eve Arnold
Lot 132: 1980S-2000S LARGE SIZED BIOGRAPHIES/BOOKS: 1) Crypt 33: The Saga of Marilyn Monroe: The Final Word, 1993, by Adela Gregory (signed by her) and Milo Speriglio; 2) Goddess: The Secret Lives of Marilyn Monroe, 1985, by Anthony Summers; 3) The Last Days of Marilyn Monroe, 1998, by Donald H. Wolfe; 4) Marilyn Revealed, 2009, by Ted Schwarz; 5) The Marilyn Scandal, 1987, by Sandra Shevey; 6) Marilyn: The Last Take, 1992, by Peter Harry Brown and Patte B. Barham (signed by both); and 7) The Men Who Murdered Marilyn, 1996, by Matthew Smith
Lot 133: 1980S-2000S 'LARGE SIZED' BOOKS: 1) The Films of Marilyn Monroe, 1992, by Richard Buskin (signed by him); 2) Marilyn, 1993, by Kathy Rooks-Denes; 3) The Marilyn Album, 1991, by Nicki Giles; 4) Marilyn: A Hollywood Life, 1989, by Ann Lloyd; 5) Marilyn at Twentieth Century Fox, 1987, by Lawrence Crown; 6) Marilyn: Her Life & Legend, 1990, by Susan Doll; 7) Marilyn Monroe, 1983, by Janice Anderson; 8) Marilyn Monroe: A Life in Pictures, 2007, by Anne Verlhac and David Thomson; and 9) Marilyn Monroe: Photographs Selected from the Files of the United Press International/Bettmann, 1990, by Roger Baker.
Lot 134: 1980S-2000S 'MEDIUM SIZED' BIOGRAPHIES/BOOKS: 1) Fragments: Poems, Intimate Notes, Letters by Marilyn Monroe, 2010, by Stanley Buchthal and Bernard Comment; 2) Marilyn Monroe: Private and Undisclosed, 2007, by Michelle Morgan; 3) Marilyn on Marilyn, 1983, by Roger Taylor; 4) MM-Personal: From the Private Archive of Marilyn Monroe, 2011, by Lois Banner (signed by her); 5) The Secret Life of Marilyn Monroe, 2009, by J. Randy Taraborrelli; and 6) The Unabridged Marilyn: Her Life from A to Z, 1987, by Randall Riese and Neal Hitchens
Lot 135: 1980S-2000S 'NOVELS/WORKS OF FICTION' BOOKS: 1) Atomic Candy; 2) Candle in the Wind; 3) Demon; 4) Dying to Be Marilyn; 5) The Elvis and Marilyn Affair; 6) I, JFK; 7) The Immortals; 8) Lovesick; 9) Marilyn: Shades of Blonde; 10) The Marilyn Tapes; 11) Marilyn's Daughter; 12) MMII: The Return of Marilyn Monroe; 13) Moviola; 14) Queen of Desire; 15) The Secret Letters of Marilyn Monroe and Jacqueline Kennedy; 16) The Symbol; and 17) Who Killed Marilyn Monroe?
Lot 136: 1980S-2000S 'SMALL SIZED' BIOGRAPHIES/BOOKS: 1) American Monroe: The Making of a Body Politic, 1995, by S. Paige Baty (no dust jacket); 2) Joe & Marilyn: A Memory of Love, 1986, by Roger Kahn; 3) Marilyn Monroe, 1987, by Graham McCann; 4) Marilyn Monroe: A Life of the Actress, 1986, by Carl E. Rollyson, Jr.; 5) My Story: Marilyn Monroe, 2000, by Andrea Dworkin; and 6) Why Norma Jean Killed Marilyn Monroe, 1992, by Lucy Freeman.
Lots 137 - 149: MARILYN MONROE BOOKS 1980s-1990s
estimate: US $ 25 - 50 / 100- 200 / starting: $25
lot 137: 1982 book "MONROE: HER LIFE IN PICTURES" signed by James Spada and Douglas Kirkland
lot 138: 1982 french book 143 pages "MARILYN CHÉRIE" by Michael Del Mar
lot 139: 1984 book "MARILYN IN ART" by Roger G Taylor
lot 140: 1984 book "MARILYN MONROE" by Janice Anderson
lots 141 + 143: 1986 book 155 pages "MARILYN MON AMOUR" by Andre De Dienes
lot 142: 1986 book "MARILYN: NORMA JEANE" signed by Gloria Steinem and George Barris
lot 144: 1989 book "MARILYN MONROE AND THE CAMERA" by Lothar Schirmer
lot 145: 1991 book "MARILYN: THE ULTIMATE LOOK AT THE LEGEND" signed by James Haspiel
lot 146: 1991 book "THE BIRTH OF MARILYN: THE LOST PHOTOGRAPHS OF NORMA JEAN BY JOSEPH JASGUR" signed by Joseph Jasgur
lot 147: 1991 graphic novel "SON OF CELLULOID" signed by Clive Barker
lot 148: 1992 book 282 pages "MARILYN AND ME: SISTERS, RIVALS, FRIENDS" by Susan Strasberg
lot 149: 1992 massive book "BERT STERN MARILYN MONROE: THE COMPLETE LAST SITTING 2571 PHOTOGRAPHS" signed by Bert Stern
Lots 151 + 154 - 156 + lot 158: MARILYN MONROE BOOKS 1990s
each lot: estimate: US $ 25 - 50 / 50 - 100 / starting: $25
Lot 151: 1993 book "MARILYN MONROE: CANDLE IN THE WIND" BY ELTON JOHN & BERNIE TAUPIN
Lot 154: 1994 book 219 pages "MILTON'S MARILYN" BY JAMES KOTSILIBAS-DAVIS AND JOSHUA GREENE
lot 155: 1994 book "MY SISTER MARILYN" SIGNED BY BERNIECE BAKER MIRACLE AND MONA RAE MIRACLE signed "To Scot" by "Berniece" [MM's half-sister] and "Mona Rae" [MM's half-niece]
lot 156: 1995 book "MARILYN: HER LIFE IN HER OWN WORDS" signed by George Barris
lot 158: 1996 limited edition book "MARILYN BY MOONLIGHT" signed by Jack Allen and Greg Schreiner
Lot 160: 1997 RARE CATALOGUE/BOOK "ELVIS + MARILYN 2X IMMORTAL" BY GERI DEPAOLI AND WENDY MCDARIS
estimate: US $ 25 - 50 / starting: $25
Lot 165: 1998 RARE BOOKLET "MARILYN MONROE AND THE MAKING OF NIAGARA" BY GEORGE BAILEY
estimate: US $ 25 - 50 / starting: $25
34 pages of black and white photographs of the star and text written by local Canadian man George Bailey about the time when Marilyn came to Niagara Falls to make her 1953 20th Century Fox film.
Lot 173: 2000 BOOK "THE UNPUBLISHED MARILYN" BY JAMES HASPIEL
estimate: US $ 25 - 50 / starting: $25
Lot 180: 2005 BOOK "AN EVENING WITH MARILYN" SIGNED BY DOUGLAS KIRKLAND
estimate: US $ 50 - 100 / starting: $25
book signed in black felt-tip ink on the title page "Douglas Kirkland."
Catalogues / Brochures
Lot 108: 1967 SUPER RARE PROGRAM FROM AN EXHIBT TITLED "HOMAGE TO MARILYN MONROE" AT THE SIDNEY JANIS GALLERY IN NYC
estimate: US $ 25 - 50 starting: $25
24 page pamphlet feat. works from a show related to the star created by artists such as Henri Cartier-Bresson, Richard Avedon, Andy Warhol, James Rosenquist, Claes Oldenburg, Salvador Dalí, Robert Indiana, Willem de Kooning... (exhibit took place from December 6-30, 1967 and benefitted The Association for Mentally Ill Children in Manhattan, Inc.)
Lot 110: 1969 ACADEMIC PAMPHLET AND 1988 'ZINE
estimate: US $ 25 - 50 starting: $25
2 pieces; 1/ a pamphlet "Hojas de Crítica" [Criticism Sheets], published by the Universidad de Mexico in April 1969; 2/ zine "Some Like It Hot," printed by the Marilyn Forever Worldwide Fan Club in February 1988.
Lot 122: 1973 RARE BLACK AND WHITE MARKETING BROCHURE FOR A PHOTOGRAPHY EXHIBIT TITLED "MARILYN MONROE: THE LEGEND & THE TRUTH"
estimate: US $ 25 - 50 starting: $25
18,000 units of memorabilia at one exhibit in just 6 days in 1972
Lot 127: 1980S BROCHURE TITLED "EDWARD WESTON EDITIONS FINE ART PHOTOGRAPHY"
estimate: US $ 25 - 50 starting: $25
18-page pamphlet featuring George Barris and Bert Stern photographs (Edward Weston Galleries)
Lot 150: 1992 RARE PROGRAM FROM THE 30TH ANNIVERSARY OF HER MEMORIAL
estimate: US $ 25 - 50 / starting: $25
21 page booklet from the event designed by Rick Carl of the Marilyn Remembered fan club (with b&w photos of the star + the attendees of the event like Mamie Van Doren, Tom Ewell, Maurice Zolotow, Bebe Goddard, Evelyn Moriarty, Greg Schreiner [MR president] and T.R. Fogli [renowed MM memorabilia collector])
Lots 166 - 172: 1999 CHRISTIE'S AUCTION "THE PERSONAL PROPERTY OF MARILYN MONROE" STUFFS
each lot: estimate: US $ 25 - 50 - 100 / starting: $25
lot 166: BIDDER PADDLE being number 606
lot 167: 12 NEVER-USED JEWELRY LOT TAGS
lot 168: CATALOGUE
lot 169: 4 TICKETS
lot 170: 4 UNUSED LOT TAGS
lot 171: COLOR TRANSPARENCY OF THE 1962 'HAPPY BIRTHDAY, MR. PRESIDENT' DRESS used for various marketing and publicity purposes
lot 172: SUPER RARE MARKETING BOOK with 7 pages of photos + text (information about "The Tour" of some lots in Las Vegas, Los Angeles, London, Paris, Buenos Aires, Singapore, and Tokyo)
Lot 178: 2001 CATALOGUE FROM A SOTHEBY'S AUCTION TITLED "MARILYN ON-LINE AUCTION"
estimate: US $ 25 - 50 / starting: $25
A small spiral-bound pamphlet depicting 15 lots that Berniece and Mona Miracle [MM's half-sister and half-niece] consigned to the venerable New York auction house for an online sale that took place from February 8th to March 1st, 2001.
Lot 182: 2017 REAL ESTATE BROCHURE FOR THE SALE OF HER LAST HOME IN BRENTWOOD, CALIFORNIA
estimate: US $ 25 - 50 / starting: $25
10 page color pamphlet showing numerous shots of the star's last home at 12305 5th Helena Drive in Brentwood, California when it was on the market in 2017; because this was Marilyn's infamous last home where she tragically died, only those who pre-qualified to buy a $6.9 million property were allowed inside to view it, including the current owner who has consigned it here.
Musique + Disques
Lot 39: 1952 SHEET MUSIC FOR THE SONG "MARILYN"
estimate: US $ 25 - 50 / starting: $25
A pamphlet of sheet music for the song written about the star by Ervin Drake and Jimmy Shirl, featuring a purplish-colored duo-tone image of the star on the cover next to band leader Ray Anthony who recorded the song, text on the left side reads in part "Inspired by / Marilyn Monroe / ...Currently Starring / ...in Niagara," copyright date noted on inside front cover reads "1952."
Lot 114: 1970S-1980S RECORD ALBUMS
estimate: US$ 50 - 100 / starting: $25
2 LPs: 1/"Marilyn Monroe Legends" in 1976; 2/ "L'intramontabile Mito di Marilyn" [The Timeless Myth of Marilyn] in 1983; + a 'picture disc' 45 record of "Diamonds Are a Girl's Best Friend/Lazy" in 1987.
Lot 119: 1972 RARE RECORD ALBUM "REMEMBERING MARILYN" made to accompany the 1973 photo exhibit "Marilyn Monroe: The Legend & The Truth" - LP with 10-page booklet
estimate: US$ 25 - 50 / starting: $25
Lot 183: MARILYN MONROE 2017 STILL SEALED RECORD ALBUM "THE SEVEN YEAR ITCH" - LP
estimate: US$ 25 - 50 / starting: $25
Merchandising divers
Lot 35: 1950S-ERA COLLECTIBLE PLAYING CARDS IN THEIR ORIGINAL BOX
estimate: US $ 50 - 100 / starting: $25
A set of two decks of playing cards featuring Marilyn's famous 'nude calendar' poses, 'Golden Dreams' and 'A New Wrinkle
Lot 36: 1950S-ERA 3 NUDE CALENDAR AND PRINTS
estimate: US $ 200 - 300 / starting: $25
1954 calendar with Marilyn in the 'Golden Dreams' pose + 2 salesman sample prints also featuring the 'Golden Dreams' pose, though one has the black lace overlay and titled "The Lure of Lace."
Lots 13 + 76: MARILYN MONROE POSTERS
estimate: US $ 25 - 50 / starting: $25
Lot 13: 1991 'NUDE CALENDAR' COLOR POSTER BY TOM KELLEY (famous pose called 'A New Wrinkle' shot in 1949)
Lot 76: 1961-1987 MUTED COLOR POSTER BY DOUG KIRKLAND
Lot 128: MARILYN MONROE 1980S LIMITED EDITION PRINT - Goodwin
estimate: US $ 50 - 100 / starting: $25
Lot 152: ANITA PAGE 1993 STATUETTE
estimate: US $ 25 / starting: $25
A plaster statuette depicting the 1930s-era star painted in shades of gray and bronze; back is signed "S.L." and further stamped "S.O.L. 93;" the young Norma Jeane likely would have been aware of and/or influenced by this beautiful Hollywood blonde who looks particularly Harlowesque in this work.
Lot 153: MARILYN MONROE 1994 BEACH TOWEL
estimate: US $ 25 - 50 / starting: $25
Lot 157: MARILYN MONROE 1995 FIRST DAY OF ISSUE USPS 32-CENT STAMPS ON A SPECIAL POSTMARKED ENVELOPE
estimate: US $ 25 - 50 / starting: $25
Lot 159 + lots 161 - 164: MARILYN MONROE PORCELAIN STATUETTES DOLLS BY FRANKLIN MINT
each lot: estimate: US $ 25 - 50 - 100 / starting: $25
lot 159: 1997 doll in her costumes as "Vicky Parker" in the 1954 film "THERE'S NO BUSINESS LIKE SHOW BUSINESS" (label "Ms. Anna Strasberg") + photograph
lot 161: 1998 doll in her costumes as "Miss Casswell" from the 1950 film "ALL ABOUT EVE" (label "Ms. Anna Strasberg") + photograph
lot 162: 1998 doll in her costumes as "Cherie" from the 1956 film "BUS STOP" (label "Ms. Anna Strasberg") + photograph
lot 163: 1998 doll in her famous gold lam pleated evening gown which is based on photograph shot by Ed Clark
lot 164: 1998 doll in her black velvet evening gownwhich is based on photograph shot by Frank Powolny
Lot 174: MARILYN MONROE 2000S COLLECTIBLE HANDBAGS OWNED BY ANNA NICOLE SMITH
estimate: US $ 25 - 50 / starting: $25
2 purses owned by Ana Nicole Smith who was famously a huge Marilyn Monroe fan; both are made of fabric and pleather with added rhinestone and/or faux feather details.
Lot 177: MARILYN MONROE 2000S SATIN PILLOW CASE
estimate: US $ 25 - 50 / starting: $25
© All images are copyright and protected by their respective owners, assignees or others.
copyright text by GinieLand + Julien's
Vente aux enchères 'Classic Hollywood' du 24 mai 2022 en ligne sur le site de Bonhams , de Los Angeles aux Etats-Unis.
'Classic Hollywood' Auction on May, 24, 2022 online on Bonhams website, from Los Angeles, USA.
La vente aux enchères est consacrée au cinéma, avec 3 lots concernant Marilyn Monroe; les lots avec leur description sont en consultation libre sur bonhams.com
Pas de catalogue disponible
The auction is devoted to cinema, with 3 lots concerning Marilyn Monroe; the lots with their description are in free consultation on Bonhams.com
No catalog available
Lot 52: A unique and extensive unpublished collection of slides of stars of stage and screen, 1950s-1990s, Sold with Owner Copyright
Sold for US$144,015
approximately 12,000 previously unpublished color slides, the professional photographs taken by photographer Jon Verzi at various Hollywood events, chronicling the history of Hollywood from the early 1960s through the 1990s
2 slides with Marilyn Monroe:
Lot 59: A Marilyn Monroe signed photograph to Choreographer Bob Street
Sold for US$33,135
A gelatin silver photograph of Marilyn Monroe signed and inscribed in blue ballpoint pen 'To Bob [Street], love & kisses, Marilyn Monroe'.
Marilyn Monroe was working her way to becoming a superstar of mythic proportions when Robert Street danced alongside her in her most famous musical number, "Diamonds Are a Girl's Best Friend," in Gentlemen Prefer Blondes (1953). The number has since inspired everyone from Madonna to Kylie Minogue, but at the time, Street had no way of knowing it's status would become epochal. Along with the other male dancers in the number, Street was costumed as a stereotypical millionaire, clothed in a tuxedo, graying at the temples, with handfuls of diamonds to tempt the gold digger, Lorelei Lee, played by Monroe. His fellow dancer in the number, George Chakiris, recalled that Monroe was a hard worker who was focused on the number and was in constant discussion between takes with famed choreographer Jack Cole. There wasn't a lot of small talk between the star and the dancers. Nevertheless, Street managed to obtain this autographed photo of Monroe to commemorate his performance with the world's most beloved movie star in her most illustrious musical number. The following year, Street appeared as an extra in another smash hit, White Christmas (1954), and in an ironic twist he also had a small part in Valley of the Dolls (1967), a tawdry (and campy) Hollywood tale in which some of the fictional characters' lives were based on Monroe's personal experiences.
Lot 60: An Elliott Erwitt photograph of Marilyn Monroe, Clark Gable, and the cast of The Misfits
Sold for US$1,020
Marilyn Monroe and the cast of The Misfits, Reno, Nevada, 1960 (printed later)
Prestigious lensman Elliott Erwitt was one of a group of Magnum photographers who had authorized access to the set of director John Huston's The Misfits. His most famous session of photographs, one of which is offered here, shows Huston, author Arthur Miller, producer Frank Taylor, and stars Clark Gable, Marilyn Monroe, and Montgomery Clift and Eli Wallach playfully posing; the calm before the storm of an extremely troubling production.
Lot 142: A group of rare programs and magazines
Sold for US$318.75
- a souvenir program for The Hollywood Revue of 1929, 20 pages, with many photos and background information about the production and stars Norma Shearer, John Gilbert, and many others;
- a Fred and Adele Astaire program from their Broadway show, Smiles, at the Ziegfeld Theatre, November 18, 1930;
- a Screen Romances magazine with Astaire and Ginger Rogers on the cover, May, 1937;
a January 1937 issue of a Danish magazine, Eva Kriminal, devoted to the film, Bullets or Ballots (1936) starring Edward G. Robinson and Humphrey Bogart;
- a March 1933 issue of Shadowplay with Jean Harlow on the cover;
- a Romeo and Juliet (1936) 20 page program with many photos and background information about the production and its stars, Norma Shearer and Leslie Howard;
- a Gone With the Wind program, 20 pages, with many photos and background information about the production and its stars, Vivien Leigh and Clark Gable, and many others;
- and an April 1953 issue of Films in Review with Marilyn Monroe on the cover.
© All images are copyright and protected by their respective owners, assignees or others.
copyright text by GinieLand + Bonhams
Madame Figaro
n°1967
en supplément du Figaro Week-end du 06 et 07 mai 2022
pays: France
disponible les 06 et 07 mai 2022
Madame Figaro est un magazine supplément hebdomadaire du quotidien Le Figaro - l'édition du week-end paraît chaque vendredi.
En couverture: Vanessa Paradis se met dans la peau de Marilyn Monroe en rejouant "Les Désaxés" sur 10 pages
- LE FIGARO WEEK-END
du 06 et 07 mai 2022
- Le lot journal + magazines -
- pages intérieures -
> sur le blog l'article Vanessa Paradis dans Madame Figaro
© All images are copyright and protected by their respective owners, assignees or others.
copyright text Madame Figaro
Madame Figaro
n°1967
en supplément du Figaro Week-end du 06 et 07 mai 2022
pays: France
disponible les 06 et 07 mai 2022
Madame Figaro est un magazine supplément hebdomadaire du quotidien Le Figaro - l'édition du week-end paraît chaque vendredi.
En couverture: Vanessa Paradis se met dans la peau de Marilyn Monroe en rejouant "Les Désaxés".
> sur le blog le magazine Madame Figaro - 06 et 07/05/2022
Vanessa Paradis : «Moi, sans enfants j'aurais été quelqu'un d'autre»
> en ligne sur madame.lefigaro.fr
La chanteuse et actrice admire Marilyn Monroe depuis toujours. Soixante ans après sa disparition, Vanessa Paradis se glisse dans la peau de son idole dans une évocation du film culte Les Désaxés, sous l'objectif d'Anton Corbijn. Avant de reprendre la tournée de sa pièce Maman, l'égérie Chanel partage avec nous sa fascination pour la star américaine.
À quoi rêvent les jeunes filles ? Sur les murs de sa chambre, à Villiers-sur-Marne, près de Paris, Vanessa Paradis épinglait des photos de Romy Schneider et de Marilyn Monroe. Pas vraiment les déesses de son époque, mais l'adolescente n'était pas comme les autres, connaissait par cœur César et Rosalie et Les hommes préfèrent les blondes, et devint une star instantanée à 14 ans en nous embarquant dans le taxi de Joe. Les rêveries autour de la blonde platine la plus célèbre du XXe siècle n'ont jamais déserté l'esprit de celle devenue une pop star adulée et une actrice vigoureuse, aussi à l'aise dans le drame que la comédie. Il nous a paru évident de lui proposer de se glisser dans la peau de son idole (au sujet de laquelle elle est incollable) à l'occasion des soixante ans de la disparition de celle qu'un seul prénom suffit à identifier, Marilyn, morte à Los Angeles le 4 août 1962, dans des circonstances jamais élucidées, surdosage de médicaments, suicide, assassinat (notre invitée penche pour la dernière hypothèse).
Vanessa Paradis a choisi Les Désaxés (The Misfits, de John Huston, 1961), film désenchanté et crépusculaire où Monroe joue avec une vérité bouleversante, crachant son mal-être dans une scène célèbre, frêle figure pâlissante perdue dans les étendues brûlées du Nevada. C'est sur le sable blanc de la forêt de Fontainebleau qu'Anton Corbijn a recréé le set de ce film maudit en noir et blanc avec une Vanessa Paradis platinée plus vraie que nature. Le photographe star et réalisateur avait croisé son chemin lorsqu'elle avait 20 ans, puis à nouveau l'an dernier quand il l'a photographiée lors de la présentation de la haute couture printemps-été de la maison Chanel, dont Vanessa Paradis est l'emblématique ambassadrice. Ils avaient très envie de se retrouver pour une occasion exceptionnelle. Moteur !
Madame Figaro . – Comment est née cette passion pour Marilyn Monroe ?
Vanessa Paradis. – Je devais avoir 5 ou 6 ans quand je suis tombée par hasard sur un livre dans la bibliothèque de mes parents, c'était une biographie, le genre de livre avec quelques photos dans les pages centrales. J'ai été comme foudroyée par la beauté hallucinante de cette femme dont j'ignorais tout. Les photos m'ont amenée aux films, puis les films aux disques. Marilyn Monroe n'est plus jamais sortie de ma tête. J'ai regardé ses films en boucle, puis, plus tard, j'ai lu chaque biographie, vu chaque documentaire. Une adoration ne s'explique pas. Il y a la beauté, la féminité, la grâce, la délicatesse et, en même temps, quelque chose de tragique qu'on ressent, qu'on pressent. Tout m'attire, tout me plaît, ses regards, ses sourires, la façon dont elle bouge. Et cette modernité incroyable pour l'époque. Il y a chez elle une chose qu'on n'avait jamais vue ailleurs : ce rapport au corps, cette liberté du corps sans jamais être vulgaire, un corps totalement affirmé, mais qui n'a pas renoncé à l'enfance non plus.
Vous souvenez-vous du premier film que vous ayez vu avec elle ?
Probablement Les hommes préfèrent les blondes, j'ai toujours aimé les comédies musicales, et le film de Howard Hawks est un rêve pour les petites filles, avec son Technicolor, ses costumes et ses chansons. J'ai aussi beaucoup vu La Rivière sans retour et Certains l'aiment chaud évidemment. Plus tard, j'ai découvert Les Désaxés et des films moins connus, comme Troublez-moi ce soir dans lequel elle est déjà une actrice extraordinaire, juste, puissante et totalement inquiétante dans le rôle d'une baby-sitter déséquilibrée. Et puis il y a la chanteuse évidemment, elle vénérait Ella Fitzgerald et ça s'entend : c'est une chanteuse de jazz divine, avec une voix de velours et un vibrato merveilleux. Quand j'écoute son Lazy, d'Irving Berlin, je suis envoûtée.
Qu'évoque pour vous la part sombre de Marilyn Monroe ?
Je pense à Fragments, un recueil d'écrits intimes publié bien après sa mort, un livre terriblement intrusif, mais qui nous éclaire sur son esprit et sa pensée. On découvre sa profondeur, sa sensibilité et sa détresse aussi, ses craintes, ses doutes, la peur de la folie. C'était une âme tourmentée qui n'a eu de cesse de progresser et de s'accomplir.
On dit que vous possédez beaucoup de choses ayant appartenu à Monroe.
Je ne suis pas collectionneuse, mais je possède quelques trucs qu'on m'a offerts. Une paire de chaussures par exemple, des escarpins blancs sublimes. Nous avons la même pointure, je les passe parfois, je fais quelques pas et je les range, car j'ai trop peur de les déformer. J'ai aussi une veste, une cape, un chapeau que je porte parfois, mais très peu souvent car ils sont inestimables à mes yeux. Une fois je suis allée rôder autour de la villa qu'elle a possédée à Brentwood et où elle est morte. J'ai mis longtemps avant de me décider à m'y rendre, et j'étais très émue de découvrir depuis l'extérieur cette hacienda modeste, sa seule maison, où elle n'a pas vécu longtemps, la pauvre chérie, quelques mois seulement.
Vous avez vécu à Hollywood, la patrie du cinéma. C'est quelque chose qui vous rapproche d'elle ?
À l'époque où j'y vivais, je menais une existence très familiale : les enfants, l'école. Il n'y avait rien de hollywoodien dans mon train de vie, j'allais très peu aux dîners, et je n'ai assisté à la cérémonie des Oscars que deux fois. C'était merveilleux de voir autant d'acteurs si connus, c'était mon rêve de cinéma américain mais pas du tout mon rêve américain, car je n'ai jamais ambitionné d'en faire partie. Peut-être parce que ça demande trop de soi, ça veut dire n'être disponible que pour ça et, probablement, tourner des films qu'on n'a pas envie de faire pour pouvoir accéder à ceux qu'on cible. Il n'y avait aucune raison pour moi de me lancer dans ce parcours du combattant. Plus jeune pourtant, après le tournage de Noces blanches, mon premier film, j'ai fait quelques castings improbables comme celui de Proposition indécente, pour le rôle de Demi Moore ! Ça n'avait absolument aucun sens, et rétrospectivement je trouve ça très bizarre. J'ai rapidement mis le holà à ce genre d'expériences, et je n'en éprouve aucun regret : je suis comblée en France.
Monroe était manipulée et, selon certains, manipulatrice. Y a-t-il une façon de bien gérer les excès de la célébrité ?
Manipulatrice, je n'aime pas ce mot ; ce qui est sûr, c'est qu'elle était une bonne communicante, mais j'ignore si cela relevait d'une stratégie. Elle était intelligente et elle savait se servir de son image. L'image, c'est une arme. Chez Marilyn, c'est aussi un appel à être regardée et aimée. Et puis, il y a un contexte, les années 1950, et un pays, l'Amérique. Les acteurs appartenaient à des studios, ils étaient coincés, l'émancipation a commencé la décennie suivante. Marilyn, elle, a démarré sa carrière à la fin des années 1940, et probablement que son corps et sa séduction lui permettaient de déstabiliser ses interlocuteurs et, d'une certaine façon, de se faire entendre et d'exister. Elle a quand même réussi à imposer quelque chose de très exceptionnel à l'époque : une liberté d'être soi, au sens large, l'affirmation d'un corps sensuel.
À vos débuts, vous-même avez été cataloguée femme-enfant…
Le contexte est vraiment différent, ce n'est pas la même époque, pas la même culture, pas les mêmes difficultés. Mais la problématique de Monroe reste une problématique d'aujourd'hui : la place des femmes dans la société et dans le travail. En ce qui me concerne, c'est vrai, à mes débuts j'ai d'abord été considérée comme une femme-enfant et une chanteuse sans vraiment de talent. On se demandait un peu ce que je faisais là. Le succès était si foudroyant qu'il était sans rapport avec ce que je pouvais proposer. Il a fallu du temps pour que je prouve qu'il y avait quelque chose de valable en moi. Marilyn Monroe, elle, n'a pas connu de son vivant la reconnaissance qu'elle méritait. C'est arrivé après. Pourtant, elle a tout fait pour progresser, elle est partie vivre à New York, elle s'est rapprochée de Lee Strasberg, elle a monté sa boîte de production, des choses absolument pas conventionnelles pour l'époque, mais on continuait à ne pas la prendre au sérieux.
Avez-vous eu à souffrir des distorsions de l'image ?
L'image, on vous la prend certes, mais on la donne aussi, on en joue. C'est un échange. Je suis de la génération du clip et des pochettes de disques, tout passait par là, c'était une façon de se présenter au monde. Au début, cela a pu être douloureux, on ne peut pas empêcher les gens de parler, de juger, d'être injustes parfois, oui, j'ai été blessée par moments, mais au bout du compte ce qui reste c'est votre travail, le cœur et l'essence de votre travail. Pour réussir à tenir, il a fallu que je m'accroche à des choses concrètes : la musique, les concerts, les films. Le reste fait partie du jeu : être aimée, ne pas être aimée. Quant à la reconnaissance, elle est primordiale, mais pas seulement dans les métiers artistiques. Tout travail mérite de l'attention et si possible de l'appréciation.
Vous aimez Marilyn Monroe et Romy Schneider, deux actrices qui, dit-on, ont été brûlées par le cinéma…
Par la vie, plutôt, même si le cinéma n'a pas dû arranger les choses. Ce sont deux femmes qui ont vécu des vies, des enfances et des amours compliquées. Et, dans le cas de Marilyn, circonstance aggravante, c'était l'époque où les acteurs étaient totalement dépendants des médicaments sans qu'on en mesure les effets désastreux sur la santé. Ce que je sais, c'est que j'ai eu des parents incroyables, qui m'ont donné de l'amour et de la confiance, qui m'ont aimée, entourée, accompagnée. Je ne dis pas qu'on ne peut pas s'en sortir sans ce préalable – on peut se choisir des familles autres que la sienne —, mais c'est beaucoup plus facile de partir dans la vie en se sentant soutenue. Être actrice, c'est terriblement déstabilisant, on vous scrute sur un écran géant, vous dépendez du désir des autres et quand on ne veut plus de vous, c'est fini…
Autre chose qui vous touche chez Marilyn ?
Dans les drames de sa vie, elle a perdu tous les enfants qu'elle a portés. Mère, elle aurait probablement vécu une autre vie. Moi, sans enfants, j'aurais été quelqu'un d 'autre. Je ne pense pas que les femmes doivent faire des enfants pour s'accomplir, mais moi j'ai toujours voulu en avoir, et ils ont façonné la femme que je suis aujourd'hui.
Comment imaginez-vous Marilyn Monroe si elle avait vécu ?
Je n'arrive pas à l'imaginer en femme mûre, encore moins en vieille dame. Elle aurait 96 ans. En 1962, au moment de sa mort, elle avait des projets, une maison de production. C'était une femme dirigée par son cœur : peut-être aurait-elle rencontré un homme qui l'aurait aimé pour ce qu'elle était ?
Vanessa Paradis est en tournée dès septembre avec la pièce Maman, de Samuel Benchetrit.
Séance photos
Photographe: Anton Corbinj
Photos des coulisses de John Nollet
Styliste: Leïla Samara
Coiffure: John Nollet
Vêtements: Chanel
Traduction de l'article et de l'interview - in english:
Vanessa Paradis: "Me, without children, I would have been someone else"
The singer and actress has always admired Marilyn Monroe. Sixty years after her death, Vanessa Paradis slips into the skin of her idol in an evocation of the cult film The Misfits, under the lens of Anton Corbijn. Before resuming the tour of her piece Maman, the Chanel muse shares with us her fascination for the American star.
What do young girls dream of ? On the walls of her bedroom, in Villiers-sur-Marne, near Paris, Vanessa Paradis pinned photos of Romy Schneider and Marilyn Monroe. Not exactly the goddesses of her time, but the teenager was not like the others, knew César and Rosalie and Gentlemen Prefer Blondes by heart, and became an instant star at 14 when we got into Joe's taxi. Daydreams about the most famous platinum blonde of the 20th century have never left the mind of the one who has become an adored pop star and a vigorous actress, equally at home in drama and comedy. It seemed obvious to us to offer her to slip into the skin of her idol (about which she is unbeatable) on the occasion of the sixty years of the disappearance of the one that a single first name is enough to identify, Marilyn, dead in Los Angeles on August 4, 1962, in circumstances never elucidated, drug overdose, suicide, assassination (our guest leans towards the last hypothesis).
Vanessa Paradis chooses The Misfits (by John Huston, 1961), a disenchanted and twilight film in which Monroe plays with a shocking truth, spitting out her ill-being in a famous scene, a frail paling figure lost in the scorched expanses of Nevada. It is on the white sand of the forest of Fontainebleau that Anton Corbijn recreated the set of this cursed film in black and white with a platinum Vanessa Paradis more real than life. The star photographer and director had crossed paths with her when she was 20, then again last year when he photographed her at the presentation of Chanel's spring-summer haute couture, of which Vanessa Paradis is the emblematic ambassador. They really wanted to meet for an exceptional occasion. Shoot !
Madame Figaro. – How was born this passion for Marilyn Monroe?
Vanessa Paradis. – I must have been 5 or 6 years old when I stumbled across a book in my parents' library, it was a biography, the kind of book with a few pictures in the middle pages. I was as if struck down by the hallucinating beauty of this woman of whom I knew nothing. Photos led me to films, then films to records. Marilyn Monroe never got out of my head again. I watched his films over and over, then later I read every biography, saw every documentary. An adoration cannot be explained. There is beauty, femininity, grace, delicacy and, at the same time, something tragic that we feel, that we sense. Everything attracts me, everything pleases me, her looks, her smiles, the way she moves. And this incredible modernity for the time. There is something about her that we had never seen elsewhere: this relationship to the body, this freedom of the body without ever being vulgar, a totally assertive body, but which has not given up on childhood either.
Do you remember the first movie you saw with her?
Probably Gentlemen Prefer Blondes, I've always loved musicals, and Howard Hawks' movie is a little girl's dream, with its Technicolor, costumes and songs. I have also seen The River of No Return a lot and obviously Some like it hot. Later, I discovered The Misfits and lesser-known films, like Don't bother to knock, in which she is already an extraordinary, just, powerful and totally disturbing actress in the role of an unbalanced babysitter. And then there's the singer of course, she revered Ella Fitzgerald and you can hear it: she's a divine jazz singer, with a velvet voice and a marvelous vibrato. When I listen to her Lazy, by Irving Berlin, I am bewitched.
What does the dark side of Marilyn Monroe evoke for you?
I'm thinking of Fragments, a collection of private writings published long after his death, a terribly intrusive book, but one that sheds light on his mind and his thinking. We discover his depth, his sensitivity and his distress too, his fears, his doubts, the fear of madness. He was a tormented soul who never stopped progressing and fulfilling himself.
It is said that you have a lot of things that belonged to Monroe.
I'm not a collector, but I have a few things that were given to me. A pair of shoes for example, sublime white pumps. We have the same shoe size, I sometimes put them on, take a few steps and put them away, because I'm too afraid of deforming them. I also have a jacket, a cape, a hat that I wear sometimes, but very infrequently because they are invaluable to me. Once I went prowling around the villa she owned in Brentwood and where she died. It took me a long time to decide to go there, and I was very moved to discover from the outside this modest hacienda, her only house, where she did not live long, the poor darling, a few months only.
You lived in Hollywood, the home of cinema. Is it something that brings you closer to her?
When I lived there, I led a very family life: the children, the school. There was nothing Hollywood in my lifestyle, I went to dinner very little, and I only attended the Oscars twice. It was wonderful to see so many famous actors, it was my dream of American cinema but not at all my American dream, because I never aspired to be part of it. Perhaps because it requires too much of oneself, it means being available only for that and, probably, shooting films that you don't want to make in order to be able to reach those you are targeting. There was no reason for me to embark on this obstacle course. When I was younger, however, after shooting Noce Blanche (Baby Blue), my first film, I did some improbable castings like Indecent Proposal, for the role of Demi Moore! It made absolutely no sense, and in retrospect I find it very odd. I quickly put the kibosh on this kind of experience, and I have no regrets about it: I am fulfilled in France.
Monroe was manipulated and, according to some, manipulative. Is there a way to properly handle the excesses of fame?
Manipulative, I don't like that word; what is certain is that she was a good communicator, but I don't know if that was part of a strategy. She was smart and she knew how to use her image. The image is a weapon. Chez Marilyn is also a call to be watched and loved. And then there is a context, the 1950s, and a country, America. Actors belonged to studios, they were stuck, emancipation began the following decade. Marilyn, she started her career at the end of the 1940s, and probably her body and her seduction allowed her to destabilize her interlocutors and, in a certain way, to be heard and to exist. She still managed to impose something very exceptional at the time: a freedom to be oneself, in the broad sense, the affirmation of a sensual body.
When you started out, you yourself were cataloged as a woman-child…
The context is really different, it's not the same era, not the same culture, not the same difficulties. But Monroe's problem remains a problem today: the place of women in society and in the workplace. As far as I'm concerned, it's true, when I started out I was first considered a woman-child and a singer without really any talent. We were wondering what I was doing there. The success was so overwhelming that it had nothing to do with what I could offer. It took time for me to prove that there was something worthwhile in me. Marilyn Monroe, she did not know during her lifetime the recognition she deserved. It happened after. However, she did everything to progress, she went to live in New York, she got closer to Lee Strasberg, she set up her production company, things that were absolutely unconventional for the time, but we continued not to take it seriously.
Have you had to suffer from image distortions ?
The image, we certainly take it from you, but we also give it, we play with it. It's an exchange. I'm from the generation of music videos and record covers, everything went through that, it was a way of presenting yourself to the world. At first it might have been painful, you can't stop people from talking, judging, being unfair sometimes, yes I was hurt at times, but in the end what remains is your work, the heart and essence of your work. To succeed, I had to cling to concrete things: music, concerts, films. The rest is part of the game: to be loved, not to be loved. As for recognition, it is essential, but not only in the artistic professions. All work deserves attention and, if possible, appreciation.
You like Marilyn Monroe and Romy Schneider, two actresses who, it is said, were burned by the cinema...
By life, rather, even if the cinema did not have to arrange things. They are two women who have lived complicated lives, childhoods and loves. And, in the case of Marilyn, an aggravating circumstance, it was the time when the actors were totally dependent on drugs without the disastrous effects on health being measured. What I do know is that I had incredible parents, who gave me love and confidence, who loved me, surrounded me, accompanied me. I'm not saying that you can't get by without this prerequisite – you can choose families other than your own – but it's much easier to start out in life feeling supported. Being an actress is terribly destabilizing, you are scrutinized on a giant screen, you depend on the desires of others and when you are no longer wanted, it's over...
Anything else that touches you about Marilyn?
In the dramas of her life, she lost all the children she bore. Mother, she probably would have lived another life. Me, without children, I would have been someone else. I don't think women have to have children to be fulfilled, but I always wanted to have them, and they shaped the woman I am today.
How do you imagine Marilyn Monroe if she had lived?
I can't imagine her as a mature woman, let alone an old lady. She would be 96 years old. In 1962, at the time of her death, she had projects, a production house. She was a woman ruled by her heart: perhaps she would have met a man who would have loved her for what she was?
Vanessa Paradis is on tour in September with the play Maman, by Samuel Benchetrit.
© All images are copyright and protected by their respective owners, assignees or others.
copyright text Madame Figaro
Mimosa:
Memories of Marilyn
& the Making of "The Misfits"
Author: Ralph L Roberts
Prix éditeur : 11,36 Euros
Date de sortie : 15 novembre 2021
Broché 176 pages
Dimension 15.24 x 1.02 x 22.86 cm
Langue : anglais
Éditeur : Roadhouse Books
ISBN 13: 979-8985164022
Ou le trouver ? sur amazon
Description: Ralph Roberts, actor, masseur, and former Pentagon liaison, could frequently be found in the kitchen of Lee Strasberg’s NYC apartment on Central Park West. One pleasant spring morning he by chance met Marilyn. Not the turned-on public persona of Marilyn Monroe he had crossed paths with in the past, but the honest, casual Marilyn who existed outside the public eye. Thus set in motion the beginnings of a deep friendship that forever changed Ralph, and unquestionably altered the course of his life. The next several years saw him in the Nevada desert with Montgomery Clift and Clark Gable, at the NYC apartment of Lester Markel, grilling at Frank Sinatra’s hilltop home, and on the phone with President Kennedy. Ralph saw Marilyn almost daily, and served as a sympathetic ear and a close friend. He was fiercely protective of his friend and her privacy. This book is a collection of Ralph’s recollections, and a rare and intimate view of Marilyn as the person she was when the cameras were off. Years after her untimely passing, fed up with the many falsehoods printed about his friend, and with the encouragement of Lee Strasberg and May Reis, Ralph set out his honest account of Marilyn Monroe’s last years.
This book is Ralph’s chronicle of his time with Marilyn Monroe from 1959 until her untimely death in 1962. Ralph recounts his behind the scenes experiences with Marilyn and her many circles of friends, giving you an inside look at the deeply layered and very busy Marilyn as she prepared for the next phase of her life – a phase that tragically never came. Ralph gives insight into her thinking through good times and bad. He presents an optimistic and talented woman who not only did great things but was poised to do so much more. Ralph attempts to provide clues as to why events happened as they did, not just for the reader but as a means of coping with the untimely loss of his dear friend Marilyn.
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