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Divine Marilyn Monroe
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DIVINE MARILYN

Marilyn Monroe
1926 - 1962

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Identités

Norma Jeane Mortenson
Norma Jeane Baker
Norma Jeane Dougherty
Marilyn Monroe
Marilyn DiMaggio
Marilyn Miller
Jean Norman
Mona Monroe
Joan Newman

Zelda Zonk

Archives
29 novembre 2011

15/12/2011, PROFILES IN HISTORY: Icons of Hollywood: Lots Partie 3

 Enchères  "Icons of Hollywood"
des 15 & 16 décembre 2011
- 49 lots avec Marilyn Monroe -
- Partie 3 : Photographies diverses
Carrière & Vie Privée
Peintures

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15/12/2011, PROFILES IN HISTORY: Icons of Hollywood: Vente et Catalogue

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Carrière


 lot n°699: Collection of (4) 16 x 20 photos of Marilyn Monroe
by Milton Greene from the black lingerie series

Fashion and celebrity photographer Milton Greene so impressed Marilyn Monroe during a Look Magazine shoot, she ended up moving in with his family, and making him her manager for several years. In 1956 Greene shot the seminal black lingerie series of her in New York, with only an occasional cigarette or shot glass as props. Gelatin-silver double-weight semi-gloss 16” x 20” prints (4) of Marilyn Monroe, printed ca. 1970 from the original negatives. Condition varies, with minor to moderate handling, creasing, and edge chipping from storage to each.

Estimate: $200 - $300
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 lot n°700: Collection of (4) 16 x 20 photos of Marilyn Monroe
by Milton Greene from the black lingerie series

Gelatin-silver double-weight semi-gloss 16” x 20” prints (3) of Marilyn Monroe from Milton Greene’s black lingerie series; one (1) at the beach in sweater, printed ca. 1970 from the original negatives. Condition varies, with minor to moderate handling, creasing, and edge chipping from storage to each.
Estimate: $200 - $300

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lot n°702: Marilyn Monroe original 4 x 5 in. color camera transparency,
swimsuit pose with towel

Color 4 x 5 in. camera transparency of Marilyn Monroe posing in a swimsuit with towel. Fine; with smudging.

Estimate: $200 - $300
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lot n°704: Marilyn Monroe original color transparency, swimsuit pose
Color 4 x 5 in. camera transparency of Marilyn Monroe posing in a swimsuit bikini poolside. Very fine.

Estimate: $200 - $300
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lot n°705: Marilyn Monroe original 4 x 5 in. color camera transparency
Color 4 x 5 in. transparency of an early closeup publicity photo of Marilyn Monroe posing on a bike with a puppy in the basket. Very fine.

Estimate: $200 - $300
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lot n°696: Collection of (6) photos of Marilyn Monroe:
singing, posing, and with husbands, printed ca. 1970

Lot comprised of (6) gelatin-silver double-weight semi-gloss 11” x 14” prints of Marilyn Monroe, printed ca. 1970 from the original negatives. Includes: recording “Let’s Make Love” soundtrack (2); at beach in bathing suits (2); and one each with husbands Joe DiMaggio and Arthur Miller. Tiny corner losses and minor bumping and handling, else Very Good to Fine.

Estimate: $300 - $500
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lot n°697: Collection of (5) oversize photos of Marilyn Monroe at home,
printed ca. 1970

Lot comprised of (5) gelatin-silver double-weight semi-gloss 11” x 14” prints of Marilyn Monroe, printed ca. 1970 from the original negatives. All shot at various times in one or more of Marilyn’s own homes. Tiny corner losses and minor bumping and handling, else Very Good to Fine.

Estimate: $200 - $300
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lot n°698: Marilyn Monroe oversize print by Andre de Dienes, café window pose
(1949/’92) 11”x14” fiber print, Estate signed and stamped. Very fine.

Estimate: $400 - $600
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lot n°701: Collection of (4) 16 x 20 photos of Marilyn Monroe intimate portraits,
printed ca. 1970

Gelatin-silver double-weight semi-gloss 16” x 20” prints (4) of Marilyn Monroe, all being intimate portraits from various locations and times, printed ca. 1970 from the original negatives. Condition varies, with minor to moderate handling, creasing, and edge chipping from storage to each.

Estimate: $200 - $300
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lot n°703: Marilyn Monroe original 4 x 5 in. color camera transparency
Marilyn Monroe original color camera transparency, swimsuit pose with platform shoes
Estimate: $200 - $300
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lot n°706: Marilyn Monroe original 4 x 5 in. color camera transparency
Color 4 x 5 in. transparency of Marilyn Monroe posing seated in a kitchen wearing a bathing suit. Very fine

Estimate: $200 - $300
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lot n°707: Marilyn Monroe original 3 x 4 in. color camera transparency
Color 3 x 4 in. transparency of Marilyn Monroe glamour shot wearing fur. Pinhole at lower left corner tip. Very fine.

Estimate: $200 - $300
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lot n°709: Marilyn Monroe original camera negatives
from How to Marry a Millionaire and Something’s Got To Give

Five (4) 8 x 10 in. ((1) 4 x 5 in.) original camera negatives on safety film of Marilyn Monroe, one from How to Marry a Millionaire (1953), one from The Misfits (1961), and two from Something’s Got To Give (1962). A print accompanies the 4 x 5 in. negative and is crossed out in orange marker, presumably done by Marilyn herself, since she had editorial rights to all of her publicity images and typically used this color pen. One with pencil retouching. Fine.
Estimate: $400 - $600

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lot n°711: Marilyn Monroe original camera negatives, glamour poses
Five (5) 4 x 5 in. original camera negatives on safety film of Marilyn Monroe in glamour poses, one risqué topless portrait attributed to Earl Moran. Very fine.

Estimate: $400 - $600
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 lot n°729: “Marilyn” signature title art for the 1963 documentary Marilyn
(TCF, 1963) Title camera art for the Twentieth Century-Fox compilation of archival footage documenting Monroe’s early studio beginnings as a bit player in A Ticket to Tomahawk (1950) to her final screen moments in the unfinished Something’s Got to Give (1962). Enamel on glass, the entire piece measures 24 in. x 34 in, the logo art measures approx. 6 in. x 20 in. The portrait of Marilyn is a reproduction to complete the display. Housed in an archival frame and perfect for display. An original piece created for the production by Pacific Title.

Estimate: $6 000 - $8 000
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lot n°730: Life magazine newsstand poster of Marilyn Monroe’s first Life cover, 1952
Newsstand poster featuring the April 7, 1952 issue of LIFE magazine with cover photograph of Marilyn Monroe by Philippe Halsman, being her first of many LIFE covers to follow in the next decade. One of the most iconic and indelible images from her early career. Measures 26 ½ in. x 34 ½ in. on linen measuring 28 ½ in. x 36 ½ in. Very fine.

Estimate: $800 - $1 200
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Autographes


lot n°721: Marilyn Monroe’s personal photograph
signed by Clark Gable, Humphrey Bogart, Gary Cooper...

Marilyn Monroe’s personal photograph signed by Clark Gable, Humphrey Bogart, Lauren Bacall, Gary Cooper, Jimmy Stewart, Peter Lawford, William Holden, Groucho Marx, Susan Hayward and others - Gelatin silver matte double-weight 16 ¼ in. x 20 ¼ in. print of Marilyn Monroe by Frank Powolny. Signed in ink, likely as a get-well gesture, by numerous Hollywood stars (some of which she never worked with): Jimmy Stewart, Gary Cooper, Henry Hathaway, Clifton Webb, Claudette Colbert, Robert Stack, Humphrey Bogart, Lauren Bacall, Peter Lawford, Susan Hayward, Clark Gable, William Holden, Evelyn Keyes, Groucho Marx, and others. Approx. 29 signatures total. Very good; with ¼ in. tear at the upper left border, border creases, and mounting remnants on the verso. Provenance: Christie’s New York - The Personal Property of Marilyn Monroe, Lot 1, October 27-28, 1999 and sold for $88,300.

Estimate: $30 000 - $50 000
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lot n°722: Marilyn Monroe beautiful photograph signed
Gelatin silver glossy 8 x 10 in. portrait of a young Marilyn Monroe wearing a sheer lace trimmed nightgown.
Inscribed and signed in light blue ink, “To Eddy Lavender, Best Wishes, Marilyn Monroe.” Dated Feb. 20, 1948 in an unknown hand on the verso. Exhibits tiny brown dot in lower margin, faint emulsion cracks, and crease at lower right corner; otherwise, Fine condition.

Estimate: $12 000 - $15 000
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Vie privée


lot n°731: Marilyn Monroe and Joe DiMaggio wire photo from their wedding day
Gelatin-silver print, 7 in. x 9 in. UPI wire photo (not trimmed, this is correct size for this medium) dated 1/14/[1954] announcing the marriage by civil ceremony of Marilyn Monroe to Joe DiMaggio. Friends close to both reported later that Marilyn informed her studio press agent ahead of time, unbeknownst to Joe who wanted a quiet and very private event. This kind of discord likely contributed heavily to the marriage lasting a mere nine months. Wire photos tend to be much more ephemeral than studio publicity material, as they were the “fax” of the time for news organizations to spread images quickly, and tended to be discarded immediately. This example remains in exceptional condition for a print of its type.

Estimate: $300 - $500
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lot n°732: Marilyn Monroe’s platinum and diamond
eternity wedding band given to her by Joe DiMaggio

A platinum eternity band set with 35 baguette-cut diamonds (one diamond missing just as it was at the Christie’s Personal Property of Marilyn Monroe sale in 1999), VS1 clarity with a total carat weight of 3.5 (when all diamonds were present), given to Marilyn Monroe by Joe DiMaggio on their wedding day on January 14, 1954.

After Marilyn did some publicity photographs wearing a sexy short-skirted baseball outfit in the winter of 1951-1952, DiMaggio saw the pictures and learned that she was a rising Hollywood starlet and was determined to meet her as soon as possible. They were introduced at an Italian restaurant on Sunset Boulevard and DiMaggio was surprised to learn that she had never attended a baseball game and knew practically nothing about the game. For his part, DiMaggio was suspicious of Hollywood and its invented idolatry. Despite this, the couple had an immediate and palpable chemistry; Marilyn was drawn to this calm, handsome ex-ballplayer while DiMaggio was smitten by her considerable charm and a passionate romance was instantly ignited.

The two were married in an intimate civil ceremony at San Francisco City Hall, out of the spotlight, a rarity for both of them. DiMaggio’s friend Reno Barsocchini and his old San Francisco Seals manager, Francis Joseph “Lefty” O’Doul, together with O’Doul’s wife and the judge were the only people in attendance. Marilyn had no loved ones present. Standing beside Joe, holding three orchids, she promised to “love, honor and cherish.” When the orchids withered in her perspiring hands, she turned to Joe and asked that if she died before him, would he place flowers at her grave every week, like William Powell had done at the grave of Jean Harlow? Joe promised that he would.

When the ceremony was completed, the newly married couple exited the courtroom to over 100 reporters, fans and autograph hounds. Unbeknownst to Joe, Marilyn had shared the news with studio publicity chief, Harry Brand. The newlyweds were photographed kissing and submitted to a barrage of questions including famously, “How many children did they plan?” “I’d like to have six,” Marilyn responded. “One,” said Joe.

The dreams of America’s favorite couple were short-lived as the couple’s relationship was strained from the outset. On September 15, 1954 during filming of the famous subway grate sequence of The Seven Year Itch, DiMaggio was urged by friend Walter Winchell to come view the spectacle that was taking place on Lexington Avenue. DiMaggio relented and witnessed the iconic scene of Marilyn astride the subway vent with white dress billowing upward. DiMaggio was furious and stormed off. Two weeks later, Marilyn filed a petition for divorce; the marriage lasting only nine months.


In February, 1961, Monroe was admitted to the Payne Whitney Psychiatric Clinic where she contacted DiMaggio. He secured her release and she spent some time with him in Florida where the couple reconciled. True to his promise, after her death, DiMaggio continued to send one half-dozen roses to her crypt three times a week for 20 years. Unlike Marilyn’s other husbands or others who knew her, DiMaggio refused to talk publicly about her, the woman he loved more than any other.

Provenance: Christie’s Personal Property of Marilyn Monroe, Lot 10, October 27-28, 1999 and sold for $772,500.

Estimate: $300 000 - $500 000
 

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lot n°723: Marilyn Monroe signed check to her housekeeper, Eunice Murray
Personal check signed, 3 in. x 8 ¼ in., dated July 10, 1962 and drawn from Marilyn Monroe’s account paying her housekeeper Eunice Murray $100.00. Signed “Marilyn Monroe” in blue ink. Cancellation stamps on recto and verso and bearing Murray’s endorsement signature on the verso. Murray was Monroe’s housekeeper during the last years of her life and accompanied Monroe during her trip to Mexico in February, 1962. Eunice Murray was staying with Monroe the night of the star’s death and reportedly called Monroe’s psychiatrist, Dr. Ralph Greenson, upon discovering the body the night of August 5, 1962. This check was signed just three weeks prior to Monroe’s death and amazingly stamped “PAID” on August 7, two days after she died. A wonderful association.
Estimate: $1 500 - $2 500
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 lot n°724: Joe DiMaggio autograph postcard signed to Marilyn Monroe
Autograph Postcard Signed, “Joe,” to “Dearest Marilyn” from Copenhagen, Denmark and postmarked May 20, 1962. DiMaggio pens, “Dearest Marilyn, Have a short stop over here at Copenhagen enroute for the ‘long underwear country.’ Should be there in about three hours. Spent nine days here in 1958. Wonderful country. The famous Tivoli park was one of my favorite places. Love, Joe.” Addressed in DiMaggio’s hand to “Miss Marilyn Monroe, 12305 Fifth Helena Dr., Los Angeles 49, California, USA.” In February, 1961, Monroe was admitted to the Payne Whitney Psychiatric Clinic where she contacted DiMaggio. He secured her release and she spent some time with him in Florida where the couple reconciled. Accompanied by a printed photograph of the couple on their wedding day
Estimate: $4 000 - $6 000
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  lot n°737: Marilyn Monroe invitation to JFK birthday celebration with call sheet from her personal property
From the Christie’s 1999 sale of the personal property of Marilyn Monroe, three items for one event which document one of the most significant personal moments for her. In chronological sequence, the first is the personal invitation from “New York’s Birthday Salute to the President” requesting her presence at Madison Square Garden on May 19, 1962 to celebrate President John F. Kennedy’s birthday gala party; the second is a 2pp mimeo call-sheet for the evening’s order of events, detailing Marilyn’s appearance at #35, “Marilyn Monroe and Stars”, which an unknown hand has doodled what might be a stage, and written in red grease pencil, with corrections in graphite, “Who do you have to be to ask- Who do you have to be to be disappointment-“ ; the last is the official illustrated program for the birthday event with iconic portrait of Kennedy on cover, with red, white and blue patriotic design. All three items were the personal examples in Marilyn Monroe’s possession during the time of this historic event, for which she performed an extraordinarily sexy, breathy rendition of “Happy Birthday”to the President (even calling in sick to work at Fox in order to do so), and each shows extra folds and slight handling by her, presumably to secure inside a purse that night. Kennedy remarked on stage that he could retire from politics after such a performance; Peter Lawford introduced her as “the late Marilyn Monroe”, and sadly she would be gone to a mysterious death in just over two months.
Provenance: Christie’s Personal Property of Marilyn Monroe, Lot 54, October 27-28, 1999 and sold for $129,000.

Estimate: $40 000 - $60 000
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Peintures


 lot n°736: Marilyn Monroe portrait by Romeo Catozella
after a Modern Screen magazine cover

From her personal property - Acrylic on canvas, 28 in. x 22 in. (incorrectly catalogued by Christie’s as oil) executed by artist and Marilyn Monroe fan Romeo Catozella of New York, and gifted to her. Based on a 1955 Modern Screen magazine cover photo portrait of Marilyn, and kept by her until her death in 1962. Includes an issue of the 1955 Modern Screen magazine. Provenance: Christie’s 1999 Personal Property of Marilyn Monroe, Lot 346, $23,000.

Estimate: $10 000 - $15 000
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   lot n°738: Nude oil painting of Marilyn Monroe by Earl Moran
Original colorful painting by Earl Moran of a young and nude Marilyn Monroe in a prone pose painted from life circa 1948-1949. Accomplished in oil on board measuring 23 ½ in. x 35 ½ in. Signed “Earl Moran” at the lower right. Matted and framed.

Earl Moran (1893-1984) was the most important pin-up artist of the period. He studied with the legendary anatomist George Bridgman at the Art Students League in Manhattan, and after moving to Chicago in 1931, opened a small photograph and illustration studio. He submitted some paintings of models in bikinis to two calendar companies, Brown and Bigelow and Thomas D. Murphy Company, both of which purchased his work and launched his career. One year later he signed an exclusive contract with Brown and Bigelow and sold millions of calendars for the company over the next few years.
He moved to Hollywood in 1946 when a young starlet named Norma Jeane Dougherty was sent to his Sunset Boulevard studio by the Blue Book Agency. Over the next four years, Marilyn came by once a month for a two-hour modeling session. After Moran chose a costume, the models would assume dozens of poses while he peered through his camera’s 20-pound lens. He generally worked in pastels traced in charcoal from his print, but this is one of only a few oils he did and without a doubt his very best subject.
The photograph he worked from for this sitting was taken by Moran’s wife, and shows Marilyn lying prone and topless on cushions while wearing bikini briefs. As she became more comfortable during the session she removed the briefs and allowed Moran to complete the painting of her completely nude and adding a stylized colorful pillow-like base. Marilyn’s beaming smile is a testament to her comfort and natural demeanor while posing for Moran.
Of all the models he worked with he thought Monroe was the sexiest, “better than anyone else…She expressed just what I wanted.” They met for the last time on the set of There’s No Business Like Show Business (1954). Marilyn embraced Moran telling him she loved the way he made her legs look wonderful. Certainly no better endorsement for this fine painting.
The consignor was a Moran pin-up model and a close friend of Earl Moran who gifted her the painting in the 1960s.  

Estimate: $70 000 - $90 000
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