lot n°507: MARILYN MONROE ORIGINAL HOW TO MARRY COLOR SLIDES
Two original color transparency slides of Marilyn Monroe, taken on the set of How to marry a millionaire (1953). The photographs were taken by Monroe's makeup artist, Allan "Whitey" Snyder. Together with two black and white photographs of Snyder applying Monroe's makeup on set. Rights to the slide images will be transferred to the winning bidder.
Photographs, 8 by 10 inches; Slides, 2 by 2 inches each.
PROVENANCE From the Estate of Allan "Whitey" Snyder
Estimate: $800 - $1 200 
 
  

lot n°507: MARILYN MONROE ORIGINAL THE PRINCE AND THE SHOWGIRL COLOR SLIDES
A group of six original color transparency slides of Marilyn Monroe, taken on the set of The Prince and the Showgirl (1957). The photographs were taken by Monroe's makeup artist, Allan "Whitey" Snyder. Rights to the images will be transferred to the winning bidder. Slides, 2 by 2 inches each
PROVENANCE From the Estate of Allan "Whitey" Snyder
Estimate: $1 000 - $2 000 
 
   

lot n°508: MARILYN MONROE ORIGINAL BUS STOP COLOR SLIDES
A group of eight original color transparency slides of Marilyn Monroe, taken on the set of Bus Stop (1956). The photographs were taken by Monroe's makeup artist, Allan "Whitey" Snyder. Together with one vintage black and white photograph of Snyder applying Monroe's makeup on set. Rights to the images will be transferred to the winning bidder. Slides, 2 by 2 inches each
PROVENANCE From the Estate of Allan "Whitey" Snyder  
Estimate: $1 000 - $2 000 
  
     

 lot n°516: MARILYN MONROE LET'S MAKE LOVE PHOTOGRAPHS
Three black and white photographs of Allan "Whitey" Snyder applying Marilyn Monroe's makeup on the set of Let's Make Love (20th Century Fox, 1960). 10 by 8 inches each
PROVENANCE From the Estate of Allan "Whitey" Snyder
Estimate: $400 - $600 
 
 

lot n°517: MARILYN MONROE SOMETHING'S GOT TO GIVE PHOTOGRAPHS
A group of 12 color photographs and one color transparency slide of Marilyn Monroe, taken on the set of Something's Got to Give (20th Century Fox, 1962), Monroe's last film. The slide was taken by Monroe's makeup artist, Allan "Whitey" Snyder. Rights to the slide image will be transferred to the winning bidder.
Largest photograph, 8 by 10 inches; Slide, 2 by 2 inches
PROVENANCE From the Estate of Allan "Whitey" Snyder 
Estimate: $600 - $800 

lot n°526: ORIGINAL HOW TO MARRY A MILLIONAIRE COLOR SLIDES
Three original color transparency slides, taken on the set of How to Marry a Millionaire (1953). Two of Betty Grable and one of Lauren Bacall. The photographs were taken by makeup artist Allan "Whitey" Snyder. Rights to the images will be transferred to the winning bidder. Slides, 2 by 2 inches each.
PROVENANCE From the Estate of Allan "Whitey" Snyder
Estimate: $400 - $ 600  
 
  

 Comment épouser un millionnaire
   Photos scène 3

Pola, Schatze et Loco au restaurant.

Comment épouser un millionnaire
Sur le tournage - scène 3

> Marilyn avec Alex D'Arcy et sa femme Arleen Whelan

  > Marilyn et Irene Crosby (sa doublure, à gauche)
 

   > Marilyn et un homme non identifié

Comment épouser un millionnaire
Photos Publicitaires  

Scène 3

 Portraits de Marilyn Monroe
Photographies de John Florea

Portraits of Marilyn Monroe 
 Photographs by John Florea

- En coulisses: le photographe Gene Trindl dirige Marilyn -
- Behind the scenes: photographer Gene Trindl directs Marilyn -

- credit photographe -

  - colorisations -

 - Magazines -

Movies, 06/1954 - USA
Movieland's, 1954 - USA
   

Mon Film, 01/12/1954 - dos couverture - FRANCE
Cinema, 1954 - CUBA
    

Liberty, 07/1955 - CANADA
Tempo, 04/11/1958 - ITALIE
Gaceta Ilustrada , 02/1971 - ESPAGNE
     

titre et année inconnus ?  - JAPON
 

  Portraits de Marilyn Monroe
Photographies de Sam Shaw

Portraits of Marilyn Monroe 
 Photographs by Sam Shaw

 - Magazines -

 Movieland, 11/1954 - USA

  Portrait de Lauren Bacall

© All images are copyright and protected by their respective owners, assignees or others.
copyright text by GinieLand.

 Comment épouser un millionnaire
Sur le tournage - scène 3

Marilyn Monroe sur le tournage du film How to Marry a Millionaire (Comment épouser un millionaire) en mars 1953; dans les coulisses et loges du plateau avec sa coiffeuse Gladys Rasmussen, et les actrices Lauren Bacall et Betty Grable. Photographies prises par  Frank Worth.
Marilyn Monroe on the shooting of the movie How to Marry a Millionaire in March 1953; behind the scenes and dressing-room with her hairdresser Gladys Rasmussen and actresses Lauren Bacall and Betty Grable. Photographs taken by Frank Worth.

Le photographe Frank Worth, qui travaille en free-lance, se trouve à cette période sous contrat avec la 20th Century Fox, et il travaille aussi pour mettre en scène les véhicules Singer. Pendant le tournage de Comment épouser un millionaire, dans les studios de la Fox, il photographie Donald O'Connor et Debbie Reynolds sur le parking.
Frank Worth, who works as a freelance photographer, is on that time, on contract with 20th Century Fox, and he has also the job to shoot Singer cars. During the shooting of How to marry a millionaire, in the parking lot of Fox studios, he photographs Donald O'Connor and Debbie Reynolds.

Il a besoin d'une image plus iconique et glamour destinée à faire la couverture du magazine Motor World (édition du 19 juin 1953) pour mettre en scène la voiture Singer roadster. Il convie Sammy Davis Jr. (qui en plus d'être acteur, chanteur, danseur et musicien, s'intéresse à la photographie en collectionnant les appareils photos et pratiquant la photographie en amateur). Sammy vient accompagner d'Arthur Silbert, son meilleur ami et associé. Et ils posent ensemble avec Marilyn Monroe devant la voiture.
Arthur Silbert racontera: "N'ayant normalement rien à faire la journée car nous travaillons la nuit dans toutes les boîtes de nuit à travers le pays, c'était dans notre habitude de passer pas mal de temps dans les studios à rendre visite à des amis."
He needs a more iconic and glamorous image to make the cover of Motor World (published in June, 19) magazine to emphasis on the roadster Singer car. He invites Sammy Davis Jr. (who, besides being an actor, singer, dancer and musician, is interested in photography by collecting cameras and practicing amateur photography). Sammy comes with Arthur Silbert, his best friend and business partner. And they pose together with Marilyn Monroe in front of the car.
Arthur Silbert later tell: "Normally having nothing to do during the day as we worked at night in all-night clubs around the country, it was our practise to spend a lot of time hanging out at the studios visiting friends."

Sur l'une des photographies, Marilyn dédicace une photo d'elle à Arthur Silbert: "To Art, Love and kisses, Marilyn Monroe".
Arthur Silbert expliquera: "Après la courte séance photo, le photographe a pris une photo de nous trois devant la voiture. Sammy et moi avions eu chacun une photographie de Marilyn et nous lui avons demandé de nous la dédicacer."
On one of the photographs, Marilyn signs a photo of her to Arthur Silbert: "To Art, Love and kisses, Marilyn Monroe".
Arthur Silbert will explain: "After the brief shoot, the photographer took a picture of all three us standind and sitting on and around the car. Sammy and I each had been given a pictures of Marilyn and we asked her to autograph the for us."

Frank Worth photographie Marilyn, qui se fait photographiée par Sammy Davis Jr.
Frank Worth takes this photograph of Marilyn, being shot by Sammy Davis Jr.

Les photographies en noir et blanc sont de Frank Worth
The black and white photographs are by Frank Worth 
    
 
 
   

Les photographies en couleur sont de Sammy Davis Jr.
The color photographs are from Sammy Davis Jr.
     

Marilyn pose avec la voiture rare (500 séries) de Frank Worth, une Riley RMD DHC de 1951 (coupé décapotable) - Photographies de Sammy Davis Jr.
Marilyn posed next to Frank Worth's rare (only 500 made of that model) 1951 Riley RMD DHC (drop-head-coupe) - Photographs taken by Sammy Davis Jr.

    
 
   

- Frank Worth & Marilyn -
   

> planche contact
 

> dans la presse
 

>> sources web :
article sur Serviside 
anecdote Art Silvert autour de la vente de l'autographe sur Arcadja

© All images are copyright and protected by their respective owners, assignees or others.
copyright text by GinieLand.

Comment épouser un millionnaire
   Photos scène 4

Pola s'endort et plonge dans un rêve.

Comment épouser un millionnaire
   Photos scène 5

La scène du rêve... Pola imagine recevoir des bijoux de sultans.

Comment épouser un millionnaire
Sur le tournage - scène 5

> Marilyn Monroe et Lauren Bacall
  

> photo datée de mai 1953

Comment épouser un millionnaire
Photos Publicitaires  

Scène 5

 Portraits de Marilyn Monroe
Photographies de John Florea

Portraits of Marilyn Monroe 
 Photographs by John Florea

- En coulisses: le photographe Gene Trindl dirige Marilyn -
- Behind the scenes: photographer Gene Trindl directs Marilyn -

Certaines photographies sont publiée dans des article des magazine américains Collier's (du 27 juin 1953) -magazine pour lequel travaille le photographe John Florea- et Eye (septembre 1953) pour promouvoir les films Les hommes préfèrent les blondes que Marilyn a terminé de tourner en mars 1953, et Comment épouser un millionnaire dont elle débute le tournage quelques jours après.

Some the photographs are published in articles in the American magazines Collier's (June 27, 1953) -magazine for which the photographer John Florea works- and Eye (September 1953) to promote the films Gentlemen Prefer Blondes that Marilyn has finished shooting in March 1953, and How to marry a millionaire that she begins filming some days after.

(> 27/06/1953 Collier's )
(> 09/1953 Eye )

© All images are copyright and protected by their respective owners, assignees or others.
copyright text by GinieLand.

Comment épouser un millionnaire
   Photos scène 6

Les filles défilent: Pola Debevoise présente un body rouge serti de diamants