Photographies

lot 189: MARILYN MONROE PHOTOS AND SIGNED BOOK
A trio of Marilyn Monroe items: a book titled Marilyn by George Barris and Gloria Steinem (hardcover with dust jacket, Henry Holt, NY, 1986, 1st printing) signed by both Steinem and Barris; a black and white gelatin silver photograph of Monroe combing her hair, signed lower left by George Barris; and a large black and white gelatin silver photograph of Monroe, with John Florea copyright stamp on verso.

Lot 190: MARILYN MONROE PHILIPPE HALSMAN PHOTO
A gelatin silver photograph featuring Marilyn Monroe jumping in a beaded dress. With copyright stamp on verso, marked edition number III/250.
 

Lot 191: MARILYN MONROE PHILIPPE HALSMAN PHOTO  
 A gelatin silver photograph featuring Marilyn Monroe in a terry-cloth bikini. With copyright stamp on verso, marked "edition number III/250."
 

Lot 192: MARILYN MONROE JOHN FLOREA PHOTOGRAPH
A gelatin silver photograph featuring Marilyn Monroe stacking 1,000-dollar bills. Signed on verso "John Florea," with a press stamp and copyright stamp both dated 1953. Likely a promotional photo for Monroe's film How To Marry A Millionaire (20th Century Fox, 1953). 

Lot 193: MARILYN MONROE JOHN FLOREA PHOTOGRAPH  
A gelatin silver photograph featuring Marilyn Monroe licking her lips. Signed on verso "John Florea," with copyright stamp dated 1953. 

Lot 194: MARILYN MONROE JOHN FLOREA PHOTOGRAPH  
A gelatin silver photograph featuring Marilyn Monroe stacking 1,000-dollar bills next to the photographer John Florea. Signed on verso "John Florea," with copyright stamp dated 1953. Likely a promotional photo for Monroe's film How To Marry A Millionaire (20th Century Fox, 1953). 

Lot 195: MARILYN MONROE AND JOE DIMAGGIO PHOTOGRAPHS
A pair of vintage black and white press photographs of Marilyn Monroe and Joe DiMaggio on their wedding day.

Lot 196: MARILYN MONROE MISCHA PELZ PHOTOGRAPH  
A large format black and white photograph of Marilyn Monroe taken by Mischa Pelz. Signed lower right in pencil "Pelz," with identification sticker on verso. 
 

Photographies

lot 981: MARILYN MONROE INSCRIBED PHOTOGRAPH
A photograph of Marilyn Monroe mounted to board and inscribed on the board “Oh George,/ You’re a genius!/ Marilyn Monroe.” The black and white image was taken by Cecil Beaton and said to be Monroe’s favorite image of herself.
The consignor relates that in the late 1950s he attended an event at Frank Sinatra’s Palm Springs home as a guest of Sammy Davis Jr. The consignor remembers the photograph being given by Monroe, who was also a guest of Sinatra’s, to Davis’ valet, whom he named as “George.” This is a possible inaccuracy and may have been given to Frank Sinatra’s longtime valet, George Jacobs. The consignor was given the image by the valet George, who said he could not take the item back to Los Angeles. The consignor has had the photograph in his possession since that time.

lot 986 à 999: MARILYN MONROE JOSEPH JASGUR PHOTOGRAPHS


 


 




 
 
 

Lot 1001: COLLECTION OF MARILYN MONROE PHOTOGRAPHS
A group of approximately 35 unsigned copies of photographs and images of Marilyn Monroe taken by various photographers, collected by photographer Joseph Jasgur.
 

Lot 1003: MARILYN MONROE 1941 SCHOOL PHOTOGRAPH
A vintage original Marilyn Monroe school photograph from Ralph Waldo Emerson Junior High School. Titled "Class of Summer, 1941." Monroe appears in the seventh row from the bottom and the 15th person from the right. inscriptions on verso are written to a student named Barbara. The then named Norma Jeane Baker was 15 years old.
 
 

Lot 1004 à 1023: MARILYN MONROE ANDRE DE DIENES PHOTOGRAPHS

   
  
 

Lot 1027: MARILYN MONROE HAROLD LLOYD PHOTOGRAPH PRINT

Lot 1028: MARILYN MONROE BEHIND-THE-SCENES PHOTOGRAPHS
A pair of photographs of Marilyn Monroe on the set of Niagara (20th Century, 1953). The black and white images show Monroe in a skirt suit and beret. One marked on verso "Marilyn Monroe/ in film 'Niagara'/ taken June 11, 1952/ Park St. Niagara Falls." The images are believed to have never been published.
 

Lot 1029: MARILYN MONROE AND BILLY WILDER PHOTOGRAPH
 

Lot 1031: DON'T BOTHER TO KNOCK WARDROBE AND PUBLICITY PHOTOGRAPH ARCHIVE

Lot 1032: THERE'S NO BUSINESS LIKE SHOW BUSINESS ARCHIVE
 

Lot 1033-34, 1036-37: MARILYN MONROE GEORGE BARRIS PHOTOGRAPHS

 
 

 Lot 1035: MARILYN MONROE IMAGES
 
 

Lot 1038: MARILYN MONROE BUS STOP MILTON GREENE NEGATIVES AND COPYRIGHTS

Lot 1039: MARILYN MONROE AND TONY CURTIS PHOTOGRAPH

Lot 1046 à 1050: MARILYN MONROE MANFRED LINUS KREINER PHOTOGRAPHS 
     
 

 Lot 1051: MARILYN MONROE AND MARLON BRANDO AT PREMIERE
 

Lot 1055: MARILYN MONROE CANDID PHOTOGRAPH
 

lot 1061-62: THE MISFITS NEGATIVES AND COPYRIGHT
The photographs offered here were taken on the Nevada set of the film by Thomas Kaminski in 1960.

 

Lot 1067: MARILYN MONROE PHOTOGRAPH SIGNED BY ALLAN GRANT
An original vintage photograph signed by Allan Grant. This photograph was taken on July 7, 1962, in Monroe’s Brentwood home for an article in LIFE magazine that went to newsstands on August 3. Monroe died on August 5, two days later.
 

lots 1074 à 1079: MARILYN MONROE BERT STERN "THE LAST SITTING" PHOTOGRAPH
 

Documents papiers

lot 982: PRESIDENT KENNEDY’S BIRTHDAY GALA TICKETS AND PROGRAM
A pair of two tickets to President John F. Kennedy’s Birthday Party at Madison Square Garden on May 19, 1962. Side Balcony Seats 305 J 1 &2. With a color program titled on the cover "Happy Birthday Mr. President." The four-page booklet includes a list of the dinner committee and sponsors and order of appearance: Jack Benny, Ella Fitzgerald, Jerome Robbins Ballets, Danny Kaye, Henry Fonda, Maria Callas, Peggy Lee, Peter Lawford, Marilyn Monroe, Jimmy Durante and Eddie Jackson, Bobby Darin, Henry Fonda, Mike Nichols and Elaine May, and Diahann Carroll.

Lot 1002: MARILYN MONROE SIGNED MODEL RELEASE FORM
A signed model release form for Marilyn Monroe’s third modeling session with Joseph Jasgur. Jasgur photographed Norma Jeane Dougherty and the cast of a local production titled “The Drunkards” in color and black and white at Zuma Beach, California. The form is dated “March23-’46” and signed in ink “Norma Jeane Dougherty.” The form is also signed by Mary Lou Bennett and Tom Burton, who participated in the session.
 

Lot 1042: MARILYN MONROE RECEIVED FAN MAIL
A postcard and pair of envelopes received by Marilyn Monroe from fans. The fan mail was sent to Monroe at 20th Century Fox from international fans; envelopes are postmarked 1954. Accompanied by a contemporary print publicity still showing Monroe surrounded by fan mail.

Lot 1044: MARILYN MONROE PRODUCTIONS BANK REGISTRY
A page of transaction activity for a Colonial Trust Company account of Marilyn Monroe Productions Inc. dating from July 1, 1959, to July 30, 1959. Showing an ending balance of $78, 476.80.

Lot 1045: MARILYN MONROE TRUSTEE ACCOUNT CHECK
A typed check written to the Screen Actors Guild, Inc. in the amount of $25.00, drawn from a Marilyn Monroe Trustee Account at Bank of America. The check is numbered 655 and dated March 9, 1956, signed by Inez Melson, Monroe's business manager. Description notes that this check was for Monroe's current SAG dues.
   

lot 1056: MARILYN MONROE AND ARTHUR MILLER CHECK
An unwritten check from Marilyn Monroe and Arthur Miller's joint account at The First National City Bank of New York. The check is numbered 44 on the top right and still has the attached ledger on the left. 8 by 2 3/4 inches
PROVENANCE Partial Lot 142, "Property from the Estate of Marilyn Monroe and Other Collections," Julien's Auctions, Los Angeles, California,
June 4, 2005

 lot 1057: MARILYN MONROE SIGNED CARD
A Marilyn Monroe signed card. The card, from Saks Fifth Avenue, is signed in blue ink and upside down from the department store name. 2 3/4 by 3 1/2 inches 
 

lot 1059: MARILYN MONROE LETTERS TO AND ABOUT
A collection of letters sent to and about Marilyn Monroe. The group includes a letter written to Marilyn Monroe from Jack Hirschberg on Some Like It Hot (UA, 1959) stationery, dated December 17, 1958. Hirschberg was the publicist for the film. He wrote to offer his condolences regarding Monroe’s miscarriage. Also included are a letter from American Airlines dated August 1, 1960, regarding a lost piece of luggage and attached form that was supposed to be filled out and returned to the airline, accompanied by return envelope; copies of letters written by Cherie Redmond and attached note dated July 27, 1962, ten days before Monroe’s death, to Eunice Murray explaining the two letters that are in regard to a furniture order of Monroe’s.

lot 1060: LET'S MAKE LOVE ORIGINAL SCRIPT
A Let's Make Love script dated January 15, 1960. Blue paper cover, reads at upper right "Second Revised Shooting/ Final/ 4014-79/ Permanent File," 139 pages. The comedic film starred Marilyn Monroe opposite Yves Montand. The pair were rumored to have had an affair during the the production of the film.
 

Lot 1064: MARILYN MONROE TAX DOCUMENT AND TYPED LETTER
Relating to Marilyn Monroe's purchase of her home at 12305 5th Helena Drive in Brentwood, California. The typed letter, dated "March 6, 1962," reads, "Dear Sir: Please change your records to show that I am the owner of Lot 20, Tract No. 5462. Very Truly Yours, Marilyn Monroe."
Larger, 11 by 8 1/2 inches
 

Lot 1068: MARILYN MONROE REAL ESTATE DOCUMENT
A Marilyn Monroe signed, typed purchase offer for Monroe's Los Angeles home on Helena Drive. This is the only home Monroe ever purchased. Document dated January 9, 1962, with a purchase price of $52,500. Monroe would die eight short months later.
15 by 9 1/4 inches
 

Lot 1071: MARILYN MONROE RECEIVED AND SENT CORRESPONDENCE
A group of correspondence sent and received by Marilyn Monroe, including a two-page typed, signed letter to Monroe from Jean Negulesco, typed on Negulesco’s stationery and dated July 14, 1958. The letter is in regard to flowers and a book sent by the director to Monroe. The book was The Midwife of Pont Clary , which Negulesco wanted to adapt into a film for Monroe. He wrote, “The thing of The Midwife of Pont Clary is fundamentally sex …” and later suggests Monroe give the book to her husband, Arthur Miller, to read. Also included are a copy of a wire message sent by Monroe to Inez Melson dated June 10, 1959, regarding the boarding of a bird named Clyde; a typed, signed letter from playwright William Inge complimenting Monroe on her performance in Some Like It Hot (UA, 1959), dated April 6, 1959, and signed “Bill Inge"; and a confirmation copy of a telegram sent by Monroe to Roberto Boss in Mexico regarding a furniture order, with a typed, dictated copy of same, dated June 16, 1962, less than two months before Monroe’s death.
 

Vêtements, Bijoux

lot 983: MARILYN MONROE/ANDY WARHOL LAVENDER TRIBUTE DRESS
A lavender Travilla tribute dress honoring Marilyn Monroe and Andy Warhol. The sheer crepe sunburst pleated halter dress was inspired by the white dress Monroe made famous in The Seven Year Itch (20th Century, 1955) and attributed by the Travilla estate as being re-created for an Andy Warhol memorial service at The Beverly Hilton in the colors of his iconic "Marilyn" silkscreen images. A label reads "Travilla." No size present.
PROVENANCE From the Estate of William Travilla

Lot 1052: MARILYN MONROE EARRINGS
A pair of clip-on rhinestone earrings owned by Marilyn Monroe. Each earring is composed of a single full-cut prong-set rhinestone and five strands of cascading prong-set baguette cut rhinestones with simple clip backs. Monroe wore these earrings to the premiere of The Rose Tattoo (Paramount Pictures, 1955) and Actor's Studio benefit dinner which she attended with Marlon Brando. Also believed to have been worn to the opening of The Middle of the Night on Broadway in 1956. The play was produced by Joshua Logan who also directed Monroe in Bus Stop (20th Century, 1956). The link below contains video of Monroe wearing the earrings.
noseasboba.tumblr.com/post/56723074922
PROVENANCE Lot 200, “The Personal Property of Marilyn Monroe,” Christie’s, New York, Sale number 9216, October 27 & 28, 1999
 

 lot 1053: MARILYN MONROE SKIRT
 A black wool straight skirt with arched seams down the front, a back zipper and a back slit; interior label reads "Jax." Marilyn Monroe had numerous basic black wool straight skirts that were virtually all identical, this being one of them. Accompanied by a reprinted image of Monroe in the same or similar skirt.
PROVENANCE Lot 32, "Property from the Estate of Marilyn Monroe and Other Collections," Julien's Auctions, Los Angeles, California, June 4, 2005
 

lot 1058: MARILYN MONROE BLACK BRASSIERE
Marilyn Monroe’s black brassiere. Underwire brassiere, sheer black material covers each cup with solid black fabric covering demi-cup. Originally intended for sale at the landmark Marilyn Monroe auction at Christie’s in 1999, it still bears a Christie’s tag. Housed with an image of Monroe with a small plaque that reads “From the Wardrobe of Marilyn Monroe.”
21 3/4 by 19 3/4 inches, Framed
PROVENANCE Partial Lot 72,"Property From the Estate of Marilyn Monroe," Julien's, Los Angeles, June 4, 2005

 

Lot 1063: MARILYN MONROE CEIL CHAPMAN COCKTAIL DRESS
A black jersey figure hugging Ceil Chapman cocktail dress from the personal wardrobe of Marilyn Monroe. The dress has a ruched bodice, draping to the hips, 3/4 sleeves, a ballerina neckline with piping trim that plunges to the back.
PROVENANCE Lot 226, “The Personal Property of Marilyn Monroe,” Christie’s, New York, Sale number 9216, October 27 & 28, 1999

 

Objets Divers

Lot 1000: JOSEPH JASGUR GRAFLEX CAMERA
Vintage Graflex R.B. Super D 4x5 film camera used by Joseph Jasgur to take photos of Norma Jeane (Marilyn Monroe). Accompanied by a 4x5 Graflarger back, five 4x5 film magazines, one Ektalite field lens for 4x5 back, one Polaroid Land back for Graflex camera, one box of Polaroid Polapan 4x5 Land Film Type 52, and four shutter release cables.
      
     

lot 1024: PLAYBOY MAGAZINE FIRST ISSUE SIGNED BY HUGH HEFNER
A first issue of Playboy magazine (HMH Publishing, 1953) with Marilyn Monroe on the cover and signed by Hugh Hefner. The magazine, which launched in December 1953, sold for 50 cents a copy. Accompanied by a photograph of Hefner with the signed item.
   

lot 1025: MARILYN MONROE 1954 "GOLDEN DREAMS" CALENDAR

lot 1026: MARILYN MONROE 1955 GOLDEN DREAMS CALENDAR
 

Lot 1030: MARILYN MONROE 1952 PHOTOPLAY AWARD
 An award plaque presented to Marilyn Monroe by Photoplay magazine. The bronze-tone plaque affixed to a wood frame reads "Photoplay Magazine/ Presents/ The New Star Award/ To/ Marilyn Monroe/ for her/ Rapid Rise to Stardom/ in 1952." Monroe wore the Travilla designed gold lamé gown from Gentlemen Prefer Blondes (20th Century, 1953) to the February 9, 1953, event where the award was presented. 14 by 11 1/2 inches
PROVENANCE Lot 313, "The Personal Property of Marilyn Monroe," Christie's, New York, Sale number 9216, October 27-28, 1999
   
    

Lot 1043: MARILYN MONROE HAIR ROLLER
A spring-style wire hair roller owned by Marilyn Monroe.
PROVENANCE Partial Lot 245, "Property From the Estate of Marilyn Monroe," Julien's Auctions, Los Angeles, June 4, 2005
 

lot 1054: MARILYN MONROE MASCARA
A gold-toned metal tube of Helena Rubinstein mascara.
Length, 4 1/2 inches
PROVENANCE Partial lot 275, "Property from the Estate of Marilyn Monroe and Other Collections," Julien's Auctions, Los Angeles, California, June 4, 2005
 

Lot 1065: MARILYN MONROE MEXICAN TAPESTRY
A Mexican wall hanging wool tapestry owned by Marilyn Monroe. Tapestry reads “Chac Mool,” with figure holding a bowl of fire.  Accompanied by a Gene Anthony photograph of the tapestry in Monroe’s Brentwood home.
77 by 55 inches
PROVENANCE Partial Lot 450, "The Personal Property of Marilyn Monroe," Christie's, New York, Sale number 9216, October 27-28,1999; Lot 893, "Julien's Summer Sale," Julien's Auctions, Planet Hollywood Resort and Casino, Las Vegas, June 27, 2009
 

Lot 1066: MARILYN MONROE OWNED PAINTING
A framed oil on canvas painting, signed "Olga" on lower left corner.
30 1/4 by 49 1/4 inches
PROVENANCE Partial Lot 426, “The Personal Property of Marilyn Monroe,” Christie’s, New York, Sale number 9216, October 27-28, 1999
 

 Lot 1069: MARILYN MONROE OWNED BOOK
A copy of Relax and Live by Joseph Kennedy (New York: Prentice Hall, 1953) from the personal collection of Marilyn Monroe with Christie's auction bookplate on front inside cover. Pencil markings can be found on page 43 and evidence of candle wax on page 47.
PROVENANCE Partial Lot 559, “The Personal Collection of Marilyn Monroe,” Christie’s, New York, Sale number 9216, October 27 & 28, 1999

Lot 1070: MARILYN MONROE OWNED BOOK
 A copy of Some Characteristics of To - Day by Dr. Rudolf Steiner (London: Steiner Publishing, 1942) from the personal collection of Marilyn Monroe with Christie's auction bookplate on front inside cover. Accompanied by a contemporary image of Monroe in front of a bookshelf.
PROVENANCE Partial Lot 559, “The Personal Collection of Marilyn Monroe,” Christie’s, New York, Sale number 9216, October 27 & 28, 1999
 

Lot 1072: LIFE MAGAZINE "REMEMBER MARILYN"
from September 8, 1972
 

Lot 1073: MARILYN MONROE BERT STERN AVANT GARDE 2 MAGAZINE
published in March 1968
 

 Vente aux enchères 'Julien's 90210 Exclusive Spring Online Only Entertainment Auction' le 17 mars 2014 par Julien's Auction aux Etats-Unis.

Cette enchère inclu des lots des thèmes d'hollywood vintage et contemporain, du Rock 'n Roll, et tout ce qui touche au divertissement: costumes de films, photographies publicitaires, lobby cards,photographies de Marilyn Monroe et Elizabeth Taylor, affiches de films etc... La partie musique contient des awards de Heart, ZZ Top, Eric Clapton, Fleetwood Mac, James Taylor, Linda Ronstadt, and Jefferson Starship; des démos de Bob Dylan; des photos de Grateful Dead et Michael Jackson, des chèques de Bing Crosby etc...
Les lots avec leur description sont en consultation libre sur julienslive.
43 lots concernent Marilyn Monroe: des photographies deJoseph Jasgur, George Barris, Andre de Dienes, et Steve Kaufman.

> Lot 306: BOB HOPE MARILYN MONROE GOLDEN DREAMS CALENDAR
A pair of Bob Hope related items. The first is a 1955 Marilyn Monroe "Golden Dreams" calendar with the quote "Did I say Bob Hope was the sweetest guy I have ever met? I sure did - and you can quote me" with Monroe's facsimile signature. With a color image of Hope and Angela Lansbury inscribed by Lansbury "Dear Bob/ I'll never/ forget this!/ Love/ Angie X."

> Lot 377: A COLLECTION OF MARILYN MONROE THEMED LOBBY CARDS

 > Lot 378 à 401: MARILYN MONROE PHOTOGRAPH BY JOSEPH JASGUR
 
     
 
     
     
   
   
     
   
     
     
   
   
 

> Lot 402 à 411: MARILYN MONROE GEORGE BARRIS PHOTOGRAPHS
     
     
 

> Lot 412: MARILYN MONROE PHOTOGRAPH BY BERT STERN

> Lot 413: MARILYN MONROE ARCHIVE OF BOOKS
A collection of fifteen books about Marilyn Monroe: Marilyn and Me by Susan Strasberg (Hardcover with DJ, 1st Printing - Time Warner, NY, 1992) inscribed by Strasberg, and with a color photograph of her at the signing; The Last Sitting by Bert Stern (Hardcover with DJ, 1st Printing - William Morrow, NY, 1982); The Birth of Marilyn (Hardcover with DJ, 1st Printing - St. Martin's, NY, 1991); along with a group of seven black & white photographic images of costume designs for the Monroe comedy classic Some Like It Hot (Ashton Productions, 1959); as well as a DVD of the film Home Town Story (MGM, 1951); a cassette tape recording labeled "Mrs. Betty Nunez"; and two modern magazines featuring Marilyn on the cover. Only partially photographed.
Largest, 12 3/4 by 10 1/4 by 5/8 inches
PROVENANCE From the Collection of Glenn Brown

> Lot 414: MARILYN MONROE GOLDEN DREAMS CALENDAR
A Marilyn Monroe Golden Dreams pin-up calendar from 1955.

> Lot 415, 416, 418: MARILYN MONROE ANDRE de DIENES PHOTOGRAPH

> Lot 417: MARILYN MONROE ARTWORK BY STEVE KAUFMAN
 

Photographies de George Barris revisitées par Dennis Mukai
> source InHollywoodLand

lot 1237: MARILYN MONROE CHILDHOOD PHOTOGRAPHS
A group of three vintage black and white photographs of Marilyn Monroe as a child. An image of Monroe and another child on the beach is inscribed on the back "The Blonde is Norma Jeane [crossed out and rewritten in pencil 'Marilyn Monroe'] and the other is Dona, my Chum's little girl. P.S. Just two little (illegible)." An image of Monroe on the beach alone is marked on verso "Marilyn Monroe age 3 1/2 yrs." The final image is of Monroe and another child sitting on a bench. Marked on verso "Marilyn Monroe age 2 1/2 yrs." The photographs were taken when Monroe was living with her foster parents, Albert and Ida Bolender.
Each, 3 3/4 by 4 3/4 inches
Estimate: $600 - 800
 

lot 1238: MARILYN MONROE DAVID CONOVER PHOTOGRAPH
A contemporary photographic print of Marilyn Monroe taken by David Conover circa 1945. The black and white photograph shows a smiling curly haired Monroe. The photographs were made from the digitally restored original negatives.
30 by 24 inches
Estimate: $150 - 300
  

lot 1239: MARILYN MONROE "A NEW WRINKLE" TOM KELLEY PRINT
A limited edition print of Tom Kelley's 1949 photograph of Marilyn Monroe titled "A New Wrinkle." Signed in the lower right by Tom Kelley and numbered 1270/2000.
Framed, 20 1/4 by 16 1/4 inches; Image, 16 by 12 inches
Estimate: $600 - 800
 
  

lot 1240: MARILYN MONROE PHOTOGRAPHS BY JOSEPH JASGUR
A group of 11 black and white photographs of Marilyn Monroe in a plaid shirt, taken by Joseph Jasgur in 1946 in a photoshoot for Blue Book Modeling Agency. Gelatin silver prints. Some mounted, some with photographer's stamp on verso.
Most, 8 by 10 inches
PROVENANCE From the Estate of Joseph Jasgur
Estimate: $600 - 800
 

lot 1241: MARILYN MONROE PHOTOGRAPHS BY JOSEPH JASGUR
A group of 13 black and white photographs of Marilyn Monroe, taken by Joseph Jasgur in 1946 in a photoshoot for Blue Book Modeling Agency. Gelatin silver prints. Some mounted, some with photographer's stamp on verso, one signed in ink on recto.
8 by 10 inches, each
PROVENANCE From the Estate of Joseph Jasgur
Estimate: $600 - 800 
 

lot 1242: MARILYN MONROE PHOTOGRAPHS BY JOSEPH JASGUR
A group of five black and white photographs and three color photographs of Marilyn Monroe on the beach, taken by Joseph Jasgur in 1946 in a photoshoot for Blue Book Modeling Agency. Gelatin silver prints and chromogenic prints. Some mounted, some with photographer's stamp on verso.
8 by 10 inches, each
PROVENANCE From the Estate of Joseph Jasgur
Estimate: $600 - 800
  

lot 1243: MARILYN MONROE PHOTOGRAPHS BY JOSEPH JASGUR
A group of 11 black and white photographs of Marilyn Monroe and a group of local actors, taken by Joseph Jasgur in 1946 at Zuma Beach in Malibu, California. Gelatin silver prints. Some mounted, some with photographer's stamp on verso, one signed in ink on recto.
8 by 10 inches, each
PROVENANCE From the Estate of Joseph Jasgur
Estimate: $600 - 800
  

lot 1244: MARILYN MONROE PHOTOGRAPHS BY JOSEPH JASGUR
A group of five black and white photographs and one color photograph of Marilyn Monroe, taken by Joseph Jasgur in 1946 for Blue Book Modeling Agency. Gelatin silver prints. Some mounted, some with photographer's stamp on verso, one signed in ink on recto.
8 by 10 inches, each
PROVENANCE From the Estate of Joseph Jasgur
Estimate: $600 - 800
  
 

lot 1245: MARILYN MONROE JOSEPH JASGUR PORTFOLIO 
A portfolio containing 39 photographs of Marilyn Monroe, taken by Joseph Jasgur in 1946 for Blue Book Modeling Agency. The album contains 20 signed black and white prints, 13 unsigned black and white prints, and 6 unsigned color prints. Prints are high-quality laser prints, printed later. Accompanied by a typed document written and signed by Jasgur, detailing his work photographing a young Norma Jeane Dougherty/Marilyn Monroe.
Prints, 14 by 11 inches, each
PROVENANCE From the Estate of Joseph Jasgur
Estimate: $4 000 - 6 000
  

lot 1247: MARILYN MONROE IN KOREA PHOTOGRAPHS AND COPYRIGHTS
An album of photographs taken by Daryl Mitchell, who served in the Korean War from August 1952 to August 1954 as "Senior Still Photographer" of the 101st Signal Battalion. Mitchell photographed visiting dignitaries, government visitors including Senator Richard Nixon, generals, and entertainers, namely Marilyn Monroe. Included in the album are approximately 93 vintage black and white photographs Mitchell took in Korea, including approximately nine of Nixon and eight of Monroe during her visit to Korea. The images of Monroe show her entertaining, signing autographs, getting out of a Jeep, getting food in line, and two of Monroe with the troops, wearing a flight jacket. Also accompanied by 10 color transparency slides of Monroe on stage entertaining the troops. Seven photographs of Monroe are 14 by 11 inches; one is 10 by 8 inches. Copyrights to these images will be transferred to the winning bidder. NOTE: While the seller confirms that this property is sold with copyright, Julien’s cannot accept liability in relation to any matters arising as a result of any imperfection in copyright given.
Overall, 16 by 12 inches
PROVENANCE From the photographer's estate
Estimate: $2 000 - 4 000
  

  

lot 1248: MARILYN MONROE ORIGINAL SLIDES
A group of three slides showing Marilyn Monroe on the roof of a building holding a white fan. Taken by an unknown photographer and believed to be previously unpublished. Accompanied by negatives of the slide images.
Estimate: $1 000 - 2 000
 
   

lot 1249: MARILYN MONROE GEORGE BARRIS PHOTOGRAPHS
 A suite of five George Barris photographs of Marilyn Monroe. Accompanied by a limited edition card stating that the images were published by Marilyn Monroe Weston Editions LTD. and numbered 833/2500. Contained in a white folder that reads "Marilyn Monroe/ 25/ 'The Last Photos.' "
Photographs, 14 by 11 inches
Estimate: $600 - 800
  

  

Lot 1250: MARILYN MONROE ORIGINAL PHOTOGRAPH
  An original photograph of Marilyn Monroe with Ron Stein of Hollywood Fancy Feather Co. Stein provided feathers for studio props and costumes. This image hung in his North Hollywood shop. Accompanied by two black and white images of Monroe and Jane Russell in Gentlemen Prefer Blondes (20th Century, 1953), three publicity stills from other Monroe films, and four other images of Monroe.
Most, 8 by 10 inches
Estimate: $400 - 600
  

Lot 1251: MARILYN MONROE SCREENPRINT
  A screenprint of Marilyn Monroe. Signed and numbered "3 of 40" in pencil on verso and stamped "Fugsreen Studios," "Printed by Zissou Tasseff-Elenkoff" and "Galerie F" on verso.
24 by 20 inches
Estimate: $300 - 500
   

Lot 1256: MARILYN MONROE SOMETHING'S GOT TO GIVE CONTACT SHEET
 A contact sheet of 29 images of Marilyn Monroe on the set of the unfinished film Something's Got To Give (20th Century) believed to be from the negatives of photographer Lawrence Schiller. The images are primarily of Monroe in and around the pool on set. Some markings and notes on sheet.
14 1/4 by 11 1/4 inches
Estimate: $1 500 - 2 500
  

Lot 1264: EARL MORAN (AMERICAN, 1893-1984) MARILYN MONROE NUDE
 An oil on canvas painting of Marilyn Monroe reclining nude in bed. Signed middle right “Earl Moran.”
Earl Moran was a prominent pin-up artist during the 1930s and 40s with a stylish flair that helped sell millions of calendars for publishers Brown & Bigelow. In 1946 Moran had the good fortune of meeting an aspiring model named Norma Jean Dougherty, soon to become famous as Marilyn Monroe. Dozens of photographs were taken of Monroe in various poses which Moran then used to paint seductive nudes in oil and pastel, portraying Marilyn as a blonde, redhead and even as a brunette. The painting shown here was purchased by the consignor's wife directly from Moran after they met him at the Laguna Art Festival. The consignor fondly recalls how Moran explained to them that the model for the painting was a young woman named Norma Jean Dougherty.
56 by 32 inches, Framed
Estimate: $20 000 - 30 000
  

Lot 1265: MARILYN MONROE PHILIPPE HALSMAN IMAGES
 A group of three original black and white photographs and proof images of Marilyn Monroe taken by Philippe Halsman. The photographs were purchased from Philippe Halsman’s daughter by the current owner and include images believed to have never been released previously. The two multiple proof images are mounted to board.
Largest, 21 by 15 1/4 inches, framed
Estimate: $10 000 - 20 000
  

Sept ans de réflexion
Sur le tournage - scène 10

Tournage de la scène de Marilyn Monroe en nuisette dans l'appartement situé au 164 East 61 Street, à Manhattan, New York.

Filming the scene of Marilyn Monroe in white gown in the apartment located at 164 East 61 Street, Manhattan, New York City.

> 2ème partie: A la fenêtre - dans l'appartement

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© All images are copyright and protected by their respective owners, assignees or others.
copyright text by GinieLand.

Sept ans de réflexion
Sur le tournage - scène 11   

Date: le 15 septembre 1954, à une heure du matin.
Lieu: entre la 51 et 52st Street, au croisement de Lexington Avenue.
Scène: il s'agit d'une scène mythique, l'une des plus célèbres de l'histoire du cinéma, qui reste sans doute la "scène la plus vue au monde", celle où la robe blanche de Marilyn se soulève entraînée par l'air d'une grille de métro. La presse en parla comme de "l'exhibition la plus intéressante depuis Lady Godiva".

Date: September 15, 1954, at one o'clock.
Location: between 51 and 52st Street on the corner of Lexington Avenue.
Scene: it is a mythical scene, one of the most famous in the history of cinema, which is probably the "most scene view in the world," the one where the white dress of Marilyn Monroe rises, driven by the blow of the subway grate. The press spoke of as "the most interesting exhibition since Lady Godiva".

Marilyn Monroe, Tom Ewell, le réalisateur Billy Wilder (homme en noir, chapeau noir), Johnny Graham (homme en costume, chapeau et cigar), manager de production de la Côte Est qui organisa la logistique pour le tournage des scènes à New York, et Natasha Lytess, la coach de Marilyn.

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>> Photographie de Matthew Zimmerman
 

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Extraits du journal de Bruno Bernard:
- Le magazine Redbook engagea Bruno Bernard pour couvrir le tournage de Marilyn dans The Seven Year Itch.
- New York - 14/09/1954. Si cela n'avait pas été pour mon travail (la couverture de Redbook) et Marilyn, dix chevaux ne m'auraient pas traîné sur le tournage de Seven year Itch. Zut. J'ai attendu trois heures au milieu des odeurs transpiration et des cris de la foule et d'une bande de paparazzis (...). Soudain, la foule a poussé un formidable hurlement. Marilyn apparaissait en chair et en os. Lorsque Billy Wilder, le metteur en scène, a dit "On tourne", Marilyn est sortie du théâtre, a fait quatre pas sur la gauche avant de s'arrêter juste au-dessus d'une grille d'aération. A ce moment précis, on doit imaginer qu'un métro quitte la station, l'air qu'il déplace soulevant la jupe de Marilyn. Pour mieux contrôler l'action, les accessoiristes ont disposé un ventilateur directement sous la grille. Dans certaines prises, la jupe blanche de Marilyn s'est soulevée au point de lui couvrir le visage, à la grande joie des spectateurs hystériques. D'après le scénario, Marilyn doit simplement dire: "Ah, quel soulagement ! N'est-ce pas délicieux ?!" tandis qu'elle prend plaisir à sentir cet air frais. 
La scène a été refaite trente fois parce que Marilyn se trompait à chaque fois dans son texte. Sous sa robe, elle ne portait qu'une petite culotte de soie blanche transparente. (...) DiMaggio, qui se trouvait juste en face de moi et près de walter Winchell, regardait le spectacle. Je me rendais nettement compte que la gêne de DiMaggio tournait à la fureur. Je me frayais rapidement un chemin à travers la foule, dans l'espoir de le calmer. Mais, avant que je n'arrive près de lui, il avait déjà quitté les lieux très en colère. Winchell (...) m'a dit que DiMaggio était parti "apaiser son tempérament de macho italien au Toot's Shor's". Roy Croft nous rejoignit: "Nous devrions plutôt nous réjouir qu'elle porte au moins quelque chose dessous".
L'absence de DiMaggio ne la troubla pas, et la déesse de l'amour poursuivit ses interminables prises devant son public new-yorkais extasié.
- J'ai vraiment besoin de faire ces photos de Joe et Marilyn pour boucler mon article. Depuis le couloir de leur appartement du Saint Regis, je peux entendre les éclats d'une querelle passionnée suivie par des pleurs hystériques. Je suis parti et je n'ai pas fait mes photos. (...) J'étais abbatu et silencieux. Rencontrant Roy dans l'ascenceur, il tenta de me consoler: "Tout n'est pas perdu. Comme il y avait trop de bruits de fond en extérieur, Wilder a décidé de refaire toute la scène à Hollywood." 

>> sources:
- Livres: Bernard of Hollywood's Marilyn / De Norma Jean à Marilyn, de Susan Bernard / Marilyn among friends, Sam Shaw / L'Encyclopédie d'Adam Victor / Marilyn Monroe et les caméras, de Georges Belmont / Les trésors de Marilyn Monroe, de Jenna Glatzer / Les vies secrètes de Marilyn Monroe, d'Anthony Summers.

All photos are copyright and protected by their respective owners. 
copyright text by GinieLand.

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Sept ans de réflexion
Sur le tournage - scène 15

Le 13 septembre 1954, Marilyn Monroe tourne ce qui sera la scène finale du film "Sept ans de réflexion", celle où elle est en peignoir dans l'appartement de Richard Sherman (Tom Ewell); et lui lance ses chaussures par la fenêtre. Il s'agit de la première scène tournée en extérieur, à New York, dans l'appartement situé au 164 East 61 Street. Près de 1000 personnes (des photographes, gens de la presse et beaucoup de passants et de fans), se sont amassés devant l'immeuble.

In September, 13, 1954, Marilyn Monroe shoots what will be the final scene of "The Seven Year Itch", the one where she is in a white robe in the apartment of Richard Sherman (Tom Ewell); and she throws his shoes from out the window. This is the first scene shot on location in New York, in an apartment located at 164 East 61 Street. Nearly 1,000 people (photographers, press people and a lot of shoppers and fans), were raised in front of the building.

> 1ère partie:
- Tournage de la scène
   
   

-Marilyn à la fenêtre
  
 
 
   
   
 
    
  

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> photographie de Walter Jacobsen 
 

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 > planche contact
 

> dans la presse
 

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> video

> video (color footage in Kodachrome by Jules Schulback)

> source captures:
Documentaires "The Legend of Marilyn Monroe", "Marilyn in Manhattan".

© All images are copyright and protected by their respective owners, assignees or others.
copyright text by GinieLand.

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Sept ans de réflexion
Sur le tournage - scène 15

Le 13 septembre 1954, Marilyn Monroe devant l'immeuble au 164 East 61 Street, à New York, où elle tourne une scène du film "Sept ans de réflexion".

In September, 13, 1954, Marilyn Monroe in front of the the building at 164 East 61 Street, in New York, where she shoots a scene of the movie "The Seven Year Itch".

> 2ème partie: Devant l'immeuble
 
   
  

> photographies de Sam Shaw
  
 
  

> photographies de George Barris