Norma Jeane Mortenson Norma Jeane Baker Norma Jeane Dougherty Marilyn Monroe Norma Jeane DiMaggio Marilyn Miller Jean Norman Mona Monroe Carole Lind
Clare Norman
Joan Newman Zelda Zonk
Vente aux enchères "Marilyn Monroe: The Last Sitting Hollywood / Entertainment Signature ® Auction #7430" organisée le 08 décembre 2025 en ligne et à Dallas aux USA, par Heritage Auctions . The auction "Marilyn Monroe: The Last Sitting Hollywood / Entertainment Signature ® Auction #7430" will be held online and in Dallas, USA, on December 8, 2025, by Heritage Auctions. .
Vente aux enchères entièrement consacrée à "La dernière séance" de Marilyn Monroe photographiée par Bert Stern à l'hôtel Bel Air de Los Angeles en juin 1962 pour le magazine de mode américain Vogue. La vente contient 75 lots (photographies en noir et blanc) contenant tous des planches contact des diverses mises en scène de Marilyn par le photographe. . Auction entirely dedicated to Marilyn Monroe's "Last Sitting," photographed by Bert Stern at the Bel Air Hotel in Los Angeles in June 1962 for American Vogue magazine.The sale contains 75 lots (black and white photographs), all including contact sheets of the various poses of Marilyn posed by the photographer. .
LOT #11001 - Marilyn Monroe, Black Dior Dress, for Vogue, in "The Last Sitting", Hotel Bel-Air, Los Angeles, June 1962, 2.25" Camera Negatives (16) by Bert Stern.
Vintage original 2.25" camera negatives on Kodak safety film (16), from Hasselblad Analog Camera, of Marilyn Monroe, Black Dior Dress, in "The Last Sitting", Hotel Bel-Air, Los Angeles, Suite Number 261 and Bungalow Number 96, late June 1962, commissioned by Vogue magazine, by Bert Stern, with exposure numbers "1501-1512" (12) (sleeve 848-126, 1-12) (complete roll of 12 frames) and numbers "1533-1536" (4) (sleeve 848-128, 1-4) in India ink in the margin. Reproduced in Vogue from six black and white negatives as eight-page spread, September 1, 1962. Reproduced from contact proof sheets in Marilyn Monroe: The Complete Last Sitting, 2000, by Bert Stern, pp. 154, 157, 192. Exposure "1503" (848-126, frame 10) is the actual negative, the featured image of six, reproduced in Vogue, September 1962, pp. 190-192, double page spread. A case of Château Lafite-Rothschild with bottles of '53 Dom Pérignon was served. Starting Bid: $500
- - - - - -
LOT #11002 - Marilyn Monroe, Black Dior Dress, for Vogue in "The Last Sitting", Hotel Bel-Air, Los Angeles, June 1962, 2.25" Camera Negatives (12) by Bert Stern.
Vintage original 2.25" camera negatives on Kodak safety film (12), from Hasselblad Analog Camera, of Marilyn Monroe, Black Dior Dress, for Vogue in "The Last Sitting", Hotel Bel-Air, Los Angeles, Suite Number 261 and Bungalow Number 96, late June 1962, commissioned by Vogue magazine, by Bert Stern, with exposure numbers "1237-1248" (12) (sleeve 848-104, 1-12) (complete roll of 12 frames) in India ink in the margin. Reproduced in Vogue from six black and white negatives as eight-page spread, September 1, 1962. Unpublished negatives. Not reproduced in Marilyn Monroe: The Complete Last Sitting, 2000, by Bert Stern, except ("137-139", sleeve 848-104, 10-12) p. 158 ("1237-1239"). A case of Château Lafite-Rothschild with bottles of '53 Dom Pérignon was served. Starting Bid: $500
- - - - - -
LOT #11003 - Marilyn Monroe, Reclining in Bed, Nude, for Vogue in "The Last Sitting", Hotel Bel-Air, Los Angeles, June 1962, 35mm Camera Negatives (35) by Bert Stern.
Vintage original 35mm camera negatives on Kodak safety film (35), from Nikon F-body 35mm single lens reflex camera with 105mm lens, of Marilyn Monroe, Reclining in Bed, Nude in "The Last Sitting", Hotel Bel-Air, Los Angeles, Suite Number 261 and Bungalow Number 96, late June 1962, commissioned by Vogue magazine, by Bert Stern, with exposure numbers 1-35 (35) (complete roll of 35 frames) (sleeve 848-6). Reproduced in Vogue from six black and white negatives as eight-page spread, September 1, 1962. Reproduced from contact proof sheets in Marilyn Monroe: The Complete Last Sitting, 2000, by Bert Stern, pp. 390-395. A case of Château Lafite-Rothschild with bottles of '53 Dom Pérignon was served. Starting Bid: $500
- - - - - -
LOT #11004 - Marilyn Monroe, Standing Nude, with Transparent Veil, for Vogue in "The Last Sitting", Hotel Bel-Air, Los Angeles, June 1962, 35mm Camera Negatives (28) by Bert Stern.
Vintage original 35mm camera negatives on Kodak safety film (28), from Nikon F-body 35mm single lens reflex camera with 105mm lens, of Marilyn Monroe, Standing Nude, with Transparent Veil in "The Last Sitting", Hotel Bel-Air, Los Angeles, Suite Number 261 and Bungalow Number 96, late June 1962, commissioned by Vogue magazine, by Bert Stern, with exposure numbers 1-28 (complete roll of 28 frames) (sleeve 848-41, 1-28). Reproduced in Vogue from six black and white negatives as eight-page spread, September 1, 1962. Reproduced from contact proof sheets in Marilyn Monroe: The Complete Last Sitting, 2000, by Bert Stern, pp. 114-115. A case of Château Lafite-Rothschild with bottles of '53 Dom Pérignon was served. Starting Bid: $500
- - - - - -
LOT #11005 - Marilyn Monroe, Standing Nude, with Transparent Veil, for Vogue in "The Last Sitting", Hotel Bel-Air, Los Angeles, June 1962, 2.25" Camera Negatives (12) by Bert Stern.
Vintage original 2.25" camera negatives on Kodak safety film (12), from Hasselblad Analog Camera, of Marilyn Monroe, Standing Nude, with Transparent Veil in "The Last Sitting", Hotel Bel-Air, Los Angeles, Suite Number 261 and Bungalow Number 96, late June 1962, commissioned by Vogue magazine, by Bert Stern, with exposure numbers "1-12" (complete roll of 12 frames) (sleeve 805-1, 1-12) in India ink in the margin. Reproduced in Vogue from six black and white negatives as eight-page spread, September 1, 1962. Reproduced from contact proof sheets in Marilyn Monroe: The Complete Last Sitting, 2000, by Bert Stern, pp. 116-117, 119. A case of Château Lafite-Rothschild with bottles of '53 Dom Pérignon was served. Starting Bid: $500
- - - - - -
LOT #11006 - Marilyn Monroe, Standing Nude, with Transparent Veil, for Vogue in "The Last Sitting", Hotel Bel-Air, Los Angeles, June 1962, 2.25" Camera Negatives (12) by Bert Stern.
Vintage original 2.25" camera negatives on Kodak safety film (12), from Hasselblad Analog Camera, of Marilyn Monroe, Standing Nude, with Transparent Veil in "The Last Sitting", Hotel Bel-Air, Los Angeles, Suite Number 261 and Bungalow Number 96, late June 1962, commissioned by Vogue magazine, by Bert Stern, with exposure numbers "13-24" (complete roll of 12 frames) (sleeve 805-2, 1-12) in India ink in the margin. Reproduced in Vogue from six black and white negatives as eight-page spread, September 1, 1962. Reproduced from contact proof sheets in Marilyn Monroe: The Complete Last Sitting, 2000, by Bert Stern, pp. 118, 121. A case of Château Lafite-Rothschild with bottles of '53 Dom Pérignon was served. Starting Bid: $500
- - - - - -
LOT #11007 - Marilyn Monroe, Standing Nude, with Transparent Veil, for Vogue in "The Last Sitting", Hotel Bel-Air, Los Angeles, June 1962, 2.25" Camera Negatives (12) by Bert Stern.
Vintage original 2.25" camera negatives on Kodak safety film (12), from Hasselblad Analog Camera, of Marilyn Monroe, Standing Nude, with Transparent Veil in "The Last Sitting", Hotel Bel-Air, Los Angeles, Suite Number 261 and Bungalow Number 96, late June 1962, commissioned by Vogue magazine, by Bert Stern, with exposure numbers "25-36" (complete roll of 12 frames) (sleeve 805-3, 1-12) in India ink in the margin. Reproduced in Vogue from six black and white negatives as eight-page spread, September 1, 1962. Reproduced from contact proof sheets in Marilyn Monroe: The Complete Last Sitting, 2000, by Bert Stern, pp. 124-125. A case of Château Lafite-Rothschild with bottles of '53 Dom Pérignon was served. Starting Bid: $500
- - - - - -
LOT #11008 - Marilyn Monroe, Standing Nude, with Transparent Veil, for Vogue in "The Last Sitting", Hotel Bel-Air, Los Angeles, June 1962, 2.25" Camera Negatives (11) by Bert Stern.
Vintage original 2.25" camera negatives on Kodak safety film (11), from Hasselblad Analog Camera, of Marilyn Monroe, Standing Nude, with Transparent Veil in "The Last Sitting", Hotel Bel-Air, Los Angeles, Suite Number 261 and Bungalow Number 96, late June 1962, commissioned by Vogue magazine, by Bert Stern, with exposure numbers "37-47" (complete roll of 11 frames) (sleeve 805-4, 2-12) in India ink in the margin. Reproduced in Vogue from six black and white negatives as eight-page spread, September 1, 1962. Reproduced from contact proof sheets in Marilyn Monroe: The Complete Last Sitting, 2000, by Bert Stern, pp.126. A case of Château Lafite-Rothschild with bottles of '53 Dom Pérignon was served. Starting Bid: $500
- - - - - -
LOT #11009 - arilyn Monroe, Standing Nude, with Translucent Striped White and Yellow Veil, for Vogue in "The Last Sitting", Hotel Bel-Air, Los Angeles, June 1962, 2.25" Camera Negatives (12) by Bert Stern.
Vintage original 2.25" camera negatives on Kodak safety film (12), from Hasselblad Analog Camera, of Marilyn Monroe, Standing Nude, with Translucent Striped White and Yellow Veil in "The Last Sitting", Hotel Bel-Air, Los Angeles, Suite Number 261 and Bungalow Number 96, late June 1962, commissioned by Vogue magazine, by Bert Stern, with exposure numbers "1-12" (complete roll of 12 frames) in India ink in the margin (sleeve 45B, 1-12). Reproduced in Vogue from six black and white negatives as eight-page spread, September 1, 1962. Reproduced from contact proof sheets in Marilyn Monroe: The Complete Last Sitting, 2000, by Bert Stern, pp. 134-135, 140-141. A case of Château Lafite-Rothschild with bottles of '53 Dom Pérignon was served. Starting Bid: $500
- - - - - -
LOT #11010 - Marilyn Monroe, Standing Nude, with Translucent Striped White and Yellow Veil, for Vogue in "The Last Sitting", Hotel Bel-Air, Los Angeles, June 1962, 2.25" Camera Negatives (12) by Bert Stern.
Vintage original 2.25" camera negatives on Kodak safety film (12), from Hasselblad Analog Camera, of Marilyn Monroe, Standing Nude, with Translucent Striped White and Yellow Veil in "The Last Sitting", Hotel Bel-Air, Los Angeles, Suite Number 261 and Bungalow Number 96, late June 1962, commissioned by Vogue magazine, by Bert Stern, with exposure numbers "97-108" (complete roll of 12 frames) (sleeve 848-9, 1-12) in India ink in the margin. Reproduced in Vogue from six black and white negatives as eight-page spread, September 1, 1962. Reproduced from contact proof sheets in Marilyn Monroe: The Complete Last Sitting, 2000, by Bert Stern, pp. 138-139. A case of Château Lafite-Rothschild with bottles of '53 Dom Pérignon was served. Starting Bid: $500
- - - - - -
LOT #11011 - Marilyn Monroe, Standing Nude, with Translucent Striped White and Yellow Veil, for Vogue in "The Last Sitting", Hotel Bel-Air, Los Angeles, June 1962, 2.25" Camera Negatives (12) by Bert Stern.
Vintage original 2.25" camera negatives on Kodak safety film (12), from Hasselblad Analog Camera, of Marilyn Monroe, Standing Nude, with Translucent Striped White and Yellow Veil in "The Last Sitting", Hotel Bel-Air, Los Angeles, Suite Number 261 and Bungalow Number 96, late June 1962, commissioned by Vogue magazine, by Bert Stern, with exposure numbers "457-468" in India ink in the margin (complete roll of 12 frames) (sleeve 848-39, 1-12). Includes famous "Falling Scarf" nude exposure, "462" (sleeve 848-39, frame 7), seen as scarf collapses after being held aloft in frame 6. Reproduced in Vogue from six black and white negatives as eight-page spread, September 1, 1962. Reproduced from contact proof sheets in Marilyn Monroe: The Complete Last Sitting, 2000, by Bert Stern, pp. 146-147. A case of Château Lafite-Rothschild with bottles of '53 Dom Pérignon was served. Starting Bid: $500
- - - - - -
LOT #11012 - Marilyn Monroe, Standing Nude, with Translucent Striped White and Yellow Veil, for Vogue in "The Last Sitting", Hotel Bel-Air, Los Angeles, June 1962, 2.25" Camera Negatives (12) by Bert Stern.
Vintage original 2.25" camera negatives on Kodak safety film (12), from Hasselblad Analog Camera, of Marilyn Monroe, Standing Nude, with Translucent Striped White and Yellow Veil in "The Last Sitting", Hotel Bel-Air, Los Angeles, Suite Number 261 and Bungalow Number 96, late June 1962, commissioned by Vogue magazine, by Bert Stern, with exposure numbers "481-492" (complete roll of 12 frames) (sleeve 848-1 (41), exposure 1-12) in India ink in the margin. Reproduced in Vogue from six black and white negatives as eight-page spread, September 1, 1962. Reproduced from contact proof sheets in Marilyn Monroe: The Complete Last Sitting, 2000, by Bert Stern, pp. 140-141. A case of Château Lafite-Rothschild with bottles of '53 Dom Pérignon was served. Starting Bid: $500
- - - - - -
LOT #11013 - Marilyn Monroe, Standing Nude, with Translucent Striped White and Yellow Veil, for Vogue in "The Last Sitting", Hotel Bel-Air, Los Angeles, June 1962, 2.25" Camera Negatives (24) by Bert Stern.
Vintage original 2.25" camera negatives on Kodak safety film (24), from Hasselblad Analog Camera, of Marilyn Monroe, Standing Nude, with Translucent Striped White and Yellow Veil in "The Last Sitting", Hotel Bel-Air, Los Angeles, Suite Number 261 and Bungalow Number 96, late June 1962, commissioned by Vogue magazine, by Bert Stern, with exposure numbers "529-540" in India ink in the margin (complete roll of 12 frames) (sleeve 848-45, 1-12) and "541-552" in India ink in the margin (complete roll of 12 frames) (sleeve 848-46, 1-12). Reproduced in Vogue from six black and white negatives as eight-page spread, September 1, 1962. Reproduced from contact proof sheets in Marilyn Monroe: The Complete Last Sitting, 2000, by Bert Stern, pp. 142-145. A case of Château Lafite-Rothschild with bottles of '53 Dom Pérignon was served. Starting Bid: $500
- - - - - -
LOT #11014 - Marilyn Monroe, Nude with Roses, for Vogue in "The Last Sitting", Hotel Bel-Air, Los Angeles, June 1962, 35mm Camera Negatives (33) by Bert Stern.
Vintage original 35mm camera negatives on Kodak safety film (33), from Nikon F-body 35mm single lens reflex camera with 105mm lens, of Marilyn Monroe, Nude with Roses, in "The Last Sitting", Hotel Bel-Air, Los Angeles, Suite Number 261 and Bungalow Number 96, late June 1962, commissioned by Vogue magazine, by Bert Stern, with exposure numbers 2-34 (complete roll of 33 frames) (sleeve 848). Only one roll was shot in this pose. Reproduced in Vogue from six black and white negatives as eight-page spread, September 1, 1962. Reproduced from contact proof sheets in Marilyn Monroe: The Complete Last Sitting, 2000, by Bert Stern, pp. 128-133. A case of Château Lafite-Rothschild with bottles of '53 Dom Pérignon was served. Starting Bid: $500
- - - - - -
LOT #11015 - Marilyn Monroe, Reclining in Bed, Nude, for Vogue in "The Last Sitting", Hotel Bel-Air, Los Angeles, June 1962, 35mm Camera Negatives (37) by Bert Stern.
Vintage original 35mm camera negatives on Kodak safety film (37), from Nikon F-body 35mm single lens reflex camera with 105mm lens, of Marilyn Monroe, Nude with Roses, in "The Last Sitting", Hotel Bel-Air, Los Angeles, Suite Number 261 and Bungalow Number 96, late June 1962, commissioned by Vogue magazine, by Bert Stern, with exposure numbers 1-37 (37) (complete roll of 37 frames) (sleeve 848-12, 1-37) (frames 27-29 underexposed). Reproduced in Vogue from six black and white negatives as eight-page spread, September 1, 1962. Reproduced from contact proof sheets in Marilyn Monroe: The Complete Last Sitting, 2000, by Bert Stern, pp. 374-381. A case of Château Lafite-Rothschild with bottles of '53 Dom Pérignon was served. Starting Bid: $500
- - - - - -
LOT #11016 - Marilyn Monroe, Reclining in Bed, Nude, for Vogue in "The Last Sitting", Hotel Bel-Air, Los Angeles, June 1962, 35mm Camera Negatives (14) by Bert Stern.
Vintage original 35mm camera negatives on Kodak safety film (14), from Nikon F-body 35mm single lens reflex camera with 105mm lens, of Marilyn Monroe, Reclining in Bed, Nude, in "The Last Sitting", Hotel Bel-Air, Los Angeles, Suite Number 261 and Bungalow Number 96, late June 1962, commissioned by Vogue magazine, by Bert Stern, with exposure numbers 2-15 (14) (sleeve 848-10). Reproduced in Vogue from six black and white negatives as eight-page spread, September 1, 1962. Reproduced from contact proof sheets (frames reversed) in Marilyn Monroe: The Complete Last Sitting, 2000, by Bert Stern, pp. 404-407. A case of Château Lafite-Rothschild with bottles of '53 Dom Pérignon was served. Starting Bid: $500
- - - - - -
LOT #11017 - Marilyn Monroe, Reclining in Bed, Nude, for Vogue in "The Last Sitting", Hotel Bel-Air, Los Angeles, June 1962, 35mm Camera Negatives (35) by Bert Stern.
Vintage original 35mm camera negatives on Kodak safety film (35), from Nikon F-body 35mm single lens reflex camera with 105mm lens, of Marilyn Monroe, Reclining in Bed, Nude, in "The Last Sitting", Hotel Bel-Air, Los Angeles, Suite Number 261 and Bungalow Number 96, late June 1962, commissioned by Vogue magazine, by Bert Stern, with exposure numbers 2-37 (35) (complete roll of 36 frames) (frame 19 underexposed) (sleeve 848-5a). Reproduced in Vogue from six black and white negatives as eight-page spread, September 1, 1962. Reproduced from contact proof sheets (frames reversed) in Marilyn Monroe: The Complete Last Sitting, 2000, by Bert Stern, pp. 396-403. A case of Château Lafite-Rothschild with bottles of '53 Dom Pérignon was served. Starting Bid: $500
- - - - - -
LOT #11018 - Marilyn Monroe, Reclining in Bed, Nude, for Vogue in "The Last Sitting", Hotel Bel-Air, Los Angeles, June 1962, 35mm Camera Negatives (32) by Bert Stern.
Vintage original 35mm camera negatives on Kodak safety film (32), from Nikon F-body 35mm single lens reflex camera with 105mm lens, of Marilyn Monroe, Reclining in Bed, Nude, in "The Last Sitting", Hotel Bel-Air, Los Angeles, Suite Number 261 and Bungalow Number 96, late June 1962, commissioned by Vogue magazine, by Bert Stern, with exposure numbers 1-33 (33) (complete roll of 33 frames) (frame 17 underexposed) (sleeve 848-13, 1-33). Reproduced in Vogue from six black and white negatives as eight-page spread, September 1, 1962. Reproduced from contact proof sheets (frames reversed) in Marilyn Monroe: The Complete Last Sitting, 2000, by Bert Stern, pp. 382-389. A case of Château Lafite-Rothschild with bottles of '53 Dom Pérignon was served. Starting Bid: $500
- - - - - -
LOT #11019 - Marilyn Monroe, Evening Dress with Black Gloves and Nikon F Camera, for Vogue in "The Last Sitting", Hotel Bel-Air, Los Angeles, June 1962, 2.25" Camera Negatives (128) by Bert Stern.
Vintage original 2.25" camera negatives on Kodak safety film (128), from Hasselblad Analog Camera, of Marilyn Monroe, Evening Dress with Black Gloves and Nikon F Camera, in "The Last Sitting", Hotel Bel-Air, Los Angeles, Suite Number 261 and Bungalow Number 96, late June 1962, commissioned by Vogue magazine, by Bert Stern, with exposure numbers "13-24" (12) (sleeve 848-2, 1-12) (complete roll of 12 frames), "25-36" (12) (sleeve 848-3, 1-12) (complete roll of 12 frames), "61-72" (12) (sleeve 848-6, 1-12) (complete roll of 12 frames), "85-96" (12) (sleeve 848-8, 1-12) (complete roll of 12 frames), "1585-1592" (8) (sleeve 848-133, 1-8), "109-120" (12) (sleeve 848-10, 1-12) (complete roll of 12 frames), "121-132" (12) (sleeve 848-11, 1-12) (complete roll of 12 frames), "133-144" (12) (sleeve 848-12, 1-12) (complete roll of 12 frames), "157-168" (12) (sleeve 848-14, 1-12) (complete roll of 12 frames), "169-180" (12) (sleeve 848-15, 1-12) (complete roll of 12 frames), and "193-204" (12) (sleeve 848-17, 1-12) (complete roll of 12 frames) in India ink in the margin. Reproduced in Vogue from six black and white negatives as eight-page spread, September 1, 1962. Reproduced from contact proof sheets in Marilyn Monroe: The Complete Last Sitting, 2000, by Bert Stern, pp. 416-417, 418-419, 424-429, 412-413, 422-423, 414-415, 420-421, and 408-411. A case of Château Lafite-Rothschild with bottles of '53 Dom Pérignon was served. Starting Bid: $500
- - - - - -
LOT #11020 - Marilyn Monroe, In Coat and Hat, for Vogue in "The Last Sitting", Hotel Bel-Air, Los Angeles, June 1962, 2.25" Camera Negatives (47) by Bert Stern.
Vintage original 2.25" camera negatives on Kodak safety film (47), from Hasselblad Analog Camera, of Marilyn Monroe, In Coat and Hat, in "The Last Sitting", Hotel Bel-Air, Los Angeles, Suite Number 261 and Bungalow Number 96, late June 1962, commissioned by Vogue magazine, by Bert Stern, with exposure numbers "37-48" (12) (sleeve 848-4, 1-12) (complete roll of 12 frames, one underexposed), "229-240" (12) (sleeve 848-20, 1-12) (complete roll of 12 frames), "517-528" (12) (sleeve 848-44, 1-12) (complete roll of 12 frames), and "601-612" (12) (sleeve 848-51, 1-12) (complete roll of 12 frames) in India ink in the margin. Reproduced in Vogue from six black and white negatives as eight-page spread, September 1, 1962. Exposure "237" (948-20, 4) is the actual negative, one of six, reproduced in Vogue, September 1962, p. 193, full page. Reproduced from contact proof sheets in Marilyn Monroe: The Complete Last Sitting, 2000, by Bert Stern, pp. 260-263, 268-269, and 264-265. A case of Château Lafite-Rothschild with bottles of '53 Dom Pérignon was served. Starting Bid: $500
- - - - - -
LOT #11021 - Marilyn Monroe, Black Dior Dress with Pearls, for Vogue in "The Last Sitting", Hotel Bel-Air, Los Angeles, June 1962, 2.25" Camera Negatives (12) by Bert Stern.
Vintage original 2.25" camera negatives on Kodak safety film (12), from Hasselblad Analog Camera, of Marilyn Monroe, Black Dior Dress with Pearls, in "The Last Sitting", Hotel Bel-Air, Los Angeles, Suite Number 261 and Bungalow Number 96, late June 1962, commissioned by Vogue magazine, by Bert Stern, with exposure numbers "73-84" (12) (sleeve 848-7, 1-12) (complete roll of 12 frames) in India ink in the margin. Reproduced in Vogue from six black and white negatives as eight-page spread, September 1, 1962. Reproduced from contact proof sheets in Marilyn Monroe: The Complete Last Sitting, 2000, by Bert Stern, pp. 234-235. A case of Château Lafite-Rothschild with bottles of '53 Dom Pérignon was served. Starting Bid: $500
- - - - - -
LOT #11022 - Marilyn Monroe, Black Dior Dress with Pearls, for Vogue in "The Last Sitting", Hotel Bel-Air, Los Angeles, June 1962, 2.25" Camera Negatives (12) by Bert Stern.
Vintage original 2.25" camera negatives on Kodak safety film (12), from Hasselblad Analog Camera, of Marilyn Monroe, Black Dior Dress with Pearls, in "The Last Sitting", Hotel Bel-Air, Los Angeles, Suite Number 261 and Bungalow Number 96, late June 1962, commissioned by Vogue magazine, by Bert Stern, with exposure numbers "145-156" (12) (sleeve 848-13, 1-12) (complete roll of 12 frames) in India ink in the margin. Reproduced in Vogue from six black and white negatives as eight-page spread, September 1, 1962. Reproduced from contact proof sheets in Marilyn Monroe: The Complete Last Sitting, 2000, by Bert Stern, pp. 238-239. A case of Château Lafite-Rothschild with bottles of '53 Dom Pérignon was served. Starting Bid: $500
- - - - - -
LOT #11023 - Marilyn Monroe, Black Dior Dress with Pearls, for Vogue in "The Last Sitting", Hotel Bel-Air, Los Angeles, June 1962, 2.25" Camera Negatives (12) by Bert Stern.
Vintage original 2.25" camera negatives on Kodak safety film (12), from Hasselblad Analog Camera, of Marilyn Monroe, Black Dior Dress with Pearls, in "The Last Sitting", Hotel Bel-Air, Los Angeles, Suite Number 261 and Bungalow Number 96, late June 1962, commissioned by Vogue magazine, by Bert Stern, with exposure numbers "181-192" (12) (sleeve 848-16, 1-12) (complete roll of 12 frames) in India ink in the margin. Reproduced in Vogue from six black and white negatives as eight-page spread, September 1, 1962. Reproduced from contact proof sheets in Marilyn Monroe: The Complete Last Sitting, 2000, by Bert Stern, pp. 236-237. A case of Château Lafite-Rothschild with bottles of '53 Dom Pérignon was served. Starting Bid: $500
- - - - - -
LOT #11024 - Marilyn Monroe, Black Dior Dress with Pearls, for Vogue in "The Last Sitting", Hotel Bel-Air, Los Angeles, June 1962, 2.25" Camera Negatives (17) by Bert Stern.
Vintage original 2.25" camera negatives on Kodak safety film (17), from Hasselblad Analog Camera, of Marilyn Monroe, Black Dior Dress with Pearls, in "The Last Sitting", Hotel Bel-Air, Los Angeles, Suite Number 261 and Bungalow Number 96, late June 1962, commissioned by Vogue magazine, by Bert Stern, with exposure numbers "325-336" (11) (sleeve 848-28, 1-11) and "361-366" (6) (sleeve 848-31, 1-6) in India ink in the margin. Reproduced in Vogue from six black and white negatives as eight-page spread, September 1, 1962. Reproduced from contact proof sheets in Marilyn Monroe: The Complete Last Sitting, 2000, by Bert Stern, pp. 242-243 and 240. A case of Château Lafite-Rothschild with bottles of '53 Dom Pérignon was served. Starting Bid: $500
- - - - - -
LOT #11025 - Marilyn Monroe, 'Black Wig Sitting' (as Jackie), for Vogue in "The Last Sitting", Hotel Bel-Air, Los Angeles, June 1962, 2.25" Camera Negatives (48) by Bert Stern.
Vintage original 2.25" camera negatives on Kodak safety film (48), from Hasselblad Analog Camera, of Marilyn Monroe, 'Black Wig Sitting' (as Jackie), in "The Last Sitting", Hotel Bel-Air, Los Angeles, Suite Number 261 and Bungalow Number 96, late June 1962, commissioned by Vogue magazine, by Bert Stern, with exposure numbers "217-228" (12) (sleeve 848-19, 1-12) (complete roll of 12 frames), "745-756" (12) (sleeve 848-63, 1-12) (complete roll of 12 frames), "817-828" (12) (sleeve 848-68, 1-12) (complete roll of 12 frames), and "853-864" (12) (sleeve 848-71, 1-12) (complete roll of 12 frames), in India ink in the margin. Reproduced in Vogue from six black and white negatives as eight-page spread, September 1, 1962. Kenneth Battelle, Jackie Kennedy's hairdresser, was the stylist for this sitting. Reproduced from contact proof sheets in Marilyn Monroe: The Complete Last Sitting, 2000, by Bert Stern, pp. 272-273, 279-281, 274-275, and 282-283. A case of Château Lafite-Rothschild with bottles of '53 Dom Pérignon was served. Starting Bid: $500
- - - - - -
LOT #11026 - Marilyn Monroe, 'Black Wig Sitting' (as Jackie), for Vogue in "The Last Sitting", Hotel Bel-Air, Los Angeles, June 1962, 2.25" Camera Negatives (47) by Bert Stern.
Vintage original 2.25" camera negatives on Kodak safety film (47), from Hasselblad Analog Camera, of Marilyn Monroe, 'Black Wig Sitting' (as Jackie), in "The Last Sitting", Hotel Bel-Air, Los Angeles, Suite Number 261 and Bungalow Number 96, late June 1962, commissioned by Vogue magazine, by Bert Stern, with exposure numbers "985-996" (12) (sleeve 848-83, 1-12) (complete roll of 12 frames), "1081-1092" (12) (sleeve 848-91, 1-12) (complete roll of 12 frames, one underexposed), "1093-1104" (12) (sleeve 848-92, 1-12) (complete roll of 12 frames), and "1489-1500" (12) (sleeve 848-125, 1-12) (complete roll of 12 frames) in India ink in the margin. Reproduced in Vogue from six black and white negatives as eight-page spread, September 1, 1962. Kenneth Battelle, Jackie Kennedy's hairdresser, was the stylist for this sitting. Reproduced from contact proof sheets in Marilyn Monroe: The Complete Last Sitting, 2000, by Bert Stern, pp. 278, 286-287, 284-285, and 276-277. A case of Château Lafite-Rothschild with bottles of '53 Dom Pérignon was served. Starting Bid: $500
- - - - - -
LOT #11027 - Marilyn Monroe, Behind White Veil, for Vogue in "The Last Sitting", Hotel Bel-Air, Los Angeles, June 1962, 2.25" Camera Negatives (24) by Bert Stern.
Vintage original 2.25" camera negatives on Kodak safety film (24), from Hasselblad Analog Camera, of Marilyn Monroe, Behind White Veil, in "The Last Sitting", Hotel Bel-Air, Los Angeles, Suite Number 261 and Bungalow Number 96, late June 1962, commissioned by Vogue magazine, by Bert Stern, with exposure numbers "265-276" (12) (sleeve 848-23, 1-12) (complete roll of 12 frames) and "373-384" (12) (sleeve 848-32, 1-12) (complete roll of 12 frames) in India ink in the margin. Reproduced in Vogue from six black and white negatives as eight-page spread, September 1, 1962. Reproduced from contact proof sheets in Marilyn Monroe: The Complete Last Sitting, 2000, by Bert Stern, pp. 294 and 290-291. A case of Château Lafite-Rothschild with bottles of '53 Dom Pérignon was served. Starting Bid: $500
- - - - - -
LOT #11028 - Marilyn Monroe, Behind White Veil, for Vogue in "The Last Sitting", Hotel Bel-Air, Los Angeles, June 1962, 2.25" Camera Negatives (24) by Bert Stern.
Vintage original 2.25" camera negatives on Kodak safety film (24), from Hasselblad Analog Camera, of Marilyn Monroe, Behind White Veil, in "The Last Sitting", Hotel Bel-Air, Los Angeles, Suite Number 261 and Bungalow Number 96, late June 1962, commissioned by Vogue magazine, by Bert Stern, with exposure numbers "469-480" (12) (sleeve 848-40, 1-12) (complete roll of 12 frames) and "553-564" (12) (sleeve 848-47, 1-12) (complete roll of 12 frames) in India ink in the margin. Reproduced in Vogue from six black and white negatives as eight-page spread, September 1, 1962. Reproduced from contact proof sheets in Marilyn Monroe: The Complete Last Sitting, 2000, by Bert Stern, pp. 300-301 and 292-293. A case of Château Lafite-Rothschild with bottles of '53 Dom Pérignon was served. Starting Bid: $500
- - - - - -
LOT #11029 - Marilyn Monroe, Behind White Veil, for Vogue in "The Last Sitting", Hotel Bel-Air, Los Angeles, June 1962, 2.25" Camera Negatives (24) by Bert Stern.
Vintage original 2.25" camera negatives on Kodak safety film (24), from Hasselblad Analog Camera, of Marilyn Monroe, Behind White Veil, in "The Last Sitting", Hotel Bel-Air, Los Angeles, Suite Number 261 and Bungalow Number 96, late June 1962, commissioned by Vogue magazine, by Bert Stern, with exposure numbers "565-576" (12) (sleeve 848-48, 1-12) (complete roll of 12 frames) and "577-588" (12) (sleeve 848-49, 1-12) (complete roll of 12 frames) in India ink in the margin. Reproduced in Vogue from six black and white negatives as eight-page spread, September 1, 1962. Reproduced from contact proof sheets in Marilyn Monroe: The Complete Last Sitting, 2000, by Bert Stern, pp. 298-299 and 288-289. A case of Château Lafite-Rothschild with bottles of '53 Dom Pérignon was served. Starting Bid: $500
- - - - - -
LOT #11030 - Marilyn Monroe, Behind White Veil, for Vogue in "The Last Sitting", Hotel Bel-Air, Los Angeles, June 1962, 2.25" Camera Negatives (24) by Bert Stern.
Vintage original 2.25" camera negatives on Kodak safety film (24), from Hasselblad Analog Camera, of Marilyn Monroe, Behind White Veil, in "The Last Sitting", Hotel Bel-Air, Los Angeles, Suite Number 261 and Bungalow Number 96, late June 1962, commissioned by Vogue magazine, by Bert Stern, with exposure numbers "613-624" (12) (sleeve 848-52, 1-12) (complete roll of 12 frames) and "805-816" (12) (sleeve 848-67, 1-12) (complete roll of 12 frames) in India ink in the margin. Reproduced in Vogue from six black and white negatives as eight-page spread, September 1, 1962. Reproduced from contact proof sheets in Marilyn Monroe: The Complete Last Sitting, 2000, by Bert Stern, pp. 296-297 and 304-305. A case of Château Lafite-Rothschild with bottles of '53 Dom Pérignon was served. Starting Bid: $500
- - - - - -
LOT #11031 - Marilyn Monroe, Behind White Veil, for Vogue in "The Last Sitting", Hotel Bel-Air, Los Angeles, June 1962, 2.25" Camera Negatives (12) by Bert Stern.
Vintage original 2.25" camera negatives on Kodak safety film (12), from Hasselblad Analog Camera, of Marilyn Monroe, Behind White Veil, in "The Last Sitting", Hotel Bel-Air, Los Angeles, Suite Number 261 and Bungalow Number 96, late June 1962, commissioned by Vogue magazine, by Bert Stern, with exposure numbers "841-852" (12) (sleeve 848-70, 1-12) (complete roll of 12 frames) in India ink in the margin. Reproduced in Vogue from six black and white negatives as eight-page spread, September 1, 1962. Reproduced from contact proof sheets in Marilyn Monroe: The Complete Last Sitting, 2000, by Bert Stern, pp. 302-303. A case of Château Lafite-Rothschild with bottles of '53 Dom Pérignon was served. Starting Bid: $500
- - - - - -
LOT #11032 - Marilyn Monroe, Prep for Black Dress with Sequined Gloves, for Vogue in "The Last Sitting", Hotel Bel-Air, Los Angeles, June 1962, 35mm Camera Negatives (52) by Bert Stern.
Vintage original 35mm camera negatives on Kodak safety film (52), from Nikon F-body 35mm single lens reflex camera with 105mm lens, of Marilyn Monroe, Prep for Black Dress with Sequined Gloves, in "The Last Sitting", Hotel Bel-Air, Los Angeles, Suite Number 261 and Bungalow Number 96, late June 1962, commissioned by Vogue magazine, by Bert Stern, with exposure numbers 2-35 (34) (sleeve 848-11) (complete roll of 35 frames) and 1-18 (18) (sleeve 848-2) (frame 9 underexposed). Reproduced in Vogue from six black and white negatives as eight-page spread, September 1, 1962. Reproduced from contact proof sheets (frames reversed) in Marilyn Monroe: The Complete Last Sitting, 2000, by Bert Stern, pp. 106-113. A case of Château Lafite-Rothschild with bottles of '53 Dom Pérignon was served. Starting Bid: $500
- - - - - -
LOT #11033 - Marilyn Monroe, Black Dress with Sequin Gloves, for Vogue in "The Last Sitting", Hotel Bel-Air, Los Angeles, June 1962, 2.25" Camera Negatives (95) by Bert Stern.
Vintage original 2.25" camera negatives on Kodak safety film (95), from Hasselblad Analog Camera, of Marilyn Monroe, Black Dress with Sequin Gloves, in "The Last Sitting", Hotel Bel-Air, Los Angeles, Suite Number 261 and Bungalow Number 96, late June 1962, commissioned by Vogue magazine, by Bert Stern, with exposure numbers "301-310, 312" (11) (sleeve 848-26, 1-10, 12), "313-324"(12) (sleeve 848-27, 1-12) (complete roll of 12 frames, one unexposed), "337-348" (12) (sleeve 848-29, 1-12) (complete roll of 12 frames), "385-396, 312" (12) (sleeve 848-33, 1-12) (complete roll of 12 frames), "397-408" (12) (sleeve 848-34, 1-12) (complete roll of 12 frames), "409-420" (12) (sleeve 848-35, 1-12) (complete roll of 12 frames), "433-444" (12) (sleeve 848-37, 1-12) (complete roll of 12 frames), and "445-456" (12) (sleeve 848-38, 1-12) (complete roll of 12 frames) in India ink in the margin. Reproduced in Vogue from six black and white negatives as eight-page spread, September 1, 1962. Reproduced from contact proof sheets (frames reversed) in Marilyn Monroe: The Complete Last Sitting, 2000, by Bert Stern, pp. 210-213, 226-227, 200-201, 208-209, 196-197, 218, and 214. A case of Château Lafite-Rothschild with bottles of '53 Dom Pérignon was served. Starting Bid: $500
- - - - - -
LOT #11034 - Marilyn Monroe, Black Dress with Sequin Gloves, for Vogue in "The Last Sitting", Hotel Bel-Air, Los Angeles, June 1962, 2.25" Camera Negatives (70) by Bert Stern.
Vintage original 2.25" camera negatives on Kodak safety film (70), from Hasselblad Analog Camera, of Marilyn Monroe, Black Dress with Sequin Gloves, in "The Last Sitting", Hotel Bel-Air, Los Angeles, Suite Number 261 and Bungalow Number 96, late June 1962, commissioned by Vogue magazine, by Bert Stern, with exposure numbers "637-648" (12) (sleeve 848-54, 1-12) (complete roll of 12 frames), "649-660" (12) (sleeve 848-55, 1-12) (complete roll of 12 frames), "661-670" (10) (sleeve 848-56, 1-10), "673-684" (12) (sleeve 848-57, 1-12) (complete roll of 12 frames), "685-696" (12) (sleeve 848-58, 1-12) (complete roll of 12 frames), and "697-708" (12) (sleeve 848-59, 1-12) (complete roll of 12 frames) in India ink in the margin. Reproduced in Vogue from six black and white negatives as eight-page spread, September 1, 1962. Reproduced from contact proof sheets (frames reversed) in Marilyn Monroe: The Complete Last Sitting, 2000, by Bert Stern, pp. 224, 230-231, 220-221, 206-207, 232-233, and 228-229. A case of Château Lafite-Rothschild with bottles of '53 Dom Pérignon was served. Starting Bid: $500
- - - - - -
LOT #11035 - Marilyn Monroe, Black Dress with Sequin Gloves, for Vogue in "The Last Sitting", Hotel Bel-Air, Los Angeles, June 1962, 2.25" Camera Negatives (72) by Bert Stern.
Vintage original 2.25" camera negatives on Kodak safety film (72), from Hasselblad Analog Camera, of Marilyn Monroe, Black Dress with Sequin Gloves, in "The Last Sitting", Hotel Bel-Air, Los Angeles, Suite Number 261 and Bungalow Number 96, late June 1962, commissioned by Vogue magazine, by Bert Stern, with exposure numbers "709-720" (12) (sleeve 848-60, 1-12) (complete roll of 12 frames), "721-732" (12) (sleeve 848-61, 1-12) (complete roll of 12 frames), "733-744" (12) (sleeve 848-62, 1-12) (complete roll of 12 frames), "1537-1548" (12) (sleeve 848-129, 1-12) (complete roll of 12 frames), "1561-1572" (12) (sleeve 848-131, 1-12) (complete roll of 12 frames), and "1573-1584" (12) (sleeve 848-132, 1-12) (complete roll of 12 frames) in India ink in the margin. Reproduced in Vogue from six black and white negatives as eight-page spread, September 1, 1962. Reproduced from contact proof sheets (frames reversed) in Marilyn Monroe: The Complete Last Sitting, 2000, by Bert Stern, pp. 198-199, 194-195, 202-205, 216 -217, and 222-223. A case of Château Lafite-Rothschild with bottles of '53 Dom Pérignon was served. Starting Bid: $500
- - - - - -
Each auction lot is offered as a collectible and is sold WITHOUT COPYRIGHTS. These lots are offered for sale as a physical object only. The sale does not include copyright or any other intellectual property rights, which remain with the artist or their estate. Comes with a COA from Heritage Auctions.
.LOT #11036 - Marilyn Monroe, Nude with Fur, for Vogue in "The Last Sitting", Hotel Bel-Air, Los Angeles, June 1962, 2.25" Camera Negatives (12) by Bert Stern.
Vintage original 2.25" camera negatives on Kodak safety film (12), from Hasselblad Analog Camera, of Marilyn Monroe, Nude with Fur, in "The Last Sitting", Hotel Bel-Air, Los Angeles, Suite Number 261 and Bungalow Number 96, late June 1962, commissioned by Vogue magazine, by Bert Stern, with exposure numbers "505-516" (12) (sleeve 848-43, 1-12) (complete roll of 12 frames) in India ink in the margin. Reproduced in Vogue from six black and white negatives as eight-page spread, September 1, 1962. Reproduced from contact proof sheets in Marilyn Monroe: The Complete Last Sitting, 2000, by Bert Stern, pp. 270 -271. A case of Château Lafite-Rothschild with bottles of '53 Dom Pérignon was served. Starting Bid: $500
- - - - - -
LOT #11037 - Marilyn Monroe, In Coat and Fedora, for Vogue in "The Last Sitting", Hotel Bel-Air, Los Angeles, June 1962, 2.25" Camera Negatives (24) by Bert Stern.
Vintage original 2.25" camera negatives on Kodak safety film (24), from Hasselblad Analog Camera, of Marilyn Monroe, In Coat and Fedora, in "The Last Sitting", Hotel Bel-Air, Los Angeles, Suite Number 261 and Bungalow Number 96, late June 1962, commissioned by Vogue magazine, by Bert Stern, with exposure numbers "205-216" (12) (sleeve 848-18, 1-12) (complete roll of 12 frames) and "241-252" (12, one underexposed) (sleeve 848-21, 1-12) (complete roll of 12 frames) in India ink in the margin. Reproduced in Vogue from six black and white negatives as eight-page spread, September 1, 1962. Exposure "210" (848-18, frame 7) is the actual negative, one of six, reproduced in Vogue, September 1962, p. 195, full page. Reproduced from contact proof sheets in Marilyn Monroe: The Complete Last Sitting, 2000, by Bert Stern, pp. 340-341 and 252-253. A case of Château Lafite-Rothschild with bottles of '53 Dom Pérignon was served. Starting Bid: $500
- - - - - -
LOT #11038 - Marilyn Monroe, In Coat and Fedora, for Vogue in "The Last Sitting", Hotel Bel-Air, Los Angeles, June 1962, 2.25" Camera Negatives (24) by Bert Stern.
Vintage original 2.25" camera negatives on Kodak safety film (24), from Hasselblad Analog Camera, of Marilyn Monroe, In Coat and Fedora, in "The Last Sitting", Hotel Bel-Air, Los Angeles, Suite Number 261 and Bungalow Number 96, late June 1962, commissioned by Vogue magazine, by Bert Stern, with exposure numbers "757-768" (12) (sleeve 848-64, 1-12) (complete roll of 12 frames) and "793-804" (12) (sleeve 848-66, 1-12) (complete roll of 12 frames, one underexposed) in India ink in the margin. Reproduced in Vogue from six black and white negatives as eight-page spread, September 1, 1962. Reproduced from contact proof sheets in Marilyn Monroe: The Complete Last Sitting, 2000, by Bert Stern, pp. 254-255 and 248. A case of Château Lafite-Rothschild with bottles of '53 Dom Pérignon was served. Starting Bid: $500
- - - - - -
LOT #11039 - Marilyn Monroe, In Coat and Fedora, for Vogue in "The Last Sitting", Hotel Bel-Air, Los Angeles, June 1962, 2.25" Camera Negatives (23) by Bert Stern.
Vintage original 2.25" camera negatives on Kodak safety film (23), from Hasselblad Analog Camera, of Marilyn Monroe, In Coat and Fedora, in "The Last Sitting", Hotel Bel-Air, Los Angeles, Suite Number 261 and Bungalow Number 96, late June 1962, commissioned by Vogue magazine, by Bert Stern, with exposure numbers "829-840" (11) (sleeve 848-69, 2-12) and "781-792" (12) (sleeve 848-75, 1-12) (complete roll of 12 frames) in India ink in the margin. Reproduced in Vogue from six black and white negatives as eight-page spread, September 1, 1962. Reproduced from contact proof sheets in Marilyn Monroe: The Complete Last Sitting, 2000, by Bert Stern, pp. 336-337 and 246-247. A case of Château Lafite-Rothschild with bottles of '53 Dom Pérignon was served. Starting Bid: $500
- - - - - -
LOT #11040 - Marilyn Monroe, In Coat, for Vogue in "The Last Sitting", Hotel Bel-Air, Los Angeles, June 1962, 2.25" Camera Negatives (24) by Bert Stern.
Vintage original 2.25" camera negatives on Kodak safety film (24), from Hasselblad Analog Camera, of Marilyn Monroe, In Coat, in "The Last Sitting", Hotel Bel-Air, Los Angeles, Suite Number 261 and Bungalow Number 96, late June 1962, commissioned by Vogue magazine, by Bert Stern, with exposure numbers "961-972 (12) (sleeve 848-81, 1-12) (complete roll of 12 frames) and "973-984 (12) (sleeve 848-82, 1-12) (complete roll of 12 frames) in India ink in the margin. Reproduced in Vogue from six black and white negatives as eight-page spread, September 1, 1962. Reproduced from contact proof sheets in Marilyn Monroe: The Complete Last Sitting, 2000, by Bert Stern, pp. 342-345. A case of Château Lafite-Rothschild with bottles of '53 Dom Pérignon was served. Starting Bid: $500
- - - - - -
LOT #11041 - Marilyn Monroe, In Coat and Fedora, for Vogue in "The Last Sitting", Hotel Bel-Air, Los Angeles, June 1962, 2.25" Camera Negatives (36) by Bert Stern.
Vintage original 2.25" camera negatives on Kodak safety film (36), from Hasselblad Analog Camera, of Marilyn Monroe, In Coat and Fedora, in "The Last Sitting", Hotel Bel-Air, Los Angeles, Suite Number 261 and Bungalow Number 96, late June 1962, commissioned by Vogue magazine, by Bert Stern, with exposure numbers "1009-1020 (12) (sleeve 848-85, 1-12) (complete roll of 12 frames), 1021-1032 (12) (sleeve 848-86, 1-12) (complete roll of 12 frames), and "1033-1044" (12) (sleeve 848-87, 1-12) (complete roll of 12 frames) in India ink in the margin. Reproduced in Vogue from six black and white negatives as eight-page spread, September 1, 1962. Reproduced from contact proof sheets in Marilyn Monroe: The Complete Last Sitting, 2000, by Bert Stern, pp. 338-339 and 256-259. A case of Château Lafite-Rothschild with bottles of '53 Dom Pérignon was served. Starting Bid: $500
- - - - - -
LOT #11042 - Marilyn Monroe, Dior Dress and Fox Fur Coat, for Vogue, in "The Last Sitting", Hotel Bel-Air, Los Angeles, June 1962, 2.25" Camera Negatives (24) by Bert Stern.
Vintage original 2.25" camera negatives on Kodak safety film (24), from Hasselblad Analog Camera, of Marilyn Monroe, Dior Dress and Fox Fur Coat, in "The Last Sitting", Hotel Bel-Air, Los Angeles, Suite Number 261 and Bungalow Number 96, late June 1962, commissioned by Vogue magazine, by Bert Stern, with exposure numbers "253-264" (12, corner chip to exposure "255") (sleeve 848-22, 1-12) (complete roll of 12 frames) and "865-876" (12) (sleeve 848-72, 1-12) (complete roll of 12 frames) in India ink in the margin. Reproduced in Vogue from six black and white negatives as eight-page spread, September 1, 1962. Reproduced from contact proof sheets in Marilyn Monroe: The Complete Last Sitting, 2000, by Bert Stern, pp. 350-353. A case of Château Lafite-Rothschild with bottles of '53 Dom Pérignon was served. Starting Bid: $500
- - - - - -
LOT #11043 - Marilyn Monroe, Dior Dress and Fox Fur Coat, for Vogue, in "The Last Sitting", Hotel Bel-Air, Los Angeles, June 1962, 2.25" Camera Negatives (24) by Bert Stern.
Vintage original 2.25" camera negatives on Kodak safety film (24), from Hasselblad Analog Camera, of Marilyn Monroe, Dior Dress and Fox Fur Coat, in "The Last Sitting", Hotel Bel-Air, Los Angeles, Suite Number 261 and Bungalow Number 96, late June 1962, commissioned by Vogue magazine, by Bert Stern, with exposure numbers and "877-888" (12) (sleeve 848-73, 1-12) (complete roll of 12 frames) and "889-900" (12) (sleeve 848-74, 1-12) (complete roll of 12 frames) in India ink in the margin. Reproduced in Vogue from six black and white negatives as eight-page spread, September 1, 1962. Reproduced from contact proof sheets in Marilyn Monroe: The Complete Last Sitting, 2000, by Bert Stern, pp. 358 and 354-355. A case of Château Lafite-Rothschild with bottles of '53 Dom Pérignon was served. Starting Bid: $500
- - - - - -
LOT #11044 - Marilyn Monroe, Dior Dress and Fox Fur Coat, for Vogue, in "The Last Sitting", Hotel Bel-Air, Los Angeles, June 1962, 2.25" Camera Negatives (23) by Bert Stern.
Vintage original 2.25" camera negatives on Kodak safety film (23), from Hasselblad Analog Camera, of Marilyn Monroe, Dior Dress and Fox Fur Coat, in "The Last Sitting", Hotel Bel-Air, Los Angeles, Suite Number 261 and Bungalow Number 96, late June 1962, commissioned by Vogue magazine, by Bert Stern, with exposure numbers "901-912" (12) (sleeve 848-76, 1-12) (complete roll of 12 frames) and "913-924" (11) (sleeve 848-77, 2-12) in India ink in the margin. Reproduced in Vogue from six black and white negatives as eight-page spread, September 1, 1962. Exposure "902" (948-76, frame 11) is the actual negative, one of six, reproduced in Vogue, September 1962, p. 194, full page. Reproduced from contact proof sheets in Marilyn Monroe: The Complete Last Sitting, 2000, by Bert Stern, pp. 362-363 and 348-349. A case of Château Lafite-Rothschild with bottles of '53 Dom Pérignon was served. Starting Bid: $500
- - - - - -
LOT #11045 - Marilyn Monroe, Dior Dress and Fox Fur Coat, for Vogue, in "The Last Sitting", Hotel Bel-Air, Los Angeles, June 1962, 2.25" Camera Negatives (23) by Bert Stern.
Vintage original 2.25" camera negatives on Kodak safety film (23), from Hasselblad Analog Camera, of Marilyn Monroe, Dior Dress and Fox Fur Coat, in "The Last Sitting", Hotel Bel-Air, Los Angeles, Suite Number 261 and Bungalow Number 96, late June 1962, commissioned by Vogue magazine, by Bert Stern, with exposure numbers "925-936" (12) (sleeve 948-78, 1-12) (complete roll of 12 frames) and "937-948" (11) (sleeve 848-79, 2-12) in India ink in the margin. Reproduced in Vogue from six black and white negatives as eight-page spread, September 1, 1962. Reproduced from contact proof sheets in Marilyn Monroe: The Complete Last Sitting, 2000, by Bert Stern, pp. 364-365 and 359-361. A case of Château Lafite-Rothschild with bottles of '53 Dom Pérignon was served. Starting Bid: $500
- - - - - -
LOT #11046 - Marilyn Monroe, Dior Dress and Fox Fur Coat, for Vogue, in "The Last Sitting", Hotel Bel-Air, Los Angeles, June 1962, 2.25" Camera Negatives (24) by Bert Stern.
Vintage original 2.25" camera negatives on Kodak safety film (24), from Hasselblad Analog Camera, of Marilyn Monroe, Dior Dress and Fox Fur Coat, in "The Last Sitting", Hotel Bel-Air, Los Angeles, Suite Number 261 and Bungalow Number 96, late June 1962, commissioned by Vogue magazine, by Bert Stern, with exposure numbers "949-960" (12) (sleeve 948-80, 2-12) (complete roll of 12 frames) and "997-1008" (12) (sleeve 848-84, 1-12) (complete roll of 12 frames) in India ink in the margin. Reproduced in Vogue from six black and white negatives as eight-page spread, September 1, 1962. Reproduced from contact proof sheets in Marilyn Monroe: The Complete Last Sitting, 2000, by Bert Stern, pp. 368-371. A case of Château Lafite-Rothschild with bottles of '53 Dom Pérignon was served. Starting Bid: $500
- - - - - -
LOT #11047 - Marilyn Monroe, Dior Dress and Fox Fur Coat, for Vogue, in "The Last Sitting", Hotel Bel-Air, Los Angeles, June 1962, 2.25" Camera Negatives (24) by Bert Stern.
Vintage original 2.25" camera negatives on Kodak safety film (24), from Hasselblad Analog Camera, of Marilyn Monroe, Dior Dress and Fox Fur Coat, in "The Last Sitting", Hotel Bel-Air, Los Angeles, Suite Number 261 and Bungalow Number 96, late June 1962, commissioned by Vogue magazine, by Bert Stern, with exposure numbers and "1045-1056" (12) (sleeve 848-88, 1-12) (complete roll of 12 frames) and "1057-1068" (12) (sleeve 848-89, 1-12) (complete roll of 12 frames) in India ink in the margin. Reproduced in Vogue from six black and white negatives as eight-page spread, September 1, 1962. Reproduced from contact proof sheets in Marilyn Monroe: The Complete Last Sitting, 2000, by Bert Stern, pp. 372-373 and 356-357. A case of Château Lafite-Rothschild with bottles of '53 Dom Pérignon was served. Starting Bid: $500
- - - - - -
LOT #11048 - Marilyn Monroe, Dior Dress and Fox Fur Coat, for Vogue, in "The Last Sitting", Hotel Bel-Air, Los Angeles, June 1962, 2.25" Camera Negatives (24) by Bert Stern.
Vintage original 2.25" camera negatives on Kodak safety film (24), from Hasselblad Analog Camera, of Marilyn Monroe, Dior Dress and Fox Fur Coat, in "The Last Sitting", Hotel Bel-Air, Los Angeles, Suite Number 261 and Bungalow Number 96, late June 1962, commissioned by Vogue magazine, by Bert Stern, with exposure numbers "1069-1080" (12) (sleeve 848-90, 1-12) (complete roll of 12 frames) and "1477-1488" (12) (sleeve 848-124, 1-12) (complete roll of 12 frames, six exposures are un-centered) in India ink in the margin. Reproduced in Vogue from six black and white negatives as eight-page spread, September 1, 1962. Reproduced from contact proof sheets in Marilyn Monroe: The Complete Last Sitting, 2000, by Bert Stern, pp. 368-369 and 346-347. A case of Château Lafite-Rothschild with bottles of '53 Dom Pérignon was served. Starting Bid: $500
- - - - - -
LOT #11049 - Marilyn Monroe, Black Dior Dress, for Vogue, in "The Last Sitting", Hotel Bel-Air, Los Angeles, June 1962, 2.25" Camera Negatives (11) by Bert Stern.
Vintage original 2.25" camera negatives on Kodak safety film (11), from Hasselblad Analog Camera, of Marilyn Monroe, Black Dior Dress, in "The Last Sitting", Hotel Bel-Air, Los Angeles, Suite Number 261 and Bungalow Number 96, late June 1962, commissioned by Vogue magazine, by Bert Stern, with exposure numbers "1105-1116" (11) (sleeve 848-93, 2-12) in India ink in the margin. Reproduced in Vogue from six black and white negatives as eight-page spread, September 1, 1962. Reproduced from contact proof sheets in Marilyn Monroe: The Complete Last Sitting, 2000, by Bert Stern, pp. 174-175. A case of Château Lafite-Rothschild with bottles of '53 Dom Pérignon was served. Starting Bid: $500
- - - - - -
LOT #11050 - Marilyn Monroe, Black Dior Dress, for Vogue, in "The Last Sitting", Hotel Bel-Air, Los Angeles, June 1962, 2.25" Camera Negatives (11) by Bert Stern.
Vintage original 2.25" camera negatives on Kodak safety film (11), from Hasselblad Analog Camera, of Marilyn Monroe, Black Dior Dress, in "The Last Sitting", Hotel Bel-Air, Los Angeles, Suite Number 261 and Bungalow Number 96, late June 1962, commissioned by Vogue magazine, by Bert Stern, with exposure numbers "1129-1140" (11) (sleeve 848-95, 2-12) (complete roll of 12 frames) in India ink in the margin. Reproduced in Vogue from six black and white negatives as eight-page spread, September 1, 1962. Reproduced from contact proof sheets in Marilyn Monroe: The Complete Last Sitting, 2000, by Bert Stern, pp. 176-177. A case of Château Lafite-Rothschild with bottles of '53 Dom Pérignon was served. Starting Bid: $500
- - - - - -
LOT #11051 - Marilyn Monroe, Black Dior Dress, for Vogue, in "The Last Sitting", Hotel Bel-Air, Los Angeles, June 1962, 2.25" Camera Negatives (12) by Bert Stern.
Vintage original 2.25" camera negatives on Kodak safety film (12), from Hasselblad Analog Camera, of Marilyn Monroe, Black Dior Dress, in "The Last Sitting", Hotel Bel-Air, Los Angeles, Suite Number 261 and Bungalow Number 96, late June 1962, commissioned by Vogue magazine, by Bert Stern, with exposure numbers "1165-1176" (12) (sleeve 848-98, 1-12) (complete roll of 12 frames) in India ink in the margin. Reproduced in Vogue from six black and white negatives as eight-page spread, September 1, 1962. Unpublished negatives. Not reproduced in Marilyn Monroe: The Complete Last Sitting, 2000, by Bert Stern. A case of Château Lafite-Rothschild with bottles of '53 Dom Pérignon was served. Starting Bid: $500
- - - - - -
LOT #11052 - Marilyn Monroe, Black Dior Dress, for Vogue, in "The Last Sitting", Hotel Bel-Air, Los Angeles, June 1962, 2.25" Camera Negatives (12) by Bert Stern.
Vintage original 2.25" camera negatives on Kodak safety film (12), from Hasselblad Analog Camera, of Marilyn Monroe, Black Dior Dress, in "The Last Sitting", Hotel Bel-Air, Los Angeles, Suite Number 261 and Bungalow Number 96, late June 1962, commissioned by Vogue magazine, by Bert Stern, with exposure numbers "1189-1200" (12) (sleeve 848-100, 1-12) (complete roll of 12 frames) in India ink in the margin. Reproduced in Vogue from six black and white negatives as eight-page spread, September 1, 1962. Reproduced from contact proof sheets in Marilyn Monroe: The Complete Last Sitting, 2000, by Bert Stern, pp. 190 and 193. A case of Château Lafite-Rothschild with bottles of '53 Dom Pérignon was served. Starting Bid: $500
- - - - - -
LOT #11053 - Marilyn Monroe, Black Dior Dress, for Vogue, in "The Last Sitting", Hotel Bel-Air, Los Angeles, June 1962, 2.25" Camera Negatives (12) by Bert Stern.
Vintage original 2.25" camera negatives on Kodak safety film (12), from Hasselblad Analog Camera, of Marilyn Monroe, Black Dior Dress, in "The Last Sitting", Hotel Bel-Air, Los Angeles, Suite Number 261 and Bungalow Number 96, late June 1962, commissioned by Vogue magazine, by Bert Stern, with exposure numbers "1201-1212" (12) (sleeve 848-101, 1-12) (complete roll of 12 frames) in India ink in the margin. Reproduced in Vogue from six black and white negatives as eight-page spread, September 1, 1962. Reproduced from contact proof sheets in Marilyn Monroe: The Complete Last Sitting, 2000, by Bert Stern, pp. 162-163. A case of Château Lafite-Rothschild with bottles of '53 Dom Pérignon was served. Starting Bid: $500
- - - - - -
LOT #11054 - Marilyn Monroe, Black Dior Dress, for Vogue, in "The Last Sitting", Hotel Bel-Air, Los Angeles, June 1962, 2.25" Camera Negatives (12) by Bert Stern.
Vintage original 2.25" camera negatives on Kodak safety film (12), from Hasselblad Analog Camera, of Marilyn Monroe, Black Dior Dress, in "The Last Sitting", Hotel Bel-Air, Los Angeles, Suite Number 261 and Bungalow Number 96, late June 1962, commissioned by Vogue magazine, by Bert Stern, with exposure numbers "1225-1236" (12) (sleeve 848-103, 1-12) (complete roll of 12 frames) in India ink in the margin. Reproduced in Vogue from six black and white negatives as eight-page spread, September 1, 1962. Reproduced from contact proof sheets in Marilyn Monroe: The Complete Last Sitting, 2000, by Bert Stern, pp. 168-169. A case of Château Lafite-Rothschild with bottles of '53 Dom Pérignon was served. Starting Bid: $500
- - - - - -
LOT #11055 - Marilyn Monroe, Black Dior Dress, for Vogue, in "The Last Sitting", Hotel Bel-Air, Los Angeles, June 1962, 2.25" Camera Negatives (23) by Bert Stern.
Vintage original 2.25" camera negatives on Kodak safety film (23), from Hasselblad Analog Camera, of Marilyn Monroe, Black Dior Dress, in "The Last Sitting", Hotel Bel-Air, Los Angeles, Suite Number 261 and Bungalow Number 96, late June 1962, commissioned by Vogue magazine, by Bert Stern, with exposure numbers "1249-1260" (12) (sleeve 848-105, 1-12) (complete roll of 12 frames) and numbers "1593-1603" (11) (sleeve 848-134, 2-12) in India ink in the margin. Exposures "1600, 1603-1604" (sleeve 848-134, 2-3, 5) show fog density (air bubbles) from developing flaw. Reproduced in Vogue from six black and white negatives as eight-page spread, September 1, 1962. Reproduced from contact proof sheets in Marilyn Monroe: The Complete Last Sitting, 2000, by Bert Stern, pp. 164-167. A case of Château Lafite-Rothschild with bottles of '53 Dom Pérignon was served. Starting Bid: $500
- - - - - -
LOT #11056 - Marilyn Monroe, Black Dior Dress, for Vogue, in "The Last Sitting", Hotel Bel-Air, Los Angeles, June 1962, 2.25" Camera Negatives (12) by Bert Stern.
Vintage original 2.25" camera negatives on Kodak safety film (12), from Hasselblad Analog Camera, of Marilyn Monroe, Black Dior Dress, in "The Last Sitting", Hotel Bel-Air, Los Angeles, Suite Number 261 and Bungalow Number 96, late June 1962, commissioned by Vogue magazine, by Bert Stern, with exposure numbers "1261-1272" (12) (sleeve 848-106, 1-12) (complete roll of 12 frames) in India ink in the margin. Reproduced in Vogue from six black and white negatives as eight-page spread, September 1, 1962. Reproduced from contact proof sheets in Marilyn Monroe: The Complete Last Sitting, 2000, by Bert Stern, pp. 156. Reproduced from contact proof sheets in Marilyn Monroe: The Complete Last Sitting, 2000, by Bert Stern, p. 156. A case of Château Lafite-Rothschild with bottles of '53 Dom Pérignon was served. Starting Bid: $500
- - - - - -
LOT #11057 - Marilyn Monroe, Black Dior Dress, for Vogue, in "The Last Sitting", Hotel Bel-Air, Los Angeles, June 1962, 2.25" Camera Negatives (12) by Bert Stern.
Vintage original 2.25" camera negatives on Kodak safety film (12), from Hasselblad Analog Camera, of Marilyn Monroe, Black Dior Dress, in "The Last Sitting", Hotel Bel-Air, Los Angeles, Suite Number 261 and Bungalow Number 96, late June 1962, commissioned by Vogue magazine, by Bert Stern, with exposure numbers "1273-1284" (12) (sleeve 848-107, 1-12) (complete roll of 12 frames) in India ink in the margin. Reproduced in Vogue from six black and white negatives as eight-page spread, September 1, 1962. Reproduced from contact proof sheets in Marilyn Monroe: The Complete Last Sitting, 2000, by Bert Stern, pp. 186-187. A case of Château Lafite-Rothschild with bottles of '53 Dom Pérignon was served. Starting Bid: $500
- - - - - -
LOT #11058 - Marilyn Monroe, Black Dior Dress, for Vogue, in "The Last Sitting", Hotel Bel-Air, Los Angeles, June 1962, 2.25" Camera Negatives (12) by Bert Stern.
Vintage original 2.25" camera negatives on Kodak safety film (12), from Hasselblad Analog Camera, of Marilyn Monroe, Black Dior Dress, in "The Last Sitting", Hotel Bel-Air, Los Angeles, Suite Number 261 and Bungalow Number 96, late June 1962, commissioned by Vogue magazine, by Bert Stern, with exposure numbers "1285-1296" (12) (sleeve 848-108, 1-12) (complete roll of 12 frames) in India ink in the margin. Reproduced in Vogue from six black and white negatives as eight-page spread, September 1, 1962. Reproduced from contact proof sheets in Marilyn Monroe: The Complete Last Sitting, 2000, by Bert Stern, p. 160. A case of Château Lafite-Rothschild with bottles of '53 Dom Pérignon was served. Starting Bid: $500
- - - - - -
LOT #11059 - Marilyn Monroe, Black Dior Dress, for Vogue, in "The Last Sitting", Hotel Bel-Air, Los Angeles, June 1962, 2.25" Camera Negatives (12) by Bert Stern.
Vintage original 2.25" camera negatives on Kodak safety film (12), from Hasselblad Analog Camera, of Marilyn Monroe, Black Dior Dress, in "The Last Sitting", Hotel Bel-Air, Los Angeles, Suite Number 261 and Bungalow Number 96, late June 1962, commissioned by Vogue magazine, by Bert Stern, with exposure numbers "1297-1308" (12) (sleeve 848-109, 1-12) (complete roll of 12 frames) in India ink in the margin. Reproduced in Vogue from six black and white negatives as eight-page spread, September 1, 1962. Reproduced from contact proof sheets in Marilyn Monroe: The Complete Last Sitting, 2000, by Bert Stern, pp. 152 ("1306-1308"), 158, 161. A case of Château Lafite-Rothschild with bottles of '53 Dom Pérignon was served. Starting Bid: $500
- - - - - -
LOT #11060 - Marilyn Monroe, Black Dior Dress, for Vogue, in "The Last Sitting", Hotel Bel-Air, Los Angeles, June 1962, 2.25" Camera Negatives (12) by Bert Stern.
Vintage original 2.25" camera negatives on Kodak safety film (12), from Hasselblad Analog Camera, of Marilyn Monroe, Black Dior Dress, in "The Last Sitting", Hotel Bel-Air, Los Angeles, Suite Number 261 and Bungalow Number 96, late June 1962, commissioned by Vogue magazine, by Bert Stern, with exposure numbers "1381-1392" (12) (sleeve 848-116, 1-12) (complete roll of 12 frames) in India ink in the margin. Reproduced in Vogue from six black and white negatives as eight-page spread, September 1, 1962. Reproduced from contact proof sheets in Marilyn Monroe: The Complete Last Sitting, 2000, by Bert Stern, pp. 172-173. A case of Château Lafite-Rothschild with bottles of '53 Dom Pérignon was served. Starting Bid: $500
- - - - - -
LOT #11061 - Marilyn Monroe, Black Dior Dress, for Vogue, in "The Last Sitting", Hotel Bel-Air, Los Angeles, June 1962, 2.25" Camera Negatives (12) by Bert Stern.
Vintage original 2.25" camera negatives on Kodak safety film (12), from Hasselblad Analog Camera, of Marilyn Monroe, Black Dior Dress, in "The Last Sitting", Hotel Bel-Air, Los Angeles, Suite Number 261 and Bungalow Number 96, late June 1962, commissioned by Vogue magazine, by Bert Stern, with exposure numbers "1393-1404" (12) (sleeve 848-117, 1-12) (complete roll of 12 frames) in India ink in the margin. Reproduced in Vogue from six black and white negatives as eight-page spread, September 1, 1962. Reproduced from contact proof sheets in Marilyn Monroe: The Complete Last Sitting, 2000, by Bert Stern, p. 178. A case of Château Lafite-Rothschild with bottles of '53 Dom Pérignon was served. Starting Bid: $500
- - - - - -
LOT #11062 - Marilyn Monroe, Black Dior Dress, for Vogue, in "The Last Sitting", Hotel Bel-Air, Los Angeles, June 1962, 2.25" Camera Negatives (12) by Bert Stern.
Vintage original 2.25" camera negatives on Kodak safety film (12), from Hasselblad Analog Camera, of Marilyn Monroe, Black Dior Dress, in "The Last Sitting", Hotel Bel-Air, Los Angeles, Suite Number 261 and Bungalow Number 96, late June 1962, commissioned by Vogue magazine, by Bert Stern, with exposure numbers "1405-1416" (12) (sleeve 848-118, 1-12) (complete roll of 12 frames) in India ink in the margin. Reproduced in Vogue from six black and white negatives as eight-page spread, September 1, 1962. Reproduced from contact proof sheets in Marilyn Monroe: The Complete Last Sitting, 2000, by Bert Stern, pp. 180-181. A case of Château Lafite-Rothschild with bottles of '53 Dom Pérignon was served. Starting Bid: $500
- - - - - -
LOT #11063 - Marilyn Monroe, Black Dior Dress, for Vogue, in "The Last Sitting", Hotel Bel-Air, Los Angeles, June 1962, 2.25" Camera Negatives (12) by Bert Stern.
Vintage original 2.25" camera negatives on Kodak safety film (12), from Hasselblad Analog Camera, of Marilyn Monroe, Black Dior Dress, in "The Last Sitting", Hotel Bel-Air, Los Angeles, Suite Number 261 and Bungalow Number 96, late June 1962, commissioned by Vogue magazine, by Bert Stern, with exposure numbers "1429-1440" (12) (sleeve 848-120, 1-12) (complete roll of 12 frames) in India ink in the margin. Reproduced in Vogue from six black and white negatives as eight-page spread, September 1, 1962. Reproduced from contact proof sheets in Marilyn Monroe: The Complete Last Sitting, 2000, by Bert Stern, pp. 188-189. A case of Château Lafite-Rothschild with bottles of '53 Dom Pérignon was served. Starting Bid: $500
- - - - - -
LOT #11064 - Marilyn Monroe, Black Dior Dress, for Vogue, in "The Last Sitting", Hotel Bel-Air, Los Angeles, June 1962, 2.25" Camera Negatives (12) by Bert Stern.
Vintage original 2.25" camera negatives on Kodak safety film (12), from Hasselblad Analog Camera, of Marilyn Monroe, Black Dior Dress, in "The Last Sitting", Hotel Bel-Air, Los Angeles, Suite Number 261 and Bungalow Number 96, late June 1962, commissioned by Vogue magazine, by Bert Stern, with exposure numbers "1441-1452" (12) (sleeve 848-121, 1-12) (complete roll of 12 frames) in India ink in the margin. Reproduced in Vogue from six black and white negatives as eight-page spread, September 1, 1962. Reproduced from contact proof sheets in Marilyn Monroe: The Complete Last Sitting, 2000, by Bert Stern, pp. 182-183. A case of Château Lafite-Rothschild with bottles of '53 Dom Pérignon was served. Starting Bid: $500
- - - - - -
LOT #11065 - Marilyn Monroe, Black Dior Dress, for Vogue, in "The Last Sitting", Hotel Bel-Air, Los Angeles, June 1962, 2.25" Camera Negatives (12) by Bert Stern.
Vintage original 2.25" camera negatives on Kodak safety film (12), from Hasselblad Analog Camera, of Marilyn Monroe, Black Dior Dress, in "The Last Sitting", Hotel Bel-Air, Los Angeles, Suite Number 261 and Bungalow Number 96, late June 1962, commissioned by Vogue magazine, by Bert Stern, with exposure numbers "1465-1476" (12) (sleeve 848-123, 1-12) (complete roll of 12 frames) in India ink in the margin. Reproduced in Vogue from six black and white negatives as eight-page spread, September 1, 1962. Reproduced from contact proof sheets in Marilyn Monroe: The Complete Last Sitting, 2000, by Bert Stern, pp. 184-185. A case of Château Lafite-Rothschild with bottles of '53 Dom Pérignon was served. Starting Bid: $500
- - - - - -
LOT #11066 - Marilyn Monroe, Nude in Fur Coat, for Vogue, in "The Last Sitting", Hotel Bel-Air, Los Angeles, June 1962, 2.25" Camera Negatives (24) by Bert Stern.
Vintage original 2.25" camera negatives on Kodak safety film (24), from Hasselblad Analog Camera, of Marilyn Monroe, Nude in Fur Coat, in "The Last Sitting", Hotel Bel-Air, Los Angeles, Suite Number 261 and Bungalow Number 96, late June 1962, commissioned by Vogue magazine, by Bert Stern, with exposure numbers "289-300" (12) (sleeve 848-25, 1-12) (complete roll of 12 frames) and "421-432" (12) (sleeve 848-36, 1-12) (complete roll of 12 frames) in India ink in the margin. Reproduced in Vogue from six black and white negatives as eight-page spread, September 1, 1962. Reproduced from contact proof sheets in Marilyn Monroe: The Complete Last Sitting, 2000, by Bert Stern, pp. 312-313 and 334-335. A case of Château Lafite-Rothschild with bottles of '53 Dom Pérignon was served. Starting Bid: $500
- - - - - -
LOT #11067 - Marilyn Monroe, Nude in Fur Coat, for Vogue, in "The Last Sitting", Hotel Bel-Air, Los Angeles, June 1962, 2.25" Camera Negatives (12) by Bert Stern.
Vintage original 2.25" camera negatives on Kodak safety film (12), from Hasselblad Analog Camera, of Marilyn Monroe, Nude in Fur Coat, in "The Last Sitting", Hotel Bel-Air, Los Angeles, Suite Number 261 and Bungalow Number 96, late June 1962, commissioned by Vogue magazine, by Bert Stern, with exposure numbers and "349-360" (12) (sleeve 848-30, 1-12) (complete roll of 12 frames) in India ink in the margin. Reproduced in Vogue from six black and white negatives as eight-page spread, September 1, 1962. Exposure "353" (848-30, frame 8) is the actual negative, one of six, reproduced in Vogue, September 1962, p. 192, full page. Reproduced from contact proof sheets in Marilyn Monroe: The Complete Last Sitting, 2000, by Bert Stern, pp. 331-333. A case of Château Lafite-Rothschild with bottles of '53 Dom Pérignon was served. Starting Bid: $500
- - - - - -
LOT #11068 - Marilyn Monroe, Nude in Fur Coat, for Vogue, in "The Last Sitting", Hotel Bel-Air, Los Angeles, June 1962, 2.25" Camera Negatives (72) by Bert Stern.
Vintage original 2.25" camera negatives on Kodak safety film (72), from Hasselblad Analog Camera, of Marilyn Monroe, Nude in Fur Coat, in "The Last Sitting", Hotel Bel-Air, Los Angeles, Suite Number 261 and Bungalow Number 96, late June 1962, commissioned by Vogue magazine, by Bert Stern, with exposure numbers "1017-1128" (12) (sleeve 848-94, 1-12) (complete roll of 12 frames), "1041-1152" (12) (sleeve 848-96, 1-12) (complete roll of 12 frames), "1053-1164" (12) (sleeve 848-97, 1-12) (complete roll of 12 frames), "1077-1188" (12) (sleeve 848-99, 1-12) (complete roll of 12 frames), "1213-1224" (12) (sleeve 848-102, 1-12) (complete roll of 12 frames), and "1309-1320" (12) (sleeve 848-110, 1-12) (complete roll of 12 frames) in India ink in the margin. Reproduced in Vogue from six black and white negatives as eight-page spread, September 1, 1962. Reproduced from contact proof sheets in Marilyn Monroe: The Complete Last Sitting, 2000, by Bert Stern, pp. 324-325, 318-319, 327-329, 320-321, and 308. A case of Château Lafite-Rothschild with bottles of '53 Dom Pérignon was served. Starting Bid: $500
- - - - - -
LOT #11069 - Marilyn Monroe, Nude in Fur Coat, for Vogue, in "The Last Sitting", Hotel Bel-Air, Los Angeles, June 1962, 2.25" Camera Negatives (71) by Bert Stern.
Vintage original 2.25" camera negatives on Kodak safety film (71), from Hasselblad Analog Camera, of Marilyn Monroe, Nude in Fur Coat, in "The Last Sitting", Hotel Bel-Air, Los Angeles, Suite Number 261 and Bungalow Number 96, late June 1962, commissioned by Vogue magazine, by Bert Stern, with exposure numbers "1321-1332" (11) (sleeve 848-111, 1, 3-12), "1333-1344" (12) (sleeve 848-112, 1-12) (complete roll of 12 frames), "1345-1356" (12) (sleeve 848-113, 1-12) (complete roll of 12 frames), "1357-1368" (12) (sleeve 848-114, 1-12) (complete roll of 12 frames), "1369-1380" (12) (sleeve 848-115, 1-12) (complete roll of 12 frames), and "1549-1560" (12) (sleeve 848-130, 1-12) (complete roll of 12 frames) in India ink in the margin. Reproduced in Vogue from six black and white negatives as eight-page spread, September 1, 1962. Reproduced from contact proof sheets in Marilyn Monroe: The Complete Last Sitting, 2000, by Bert Stern, pp. 316-317, 310, 322-323, 314-315, 306-307, and 330. A case of Château Lafite-Rothschild with bottles of '53 Dom Pérignon was served. Starting Bid: $500
- - - - - -
LOT #11070 - Marilyn Monroe, With Pearls, for Vogue in "The Last Sitting", Hotel Bel-Air, Los Angeles, June 1962, 35mm Camera Negatives (30) by Bert Stern.
Vintage original 35mm camera negatives on Kodak safety film (30), from Nikon F-body 35mm single lens reflex camera with 105mm lens, of Marilyn Monroe, With Pearls, in "The Last Sitting", Hotel Bel-Air, Los Angeles, Suite Number 261 and Bungalow Number 96, late June 1962, commissioned by Vogue magazine, by Bert Stern, with exposure numbers 2-7, 14-37 (30) (sleeve 848-4) (frames 8-13 missing). Reproduced in Vogue from six black and white negatives as eight-page spread, September 1, 1962. Reproduced from contact proof sheets in Marilyn Monroe: The Complete Last Sitting, 2000, by Bert Stern, pp. 448-449. A case of Château Lafite-Rothschild with bottles of '53 Dom Pérignon was served. Starting Bid: $500
- - - - - -
LOT #11071 - Marilyn Monroe, With Pearls, for Vogue in "The Last Sitting", Hotel Bel-Air, Los Angeles, June 1962, 35mm Camera Negatives (28) by Bert Stern.
Vintage original 35mm camera negatives on Kodak safety film (28), from Nikon F-body 35mm single lens reflex camera with 105mm lens, of Marilyn Monroe, With Pearls, in "The Last Sitting", Hotel Bel-Air, Los Angeles, Suite Number 261 and Bungalow Number 96, late June 1962, commissioned by Vogue magazine, by Bert Stern, with exposure numbers 3-27, 29-31 (frame 2 overexposed) (frame 28, unexposed) (28) (sleeve 848-5b). Reproduced in Vogue from six black and white negatives as eight-page spread, September 1, 1962. Reproduced from contact proof sheets in Marilyn Monroe: The Complete Last Sitting, 2000, by Bert Stern, pp. 456-462. A case of Château Lafite-Rothschild with bottles of '53 Dom Pérignon was served. Starting Bid: $500
- - - - - -
LOT #11072 - Marilyn Monroe, With Pearls, for Vogue in "The Last Sitting", Hotel Bel-Air, Los Angeles, June 1962, 35mm Camera Negatives (36) by Bert Stern.
Vintage original 35mm camera negatives on Kodak safety film (36), from Nikon F-body 35mm single lens reflex camera with 105mm lens, of Marilyn Monroe, With Pearls, in "The Last Sitting", Hotel Bel-Air, Los Angeles, Suite Number 261 and Bungalow Number 96, late June 1962, commissioned by Vogue magazine, by Bert Stern, with exposure numbers 2-37 (complete roll of 36 frames) (sleeve 805-6, 848-7). Reproduced in Vogue from six black and white negatives as eight-page spread, September 1, 1962. Reproduced from contact proof sheets in Marilyn Monroe: The Complete Last Sitting, 2000, by Bert Stern, pp. 430-437. A case of Château Lafite-Rothschild with bottles of '53 Dom Pérignon was served. Starting Bid: $500
- - - - - -
LOT #11073 - Marilyn Monroe, With Pearls, for Vogue in "The Last Sitting", Hotel Bel-Air, Los Angeles, June 1962, 35mm Camera Negatives (36) by Bert Stern.
Vintage original 35mm camera negatives on Kodak safety film (36), from Nikon F-body 35mm single lens reflex camera with 105mm lens, of Marilyn Monroe, With Pearls, in "The Last Sitting", Hotel Bel-Air, Los Angeles, Suite Number 261 and Bungalow Number 96, late June 1962, commissioned by Vogue magazine, by Bert Stern, with exposure numbers 2-37 (complete roll of 36 frames) (sleeve 848-8). Reproduced in Vogue from six black and white negatives as eight-page spread, September 1, 1962. Reproduced from contact proof sheets in Marilyn Monroe: The Complete Last Sitting, 2000, by Bert Stern, pp. 450-455. A case of Château Lafite-Rothschild with bottles of '53 Dom Pérignon was served. Starting Bid: $500
- - - - - -
LOT #11074 - Marilyn Monroe, With Pearls, for Vogue in "The Last Sitting", Hotel Bel-Air, Los Angeles, June 1962, 35mm Camera Negatives (36) by Bert Stern.
Vintage original 35mm camera negatives on Kodak safety film (36), from Nikon F-body 35mm single lens reflex camera with 105mm lens, of Marilyn Monroe, With Pearls, in "The Last Sitting", Hotel Bel-Air, Los Angeles, Suite Number 261 and Bungalow Number 96, late June 1962, commissioned by Vogue magazine, by Bert Stern, with exposure numbers 2-37 (complete roll of 36 frames) (partial exposure 1) (sleeve 848-9). Reproduced in Vogue from six black and white negatives as eight-page spread, September 1, 1962. Reproduced from contact proof sheets in Marilyn Monroe: The Complete Last Sitting, 2000, by Bert Stern, pp. 438-447. A case of Château Lafite-Rothschild with bottles of '53 Dom Pérignon was served. Starting Bid: $500
- - - - - -
LOT #11075 - Marilyn Monroe, With Pearls, for Vogue in "The Last Sitting", Hotel Bel-Air, Los Angeles, June 1962, 35mm Interpositives (39) by Bert Stern.
Vintage original 35mm interpositives on Kodak safety film (39), from Nikon F-body 35mm single lens reflex camera with 105mm lens, of Marilyn Monroe With Pearls, in "The Last Sitting", Hotel Bel-Air, Los Angeles, Suite Number 261 and Bungalow Number 96, late June 1962, commissioned by Vogue magazine, by Bert Stern, with exposure numbers 2-18 (17) and 16-37 (22). Reproduced in Vogue from six black and white negatives as eight-page spread, September 1, 1962. A case of Château Lafite-Rothschild with bottles of '53 Dom Pérignon was served. Starting Bid: $500
- - - - - -
Each auction lot is offered as a collectible and is sold WITHOUT COPYRIGHTS. These lots are offered for sale as a physical object only. The sale does not include copyright or any other intellectual property rights, which remain with the artist or their estate. Comes with a COA from Heritage Auctions.
Photographie publicitaire de Marilyn Monroe par le photographe Frank Powolny pour les studios de la Fox, signée pour "Vern" en référence à Vernon Rickard, un figurant et homme à tout faire dans les studios d'Hollywood. . Publicity photograph of Marilyn Monroe by photographer Frank Powolny for Fox Studios, signed for "Vern" in reference to Vernon Rickard, a bit player and "gofer" in the Hollywood studios. .
" To Vern
It was a pleasure
to work with you
Love and kisses
Marilyn Monroe " .
. Vente aux enchères "American Greats: Vintage Sports and Hollywood from the Dr. G.B. Espy Collection Auction 34364" organisée le 22 octobre 2025 en ligne, par Christie's en collaboration avec Hunt Auctions. . Auction "American Greats: Vintage Sports and Hollywood from the Dr. G.B. Espy Collection Auction 34364" held online on October 22, 2025, by Christie's in collaboration with Hunt Auctions. .
.
Vente aux enchères qui comprend 174 lots liés au sport (le baseball) et au cinéma d'Hollywood; il y a 31 lots qui concernent Marilyn Monroe: des photographies (des instantanés pris d'elle jeune, mais aussi en Corée, ainsi que des clichés pris par les photographes professionnels comme André De Dienes, Bert Stern Georges Barris...), des documents papiers personnels (son jugement de divorce d'avec Joe DiMaggio, sa carte d'identification pour sa tournée en Corée, une lettre personnelle adressée à Grace Goddard, des contrats, son scénario des Désaxés...), et un objet inédit (un prix reçu par une équipe de baseball en 1952). . Auction which includes 174 lots related to sports (baseball) and Hollywood cinema;there are 31 lots that concern Marilyn Monroe: photographs (snapshots taken of her as a young woman, but also in Korea, as well as shots taken by professional photographers such as Andre De Dienes, Bert Stern, Georges Barris...), personal paper documents (her divorce decree from Joe DiMaggio, her identification card for her tour in Korea, a personal letter addressed to Grace Goddard, contracts, her script for The Misfits...), and a previously unseen item (a prize received by a baseball team in 1952). .
Lot 46 - A GROUP OF TEN SNAPSHOTS OF MARILYN MONROE VISITING TROOPS (PSA/DNA "TYPE I"); KOREA, 1954 Comprising ten snapshots of Marilyn during her 1954 USO tour of Korea, together with a January 10th 2000 letter from the photographer describing Monroe's visit to his camp; 3 x 4 ½ in. Provenance: Anonymous sale; Bonham's, Los Angeles, 14 June 2009, lot 6013. Estimate: USD 2,000 – USD 3,000 | Price realised: USD 8,190
- - - - -
Lot 48 - VERY EARLY SNAPSHOT OF MARILYN MONROE (PSA/DNA "TYPE I"); CIRCA 1942 Early snapshot showing a sixteen year old Norma Jeane posing near a palm tree on the beach; 3 ½ x 5 ½ in. (the snapshot) Estimate: USD 4,000 – USD 6,000 | Price realised: USD 6,300
- - - - -
Lot 49 - MARILYN MONROE AUTOGRAPHED PUBLICITY PHOTOGRAPH (PSA/DNA 6 EX-MT); CIRCA 1952 Signed publicity photograph for Clash by Night (1952) signed 'Norma Jean' in red ink at lower right Estimate: USD 8,000 – USD 12,000 | Price realised: USD 11,970
- - - - -
Lot 55 - AN EARLY MARILYN MONROE SNAPSHOT (PSA/DNA "TYPE 1"); 1947-1948 A young Marilyn lounges in a haybale near a wide brimmed hat, 'MARILYN MONROE' typed at bottom edge. 2 ¼ x 3 ½ in. (the snapshot) Estimate: USD 600 – USD 800 | Price realised: USD 1,260
- - - - -
Lot 56 - THREE MARILYN MONROE CONTACT SHEETS (PSA/DNA "TYPE I"); BERT STERN, 1962 Comprising three contact sheets, each with twelve images (36 total) of a veiled Marilyn Monroe, from the famed 'The Last Sitting' shoot Provenance: Anonymous sale; Christie's, Los Angeles, 31 January 2002, lot 8. Estimate: USD 3,000 – USD 5,000 | Price realised USD 6,300
- - - - -
Lot 57 - TWO MARILYN MONROE CONTACT SHEETS (PSA/DNA "TYPE I"); BERT STERN, 1962 Comprising two contact sheets, each with twelve images (24 total) of Marilyn Monroe posing with a camera, from the famed 'The Last Sitting' shoot Provenance: Anonymous sale; Christie's, Los Angeles, 31 January 2002, lot 10 (part). Estimate: USD 2,000 – USD 3,000 | Price realised USD 4,032
- - - - -
Lot 58 - AN ORIGINAL NEWS SERVICE PHOTOGRAPH OF JOE DIMAGGIO AND MARILYN MONROE (PSA/DNA "TYPE I"); WIDE WORLD PHOTOS, JUNE 1955 Joe DiMaggio and Marilyn Monroe holding hands at the premier of The Seven Year Itch; the reverse with related caption Estimate: USD 700 – USD 900 | Price realised USD 3,528
- - - - -
Lot 59 - A PHOTOGRAPH OF MARILYN MONROE IN A HAT (PSA/DNA "TYPE I"); CARL PERUTZ, 1958 A black and white photograph of Marilyn Monroe wearing an oversized white straw hat adorned with roses; with three of Carl Perutz 'credit' stamp marks on the verso; With LOA from PSA/DNA
Please note this piece has been linen-backed. 15 x 13 in. Provenance: Anonymous sale; Christie's, New York, 18 November 2003, lot 13. Estimate: USD 700 – USD 900 | Price realised USD 4,788
- - - - -
Lot 60 - TWO MARILYN MONROE PHOTOGRAPHS TO BE USED IN PIN UP MAGAZINE; ANDRE DE DIENES, 1953 Two vintage print black and white photographs depicting Marilyn Monroe lying on the ground holding hand-weights, the verso with red ink stamps reading Credit Must/Be Given To/Photo/Andre De Dienes/1401 Sunset Plaza Drive/Hollywood 46, California/Crestview 6-4820, red ink stamps outlining specific publication uses, penciled crop marks relating to the magazine page layout and, Marilyn Monroe in green ink, possibly in De Dienes hand. 11 x 10 ¾ in. Provenance: Anonymous sale; Christie's, New York, 25 July 2003, lot 10. Estimate: USD 2,000 – USD 3,000 | Price realised USD 4,032
- - - - -
Lot 61 - EIGHT SNAPSHOTS OF MARILYN MONROE AT A SOCCER GAME (PSA/DNA "TYPE I"); BROOKLYN, 1957 Comprising eight candid snapshots of Marilyn together with three of the surrounding stadium taken the same day
3 ¼ x 4 ½ in. Provenance: Anonymous sale; Christie’s, New York, 25 July 2003, lot 3. Estimate: USD 800 – USD 1,200 | Price realised: USD 4,032
- - - - -
Lot 62 - A CONTACT SHEET OF MARILYN MONROE ON THE BEACH (PSA/DNA "TYPE I"); ANTHONY BEAUCHAMP, CIRCA 1951 Including twelve individual images of Marilyn running, dancing and posing on the beach in a white bathing suit; the verso with layout notations in pencil, and labeled 'Marilyn Monroe photo by Beauchamp'
9 ¾x 8 ¼ in. (the sheet) Estimate: USD 800 – USD 1,200 | Price realised: USD 3,276
- - - - -
Lot 63 - THREE MARILYN MONROE CONTACT SHEETS (PSA/DNA "TYPE I"); BERT STERN, 1962 Comprising three contact sheets, each with twelve images (36 total) of Marilyn Monroe in a dramatic, low-backed black evening gown, from the famed 'The Last Sitting' shoot Provenance: Anonymous sale; Christie's, Los Angeles, 31 January 2002, lot 9. Estimate: USD 3,000 – USD 5,000 | Price realised: USD 3,528
- - - - -
Lot 64 - FIVE PHOTOGRAPHS OF MARILYN MONROE AT THE BEACH (PSA/DNA "TYPE II"); ANDRE DE DIENES, 1949 Including 5 images of Marilyn running and posing on the beach in a white bathing suit; With LOAs from PSA/DNA. 14 in. x 11 in. (each) Estimate: USD 2,000 – USD 3,000 | Price realised: USD 1,890
- - - - -
Lot 65 - MARILYN MONROE ON SANTA MONICA BEACH; GEORGE BARRIS, ED WESTON COLLECTION, LATE 20TH CENTURY Large black and white photograph of laughing Marilyn Monroe on the beach, from the George Barris 'Last Photos' shoot; the image embossed 'GEORGE BARRIS/ EDWARD WESTON COLLECTION' at lower right, mounted on black foamcore; with LOA from Marilyn Monroe Weston Editions, LTD. 13 x 10 in. (the image) Provenance: Anonymous sale; Superior Galleries, Beverly Hills, California, 14-15 November 1998, lot 720. Estimate: USD 700 – USD 900 | Price realised USD 2,520
- - - - -
Lot 66 - THREE MARILYN MONROE CONTACT SHEETS FROM THE SET OF THE MISFITS (1961) (PSA/DNA "TYPE I"); CIRCA 1960 Including three black and white photographic proof sheets from the set of The Misfits, depicting various wardrobe and makeup test shots, a total of 30 individual images
images approximately 2½ x 2 in. each, sheet size 8 x 10 in. Provenance: Anonymous sale; Christie's, Los Angeles, 31 January 2002, lot 7. Estimate: USD 3,000 – USD 5,000| Not Sold ?
Objets (1 lot)
Lot 44 - "MARILYN MONROE CHAMPS" BASEBALL FIGURAL TROPHY; 1952
Handsome piece has an engraved placard on the base which reads, "Marilyn Monroe Champs - '52." Affixed just above are a pair of cast metal baseballs and batter figure. Upright wooden back holds a circular metal disc which bears the last names of 12 with one noted as "Capt." It is presumed that they represent members of a baseball team which was likely comprised of service members. While Marilyn Monroe is not known to have made a USO visit to those serving during the Korean war until 1954 she may have visited a stateside base or two. The piece stands 14.75" tall with 4.5"x11" footprint and shows some mild surface wear and crazing to metal portions. Batter figure has a few nicks/chips: VG Estimate: USD 1,500 – USD 2,000 | Price realised: USD 1,764
Documents papiers (14 lots)
Lot 42 - VERY RARE MARILYN MONROE AND JOE DIMAGGIO AUTOGRAPHED "TEAHOUSE OF THE AUGUST MOON" PLAYBILL (PSA/DNA 8 NM-MT); CIRCA 1954
Original playbill issued for a showing at the landmark Martin Beck Theater in Manhattan has been signed on the front "Marilyn Monroe" and "Joe DiMaggio." An exceedingly rare piece autographed by both during their short lived and tumultuous marriage which lasted from January to October of 1954. The pair was seldom found together in public but always attracted huge crowds and matching levels of attention when spotted. Light general toning and scattered wear including a large tear to lower front cover (present but not overwhelming when viewing). Authenticated and encapsulated by PSA with the autographs graded PSA/DNA 8 NM-MT: NM-MT Estimate: USD 15,000 – USD 25,000 | Price realised: USD 15,120
- - - - -
Lot 43 - EXCEEDINGLY RARE MARILYN MONROE AND JOE DIMAGGIO AUTOGRAPHED DIMAGGIO'S RESTAURANT MENU; CIRCA 1954
Original paper stock menu from the long standing restaurant which operated on Fisherman's Wharf in San Francisco has been signed on the front "Marilyn Monroe" and "Joe DiMaggio." A very scarce piece autographed by both during their short lived and turbulent marriage which lasted from January to October of 1954. The pair was seldom found together in public but always attracted huge crowds and matching levels of attention when spotted. General handling and age related wear includes creases, wrinkles, and a number of small tears. In addition there are some more pronounced separations along a horizontal fold at the center (the extending around 1.5" in from the right edge). A stamped signature of Joe DiMaggio was applied to the lower front and is now somewhat faded from view. Includes full LOA from PSA/DNA: Sigs. EX/MT, Menu FR Estimate: USD 15,000 – USD 25,000 | Price realised: USD 21,420
- - - - -
Lot 45 - FINAL JUDGMENT OF DIVORCE BETWEEN MARILYN MONROE AND JOE DIMAGGIO; SUPERIOR COURT STATE OF CALIFORNIA, 31 OCTOBER, 1955 Certified copy stamped "A full true and correct copy of the original on file and made in my office and entered Oct 31, 1955 Judgment Book 2988 Page 88 (signed) by M. Leach, Deputy, and then (at the bottom)by Judge Elmer D Doyle”, the signatures in blue ink
13 ½ x 8 ½ in. Provenance: with Antique Associates at West Townsend Inc., Massachusetts. Estimate: USD 5,000 – USD 7,000 | Price realised: USD 12,600
- - - - -
Lot 47 - A MARILYN MONROE SIGNED 'UNITED STATES OF AMERICA DEPARTMENT OF DEFENSE' IDENTIFICATION CARD (PSA/DNA NM 7); 8 FEBRUARY 1954
Laminated with a black and white photograph of Marilyn Monroe in the upper left-side corner, a date of "8 Feb. 1954," and a typed name of "DiMaggio, Norma Jeane;" signed 'Norma Jeane DiMaggio' in blue in at lower right side; back of card showing two finger prints and personal attributes Provenance: Anonymous sale; Bonham's, Los Angeles, 21 December 2008, lot 1011. Estimate: USD 20,000 – USD 30,000 | Price realised USD 176,400
- - - - -
Lot 50 - MARILYN MONROE AUTOGRAPHED LETTER TO GRACE MCKEE GODDARD (PSA/DNA 7 NM); 16 FEBRUARY 1943 Autograph letter signed ("Norma Jean"), and initialed ("N.J.") after the postscript, to Grace McKee Goddard, [Los Angeles], 5 pages, in her distinctive printed, penciled script Provenance: A Collection of Marilyn Monroe Memorabilia sold to Benefit Hollygrove Children's Home; Christie's, Los Angeles, 20 September 2001, lot 66 (part). Estimate: USD 15,000 – USD 25,000 | Price realised: USD 35,280
- - - - -
Lot 51 - MARILYN MONROE NCAC CONTRACT SIGNED AS NORMA JEAN DOUGHERTY (PSA/DNA 7 NM); MARCH 11, 1946 One page contract outlining how the 'National Concert and Artists Corporation' will represent the artist [Norma Jeane] for any professional engagements she has until March 10, 1947; with "Norma Jeane Dougherty" signed in black fountain pen at lower right-hand corner Provenance: Anonymous sale; Bonhams, Los Angeles, 17 December 2006, lot 1008. Estimate: USD 10,000 – USD 15,000 | Price realised: USD 18,900
- - - - -
Lot 52 - CORRESPONDENCE BETWEEN MARILYN MONROE AND TWENTIETH-CENTURY FOX; 1955 Including telegrams, memos, and typed letters concerning Marilyn Monroe's schedule and behavior on set, primarily tardiness and forgotten commitments for both The Seven Year Itch (1955) and the start of production for How to Be Very Very Popular (1955) Provenance: Anonymous sale, Swann Auction Galleries, New York, 25 January 2007, lot 101. Estimate: USD 2,000 – USD 3,000 | Price realised: USD 2,016
- - - - --
Lot 53 - MARILYN MONROE AUTOGRAPHED LOAN OUT AGREEMENT FOR CLASH BY NIGHT (1952) (PSA/DNA); 21 AUGUST 1951 In blue folder labeled 'AGREEMENT Between TWENTIETH CENTURY-FOX FILM CORPORATION and WALD-KRASNA PRODUCTIONS, INC.' and 'Loan of services of MARILYN MONROE "CLASH BY NIGHT" '; signed 'Marilyn Monroe' in blue ink on the final page, 31 January 1952 supplement; With LOA from PSA/DNA. 11 ¼ x 9 in. (the folder) Estimate: USD 3,000 – USD 5,000 | Price realised USD 5,670
- - - - --
Lot 54 - A MARILYN MONROE AUTOGRAPHED LETTER REGARDING INEZ NELSON (PSA/DNA EX-MT 6); 2 NOVEMBER 1953 One page letter from Marilyn to Twentieth Century Fox informing them that Inez Nelson would be managing her affairs going forward, signed 'Marilyn Monroe' in black ink at lower right corner Estimate: USD 2,000 – USD 3,000 | Price realised USD 6,048
- - - - --
Lot 67 - MARILYN MONROE'S PERSONAL SCRIPT FOR THE MISFITS, ARTHUR MILLER, 1960
Heavily marked script, the cover labeled 'MM', Roslyn's lines and stage directions underlined and circled throughout; three pages including cover loose, the rest secured Provenance: The Personal Property of Marilyn Monroe, Christie's New York, NY, 27 October 1999, lot 43. Estimate: USD 20,000 – USD 30,000 | Price realised: USD 56,700
- - - - --
Lot 68 - MARILYN MONROE AUTOGRAPHED ADVERTISING CONTRACT (PSA/DNA); 30 OCTOBER 1953 A 20th Century Fox Advertising Release printed on blue paper, signed by Marilyn Monroe in green ink, which authorized Cowles Magazine to use Monroe's likeness in counter displays and newspaper ads: with PSA/DNA LOA
13 ¼ x 8 ½ in. , single sheet Estimate: USD 2,000 – USD 3,000 | Price realised: USD 5,292
- - - - --
Lot 69 - EARLY MARILYN MONROE NCAC CONTRACT AUTOGRAPHED AS NORMA JEAN DOUGHERTY (PSA/DNA) NATIONAL CONCERT AND ARTISTS CORPORATION, 26 AUGUST 1946 Eight page document signed ("Norma Jean Dougherty") in black pen at lower right corner final page
With LOA from PSA/DNA Provenance: Anonymous sale; Christies, Los Angeles, 22 June 2000, lot 29. Estimate: USD 8,000 – USD 12,000 | Price realised: USD 10,080
- - - - --
Lot 70 - MARILYN MONROE AND ARTHUR MILLER AUTOGRAPHED INSURANCE APPLICATION FORM (PSA/DNA); 1956-1961 A light yellow four-page document from Associated Hospital Service of New York, entirely filled out in blue ballpoint ink by Miller when the couple was applying for insurance, noting their address on "Tophet Road, Roxbury, Conn." signed by Miller on page 3 and further signed by Monroe right below but in different blue ballpoint ink. Includes full 2019 LOA from PSA/DNA ; 11 x 8 ½ in. Estimate: USD 2,000 – USD 3,000 | Price realised: USD 5,040
- - - - --
Lot 71 - A COLLECTION OF EPHEMERA AND LETTERS RELATED/ BELONGING TO MARILYN MONROE ; 1936-1952
Assorted letters and documents to and relating to Marilyn Monroe, from her childhood through her career, including a 1936 citizenship certificate from the Vine Street school presented to 10 year-old Norma Baker for her excellent record in citizenship during the current semester, multiple fan letters, a suggested diet, and newspaper clippings. Provenance:
Anonymous sale; Sotheby Parke Bernet, Los Angeles, 21 October 1973, lots 308 and 315.
Anonymous sale; Butterfield, Butterfield & Dunning, Los Angeles, 22 March 2001, lot 2013. Estimate: USD 800 – USD 1,200 | Price realised USD 1,890
Bannière automne / hiver 2025
Marilyn Monroe photographiée par Bert Stern, en juin 1962
"La dernière séance" . Autumn/Winter 2025 Banner
Marilyn Monroe photographed by Bert Stern, June 1962
"The Last Sitting" .
Dimanche 09 novembre 2025 - France 2 émission culturelle sur le cinéma
à revoir en replay sur FranceTV .
Dans la dernière émission "Beau Geste" consacrée au cinéma et présentée par Pierre Lescure, Marilyn Monroe y a été évoquée par deux artistes: Isabelle Carré et Izïa Higelin. .
Dans le reportage "Tête d'affiche", un acteur ou une actrice est reçue dans une boutique parisienne qui vend des affiches de films. L'actrice et réalisatrice Isabelle Carré évoque plusieurs films; quand le vendeur lui montre l'affiche du "Prince et la Danseuse", Isabelle Carré commente par ces propos:
"Oui, je l'ai vu, mais ce n'est pas le film qui m'a le plus marqué de (Marilyn). Moi, j'adore Les Misfits. Je me souviens très bien quand je voulais regarder les films de Marilyn quand j'étais ado, mes parents disaient "mais ce n'est pas une bonne actrice." Elle avait cette image de ne pas être une bonne actrice alors qu'au fond, maintenant, quand on regarde ses films, elle est extraordinaire, l'émotion qu'elle est capable de faire passer, la douceur, la tendresse, l'angoisse, la fragilité qu'il y a dans son regard et tout à coup, quelque chose de malicieux, enfin, ça bouge tout le temps et elle est extraordinaire."
.
Dans l'interview dans un lieu culturel, Pierre Lescure rencontre l'actrice et chanteuse Izïa Higelin dans le hall de la salle de spectacle du Grand Rex. Dans l'entretien, Lescure demande "Quand on pense à ton papa (Jacques Higelin, auteur, compositeur, chanteur et acteur) et ta maman (Aziza Zakine, actrice), il y a des films qu'ils t'ont fait découvrir et que tu te souviens d'avoir vu avec eux ?", Izïa répond:
"Le premier film qui me vient à l'esprit est Certains l'aiment chaud. C'est mon film de chevet, mon film préféré qui allie la musique également. Je suis une grande fan de comédie musicale. Mes parents m'ont vachement montré des films avec Gene Kelly, Fred Astaire, et c'était un peu notre petit moment familial de se réunir autour de ces comédies musicales. Mais Certains l'aiment chaud, ouai, c'est mon film préféré !"
/image%2F1211268%2F20251112%2Fob_f34a56_banner-mm-2025-11-mm-1bis.jpg)
/image%2F1211268%2F20240410%2Fob_40c4f9_blog-gif-mm-niagara-1-3.gif)
/image%2F1211268%2F20250226%2Fob_97b0b7_2025-02-21-enquetes-magazine-france.jpg)
/https%3A%2F%2Fstorage.canalblog.com%2F19%2F65%2F312561%2F91436129_o.jpg)
/https%3A%2F%2Fstorage.canalblog.com%2F57%2F63%2F312561%2F127743382_o.jpg)
/https%3A%2F%2Fstorage.canalblog.com%2F98%2F05%2F312561%2F84823731_o.jpg)
/https%3A%2F%2Fstorage.canalblog.com%2F01%2F63%2F312561%2F84814201_o.jpg)
/https%3A%2F%2Fstorage.canalblog.com%2F66%2F21%2F312561%2F82823948_o.jpg)
/https%3A%2F%2Fstorage.canalblog.com%2F32%2F31%2F312561%2F124125043_o.jpg)
/https%3A%2F%2Fstorage.canalblog.com%2F31%2F08%2F312561%2F71448014_o.jpg)
/https%3A%2F%2Fstorage.canalblog.com%2F34%2F90%2F312561%2F81829009_o.jpg)
/https%3A%2F%2Fstorage.canalblog.com%2F18%2F35%2F312561%2F61120383_o.jpg)
/image%2F1211268%2F20240410%2Fob_9f471d_blog-gif-mm-syi-1.gif)
/image%2F1211268%2F20251115%2Fob_68093d_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_4b2db8_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_da90a8_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_bc0170_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_8e7ffc_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_b8ca2f_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_0e6bc6_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_5e8449_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_6f58d8_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_ed14f7_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_69ca43_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_8819fa_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_711f7f_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_6b21b7_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_48bc77_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_68bcf5_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_5d25da_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_95e97e_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_6fbf79_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_749874_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_07830a_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_12fa54_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_01e2c7_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_32d135_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_184df7_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_e13d77_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_16400a_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_ad9a4b_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_4947ac_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_708eb4_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_1cb0d1_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_3fb46f_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_9005d9_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_50566e_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_36742b_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_83de81_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_f2c0d7_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_0fe865_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_b380f2_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_909b3a_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_ea65ae_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_853425_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_6c766d_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_001204_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_a236ca_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_677461_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_70a5b5_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_31c685_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_084a5d_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_b3b57a_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_90a133_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_860fd9_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_5cc193_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_2515cb_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_dc9976_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_f2cf36_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_4473e4_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_1d87bd_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_b262c4_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_b16081_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_fef216_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_beb0bf_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_97791d_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_4ea28d_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_a3a79a_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_a4e55a_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_095f9a_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_864310_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_86cb41_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_da5332_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_ae86a0_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_70cb8d_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_765245_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_3dcf1e_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_24f65e_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_778d09_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_1d7978_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_98b00c_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_86a7c2_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_8925fb_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_1044ce_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_c24ef0_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_868cde_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_80e11e_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_15729f_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_c5e82c_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_e64bfe_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_a4f937_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_faa1f2_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_1918be_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_ef0ed3_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_0ee191_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_7f4c0f_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_40f35a_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_5efff2_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_dfc38f_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_5a8b24_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_95c0ec_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_4ad7c5_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_ca507d_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_65c372_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_6c2659_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_9cda41_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_191142_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_594365_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_d7b9fa_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_3d2c66_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_2bc464_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_137b1e_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_347524_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_8f50e2_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_23ffec_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_8aa60c_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_af0dad_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_f3556e_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_e0299d_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_22b5d0_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_ce5ced_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_6dbb79_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_ab4f9d_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_251234_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_eb30d2_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_806698_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_959eb9_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_f41ac6_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_e13970_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_218ebd_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_980fda_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_d6eb01_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_8db6b1_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_d5f298_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_e8d109_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_a72f35_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_e5db54_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_4d123b_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_31265e_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_b1286b_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_c0b0d2_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_f01c6a_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_a961f8_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_29f329_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_087add_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_20c402_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_2011f9_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_900b33_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_e8675a_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_cec824_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_397c73_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_a3c676_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_877e8b_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_199d83_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_d87d09_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_9c76fe_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_32c139_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_c25d29_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_5e2db2_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_720105_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_2d645f_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_a9dc60_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_6817cf_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_d15c1c_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_8954f2_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_88e935_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_b160f8_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_c4736e_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_212e99_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_ab8d44_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_0b63c4_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_f01f1b_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_f3e624_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_ca6938_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_2de18a_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_bde259_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_7dfd10_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_9ec4ec_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_95e130_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_720f10_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_e7461d_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_fa9b35_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_5569d1_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_072bcf_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_4ce430_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_bc8da3_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_1e9900_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_63e899_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_e14ef7_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_0ffcd0_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_ec3782_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_45a964_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_a5c787_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_79fab5_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_4148df_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_70e66e_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_eddf3f_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_1e846b_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_063c42_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_4c4fc1_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_f99432_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_337fd3_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_9c2308_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_7a47dd_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_3793af_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_0e0cee_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_d16629_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_2b85bc_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_dea825_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_68f647_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_76eba4_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_f6b826_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_35eec3_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_65b832_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_eb7ec4_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_3f3fac_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_ebd05b_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_321e4d_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_c1ffb8_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_3464e9_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_e08849_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_f9c651_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_3c49cc_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_ae3f19_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_d6ea1c_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_f0e071_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_03e4fc_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_fe73b4_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_902035_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_dd5230_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_3d8f31_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_827b27_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_e07e0d_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_95b6c5_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251116%2Fob_c3f529_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_08e45b_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_fd45eb_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_815ec7_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_b8a617_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_ae4d46_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_6e8b44_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_deaad3_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_5fb897_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_9d4031_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_d9bb15_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_40c4b6_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_f9e5f1_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_1d65a1_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_4a56b4_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_8b96b2_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_3c9342_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_e33e33_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_e6253d_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_0a97db_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_602599_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_d3ff6c_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_85682a_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_38dff8_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_6eef7d_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_29c31b_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_90dfb9_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_ab8f6d_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_8ea930_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_b062e7_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_055328_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_038b7d_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_d6d33c_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_22c6dc_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_08d8e4_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_0ccf85_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251115%2Fob_c568ff_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251114%2Fob_9b807f_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251114%2Fob_fc13e7_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251114%2Fob_017cb4_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251114%2Fob_6b2d7b_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251114%2Fob_2d9d71_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251114%2Fob_1a4121_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251114%2Fob_df6f89_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251114%2Fob_10299c_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251114%2Fob_fb9084_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251114%2Fob_2ecbaf_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251114%2Fob_b49649_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251114%2Fob_c9f63c_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251114%2Fob_d7ff3a_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251114%2Fob_742b0b_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251114%2Fob_569217_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251114%2Fob_b89445_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251114%2Fob_5398d1_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251114%2Fob_2063fb_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251114%2Fob_d2fb39_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251114%2Fob_3f1f95_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251114%2Fob_de11a5_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251114%2Fob_28cf06_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251114%2Fob_586eb8_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251114%2Fob_795ef6_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251114%2Fob_b6be71_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251114%2Fob_3afaeb_2025-12-08-heritage-mm-the-last-sittin.jpg)
/image%2F1211268%2F20251113%2Fob_226eb4_dedicace-pour-vernon-rickard-powolny-p.jpg)
/image%2F1211268%2F20251113%2Fob_2534d7_wp-wallpaperflare-2.jpg)
/image%2F1211268%2F20251112%2Fob_d5c41e_2025-10-22-christies-american-great-fr.jpg)
/image%2F1211268%2F20251111%2Fob_5512e7_2025-10-22-christies-american-great-fr.jpg)
/image%2F1211268%2F20251111%2Fob_05fe80_2025-10-22-christies-american-great-fr.jpg)
/image%2F1211268%2F20251111%2Fob_6f8523_2025-10-22-christies-american-great-fr.jpg)
/image%2F1211268%2F20251111%2Fob_1a5612_2025-10-22-christies-american-great-fr.jpg)
/image%2F1211268%2F20251111%2Fob_d0a2d6_2025-10-22-christies-american-great-fr.jpg)
/image%2F1211268%2F20251111%2Fob_208d6a_2025-10-22-christies-american-great-fr.jpg)
/image%2F1211268%2F20251111%2Fob_e98e94_2025-10-22-christies-american-great-fr.jpg)
/image%2F1211268%2F20251111%2Fob_8f85e4_2025-10-22-christies-american-great-fr.jpg)
/image%2F1211268%2F20251111%2Fob_ad4cf6_2025-10-22-christies-american-great-fr.jpg)
/image%2F1211268%2F20251111%2Fob_2e5616_2025-10-22-christies-american-great-fr.jpg)
/image%2F1211268%2F20251111%2Fob_4836bb_2025-10-22-christies-american-great-fr.jpg)
/image%2F1211268%2F20251111%2Fob_c916e3_2025-10-22-christies-american-great-fr.jpg)
/image%2F1211268%2F20251111%2Fob_23bc42_2025-10-22-christies-american-great-fr.jpg)
/image%2F1211268%2F20251111%2Fob_9f51ca_2025-10-22-christies-american-great-fr.jpg)
/image%2F1211268%2F20251111%2Fob_b0f508_2025-10-22-christies-american-great-fr.jpg)
/image%2F1211268%2F20251111%2Fob_d6613e_2025-10-22-christies-american-great-fr.jpg)
/image%2F1211268%2F20251111%2Fob_a8d49b_2025-10-22-christies-american-great-fr.jpg)
/image%2F1211268%2F20251111%2Fob_160de1_2025-10-22-christies-american-great-fr.jpg)
/image%2F1211268%2F20251111%2Fob_2e070e_2025-10-22-christies-american-great-fr.jpg)
/image%2F1211268%2F20251111%2Fob_d323db_2025-10-22-christies-american-great-fr.jpg)
/image%2F1211268%2F20251111%2Fob_cb3455_2025-10-22-christies-american-great-fr.jpg)
/image%2F1211268%2F20251111%2Fob_9aa159_2025-10-22-christies-american-great-fr.jpg)
/image%2F1211268%2F20251111%2Fob_9e566b_2025-10-22-christies-american-great-fr.jpg)
/image%2F1211268%2F20251111%2Fob_606015_2025-10-22-christies-american-great-fr.jpg)
/image%2F1211268%2F20251111%2Fob_fe92e3_2025-10-22-christies-american-great-fr.jpg)
/image%2F1211268%2F20251111%2Fob_cbb052_2025-10-22-christies-american-great-fr.jpg)
/image%2F1211268%2F20251111%2Fob_4247f3_2025-10-22-christies-american-great-fr.jpg)
/image%2F1211268%2F20251111%2Fob_44bb08_2025-10-22-christies-american-great-fr.jpg)
/image%2F1211268%2F20251111%2Fob_341b76_2025-10-22-christies-american-great-fr.jpg)
/image%2F1211268%2F20251111%2Fob_d8042f_2025-10-22-christies-american-great-fr.jpg)
/image%2F1211268%2F20251111%2Fob_e39dbe_2025-10-22-christies-american-great-fr.jpg)
/image%2F1211268%2F20251111%2Fob_f0ce0f_2025-10-22-christies-american-great-fr.jpg)
/image%2F1211268%2F20251111%2Fob_c6c57e_2025-10-22-christies-american-great-fr.jpg)
/image%2F1211268%2F20251111%2Fob_23eab6_2025-10-22-christies-american-great-fr.jpg)
/image%2F1211268%2F20251111%2Fob_601680_2025-10-22-christies-american-great-fr.jpg)
/image%2F1211268%2F20251111%2Fob_868b7f_2025-10-22-christies-american-great-fr.jpg)
/image%2F1211268%2F20251111%2Fob_a89232_2025-10-22-christies-american-great-fr.jpg)
/image%2F1211268%2F20251111%2Fob_c676d7_2025-10-22-christies-american-great-fr.jpg)
/image%2F1211268%2F20251111%2Fob_16aa02_2025-10-22-christies-american-great-fr.jpg)
/image%2F1211268%2F20251111%2Fob_2b614c_2025-10-22-christies-american-great-fr.jpg)
/image%2F1211268%2F20251111%2Fob_a971c5_2025-10-22-christies-american-great-fr.jpg)
/image%2F1211268%2F20251111%2Fob_80e51f_2025-10-22-christies-american-great-fr.jpg)
/image%2F1211268%2F20251111%2Fob_d6a81c_2025-10-22-christies-american-great-fr.jpg)
/image%2F1211268%2F20251111%2Fob_3a778c_2025-10-22-christies-american-great-fr.jpg)
/image%2F1211268%2F20251111%2Fob_ec209c_2025-10-22-christies-american-great-fr.jpg)
/image%2F1211268%2F20251111%2Fob_1a477a_2025-10-22-christies-american-great-fr.jpg)
/image%2F1211268%2F20251111%2Fob_229e27_banner-mm-2025-11-mm-1.jpg)
/image%2F1211268%2F20251111%2Fob_ff7a4e_1962-stern-face-bg-3.jpg)
Dimanche 09 novembre 2025 - France 2/image%2F1211268%2F20251111%2Fob_21b557_tv-beaugeste-2025-11-cap.jpg)
/image%2F1211268%2F20251111%2Fob_601fa2_tv-beaugeste-2025-11-cap-20251110-0011.jpg)
/image%2F1211268%2F20251111%2Fob_537992_tv-beaugeste-2025-11-cap-20251110-0011.jpg)
/image%2F1211268%2F20251111%2Fob_ccce67_tv-beaugeste-2025-11-cap-20251110-0012.jpg)
/image%2F1211268%2F20251111%2Fob_9c4a33_tv-beaugeste-2025-11-cap-20251110-0012.jpg)
/image%2F1211268%2F20251111%2Fob_e14b27_tv-beaugeste-2025-11-cap-20251110-0012.jpg)
/image%2F1211268%2F20251111%2Fob_ff74e2_tv-beaugeste-2025-11-cap-20251110-0012.jpg)
/image%2F1211268%2F20251111%2Fob_5f93e6_tv-beaugeste-2025-11-cap-20251110-0012.jpg)
/image%2F1211268%2F20251111%2Fob_a81154_tv-beaugeste-2025-11-cap-20251110-0012.jpg)
/image%2F1211268%2F20251111%2Fob_0b4aa7_tv-beaugeste-2025-11-cap-20251110-0026.jpg)
/image%2F1211268%2F20251111%2Fob_b0fd93_tv-beaugeste-2025-11-cap-20251110-0027.jpg)
/image%2F1211268%2F20251111%2Fob_d05055_tv-beaugeste-2025-11-cap-20251110-0028.jpg)
/image%2F1211268%2F20251111%2Fob_34a6aa_tv-beaugeste-2025-11-cap-20251110-0028.jpg)
/image%2F1211268%2F20251111%2Fob_fa9066_tv-beaugeste-2025-11-cap-20251110-0028.jpg)
/image%2F1211268%2F20251111%2Fob_313d12_tv-beaugeste-2025-11-cap-20251110-0029.jpg)
/image%2F1211268%2F20251113%2Fob_6f4d7d_2025-10-halloween-separateur.jpg)
/image%2F1211268%2F20251113%2Fob_1b4fdc_2025-10-halloween-01.jpg)
/image%2F1211268%2F20251113%2Fob_e2f2c8_2025-10-halloween-card.jpg)
/image%2F1211268%2F20240229%2Fob_66f2c6_tag-mm-public-martin-lewis-show-1.png)
/image%2F1211268%2F20240410%2Fob_07cb4a_blog-gif-mm-stern-1.gif)
/image%2F1211268%2F20240504%2Fob_65c759_blog-gif-mm-premiere-3.gif)
/image%2F1211268%2F20240301%2Fob_735dec_blog-liens-culture.jpg)
/image%2F1211268%2F20240302%2Fob_e11252_blog-liens-friends-jane.gif)