Vente aux enchères 'Icons: Playboy, Hugh Hefner, and Marilyn Monroe'du 28 au 30 mars 2024 à Los Angeles, USA et en ligne par JULIEN'S AUCTION .
Auction 'Legends: Hollywood & Royalty' on September, 06, 07 & 08, 2023 in Beverly Hills, USA and online by JULIEN'S AUCTION.
Vente aux enchères qui propose 630 lots liés à l'univers du magazine masculin érotique Playboy, créé par Hugh Hefner, qui contient des effets personnels qui appartenait à Hefner (dont des vêtements avec ses fameux pyjamas, meubles, tableaux, sculptures) et bon nombre d'oeuvres d'art (tableaux et croquis des peintres Leroy Neiman, Jean Miro, Pablo Picasso, Salvador Dali, George Parenti, Jim Beaman, Alberto Vargas, Mel Ramos, Don Lewis, David Dragon, Richard Frooman, Barry Geller, Keith Haring etc...), des photographies de pin-up (Jayne Mansfield, Bettie Page), des costumes des Bunny (les filles de Playboy).
Les lots avec leur description sont en consultation libre sur Juliens Auction
Il y a 145 lots concernant Marilyn Monroe (dont certains sont des reventes d'enchères antérieures), avec des photographies (des films Something's Got To Give, The Misfits, des photographes Andre de Dienes, Milton H Greene ...), et des effets personnels lui ayant appartenus (vêtements, maquillage, contrats, scripts de ses films...). A retenir: des "slides" de photographies inédites prises pendant le tournage des "Misfits" par une journaliste, l'appareil photo d'André De Dienes et l'ombrelle à pois rouge utilisée par Marilyn lors d'une séance avec De Dienes (déjà vendus en 2007), une robe rose Pucci et une robe de cocktail de Jean-Louis (vendus par Christies en 1999), des notes personnels pour les films Something's Got To Give et The Misfits (en plus des scénarios), et la grande nouveauté sont les lots liés à sa mort: facture de meuble reçue le jour de sa mort, sa pierre tombale gravée de son nom et l'acquisition d'une concession d'une tombe (crypte) près de celle où elle repose au cimetière.
Pas de catalogue édité.
Auction which offers 630 lots linked to the universe of the erotic men's magazine Playboy, created by Hugh Hefner, which contains personal effects which belonged to Hefner (including clothes with his famous pajamas, furniture, paintings, sculptures) and manyworks of art (paintings and sketches by Leroy Neiman, Jean Miro, Pablo Picasso, Salvador Dali, George Parenti, Jim Beaman, Alberto Vargas, Mel Ramos, Don Lewis, David Dragon, Richard Frooman, Barry Geller, Keith Haringetc...), pin-up photographs (Jayne Mansfield, Bettie Page), Bunny costumes (the girls from Playboy).The lots with their description are available for free consultation on Juliens Auction
There are 145 lots relating to Marilyn Monroe (some of which are resales from previous auctions), with photographs (from the films Something's Got To Give, The Misfits, photographers Andre de Dienes, Milton H Greene...), andpersonal effects that belonged to her (clothes, makeup, contracts, scripts of her films, etc.). Focus on: "slides" of unpublished photographs taken during the filming of The Misfits by a journalist, André De Dienes' camera and the red polka dot umbrella used by Marilyn during a session with De Dienes (already sold in 2007), a pink Pucci dress and a cocktail dress by Jean-Louis (sold by Christies in 1999), personal notes for the films Something's Got To Give and The Misfits (in addition to the scripts), and the largenew are the lots linked to her death: furniture invoice received on the day of her death, her tombstone engraved with her name and the acquisition of a concession for a crypt near the one where she rests in the cemetery.
Lot 533: Marilyn Monroe | 1962 / 1980s Oversized Color Photo By Lawrence Schiller A circa 1980s later print featuring a nude image of the star in a pool on the set of her last film, Something's Got to Give (20th Century Fox, 1962); glossy finish, single-weight Kodak Professional Paper. PROVENANCE Property From the Playboy Archives Estimate: $800 - $1,200 - Sold Price: $-
Lot 534: Marilyn Monroe | 1962 / 1964 Oversized Color Photo by Lawrence Schiller A 1964 print featuring a revealing nude image of the star holding a blue terrycloth robe next to a pool on the set of her last film, Something's Got to Give (20th Century Fox, 1962); semi-gloss finish, double-weight paper; verso with glue marks evident when photograph was used in a Playboy Magazine layout likely in January 1964. PROVENANCE Property From the Playboy Archives Estimate: $800 - $1,200 - Sold Price: $-
Lot 535: Marilyn Monroe | 1962 / 1964 Color Photo By Lawrence Schiller A 1964 print featuring a revealing nude image of the star wearing a blue terrycloth robe next to a pool on the set of her last film, Something's Got to Give (20th Century Fox, 1962); semi-gloss finish, double-weight paper, crop marks and annotations evident on margins when photograph was used in a Playboy Magazine layout in January 1964; verso with a red ink stamp reading in part "Playboy" and further noting in part in black ballpoint ink "Jan. 64 / Page 127." PROVENANCE Property From the Playboy Archives Estimate: $600 - $800 - Sold Price: $-
Lot 536: Marilyn Monroe | 1962 / 1970s Black And White Photo By William Read Woodfield A 1970s later print featuring a nude image of the star in a pool on the set of her last film, Something's Got to Give (20th Century Fox, 1962) as the clapperboard appears in the lower right corner; glossy finish, double-weight Agfa-Brovira paper. PROVENANCE Property From the Playboy Archives Estimate: $600 - $800 - Sold Price: $-
Lot 537: Marilyn Monroe | 1962 / 1970s Black And White Photo By William Read Woodfield A 1970s later print featuring a revealing image of the star holding a hand towel in a pool on the set of her last film, Something's Got to Give (20th Century Fox, 1962); semi-gloss finish, double-weight paper; verso with a pencilled annotation reading "c Woodfield / Schiller." PROVENANCE Property From the Playboy Archives Estimate: $500 - $700 - Sold Price: $-
Lot 538: Marilyn Monroe | 1962 / 1970s Black And White Photo By William Read Woodfield A 1970s later print featuring a revealing image of the star holding a terrycloth robe next to a pool on the set of her last film, Something's Got to Give (20th Century Fox, 1962); semi-gloss finish, double-weight paper; verso with a penciled annotation reading "c Woodfield / Schiller."
PROVENANCE Property From the Playboy Archives Estimate: $500 - $700 - Sold Price: $-
Lot 624: Marilyn Monroe | "Something's Got To Give" Vintage Photo
A black and white glossy photograph of Marilyn Monroe in a wardrobe test shoot that was taken during the filming of the unfinished Twentieth Century-Fox comedy Something's Got To Give. The verso is stamped "Stern Archiv." Monroe died in August 1962 before the troubled production on the film could be completed. Estimate: $300 - $500 - Sold Price: $-
Film: The Misfits (15 lots)
Lot 571: Marilyn Monroe | Unpublished "The Misfits" Photo With Copyright A Kodachrome color transparency slide featuring a previously unseen and unpublished image of Marilyn Monroe on the set of The Misfits (United Artists, 1961). The photograph was taken on the Reno, Nevada location set of the drama in October 1960 by visiting Charlotte News columnist Emory Wister. Accompanied by a letter of copyright ownership. Estimate: $800 - $1,200 - Sold Price: $-
Lot 572: Marilyn Monroe | Unpublished "The Misfits" Photo With Copyright A Kodachrome color transparency slide featuring a previously unseen and unpublished image of Marilyn Monroe seated next to costar Clark Gable with several crew members in the background on the set of The Misfits (United Artists, 1961). The photograph was taken on the Reno, Nevada location set of the drama in October 1960 by visiting Charlotte News columnist Emory Wister. Accompanied by a letter of copyright ownership. Estimate: $800 - $1,200 - Sold Price: $-
Lot 573: Marilyn Monroe | Unpublished "The Misfits" Photo With Copyright
A Kodachrome color transparency slide featuring a previously unseen and unpublished image of Marilyn Monroe and acting coach Paula Strasberg seated near several crew members standing on the set of The Misfits (United Artists, 1961). The photograph was taken on the Reno, Nevada location set of the drama in October 1960 by visiting Charlotte News columnist Emory Wister. Accompanied by a letter of copyright ownership. Estimate: $800 - $1,200 - Sold Price: $-
Lot 574: Marilyn Monroe | Unpublished "The Misfits" Photo With Copyright
A Kodachrome color transparency slide featuring a previously unseen and unpublished image of Marilyn Monroe and acting coach Paula Strasberg seated on the set of The Misfits (United Artists, 1961), which would become Monroe's final completed film. The photograph was taken on the Reno, Nevada location set of the drama in October 1960 by visiting Charlotte News columnist Emory Wister. Accompanied by a letter of copyright ownership. Estimate: $800 - $1,200 - Sold Price: $-
Lot 575: Marilyn Monroe | Unpublished "The Misfits" Photo With Copyright A Kodachrome color transparency slide featuring a previously unseen and unpublished image of Marilyn Monroe and several crew members on the set of The Misfits (United Artists, 1961). The photograph was taken on the Reno, Nevada location set of the drama in October 1960 by visiting Charlotte News columnist Emory Wister. Accompanied by a letter of copyright ownership. Estimate: $800 - $1,200 - Sold Price: $-
Lot 576: Marilyn Monroe | Unpublished "The Misfits" Photo With Copyright A Kodachrome color transparency slide featuring a previously unseen and unpublished image of Marilyn Monroe and costar Eli Wallach surrounded by several crew members on the set of The Misfits (United Artists, 1961). The photograph was taken on the Reno, Nevada location set of the drama in October 1960 by visiting Charlotte News columnist Emory Wister.
Accompanied by a letter of copyright ownership. Estimate: $800 - $1,200 - Sold Price: $-
Lot 577: Marilyn Monroe | Unpublished "The Misfits" Photos With Copyright A group of two Kodachrome color transparency slides featuring previously unseen and unpublished images of Marilyn Monroe and crew members on the set of The Misfits (United Artists, 1961), which would become Monroe's final completed film. The photographs were taken on the Reno, Nevada location set of the drama in October 1960 by visiting Charlotte News columnist Emory Wister. Accompanied by a letter of copyright ownership. Estimate: $800 - $1,200 - Sold Price: $-
Lot 578: Marilyn Monroe | Unpublished "The Misfits" Photos With Copyright A group of two Kodachrome color transparency slides featuring previously unseen and unpublished images of Marilyn Monroe and Clark Gable performing a scene on the set of The Misfits (United Artists, 1961), which would become Monroe's final completed film, as well as Gable's last. The photographs were taken on the Reno, Nevada location set of the drama in October 1960 by visiting Charlotte News columnist Emory Wister. Accompanied by a letter of copyright ownership. Estimate: $800 - $1,200 - Sold Price: $-
Lot 579: Marilyn Monroe | Unpublished "The Misfits" Photos With Copyright
A group of three Kodachrome color transparency slides featuring previously unseen and unpublished images of Marilyn Monroe, Clark Gable, and Eli Wallach on the set of The Misfits (United Artists, 1961), which would become Marilyn Monroe's final completed film, as well as Gable's last. The photographs were taken on the Reno, Nevada location set of the drama in October 1960 by visiting Charlotte News columnist Emory Wister. Accompanied by a letter of copyright ownership. Estimate: $800 - $1,200 - Sold Price: $-
Lot 580: Marilyn Monroe | Unpublished "The Misfits" Photos With Copyright A group of three Kodachrome color transparency slides featuring previously unseen and unpublished images of Marilyn Monroe and various crew members on the set of The Misfits (United Artists, 1961), which would become Monroe's final completed film. The photographs were taken on the Reno, Nevada location set of the drama in October 1960 by visiting Charlotte News columnist Emory Wister. Accompanied by a letter of copyright ownership. Estimate: $800 - $1,200 - Sold Price: $-
Lot 581: Marilyn Monroe | Unpublished Clark Gable "The Misfits" Photos With Copyright A group of three Kodachrome color transparency slides featuring previously unseen and unpublished images of Clark Gable and several crew members on the set of The Misfits (United Artists,1961), which would become Marilyn Monroe's final completed film. Gable died a few weeks after filming was completed. The photographs were taken on the Reno, Nevada location set of the drama in October 1960 by visiting Charlotte News columnist Emory Wister. Accompanied by a letter of copyright ownership. Estimate: $800 - $1,200 - Sold Price: $-
Lot 582: Marilyn Monroe | Unpublished "The Misfits" Photos With Copyright, Original Box, And Book A group of three Kodachrome color transparency slides featuring previously unseen and unpublished images of several crew members, possibly the stunt doubles for Clark Gable and Montgomery Clift, on the set of The Misfits (United Artists, 1961), which would become Marilyn Monroe's final completed film. The photographs were taken on the Reno, Nevada location set of the drama in October 1960 by visiting Charlotte News columnist Emory Wister. Together with the original Kodak calvacade slide tray box with the words "The Misfits" written on the top in black marker and a hardback copy of Wister's memoir The Charlotte News, Hollywood, and Me (self-published, 1991), in which he writes about his visit to the set. Accompanied by a letter of copyright ownership. Estimate: $400 - $600 - Sold Price: $-
Lot 583: Marilyn Monroe | Unpublished Montgomery Clift "The Misfits" Photo With Copyright A Kodachrome color transparency slide featuring a previously unseen and unpublished image of Montgomery Clift talking to Arthur Miller on the set of Marilyn Monroe's final completed film The Misfits (United Artists, 1961). The photograph was taken on the Reno, Nevada location set of the drama in October 1960 by visiting Charlotte News columnist Emory Wister. Accompanied by a letter of copyright ownership. Estimate: $400 - $600 - Sold Price: $-
Lot 584: Marilyn Monroe | "The Misfits" Contact Sheet (A) An oversized contact sheet featuring 12 images from the set of The Misfits (United Artists, 1961). The sheet contains two images of Marilyn Monroe and Montgomery Clift. Clark Gable appears in 10 of the photographs, while Eli Wallach is in six.
The Misfits chronicled Roslyn (Monroe), a recent divorcee in Reno, Nevada, who befriends a group of "misfits" that includes an aging cowboy (Clark Gable) and a weary rodeo rider (Montgomery Clift). The John Huston-directed movie became notorious for its behind-the-scenes problems, culminating with shooting being shut down while Monroe was hospitalized and the end of her marriage to Miller. Gable would die a few weeks after shooting wrapped and this would prove to be Monroe's final completed film. Although The Misfits was considered a disappointment at the time of its release, its stature has grown over the years. Estimate: $500 - $700 - Sold Price: $-
Lot 585: Marilyn Monroe | "The Misfits" Contact Sheet (B) An oversized contact sheet featuring seven images from the set of the Marilyn Monroe drama The Misfits (United Artists, 1961). Each image features Monroe and costar Clark Gable. The Misfits chronicled Roslyn (Monroe), a recent divorcee in Reno, Nevada, who befriends a group of "misfits" that includes an aging cowboy (Clark Gable) and a weary rodeo rider (Montgomery Clift). The John Huston-directed movie became notorious for its behind-the-scenes problems, culminating with shooting being shut down while Monroe was hospitalized and the end of her marriage to Miller. Gable would die a few weeks after shooting wrapped and this would prove to be Monroe's final completed film. Although The Misfits was considered a disappointment at the time of its release, its stature has grown over the years. Estimate: $500 - $700 - Sold Price: $-
Films Divers (9 lots)
Lot 625: Marilyn Monroe | "The Seven Year Itch" Original Photo A black and white glossy photograph of Marilyn Monroe taken during the filming of The Seven Year Itch (Twentieth Century-Fox, 1955). The photograph, presumed to have been taken by an unknown photographer on September 14, 1954, offers an alternate angle to the famous shot of the skirt of Marilyn's white halter dress billowing up due to the blast of air from the subway grate. It is believed that this photograph has never before been published. Estimate: $600 - $800 - Sold Price: $-
Lot 626: Marilyn Monroe | "Gentlemen Prefer Blondes" Vintage Original Still A black and white vintage film still of Marilyn Monroe in a scene from the musical comedy Gentlemen Prefer Blondes (Twentieth Century Fox, 1953). The photograph was taken by Gene Andrewski and the verso features his stamp. A caption attached to the photo reads "Gentlemen Prefer Blondes, co-starring Jane Russell. With Charles Coburn, Elliott Reid, Tommy Noonan. Dir. by Howard Hawks. Fox 6-25-53." Estimate: $300 - $500 - Sold Price: $-
Lot 627: Marilyn Monroe | And Betty Grable Vintage Original Wire Photo An original black and white wire photograph of Marilyn Monroe and Betty Grable. The verso features the original clipping from the newspaper that printed the photograph and is stamped with the date March 13, 1953 and September 16, 1953. The headline of the article, written by Harry Harris, reads "Actresses Share Interest in 'Millionaire'" and the caption reads in part "Back on a Hollywood film set after 18 months of 'doing nothing,' Betty Grable (left) makes the rounds of the studio with Marilyn Monroe." The two actresses costarred alongside Lauren Bacall in the comedy How To Marry a Millionaire (Twentieth Century-Fox, 1953). Estimate: $200 - $400 - Sold Price: $-
Lot 628: Marilyn Monroe | "River Of No Return" Portrait Negative
A black and white vintage portrait negative of Marilyn Monroe in costume for the western River of No Return (Twentieth Century-Fox, 1954). Together with a photo print. Estimate: $600 - $600 - Sold Price: $-
Lot 629: Marilyn Monroe | "There's No Business Like Show Business" Original Still
A vintage glossy black and white publicity still featuring Marilyn Monroe in a scene from the musical comedy Irving Berlin´s There´s No Business Like Show Business (Twentieth Century-Fox, 1954). The still is believed to have been printed in the 1950s. Monroe is seen performing her sensual rendition of "Heat Wave," which was a highlight of the film and created a scandal at the time. Television personality and newspaper columnist Ed Sullivan described it as "one of the most flagrant violations of good taste" he had seen. Estimate: $300 - $500 - Sold Price: $-
Lot 630: Marilyn Monroe | "Let's Make Love" Original Press Photo An original black and white press photo featuring Marilyn Monroe with Yves Montand, her costar in the musical comedy Let's Make Love (Twentieth Century Fox, 1960). The front of the photograph showing suggested editing marks. The verso features the typewritten words "For Feature to come / Marilyn Momroe (sic) and Yves Montand" at the top and stamped with the date Jan. 24, 1960. The bottom is stamped with the words "Art Dept. / 1960 Jan 20 AM 10:12." Other writing include the words "5 inches wide for box / Passing Show / Monroe & Montand." Estimate: $200 - $400 - Sold Price: $-
Lot 631: Marilyn Monroe | 1960 Black And White Photo By John Bryson
A 1960 print featuring an image of the star on the set of her film Let's Make Love (20th Century Fox, 1960) as others surround her; matte finish, double-weight paper; verso with a black ink stamp reading in part "John / Bryson.../ Beverly Hills," glue marks further evidence of when photograph was used in a Playboy Magazine layout likely in 1960. Estimate: $400 - $600 - Sold Price: $-
Lot 634: Marilyn Monroe | "The Prince And The Showgirl" Original Vintage Contact Sheet A group of 12 vintage glossy contact sheet prints from the Marilyn Monroe-Laurence Olivier comedyThe Prince and the Showgirl (Warner Bros, 1957) that were taken by Milton Greene. Five of the images are samples for the key design visuals of the film, while others were taken behind the scenes and several feature Monroe being fitted for her costume. Accompanied by two lab prints. Estimate: $400 - $600 - Sold Price: $-
Lot 635: Marilyn Monroe | "We're Not Married" Original Camera Negative A rare original camera negative of Marilyn Monroe in a scene from the comedy We're Not Married! (Twentieth Century-Fox, 1952). This original negative was in the camera when the portrait was taken and is therefore the only one of its kind in existence. Together with a photo print. Estimate: $400 - $600 - Sold Price: $-
Photos en privée et en Public (23 lots) Photos in private and Public
Lot 586: Marilyn Monroe | And Joe Dimaggio 1954 Passport Photo A black and white passport photograph of Marilyn Monroe and Joe DiMaggio taken in 1954 just prior to their departure for their honeymoon trip to Tokyo and goodwill tour to Korea where Monroe would perform for the American troops stationed there. The photograph is encapsulated in a clear plastic case with a PSA authentication sticker numbered 84342780.
Photo, 2.75 x 2.75 inches; case, 4.25 x 7.25 inches; PROVENANCE From the Estate of Joe DiMaggio Estimate: $10,000 - $20,000 - Sold Price: $-
Lot 587: Marilyn Monroe | And Joe Dimaggio 1955 Vintage Wire Photo A black and white vintage wire photograph of Marilyn Monroe and Joe Dimaggio in Boston that shows the couple together for the first time since their separation. A caption is affixed to the back and reads in part, "Movie star Marilyn Monroe (second for left) and her ex-husband, baseball's famed Joe Dimaggio (second from right) are shown together for the firrst time since their separation after dining in a Boston resturant tonight with Joe's brother, Dom (third from left) and his wife Emily (left)." The photograph was taken on January 24, 1955 by Bob Nelson. Estimate: $200 - $400 - Sold Price: $-
Lot 588: Marilyn Monroe | 1954 Korean Tour Photos A pair of two vintage semi-gloss contact prints friom negatives of Marilyn Monroe in candid poses during her 1954 Korean War tour for American troops. The prints have pencil notations on verso. Estimate: $400 - $600 - Sold Price: $-
Lot 589: Marilyn Monroe and Frank Sinatra | 1961 William "Bill" Claxton Black And White Photo A 1961 print featuring a very rare candid image of the two stars laughing; semi-gloss finish, double-weight paper, verso with numerous handwritten annotations mostly in orange wax or regular pencil reading in part "Show Business Ill., 9-5 issue..." and "9/5/61;" interestingly, Claxton was married to famous 1960s "Mod" model, Peggy Moffitt. (Please note many creases and dents are seen in raking light.) PROVENANCE Property From the Playboy Archives Estimate: $1,000 - $2,000 - Sold Price: $-
Lot 590: Marilyn Monroe | Gene Daniels Golden Globes Vintage Photo (A) An oversized vintage black and white glossy photograph of Marilyn Monroe taken at the Golden Globes awards ceremony in March 1962 by Gene Daniels. Monroe is seen in conversation with her escort to the event, writer and director José Bolanos. The verso features the photographer stamp on verso and with "Revue - New York Office” stamp dated March 8, 1962.
The event marked one of the final highlights in Monroe's life. She took home her fourth Golden Globe award, having been voted "World's Film Favorite." She would die less than five months later. Estimate: $500 - $700 - Sold Price: $-
Lot 591: Marilyn Monroe | Gene Daniels Golden Globe Awards Vintage Photo (B) An oversized vintage black and white glossy photograph of Marilyn Monroe taken at the Golden Globes awards ceremony in March 1962 by Gene Daniels. Monroe is seen in conversation with her escort to the event, writer and director José Bolanos. The verso features the photographer stamp on verso and with "Revue - New York Office” stamp dated March 8, 1962.
The event marked one of the final highlights in Monroe's life. She took home her fourth Golden Globe award, having been voted "World's Film Favorite." She would die less than five months later. Estimate: $500 - $700 - Sold Price: $-
Lot 592: Marilyn Monroe | Gene Daniels Golden Globe Awards Vintage Photo (C) An oversized vintage black and white glossy photograph of Marilyn Monroe taken at the Golden Globe awards ceremony in March 1962 by Gene Daniels. Monroe is seen in conversation and holding hands with her escort to the event, writer and director José Bolanos. The verso features the photographer stamp with "Revue - New York Office” stamp dated March 8, 1962.
The event marked one of the final highlights in Monroe's life. She took home her fourth Golden Globe award, having been voted "World's Film Favorite." She would die less than five months later. Estimate: $500 - $700 - Sold Price: $-
Lot 593: Marilyn Monroe | Gene Daniels Vintage Photo An oversized vintage black and white glossy photograph of Marilyn Monroe taken by Gene Daniels. Monroe is seated in the back seat of a limousine on 22 June, 1961, on her way to the champagne reception of Clark Gable’s widow for the christening of their son, John. The verso is stamped with "Credit: Gene Daniels from Black Star." Estimate: $500 - $700 - Sold Price: $-
Lot 594: Marilyn Monroe | Manfred Kreiner Vintage Photo
An original oversized black and white photograph of Marilyn Monroe taken by Manfred Kreiner in 1959. The photograph shows Monroe with columnists in a mid-lunch interview at the Ambassador East Hotel in Chicago, Illinois. Monroe was in Chicago promoting the comedy Some Like It Hot (United Artists, 1959). The verso features Kreiner's photographer stamp and a handwritten caption in German.
PROVENANCE Lot 841, "Hollywood Featuring Property From the Life and Career of Marilyn Monroe," Julien's Auctions, Beverly Hills, December 15, 2014 Estimate: $1,000 - $1,500 - Sold Price: $-
Lot 595: Marilyn Monroe | 1959 Manfred Kreiner Vintage Photo An original oversized black and white photograph of Marilyn Monroe taken by Manfred Kreiner in 1959. The photograph shows Monroe in Chicago promoting the comedy Some Like It Hot (United Artists, 1959). On verso is staining of glue from a former fixed cardboard used for an exhibition in 1959 by Kreiner Photographer’s and photographer's stamp.
PROVENANCE From the Personal Archive of M.L. Kreiner Estimate: $1,000 - $1,500 - Sold Price: $-
Lot 596: Marilyn Monroe | 1952 Unpublished G. Fred Lukens Photo And Negative A negative image of Marilyn Monroe taken by G. Fred Lukens at the Miss America pageant and opening of Monroe's comedy Monkey Business (20th Century Fox, 1952) in Atlantic City, New Jersey, on September 2, 1952. This image shows Monroe in a white skirt and white blouse ensemble while riding in the Twentieth Century-Fox automobile promoting the movie at the Stanley Theatre.The negative was sold as part of the photographer's estate and is believed to have been unpublished previously. Accompanied by three black and white prints. Estimate: $600 - $800 - Sold Price: $-
Lot 597: Marilyn Monroe | Unpublished G. Fred Lukens Photo And Negative A negative image of Marilyn Monroe taken by G. Fred Lukens at the Miss America pageant and opening of Monroe's film Monkey Business (20th Century Fox, 1952) in Atlantic City, New Jersey, on September 2, 1952. The negative was sold as part of the photographer's estate and is believed to have been unpublished previously. Accompanied by three black and white prints. Estimate: $800 - $1,000 - Sold Price: $-
Lot 598: Marilyn Monroe | With Palm Reader Hassan Original Vintage Photo A black and white glossy photograph of Marilyn Monroe visiting Hassan, a palm reader. The photograph was taken by Dave Cicero on Novermber 24, 1954. The official caption titled "Marilyn's Fortune" is affixed to the verso, which also features the International News Photo stamp. Estimate: $400 - $600 - Sold Price: $-
Lot 599: Marilyn Monroe | And Arthur Miller Original Wire Press Photo
An original black and white glossy wire photograph of Marilyn Monroe and husband Arthur Miller on July 13, 1956. The newlywed couple is shown leaving her apartment in New York for a combined honeymoon and business trip to London where she would star opposite Laurence Olivier in The Prince and the Showgirl (Warner Brothers, 1957). The words "Marilyn Monroe" are written on the verso in ink and the original Associated Press caption titled "The Millers Are Off For Europe" is attached. Estimate: $400 - $600 - Sold Price: $-
Lot 600: Marilyn Monroe | 1948 Original Ed Cronenweth Negative An original black and white negative image of Marilyn Monroe during a publicity photograph session in 1948, taken by Ed Cronenweth.Together with an 8 x 10 lab print. Estimate: $1,500 - $2,000 - Sold Price: $-
Lot 601: Marilyn Monroe | 1946 Joseph Jasgur Negative With Copyright
A black and white negative of Marilyn Monroe and Tom Burton on a beach in 1946 taken by Joseph Jasgur and the copyright to the image. Together with a photo print. Estimate: $500 - $1,000 - Sold Price: $-
Lot 602: Marilyn Monroe | 1948 Ed Cronenwith Original Negative An original black and white negative image of Marilyn Monroe applying her make up while working on one of her earliest films, the musical comedy Ladies Of The Chorus (Columbia Pictures,1948). The photograph was taken by Ed Cronenweth. The negative was from the archives of a Los Angeles movie magazine company and it's accompanied by a high quality lab print 8x10 inches on Fujifilm paper. Estimate: $400 - $600 - Sold Price: $-
Lot 603: Marilyn Monroe | Frank Worth Limited Edition Baseball Field Photo
A 2000s-era print with a semi-gloss finish, depicting Marilyn Monroe with radio/TV host Ralph Edwards on a baseball field, circa 1952, posthumously estate-stamped in the lower right corner "Frank Worth Estate / Limited Edition." Estimate: $1,500 - $2,000 - Sold Price: $-
Lot 604: Marilyn Monroe | Frank Worth Limited Edition Oversized Photo A 2000s-era later print with a semi-gloss finish, depicting Marilyn Monroe in a classic cheesecake pose as she wears a bathing suit and her famous Lucite platform sandals, numbered in the lower left corner "060/125" and posthumously estate-stamped in the lower right corner "Frank Worth Estate / Limited Edition." Estimate: $600 - $800 - Sold Price: $-
Lot 605: Marilyn Monroe | Frank Worth Oversized Floral Dress Print A 2000s era later print with a semi-gloss finish, depicting the star looking sexy on the set of the CBS Television show The Jack Benny Program, numbered in the lower left corner "004/125" and posthumously estate-stamped in the lower right corner "Frank Worth Estate / Limited Edition." Estimate: $600 - $800 - Sold Price: $-
Lot 606: Marilyn Monroe | Candid Contact Prints A group of 12 vintage contact candid photo prints of Marilyn Monroe. Two were taken in 1953 at the premiere of the motion picture Call Me Madam (Twentieth Century Fox, 1953) with radio and television personality Ken Murray, and are stamped on the back with "Dec 1952." Six were taken in 1952 at a Los Angeles drug store where Monroe was autographing the 1952 Life magazine that featured her photograph on the cover. Four were taken in 1956 on location in Phoenix, Arizona, during the filming of the romantic comedy Bus Stop (Twentieth Century Fox,1956). Some of the prints show markings for cropping. PROVENANCE From the George Zeno Collection Estimate: $200 - $400 - Sold Price: $-
Lot 632: Marilyn Monroe | "The Prince And The Showgirl" Contact Sheet Prints A contact sheet featuring 12 silver gelatin glossy black and white images of Marilyn Monroe, Laurence Olivier, and Terrence Rattigan in publicity photographs for the romantic comedy The Prince and the Showgirl (Warner Brothers, 1957). The front features red markings, while the verso is stamped with the words "Photographed by Milton H. Greene."
The film was an adaptation of Rattigan's play The Sleeping Prince, which had starred Olivier and his wife, actress Vivien Leigh. Monroe replaced Leigh as American entertainer Elsie, who becomes entangled with Olivier's stuffy Prince Regent of Carpathia. Estimate: $800 - $1,200 - Sold Price: $-
Lot 633: Marilyn Monroe | "The Prince And The Showgirl" Contact Sheet Prints A collection of 29 images on 12 vintage glossy contact sheet prints of Marilyn Monroe, Laurence Olivier, and Terrence Rattigan taken during a press conference held in the Plaza Hotel on February 1956 to announce production on their romantic comedy The Prince and the Showgirl (Warner Bros, 1957). All photographs were taken by Milton Greene.
The film was an adaptation of Rattigan's play The Sleeping Prince, which had starred Olivier and his wife, actress Vivien Leigh. Monroe replaced Leigh as American entertainer Elsie, who becomes entangled with Olivier's stuffy Prince Regent of Carpathia. Estimate: $800 - $1,000 - Sold Price: $-
Photographe: Milton H Greene (7 lots)
Lot 607: Marilyn Monroe | Milton Greene Photos A color limited-edition silver gelatin print featuring two images of Marilyn Monroe during the famed Ballerina photo session on 20th Century Fox’s back lot in 1954, having photographer’s stamp on verso, printed June 7, 1978 and inscribed to Sammy Davis Jr. in Greene’s hand: “To Sammy / Love.” The photographs have been matted and framed. From the collection of Sammy Davis Jr. PROVENANCE Lot 424, Julien's Auctions, "Winter Sale," December 16, 2006 Estimate: $2,000 - $4,000 - Sold Price: $-
Lot 608: Marilyn Monroe | "The Balalaika Sitting" Vintage Milton Greene Photo
A black and white photograph of Marilyn Monroe taken by Milton Greene that's become known as "the Balalaika Sitting." The photograph was taken in September 1953 and Monroe poses wearing a cardigan sweater and holding a mandolin. The image was published in a Look magazine article on November 1953, with featured Monroe on the cover. According to Greene's book, this was their first sitting and beginning of their friendship. The left side of the photograph is stamped "Sep 62" and was probably used due to Marilyn's death one month earlier. The verso features handwritten notes in pencil that read "Copyright Milton H. Greene / M. Monroe 09-53 / Balalaika Sitting." Estimate: $600 - $800 - Sold Price: $-
Lot 609: Marilyn Monroe | "Bus Stop" Milton Greene Negatives A black and white camera negative with five images of Marilyn Monroe with co-star Don Murray, in a bedroom scene from the romantic comedy Bus Stop (20th Century Fox, 1956) taken by Milton Greene and sold with copyright. Murray has been quoted as saying that Monroe was nude under the sheets because she felt that was what her character would do. PROVENANCE Property From the Estate of Milton H. Greene Estimate: $1200 - $1600 - Sold Price: $-
Lot 610: Marilyn Monroe | "Bus Stop" Milton Greene Negative With Copyright A black and white vintage Marilyn Monroe negative taken by Milton Greene on the set during filming of Bus Stop (20th Century-Fox, 1956) and the copyright to the image. The image shows Monroe in a scene from the film, sitting on a windowsill. Together with two prints of the image.
PROVENANCE Property From the Estate of Milton H. Greene Estimate: $800 - $1200 - Sold Price: $-
Lot 611: Marilyn Monroe | "Bus Stop" Milton Greene Negatives With Copyright A group of three negative images of Marilyn Monroe on the set of Bus Stop (20th Century Fox, 1956) in a bus scene, taken by Milton Greene, and with the copyright to the image.
PROVENANCE Property From the Estate of Milton Greene Estimate: $500 - $700 - Sold Price: $-
Lot 612: Marilyn Monroe | Milton Greene Original Negative With Copyright A vintage Marilyn Monroe Kodak Safety film negative taken by Milton Greene on the set of Bus Stop (20th Century-Fox, 1956) and the copyright. The black and white image show Monroe in costume as her character Chérie posing with the children of her co-star, Eileen Heckart. Together with two lab prints. PROVENANCE Property From the Estate of Milton H. Greene Estimate: $1,000 - $1,500 - Sold Price: $-
Lot 613: Marilyn Monroe | "Bus Stop" Milton Greene Negative With Copyright A black and white camera negative of Marilyn Monroe in a scene from the movie Bus Stop (20th Century Fox, 1956) taken by Milton Greene and the copyright. Monroe was purportedly nude under the sheets in this scene. Together with three prints of the image.
PROVENANCE Property From the Estate of Milton H. Greene Estimate: $500 - $700 - Sold Price: $-
Photographe: Andre De Dienes (10 lots)
Lot 614: Marilyn Monroe | Andre De Dienes 1949 Photoshoot Personal Camera A Rolleiflex camera owned by Andre de Dienes, serial number 1294994. Made by the German company Rollei, these cameras were notable for their compact size, reduced weight, superior optics, and bright viewfinders. This particular camera was used by de Dienes in his 1949 Jones/Tobay Beach photo session with Marilyn Monroe. Together with a vintage brown leather camera case and a grey hot-shoe cable, circa 1960s. Case, 11 x 9 x 4.5 inches. PROVENANCE From the Estate of Andre de Dienes Estimate: $4,000 - $6,000 - Sold Price: $-
Lot 615: Marilyn Monroe | 1949 Photo Shoot-Used Umbrella A red and white polka dot umbrella with a wood hook handle that was used by Marilyn Monroe in a 1949 photo shoot on Jones/Tobay Beach with photographer Andre de Dienes. It was Monroe's first visit to New York and a pleasant reunion with old friend de Dienes. 31 inches. PROVENANCE Lot 176, "From the Estate of Andre de Dienes," Julien's Auctions, Beverly Hills, CA, June 16, 2007 Estimate: $20,000 - $30,000 - Sold Price: $-
Lot 616: Marilyn Monroe | Limited-Edition Andre De Dienes Print A limited-edition print of Marilyn Monroe taken by Andre De Dienes at Tobay/Jones Beach, Long Island New York in 1949. This is a 16x20 color cibachrome print made from the original transparence, edition of 50. This print is stamped, signed and hand numbered by the estate of Andre de Dienes and Stamped and hand numbered by OneWest Publishing. This print is in excellent condition. This print comes with a letter of authenticity from the estate of Andre de Dienes. All have been matted in a single silver-tone frame. PROVENANCE From The Estate of Andre de Dienes Estimate: $800 - $1,200 - Sold Price: $-
Lot 617: Marilyn Monroe | Limited-Edition Andre De Dienes Print A limited-edition print of Marilyn Monroe taken by Andre De Dienes at Tobay/Jones Beach, Long Island, New York in 1949. This is a 16x20 color cibachrome print made from the original transparence, edition of 50. This print is stamped, signed, and hand-numbered by the estate of Andre de Dienes and stamped and hand numbered by OneWest Publishing. This print is in excellent condition. This print comes with a letter of authenticity from the estate of Andre de Dienes. All items have been matted in a silver-tone frame. PROVENANCE From the Estate of Andre de Dienes Estimate: $800 - $1,200 - Sold Price: $-
Lot 618: Marilyn Monroe | Andre De Dienes Beach Umbrella Photo A black and white photograph of Marilyn Monroe with an umbrella at Long Island's Tobay Beach taken by Andre de Dienes, circa 1949, that has the photographer’s stamp on verso. Estimate: $800 - $1,200 - Sold Price: $-
Lot 619 : Marilyn Monroe | Andre De Dienes Beach Umbrella Photo A black and white photograph of Marilyn Monroe with an umbrella at Long Island's Tobay Beach taken by Andre de Dienes, circa 1949, that has the photographer’s stamp on verso. Estimate: $800 - $1,200 - Sold Price: $-
Lot 620: Marilyn Monroe | Andre De Dienes Celestial Print A vintage print of Marilyn Monroe by photographer Andre de Dienes (shot in the 1950s but believed to have been printed in the early 1960s). An image of Monroe with her mouth open is superimposed onto an image of clouds. The photo has a glossy finish and the verso is stamped, reading, "Photo / Andre de Dienes / 1401 Sunset Plaza Drive / Hollywood, Calif. 90069." Estimate: $600 - $800 - Sold Price: $-
Lot 621: Marilyn Monroe | Andre De Dienes Celestial Print A vintage print of Marilyn Monroe by photographer Andre de Dienes (shot in the 1950s but believed to have been printed in the early 1960s). An image of Monroe smiling is superimposed onto an image of clouds. The photo has a glossy finish and the verso is stamped, reading, "Photo / Andre de Dienes / 1401 Sunset Plaza Drive / Hollywood, Calif. 90069." The back has notes written in blue ink that reads "cc 1985 /Andre de Dienes." Estimate: $600 - $800 - Sold Price: $-
Lot 622: Marilyn Monroe | Andre De Dienes Celestial Print A vintage print of Marilyn Monroe by photographer Andre de Dienes (shot in the 1950s but believed to have been printed in the early 1960s). Monroe's eyes are closed and her image is superimposed onto a celestial image. The photo has a glossy finish and the verso is stamped, reading, "Photo / Andre de Dienes / 1401 Sunset Plaza Drive / Hollywood, Calif. 90069." The back has notes written in blue ink that read "1953 MM / AD / SD / 6/85" and "cc11985 / Andre de Dienes." Estimate: $600 - $800 - Sold Price: $-
Lot 623: Marilyn Monroe | Andre De Dienes Original Photo Print An original black and white photograph gelatin print of Marilyn Monroe taken by Andre de Dienes in 1949. Stamped on the verso by de Dienes circa 1955. Accompanied by a Certificate of Authenticity from the Andre de Dienes Archive. Estimate: $1,000 - $2,000 - Sold Price: $-
Autres (11 lots)
Lot 001: Marilyn Monroe | Original First Edition "Playboy" Magazine An original copy of the first issue of Playboy magazine (HMH Publishing, 1953) featuring Marilyn Monroe on the cover. Monroe also appears on the interior of the premiere issue of Hugh Hefner's famous magazine in an article on pages 17 and 18 titled "What Makes Marilyn" and a color pin-up of Monroe taken by Tom Kelley during the 1949 Red Velvet session is published on page 19. Monroe is called "Sweetheart of the Month," which evolved into Playmate of the Month. The magazine hit newsstands in December 1953 and sold for 50 cents a copy. Estimate: $2,000 - $4,000 - Sold Price: $-
Lot 502: Hugh Hefner | Earl Moran Marilyn Monroe Photos A group of four black and white photographs featuring Marilyn Monroe in various cheesecake poses taken by photographer Earl Moran. Together with a framed jigsaw puzzle featuring an image of Monroe from Tom Kelley's 1949 Red Velvet photo session. PROVENANCE From the Hugh M. Hefner Foundation Estimate: $300 - $500 - Sold Price: $-
Lot 503: Marilyn Monroe | Tom Kelley Red Velvet Session Print A artist proof print featuring an image of Marilyn Monroe from Tom Kelley's famous 1948 Red Velvet photo session initialed lower right in by Hefner "HMH," with "A/P" in lower left, matted and framed. PROVENANCE Property From the Playboy Archives Estimate: $600 - $800 - Sold Price: $-
Lot 539: Marilyn Monroe | Nude Photo-Related Internal Studio Memos A group of vintage typewritten carbon copies of internal studio memos on Twentieth Century Fox letterhead that circulated in 1953 following the release of nude photos Marilyn Monroe posed for in 1949 and how the studio and Monroe should handle the ensuing controversy. The memos are dated February 6-23, 1953 and are between Harry Brand, Twentieth Century Fox's publicity director, and Frank H. Ferguson, the studio's assistant secretary, and the subject field is typed with the words "Marilyn Monroe." Together with a page that includes a memo from Brand to Ferguson that's date stamped "Jan. 8 '53" and typewritten "Attached is self-explanatory" and attached are two vintage newspaper clippings, one with the headline "Marilyn Monroe Calendars" and the other "Miss Monroe (on Calendar) Causes Arrest." PROVENANCE From the Estate of Eugene N. Yulish Estimate: $2,000 - $3,000 - Sold Price: $-
Lot 511: Marilyn Monroe | Inscribed And Signed Magazine Page A color image featuring Marilyn Monroe lying on beach sand in a grey bikini, circa 1950s, signed and inscribed in ink at lower left to child actress Linda Bennett, “To Linda / Love & Kisses / Marilyn Monroe.” Estimate: $4,000 - $6,000 - Sold Price: $-
Lot 497: Hugh Hefner | Steve Kaufman "Hollywood Marilyn" Print A "Hollywood Marilyn" screen print on canvas featuring Marilyn Monroe by artist Steve Kaufman (American, 1960-2010). Together with a hand-embellished print on canvas of Monroe. PROVENANCE From the Hugh M. Hefner Foundation Estimate: $1,000 - $2,000 - Sold Price: $-
Lot 498: Hugh Hefner | Marilyn Monroe Limited-Edition Print and Lenticular Poster A framed limited-edition print featuring Marilyn Monroe from her 1961 photo shoot with photographer Douglas Kirkland. Numbered, "1/5." Together with a lenticular poster of Monroe. PROVENANCE From the Hugh M. Hefner Foundation Estimate: $1,000 - $2,000 - Sold Price: $-
Lot 499: Hugh Hefner | David Dragon Signed Original 1974 Marilyn Monroe "Norma Jean" Painting David Dragon (British, 20th century) original oil on panel portrait of Marilyn Monroe/Norma Jean, signed and dated 1974, lower right. Dragon was a record album cover artist. PROVENANCE From the Hugh M. Hefner Foundation. Estimate: $800 - $1,200 - Sold Price: $-
Lot 500: Hugh Hefner | Marilyn Monroe Photos and Print A framed black and white photograph and a framed color photograph featuring Marilyn Monroe. Together with a limited-edition print of Monroe.
The color photo of Monroe wearing a red dress was taken by Bruno Bernard, also known as Bernard of Hollywood, estate-signed by Bernard's daughter Susan; the black and white photograph of Monroe, inscribed on the back frame by Rick Pallack, "To Hef - / Thanks for sharing the dream - / with love - / your friend and haberdasher - / 9th April 2006."
The matte-framed color illustration print is signed by Jeffery Eckert and numbered, "10/375." On the back of the matte frame is a handwritten note that reads, " Dear Hugh, / I have always wanted to send you this print of my drawing of Marilyn for the longest time, / and am finally doing so. It is all done with / colored pencils. She was a favorite of mine and I / know dear to you. My friends told me I should / really send this to you. I hope you like it. / I was hoping you could do something / cool for me. I don't have a computer, so you would / have to send it regular mail. Could perhaps someone / take a picture of you holding the drawing, and perhaps, / print out that picture to send to me. That would be / awesome. Any note or autograph you could send would / be so cool, and I would know you really did / receive it personally. / I moved from L.A. to Tampa in '96 and did / meet you at your book signing. You were kind and sweet / to everyone. I made you laugh when I told you as a gay / man, I really did read Playboy for the articles! I'll be / 50 in Jan. Hope it is the new 30! / Take good care, with my best wishes." PROVENANCE From the Hugh M. Hefner Foundation Estimate: $300 - $500 - Sold Price: $-
Lot 501: Hugh Hefner | Gifted Photo-Matched Rick Pallack Signed "Renato Casaro - Invitation" Poster
A framed color "Invitation" poster by artist Renato Casaro signed by Fashion Designer Rick Pallack and gifted to Hugh Hefner.
Pallack inscribed on the back of the frame, "To Hef and all my / "Friday Night Movie Pals -" / Thanks for bringing the / 30's, 40's into my life - / they're the Best movies! / 1993."
The stars featured in this poster include: Oliver Hardy, Stan Laurel, Elvis Presley, Clark Gable, John Wayne, Charlie Chaplin, Marilyn Monroe, James Dean, Humphrey Bogart, Fred Astaire, Cary Grant, Boris Karloff as Frankenstein's Monster, and Marlon Brando. The poster print was prominently displayed in the game room of the Playboy Mansion West. PROVENANCE From the Hugh M. Hefner Foundation Estimate: $500 - $700 - Sold Price: $-
Lot 504: Marilyn Monroe | After Andy Warhol Sunday B Morning Portfolio Of Ten Prints A portfolio of 10 Sunday B. Morning prints of Andy Warhol's art featuring Marilyn Monroe. The verso of each print features an embossed stamp certifying that it was published by Morning. Accompanied by 10 Certificates of Authenticity from Sunday B. Morning. Estimate: $4,000 - $6,000 - Sold Price: $-
Enchères "Icons: Playboy, Hugh Hefner, and Marilyn Monroe" du 28 & 30 mars 2024 - 145 lots avec Marilyn Monroe - - Partie 2 : Effets Personnels (63 lots)
Lot 2:Marilyn Monroe | Owned And Worn Pucci Dress A pink Pucci long-sleeved dress of silk jersey accompanied by a rope and crystal tassel belt, size 10, that was owned and worn by Marilyn Monroe. The label reads, “Emilio Pucci/ Florence Italy” and “Made in Italy Exclusively For Saks Fifth Avenue.” PROVENANCE Lot 265, "The Personal Property of Marilyn Monroe," Christie's, New York, Sale number 9216, October 27 and 28, 1999 Estimate: $40,000 - $60,000 - Sold Price: $-
Lot 505: Marilyn Monroe | Richard Avedon Shoot "Lillian Russell" Costume, with Magazine A costume worn by Marilyn Monroe as Lillian Russell for a pictorial feature in the December 22, 1958 issue of Life magazine,
that was photographed by Richard Avedon.
The lavender satin, boned leotard has a décolletage neckline trimmed with bouquets of fabric flowers and pink, lavender,
and cream draped chiffon sashes across the front, embellished with pink satin bows and trimmed in lavender, pink,
and cream chiffon. The costume has minor post-photoshoot alterations.
Monroe also dressed as Theda Bara, Clara Bow, Jean Harlow, and Marlene Dietrich for this series of photographs.
Accompanied by a copy of the magazine. PROVENANCE Lot 61, "Property From the Estate of Lee Strasberg," Julien's Auctions, November 17, 2016 Estimate: $20,000 - $30,000 - Sold Price: $-
Lot 506: Marilyn Monroe | "The Misfits" Press-Worn Jean-Louis Dress, with Book An original Jean Louis painted-silk jersey cocktail dress worn by Marilyn Monroe for The Misfits (United Artists, 1961) cast press conference in the summer of 1960.
Jean Louis' design consists of a cream/beige silk jersey with a painted-abstract pattern in watercolors with light brush strokes that mirror the lightness of the fabric. The dress has a fitted bodice with hand-gathered pleats that are hand sewn into place. The bodice and skirt are sewn just below the waistline, while the skirt is also hand-pleated and accompanied by a sash/tie sewn in on both sides of the dress to cinch it and offer more definition. The abstract print contains magenta, and shades of green and brown. The print has circular rings that appear to ripple. The bodice and skirt are lined with a chiffon crepe, and the bodice has a lining hand-sewn inside and fitted in contrast to the outer layer of the skirt. A concealed zipper has hook-and-eyes that hide the closure. The hem of the skirt lands below the knee and is hand-tacked, beautifully constructed, and designed specifically for Marilyn, who was a fan of wearing silk jersey fabrics. There is no size label present, but there is a designer label that reads "Jean Louis," along with pen notations in black ink reading. "MM #2." The skirt has moderate discoloration with minor staining.
Jean Louis Berthault was an Academy Award-winning costume designer, whose effortless designs helped make stars more glamorous. He was the first costume designer to receive a "Gowns By" screen credit. Jean Louis' nude illusion dress for Marilyn that she wore on May 19, 1962, became one of the most famous gowns in pop culture, selling in 2016 for $4.8 million dollars, the most expensive piece of pop culture memorabilia of all time.
Together with a copy of the book Marilyn Monroe (Hamlyn Publishing Group, Ltd., 1974), which features an image of Monroe wearing the dress. PROVENANCE Christie's The Personal Property of Marilyn Monroe, Lot 138, October 27-28, 1999 Estimate: $40,000 - $60,000 - Sold Price: $-
Lot 507:Marilyn Monroe | "The Seven Year Itch" Film-Worn Black Evening Gown with Photo and Magazine A Mae West-inspired black "cellophane effect" evening gown, worn by Marilyn Monroe during the filming of The Seven Year Itch (Twentieth Century Fox, 1955) starring Monroe and Tom Ewell. The quarter-length sleeved gown features a plunging v-neck, black hook and eye closures down the front, a left leg slit, and a long train. An interior wardrobe label reads in handwritten black ink, "1-81-1 - 1231 M. Monroe A-734-05." Together with a black and white feather boa (please note: not original), similar to the one worn by Monroe with the gown.
In the film, costume designer William Travilla designed the gown for one of the film's dream sequences imagined by director
Billy Wilder. In this particular scene, which was later cut from the film, Richard Sherman (played by Ewell) envisions his
neighbor, "the Girl," impersonating Mae West in this costume, pairing the dazzling gown with a green-tipped black ostrich feather boa, a pair of
red marabou feather accented mules, and a cigarette holder - the West signature. Although Monroe and West never crossed paths in real life, West was later quoted as saying, "The only gal who came near to me in the sex appeal department was pretty little Marilyn Monroe. All the others had were big boobs." Includes a black and white photo, and an issue of the magazine The True Story of Marilyn Monroe, which features a photo of Monroe wearing the dress. Estimate: $100,000 - $200,000 - Sold Price: $-
Lot 508: Marilyn Monroe | Framed Brassiere A shadowbox frame containing a black lace and satin under-wire bra with lace cups. This piece was among the items originally selected for sale in Christie's 1999 Collection of Marilyn Monroe auction, but it was not in the final selection for sale. It was subsequently sold through Julien's 2005 follow up sale of Property from the Estate of Marilyn Monroe. PROVENANCE Property From the Playboy Archives Estimate: $2,000 - $3,000 - Sold Price: $-
Lot 509: Marilyn Monroe | "There's No Business Like Show Business" Swimsuit Costume A three-piece ensemble custom-made for Marilyn Monroe to wear in the musical There's No Business Like Show Business (Twentieth Century Fox, 1954) consisting of a bathing suit made of black silk with “applied” black polka dots, spaghetti straps ending in two large bows, attached front rounded “stomach flap,” back zip-up closure, separate self-belt, lined with support boning and nude-colored netting, label reads “1-18-3-122/ A729-41/ M. Monroe,” in fragile condition now with areas of evident repair work; a coordinating large wrap, white cotton with the same “applied” black polka dots as suit, trimmed in a wide panel of rose-colored cotton on one end and light blue cotton on the other; and a bathing cap with a petal-like hem adorned with white sequins and silver-colored bugle beads, label reads “1-25-4-4691/ A729-29/ M. Monroe.”
Made for Monroe to wear in her portrayal of Vicky Parker and designed by Academy Award-winning costumier William Travilla, this outfit is quite similar to others the star wears throughout the film, though it is not seen in the final cut; however, it is evident it was made for the same production due to its style and construction. Sir Elton John donated this piece to a charity auction in 1990. PROVENANCE Lot 104, Christie's, South Kensington, Sale 4259, April 25, 1991 Estimate: $6,000 - $8,000 - Sold Price: $-
Lot 510: Marilyn Monroe | Simulated Diamond Brooch A floret-styled brooch of simulated diamonds owned by Marilyn Monroe. The brooch features five petals that extend and are interspaced by white metal and circular-cut arms. Accompanied by the original Christie’s lot card. PROVENANCE Lot 249 "The Personal Property of Marilyn Monroe," Christie's, New York, October 27, 1999 Estimate: $8,000 - $12,000 - Sold Price: $-
Lot 512: Marilyn Monroe | St. Christopher Pendant A silver-tone St. Christopher pendant in the style of a wax seal given to Ralph Roberts by Marilyn Monroe. The religious medal is designed with the likeness of the patron saint. A neck chain loop is connected to the top of the medallion. A silver tone St. Christopher pendant in the style of a wax seal given to Ralph Roberts by Marilyn Monroe. The religious medal is designed with the likeness of the patron saint. A neck chain loop is connected to the top of the medallion.
According to Roberts, Natasha Lytess, Monroe's early acting coach, gave her the medal. Monroe gave the medal to Roberts together with a handwritten postcard in which she confirmed for him that she wasn't pregnant. When she gave Roberts the medal she stated, "I've outgrown Natasha." PROVENANCE Partial Lot 334, "Film & Television Memorabilia," Christie's East, Sale number 7821, December 18, 1995 Estimate: $6,000 - $8,000 - Sold Price: $-
Lot 566: Marilyn Monroe | Signed Elizabeth Arden Salon Receipt An Elizabeth Arden pink receipt for salon services rendered after hours and outside of the salon on June 5, 1961. Monroe was living at the Beverly Hills Hotel at this time and signed the receipt in blue ball point pen. The receipt has been matted in white matboard. Estimate: $1,000 - $2,000 - Sold Price: $-
Lot 567: Marilyn Monroe | Elizabeth Arden Lipstick A gold-tone metal lipstick tube that belonged to Marilyn Monroe. The bullet-shaped outter case is engraved with the Elizabeth Arden logo on the top and the words "Elizabeth Arden New York on the bottom. The inner tube features a typewritten label that reads "Orange Pink like Miss I./ sample 05022/ May 2, 1960" and contains the slightly used lipstick. PROVENANCE Lot 342, "Property From The Estate of Lee Strasberg" Julien's Auctions, Beverly Hills, November 17, 2016 Estimate: $7,000 - $9,000 - Sold Price: $-
Lot 568: Marilyn Monroe | Elizabeth Arden False Eyelashes Box A pink box embossed on the top of the lid with the Elizabeth Arden logo and on the bottom with "No. 1433 Brown / False eyelashes" that belonged to Marilyn Monroe. The box is empty, but the bottom of the lid is printed with detailed instructions for applying Ardena Eye Lashes.
Monroe was well-known for wearing false eyelashes throughout her film career and for public appearances and photo shoots. PROVENANCE Partial lot 266, "Property From the Estate of Marilyn Monroe," Julien's Auctions, Los Angeles, June 4, 2005 Estimate: $2,000 - $3,000 - Sold Price: $-
Lot 569: Marilyn Monroe | Martha Lorraine Empty False Eyelashes Box An empty black cardboard box embossed on the top with gold lettering that reads "Martha Lorraine / Eyelashes" that belonged to Marilyn Monroe. The front of the lid has a label that reads "Close Black" and the bottom of the box has a Saks Fifth Avenue price tag that reads "4.00." Under the lid is gold lettering that reads in part "Martha Lorraine / Real Hair / Eyelashes / Natone Co. Distributers, Los Angeles 17. California." PROVENANCE Partial lot 266, "Property From The Estate of Marilyn Monroe" Julien's Auctions, Beverly Hills, June 4, 2005 Estimate: $1,000 - $2,000 - Sold Price: $-
Lot 570: Marilyn Monroe | Perfume Receipt A receipt from Floris of Jermyn Street in London dated December 14, 1959, listing Marilyn Monroe Miller of The Beverly Hills Hotel as the purchaser of six bottles of rose geranium toilet water for a total of $28.25, including the clearance charge. The invoice is marked as paid by Monroe's personal checking account on January 19, 1960.
PROVENANCE Lot 556, "Property From the Estate of Lee Strasberg," Julien's Auctions, Beverly Hills, November 17, 2016 Estimate: $500 - $700 - Sold Price: $-
Lot 541: Marilyn Monroe | Bergdorf Goodman Receipt A receipt from Bergdorf Goodman, the luxury department store in Manhattan, that's dated June 28, 1960, and addressed to Mrs. Arthur Miller, 444 E. 57th Street, New York.
The items Monroe purchased were signed for by her secretary May Reis. Estimate: $500 - $700 - Sold Price: $-
Lot 542: Marilyn Monroe | I. Magnin & Co. Bill Statements Two bill statements from I. Magnin & Company addressed to Mrs. Arthur Miller at 444 E. 57th Street, New York City, New York. Marilyn Monroe was married to playwright Arthur Miller from June 1956 to January 1961. A partial bill statement of $28.97 was paid on May 2, 1960, while the complete bill statement receipt mentions that the amount of $10.40 was still owed by Monroe. PROVENANCE Lot 481, Property From The Life and Career of Marilyn Monroe, Juliens Auctions, Los Angeles, November 17-19, 2016 Estimate: $300 - $500 - Sold Price: $-
Lot 543: Marilyn Monroe | I. Magnin & Co. Receipt A receipt from I. Magnin, a luxury department store in Beverly Hills, California, for two bottles of cologne. The receipt, which was among documents related to Marilyn Monroe's mother Gladys Baker Eley, is dated January 13, 1960 and the purchaser's name is abbreviated as a typewritten M with the word "Send" handwritten in ink. The total amount of sale is $11.40.
PROVENANCE Partial lot 132, "Property From the Estate of Marilyn Monroe," Julien's Auctions, Los Angeles, June 4, 2005 Estimate: $300 - $500 - Sold Price: $-
Lot 544: Marilyn Monroe | Lost Clothing Correspondence A letter from fashion designer John Moore to Marilyn Monroe's secretary May Reis (misspelled as "Reese") dated February 3, 1960, saying he will find out what happened to two "beige and black broadcloth shirtwaist sheaths" that were according to Moore "made by two of my best girls here in my workroom. … " Moore promised to trace the shipment to find the outcome of where they went. Subsequent documents, including a claim to insurance company, reveal that the garments were in fact destroyed when TWA flight 595, a cargo flight, crashed after takeoff from Chicago Midway Airport on November 24, 1959, killing three people on board and eight people on the ground. The documents valued the lost garments at $750.
PROVENANCE Lot 387, "Property From the Estate of Lee Strasberg," Julien's Auctions, Beverly Hills, November 17, 2016 Estimate: $500 - $700 - Sold Price: $-
Lot 545: Marilyn Monroe | Receipt For Jewelry Repair From the Personal Files of Marilyn Monroe: A receipt from John Kreuzer, Master Watchmaker, dated January 8, 1960. This receipt was for the repair of a black onyx necklace. The receipt reads, “Restore broken up black onyx necklace, cut 108 new black onyx pieces.” PROVENANCE From The Archives of Marilyn Monroe's Personal Property Estimate: $300 - $500 - Sold Price: $-
Documents de travail: notes, contrats, scripts (16 lots) Working documents: notes, contracts, scripts
Lot 513: Marilyn Monroe | Actor's Studio Notebook A small six-ring binder containing lined notebook pages in a black and red vinyl case by National that belonged to Marilyn Monroe. The small notebook contains 10 pages of notes in Monroe's hand, in pencil, on eight leaves of paper. The notes were taken during a class with Lee Strasberg and record bits and pieces of things that "Lee said," as is repeated on many pages, which include "For yourself not for us - or one doesn't use own sensitivity/ girl crying continuously Lee said - There should be a certain pleasure in This, in acting - we don't stop these things - she stoped [sic] crying only at those times"; "problems-all the more to be solved got to keep swimming/ criticism can be taken - to incite the will not self criticism"; "the actor has to do what the character has to do - let the author worry about his words"; "Life of - reality of champagne (you don't open every bottle the same) actor in scene took for granted (girl is going to be good (New). Boy - said lines no effort - like crossing street - Lee said he wants - Behavior - When someone is trying to make someone (love etc.) how does one go about it/ Lee said - girl simplicity good honesty, to begin (New) with - but..." The last notes are taken on two sides of one leaf of paper and read "My heart Belongs To Daddy Number/ Remember always left -" and "While tearing off/ caddy-move head a little/ Daddy R. shoulder up/ call dog in closer"; clearly, these notes are for Monroe's musical number in Let's Make Love (20th Century Fox, 1960). The notes correlate with the lyrics of the song, and indeed Monroe does move her head a little during the first verse that mentions the caddy, and she does raise her right shoulder up the first time she says "Daddy" in the chorus. PROVENANCE Lot 442, "Property From the Estate of Lee Strasberg," Julien's Auctions, Beverly Hills, November 17, 2016 Estimate: $20,000 - $30,000 - Sold Price: $-
Lot 514: Marilyn Monroe | Handwritten Actors Studio Notes Two sheets of paper from a small spiral-bound planner dated April 3 and 4 as well as a sheet dated April 7 and 8 that feature notes handwritten by Marilyn Monroe that relate to her studies at the Actors Studio. The pages contain notes in pencil in Monroe's hand reading, for April 3, "Remember - the actors concentration is the only thing between him and suiside [sic]/ try not to come to the scene too late - (exploration - sensory process Home work - after on stage - carry it on (on stage)"; April 4, "Everybody want to be happy (to be good actors) to make money (in my case) and look how miserable we make one another"; April 7, "Nothing can get through tension - what ever you might want to do/ the effort is the only thing the human being (the actor) has between himself and God knows what!"; and April 8, "Just do tecnical [sic] exercises as fully as I can." PROVENANCE Lot 254, "Property From the Estate of Lee Strasberg," Julien's Auctions, Beverly Hills, November 17, 2016 Estimate: $4,000 - $6,000 - Sold Price: $-
Lot 515: Marilyn Monroe | Handwritten Free Association Notes Four pages torn from an Italian agenda, dating between 1955 and 1956, feature notes handwritten in pencil by Marilyn Monroe. It is believed that the pages correspond to Monroe's work with Dr. Hohenberg, in which she began practicing self-analysis and working on her repressed memories. The notations in pencil jump from one topic to the next, wandering around the physical pages themselves and even passing from one page to the next and then back again. It is difficult to follow, but the topics include examining her childhood need to lie to her teacher, her physical insecurities, self-conscious thoughts of what others think of her drinking, speculation that "Peter" is capable of violence and possibly wants to be her, as well as a touching passage about Arthur Miller: "I am so concerned/ about protecting Arthur/ I love him-and he is the/ only person-human being I have/ ever known that I could love not only/ as a man to which I am attracted to practically/ out of my senses about-but he is the only/ person-as another human being that I trust as/ much as myself-because when I do trust my-/ self (about certain things) I do fully, and I/ do about him also." Another revealing passage reads in part, "… fear to touch my own body/ after Buddy (I started to write Bad instead of Buddy-/ slip in writing?)/ because A.I. punished me/ with fear and whipped me-/ ‘The bad part of my body’ she said-/ must never touch myself/ there or let anyone." It is believed that "A.I." refers to Aunt Ida Martin, a foster mother who punished Monroe as a child, possibly after a sexual abuse incident, with the "Buddy" mentioned here. PROVENANCE Lot 176, "Property From the Estate of Lee Strasberg," Julien's Auctions, Beverly Hills, November 17, 2016 Estimate: $10,000 - $15,000 - Sold Price: $-
Lot 516: Marilyn Monroe | Signed Metropolitan Opera Playbill, with Photo A Metropolitan Opera playbill from the 1958-1959 season that's been signed in ink by Marilyn Monroe. The 44-page playbill is signed on the cover in blue ink and is accompanied by a black and white image of Monroe signing a playbill. This is believed to have been signed on February 10, 1959, when Monroe and her husband Arthur Miller attended a performance of Macbeth. PROVENANCE Lot 906, "Property From the Estate of Lee Strasberg," Julien's Auctions, Beverly Hills, November 17, 2016 Estimate: $5,000 - $7,000 - Sold Price: $-
Lot 517: Marilyn Monroe | Signed MCA Contract Letter A signed copy of a letter to the Screen Actor's Guild on MCA letterhead, that's dated January 1953 and signed by Marilyn Monroe and Lew Wasserman, and marked "COPY." The letter requests an acknowledgement of the change in representation for Monroe from the William Morris Agency to MCA under the supervision of Lew Wasserman. Wasserman later became the president of the Screen Actor's Guild. Johnny Hyde, executive vice president of William Morris and the man credited with discovering Marilyn, had passed away in 1950. The loss of Hyde may have precipitated the change. The letter is matted in white matboard. Estimate: $2,000 - $4,000 - Sold Price: $-
Lot 518: Marilyn Monroe | Annotated "Something's Got To Give" Script A script for Marilyn Monroe's final, uncompleted movie Something's Got To Give that features annotations throughout in Monroe's handwriting. The 149-page mimeographed typescript which also contains blue revision pages, is inside a blue paper cover printed with the words "Final...Confidential...Something's Got To Give, March 29, 1962." The frontispiece inscribed in Marilyn's hand reads "Edith Evanson, 4303 Agnes Ave...," the majority of the parts for the character of Ellen circled or checked in red pencil, with approximately 10 pages annotated in pencil in Monroe's hand with amendments and additions to the script, notes include: - p. 66, Monroe has written "Sentimental Schmaltz" next to Ellen's line about men in the South Sea Islands; - p. 68, Monroe has added "deep breath then...that's what he thinks..." next to Lita's line "Daddy says we're going to get a new Mommy"; - p. 75, Monroe has added a question "Ellen - skin tones? next to Bianca's line "These colours...they threaten me..." PROVENANCE Ex-lot 491, "The Personal Property Of Marilyn Monroe," Christie's New York, 27-28 October, 1999 Estimate: $20,000 - $30,000 - Sold Price: $-
Lot 519: Marilyn Monroe | Handwritten "Something's Got To Give" Script Notes A Millers Falls EZERASE pad of typewriter paper on which Marilyn Monroe has handwritten notes in pencil regarding the script for the comedy Something's Got To Give, which remained uncompleted at the time of her death in 1962. The cover is detached but present, and the three hole-punched pad contains four pages of notes in Monroe's hand in pencil outlining her issues with the script for the film. The notes and criticisms include "logical drama but doesn't move on the screen/ leads him on than [sic] said not until"; "instead using the talents/ he's stuck/ imagine being married to MM and she comes back and he is stuck/ he'd dying to go Bed with her but can't because"; "more entertaining/ keep it on an edge/ if it isn't that kind of picture it won't go -/ only if script is acceptable." Then come Monroe's suggestions for a scene with checkmarks next to the ideas: "When Dean first see's Ellen -me- in nurses uniform - (as nurse) he could say - upon arrival - slouching ‘I don't feel so good nurse (weakening in the knees how could she do this to me/ I am telling her/ Beanka kind of stiffening up to hold him & the situation (the nite [sic] before) together he then pulls up but Dean will do this superbly/ He sings little song when drunk & frustrated." She also lists specific passages: "Page 73 (yes? - No? you understand Dean!)/ Page 76 children scene (in comparison to rewrite)." A small note on the last page of notes reads "Funny line writers Herb Gardner / Mel Brook [sic]."
These notes present a very astute Monroe who clearly had serious concerns with the quality of the script, demonstrating that her refusal to appear on set was grounded in these concerns and not simply the actions of a petulant star. PROVENANCE Lot 580, "Property From the Estate of Lee Strasberg," Julien's Auctions, Beverly Hills, November 17, 2016 Estimate: $10,000 - $15,000 - Sold Price: $-
Lot 520: Marilyn Monroe | Personally Annotated "The Misfits" Script Sides A bound collection of more than 30 mimeographed half pages containing Monroe's dialogue for the film The Misfits (United Artists, 1961). Many of the pages feature annotations in pencil in Monroe's handwriting. The green paper cover is affixed with a label that reads "Marilyn Monroe Miller." Monroe has drawn lines through some of the dialogue and among her annotations are the following: "Stretch like a cat / see painted / follow him like kitten" and "we've had a wonderful night / and things have been easy for us - / shield eyes looking up bright to see / is the plane coming in / listening - for it." On the back inside cover are the words "Nothing is coming / but at least I can / make the (an) effort" and "My thought are any place / I Marilyn (possibly Rosilyn [sic]) wants / to put them." Also written in are the words "Copied : July 30, 1960."
The Misfits chronicled Roslyn (Monroe), a recent divorcee in Reno, Nevada, who befriends a group of "misfits" that includes an aging cowboy (Clark Gable) and a weary rodeo rider (Montgomery Clift). The John Huston-directed, Arthur Miller-scripted movie became notorious for its behind-the-scenes problems, culminating with shooting being shut down while Monroe was hospitalized and at the end of her marriage to Miller. Gable would die a few weeks after shooting wrapped and this would prove to be Monroe's final completed film. Although The Misfits was considered a disappointment at the time of its release, its stature has grown over the years. Estimate: $5,000 - $7,000 - Sold Price: $-
Lot 521: Marilyn Monroe | 1960 Notes From The Set Of "The Misfits" A single-page letter handwritten in pencil by Marilyn Monroe that expresses her thoughts regarding how The Misfits (United Artists, 1961) should be shot to convey the presence of Clark Gable's character, Gay Langland. The note reads in part, "I feel the camera has got/ to look through Gay's/ eyes whenever he is in a/ scene and even when he is/ not there still has to be a sense of/ him/ He is the center and the/ rest move around him."
LITERATURE Monroe, Marilyn, and Bernard Comment. Fragments: Poems, Intimate Notes, Letters. Pages 172-173. New York: Farrar, Straus and Giroux, 2010. 1-237. Print. PROVENANCE Lot 196, "Property From the Estate of Lee Strasberg," Julien's Auctions, Beverly Hills, November 17, 2016 Estimate: $4,000 - $6,000 - Sold Price: $-
Lot 522: Marilyn Monroe | Paula Strasberg-Annotated "The Misfits" Script A script for the Marilyn Monroe drama The Misfits (United Artists, 1961) that belonged to and was heavily annotated by Monroe's acting coach Paula Strasberg. The script pages are loose in a blue paper binder.
The first page of the 147-page script is typewritten with the words "The Misfits/ By Arthur Miller / Revision - March, 1960." It also features an address label for the Strasbergs (Paula's husband Lee was Monroe's longtime mentor) and the words "7 month / FA. 9 / 3727 / area code 702" have been handwritten in ink. The screenplay features several tabs with locations of the film's scenes typewritten on labels. Strasberg's annotations have been written throughout in both ink and pencil. One one page she has written the word "whisper." On the back of another page, she has written "All strong things should be whispered." On another she has written "Something wrong with her - Paula - Lee."
The Misfits chronicled Roslyn (Monroe), a recent divorcee in Reno, Nevada, who befriends a group of "misfits" that includes an aging cowboy (Clark Gable) and a weary rodeo rider (Montgomery Clift). The John Huston-directed movie became notorious for its behind-the-scenes problems, culminating with shooting being shut down while Monroe was hospitalized and the end of her marriage to Miller. Gable would die a few weeks after shooting wrapped and this would prove to be Monroe's final completed film. Although The Misfits was considered a disappointment at the time of its release, its stature has grown over the years. Estimate: $500 - $700 - Sold Price: $-
Lot 523: Marilyn Monroe | Personally Annotated "The Misfits" Revision Pages A group of revision pages from the script for The Misfits (United Artists, 1961) that feature annotations personally handwritten by Marilyn Monroe.
A light blue paper binder contains approximately 100 white, pink, and yellow pages from various drafts of the script for the drama were personally owned by Monroe's acting coach Paula Strasberg and many feature her handwritten annotations. At least one page features notes on how to portray the scene both physically and emotionally that were handwritten in ink and pencil by Monroe herself.
The Misfits chronicled Roslyn (Monroe), a recent divorcee in Reno, Nevada, who befriends a group of "misfits" that includes an aging cowboy (Clark Gable) and a weary rodeo rider (Montgomery Clift). The John Huston-directed movie became notorious for its behind-the-scenes problems, culminating with shooting being shut down while Monroe was hospitalized and the end of her marriage to Miller. Gable would die a few weeks after shooting wrapped and this would prove to be Monroe's final completed film. Although The Misfits was considered a disappointment at the time of its release, its stature has grown over the years. Estimate: $500 - $700 - Sold Price: $-
Lot 524: Marilyn Monroe | Paula Strasberg-Annotated "Let's Make Love" Script A script for Marilyn Monroe's musical-comedy Let's Make Love (Twentieth Century Fox, 1960) that belonged to and was annotated by her acting coach Paula Strasberg. The script is in a three-ring black leather binder.
The script is 139 typewritten pages and features many pink and blue revision pages. The title page reads in part:" Let's Make Love / Written for the Screen / By Norman Krasna / Directed by George Cukor / Second Revised Shooting Final / January 15, 1960." Across the top of the page the words "Paula M. Strasberg" is written and underlined in red pencil.
Strasberg handwrote notes throughout the script. One reads "deep breathing." Another reads "Make the hairbrush act for you. (I told her) and Geo said it exactly so." There are also notes handwritten on the backs of pages, including one that reads "Jerry Wald (the film's producer) refused to take any responsibility whatsoever. In no way helped MMM - wouldn't even ask the studio to pay my salary - knowing his star found me a necessity. I am the cheapest thing in any budget. To add a week or not - that is the question."
Let's Make Love was Monroe's second to last completed film and her final musical movie. She portrayed actress Amanda Dell who is rehearsing an off-Broadway revue that spoofs a headline-making billionaire named Jean-Marc Clement (Yves Montand), who, by accident, becomes cast as himself and falls in love with Monroe's character. The film earned more than $6 million at the box office upon release. Estimate: $500 - $700 - Sold Price: $-
Lot 525: Marilyn Monroe | Paula Strasberg-Owned "Let's Make Love" First Draft Script A first-draft screenplay for Marilyn Monroe's musical-comedy Let's Make Love (Twentieth Century Fox, 1960) that belonged to her acting coach Paula Strasberg. The light blue paper cover of the 162-page script is is printed with The Billionaire (the film's original title), is dated February 3, 1959, and the top left is stamped with the number 822, the words "First Draft Screenplay," and the lower right is stamped with the number 34. The first page features the typewritten words "The Billionaire" / Screenplay by Norman Krasna / Jerry Wald Productions/ First Draft Screenplay / February 3, 1959. Let's Make Love was Monroe's second to last completed film and her final musical movie. She portrayed actress Amanda Dell who is rehearsing an off-Broadway revue that spoofs a headline-making billionaire named Jean-Marc Clement (Yves Montand), who, by accident, becomes cast as himself and falls in love with Monroe's character. The film earned more than $6 million at the box office upon release. Estimate: $300 - $500 - Sold Price: $-
Lot 526: Marilyn Monroe | Original "There's No Business Like Show Business" Script A rare original script for the Marilyn Monroe musical Irving Berlin'sThere´s No Business Like Show Business (20th Century Fox, 1954). The 115-page screenplay is bound in an orange paper cover, dated May 12, 1954, and stamped as Revised Shooting Final. The cover is also stamped with "512" on the upper left, "2595 " in the upper right, and "2" in the lower right. The first page features handwritten notes in red ink that list the start and finish dates of filming, as well as the names of the producer, director, and camera operator. The title page is typewritten in part with the words "Screenplay by Phoebe and Henry Ephron," "Based on Original Story by Lamar Trotti." The script is believed to have been the personal property of either director Walter Lang or producer Sol C. Siegel.
Monroe costarred alongside Ethel Merman, Mitzi Gaynor, and Donald O'Connor in the ensemble musical which featured the songs of Irving Berlin and her sensual rendition of "Heat Wave" was a highlight and created a scandal at the time. Television personality and newspaper columnist Ed Sullivan described it as "one of the most flagrant violations of good taste" he had seen. Estimate: $2,000 - $3,000 - Sold Price: $-
Lot 527: Marilyn Monroe | "The Seven Year Itch" Script An original script for the Marilyn Monroe comedy The Seven Year Itch (Twentieth Century Fox, 1955). The 113-page script is contained within a light blue paper cover that is marked final and dated August 10, 1954. The number "629" is stamped in the upper left and "1" is stamped in the lower right. PROVENANCE From the Estate of Eugene N. Yulish Estimate: $400 - $600 - Sold Price: $-
Lot 528: Marilyn Monroe | "Gentlemen Prefer Blondes" Script An original script for the Marilyn Monroe comedy Gentlemen Prefer Blondes (Twentieth Century Fox, 1953). The 118-page script is contained within a light blue paper cover that is marked final and dated October 22, 1952, is printed with the number "499" in the upper left and "79" in the lower right. There are some handwritten notes in pencil on the backs of pages. The name of Monroe's character Lorelei is circled a few times throughout the script. The back page of the script is pink and typewritten with a note to secretaries and the name "Marilyn Monroe" is written in ink in the upper left. PROVENANCE From the Estate of Eugene N. Yulish Estimate: $400 - $600 - Sold Price: $-
Documents personnels(11 lots) Personal Documents
Lot 547: Marilyn Monroe | Business Correspondence A group of twenty-five pieces of various correspondence related to the Screen Actors Guild dated 1960-1961, together with various letters related to Marilyn's income and general finances.
PROVENANCE From the Archives of Marilyn Monroe's Personal Property Estimate: $500 - $700 - Sold Price: $-
Lot 548: Marilyn Monroe |1962 John F. Kennedy Birthday Gala Original Program, Ticket Stub An original ticket stub and program for the May 19, 1962 event "New York's Birthday Salute to President Kennedy." The ticket features a photo of Kennedy and reads "President Kennedy's Birthday Party" and is for the Orchestra section G row 4, seat 2. The event took place at Madison Square Garden and featured a lineup that included Marilyn Monroe, Ella Fitzgerald, Peggy Lee, Maria Callas, Mike Nichols and Elaine May, and Diahann Carroll.
The star-studded birthday celebration for President Kennedy was held 10 days before his actual birthday, and remains one of the most discussed events in his and Monroe's career. The event was sponsored by the Democratic Committees and Citizens for Kennedy as a fundraiser to erase debt incurred during the 1960 presidential election. Monroe famously called in sick to filming Something's Got To Give at 20th Century Fox studios in Los Angeles to fly to New York in serenade the president with a sultry rendition of "Happy Birthday, Mister President" while wearing a sheer, skin-tight Jean Louis gown.
The ticket stub is housed in a plastic case and features a PSA authentification sticker. Estimate: $4,000 - $6,000 - Sold Price: $-
Lot 549: Marilyn Monroe | Received Letter From Jean Kennedy Smith A single sheet of stationery listing an address in Palm Beach, Florida, with autograph notation in blue ink on recto and version reading in full, "Dear Marilyn - Mother asked me to write and thank you for your sweet note to Daddy - He really enjoyed it and you were very cute to send it. / Understand that you and Bobby are the new item! We all think you should come with him when he comes back east! Again thanks for the note. / Love, Jean Smith." Jean Smith is one of nine children to Rose and Joseph Kennedy and sister to John F. Kennedy, Robert F. Kennedy, Ted Kennedy, Eunice Kennedy Shriver and four other siblings. PROVENANCE From the Estate of Lee Strasberg Estimate: $4,000 - $6,000 - Sold Price: $-
Lot 550: Marilyn Monroe | Received Telegrams Following 1957 Ectopic Pregnancy From the Personal Files of Marilyn Monroe: Three telegrams with well wishes from fans, all sent to Marilyn at Doctors Hospital in New York where she was recovering from an ectopic pregnancy in 1957. PROVENANCE From The Archives of Marilyn Monroe's Personal Property Estimate: $500 - $700 - Sold Price: $-
Lot 551: Marilyn Monroe | Received Card From Actress Joan Blondell A small note card with embossed letters reading “WADLEY & SMYTHE, NEW YORK.” The handwritten note on the card reads, “May the days of your years be gentle always. Sincerely, Joan Blondell.”
A comparison of Blondell’s known autograph resembles the signature on the card, indicating it’s very likely she wrote the note herself. Blondell starred in more than 100 productions both in film and television, her most notable being her performance in the 1951 film The Blue Veil, for which she received an Academy Award nomination for best supporting actress. Younger generations will recognize her as Vi, one of the waitresses at the Frosty Palace in the hit 1978 musical, Grease. PROVENANCE From The Archives of Marilyn Monroe's Personal Property Estimate: $200 - $300 - Sold Price: $-
Lot 552 : Marilyn Monroe | Received 1958 Pregnancy Note From Eva Marie Saint And Jeffrey Hayden With A Carbon-Copy Response Letter From the Personal Files of Marilyn Monroe: A small notecard originally affixed to a floral arrangement with a personal message from Academy Award-winning actress Eva Marie Saint and her husband American television director and producer Jeffrey Hayden.
The notecard reads, “We are so happy about the beautiful news. Best Wishes.” The greetings are likely in response to the news that Marilyn and husband Arthur Miller were expecting a child. Sadly, Marilyn miscarried in December, 1958. Also included, the original carbon copy response letter from Marilyn to the couple reading, “Thank you so very much for the beautiful flowers and the good wishes. My best to you both.” PROVENANCE From The Archives of Marilyn Monroe's Personal Property Estimate: $400 - $600 - Sold Price: $-
Lot 553: Marilyn Monroe | Note From Buddy Adler A small notecard to Marilyn Monroe from Academy Award-winning producer Buddy Adler. The notecard reads, "Darling, It's wonderful having you home again. Best wishes, Buddy Adler." This card is likely in reference to Monroe's return to Hollywood in 1956 after having spent the entirety of 1955 in New York City.
Adler was the producer of Bus Stop (Marilyn Monroe Productions, 1956) the first of two films from Monroe's personal production company, Marilyn Monroe Productions. Other films he produced include From Here to Eternity (Columbia Pictures, 1953) and Love Is a Many-Splendored Thing (20th Century Fox, 1955). Estimate: $500 - $700 - Sold Price: $-
Lot 554: Marilyn Monroe | Sent Bobby Miller Letters Two single-page typed, unsigned file copies of letters sent by Marilyn Monroe to her stepson Bobby Miller. The letters are dated July 16, 1958, and August 9, 1957, and relate a number of amusing stories. The 1958 letter is typed on the back of a piece of stationery from the Hotel Bel-Air. In the first letter, Monroe tells Bobby Miller about Hugo the dog's escapades, taking things from the neighbors, and asks him to help her figure out what his sister Janie would like for her birthday. The 1958 letter tells him, "I haven't seen Jack Lemmon yet because he is still working on another picture. He has a very funny part in this picture. Also, he plays a friend of mine. I started to take ukulele lessons because I'm supposed to know how in the picture. I've got an idea: Maybe we can learn something together--you on the guitar and me on the ukulele--you know, charge people admission to hear us."
Monroe also tells him about her brief ownership of a Cocker Spaniel: "About two days ago someone gave me a Cocker Spaniel puppy 10 months old, completely house-broken. So I was going to call your Dad and ask him if it was okay to keep him--then I found out quite by accident that he bites--he didn't bite me but he bit a woman on the throat the day before, so I said 'thanks a lot but no thanks.' His name was 'Walter' and he was a golden-haired spaniel and just beautiful but he seemed just too 'schizo' --short for schizophrenic --you remember you explained what that meant." PROVENANCE Lot 320, "Property From the Estate of Lee Strasberg," Julien's Auctions, Beverly Hills, November 17, 2016 Estimate: $500 - $700 - Sold Price: $-
Lot 563: Marilyn Monroe | Original International Fan Mail Envelopes A group of five envelopes, circa mid-1950s, that are addressed to Marilyn Monroe and sent from foreign countries. Three were sent in care of Twentieth Century-Fox, where Monroe was under contract, while two were sent in care of Metro-Goldwyn-Mayer with one stamped with the words "Uncalled For at / Metro-Goldwyn-Mayer." Estimate: $300 - $500 - Sold Price: $-
Lot 564: Marilyn Monroe | Personal Stationery Envelope An ivory-colored envelope From Marilyn Monroe's personal stationery. The back of the envelope is blind embossed with "Marilyn Monroe" in block lettering. Estimate: $400 - $600 - Sold Price: $-
Lot 565: Marilyn Monroe | Personal Stationery Envelope An ivory-colored envelope From Marilyn Monroe's personal stationery. The back of the envelope is blind embossed with "Marilyn Monroe" in block lettering. Estimate: $400 - $600 - Sold Price: $-
Lot 529: Marilyn Monroe | Signed Check A personal check handwritten in ink by Marilyn Monroe to the Pacific Telephone and Telegraph Company in the amount of $62.83, dated April 27, 1953. Monroe’s signature appears at bottom right. Estimate: $1,000 - $2,000 - Sold Price: $-
Lot 530: Marilyn Monroe | Checkbook And Cover A black leather, snap front wallet that was owned by Marilyn Monroe. The front is blind stamped logo for the First National City Bank of New York. Together with a checkbook containing seventeen blank checks from the Irving Trust Company with "Marilyn Monroe" printed on each check. Seven checks have been used, leaving payment stubs, only one with notation listing the date, "Jan 9 1960" in the amount of $100. Estimate: $3,000 - $5,000 - Sold Price: $-
Lot 531: Marilyn Monroe | "City National Bank Of Beverly Hills" Checkbook A book of seventeen unused checks (eight were used) issued from: "City National Bank of Beverly Hills / Beverly Hills, California;" (evidently temporary checks as no name is printed on them) housed in a blue vinyl cover with an enclosed check register printed with calendars for the years 1959, 1960, and 1961. PROVENANCE Partial Lot 142, "Property From The Estate of Marilyn Monroe," Julien's Auctions, June 4, 2005 Estimate: $600 - $800 - Sold Price: $-
Lot 532: Marilyn Monroe | Original Personal Blank Check A personalized blank check from Marilyn Monroe's bank account The check is on yellow patterned paper, numbered 1951, and drawn from City National Bank / 400 No Roxbury Dr., Beverly Hills, CA with “Marilyn Monroe” printed along the top center and appearing again above where the signature line exists. The attached check stub with binder holes is present. This check was issued during Monroe's later years as examples such as this check issued by Citibank was in use up until Monroe's death in 1962. PROVENANCE Partial lot 438, "Property From the Estate of Lee Strasberg," Julien's Auctions, Beverly Hills, November 17, 2016 Estimate: $300 - $500 - Sold Price: $-
Lot 540: Marilyn Monroe | Dr. Hyman Engelberg Invoice An invoice in the amount of $407.00 for numerous medical house calls in the months of November and December, dated 12/26/61, and marked paid on 1/18/62. Hyman Engelberg was Marilyn's internist, who worked closely with Marilyn's psychiatrist, Dr. Ralph Greenson. It is suspected that Engelberg perscribed the pills that ultimately killed Marilyn without alerting Greenson. Estimate: $800 - $1,200 - Sold Price: $-
Lot 546: Marilyn Monroe | Notice Of Insurance Cancellation A notice of policy cancellation dated 11/27/62 from Royal Globe Insurance for the property of Marilyn Monroe in Beverly Hills, CA. Estimate: $800 - $1,200 - Sold Price: $-
Lot 555: Marilyn Monroe | Correspondence, Receipts, And Invoices A large collection of more than 50 receipts and invoices for various expenses throughout the late 1950s. Examples include Karnell & Meisner printers, Mercury Messenger Service, Sutton Flower Shop, Sutton Electric Supply, Gotham Hardware, and Bloomingdales, among others. This lot includes several receipts for laundry service, and a letter to Marilyn from Jay Kanter. Also included are various handwritten notes (not in Marilyn's handwriting) for expenses. PROVENANCE From the Archives of Marilyn Monroe's Personal Property Estimate: $800 - $1,000 - Sold Price: $-
Lot 556: Marilyn Monroe | Receipts And Invoices A large collection of more than 50 receipts and invoices for various expenses throughout the late 1950s and early 1960s. Examples Mme. Adorees Rexford Hand Launderers and Dry Cleaners, Cadillac Motor Division, Beekman Place Bookshop, Superior Engraving Company, The New York Times, Doubleday Book Shop, and Connecticut Light and Power, among others. Also included are various handwritten notes (not in Marilyn's handwriting) for expenses. PROVENANCE From the Archives of Marilyn Monroe's Personal Property Estimate: $800 - $1,000 - Sold Price: $-
Lot 557: Marilyn Monroe | Receipts And Invoices From the Personal Files of Marilyn Monroe: A large collection of receipts and invoices for various expenses throughout the late 1950s. Examples include H. Kaplan Paint Supply, Dykes Lumber Company, Antonino Ajello & Bros. Candles, Electra-Craft Appliance Co., First Church of Christ, Anna's House Furnishings, and The Japanese Center, among others. Also included are various handwritten notes (not in Marilyn's handwriting) for expenses. Approximately 50 documents in total. PROVENANCE From The Archives of Marilyn Monroe's Personal Property Estimate: $600 - $800 - Sold Price: $-
Lot 558: Marilyn Monroe | Receipts And Invoices From the Personal Files of Marilyn Monroe: A large collection of receipts and invoices for various expenses throughout the late 1950s and early 1960s. Examples include Tommy's Pet shop, Pioneer Hardware, L.A. Baker Electric, Beverly Hills Silks & Woolens, Canon Drive Picture Frame Shop, Kitzmeyer's Drug Store, A. Fitz & Sons Meat Market, Saks Fifth Avenue, Farmers Market Candy Kitchen, and Bullock's Wilshire, among others. Also included are various handwritten notes (not in Marilyn's handwriting) for expenses. Approximately 80 documents in total. PROVENANCE From The Archives of Marilyn Monroe's Personal Property Estimate: $800 - $1,000 - Sold Price: $-
Lot 559: Marilyn Monroe | Receipts And Invoices From the Personal Files of Marilyn Monroe: A large collection of receipts and invoices for various expenses throughout the late 1950s and early 1960s. Examples include Bullocks Wilshire, The Drama Book Shop, Yellow Cab Company, The Prescription Center, Beverly Stationers, Pioneer Hardware, and Simon Stationery among others. Also included are various handwritten notes (not in Marilyn's handwriting) for expenses. Approximately 50 documents in total. PROVENANCE From The Archives of Marilyn Monroe's Personal Property Estimate: $800 - $1,000 - Sold Price: $-
Lot 560: Marilyn Monroe | Receipts And Invoices From the Personal Files of Marilyn Monroe: A large collection of receipts and invoices for various expenses throughout the late 1950s and early 1960s. Examples include the US Post Office, Goldfarb Flowers and Gifts, Hansens Fresh Fruits and Vegetables, Martindale's Book Stores, Clapp & Tuttle Books and Arts, Beekman Place Bookshop, The General Store, and Saks Fifth Avenue, among others. Also included are various handwritten notes (not in Marilyn's handwriting) for expenses. Approximately 50 documents in total. PROVENANCE From The Archives of Marilyn Monroe's Personal Property Estimate: $800 - $1,000 - Sold Price: $-
Lot 561: Marilyn Monroe | Receipts And Invoices From the Personal Files of Marilyn Monroe: A large collection of receipts and invoices for various expenses throughout the late 1950s and early 1960s. Examples include Peter A. Juley & Son Photographers, Films Incorporated, The Connecticut Light and Power Company, Consolidated Edison of New York, St. Pierre Oil Company, Carl and Walt, Inc., Holland Frame Shop, and Bloomingdales among others. Also included are various handwritten notes (not in Marilyn's handwriting) for expenses. Approximately 70 documents in total. PROVENANCE From The Archives of Marilyn Monroe's Personal Property Estimate: $800 - $1,000 - Sold Price: $-
Lot 562: Marilyn Monroe | Receipts And Invoices From the Personal Files of Marilyn Monroe: A large collection of receipts and invoices for various expenses throughout the late 1950s and early 1960s. Examples include Jay Thorpe, Gunther Jaeckel, Maurice Rentner, B. J. Denihan Cleaners, Rex of Beverly Hills, Henri Bendel, Berkley Square Cleaners, National Studios, Hammacher Schlemmer, Brandon Films, and Alfredo Valente Photography among others. Approximately 50 documents in total. PROVENANCE From The Archives of Marilyn Monroe's Personal Property Estimate: $600 - $800 - Sold Price: $-
Décès(4 lots) Death
Lot 636: Marilyn Monroe | August 4, 1962 Furniture Receipt A typewritten bill on Pilgrim's Furniture letterhead addressed to Marilyn Monroe at 12305 5th Helena Dr. L.A. 49 and dated August 4, 1962, the same day Monroe died.
The bill is for "1 #C Chest Roman White" for $228.80 and marked "COD."
Words handwritten in blue ink read "Rec'd check #281 in amount $228.80 / Payment in Full / Earl Shero." Monroe went to her bedroom around 8 p.m. on August 4, spoke on the telephone to her friend, actor Peter Lawford, and was found dead in her bed before dawn the following morning. Estimate: $3,000 - $5,000 - Sold Price: $-
Lot 637: Marilyn Monroe | August 1, 1962 Frank's Nurseries and Flowers Receipt An original carbon invoice from Frank's Nurseries and Flowers that has been handwritten to Miss Marilyn Monroe at 1230 - 5th Helena Dr. 49 and is dated August 1, 1962, just three days before Monroe's death. Among the purchases listed on the bill are begonias, petunias, tomatoes, terra-cotta pots, hummingbird feeders, and hummingbird food. The bill totals $63.53. The house in Brentwood is the only one Monroe owned and the bill indicates that she had intended to nurture a garden there at the time of her unexpeced death at age 36 on August 4, 1962. Estimate: $1,000 - $1,500 - Sold Price: $-
Lot 638: Marilyn Monroe | Burial Crypt Near Monroe And Hugh Hefner A one-space mausoleum crypt in close proximity to the final resting places of both screen icon Marilyn Monroe and Playboy founder Hugh Hefner. The space is located in the Corridor of Memories, Wall B, Space C-3 at Pierce Brothers Westwood Village Memorial Park & Mortuary in Los Angeles, California. It is situated one row above and four spaces to the left of Monroe's.
Monroe died unexpectedly at age 36 on August 4, 1962. Baseball legend Joe DiMaggio, Monroe's ex-husband, organized a private funeral for her that took place in the cemetery chapel on August 8. DiMaggio is reported to have chosen this location because Grace Goddard and Ana Lower, who had both helped care for Monroe as a young girl when her mother became incapacitated, had been buried there. Monroe fans from around the world continue to make pilgrimages to the cemetery to pay respects to the entertainer.
Hefner famously launched Playboy magazine in 1953 with Monroe on the cover of the first issue and with a nude photograph Monroe had posed for in 1949. He purchased the crypt to the immediate left of hers in 1992 and was interred there shortly after his death in 2017. In a 2009 interview with Los Angeles Times, Hefner discussed the purchase, saying, "Spending eternity next to Marilyn is an opportunity too sweet to pass up."
Among the other show business luminaries interred at Pierce Brothers Westwood are Natalie Wood, Farrah Fawcett, Ryan O'Neal, Truman Capote, Twentieth Century Fox president Darryl F. Zanuck, Monroe's Some Like It Hot costar Jack Lemmon, and Billy Wilder, who directed Monroe in The Seven Year Itch and Some Like It Hot. Estimate: $200,000 - $400,000 - Sold Price: $-
Lot 639: Marilyn Monroe | Grave Marker A grave marker from Marilyn Monroe's crypt at Pierce Brothers Westwood Village Memorial Park & Mortuary in Los Angeles. The front of the brass plaque is brown with gold-tone trim and the gold-tone letters read "MARILYN MONROE / 1926 - 1962." The back has been hand-etched with the words "415 Westwood," stamped with the words "MAKE TWO PATTERNS FOR MARGE," and features two holes for the bolts that attached it to the front of the crypt.
Monroe died unexpectedly at age 36 on August 4, 1962 and was interred following a private funeral that took place in the cemetery chapel on August 8. Monroe fans from around the world continue to make pilgrimages to the cemetery to pay respects to the entertainer. The constant touching of the marker has led to minor wear causing it to be replaced as needed. Estimate: $2,000 - $3,000 - Sold Price: $-
Peut être avez-vous remarqué depuis quelques jours quelques difficultés pour accéder à certaines rubriques du blog. Cela ne devrait être que temporaire, et je ne sais pour combien de temps, car les services de canalblog migrent actuellement sur un autre serveur, avec changement d'interface (au niveau de la gestion, mais je ne sais si cela aura aussi un impact au niveau du visuel pour les visiteurs). Je vous sers ainsi la formule de rigueur: "Veuillez nous excusez pour la gêne occasionnée" !
J'éspère juste que le blog ne subira pas de perte dans les posts publiés.
Perhaps over the past few days you have noticed some difficulty to access at certain sections of the blog.This should only be temporary, and I don't know for how long, because the canalblog services are currently migrating to another server, with a change of interface (at the admin level, but I don't know if this will also have an impactvisually for visitors).I will therefore offer you the following formula: "Please excuse us for the inconvenience caused"! I just hope the blog will no suffer a loss in published posts.
Vente aux enchères 'Treasures from Planet Hollywood Signature® Auction #7356 du 20 au 24 mars 2024 à Dallas au Texas, USA par HERITAGE AUCTION .
Auction 'Treasures from Planet Hollywood Signature Auction #7356' from March 20 to 24, 2024in Dallas, Texas, USA by HERITAGE AUCTION.
La vente aux enchères présente 1607 lots majoritairement liés à des films qui ont marqué l'histoire du cinéma, mais aussi d'autres personnalités:
- de nombreux accessoires de tournage: figures de Star Wars, Terminator 2, Demolition Man; la hache de The Shining; la moto de Pulp Fiction; le bâton sacré et la stèle des 10 Commandements; le fouet d'Indiana Jones; les griffes et le pull de Freddy; des poupées Chucky; le marteau de Misery; des éléments de Cléôpatre, Rocky, Rambo, Cop Land, Le Cinquième Elément, Gremlins, Beetlejuice, Batman, Titanic, Jurassic Park, Forrest Gump, Braveheart, Jumanji, Seven, Waterworld, Independence Day, Perdus dans l'Espace, Starship Troopers etc... ; ainsi que des maquettes et croquis de préparation;
- beaucoup de vêtements, chapeaux et chaussures portés par des acteurs et actrices des filmsLe Magicien d'Oz, Monsieur Verdoux, Géant, Ben-Hur, Docteur Jivago, La Planète des Singes, Daredevil, Papillon, Grease, Judge Dredd, Rain Man, La Famille Addams, Thelma & Louise, Titanic, Good Will Hunting, Austin Powers etc...;
- des livrets d'école de célébrités jeunes: John Wayne, James Dean, Paul Newman, Warren Beatty, Clint Eastwood, Jack Nicholson, Harrison Ford, Geena Davis, Goldie Hawn, Patrick Swayze, Kevin Costner, Julia Roberts, Ben Affleck, Angelina Jolie, Brad Pitt etc ...;
- des lettres (de Greta Garbo, Shirley Temple) et effets personnels (de stars de cinéma comme Clark Gable, Greta Garbo, Bruce Lee et des sportifs avec des joueurs de base-ball, de basket - Shaquille O'Neal - des boxeurs, pilote de Formule 01, patineuses artistiques);
- ainsi que l'univers des séries télé avec notamment des maillots de bain d'Alerte à Malibu, des vêtements de Star Trek et Friends;
- et l'univers de la musique avec des costumes de scène de Britney Spears.
The auction presents 1607 lots mainly linked to films which have marked the history of cinema, but also to other personalities:
- numerous filming props: figures from Star Wars, Terminator 2, Demolition Man;the ax from The Shining;the motorcycle from Pulp Fiction;the holy staff and the tablets of the 10 Commandments; the bullwhip ofIndiana Jones; the claws and sweater of Freddy; dolls ofChucky; hammer ofMisery;elements of Cleopatra, Rocky, Rambo, Cop Land, The Fifth Element, Gremlins, Beetlejuice, Batman, Titanic, Jurassic Park, Forrest Gump, Braveheart, Jumanji, Seven, Waterworld, Independence Day, Lost in Space, Starship Troopers etc... ;as well as models and preparation sketches;
- lots of clothes, hats and shoes worn by actors and actresses from the filmsThe Wizard of Oz, Monsieur Verdoux, Giant, Ben-Hur, Doctor Zhivago, Planet of the Apes, Daredevil, Papillon, Grease, Judge Dredd, Rain Man, The Addams Family, Thelma & Louise, Titanic, Good Will Hunting, Austin Powers, etc...
- school yearbooks of celebrities when they were young: John Wayne, James Dean, Paul Newman, Warren Beatty, Clint Eastwood, Jack Nicholson, Harrison Ford, Geena Davis, Goldie Hawn, Patrick Swayze, Kevin Costner, Julia Roberts, Ben Affleck, AngelinaJolie, Brad Pitt etc...
- letters (from Greta Garbo, Shirley Temple) and personal effects (from movie stars like Clark Gable, Greta Garbo, Bruce Lee and athletes with baseball and basketball players - Shaquille O'Neal - boxers,Formula 01 driver, figure skaters;
- as well as the world of TV series including swimsuits from Baywatch, clothing from Star Trek and Friends;
- and the world of music with Britney Spears stage costumes.
Les enchères se déroulent en 5 séances sur 5 jours (du 20 au 24 mars): The auctions take place in 5 sessions over 5 days (March 20 to 24):
Session 01: lots 89001 - 89327 (contient les lots sur Marilyn) Session 02: lots 89328 - 89649 (films avec Sylvester Stallone, Arnold Schwarzenegger, Bruce Willis; et les films James Bond, Star Wars, Alien, Indiana Jones, Retour vers le futur, Maman j'ai raté l'avion) Session 03: lots 89650 - 89975 (films) Session 04: lots 89976 - 90291 (Titanic et autres films) Session 05: lots 90292 - 90607 (effets personnels et films)
Il y a 10 lots concernant Marilyn Monroe: le livret de lycée de Van Nuys de 1942, un portfolio de pinup de 1952 (contenant une photo de Marilyn nue prise par Tom Kelley), un poster géant d'elle en pinup de 1953, un portfolio collector de 10 photos de la dernière séance d'avec Bert Stern, un certificat du prix "Miss Radar" de 1952, les vêtements qu'elle porte dans Arrêt d'Autobus (la blouse et la jupe), dans Le Milliardaire (la longue robe au dégradé rose de la styliste Dorothy Jeakins); ainsi qu'une copie de la robe de Sept ans de réflexion créée par le couturier Travilla; mais aussi des vêtements portés par ses partenaire: le body à strass de Jane Russel pour Les hommes préfèrent les blondes et la veste militaire de Laurence Olivier dans Le Prince et la Danseuse.
There are 10 lots relating to Marilyn Monroe: the Van Nuys high school yearbook from 1942, a pinup portfolio from 1952 (containing a nude photo of Marilyn taken by Tom Kelley), a giant poster of her as a pinup from 1953, acollector's portfolio of 10 photos from the last session with Bert Stern, a certificate of the 1952 "Miss Radar" award, the clothes she wears in Bus Stop (the blouse and the skirt), in Let's Make Love (thelong pink gradient dress by designer Dorothy Jeakins);as well as a copy of the dress from The Seven Year Itch created by stylist Travilla;but also clothes worn by her partners: Jane Russell's rhinestone bodysuit for Gentlemen Prefer Blondes and Laurence Olivier's military jacket in The Prince and the Showgirl.
Catalogue de 705 pages - possibilité de commander le catalogue au prix de 75 Dollars Catalog of 705 pages - possibility to order the catalog at the price of $75.00
- Catalogue: cover -
- visuel du catalogue (pages avec Marilyn Monroe) -
All photos are copyright and protected by their respective owners. Copyright text by GinieLand.
Lot 89033: Marilyn Monroe Group of (4) High School Yearbooks (1942). Vintage original (4) brown and green hardback Van Nuys High School yearbooks. Marilyn Monroe (Norma Jeane Mortenson) graduated from Van Nuys High School in Los Angeles, California in June 1942. Monroe is pictured in the senior class portrait section on page 48. Marilyn Monroe went onto become a cultural icon and one of the most celebrated actresses of the 20th century. Monroe's image and persona have become synonymous with Hollywood glamor and sex appeal. She was a cultural icon and continues to influence fashion, art, and popular culture to this day. The books have signatures from Monroe's classmates on various pages. Yearbooks measure approx. 8.75" × 11.25". Exhibiting overall age, bumped edges and corners, stains, toning and handling. Some of these yearbooks were obtained from Seth Poppel/Yearbook Archives. Starting Bid: $1,150 -
Lot 89098: Gentlemen Prefer Blondes (MGM, 1953), Jane Russell "Dorothy Shaw" Showgirl Leotard. Vintage original bespoke showgirl leotard constructed of form-fitted nude nylon panels ornamented with sunflower yellow and jet-black sequins, clear and black strung bugle beads, faceted crystals, black bead tassels and sprays, with large crystal embellishment of a variety of shapes and sizes of faceted crystals ringing the halter collar and culminating in a cluster of brooch-style crystals at the plunging V-neckline of the garment. With zipper and hook and eye back closure, and black lace over nude fabric at the hips. Worn by Russell for publicity appearances alongside her Gentlemen Prefer Blondes co-star Marilyn Monroe, who wore an identical custom costume. The interior has been reinforced for display with 2-web bands, which are gently thread-basted and easily removed. The leotard retains an interior studio paper laundering tag. Exhibiting wear, rubbing to base fabric, exposed elastic shoulder straps, and sequin and bead loss, soiling throughout, not detracting from the spectacular effect of the dazzling, glamorous, and revealing costume. Starting Bid: $2,000 -
Lot 89099: The Seven Year Itch (TCF, 1955, Created ca. Early 1970s), Marilyn Monroe "The Girl" Bill Travilla-created Exhibition "Subway Dress". This iconic dress was created by legendary Marilyn Monroe costume designer Bill Travilla for museum exhibitions. The bias-cut, rayon dress features a halter top with plunging neckline and a sunburst pleated skirt with Travilla, Inc. interior label. The design flattered Monroe's signature figure which is showcased in one of the most memorable scenes in cinematic history, as Monroe stands over a subway grate holding the cocktail dress as it billows around her, revealing her legs. The original screen-worn dress, famously owned by Debbie Reynolds, was sold by Profiles in History on June 18, 2011 for a record-setting 5.52 million dollars-which remains the most expensive piece of Hollywood memorabilia ever sold. Dress exhibits minor discoloration on the skirt. Acquired by Planet Hollywood in 1996 from William Sarris, Travilla's business partner. Starting Bid: $2,000 -
Lot 89100: Bus Stop (TCF, 1956), Marilyn Monroe "Cherie" Costume Ensemble. Vintage original production made (2) piece signature ensemble including (1) black lace-over olive green mesh peasant-style top with elasticized boat neckline with static string tie, puffed princess sleeves with elasticized cuffs and ties, and zippered full length back closure, and (1) black silk satin wraparound sheath skirt with button closure. Blouse retains internal 20th Century-Fox stamp and bias label handwritten "1-25-1-4-4-14 A769-07 M. Monroe" in black ink. This production made costume differs from the one ultimately seen mainly in the lace pattern of the blouse. Exhibiting age and handling. Starting Bid: $10,000
Lot 89101: Marilyn Monroe Rare Oversize "Champion Line" 1952 Nude Calendar Sample Sales Portfolio. Vintage original 1952 sample sales portfolio produced by "Champion Line" Calendars. Multi-size calendar sales mock-ups were sent to prospective businesses along with order forms and catalogs. This original 1952 sample spiral-bound portfolio features Monroe's most famous nude image, titled "Golden Dreams," among a variety of other subjects, including both cheesecake, and everyday life scenes. Monroe's name was not printed on this early calendar image; not until their 1956 calendars would "Champion Line" capitalize on Monroe's celebrity and re-issue the "Golden Dreams" pin-up with her name listed in bold text (along with unused images from the 1949 photo shoot). The uncommonly oversized 16.5" x 21" spiral calendar-formatted portfolio includes the legendary 1952 calendar plate (Monroe's page measures 16" x 20") plus other subjects in this size, as well as a smaller 14" x 14" plate of a Norman Rockwell-type scene of a young boy hiding his dog on a passenger train. Monroe's "Golden Dreams" image reached legendary proportions when Hugh Hefner made it the centerfold for the very first issue of Playboy in 1953. Displays moderate toning and signs of handling to corners and margins, including a 2" separation from spiral binding at upper left, plus minor red marker spots at center left margin. Interior pages remain relatively fresh, showing only minor flecking at extreme lower margins from page turning. Obtained from Profiles in History, June 1, 1996, Lot #400. Starting Bid: $500 -
Lot 89102: Marilyn Monroe (Pin-ups, Boston, Mass., 1953), Poster. Vintage original pin-up life-size poster of Marilyn Monroe wearing a red, candy-striped two-piece number. Measures approx. 62.5" x 22" including the black plastic frame. In its August 1953 issue, Popular Science magazine advertised a collection of fantastic, life-sized pin-ups, including the emerging star Marilyn Monroe. For only two dollars, a man with a "den, bar, or playroom" could own one of these images of the bikini-clad bombshell featured in a set. Displays some age and creasing. Obtained from Camden House Auctioneers, May 5, 1991, Lot #751. Starting Bid: $500 -
Lot 89103: Marilyn Monroe: The Last Sitting, Folio of (10) Color Prints by Bert Stern. Vintage original (10) color photographs of Marilyn Monroe from so-called "The Last Sitting", shot by Bert Stern in 1962 for Vogue Magazine, and printed later by Shorewood Atelier for Woodbine Books, 1978. Each of the 10 chromogenic prints is signed and numbered by Stern 231/250 in ink in the margin. Each measuring 20" x 24" from a limited edition of 250 with 20 artist's proofs and 20 publisher's proofs. Also includes original matching portfolio colophon, plus 22.5" x 26" point-of-purchase gallery poster, displaying all ten images: "Feeling Good", "Playful", "What's It All About?", "Flirtatious", "Teasing", "I Beg of You", "Aroused", "Rhythm", "Here's to You" and "Not Bad For 36". Original portfolio housing box not present. (7) prints are mounted to 22" x 26" foam core for display, remaining (3) are unmounted. All items show minor signs of handling from storage, display, and transport. Starting Bid: $1,550 -
Lot 89104: Let's Make Love (TCF, 1960), Marilyn Monroe "Amanda Dell" Pink Ombré Halter Dress. Vintage original Dorothy Jeakins-designed light pink ombré floor-length gown, visible in the dressing room near the end of the film. Single-button top clasp halter with zipper back lycra bodice with chiffon skirting that progresses from light pink at the waist to fuchsia at the floor. Retaining internal 20th Century Fox bias label, handwritten in black ink "E13 M. Monroe". Directed by George Cukor, the musical comedy Let's Make Love starred the inimitable Marilyn Monroe, Yves Montand, and Tony Randall. The film was the top-grossing musical in 1960 and would be Monroe's last musical performance on film. The gown exhibits age and handling, with some internal staining to the bodice and tearing and shredding to the skirt. Starting Bid: $40,000 -
Lot 89105: The Prince and the Showgirl (Warner Bros., 1957), Laurence Olivier "Prince Regent Charles" Military Jacket and Accessories. Vintage original (3) piece royal ensemble including (1) double-breasted royal military jacket with regalia including gold epaulettes, gold buttons, and woven filigree up the sleeves, and internal hook-and-eye closures. The collar and cuffs are accented in burgundy velvet as well as a section of the lower back side of the jacket. The ensemble also includes braided cord, royal sash and neck medallion added post-production for display. Prince Regent Charles (Laurence Olivier) wears this jacket in the sequences where he attends a coronation ball with Elsie Marina (Marilyn Monroe). Exhibits age and production wear. Obtained from Angels Costumiers. Starting Bid: $2,000 -
Lot 90300: Marilyn Monroe "Miss Radar of 1952" Award Certificate from U.S. 502nd Tactical Control Group in Korea (U.S. Air Force, 1952). Vintage original 8" x 13" award certificate from the men of the U.S.A.F. 502d Tactical Control Group in Korea, declaring Marilyn Monroe to be "Miss Radar of 1952", and describing her as "The Girl With Whom We Would Prefer to be Stranded on the Highest Radar Mountain". Mounted to 11" x 14" foam core board for display, and exhibiting general handling, minor even age toning, and a vertical crease along right edge of letter-printed section. Obtained from Camden House Auctioneers, May 3, 1991, Lot #754. Starting Bid: $500
All photos are copyright and protected by their respective owners.
Une nouvelle bannière au gré de cette saison aux températures plutôt douces -en France- pour cette dernière phase de l'hiver: Marilyn Monroe photographiée dans le jardin d'une villa de Palm Springs en 1954 par Ted Baron.
A new banner in keeping with this season of rather mild temperatures -in France- for this last phase of winter: Marilyn Monroe photographed in the garden of a villa in Palm Springs in 1954 by Ted Baron.
Année: 2024 Marque: Charlotte Tilbury (distribuée par l'enseigne Sephora en France) Produit: Rouges à lèvres gamme "Hollywood Beauty Icon" Pays: Europe Modèles: Kate Moss, Jourdan Dunn, Michaela Jae Rodriguez, Megan Rutherford, Bella Tilbury, Charlotte Tilbury
- La vidéo -
Year: 2024 Brand: Charlotte Tilbury (distributed by the stores Sephora in France) Product: “Hollywood Beauty Icon” Lipsticks Country: Europe Models: Kate Moss, Jourdan Dunn, Michaela Jae Rodriguez, Megan Rutherford, Bella Tilbury, Charlotte Tilbury
- En Backstage - Kate Moss & Charlotte Tilbury
La campagne publicitaire a débuté en janvier 2024 pour lancer la nouvelle collection de rouges à lèvres de Charlotte Tilbury, nommés "Hollywood Beauty Icon" ("icône de beauté hollywoodienne" en français) qui comprend deux thèmes: le rouge (Hollywood Reds) et le rose (Hollywood Pinks) avec cinq nuances pour chacun. Sofia Tilbury (nièce de Charlotte) qui est maquilleuse professionnelle, explique notamment qu'"il s'agit d'une gamme nuancée de rouges à lèvres à effet contour faciles à utiliser pour donner à chacune la confiance d'une star hollywoodienne." Cette allusion à Hollywood est utilisée en s'appuyant sur un vibrant hommage à l'âge d'or d'Hollywood et aux comédies musicales des années 1950s. On découvre les modèles en coulisses, devant leur table de maquillage puis sur scène, entourées de danseurs. A la fin du spot publicitaire, les danseurs présentent des panneaux publicitaires, tels des slogans qui était présentés dans les bandes annonces des films à l'époque.
The advertising campaign began in January 2024 to launch Charlotte Tilbury's new collection of lipsticks, named "Hollywood Beauty Icon" which includes two themes: red (Hollywood Reds) andpink (Hollywood Pinks) with five shades for each.Sofia Tilbury (Charlotte's niece) who is a professional makeup artist, explains in particular that "It’s a nuanced range of easy-to-use, contour-effect lipsticks to give everyone that Hollywood star confidence."This allusion to Hollywood is used based on a vibrant homage to the golden age of Hollywood and the musical comedies of the 1950s.We discover the models backstage, in front of their makeup table then on stage, surrounded by dancers.At the end of the commercial, the dancers present advertising panels, such as slogans that were presented in movie trailers at the time.
* * * * *
Charlotte Tilbury fait encore appel à la mannequin Kate Moss pour être l'une des égéries de sa marque. Pour présenter l'un des rouges à lèvres rose, Kate est en coulisses, devant un miroir, telle Marilyn Monroe qui a été photographiée plusieurs fois en train de se mettre du rouge à lèvres devant sa table de maquillage. Bien que Kate a ici les cheveux longs et ondulés, coiffés dans le style de Veronica Lake, actrice culte du cinéma hollywoodien des années 1940s et dont la particularité était sa longue chevelure ondulée avec une mèche retombant sur un oeil.
- Marilyn Monroe photographiée par Sam Shaw / Milton H Greene -
Charlotte Tilbury once again calls on model Kate Moss to be one of the faces of her brand.To present one of the pink lipsticks, Kate is backstage, in front of a mirror, like Marilyn Monroe who has been photographed several times putting on lipstick in front of her makeup table.Although Kate has long, wavy hair here, in the style of Veronica Lake, a cult actress in Hollywood cinema of the 1940s and whose particularity was her long wavy hair with a lock falling over one eye.
* * * * *
La robe rose pâle que porte Kate Moss fait écho à celle que porte Marilyn Monroe (robe de Ceil Chapman): une robe longue moulante à fronces.
- Marilyn Monroe photographiée par Philippe Halsman -
The pale pink dress worn by Kate Moss echoes the one worn by Marilyn Monroe (dress by Ceil Chapman): a long, tight-fitting dress with gathers.
* * * * *
Pour présenter le rouge à lèvres rouge, Kate est vêtue d'une robe rose, à l'image de celle portée par Marilyn dans le film "Les hommes préfèrent les blondes", bien que la robe de Kate soit plus courte que celle portée par Marilyn. Dans le spot tv, Kate est mise en scène à l'identique de celle où Marilyn chante "Diamonds are a girl's best friend", entourée de danseurs, dans un décor au fond rouge. L'actrice et chanteuse trans américaine Michaela Jae Rodriguez est aussi rapidement mise en scène avec les danseurs dans le spot tv, mais elle est vêtue d'une petite robe moulante.
- Marilyn Monroe chante "Diamonds are a girl's best friend" dans "Les hommes préfèrent les blondes" -
To present the red lipstick, Kate is dressed in a pink dress, like the one worn by Marilyn in the film "Gentlemen Prefer Blondes", although Kate's dress is shorter than the one worn byMarilyn.In the TV spot, Kate is staged identically to the one where Marilyn sings "Diamonds are a girl's best friend", surrounded by dancers, in a setting with a red background. American trans actress and singer Michaela Jae Rodriguez is also quickly featured with the dancers in the TV spot, but she is dressed in a tight little dress.
- La campagne publicitaire -
Photographe: Matt Easton Direction artistique: Charlotte Tilbury Styliste / Rédacteur de Mode: George Cortina Coiffures: Sam McKnight Maquillage: Sofia Schwarzkopf Tilbury Auteur: Roderick Stanley
Photographer: Matt Easton Creative Director: Charlotte Tilbury Fashion Editor / Stylist: George Cortina Hair Stylist: Sam McKnight Makeup Artist: Sofia Schwarzkopf Tilbury Writer: Roderick Stanley
L'acteur américain Don Murray est décédé à l'âge de 94 ans le 2 février 2024 dans sa maison de Goleta en Californie. La triste nouvelle a été annoncée par son fils Christopher - lui aussi acteur - qu'il avait eu avec l'actrice Hope Lange, via le New York Times.
Né le 31 juillet 1929 à Los Angeles, Don Murray baigne immédiatement dans l'univers du spectacle avec deux parents qui travaillent à Broadway. Il fait ses études au lycée de New York, où il appartient à l'équipe de football. Après son diplôme, il suit des cours à l'Académie américaine des arts dramatiques, ce qui lui permet de décrocher un rôle dans la pièce de théâtre Rose Tattoo en 1951 et de décrocher de petits rôles dans plusieurs séries télé jusqu'en 1956. Il part faire son service militaire en Europe afin de venir en aide aux orphelins et victimes de la seconde guerre mondiale. De retour aux Etats-Unis en 1954, il joue dans la pièce The Skin of Our Teeth. Lors de l'une des représentations, Marilyn et le réalisateur Joshua Logan se trouvent dans le public. Epaté par la performance de Don Murray, Logan lui propose son premier rôle au cinéma: celui de Beauregard "Beau" Decker dans l'adaptation de la pièce Bus Stop (Arrêt d'Autobus) avec Marilyn Monroe. Ce rôle va booster sa carrière: d'inconnu, il devient une célébrité. Il racontera: "Personne n'était moins bien équipé que moi pour ce rôle. J'étais un New-Yorkais qui n'était jamais monté à cheval et qui avait plaqué des joueurs de football, mais certainement pas des bœufs de 200 kg". Il obtient une nomination aux BAFTA (British Academy Film Awards) dans la catégorie du "nouveau venu le plus prometteur" et pour l'Oscar du "meilleur acteur dans un second rôle".
Juste après le tournage du film, il épouse le 14 avril 1956 l'actrice Hope Lange (au casting de Bus Stop qui était aussi son premier film) avec qui il aura deux enfants: Christopher (né en 1957) et Patricia. Ils divorceront en 1961. Il se remarrie en 1962 avec celle qui partagera le reste de sa vie, Elizabeth Johnson (actrice sous le nom de Betty Murray) et avec qui il a trois enfants: Colleen, Sean et Michael.
Il enchaîne ensuite les films: La nuit des maris (1957, avec Lee Remick), Une poignée de neige (1957, avec Eva Marie Saint), La Fureur des Hommes (1958, réalisé par Henry Hataway), Duel dans la boue (1959, avec Lee Remick), L'épopée dans l'ombre (1959, avec James Cagney), Les Hors-La-Loi (1960 avec Alan Ladd), Le mal de vivre (1961), Tempête à Washington (1962, avec Henry Fonda et Charles Laughton, réalisé par Otto Preminger), Tunnel 28 (1962, de Robert Siodmak), Le sillage de la violence (1965, avec Lee Remick et Steve McQueen), Les Fusils du Far-West (1966), La reine des Vikings (1967), La conquête de la planète des singes (1972), Peggy Sue s'est mariée (1986, de Francis Ford Coppola avec Kathleen Turner et Nicolas Cage).
Dans les années 1970s, il se tourne vers la télévision: en plus de jouer dans des épisodes de séries télé (comme Les Bannis en 1968 et 1969, Le monde merveilleux de Disney en 1972 et 1998, Love Story en 1973, Hooker en 1986, Arabesque en 1993), il joue surtout dans beaucoup de téléfilms. Sa carrière télévisée sera marquée par un rôle récurrent dans la série à succès Côte Ouest (il apparaît dans 34 épisodes de 1979 à 1982). Il arrête sa carrière en 2001 mais revient en 2017 pour tourner dans 8 épisodes de Twin Peaks: The Return, et son dernier rôle dans Promise en 2021.
Dès ses débuts dans le cinéma, il s'est refusé d'appartenir à un studio en déclinant un contrat proposé par les studios de la 20th Century Fox. Il a toujours souhaité rester libre et indépendant pour mener sa carrière.
American actor Don Murray died at the age of 94 on February 2, 2024 at his home in Goleta, California.The sad news was announced by his son Christopher - also an actor - whom he had with actress Hope Lange, via the New York Times.
Born July 31, 1929 in Los Angeles, Don Murray was immediately immersed in the world of entertainment with two parents who worked on Broadway.He studied at New York High School, where he was a member of the football team.After his graduation, he took classes at the American Academy of Dramatic Arts, which allowed him to land a role in the play Rose Tattoo in 1951 and to land small roles in several television series until 1956. Heleaves to do his military service in Europe in order to help orphans and victims of the Second World War.Returning to the United States in 1954, he played in the play The Skin of Our Teeth.At one of the performances, Marilyn and director Joshua Logan are in the audience.Amazed by Don Murray's performance, Logan offered him his first role in the cinema: that of Beauregard "Beau" Decker in the adaptation of the play Bus Stop with Marilyn Monroe.This role will boost his career: from unknown, he becomes a celebrity.He said: "No one was less equipped for this role than me. I was a New Yorker who had never ridden a horse and who had tackled football players, but certainly not 200 kg oxen."He received a nomination for the BAFTA (British Academy Film Awards) in the category of “Most Promising Newcomer” and for the Oscar for “Best Supporting Actor”.
Just after filming the film, on April 14, 1956, he married actress Hope Lange (in the cast of Bus Stop which was also her first movie) with whom he had two children: Christopher (born in 1957) and Patricia.They divorced in 1961. He remarries in 1962 to the woman who would share the rest of his life, Elizabeth Johnson (actress under the name of Betty Murray) and with whom he has three children: Colleen, Sean and Michael.
He then goes on to make films: The Bachelor Party (1957, with Lee Remick), A Hatful of Rain (1957, with Eva Marie Saint), From Hell to Texas (1958, directed by Henry Hataway), These Thousand Hills (1959, with Lee Remick), Shake Hands with the Devil (1959, with James Cagney), One foot in Hell (1960, with Alan Ladd), The Hoodlum Priest (1961), Advise & Consent (1962, with Henry Fonda and Charles Laughton, directed by Otto Preminger), Escape from East Berlin (1962, by Robert Siodmak), Baby the Rain Must Fall (1965, with Lee Remick and Steve McQueen), The Plainsman (1966), The Viking Queen (1967), Conquest of the Planet of the Apes (1972), Peggy Sue Got Married (1986, by Francis Ford Coppola with Kathleen Turner and Nicolas Cage).
In the 1970s, he turned to television: in addition to playing in episodes of TV series (such as The Outcasts in 1968 and 1969, The Wonderful World of Disney in 1972 and 1998, Love Story in 1973, Hooker in 1986,Murder, She Wrote in 1993), he mainly plays in many TV films. His television career was marked by a recurring role in the hit series Knots Landing (he appeared in 34 episodes from 1979 to 1982).He stopped his career in 2001 but returned in 2017 to appear in 8 episodes of Twin Peaks: The Return, and his last role in Promise in 2021.
From his beginnings in cinema, he refused to belong to a studio by declining a contract offered by the 20th Century Fox studios.He always wanted to remain free and independent to pursue his career.
Don Murray joue le rôle d'un sénateur (personnage renvoyant à Kennedy) dans un biopic consacré à Marilyn : The Sex Symbolen 1974 avec Connie Stevens. Don Murray plays the role of a senator (character reminiscent of Kennedy) in a biopic dedicated to Marilyn:The Sex Symbolin 1974 with Connie Stevens.
Don Murray a participé à plusieurs documentaires consacrés à Marilyn pour la télévision: Don Murray has participated in several documentaries dedicated to Marilyn for television:
Marilyn Monroe: Beyond the Legend, 1986 Intimate Portrait, 1996 Marilyn Monroe: The Mortal Goddess, 1996 Hollywood Legenden, 2004 Marilyn Monroe - Ich möchte geliebt werden & Tod einer Ikone, 2010 Marilyn Monroe: Auction of a Lifetime, 2017 Marilyn! The New Musical, 2018 Marilyn, Misunderstood, 2021 Marilyn, Her Final Secret (Marilyn, la dernière vérité), 2022 Dream Girl: The Making of Marilyn Monroe (Qu'est-il arrivé à Norma Jeane?), 2022
- Extraits d'une interview de Don Murray en ligne sur Cote Ouest Addict
"Quand j'ai intégré l'équipe de « Bus Stop », j’étais de retour aux États-Unis depuis moins d’un an. J'ai vécu en Allemagne durant une année et en Italie pendant un an et demi. Marilyn était célèbre là-bas mais pas aussi célèbre que Sophia Loren ou Gina Lollobrigida. Je ne l'avais vue que dans un seul film, « Les hommes préfèrent les blondes » [1953]. Donc je ne savais pas grand-chose d'elle, et quand j'ai été embauché pour « Bus Stop », j'ai été surpris de toute la publicité que nous recevions. Partout où nous allions, il y avait toujours des journalistes et des cameramen. C'était très inhabituel pour moi parce que je ne savais pas à quel point elle était une grande star à l'époque."
"Je dois dire que je l'admire vraiment pour la façon dont elle s'est souciée suffisamment de la forme d'art du cinéma en quittant Hollywood au sommet de sa gloire et ne pas se contenter d'être un sex-symbol. Elle voulait être une vraie actrice. Lorsqu'elle quitte Hollywood pour étudier à l'Actors Studio de New York pendant un an, "Bus Stop" marque son retour au cinéma. Et je la trouvais magnifique dans ce film, même si elle était toujours en retard sur le plateau et qu'elle avait du mal à se souvenir de ses répliques. Elle avait également une capacité de concentration très courte: elle commençait une scène et s'arrêtait au milieu parce qu'elle oubliait ses répliques. Elle a donc dû faire toutes ses scènes en petits morceaux parce qu'elle ne pouvait pas maintenir une scène jusqu'au bout. Nous n'avons jamais vu une scène complète avec elle. Tous les acteurs du film venaient du théâtre, comme Hope Lange et moi, Arthur O'Connell, Eileen Heckart - tous les acteurs du film - donc nous étions habitués à avoir une performance continue et nous allions aux rushes pour voir le travail de la veille. On voyait tous ces petits morceaux, et on pensait que le film allait être un désastre. Cependant, la première fois que nous l'avons vu en avant-première, nous avons tout d'un coup réalisé quelle était la magie des films, avec le montage des scènes; elle était magnifique ! Je n'ai jamais compris pourquoi elle n'avait pas été nominée [pour un Oscar] pour « Bus Stop ». Ce prix a été remporté par Ingrid Bergman – une merveilleuse actrice, cela ne fait aucun doute – mais la performance de Marilyn dans « Bus Stop » était bien plus riche, bien plus variée et bien plus intéressante que le personnage d'Ingrid Bergman dans « Anastasia ». De mon côté, j'ai été surpris d'avoir été nominé. Le studio aussi, en fait. Un jour, j'étais sur le tournage de « A Hatful of Rain » [1957], et l'un des responsables de la publicité s'est approché de moi. 'Toutes nos félicitations!' Je lui dis: 'Pourquoi ?' Il a dit: 'Vous avez été nominé pour un Oscar hier !' J'ai dit: 'Je le suis ??' 'Ouais! N'est-ce pas incroyable ? Vous avez été nominé et personne ne faisait pression pour vous ! C'était complètement spontané, c'est du jamais vu à Hollywood !' Ce fut donc une surprise totale pour nous tous."
"Sur le tournage de « Bus Stop », j'ai dit : 'Josh, pourquoi m'as-tu engagé ?' Il a dit: 'Parce que vous aviez une énergie sur scène que je veux voir ici.' Il a également dit: 'Maintenant, Don, Marilyn est une grande star, mais je veux que tu oublies totalement qu'elle est une star. Alors quand tu entreras sur le plateau, je veux que tu sois comme Attila le Hun. Je veux que tu reprennes la scène. Détruis les meubles si tu en as besoin [rires], fais n'importe quoi, je veux le cowboy le plus fou qui n'ait jamais vécu.' C'est donc ainsi qu'il a dirigé. Je n'y aurais jamais pensé moi-même, et chaque fois que quelqu'un me parlait de ma nomination, je me disais: 'Eh bien, celui qui devrait obtenir la nomination, c'est Josh Logan, car c'est plus sa performance que la mienne'".
"Marilyn se comportait comme une actrice, mais elle manquait beaucoup d'assurance, avait très peur de jouer devant la caméra, ce qui est étonnant. Elle était une immense star et si merveilleuse devant la caméra, mais c'est pour cela qu'elle était toujours en retard. Elle arrivait à peu près à l'heure au studio. Alors qu'elle était censée être là à 6h30 du matin, elle arrivait à 7h00 ou 7h30, mais elle restait ensuite dans sa loge jusqu'à dix ou onze heures. Elle ne voulait tout simplement pas venir sur le plateau. Très peu de gens le savent, parce que je ne me souviens pas avoir vu cela imprimé – nous avons fait une scène au lit, elle était en fait nue sous les draps et je pouvais voir son corps couvert de cette éruption rouge. Elle était tellement nerveuse, qu'elle avait cette éruption rouge cutanée et elle devait la couvrir avec du maquillage. Étant une si grande star, elle avait fait tellement de films, et pourtant, elle avait tellement peur. Mais elle prenait ce rôle très au sérieux; elle écoutait Josh Logan et suivait ses instructions. Sa coach Paula Strasberg était également sur le plateau. Elle entraînait Marilyn pour qu'elle joue le rôle. De nombreux réalisateurs ont eu du mal avec Paula sur le plateau, mais pour Josh, cela a bien fonctionné. Je pense qu'avec Paula, il a créé un personnage merveilleux."
- Excerpts from an interview with Don Murray online onFilmTalk
"When I got into “Bus Stop,” I had only been back in the United States for less than a year. I had been living in Germany for a year, and in Italy for a year and a half. Marilyn was famous over there but not as famous as Sophia Loren or Gina Lollobrigida. I had seen her in only one film, that was “Gentlemen Prefer Blondes” [1953]. So I didn’t know that much about her, and when I was hired for “Bus Stop,” I was surprised about all the publicity we were getting. Wherever we went, there were always journalists and cameramen. It was very unusual to me because I didn’t know how much a big star she was at the time."
"I must say that I really admire her about the way that she cared enough about the art form of films to actually leave Hollywood at the height of her fame and not be content with just being a sex symbol. She wanted to be a real actress. When she left Hollywood for a year to study at the Actors Studio in New York, “Bus Stop” was her comeback film. And I thought she was magnificent in it, although she was always late on the set and she had a hard time remembering her lines. She also had a very short concentration span: she would start a scene and stop in the middle because she forgot her lines. So she had to do all her scenes in tiny, little pieces because she couldn’t sustain a scene all the way through. We never saw a complete scene with her. All the actors in the film came from the stage, like Hope Lange and I, Arthur O’Connell, Eileen Heckart—everyone in the film—so we were used to having a continuous performance and we would go to the rushes to see yesterday’s work. We would see all these little pieces, and we thought the film was going to be a disaster. However, the first time we saw it at a preview, all of a sudden we realized what the magic of films was, with the editing and cutting it all together; she was magnificent! I never understood why she was not nominated [for an Academy Award] for “Bus Stop.” It was won by Ingrid Bergman—a wonderful actress, there’s no question about that—but Marilyn’s performance in “Bus Stop” was so much richer, it had so much more variety and it was so much more interesting than Ingrid Bergman’s character in “Anastasia.” Meanwhile, I was surprised that I was nominated. So was the studio, in fact. One day I was on the set of “A Hatful of Rain” [1957], and one of the publicity heads came up to me. ‘Congratulations!’ I said, ‘For what?’ He said, ‘You were nominated for an Academy Award yesterday!’ I said, ‘I was??’ ‘Yeah! Isn’t that amazing? You got nominated, and nobody was pushing for you! It was complete spontaneous, that’s unheard of in Hollywood!’ So it was a total surprise to all of us."
"On the set of “Bus Stop,” I said, ‘Josh, why did you hire me?’ He said, ‘Because you had an energy on the stage that I want to see here.’ He also said, ‘Now Don, Marilyn is a big star, but I want you to totally forget about her being a star at all. So when you come on the set, I want you to be like Attila the Hun. I want you to take over the scene. Destroy the furniture if you need to [laughs], do anything, I want the wildest cowboy that ever lived.’ So that’s how he directed. I would never have thought of that myself, and whenever anyone talked to me about my nomination, I thought to myself, ‘Well, the one that should get the nomination, is Josh Logan, because it is more his performance than it is my own.’"
"Marilyn acted very much like an actress, but she was very insecure, very frightened of acting in front of the camera, which is amazing. She was this huge star and so wonderful before the camera, but that’s why she was always late. She would show up pretty much on time at the studio. When she was supposed to be there at 6:30 in the morning, she would arrive at 7:00 or 7:30, but then she would stay in her dressing room until ten or eleven o’clock. She just would not come out on the set. Very few people know this, because I don’t remember seeing this in print—we did a bed scene, she was actually naked under the sheets, and I could see her body covered with this red rash. She got so nervous that she’d break out with this red rash and she had to cover it with make-up. Being such a big star, she had done so many films, and yet, she was so frightened. But she took the part very seriously; she listened to Josh Logan, and took his directions. Her coach Paula Strasberg was also on the set. She was coaching Marilyn to do the role. A lot of directors had trouble with Paula being on the set, but for Josh it worked fine. I think together with Paula, he created a wonderful character."
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