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Divine Marilyn Monroe
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DIVINE MARILYN

Marilyn Monroe
1926 - 1962

BLOG-GIF-MM-BS-1 

Identités

Norma Jeane Mortenson
Norma Jeane Baker
Norma Jeane Dougherty
Marilyn Monroe
Marilyn DiMaggio
Marilyn Miller
Jean Norman
Mona Monroe
Zelda Zonk

Archives
vetements
10 novembre 2013

Expo Private Marilyn du 19/10/2013 au 6/04/2014

Marilyn privée: l'être humain derrière le concept Monroe.
Exposition temporaire unique

Cette exposition temporaire unique permettra de découvrir, pour la première fois en Suisse, plus de 700 objets personnels certifiés ayant appartenu à l'inoubliable et incomparable Marilyn Monroe. L'exposition jette un œil derrière l'aspect glamour de la star hollywoodienne Marilyn Monroe, qui, même des décennies après sa mort, continue de nous envoûter.
> source: museenbasel.ch  
> plus d'infos sur spielzeug-welten-museum-basel 

Musée Spielzeug Welten Museum Basel
Adresse: Steinenvorstadt 1 | 4051 Basel
Horaires: tous les jours de 10 à 18 heures
Prix: 5 / 7 CHF - Gratuit pour les moins de 16 ans

expo Suisse ad La collection privée de Ted Stampfer est la collection privée connue sur Marilyn Monroe la plus importante d'Europe. Considéré comme un expert, Ted Stampfer fait partie des quelques particuliers à faire profiter le public de sa collection. Le but de l'exposition n'est pas seulement de se remémorer l'actrice douée qui a marqué l'histoire de son unique manière d'être et de sa présence incomparable, mais surtout de mettre en évidence la personne Marilyn Monroe, son côté plus intime et moins connu. Car derrière la façade du sex-symbol se cachait une femme d'affaires avisée avec des idées concrètes. Malgré sa célébrité, Marilyn Monroe est restée un être humain tout à fait équilibré.

Marilyn Monroe naît à Los Angeles le 1er juin 1926 sous le nom de Norma Jeane Mortenson et est baptisée du nom de Norma Jeane Baker. Elle grandit dans différentes familles d'accueil. Après une carrière pleine de succès comme mannequin, elle signe son premier contrat cinématographique en 1946. Au cours des années cinquante, elle devient la plus grande star d'Hollywood. Elle meurt le 5 août 1962 d'une overdose de somnifères. Jusqu'ici, il n'a jamais été prouvé que ce soit un accident, une mort délibérée ou un meurtre.

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11 octobre 2013

'Icons and Idols Hollywood' 11/2013 Vêtements et Objets


Vêtements


lot 1263: MARILYN MONROE BROWN BLOUSE
A Marilyn Monroe brown button-down blouse from her personal wardrobe. The long-sleeved blouse has a "designed by Jax" label.
PROVENANCE Partial Lot 103, "The Personal Property of Marilyn Monroe," Christie's, New York, Sale number 9216, October 27-28, 1999
Estimate: $2 000 - 4 000

lot148520 lot148522 
lot148523 lot148525


lot 1259: MARILYN MONROE COTTON NIGHTGOWN 
A cotton nightgown owned by Marilyn Monroe, embroidered at the collar "Marilyn." Short sleeved, two-button closure, pocket at left breast. No label or size.
PROVENANCE Lot 300, "The Personal Property of Marilyn Monroe," Christie's, New York, Sale number 9216, October 27-28, 1999
Estimate: $15 000 - 20 000
lot148502 lot148503 lot148507
lot148505 lot148508


lot 1171: BETTY GRABLE HOW TO MARRY A MILLIONAIRE HAT 
A violet silk faille hat worn by Betty Grable in How to Marry a Millionaire (20th Century, 1953). The hat has a bow to back, piping and artificial horsehair to interior. A bias label reads "1-39-1-4694 Betty Grable A703-47." Costume design by Travilla. Travilla received an Oscar nomination for outstanding achievement in Color Costume Design for his work on this film. Accompanied by a copy of the film.
Estimate: $300 - 500
lot147982 lot147984 betty_grable
lot147986


Maquillage


lot 1261: MARILYN MONROE MASCARA
A gold-toned metal tube of Helena Rubinstein mascara.
4 1/2 inches
PROVENANCE Partial Lot 264, "Property from the Estate of Marilyn Monroe," Julien's Auctions, Los Angeles, June 4, 2005
Estimate: $300 - 500 
lot148514


Divers Objets


 lot 1258: MARILYN MONROE REDBOOK AWARD
A 1952 Redbook Award presented to Marilyn Monroe. Inscribed "1952/Best Young Box Office Personality/ Marilyn Monroe" and on reverse "Redbook Magazine/ Award For Distinguished Contribution/ To The/ Art Of The Motion Picture." The double-handled bell-shaped loving cup trophy is stamped on the bottom “Sterling 9553 6 IN Black Starr & Gorham.” Accompanied by original Christie’s receipt.
Height, 4 inches
PROVENANCE Lot 353, “The Personal Property of Marilyn Monroe,” Christie’s, New York, October 27-28, 1999
Estimate: $20 000 - 40 000
lot148496 lot148498 lot148500

 


lot 1262: MARILYN MONROE SNUFF BOTTLE
A snuff bottle of jade and coral owned by Marilyn Monroe. The bottle face is carved with an image of a bird in relief; the reverse is carved with four Chinese characters that read "fortune and longevity fill your doors." Affixed to a wooden stand.
3 by 1 3/4 inches
PROVENANCE Lot 370, "The Personal Property of Marilyn Monroe," Christie's, New York, Sale number 9216, October 27-28, 1999
Estimate: $1 000 - 2 000
lot148516 lot148518   

21 septembre 2013

Catalogue Marilyn Monroe's Nachlass

catalogue_expo_allemagne_coverCe catalogue de 150 pages "Marilyn Monroe's Nachlass, Die Privatsammlung Stampfer" en vente sur marilynmonroe-sammlung.de  au prix de 20 Euros, présente la collection personnelle du collectionneur allemand Ted Stampfer, un fan de Marilyn Monroe qui est parvenu à acquérir, au fil des années, plus de 700 pièces. Il a organisé plusieurs expositions de ses pièces en Allemagne (en Bavière en mars 2011, au Rock 'n' Popmuseum en 2013).

> extraits de pages
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catalogue_expo_allemagne_p3 catalogue_expo_allemagne_p4 catalogue_expo_allemagne_p5
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> La collection de Ted Stampfer:
- vêtements
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collection_ted_vets_11 collection_ted_vets_11b collection_ted_vets_11c
collection_ted_vets_8a collection_ted_vets_8b collection_ted_vets_8c
collection_ted_vets_9a collection_ted_vets_9b collection_ted_vets_9c
collection_ted_vets_12 collection_ted_vets_13 
collection_ted_vets_14 collection_ted_vets_14b
collection_ted_vets_14c collection_ted_vets_14d
collection_ted_vets_15 collection_ted_vets_15b
collection_ted_vets_16 collection_ted_vets_16b
collection_ted_vets_17 collection_ted_vets_17b

- Accessoires
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- Maquillage / Cheveux
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- Documents papiers
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- Des objets de sa maison de Brentwood,
des photographies de presse.


> Photographies d'expo:
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- Ted Stampfler pose à côté d'un ensemble de Marilyn
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25 juillet 2012

Heritage Auction 07/2012

lot n°46001: A Marilyn Monroe Signed Black and White Photograph, Circa 1956
A Marilyn Monroe Signed Black and White Photograph, Circa 1956. An original print with a matte finish, depicting the star in one of her legendary glamour poses, her blue fountain pen ink inscription on the right side reads "To Roy, / Love & Kisses and - / thanks for keeping me / out of the clink! / Marilyn Monroe." (Please note there are slight creases in all four corners, especially the lower left one, plus a few minor chips to the surface, but the overall image and signature are not affected.) 14" x 11"
PROVENANCE: The "Roy" noted above was Beverly Hills police officer, Roy Garrett, who joined the force in 1946, and who had a habit of asking movie stars to send him an autographed photograph (which most did - see various lots throughout this auction). He evidently let Marilyn go without a ticket as he received this from her in the mail a few days later.
Sold: $31,250.00

heritage-lot46001


Lot 46002: A Marilyn Monroe Signed Black and White Photograph, Circa 1955
A Marilyn Monroe Signed Black and White Photograph, Circa 1955. An original print with a matte finish, depicting the star in her most famous headshot, her white fountain pen ink inscription in the lower right corner reading "To Vern / It was a pleasure / to work with you / Love and Kisses / Marilyn Monroe;" "Vern" being Vernon Rickard, a bit player and "gofer" in the early days of Hollywood. (Please note there are many creases and wrinkles on lower margin that somewhat affect the autograph and there is a slight dent in the upper right corner.) 10" x 8"
Sold: $11,250.00
heritage-lot46002  heritage-lot46002a 


Lot 46003: A Marilyn Monroe Likely Final Signed Check, August 4, 1962
A Marilyn Monroe Likely Final Signed Check, August 4, 1962. From the star's personal checking account at City National Bank of Beverly Hills, check 281, penned in blue ballpoint ink (in another hand, possibly Eunice Murray's, MM's caretaker) reading "Aug 4 62 / Pilgrim / $228.80 / Two hundred twenty-eight and 80," signed in same ink in Marilyn's own hand "Marilyn Monroe," a red stamp on front reads "Paid / Aug 6 1962 / 901-1606," further stamps on back read in part "For Deposit Only / Pilgrim Modern Furniture" and "Santa Monica Bank.../ Aug 6 62;" included is a photocopy (not the original) of an invoice that Pilgrim's Furniture gave to MM (see below footnote). 3" x 6"
Coincidentally, two years ago, Heritage Auctions sold the original invoice that was given to Marilyn by this company [Pilgrim's Furniture then at 12217 Wilshire Boulevard in West Los Angeles] in Sale 7018, Lot 50225. That invoice was also dated August 4, 1962, so it appears that Pilgrim's made a delivery to MM's house and that she paid for her "Chest Roman white" on the spot with the above check from her personal checkbook. Interestingly, on that invoice, the evident delivery man wrote "Rec'd Check #281 in amount $228.80 / Payment in full / Earl Shero." At this point in time, this seems to be the last check Marilyn ever signed as she died that night, August 4, 1962. This check can be used to argue the point that Marilyn did not commit suicide -- would one be concerned with new furniture on the last day of one's life? Probably not!
Sold: $15,000.00
heritage-lot46003a  heritage-lot46003b  heritage-lot46003c 


Lot 46005: A Marilyn Monroe Signed Note, 1952
A Marilyn Monroe Signed Note, 1952. Typed on one page, dated "October 27th, 1952," to the "Wm. Morris Agency, Inc.," reading in part "...you are no longer authorized to represent me," signed in blue fountain pen ink on the lower right side "Marilyn Monroe;" two-hole punch marks on top margin. 11" x 8 1/2"
Sold: $5,312.50 
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Lot 46006: A Marilyn Monroe Signed Menu, 1953
A Marilyn Monroe Signed Menu, 1953. From the famous Cocoanut Grove nightclub inside the Ambassador Hotel in Los Angeles (infamous for being the place where RFK got assassinated in June, 1968), menu is dated "Sat., June 27, 1953," signed in blue ballpoint ink on the inside left side "Marilyn Monroe." 13 1/2" x 11"
Sold: $2,375.00 
heritage-lot46006a  heritage-lot46006b  heritage-lot46006c  


Lot 46007: A Marilyn Monroe Group of Mostly Never-Before-Seen Black and White Negatives, 1950.
A Marilyn Monroe Group of Mostly Never-Before-Seen Black and White Negatives, 1950. Thirty-three total, all originals, each depicting Marilyn at age 24 posing in a fancy backyard during one photo session; 14 show MM wearing a black turtleneck, white shorts, and black strappy sandals as she sits on a chaise lounge chair; 18 show MM wearing a light-colored bikini and same sandals as she poses by a swimming pool; and one shows MM wearing a dark-colored bikini by the same pool; two depict other people in the shot with MM, evidently the photographer's assistants. (Please note some of these negatives are somewhat dirtied and scratched, but they still print up beautifully and MM is quite clear and vibrant-looking in all the shots.)
Each Negative: 2 1/2" x 2 1/2"
These photographs of Monroe were taken on October 10, 1950 by Bob Beerman, a staff photographer at 'Modern Screen' magazine. A few of the images did appear in a 1951 issue of the magazine, though not all of them. Additionally, the current owner published seven of them online, but the majority of these photographs have never before been seen.
Sold: $11,875.00  
heritage-lot46007a  heritage-lot46007b 


Lot 46008: A Marilyn Monroe Pucci Blouse, Circa 1962
A Marilyn Monroe Pucci Blouse, Circa 1962. Made of hot pink silk jersey, boatneck, long sleeves, inside labels read "Emilio Pucci / Florence, Italy / 12" (though seeming to be a modern-day Size 6) and "Made in Italy Exclusively for / Saks Fifth Avenue;" included with a typed signed letter reading in part "This blouse by the Italian designer... / was given to me by Marilyn Monroe. It had become too / large for her. / Joan Greenson Aebi," "Joan" being the daughter of Dr. Ralph Greenson, MM's longtime psychiatrist. (Please note there are sweat marks and other minor staining evident due to age, but overall condition is still good.)
Sold: $12,500.00 

heritage-lot46008a  heritage-lot46008b  heritage-lot46008d 
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Lot 46009: A Marilyn Monroe Pair of Jax Pants, Circa 1962
A Marilyn Monroe Pair of Jax Pants, Circa 1962. Made of black silk, in the cigarette style, inside label reads "Designed by Jax," no size evident but seeming to be a modern-day size 4; included with a typed signed letter reading in part "These black pants were given to me by / Marilyn Monroe. They had become too / large for her... / Joan Greenson Aebi," "Joan" being the daughter of Dr. Ralph Greenson, MM's longtime psychiatrist.
Sold: $6,875.00  

heritage-lot46009a  heritage-lot46009b  heritage-lot46009c  


Lot 46010: A Marilyn Monroe-Received Letter from an Associate, Circa 1960
A Marilyn Monroe-Received Letter from an Associate, Circa 1960. Two pages, handwritten in blue ballpoint ink on 'American Airlines' in flight stationery, a general newsy letter with some highlights reading in part "darling Marilyn / ...I read Lillian Hellman's / new play and I saw Clifford's [Odets] / movie. I was shattered by the play... / I think Ralph Roberts would be of / great help to you. He is at Beverly / Wilshire.../ I do wish I had a script of 'Misfits;' interestingly, MM took the advice of this friend and ended up hiring Roberts to be her personal masseur. 10" x 7"
Sold: $750.00 

heritage-lot46010 


Lot 46011: A Marilyn Monroe-Received Letter from Eunice Murray, 1962
A Marilyn Monroe-Received Letter from Eunice Murray, 1962. One page of lined notebook paper, handwritten on both sides in green ballpoint ink, dated "Monday nite / Feb. 5," outlining various ideas for home renovations that Murray was evidently researching for the star such as a "wardrobe dressing / room on the front of the house - using the front / window of (MM's) bedroom as the doorway," among others, Murray ends the note with "I would suggest / concentrating on the interior in the way we originally planned...E.M," additionally, two business cards of contractors are stapled to the front of note. 11" x 8 1/2"
Sold: $1,750.00 
heritage-lot46011a  heritage-lot46011b    


Lot 46012: A Marilyn Monroe-Received Note from William Inge, 1959
A Marilyn Monroe-Received Note from William Inge, 1959. One page, typed on personalized notepaper, dated "April 6, 1959," from the famous playwright [who wrote "Bus Stop"] who was evidently a big Marilyn Monroe fan, signed in black fountain pen ink in the lower right corner "Bill Inge." 8" x 6"
Sold: $391.25  

heritage-lot46012 


Lot 46013: A Marilyn Monroe-Received Group of Business Letters, 1950s-1960s
A Marilyn Monroe-Received Group of Business Letters, 1950s-1960s. Five total, all sent to the star by various professional associates including ones from: 1) Harry McIntyre, on Twentieth Century-Fox letterhead, dated "December 22, 1958," regarding rights to a novel the studio bought from MM; 2) Hugh French, on Hugh French Agency letterhead, dated "11 January 1961," regarding a television show he wanted MM to star in; 3) Matthew Fox, on his personal letterhead, dated "June 23, 1961," regarding a production he thought would be good for MM and Elizabeth Taylor (!); 4) Milton A. Rudin [MM's lawyer], on Gang, Type, Rudin & Brown letterhead, dated "December 19, 1961," regarding a special screening of the Bette Davis film, "Of Human Bondage;" and 5) Richard S. Meryman, Jr., on Life letterhead, dated "February 10, 1962," regarding an interview for the magazine and how MM would be able to "destroy negatives" (of photos she didn't like); months later, Meryman finally did get his interview, but sadly, it would be Marilyn's last one. 11" x 8 1/2"
Sold: $937.50
heritage-lot46013


Lot 46014: A Marilyn Monroe Group of Documents, 1962
A Marilyn Monroe Group of Documents, 1962. Including: 1) six typed letters between Cherie Redmond [MM's Los Angeles secretary] and a travel agent, dated from February to April 1962, regarding an ongoing issue about a refund MM needed for unused airline tickets; 2) a pale yellow 'Inter-Office Correspondence' memo to MM from Redmond, dated "7/25/62," regarding funds in the star's various banking accounts; and 3) a similar memo, dated "8/1/62," regarding overdraft protection MM needed in order to pay August's bills. 11" x 8 1/2" and smaller
Sold: $1,062.50 
heritage-lot46014  


Lot 46015: A Marilyn Monroe Group of Documents, 1950s
A Marilyn Monroe Group of Documents, 1950s. Three items including: 1) a receipt from the 76 Union gas station at 14478 Ventura Boulevard in Sherman Oaks, dated "5/1/54," in the amount of "$7.07," signed off by a "Vic Masi for Mrs. M. DiMaggio;" 2) a single page typed with Monroe's dictations for a telegram to Inez Melson [her business manager], dated "June 10, 1959," regarding "Clyde," a pet bird; and 3) a newspaper clipping of a short article about MM's fashion sense (likely from The Los Angeles Times, April 29, 1958). 11" x 8 1/2" and smaller
Sold: $437.50 

heritage-lot46015 


Lot 46016: A Marilyn Monroe Legal Form, 1953
A Marilyn Monroe Legal Form, 1953. A pale yellow quadruplicate copy titled "Notice of Attachment," reading in part "Matter of Shaeffer [sic?] Plaintiff / Marilyn Monroe Defendant / on Monday, 2-2-53 12:01 PM;" two hole punch marks on top margin. 9" x 4"
This is an odd document, possibly relating to MM's voice and musical coach, Hal Schaeffer, though the last name is spelled differently on this form. Schaeffer, who was having an affair with MM as she was divorcing Joe DiMaggio, unwittingly became part of the infamous 'Wrong Door Raid,' but this piece pre-dates that event by almost two years -- perhaps it relates to a different person altogether.
Sold: $212.50 
heritage-lot46016 


 Lot 46017: Two Marilyn Monroe-Received Fan Letters, 1950s-1960s
Two Marilyn Monroe-Received Fan Letters, 1950s-1960s. The first typed on a single page, dated "May 5, 1959," reading in part "I am a clergyman who is enthusiastic about all / your performances... / and would / like very much to have an autographed photograph...;" a penciled annotation (not in MM's hand) on the lower margin reads "Mae - I sent him one - But I / thought Marilyn would get / a kick out of the idea;" the second typed on a single page, dated "Janury [sic] 18, 1962," reading in part "I have written a novel which I think would make a / very good movie for you to star in;" a red penciled annotation (not in MM's hand) on the lower margin reads in part "To Cherie / Just reply not..." 11" x 8 1/2" and smaller
Sold: $375.00 
heritage-lot46017 


Lot 46018: A Marilyn Monroe Group of Never-Before-Seen Black and White Snapshots from Korea, 1954
A Marilyn Monroe Group of Never-Before-Seen Black and White Snapshots from Korea, 1954. Nine total, all vintage prints with a glossy finish; three depicting the star wearing military coveralls (though just the top of her blonde head can be seen in one); three depicting her posing for soldiers before she goes onstage; and three depicting her onstage at the microphone; consigned directly by the soldier who shot these photographs 58 years ago when Marilyn famously entertained the troops while she was on her ill-fated honeymoon with Joe DiMaggio. (Please note the snapshots are in poor condition now with tape residue, bends, slight tears, and fold marks, but one can still see MM in each image.) 5" x 4"
Sold: $1,875.00 
heritage-lot46018  


Lot 46019: A Marilyn Monroe Never-Before-Seen Black and White Snapshot, 1955
A Marilyn Monroe Never-Before-Seen Black and White Snapshot, 1955. An original print, depicting the star standing next to a woman (likely Amy Greene) at the premiere of "East of Eden" which took place on March 9, 1955 at the Astor Theatre in New York City. (Please note there are a few light creases but overall image is not affected.) 3 3/4" x 2 3/4"
Sold: $375.00 
heritage-lot46019a  heritage-lot46019b  


Lot 46020: Two Marilyn Monroe Black and White Publicity Photographs, Circa 1953
Two Marilyn Monroe Black and White Publicity Photographs, Circa 1953. Both original prints with a glossy finish, each depicting the star in classic cheesecake poses taken at the height of her career. 10" x 8"
Sold: $312.50 
heritage-lot46020 


Lot 46021: A Marilyn Monroe Acetate Record of 'My Heart Belongs to Daddy' from "Let's Make Love."
A Marilyn Monroe Acetate Record of 'My Heart Belongs to Daddy' from "Let's Make Love." 20th Century Fox, 1960. With a 20th Century Fox Film Corp. label typed with "F13 - Let's Make Love / 'My Heart Belongs to Daddy' / DS 25 / Monroe-Group-Orch. / 33 1/3;" Marilyn's version of the Cole Porter classic, this one being slightly different than the one she sings as "Amanda Dell" in the film co-starring Yves Montand and Tony Randall; condition is very good. Diameter: 12"
Sold: $3,125.00 

heritage-lot46021  


Lot 46022: A Marilyn Monroe-Related Vintage Lapel Button, 1956
A Marilyn Monroe-Related Vintage Lapel Button, 1956. Made of tin, featuring an image of the star surrounded by text reading "Gentlemen Prefer Marilyn Monroe," copyright information on bottom reads "MMNM 1956." (Please note there is some discoloration due to age.) Diameter: 1 3/8"
Sold: $325.00 

heritage-lot46022 

5 juillet 2012

Expo au Musée d'Hollywood

Marilyn_The_Exhibit     

Du 1er juin 2012 au 2 septembre 2012, une exposition "Marilyn Monroe: The Exhibit - An Intimate Look at the Legend"  se tient au Hollywood Museum, à Hollywood, en Californie, aux USA.

Pour marquer les 50 ans de sa disparition, une grande exposition autour de Marilyn Monroe est organisée à Hollywood, en collaboration avec le photographe Georges Barris qui présente des photographies jusqu'ici encore jamais vues.

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Contenu de l'expo:

Des vêtements:   
 >   Marilyn Monroe’s million-dollar honeymoon dress, worn on her honeymoon for her marriage to Joe DiMaggio.  This was Marilyn’s favorite gown designed by Ceil Chapman, hand beaded in Marilyn’s signature style. Marilyn wore this gown on numerous occasions including a USO tour to entertain 10,000 troops in Korea in 1954.
 >   Marilyn’s famous cream colored, beaded costume worn in the 1957 film The Prince and the Show Girl.
 >   Personal wardrobe items including the lime green Pucci blouse Marilyn Monroe wore in the last ever photos of her taken alive, together with Marilyn’s favorite furs and accessories.
 >   The evening cape worn by Marilyn to the 1955 world premiere of the James Dean classic East of Eden.

Des photographies:     
 >   Never before seen photographs of Marilyn Monroe taken by her close personal friend George Barris.
 >   The famous “Red Velvet” photographs by photographer Tom Kelly. Shot in 1949, Marilyn was still a struggling actress, delinquent in her monthly car rental payments and on the brink of having her car repossessed. To earn quick money, Marilyn agreed to pose at a typical “day rate” for what would become this legendary photo shoot.
>   Rare family photographs of Marilyn Monroe. 

Objets divers:     
 >   Furniture and artwork from Marilyn’s Brentwood home, including the solid wood dresser that was next to Marilyn’s bed in her bedroom the night she died. 
 >   NBC’s critically acclaimed “Smash” will have a special costume display featuring their Marilyn Monroe dresses.
 >   Original works of art by famed artist Robert A. Delgadillo and LUDVIC.
 >   Max Factor ‘s “Marilyn Monroe” makeup room where he created the famous “Marilyn Monroe blonde” hair including Marilyn’s makeup case and other personal items on display.
 >   A prescription pill bottle and the Decodron vial found next to her bed at the time of her death.
 >   A vast photograph collection of many never-before-seen photos of Marilyn’s childhood, family and early modeling career, including an array of photographs showing how Monroe lived, worked and played in Los Angeles.
 >   Original Magazine and newspaper articles conveying Monroe’s popularity and the kinds of coverage accorded both her career and personal life.
 >    Marilyn Monroe’s annotated film scripts, personal letters, invoices, receipts and financial accounting documents, showcasing in great detail the personal and very private life of the greatest film star of all time.
 >    An original Ralph Emerson Jr. High School photo showing a young Norma Jeane.
 >    Marilyn’s personal Kodak Brownie camera from her childhood.

Et bien d'autres choses encore... 

marilyn_monroe_hollywood_mu mmtheexhibit1 mmtheexhibit2 mmtheexhibit3 

>> Sur le web:
site officiel
The Hollywood Museum
site du photographe
Georges Barris 
site de Scott Fortner sur marilynmonroecollection 
photos sur paperblog

22 décembre 2011

Les looks de Marilyn Monroe

logo_puretrendLes icônes du style: dans le dressing de Marilyn Monroe
Publié le 19/12/2011,
en ligne
sur puretrend.com

Ventes aux enchères, expo arty, biopic... La garde-robe de Marilyn n'en finit pas de fasciner le monde entier. Si les clichés de la star version femme fatale en robe "grand soir", ou en bikini retro font partie des classiques, c'est une garde robe plus casual qu'affectionnait particulièrement Marilyn. L'actrice représentait la femme "Calvin Klein" avant l'heure, comme l'a souligné la costumière du film "My Week With Marilyn", Jill Taylor, au magazine InStyle.

Petit short et col roulé, jupe crayon et chemise d'homme, pantalon 3/4 et pull à col rond : loins des projecteurs, l'actrice mythique a toujours fait preuve d'une vraie modernité en matière de style, alliant confort et élégance, et mixant pièces masculines et féminines.

Une garde-robe sobre qui se transformait volontiers en boudoir glamour lors des apparitions publiques de la star, robe en lamé, collier de perles, escarpins vertigineux et veste en fourrure à l'appui.

Mais alors, comment s'habillerait Marilyn aujourd'hui ? Entre robe de diva, parures de stars, Chanel N°5 et pull en cachemire, découvrez notre sélection shopping pour vous offrir le look de la blonde la plus célèbre de l'histoire du cinéma !

pt_632141_marilyn_monroe_ou_l_art_du_less_is_637x0_3 pt_632177_collier_miu_miu_nbsp_prix_512_euros_en_637x0_2 pt_632115_eau_de_parfum_chanel_n_5_nbsp_prix_637x0_3 
1/ Marilyn Monroe ou l'art du "less is more" : petite robe noire et collier de perles.
2/ Collier Miu Miu   Prix : 512€ En vente sur www.net-a-porter.com
3/Eau de Parfum Chanel N°5   Prix : à partir de 49 €


pt_632144_marilyn_a_la_plage_ou_l_icone_de_637x0_3  pt_632104_pull_col_roule_mango_nbsp_prix_637x0_2  pt_632126_short_michael_kors_nbsp_prix_376_637x0_3
4/ Marilyn à la plage, ou l'icône de mode casual avant l'heure.
5/ Pull col roulé Mango   Prix : 29,95 €
    6/ Short Michael Kors   Prix : 376 € En vente sur www.net-a-porter.com

pt_632113_lunette_linda_farrow_pour_agent_637x0_2 
7/ Lunette Linda Farrow pour Agent Provocateur   Prix : 250,15 €


pt_632139_la_star_version_grand_soir_en_robe_637x0_3  pt_632145_robe_marchesa_nbsp_prix_5965_euros_en_637x0_2  
8/ La star version grand soir, en robe lamé.
9/ Robe Marchesa   Prix : 5965 € En vente sur www.net-a-porter.com

pt_632117_robe_chloe_nbsp_prix_6700_euros_en_637x0_2  pt_632100_escarpins_christian_637x0_2      
10/ Robe Chloé   Prix : 6700 € En vente sur www.net-a-porter.com  
11/ Escarpins Christian Louboutin   Prix : 835 € En vente sur www.net-a-porter.com

 pt_632121_boucles_d_oreilles_d_oreilles_637x0_2    pt_632120_col_en_fausse_fourrure_karl_637x0_2 
 12/ Boucles d'oreilles d'oreilles Lanvin   Prix : 600 € En vente sur www.net-a-porter.com
13/ Col en fausse fourrure Karl Donoghue   Prix : 165 € En vente sur www.net-a-porter.com 


pt_632111_peignoir_la_perla_nbsp_prix_606_637x0_3 pt_632123_culotte_carine_gilson_nbsp_prix_384_637x0_3  
14/  Peignoir La Perla   Prix : 606 € En vente sur www.net-a-porter.com
15/ Culotte Carine Gilson   Prix : 384 € En vente sur www.net-a-porter.com


pt_632142_marilyn_et_sa_collection_de_petites_637x0_2 pt_632114_maillot_de_bain_clube_bossa_nbsp_prix_637x0_2 pt_632124_bb_curl_conscious_bumble_and_637x0_2  
16/ Marilyn et sa collection de petites robes midi. 
17/Maillot de bain Clube Bossa   Prix : 547 € En vente sur www.net-a-porter.com
18/ BB Curl Conscious Bumble and Bumble   Prix : 35,50 € En vente chez Sephora

pt_632105_robe_donna_karan_nbsp_prix_1495_637x0_3  pt_632112_escarpins_salvatore_637x0_2  pt_632122_bracelet_louise_swarovski_nbsp_prix_637x0_2  
19/ Robe Donna Karan   Prix : 1495 € En vente sur www.net-a-porter.com
20/ Escarpins Salvatore Ferragamo   Prix : 495 €
21/  Bracelet "Louise" Swarovski   Prix : 190 €

pt_632102_foulard_artemis_wragge_nbsp_prix_637x0_2 pt_632118_sac_bottega_veneta_nbsp_prix_2650_637x0_3  
22/ Foulard Artemis Wragge   Prix : 295 € En vente sur www.net-a-porter.com
23/  Sac Bottega Veneta   Prix : 2650 € En vente sur www.net-a-porter.com


pt_632143_marilyn_version_pin_up_fifties_en_637x0_2  pt_632146_maillot_de_bain_norma_637x0_2  pt_632125_baume_bathina_benefit_nbsp_prix_637x0_2
24/ Marilyn version pin-up fifties, en bikini rétro.
25/ Maillot de bain Norma Kamali   Prix : 406 € En vente sur www.net-a-porter.com
26/ Baume Bathina, Benefit   Prix : 32,50 € En vente chez Sephora

pt_632174_chemise_marc_by_marc_jacobs_nbsp_prix_637x0_2  pt_632116_jupe_h_amp_m_nbsp_prix_39_95_euros_637x0_2  pt_632103_escarpins_h_amp_m_nbsp_prix_49_95_637x0_3
27/ Chemise Marc by Marc Jacobs   Prix : 290 € En vente sur www.net-a-porter.com
28/ Jupe H&M   Prix : 39,95 € 
29/ Escarpins H&M   Prix : 49,95 €

pt_632175_pull_yves_saint_laurent_nbsp_prix_637x0_2  pt_632108_pantalon_j_crew_nbsp_prix_123_637x0_3   
30/ Pull Yves Saint Laurent   Prix : 550 € En vente sur www.net-a-porter.com
31/ Pantalon J.Crew   Prix : 123 € En vente sur www.net-a-porter.com


pt_632140_tailleur_fifties_et_tons_pastel_ou_637x0_2 pt_632119_robe_h_amp_m_nbsp_prix_59_95_euros_637x0_2 
32/ Tailleur fifties et tons pastel, ou l'Amérique édulcorée des années 1950.
33/ Robe H&M   Prix : 59,95 €

pt_32176_manteau_miu_miu_nbsp_prix_1365_637x0_3 pt_632101_gants_zara_nbsp_prix_49_95_euros_637x0_2  
34/ Manteau Miu Miu   Prix : 1365 € En vente sur www.net-a-porter.com
35/ Gants Zara   Prix : 49,95 €

3 décembre 2011

Marilyn Monroe: the unseen files

The_TelegraphMarilyn Monroe: the unseen files 
Par Tim Auld, publié le 21/02/2011,
en ligne
sur telegraph.co.uk 

A new book reveals the extraordinary contents of Marilyn Monroe's private filing cabinets, thought lost for over 40 years after her death

Marilyn_main_1835453c
Detail of a test print from the Marilyn Monroe archive
 Photo: MARK ANDERSON

In November 2005 Millington Conroy, a businessman living in Rowland Heights, 40 miles east of Los Angeles, contacted Mark Anderson, a successful magazine photographer, to discuss an unusual commission.

He had in his possession two metal filing-cabinets, one brown, one grey, containing private papers and a collection of furs, jewellery and other assorted memorabilia, all belonging to Marilyn Monroe. Would Anderson be interested in photographing the collection?

The material – about 10,000 documents – had been thought lost for more than 40 years since the death of Monroe on the night of 4 August 1962. Now, here it was, a treasure trove, languishing in a Californian suburb.

It was the commission of a lifetime, the largest undocumented Monroe archive in existence. Yes, of course Anderson was interested, and, with the help of the biographer and Monroe aficionado Lois Banner, he set about creating a record of the archive's contents, which is now to be published for the first time as a book.

There are letters from Monroe glowing with admiration for Robert Kennedy; a half-finished love letter to her ex-husband Joe DiMaggio found in her room after she died from a drug overdose; unseen pictures of Monroe as a child and young woman; touching fan mail; rare insights into her marriage to the playwright Arthur Miller; and extensive documentation of her squabbles with the Hollywood studio Twentieth Century-Fox.


In these documents the flesh-and-blood Monroe, usually lost in the heady blaze of the images of her on film and in glamour photographs, comes alive in the flotsam and jetsam of everyday life.

We can see her bookshop receipt for The Life and Works of Sigmund Freud, volumes one, two and three (she was a slave to therapy); the newspaper cuttings, both flattering and critical; her witty little telegrams. Then there are the bills for enemas, facials and prescription drugs, the uppers and downers that in her later years carried her through the day, and eventually killed her.

Frank Sinatra, one of Monroe's lovers, is said to have suggested she buy the filing cabinets to protect her privacy when she was living in New York in 1958. In early 1962, when she moved to Brentwood, Los Angeles, she had the cabinets shipped down.

The grey one, containing private correspondence, was kept in the guest cottage at the Brentwood house; the brown one, containing business records, was stored across town in her office at Twentieth Century-Fox studios.

One account of Monroe's last night claims that she actually died in the guest cottage and was subsequently moved to her bedroom in the main house and rearranged on her bed.

What is certain is that sometime on the night of 4 August the cabinet in the guest cottage was broken into, and that crucial files were removed – perhaps pertaining to Monroe's relationship with the Kennedys and their links with the Mafia boss Sam Giancana, perhaps to her contractual arrangements with Twentieth Century-Fox.

How did these immensely valuable cabinets manage to vanish for so long only to resurface in a quiet corner of suburban California? The key to the mystery is Inez Melson, Monroe's business manager in the mid-1950s, guardian of Monroe's schizophrenic mother, and, following Monroe's death, administrator of her Los Angeles holdings.

In the days and weeks after Monroe died Melson, who received nothing in Monroe's will (the bulk of the estate and her personal effects were left to Lee and Paula Strasberg, her acting coaches), made sure the filing cabinets ended up in her possession.

She had the brown cabinet at Twentieth Century-Fox transported to her home in Hollywood Hills, and, fraudulently, using the name of one of her nephews, bought the grey cabinet for $25 at the Monroe Estate auction she herself had organised. Upon her death in 1985 Melson left her collection, including the cabinets, to her sister-in-law Ruth Conroy, who, upon her death, bequeathed it to her son Millington.

In the course of their research, it soon became apparent to Anderson and Banner that Melson had acquired the contents of her archive illegally and that Strasberg's third wife, Anna, was in fact the legal owner of the material.

'We told Mill what we had found,' writes Banner. 'Realising that his ownership of the collection could be in jeopardy, he threatened to sell it on the black market… We wanted to ensure that the [collection] remained intact and that it would eventually be shown to the public; so we informed Anna Strasberg of its existence. We were not privy to her ensuing negotiations with Mill. All we know is that, in the end, they reached a settlement.'

What is astonishing about the archive, says Banner, is quite how much material has survived, and also its quality. Amid the mass of bills, cheques, contracts and publicity shots there are insights into the most private corners of her life.

Monroe grew up effectively an orphan. She never knew her father, and her mother's illness meant Monroe spent her childhood and teenage years being passed from family to family, including a spell at the Los Angeles Orphan Home. She was left with a lifelong desire to truly belong in a family, and to bring up children of her own.

Monroe's horror at the idea of not being able to get pregnant is made starkly and rather zanily clear by a handwritten letter she taped to her stomach before having her appendix removed in 1952: 'Cut as little as possible,' it reads. 'I know it seems vain but that doesn't really come into it. The fact I'm a woman is important. You have children and you must know what it means. For God's sakes Dear Doctor no ovaries removed.'

Monroe suffered three miscarriages in the mid-1950s while married to the playwright Arthur Miller, and the archive is full of reminders of how painful that time must have been. There's a receipt for a maternity dress Miller bought, and a letter of condolence from the poet Louis Untermeyer, which sums up the paradox of her life – at once adored by millions and isolated in her suffering: 'It's grimly ironic that while the rest of the country was enjoying the comedy of your impersonations in Life [the December 1958 issue had a shoot in which Monroe spoofed the great sirens of history], you were going through your personal tragedy… Arthur's tribute was a model of good taste, artistic balance, and love. It must be an added comfort to know that everyone loves you – especially now.'

Most extraordinary is a letter she and Miller received on 24 January 1958, in the aftermath of her third miscarriage, offering them a child to adopt: 'Wonder if you might be interested in the adoption of a baby girl, that was born to an unwed mother about the same time your wife lost her child. It is a healthy and beautiful baby and the mother feels that you people would really make a good happy home for her… If you are interested you can reach me by phone.'

Would Monroe have been a good mother? Who can tell? But letters she wrote to her stepchildren, Bobby and Jane Miller, reveal a playfulness and understanding of childhood needs and disappointments that would surely have stood her in good stead.

In August 1957 we find her writing to them at summer camp in the guise of their basset hound, Hugo (she also wrote to them as their Siamese cat, Sugar Finney): 'It sure is lonesome round here! I made a mistake and I am sorry, but I chewed up one of your baseballs. I didn't mean to. I thought it was a tennis ball and that it wouldn't make any difference but Daddy and Marilyn said that they would get you another one, so is it all right for me to keep playing with this one as long as you are getting a new one? Love from your friend and ankle-chewer.'

The light-hearted, but slightly wistful tone of these letters (the word lonesome crops up again and again in her letters to the children at this time) are made more poignant by the fact that on 1 August Monroe had suffered her second miscarriage.

Anderson and Banner's selection of material presents Monroe in a positive light. She is a woman fighting to control her image in a man's world; a talented comic actress compared by directors to Garbo and Chaplin; a caring stepmother; a clever correspondent; a trustworthy friend.

The authors do not, however, gloss over her petulance ('I am exceedingly sorry but I do not like it,' reads her curt telegram to Twentieth Century-Fox on being sent the script for Pink Tights, which she'd already decided she did not want to make); nor over her refusal to compromise, which during the filming of The Misfits led to Dorothy Jeakins – a major Hollywood costume designer who had done costumes for Monroe on both Niagara and Let's Make Love – leaving the film ('I'm sorry I have displeased you. I feel quite defeated – like a misfit, in fact,' wrote Jenkins). Angry legal spats also bear witness to her legendary lateness, which resulted in almost everything she worked on running over schedule.

Despite knowing how infuriating she could be, it remains impossible not to like Monroe. She had a wit worthy of Mae West ('There is only one way he could comment on my sexuality and I'm afraid he has never had the opportunity!' she wrote of Tony Curtis, though he would later claim to have been her lover) and an ability to remain winsome even in adversity.

After she was fired from the film Something's Got to Give in 1962, as her drug habit escalated, she wrote to George Cukor, the director: 'I blame myself but never you. The next weekend I will do any painting, cleaning, brushing you need around the house. I can also dust.'

Marilyn always said it was the people and not the studios who had made her famous, and we see the best of her when she reaches out to her public. She received thousands of fan letters each week, and was meticulous about filing away those that had particularly touched her.

There is a charming letter from a 17-year-old Italian boy, who is clearly entirely overcome: 'I imagine that you and I dance wrapped in a sky of stars, and they smile on us.' He requests a lock of Monroe's hair. Monroe is clearly touched because along with the letter is found a note by her: 'Pic of him and dedication autographed and returned also a lock of hair. Also a letter which I will carry next to my heart always.'

Equally moving is a note from the mother of a soldier who saw Monroe perform in Korea in 1955. She quotes from the letter her son sent her: 'When she appeared on the stage, there was just a sort of gasp from the audience – a single gasp multiplied by the 12,000 soldiers present… The broadcasting system was extremely poor… However, it didn't matter. Had she only walked out on stage and smiled it would have been enough.'

If representatives of the Kennedys did remove documents from the filing cabinet on the night of Monroe's death, and Lois Banner is certain that they did ('I know who took them and what happened to them, but I don't feel at liberty to say at this point,' Banner told me), they were pretty thorough. The archive now has almost no material relating to Monroe's relationships with JFK and Robert Kennedy, which are thought to have dominated the final months of her life.

Tantalisingly, she makes two references to Robert Kennedy in letters written on 2 February 1962, the day after she had attended a dinner in the attorney general's honour. To Arthur Miller's son, Bobby, she writes: 'I had to go to this dinner last night as [Robert Kennedy] was the guest of honor and when they asked him who he wanted to meet, he wanted to meet me. So, I went to the dinner and I sat next to him, and he isn't a bad dancer either. But I was mostly impressed with how serious he is about civil rights.'

She is rather more circumspect when relating the incident to Miller's father, Isidore: '[Robert Kennedy] seems rather mature and brilliant for his thirty-six years, but what I liked best about him, besides his Civil Rights program, is he's got such a wonderful sense of humor.'

Smitten? Maybe. There are certainly no other letters here that emanate this wide-eyed flirty glow. But the remaining documents from Monroe's last spring and summer offer no hint as to where this relationship might have gone.

Instead there are ledgers and memos charting the increasingly poor state of Monroe's finances and revealing that her main expenditure was on medical bills. There is an eerie absence of anything else. Where are the letters from friends, the fan mail, the urgent telegrams of former times?

Stolen, perhaps? Or had the isolation that Marilyn always so feared begun to close around her. The only hint of human warmth to be found among a sea of cheques and tumbling balances is a note, signed with a heart, from Monroe's acting coach Paula Strasberg: 'Have faith,' it reads.

MM – Personal: From the Private Archive of Marilyn Monroe (Abrams, £22.50), by Lois Banner with photographs by Mark Anderson, published on Tuesday, is available from Telegraph Books (0844 871 1515; books.telegraph.co.uk) at £20.50 plus £1.25 p&p

> sur le blog: le livre MM Personal 


The private files of Marilyn Monroe

theprivatefiles_1
  1/ PUBLICITY STILLS: Monroe in 1960 on the set of Let’s Make Love

theprivatefiles_2 theprivatefiles_3 theprivatefiles_4 
 2/LETTER TO HER SURGEON: A note Monroe taped to her stomach before her appendectomy in 1952, in which she urged the doctor to remove 'as little as possible... no ovaries’
3/ BOOKSHOP RECEIPT: When asked by journalists what her religion was, Monroe replied 'Freud’. She began reading his writings during her early years in Hollywood. This receipt shows the purchase of all three volumes of his life and works
4/ CLOTHING LIST: Favourite garments shipped to Monroe in New York in 1955. The seventh item is thought to be the dress she wore to perform to troops in Korea

theprivatefiles_5 theprivatefiles_6 theprivatefiles_7 
5/ LETTER FROM HER FOSTER MOTHER: Ida Bolender, who had looked after Monroe as a child, wrote to Marilyn’s half-sister after the star’s death to dispute stories of an unhappy childhood. The picture was taken by Monroe’s grandmother
6/ LETTER TO HER STEPCHILDREN: Monroe writes to Arthur Miller’s children at summer camp in the voice of their cat, Sugar Finney (or 'Feeny’ as she misspells it)
7/ FUR COAT: This leopardskin coat is thought to have belonged to Monroe and have been taken from her home after she died by Inez Melson

theprivatefiles_8 theprivatefiles_9 theprivatefiles_10 
8/ LETTER FROM A COSTUME DESIGNER: Dorothy Jeakins, a famous Hollywood costume designer, left The Misfits after a disagreement over her work. Here she writes to the actress to apologise for displeasing her
9/ FANMAIL: Two children from Brooklyn send a token of their esteem
10/UNUSED MATERNITY CLOTHES: Receipt for a bed-jacket Arthur Miller bought Monroe just before she suffered a miscarriage in December 1958

theprivatefiles_11 theprivatefiles_12 theprivatefiles_13
11/ FOSTER BROTHER: The Bolenders called Monroe and Lester, another of their foster children, 'the twins’
12/ LETTER FROM HER PUBLICIST: In a letter of 1959 Joe Wolhandler lists the several inaccurate press stories he has had to deny in the past 24 hours. He concludes, 'I am in the business 20 years and I still don’t know how these things happen’
13/ TEST PRINT: A costume and make-up test for Something’s Got to Give

theprivatefiles_14
14/ LETTER TO HER LAWYER: Monroe’s assistant writes to the lawyer’s secretary to make sure the parlous state of Monroe’s finances remains a secret

  theprivatefiles_15 theprivatefiles_16 theprivatefiles_17
15/ THE FILING CABINETS
16/ ADOPTION OFFER: Soon after one of Monroe’s miscarriages, she and Arthur Miller received this letter offering a baby girl
17/ RECORD RECEIPT: A bill for three records by Frank Sinatra, who is known to have had an affair with Monroe 

23 novembre 2011

Debbie Reynolds The Auction Part II 12/2011 - Costumes

lot n°219: Marilyn Monroe “Rose Loomis” light aqua suit
designed by Dorothy Jeakins from Niagara
(TCF, 1953) Light aqua two-piece raw silk suit with Monroe Lloyd of California label. A rather conservative look for Marilyn, which was deliberately chosen by her character as Joseph Cotten’s unfaithful wife, off to an illicit rendezvous with her lover under Niagara Falls in Henry Hathaway’s Niagara. The indelible image of Marilyn’s hips swinging as she walks away in this form-fitted outfit is considered one of the great “sex in cinema” sequences released during the height of the censorship Production Code. This 2-piece suit was modified under Dorothy Jeakins’ direction from an off-the-rack couture ensemble. Shoulders exhibit light soiling, and skirt has 2 in. tear at split, otherwise Fine as screen-worn.
Estimate: $80 000 - Sold
$ 210 000
dr_21423_0219_1_lg dr_21423_0219_2_lg dr_21423_0219_3_lg
dr_21423_0219_4_lg dr_21423_0219_6_lg dr_21423_0219_5_lg


lot n°221: Marilyn Monroe aubergine gray evening dress
and Bolero jacket by Travilla for Gentlemen Prefer Blondes
(TCF, 1953) Elegant, two-piece evening gown designed by Travilla of an aubergine steel gray couched in meandering-pattern braid and accented by two aubergine satin trains flowing from the waist. Handwritten studio tag inside dress reads “1-27-3-7914 M. MONROE A-698-53,” and jacket has handwritten label “1-41-2-0570 Marilyn Monroe A-698-16.” Worn quite memorably by Miss Monroe for several scenes, from her clever efforts to remove Elliot Reid’s clothes in order to search them, to being stuck halfway through a porthole, requiring rescue by her youngest suitor Mr. Henry Spofford III (age 9, going on 21). Material on waist is detached two inches, else Fine as screen-worn.
Estimate: $150 000 -
Sold $ 260 000
dr_21423_0221_1_lg dr_21423_0221_2_lg
dr_21423_0221_3_lg dr_21423_0221_4_lg dr_21423_0221_5_lg


lot n°266: Marilyn Monroe “Cherie” iconic green
and black-sequined leotard designed by Travilla for Bus Stop
(TCF, 1956) This is the signature costume for Marilyn’s character “Cherie”, the naïve yet determined saloon singer heading for Hollywood in Joshua Logan’s romantic Western from the play by William Inge, Bus Stop. It is also one of the most iconic and indelible looks from her entire career, being a top choice for publicity images of Marilyn even to this very day. In it, she performs (intentionally naively) “That Old Black Magic”, winning the heart of the handsome and rather eager cowboy played by Don Murray. This was to be the last of the great collaborations between Marilyn and her favorite costume designer, William Travilla. TCF handwritten label “Marilyn Monroe A-769-03”. Exhibits sequin loss along neckline and minimal sequin loss on bodice, and straps have been replaced.
Estimate: $200 000 -
Sold $ 230 000 
dr_21423_0266_1_lg dr_21423_0266_2_lg dr_21423_0266_3_lg
dr_21423_0266_5_lg dr_21423_0266_6_lg dr_1423_0266_4_lg
dr_21423_0266_9_lg dr_21423_0266_10_lg


 lot n°282: Marilyn Monroe strapless pale green silk Empire gown
with rhinestone trim from Let’s Make Love
(TCF, 1960) Pale green silk pleated strapless dress adorned with rhinestones (a few of which are missing). TCF label handwritten “F-13 M. Monroe”. Designed to be unbearably sexy without also being un-releasable due to censorship, a condition several earlier costumes designed for Marilyn suffered from. Worn for the title number, in which Marilyn offers herself upon a mid-century-modern stage of cross-rotating apartment flats, first to Frankie Vaughan, then Yves Montand (in his fantasy sublimation). This timeless creation by Dorothy Jeakins remains one of the most attractive costumes ever created for this legendary actress.
Estimate: $200 000 -
Sold $ 240 000
dr_21423_0282_1_lg dr_21423_0282_2_lg
dr_21423_0282_3_lg dr_21423_0282_4_lg dr_21423_0282_5_lg 

19 novembre 2011

Julien's Auction 12/2011 - Vêtements et chapeau

 lot n°776: MARILYN MONROE OWNED HAT
A Marilyn Monroe owned straw hat with frayed brim. Felt applique reads “Isla Margarita” brim. Hat band is decorated with red applique felt flowers and green felt vegetation. No size present. PROVENANCE Partial Lot 450, “The Personal Property of Marilyn Monroe,” Christie’s, New York, Sale number 9216, October 27 & 28, 1999

Estimate: $4 000 - $6 000
lot64355
lot64356 lot64357


lot n°774: MARILYN MONROE THEDA BARA CLEOPATRA COSTUME
A harem costume worn by Marilyn Monroe for a 1958 photoshoot with Richard Avedon. Avedon dressed Monroe as five of Hollywood’s famed leading ladies. In this costume, Monroe dressed as Theda Bara in her role as Cleopatra. It is purported that this was part of Monroe’s campaign to play the role of the Egyptian queen in the film Cleopatra that eventually starred Elizabeth Taylor. The costume is comprised of a goldtone brassierewith snake motif cups, prong set costume gems and metal ring straps, and a skirt created by a series of scarves affixed to a gold lame bikini bottom. The accessories include a serpentine headdress with goldtone linked rings at each side, three pressed metal wristbands and armbands with arabesque designs, and a belt designed to be worn at the hip with goldtone bead, gen and paillette embellishments.  Accompanied by one scarfnot affixed to skirt. PROVENANCE Lot 25 “The Personal Property of Marilyn Monroe,” Christie’s, New York, Sale number 9216, October 27 & 28, 1999

Estimate: $200 000 - $300 000

lot64350 
lot64351 lot64352


lot n°784: MARILYN MONROE SCREEN WORN COSTUME
A raw silk pink ensemble worn by Marilyn Monroe in The Seven Year Itch (20th Century Fox, 1955). The costume is composed of a three-quarter-length-sleeve top and tapered leg pants containing a costumer’s label that reads “Marilyn Monroe A-734” and a maker’s label that reads “designed by Jax.” Pants feature back zipper closure and shirt features deep V neckline with wing collar. Monroe can be seen wearing the ensemble with a matching belt, now absent, as she portrayed “The Girl” in the film. No size present.

Estimate: $80 000 - $100 000

lot64374 lot64375
lot64376 
lot64377 
lot64378 lot64379


lot n°786: MARILYN MONROE FUR STOLE
A Marilyn Monroe owned fur stole. The fur is Russian Lynx with a sage green wool lining. No label present. Approximately 21 by 60 inches PROVENANCE Lot 181, “The Personal Property of Marilyn Monroe,” Christie’s, New York, Sale number 9216, October 27 & 28, 1999

Estimate: $8 000 - $10 000
 
lot64381 


lot n°789: MARILYN MONROE OWNED SHIRT
A black button-down shirt owned by Marilyn Monroe. The cotton shirt has a peter pan style collar and five-button closure. Label reads “Made in Italy/ By Rosellina/ 16.” PROVENANCE Partial Lot 50, “Property From The Estate of Marilyn Monroe,” Julien’s Auctions, Los Angeles, June 4, 2005

Estimate: $1000 - $2000

lot64385 

22 avril 2011

Julien's Auction 05/2011 - lots 570 à 578

lot n°570: MARILYN MONROE PUCCI ENSEMBLE 
A two-piece silk jersey in seafoam green, boatneck, sleeveless shirt with elastic waist together with matching knee-length skirt. Each piece pieces have both Emilio Pucci and Saks Fifth Avenue labels.
PROVENANCE Lot 288, "The Personal Property of Marilyn Monroe," Christie's, New York, Sale number 9216, October 27 & 28, 1999.
Estimate: $2,000 - $4,000
juliens_lot570


lot n°571: MARILYN MONROE FALSE EYELASHES
A box containing a pair of Martha Lorraine brand eyelashes owned by Marilyn Monroe. The box contains a plastic tray in which the eyelashes rest. There is also a segment to hold glue, which is absent. The lashes, made of human hair, contain traces of lash glue.
PROVENANCE Partial Lot 112, "Fine Manuscripts Including a Collection of Marilyn Monroe Memorabilia," Christie's, Los Angeles, September 12, 2001
Estimate: $500 - $700
juliens_lot571


lot n°572: MARILYN MONROE HAIRNET
A nude hairnet owned by Marilyn Monroe.
PROVENANCE Partial Lot 248, "Property From the Estate of Marilyn Monroe," Julien's Auctions, Los Angeles, June 4, 2005.
Estimate: $400 - $600 
juliens_lot572


lot n°573: MARILYN MONROE SATIN SLIP
A cream color satin half slip with side zipper from the personal wardrobe of Marilyn Monroe. Label reads "Virgina Wallace 26." One stain on front and two small stains on back.
PROVENANCE Partial Lot 116, "The Personal Property of Marilyn Monroe," Christie's, New York, sale number 9216, October 27 & 28, 1999
Estimate: $400 - $600
juliens_lot573


lot n°574: MARILYN MONROE BRASSIERE LINER  
An off-white brassiere liner from the professional wardrobe of Marilyn Monroe.
PROVENANCE Partial Lot 80, "Property From the Estate of Marilyn Monroe," Julien's Auctions, Los Angeles, June 4, 2005.
Estimate: $200 - $400
juliens_lot574


lot n°575: MARILYN MONROE BELT
A black velvet belt owned by Marilyn Monroe. The belt is stamped on the leather back "A Swanky Product." Brass buckle has discolored due to age. Includes original Christie's lot tag. Length, 32 inches
PROVENANCE Partial Lot 114, "The Personal Property of Marilyn Monroe," Christie's, New York, Sale number 9216, October 27 & 28, 1999
Estimate: $400 - $600
juliens_lot575a juliens_lot575b juliens_lot575c


lot n°576: MARILYN MONROE SWEATER
A black mohair sweater vest with lable reading "Ilaria/ Made In Italy."
PROVENANCE Partial Lot 146, "The Personal Property of Marilyn Monroe," Christie's, New York, Sale number 9216, October 27 & 28, 1999.
Estimate: $800 - $1,200
juliens_lot576  


lot n°577: MARILYN MONROE OWNED SKIRT
A tan corduroy skirt owned by Marilyn Monroe. Label reads "designed by Jax." Straight shape with side zipper and back kick pleat. No size present.
PROVENANCE Lot 30, "Property From the Estate of Marilyn Monroe," Julien's Auctions, Los Angeles, June 4, 2005
Estimate: $600 - $800 
juliens_lot577


lot n°578: MARILYN MONROE COCKTAIL DRESS
A black crepe cocktail dress with deep v-neck and low cut back, with pouf hemline. Interior label reads “front” to identify the front of the dress. Monroe wore this dress to a 1958 party at The Beverly Hills Hotel and is pictured on the cover of the book Marilyn Monroe: From Beginning to End by Michael Ventura. No size present.
PROVENANCE Lot 238, “The Personal Property of Marilyn Monroe,” Christie’s, New York, Sale number 9216, October 27 & 28, 1999
Estimate: $20,000 - $30,000 
juliens_lot578a juliens_lot578b

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