Enchères "Hollywood Legends"
16 juillet 2022
- 115 lots avec Marilyn Monroe -

Partie 1: Photos, Films, Effets personnels & Merchandising
Part 1: Photos, Films, Personal Effects & Merchandising

> 16/07/2022, Julien's, "Hollywood Legends": Catalogue

Photos

Lot 0924: JOSEPH JASGUR PHOTOGRAPH
A black and white image of Marilyn Monroe taken by Joseph Jasgur in 1946, printed later with Jasgur's approval. Monroe is posed smiling with hand on hip beside a tripod. 14 x 11 inches
Estimate: $200 - $400 / Sold: -
  

Lot 0925: LASZLO WILLINGER SIGNED LIMITED-EDITION PHOTOGRAPH 
A limited edition black and white 1990 print of a photograph of Marilyn Monroe taken by Laszlo Willinger in the 1940's with the verso signed by Willinger in black marker. Numbered 17/50 in pencil. 20 x 16 inches
Estimate: $300 - $500 / Sold: -
    

Lot 0927: MILTON GREENE CONTACT SHEET
A vintage black and white partial contact sheet featuring candid and posed images of Marilyn Monroe and Milton Greene. The sheet, which consists of two partial contact sheets stapled together, contains 17 images of Monroe. 4.5 x 10 inches
PROVENANCE Lot 890, Property From The Life and Career of Marilyn Monroe, Juliens Auctions, Los Angeles, November 17-19, 2016
Estimate: $200 - $300 / Sold: -
 

Lot 0930: BERT STERN COLOR PHOTOGRAPH PRINT
A color high-gloss photograph print of Marilyn Monroe taken by photographer Bert Stern, printed circa the 1980's.
16 x 20 inches
Estimate: $200 - $300 / Sold: -
  

Lot 0931: GEORGE BARRIS "LAST PHOTO SHOOT" PHOTOGRAPHS
A group of five black and white photographs of Marilyn Monroe from a series taken by photographer George Barris. These are among the last images captured of Monroe before she died in August 1962.
14.5 x 12 inches (overall).
Estimate: $500 - $700 / Sold:
   
      
     

Lot 0932: GEORGE BARRIS SIGNED PHOTOGRAPH
A framed color photograph of Marilyn Monroe taken as part of the Marilyn Monroe Weston Editions Ltd. by photographer George Barris, signed by the photographer in black ink.
35.5 x 23.25 inches
Estimate: $1,000 - $2,000 / Sold: -
 
  

Lot 0933: GEORGE BARRIS SIGNED PHOTOGRAPH
A framed color photograph of Marilyn Monroe taken as part of the Marilyn Monroe Weston Editions Ltd. by photographer George Barris, signed by the photographer in black ink.
35.5 x 23.25 inches
Estimate: $1,000 - $2,000 / Sold: -
 
  

Films

Lot 0521: "GENTLEMEN PREFER BLONDES" PHOTO-SHOOT RENTED BRACELET
A gold-plated sterling silver bracelet, designed by Joseff of Hollywood. The bracelet is composed of series of rectangular wirework links of foliate design, enhanced by brilliant-cut simulated diamonds, joined by fluted triangular shaped links with hinged locking clasp and safety chain, and mounted in gold plated sterling silver.
The bracelet was among a set rented for Marilyn Monroe in a series of Fox publicity photos shot by staff photographer Frank Powolny, used to promote the film Gentlemen Prefer Blondes (Twentieth Century Fox, 1953). The bracelet was ultimately not photographed, but the photoshoot produced legendary images of Monroe wearing the racy gold pleated gown designed by Travilla for Gentlemen Prefer Blondes. Although the gown was deemed to be too revealing because of its plunging neckline and was cut from the film, Monroe liked it and insisted on wearing it to the 1953 Photoplay Awards ceremony. She also wore it during this photoshoot, together with the rest of the jewelry set, producing some of the most iconic images of Monroe ever captured.
Length, 6.75 inches
PROVENANCE From The Joseff Archives
Estimate: $30,000 - $50,000 / Sold: -
    

Lot 0958: MARILYN MONROE: "HOW TO MARRY A MILLIONAIRE" PHOTO-SHOOT WORN EARRINGS (WITH MAGAZINE)
A pair of gold-tone floral basket pendant ear clips with faceted crystal beads, worn by Marilyn Monroe in promotional photos for How To Marry A Millionaire (Twentieth Century Fox, 1953). By Napier, no. MMF889. Each clip back earring is designed as a gold-tone flower basket, with wirework detail and sculpted flowers enhanced by faceted crystal beads, and suspended by a gold-tone floret centering a faceted crystal bead.
In the glamorous 20th Century Fox 1953 promotional photo shoot, Monroe posed in the earrings wearing a burgundy satin evening gown designed by William Travilla.
This set is one of two sets made for the photo shoot. Joan Castle had rented two pairs of earrings and other pieces including an engagement ring. One pair never made it back and the other was slightly damaged. This set was the former, which Marilyn had purportedly taken from the set as she was seen wearing them after the film wrapped.
Accompanied by a notarized letter of provenance from the husband of actress Carmen Miranda, as well as a vintage copy of Movieland magazine featuring Monroe on the cover wearing the earrings.
Length, 3.75 inches
Estimate: $60,000 - $80,000 / Sold: -
    
      

Lot 0971: MARILYN MONROE AND JANE RUSSELL: "GENTLEMEN PREFER BLONDES" PHOTO-SHOOT AND FILM WORN COSTUMES (WITH PHOTOS)
A pair of sequin embellished costumes screen-worn by Marilyn Monroe and Jane Russell in the classic film Gentlemen Prefer Blondes (Twentieth Century Fox, 1953).
The first costume is a black sequined dance leotard worn by Marilyn Monroe as Lorelei. The costume consists of a black satin boned leotard embellished with black sequins in a vermicelli pattern and rhinestone trim with dangling teardrop rhinestones and a matching black sequin covered bicorne hat. The leotard has a bias label inscribed "1-25-1-4288 Marilyn Monroe A698-69." The hat has a bias label inscribed "1-25-1-4288 M. Monroe A698-69."
The second costume is a black sequined dance leotard worn by Jane Russell as Dorothy Shaw. The costume consists of a black satin boned leotard embellished with jet-like sequins in a vermicelli pattern and rhinestone trim and a matching sequin bicorne hat. Costume design by Academy Award winner, William "Billy" Travilla.
Monroe and costar Jane Russell wear these costumes during the scene in which the duo are forced to find work as showgirls in Paris, headlining the "Les Chanteuses Americaines," as well as in the official trailer and in several publicity images.
Professional museum restoration and conservation that includes application of missing sequins, replacement of a velvet panel that was not original to the Jane Russell costume but was created by the studio for use in other productions, and the creation and placement of fabric flowers has been performed on these costumes by The Museo de la Moda in Santiago, Chile.
Accompanied by: an original print photograph with glossy finish, depicting Marilyn Monroe with co-star Jane Russell in an image from their classic film Gentlemen Prefer Blondes with a press-snipe glued to the verso, credit stamps, and a red date stamp for "May 4 1953"; an original vintage print photograph of Marilyn and Jane from the film holding top hats from the National Film Archive London; and a National Screen Service Corp. press release photo of Marilyn and Jane depicted from the film; each 8 x 10 inches.
Estimate: $80,000 - $120,000 / Sold: - 
 
     
   
     
   
   
   
   
     

Lot 0987: "THERE'S NO BUSINESS LIKE SHOW BUSINESS" FILM-WORN ENSEMBLE (WITH BOOK AND PHOTOS)
A figure-hugging embellished gown worn by Marilyn Monroe while singing "After You Get What You Want You Don't Want It" in the musical There's No Business Like Show Business (Twentieth Century Fox, 1954).
The flesh tone crepe gown has a netting overlay and is generously embellished with silver and pearlized bugle beads in a starburst and foliate motif, scattered rhinestones, bouquets of bugle beads top with sequins and seed beads, with a cluster of monofilament fiber with silver and glittering flowers to the waist-high left leg slit. A sheer pleated vanity panel is present to the slit and was added post production for alternate filming and publicity images for release in countries that forbade such a revealing costume. Hand finishing work and a couture waistband are present to the interior. A 20th Century label with no inscription and a bias label inscribed "1-25-1-4692 M. Monroe A-729-28" are present. Costume design by William "Billy" Travilla.
Also included is a matching headpiece of silver and glitter flowers, accented with a spray of monofilament fibers with a bias label inscribed "1-25-4-4692 A729-29 M.Monroe," and a pair of strappy satin Pacelle Saks Fifth Avenue high heels that are not original to the costume.
Accompanied by a coffee table book titled The Marilyn Album (Gallery Books, 1991) by Nicki Giles, which features photographs of Monroe wearing the ensemble. Also accompanied by an original vintage press photo of Marilyn in the film and a 20th Century Fox press release photo of Marilyn from a scene in the film; each 8 x 10 inches.
Estimate: $80,000 - $100,000 / Sold: -

Lot 0988: "THERE'S NO BUSINESS LIKE SHOW BUSINESS" LOBBY CARD
A #6 lobby card from the Marilyn Monroe film There's No Business Like Show Business (20th Century Fox, 1954).
11 x 14 inches
Estimate: $25 - $50 / Sold: -
  

Lot 0989: "THERE'S NO BUSINESS LIKE SHOW BUSINESS" 3D SLIDES
A pair of three-dimensional stereo viewer slides of Marilyn Monroe as Vicky Parker in There's No Business Like Show Business (20th Century Fox, 1954). The stereo three-dimensional slides come from the collection of Ad Schaumer, an Assistant Director active in Hollywood between 1928 and 1966.
1.75 x 4 inches (each)
PROVENANCE Lot 859, Property From The Life and Career of Marilyn Monroe, Juliens Auctions, Los Angeles, November 17-19, 2016
Estimate: $200 - $300 / Sold: -
  

Lot 1006: BUS STOP" HANDWRITTEN NOTE
A note containing dialogue from Marilyn Monroe's classic film Bus Stop (20th Century Fox, 1956), with red ink stains and acting notes handwritten in pencil by Marilyn Monroe. Monroe's character, Cherie, asks Elma for help: "Pardon me I'm sorry to wake you/But I wonder if you could help/me/I'm being abducted/you know-kidnapped-by-him/I thought maybe as soon as/we got some place I'd ask the/driver to stop and let me off/But we been driving for hours, and we still don't seem to be, nowhere at all-not only that/but I'm freezing to death-I/ain't got much on under/my coat."
This note is reproduced in the book Fragments: Poems, Intimate Notes, Letters by Marilyn Monroe. Edited by Stanley Buchthel and Bernard Comment. (Farrar, Straus and Giroux, New York, 2010).
11 x 8.5 inches
PROVENANCE Lot 193, Property From The Life and Career of Marilyn Monroe, Juliens Auctions, Los Angeles, November 17-19, 2016
Estimate: $2,000 - $3,000 / Sold: -
    

Lot 1007: "BUS STOP" LOBBY CARD GROUP WITH EILEEN HECKART SIGNED CARD (x 18)
A group of 18 Lobby cards from the film Bus Stop (20th Century Fox, 1956), starring Marilyn Monroe, one of which is signed in faded red marker by Monroe's co-star, Eileen Heckart. 8 x 10 inches (largest)
PROVENANCE Lot 736, Property From The Life and Career of Marilyn Monroe, Juliens Auctions, Los Angeles, November 17-19, 2016
Estimate: $200 - $300 / Sold: -
     
     
     
    
   
 

Lot 1008: 1956 PORTRAIT BODICE (WITH DVD)
A 19th Century-style bodice worn by Marilyn Monroe in a 1956 Jack Cardiff photo session. Monroe wore this bodice during a private photo session in which she was depicted with different hats as she purportedly reminded him of works by the great French painter, Renoir, with the series of photographs referred to as "Renoir Girl".
The boned faille bodice is embellished with ivory lace, black silk velvet, and jet-like foliate buttons. Also includes a piece of the original missing button.
Includes a DVD copy of Cameraman: The Life and Work of Jack Cardiff (Modus Operandi Films, 2010).
PROVENANCE Lot 93, Film and Entertainment, Christies, South Kensington, Sale number 9538, December 17, 2002
Estimate: $20,000 - $30,000 / Sold: -
     
 

Lot 1009: "THE FIREBALL" STUDIO EVENING GOWN (WITH DVD AND BOOK)
A black velvet studio evening gown from the Marilyn Monroe production The Fireball (1950, Bert E. Friedlob Productions), with a bias label inscribed "M. Monroe 1 27 3 0396." The floor-length gown features a plunging neckline front zipper and tie, as well as three hook and eye closures. Also included is a matching black velvet belt and a loose shoulder pad.
Monroe has a very small role in the film, which premiered in Los Angeles on October 7, 1950, less than a week before her watershed performance in All About Eve (20th Century Fox, 1950) premiered in New York. She plays Polly, one of several women vying for the attention of roller-skating champion Johnny Casar (Mickey Rooney). As usual, she stands out as a vixen who loves him only for his fame and success.
The gown is seen worn in a publicity photo used to promote the film and also possibly worn in an early photo session with photographer, Ed Clark (photos available upon request).
Includes a DVD of the film and an edition of the book Monroe: Her Life in Pictures by James Spada (New York: Doubleday, 1982).
PROVENANCE Lot 225, Collectors Carrousel, Including Dolls, Toys, Slot Machines, Hollywood and Rock N Roll Memorabilia, Sothebys New York, Sale number 6384, December 17, 1992
Estimate: $20,000 - $30,000 / Sold: -
   
 
 
    
   

Lot 1010: "SOME LIKE IT HOT" PROMOTIONAL EPHEMERA ( x 16)
A collection of promotional items for the classic Marilyn Monroe comedy Some Like It Hot (Ashton Productions, 1959) starring Monroe, Jack Lemmon, and Tony Curtis. Included is a collection of twelve photographs of Monroe taken by photographer Richard Avedon (in original paper sleeve), two Art studies scrapbook pages, a page from the United Artists Pressbook, and a red postcard.
12.25 x 12.25 inches (largest)
Estimate: $500 - $700 / Sold: -
    

Lot 1011: "SOME LIKE IT HOT" AND "MARILYN" PERSONALLY OWNED RECORD ALUMS (x 2)
Two record albums, personally owned by Marilyn Monroe: Some Like It Hot: Original Music from the Motion Picture Soundtrack (United Artists Records, 1959) and Marilyn (20th Fox Records, 1962).
12.25 x 12.25 inches
PROVENANCE From the Estate of Marilyn Monroe
Estimate: $1,000 - $2,000 / Sold: -
      
      

Lot 1012: "LET'S MAKE LOVE" FILM-WORN BLOUSE (WITH DVD)
A custom-made pale pink silk blouse worn by Marilyn Monroe as "Amanda Dell" in Let's Make Love (Twentieth Century Fox, 1960). The fitted blouse is tailored with simulated pearl buttons and hand finishing work to the interior. A Twentieth Century Fox label with no inscription is present.
Monroe as Amanda can be seen wearing the blouse while rehearsing the musical number "Incurably Romantic" with Jean-Marc Clement (played by Yves Montand). After a rehearsed stage kiss, Amanda realizes she is falling in love with her co-star.
Includes a DVD of the film.
PROVENANCE Lot 238, Film and Entertainment, Christies, South Kensington, Sale number EPH 3127, December 16, 1988
Estimate: $20,000 - $30,000 / Sold: -
   
   

Lot 1013: "THE MISFITS" EVE ARNOLD PHOTOGRAPH
A large color photograph print of Marilyn Monroe on the set of The Misfits (Seven Arts Productions, 1961) taken by photographer Eve Arnold in 1960.
21.5 x 18.5 inches
Estimate: $600 - $800 / Sold: -
  

Lot 1014: "THE MISFITS" RECEIVED TELEGRAM AND PERSONAL PRESS CLIPPINGS (x 8)
From the Personal Files of Marilyn Monroe: A Western Union telegram dated January 12, 1961, from "Nan" who praised Marilyn on her performance in The Misfits (Seven Arts Productions, 1961). The message reads, "Your Roslyn is a gift of Joy and Light and 'The still sad music of Humanity.' Love, Nan." Also included in this lot, eight press clippings from various newspapers across the United States with stories about Marilyn's latest film, The Misfits, from her personal files.
PROVENANCE: From the Archives of Marilyn Monroes Personal Property
Estimate: $150 - $250 / Sold: -
 

Effets personnels / Personal Effects

Lot 0955: BRENTWOOD HOUSE BATHROOM TILE
A small ceramic flower bathroom tile from the Brentwood, CA house in which Marilyn Monroe died in August 1962.
5.5 x 1.75 inches
PROVENANCE From The Collection of Lynda Nunez
Estimate: $1,000 - $2,000 / Sold: -
    

Lot 0956: SET OF ROSENTHAL "DONATELLO" PATTERN COFFEE CUPS AND SAUCERS
A set of five Rosenthal "Donatello" pattern cream colored coffee cups and six saucers with gilt rims. These belonged to Marilyn Monroe and passed into the collection of Lee Strasberg, her acting coach and executor of her estate.
2.25 inches
PROVENANCE From the Estate of Lee Strasberg
Estimate: $1,000 - $2,000 / Sold: -
     
   
    

Lot 0957: MARILYN MONROE: BEIGE DAL CO. SHOES
A pair of beige heels by Dal Co., worn by Marilyn Monroe. The heels exhibit no-slip heel inserts, worn heels and soles, and very scuffed toes and sides. The shoes are stamped both "38" and "15."
PROVENANCE Lot 399, Marilyn Monroe: Property From the Estate of Lee Strasberg, Juliens Auctions, November 17-20, 2016
Estimate: $6,000 - $8,000 / Sold: -
  

Lot 0999: 1950S-1960S PERSONALLY OWNED PRESS CLIPPINGS (x 35)
A collection of global press articles and newspaper clippings from various years all related to Marilyn Monroe; the articles feature headlines and stories about the star's personal life and career, and many are circled or annotated in colored wax pencil or pen; like most stars of the era, Monroe paid a 'clipping service' to scour national and international publications that wrote about her; lot includes approximately 35 clippings. Various Sizes
PROVENANCE: From the Archives of Marilyn Monroes Personal Property
Estimate: $300 - $500 / Sold: -
  

Lot 1000: 1950S-1960S PERSONALLY OWNED PRESS CLIPPINGS (x 45)
A collection of global press articles and newspaper clippings from various years all related to our gal; the articles feature headlines and stories about the star's personal life and career, and many are circled or annotated in colored wax pencil or pen; l ike most stars of the era, Monroe paid a 'clipping service' to scour national and international publications that wrote about her; lot includes approximately 45 clippings, along with Marilyn's personal copy of LIFE magazine dated August 15, 1960. Various Sizes
PROVENANCE: From the Archives of Marilyn Monroes Personal Property
Estimate: $300 - $500 / Sold: -
  

Lot 1001: 1950S-1960S PERSONALLY OWNED PRESS CLIPPINGS (x 45)
A collection of global press articles and newspaper clippings from various years all related to our gal; the articles feature headlines and stories about the star's personal life and career, and many are circled or annotated in colored wax pencil or pen; like most stars of the era, Monroe paid a 'clipping service' to scour national and international publications that wrote about her; lot includes approximately 45 clippings along with Marilyn's personal copy of McCall's magazine dated April 1960.
Various Sizes
PROVENANCE: From the Archives of Marilyn Monroes Personal Property
Estimate: $300 - $500 / Sold: -
 

Lot 1002: 1950S-1960S PERSONALLY OWNED PRESS CLIPPINGS (x 65)
A collection of global press articles and newspaper clippings from various years all related to our gal; the articles feature headlines and stories about the star's personal life and career, and many are circled or annotated in colored wax pencil or pen; like most stars of the era, Monroe paid a 'clipping service' to scour national and international publications that wrote about her; lot includes approximately 45 clippings along with Marilyn's personal copy of The American Weekly magazine from May 10, 1959.
Various Sizes
PROVENANCE: From the Archives of Marilyn Monroes Personal Property
Estimate: $300 - $500 / Sold: -
  

Lot 1003: 1950S-1960S PERSONALLY OWNED PRESS CLIPPINGS (x 65)
A collection of global press articles and newspaper clippings from various years all related to our gal; the articles feature headlines and stories about the star's personal life and career, and many are circled or annotated in colored wax pencil or pen; like most stars of the era, Monroe paid a 'clipping service' to scour national and international publications that wrote about her; lot includes approximately 65 clippings, along with Marilyn's own copy of a McCall's magazine dated May 1953 which has a handwritten message to her penned in blue ballpoint ink on the cover reading "Pg 28 - The story I told you about."
Various Sizes
PROVENANCE: From the Archives of Marilyn Monroes Personal Property
Estimate: $300 - $500 / Sold: -
 

Merchandising & Hommages / Tributes

Lot 0923: MARILYN MONROE AFTER ANDY WARHOL SUNDAY B. MORNING PRINTS PORTFOLIO (x 10)
A portfolio of 10 Sunday B. Morning prints of Andy Warhol's art featuring Marilyn Monroe. The verso of each print features an embossed stamp certifying that it was published by Morning.
Accompanied by 10 Certificates of Authenticities from Sunday B. Morning.
36.25 x 36.25 inches (each)
Estimate: $2,000 - $3,000 / Sold: -
     
     
     
     

Lot 0926: MARILYN MONROE AND OTHERS UNCUT ARCADE CARD SHEET 
An uncut arcade card sheet of Marilyn Monroe, Charlotte Austin, Debra Paget, Midge Ware, and other models from the 1930's-1950's.
22.75 x 28.75 inches
Estimate: $500 - $700 / Sold: -
 

Lot 0928: MARILYN MONROE: DOUGLAS KIRKLAND POSTER PRINT
A 1987 poster print of Marilyn Monroe taken by photographer Douglas Kirkland in 1961. The poster is rolled.
28 x 20 inches
Estimate: $100 - $200 / Sold:
 

Lot 0929: MARILYN MONROE: DOUGLAS KIRKLAND POSTER PRINT
A 1986 poster print of Marilyn Monroe taken by photographer Douglas Kirkland in 1961. The poster is rolled.
23 x 35 inches
Estimate: $100 - $200 / Sold:
  

Lot 1022: 1990-1992 WALL CALENDARS BY ATHENA INTERNATIONAL, LTD.
A group of 22; all oversized with a spiral-bound top margin; one is from 1990; eight are from 1991; 13 are from 1992; these old calendars with their high-gloss images are great for art projects like decoupage!
The 1991 and 1992 calendars feature images of the star that were shot by Ed Feingersh in New York City for an article that appeared in the July 1955 issue of Redbook magazine. These images were then lost for 33 years until they were rediscovered in 1988, making the cover story of the February 1988 issue of L.A. Style under the tagline: "Marilyn: Lost Images." There was also a 1988 exhibit of these images at the G. Ray Hawkins gallery in Los Angeles, CA.
16 x 12 inches
Estimate: $25 - $50 / Sold: -
  

Lot 1023: 1990-2006 UNUSED WALL CALENDARS
A group of 17; ranging in date from 1990 to 2006, most still sealed, issued by various companies throughout the decades, featuring a range of, of course, stunning images of the star; these old calendars are good for art projects like decoupage - that's what I use them for, anyway.
Largest, 12 x 12 inches
Estimate: $25 - $50 / Sold: -
  

Lot 1024: 1990S "PRINT PORTFOLIOS"
A group of three; the first issued by Pyramid Books is titled "Marilyn Monroe: The Classic Poster Book" and features 5 separate color images of the star (the 'blue Capri pants' image is now missing); the second issued by Pomegranate Publications in 1990 is titled "Marilyn Monroe: Print Portfolio" and features 8 separate color images of the star (these are actually very pretty 'colorized' ones); the third issued by Classico San Francisco, Inc. is titled "Marilyn Monroe by Sam Shaw" and features 6 separate color images of the star all shot by her good friend, Sam Shaw.
Largest, 17 x 12 inches
Estimate: $25 - $50 / Sold: -
    

Lot 1025: 1990S "VINTAGE INSPIRED" TIN ADVERTISING SIGNS
A set of two both featuring beautiful images of the star from different stages of her career; one is for "Lustre-Creme Shampoo" with a vivid blue background, handwritten production information is penned in black felt-tip ink in the lower left corner; one is for "Tru-Glo Liquid Make-Up" with a tomato red background, text in the lower left corner reads "TM & © 1994 The Estate of Marilyn Monroe."
12 x 16 inchess
Estimate: $25 - $50 / Sold: -
 

Lot 1026: 1990S RANDOM FLAT COLLECTIBLES
A group of eight pieces all featuring images of Marilyn on them including: 1) a still-sealed tabletop standee with no year indicated; 2) a still-sealed pack of gift wrap paper from 1988; 3) a pack of Hallmark invitations from 1984; 4) another identical pack of invitations from 1984; 5) a checkbook cover from 1988; 6) a different checkbook cover from 1988; 7) a checkbook cover with no year indicated; and 8) a lapel button with no year indicated.
Largest, 19.5 x 7 inches.
Estimate: $25 - $50 / Sold: -
  

Lot 1027: 1990S T-SHIRTS
A group of seven; all cotton, still new and never worn; including two identical 'men's cut' pink ones, size L; one 'women's cut' pink one, size L; two identical 'men's cut' black ones, size L; one 'women's cut' black one, size L; and one 'women's cut' black one, size S.
Estimate: $25 - $50 / Sold: -
  

Lot 1028: 1992 COLLECTION OF IDENTICAL SMALL POSTERS RELEASED BY THE ESTATE OF MARILYN MONROE
A group of 18 identical posters all featuring a stunning black and white image of our gal with her red facsimile signature below and additional text noting in part that "The Estate of Marilyn Monroe" and the "Estate of Lee Strasberg" released these in 1992; also, a teeny tiny image of a self-portrait MM did randomly appears in the lower right corner - weird.
14 x 10.5 inches 
Estimate: $25 - $50 / Sold: -
  

Lot 1029: 1995 COLLECTIBLES RELATED TO HER USPS STAMP
A group of two items that were officially released to commemorate the 32-cent stamp of the star that the United States Postal Service issued in 1995 including: an enlarged version of the stamp printed on tin, and a weighty pewter belt buckle; both note the date of "1995" and that they're sanctioned by the "United States Postal Service" and "The Estate of Marilyn Monroe."
Largest, 16.5 x 10.5 inches
Estimate: $25 - $50 / Sold: -
   
  

Lot 1030: 1995 COLLECTIBLES RELATED TO HER USPS STAMP
A group of three items that were officially released to commemorate the 32-cent stamp of the star that the United States Postal Service issued in 1995 including: an enlarged version of the stamp printed on tin, a weighty pewter belt buckle, and a ceramic mug; all note the date of "1995" and that they're sanctioned by the "United States Postal Service" and "The Estate of Marilyn Monroe."
Largest, 16.5 x 10.5 inches 
Estimate: $50 - $75 / Sold: -
    

Lot 1031: 1998 LIMITED EDITION COLLECTOR'S PLATE BY THE BRADFORD EXCHANGE
A brass wall hanging with a raised image depicting a larger version of the 32-cent stamp the United States Postal Service issued of Marilyn Monroe in 1995; back has a sticker reading in part "The Estate of Marilyn Monroe / and United States Postal Service."
12 x 8 x .5 inches 
Estimate: $50 - $100 / Sold: -
    

Lot 1032: 1998 LIMITED EDITION COLLECTOR'S PLATE BY THE BRADFORD EXCHANGE
A piece made of ceramic; depicting an alluring color image of the star shot by Milton H. Greene with her facsimile signature printed on the lower right side; verso displays the date of "1998" plus other relevant information; included with a COA noting this is a "limited edition" titled "Satin and Lace."
Diameter, 8 inches 
Estimate: $25 - $50 / Sold: -
    

Lot 1033: 2010 LIMITED EDITION COLLECTIBLE WINE GLASSES BY THE BRADFORD EXCHANGE
A group of four white wine glasses; featuring two different black and white images of the star on the front, all with black-painted stems; included with two COAs noting these are called "Blonde Perfection" and that they're from a "Limited Edition" of the "Marilyn Monroe Signature Wine Glass Collection." 
Estimate: $25 - $50 / Sold: -
  

Lot 1034: 1998 SMALL MUSICAL STATUETTE BY THE FRANKLIN MINT
A piece made of hard resin with the star's facsimile signature on the bottom front; featuring a tiny 3D Marilyn inside a glass dome. She wears a costume from Some Like It Hot (Ashton Productions, 1959). A button on the bottom activates a recording of her singing "I Wanna Be Loved By You.". 
Estimate: $25 - $50 / Sold: -
  

Lot 1369: HUGH HEFNER: SIGNED FIRST-ISSUE "MARILYN MONROE" "PLAYBOY" MAGAZINE
A December 1953 "Volume I, Number I" issue of Playboy magazine featuring a black and white image of Marilyn Monroe on the cover as well as a three-page spread depicting her nude on pages 17-19, signed in black marker on the cover by magazine founder Hugh Hefner.
Accompanied by a Letter of Authenticity from JSA. 
Estimate: $10,000 - $20,000 / Sold: -
  

Lot 1494: WILLEM DAFOE: SUPER BOWL COMMERCIAL-WORN "THE SEVEN YEAR ITCH" MARILYN MONROE STYLE DRESS
Dafoe wore the gown in a 2016 Snickers brand Super Bowl commercial, in which he plays a hungry version of Marilyn Monroe on the set of The Seven Year Itch filming the subway grate scene. William Travilla designed the original white halter dress with sunburst pleated skirt that Monroe wore. 
Estimate: $2,000 - $3,000 / Sold: -
 
 

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Yves Montand et Marilyn Monroe : les secrets d'une romance passionnée
07/12/2020 | par Thomas Colpaert - en ligne sur programme-tv.net

C'est l'histoire de deux stars, deux immenses talents regrettés. En France comme aux Etats-Unis, Yves Montand et Marilyn Monroe ont laissé une trace indélébile. Le premier dans des rôles aussi variés que La Folie des grandeurs, où il doit résister au charme ravageur d'Alice Sapritch, ou le diptyque évènement  Jean de Florette - Manon des sources ,films cultes des années 80 adaptés de l'oeuvre de Marcel Pagnol. La seconde icône éternelle, glamour dans Certains l'aiment chaud , impressionnante dans Les Désaxés, film maudit entré dans la légende. Deux personnalités fortes, dont la rencontre, détaillée dans le documentaire Signoret et Montand, Monroe et Miller : deux couples à Hollywood diffusé sur France 3, a fait des étincelles.

Yves Montand - Simone Signoret, Marilyn Monroe - Arthur Miller : deux couples qui se rapprochent

C'est à la fin des années 50 que les deux acteurs se rapprochent l'un de l'autre. Ou plus précisément leurs couples. Yves Montand est en effet marié depuis près de dix ans à Simone Signoret, interprète inoubliable de Casque d'Or (1952). Marilyn Monroe de son côté s'est unie en 1956 avec le dramaturge Arthur Miller, auteur des Sorcières de Salem et de Mort d'un commis voyageur. La rencontre se passe en 1959, alors qu'Yves Montand, également chanteur, donne une représentation à Broadway. Présente dans la salle, Marilyn est conquise par ce frenchy, et organise un dîner à quatre. Les deux couples s'entendent à merveille, différents et pourtants semblables dans leur sensibilité artistique, mais également leurs opinions politiques, ancrés à gauche. L'occasion est belle pour Yves Montand, qui rêve de faire carrière à Hollywood, de partager l'affiche d'un film avec Marilyn Monroe. Ce sera un an plus tard, dans Le Milliardaire (Let's make love en version originale).

Un premier baiser "tendre, superbe" entre Yves Montand et Marilyn Monroe

Au printemps 1960, les deux couples s'installent côte à côte dans le Beverly Hills Hotel et cohabitent presque ensemble pendant plusieurs mois. Fin avril, Yves Montand et Marilyn Monroe se retrouvent plusieurs semaines seuls, Simone Signoret étant repartie travailler en Europe alors que le couple que la comédienne forment avec Arthur Miller bat de l'aile. La simple complicité amicale et de travail les deux partenaires à l'écran se transforme en relation amoureuse. "Mes lèvres dérapent, je suis à moitié sonné", raconte Yves Montand à propos de leur premier baiser, "tendre, superbe". L'idylle dure plusieurs semaines et au bout d'un mois, la presse américaine révèle l'affaire, au grand dam de Simone Signoret, oscarisée l'année précédente pour Les Chemins de la haute ville. Si Marilyn Monroe n'a jamais parlé de cette romance, Yves Montand l'a évoquée par des mots détournés lors de plusieurs entretiens. Leur histoire se termine à la fin du tournage du Milliardaire.

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Dédicace de Marilyn Monroe pour Eddie Foster, frère de l'acteur Ray Foster qui tient un petit rôle dans le film "Le Milliardaire" en 1960.
Dedication of Marilyn Monroe for Eddie Foster, brother of actor Ray Foster who plays a small part in the film "Let's Make Love" in 1960.

"To Eddie
Love & Kisses
Marilyn Monroe "

 
photographie de Cecil Beaton (1956)

(source: vente Nate D Sanders octobre 2016)

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copyright text by GinieLand. 

Gil est technicien et homme à tout faire sur les plateaux de tournage de la 20th Century Fox.
Gil is a technician and handyman on the sets of 20th Century Fox.

 "To Gil,
Love and Kisses,
Marilyn Monroe "

 
photographie de Frank Powolny (1952)

"To Gil,
there is nothing like your coffee,
Marilyn Monroe "

"A Gil,
il n'y a rien comme ton café,
Marilyn Monroe "

 
sur le tournage du film "Le Milliardaire", 1960
on the set of the film "Let's Make Love", 1960

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copyright text by GinieLand.   

Le 14 avril 1960, Marilyn Monroe (en body noir) tourne une scène du film "Le Milliardaire".

On April, 14, 1960, Marilyn Monroe (in black body) shoots a scene of "Let's Make Love".

Photographies de Richard C. Miller

Marilyn Monroe, Yves Montand & George Cukor
   

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copyright text by GinieLand.

Tests Costumes

C'est l'acteur Gregory Peck qui est d'abord envisagé pour tenir le premier rôle masculin. On peut lire sur le panneau des screen tests des essayages costumes qu'il passe le 10 novembre 1959, que son personnage s'appelait Mark Bruester. Après que le scénario ait été remanié par Arthur Miller, Gregory Peck décide de se retirer du film jugeant que le rôle masculin était bien trop faible par rapport au rôle féminin.
That's the actor Gregory Peck who is first considered to lead the male role. We can read on the screen tests panel of the costume fittings he spent on November 10, 1959, that his character was called Mark Bruester. After the screenplay was reworked by Arthur Miller, Gregory Peck decides to withdraw from the film judging that the male role was far too weak compared to the female role.

Marilyn Monroe dans le rôle d'Amanda Dell
  Les costumes de Marilyn Monroe sont de Dorothy Jeakins
Marilyn Monroe plays the character of Amanda Dell
The Marilyn Monroe's costumes are by Dorothy Jeakins

Prises de vues le 20 novembre 1959
Shots taken in 1959, November, 20

-> Pull Over
 
 

-> Body Noir - Black Leotard
 

-> Manteau à carreaux - Plaid Coat
     
     

Prises de vues le 15 décembre 1959
Shots taken in 1959, December, 15

-> Robe en soie style empire - Empire style silk dress
 

-> Bikini et collants noir - Black Bikini and Tights
 

-> Body Noir et Perruque - Black Leotard and Wig
 
   

- photographie de John Bryson - 
 
   

Prises de vues non datées
Undated Shots

-> Body vert - Green Leotard
    

Autres vêtements
Other clothes

-> Chemisier Rose - Pink Blouse
   
 

-> Jupe Rouge / Orangé - Orange / Red Skirt 
 
 

Esquisse par Dorothy Jeakins
 

Bout d'essai et Répétitions
Screen Tests and Rehearsals

Répétition en bikini et collants noirs
Rehearsal in Black bikini and tights

Marilyn Monroe et le chorégraphe Jack Cole
Marilyn Monroe with the choreographer Jack Cole

Marilyn Monroe et son maquilleur Allan 'Whitey' Snyder
Marilyn Monroe and her makeup artist Allan 'Whitey' Snyder

Prises de vues en body noir le 17 janvier 1960
Shots in Black Leotard taken in 1960, January, 17

- dans la presse -
 

Répétition et ajustement du pull par les couturières
Rehearsal and dressmakers adjust the sweater

Marilyn et Jack Cole - par John Bryson
Marilyn with Jack Cole - by John Bryson
 

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copyright text by GinieLand.

Tests Coiffures et Maquillage

Prises de vues en décembre 1959
Shots taken in 1959, December

Marilyn Monroe et le réalisateur George Cukor
Marilyn Monroe with the director George Cukor

- planche contact -
 

Photos de tests coiffures servant de portraits publicitaires
Photos of Hairdress tests used as publicity portraits

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copyright text by GinieLand.

Une nouvelle bannière pour le blog,
au thème de photographies Tests pour "Le Milliardaire"

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Le Milliardaire
Photos scène 1

Chanson / Song
"My Heart Belongs to Daddy"

Amanda Dell (Marilyn Monroe) en pull torsadé

- divers -

Amanda Dell (Marilyn Monroe) en body noir

- Marilyn pose avec les danseurs -

Jean-Marc Clement (Yves Montand)

photographies de L.J  Willinger

photographies de John Bryson

photographies de Nat Dillinger

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copyright text by GinieLand.

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