Marilyn Monroe Auction - 11/2016 - effets personnels 1

23 octobre 2016

Marilyn Monroe Auction - 11/2016 - effets personnels 1

Vêtements
Clothes

Lot 15: MARILYN MONROE ROBE
A cream cotton mandarin style robe owned by Marilyn Monroe and gifted to her personal assistant Vanessa Reis, sisterin-law of May Reis. The robe has seven self-frog closures, an internal label reading “Tuji” and the collar stamped "REIS." Accompanied by a copy of a letter to Reis dated August 14, 1993, in which Ralph Roberts writes, "Reference Marilyn robe and bracelet. As best I recall, late one Saturday afternoon Marilyn and I were in the dining area of the Miller 9th floor suite at the Mapes Hotel. She had just changed into a robe, sitting on one of the chairs and I was massaging her back and shoulders. She showed me a bracelet she'd brought to Reno with thought of possibly wearing it as a (undecipherable) comment for Roslyn. Upon discussing it, she and Paula had decided somehow it wouldn't be appropriate. Just then May Reis entered with Vanessa Reis (the widow of Irving Reis, May's greatly loved brother and film director). Vanessa had come up from LA for a long weekend visit - there'd been some talk of our going out to some of the casinos to do a bit of gambling. Vanessa told Marilyn how lovely she looked in that robe. Marilyn thanked her + impulsively held out the bracelet, Take this + wear it as a good luck charm. I was wearing it during dance rehearsals for Let's Make Love, smashed into a prop, so a stone is loosened. I wish I could go with you, but Raffe is getting some Misfits knots out. And I should go over that scene coming up Monday.' They left. Marilyn asked me to remind her to have the robe cleaned to give to Vanessa. Whitey, Agnes, May - all of us - knew from experience we couldn't compliment Marilyn on any personal items or had to be very careful. She'd be compulsive about giving it, or getting a copy - to you."
Estimate: $5,000 - $7,000

Lot 23: MARILYN MONROE IVORY KNIT TOP
A knitted mohair and wool vest-top in cream owned by Marilyn Monroe. A label reads “Hand Knitted, Made in Italy." Accompanied by an original Christie’s sale tag.
PROVENANCE: Partial Lot 160, "The Personal Property of Marilyn Monroe," Christie's, New York, Sale number 9216, October 27 & 28, 1999
Estimate: $2,000 - $4,000

Lot 24: MARILYN MONROE TURQUOISE KNITTED TOP
A knitted mohair and wool vest-top in turquoise owned by Marilyn Monroe. A label reads “Hand Knitted, Made in Italy.” Accompanied by an original Christie’s sale tag.
PROVENANCE: Partial Lot 160, "The Personal Property of Marilyn Monroe," Christie's, New York, Sale number 9216, October 27 & 28, 1999
Estimate: $2,000 - $4,000

Lot 25: MARILYN MONROE LANVIN GOWN
A Castillo for Jeanne Lanvin circa 1950s gown owned by Marilyn Monroe. The ivory silk gown is embellished with gold bullion embroidery, simulated pearls, and faceted glass in a tri-squared classical cascading foliate motif. The boned bodice has a silk lining. Hand finishing work is present to the interior. “Jeanne Lanvin” and “Castillo” labels are present.
PROVENANCE: Lot 13, "The Personal Property of Marilyn Monroe," Christie's, New York, Sale number 9216, October 27 & 28, 1999
Estimate: $20,000 - $40,000

Lot 27: MARILYN MONROE CEIL CHAPMAN COCKTAIL DRESS
A Ceil Chapman black figure-hugging cocktail dress worn by Marilyn Monroe on December 19, 1953 when she appeared at the Ambassador Hotel in Los Angeles to receive the Miss Press Club Award and to the restaurant, La Rue. The ruched jersey dress has a black silk taffeta three-tiered detail attached to the hip and a Ceil Chapman label. Chapman was one of Monroe’s favorite designers. A Christie’s lot tag and an in-house inventory tag inscribed “Strasberg #16” with an inventory number to the verso are present.
PROVENANCE: Lot 210, “The Personal Property of Marilyn Monroe,” Christie's, New York, Sale number 9216, October 27 & 28, 1999
Estimate: $30,000 - $40,000 -> SOLD $50,000

Lot 28: MARILYN MONROE ROSE TATTOO PREMIERE GOWN
A black slender-fitting evening gown worn by Marilyn Monroe while accompanying Marlon Brando to the New York City premiere of The Rose Tattoo (Paramount, 1956) in December 1955. The jersey bias-cut gown has spaghetti straps, a décolletage neckline, and a graduated weighted hemline. The gown is believed to have been custom made for Monroe by the studio wardrobe department and has silk lining and hand finishing work to the interior. Monroe was photographed numerous times at this event, interestingly with studio rival Jayne Mansfield, quite possibly the only time the two were photographed together. Accompanied by the original Christie’s lot tag.
PROVENANCE: Lot 217, “The Personal Property of Marilyn Monroe,” Christie's, New York, Sale number 9216, October 27 & 28, 1999
Estimate: $50,000 - $70,000

Lot 84: HISTORIC DRESS WORN BY MARILYN MONROE WHEN SHE SANG HAPPY BIRTHDAY TO JFK AT MADISON SQUARE GARDEN IN 1962
A Jean Louis designed illusion gown worn by Marilyn Monroe at Madison Square Garden in New York City on May 19, 1962, at a Democratic fundraiser and 45th birthday celebration for President John F. Kennedy.
Early in 1962, Monroe asked famed Hollywood costume designer Jean Louis to create a dress “that only Marilyn Monroe could wear.” The nude soufflé chiffon gown, perfectly matching Monroe’s skin tone, was embellished with hand-sewn round crystals, carefully placed since the dress was created with no underlining layer. Monroe wore no undergarments that night, instead relying on Louis’ masterful swirls of crystals in precisely the right places. Under the stage lights of Madison Square Garden, the fabric of the dress appeared to melt away, leaving only twinkling rays of light from the crystals reflected by the spotlight covering Monroe. The gown was designed as a sleeveless column dress with a scoop neck and open back with clear zipper, covered by hook and eye tab closure and a small train at the back hem. Despite the zipper and closures, the gown was so form fitting that Louis later disclosed that Monroe had to be sewn into the back closure. His hand stitching is still evident beneath the lower back hook and eye tabs. Since 1999, the dress has been displayed on a custom conservator mannequin.
In this dress, Monroe sang her unique version of “Happy Birthday” to President Kennedy and a crowd of 15,000 well-wishers. Some have posited that Monroe’s delayed appearance on stage and her breathless performance can be attributed to getting lost and racing to the stage as Peter Lawford joked about Monroe’s penchant for never being on time.
The effect of her performance was far reaching – not only for Monroe but also for American 1960s culture. Monroe’s seductive serenade remains a crossroads of Hollywood and political touch points more than 54 years later. Part of the appeal may be the intrigue: Were Monroe and Kennedy having an affair? Did she just stand up in front of 15,000 people and sing him that song that way ? The performance has taken on a life of its own, outside the context of the gala. While Monroe’s performance is instantly recognizable and the most memorable of the night, it was one of many that night that included Jack Benny, Ella Fitzgerald, Henry Fonda and Maria Callas. However, it is Monroe singing in this dress that is remembered. It has come to epitomize who Marilyn was in popular culture, including the lyrics she wrote herself for the evening:
Happy Birthday to you
Happy Birthday to you
Happy Birthday Mr. President
Happy Birthday to you
Thanks Mr. President
For all the things you've done
The battles that you've won
The way you deal with U.S. Steel
And our problems by the ton
We thank you so much
Everybody! Happy Birthday!
As an enormous birthday cake was wheeled onstage, President Kennedy commented on Monroe’s performance, joking, “I can now retire from politics after having had ‘Happy Birthday’ sung to me in such a sweet, wholesome way.”
On that special evening, Monroe could not have known that she would live fewer than three months. Perhaps she thought another future performance would replace this as the moment that would epitomize her and her life. Sadly, John F. Kennedy was assassinated eighteen months later, and if tragedy had not intervened, this may not have been the singular iconic moment we associate with Monroe and Kennedy.
Although Monroe could not have known that this performance would be the last image of her remembered by so many following her untimely death, she expended a great deal of effort and money to bring this moment to life. Monroe’s financial statements from this period reveal a great deal about the extraordinary amount of money she put behind her performance. Her May 1962 financial statements list a special expense category titled “New York Birthday Salute to the President” with a $5,000 expense, Monroe’s ticket/donation made to attend the event. Expenses also include $1,000 listed as pertaining to the birthday gala for her maid, Hazel Washington, to accompany Monroe to New York. The expense is coded as “business maid, plane fare, salary.” Her last checkbook also records a check paid to Mary Irvine for makeup for “special appearance at Madison Square Garden.” Monroe’s financial statements also list a $300 deposit paid to Western Costume Company to create this gown with matching shoes in May and a payment for the remaining balance of $1,140.33 in June 1962. There were no doubt other expenses involved in Monroe’s appearance, but the ticket to the event, dress, and the expenses listed above total more than $7,000 in 1962, which with inflation would equate to $60,000 in 2016.
These costs do not begin to take into account the cost Monroe paid professionally for her appearance. At the time she was filming Something’s Got To Give, and Twentieth Century Fox executives would not give Monroe permission to leave filming to attend the event. According to some sources, the employees on the crew were aware, in advance, that Monroe was traveling from Los Angeles to perform at the celebration. Whatever miscommunication or machinations there were behind the absence, it became another strike against the actress on an already contentious film set. Monroe’s unauthorized departure was used against her as she was ultimately fired from the film.
The performance that night in May also had an impact on Monroe’s personal life. Monroe biographer Lois Banner, in her book Marilyn: The Passion and the Paradox (New York: Bloomsbury, 2012), asserts that Monroe told the event planners that she would dress discreetly. When viewed under normal lighting, the dress did appear modest, but under the glare of the Madison Square Garden stage lights, the Jean Louis creation magically transformed into a sparkling second skin. The dress and the song were too much for the political dynasty, and according to Banner, that evening ended whatever relationship Monroe and John F. Kennedy shared and severed her from the rest of the Kennedy family. The magic and myth of Marilyn Monroe as legend was certainly sealed that evening in May 1962, made permanent by her mysterious death a short time later. The fact that she remains a contemporary role model and muse all these decades later is extraordinary and a feat achieved by few. Ten years after her death, Elton John and Bernie Taupin penned “Candle in the Wind” about Monroe, repurposing the lyrics twenty-four years later for the funeral of Princess Diana. From Andy Warhol to Cindy Sherman to Richard Avedon and Bert Stern, the art and photography world has always taken Marilyn Monroe seriously. In fact, it was Monroe’s death in 1962 that inspired Warhol to create the “Marilyn Diptych” among more than 20 silkscreen paintings of her, all based on the publicity photograph from her 1953 film Niagara, plucking her from pop culture, forever immortalized as art.
PROVENANCE Lot 55, “The Personal Property of Marilyn Monroe,” Christie’s, New York, Sale number 9216, October 27–28, 1999
Estimate: $2,000,000 - $3,000,000

Lot 218: MARILYN MONROE MINK COAT
A three-quarter-length mink coat with bell sleeves, wide lapel, two front velvet lined pockets and rose form buttons edged in citrine rhinestones. Label has been cut from front right lining.
It was and still is customary for furriers to embroider an owner’s name onto a label that is attached to the lining or directly onto the lining of high-end fur jackets. Due to the fact that Inez Melson and her family held this and other furs that belonged to Monroe and her estate for many years in violation of Monroe’s wishes as outlined by her will, we believe that the label, which likely featured Monroe’s embroidered name, was removed from the jacket in an effort to conceal the fact that it was a fur owned by Monroe. The labels cut from these furs have never been recovered.
Estimate: $20,000 - $30,000

Lot 221: MARILYN MONROE FUR JACKET
A tourmaline mink, cropped jacket with three-quarter-length sleeves, two plastic gold colored buttons and front inside left seam pocket. Label has been cut from front right lining.
It was and still is customary for furriers to embroider an owner’s name onto a label that is attached to the lining or directly onto the lining of high-end fur jackets. Due to the fact that Inez Melson and her family held this and other furs that belonged to Monroe and her estate for many years in violation of Monroe’s wishes as outlined by her will, we believe that the label, which likely featured Monroe's embroidered name, was removed from the jacket in an effort to conceal the fact that it was a fur owned by Monroe. The labels cut from these furs have never been recovered.
Estimate: $10,000 - $15,000

Lot 222: MARILYN MONROE FUR CAPE
A chinchilla cape with wide lapel, front vertical seamed pockets and notched sides. Label has been cut from front right lining.
It was and still is customary for furriers to embroider an owner’s name onto a label that is attached to the lining or directly onto the lining of high-end fur jackets. Due to the fact that Inez Melson and her family held this and other furs that belonged to Monroe and her estate for many years in violation of Monroe’s wishes as outlined by her will, we believe that the label, which likely featured Monroe’s embroidered name, was removed from the jacket in an effort to conceal the fact that it was a fur owned by Monroe. The labels cut from these furs have never been recovered.
Estimate: $10,000 - $15,000

Lot 223: MARILYN MONROE CARDIGAN WITH FUR LAPEL
A white wool cardigan with lace and tulle lining, rhinestone button closure and rhinestone cufflinks. The cardigan features a removable white and lunaraine mink shawl collar lapel attached with small snaps. Label inside sweater reads "Bonnie Briar Full Fashioned Fur Blend 10% Angora 70% Wool."
Estimate: $10,000 - $15,000

Lot 224: MARILYN MONROE STOLE
A white fox fur stole with white silk lining and single hook and eye closure.
Estimate: $8,000 - $12,000

Lot 294: MARILYN MONROE PORTRAIT DRESS
A red-orange dress worn by Marilyn Monroe in a 1957 portrait and to a circa 1957 event with Arthur Miller that appears to be a showing of The Prince and the Showgirl (Warner Brothers, 1957). The dress has a fitted jersey halter bodice with a layered silk crepon full skirt. A "Designed by Jax" label is present.
Estimate: $60,000 - $80,000

Lot 295: MARILYN MONROE JAX KNITTED TOP
A black sleeveless knitted top with plunging V to front and back. A Designed by Jax label is present.
Estimate: $3,000 - $5,000

Lot 296: MARILYN MONROE JAX TOP
An ivory jersey sleeveless cropped top. The top has large pearlized buttons to the back and a Jax label.
Estimate: $3,000 - $5,000

Lot 376: MARILYN MONROE JACKET
A black wool tailored jacket. The fitted jacket is lined with pale pink and ivory striped silk. Monroe wore the jacket with a fur lined collar while attending a meeting to launch the New Watergate Club in London with Arthur Miller on September 10, 1956. The unfinished collar indicates that it was originally lined with fur.
Estimate: $8,000 - $12,000

Lot 377: MARILYN MONROE LAMB JACKET
A broadtail lamb cropped long-sleeve jacket with fox fur collar and single black velvet with braided cord trim, front button closure. Label has been cut from front right lining.
It was and still is customary for furriers to embroider an owner’s name onto a label that is attached to the lining or directly onto the lining of high-end fur jackets. Due to the fact that Inez Melson and her family held this and other furs that belonged to Monroe and her estate for many years in violation of Monroe’s wishes as outlined by her will, we believe that the label, which likely featured Monroe’s embroidered name, was removed from the jacket in an effort to conceal the fact that it was a fur owned by Monroe. The labels cut from these furs have never been recovered.
Estimate: $15,000 - $20,000

Lot 382: MARILYN MONROE SATIN COAT DRESS
An ivory satin coat dress. The dress has mother of pearl buttons and a self-tie belt. A Rudi Gernreich design for Walter Bass label is present.
Estimate: $8,000 - $12,000

Lot 388: MARILYN MONROE SUNDRESS
A silky ivory sundress. The dress has bows to the shoulders and a silk lining.
Estimate: $8,000 - $12,000

Lot 427: MARILYN MONROE IVORY DRESS
A figure-hugging ivory silk dress worn during a 1959 photo shoot with Manfred Kreiner while in Chicago promoting Some Like It Hot as shown in photograph at left. The short-sleeve dress has a weighted hem.
Estimate: $8,000 - $12,000

Lot 480: MARILYN MONROE SILK WRAPPER
An ivory silk wrapper with ruffle trim.
Estimate: $5,000 - $7,000

Lot 889: MARILYN MONROE PURPLE BLOUSE
A Marilyn Monroe purple cotton short-sleeve button-down blouse. Label reads “Gabey Original.” The fitted shirt has cuffed sleeves and four-button closure, size 12.
PROVENANCE Partial Lot 50, "Property from the Estate of Marilyn Monroe," Julien's, Los Angeles, June 4, 2005
Estimate: $2,000 - $4,000

Costumes Séances Photos
Shooting Sitting Costumes

Lot 58: MARILYN MONROE PORTRAIT BODICE
A 19th Century-style bodice worn by Marilyn Monroe in a 1956 Jack Cardiff photo session. The boned faille bodice is embellished with ivory lace, black silk velvet, and jet-like foliate buttons. Originally from The Jack Cardiff Collection. Accompanied by a piece of the original missing button and a copy of Cameraman: The Life and Work of Jack Cardiff (Modus Operandi Films, 2010).
PROVENANCE: Lot 93, “Film and Entertainment,” Christie’s, South Kensington, Sale number 9538, December 17, 2002
Estimate: $20,000 - $40,000

Lot 61: MARILYN MONROE RICHARD AVEDON PHOTOSHOOT COSTUME AND LIFE MAGAZINE
A costume worn by Marilyn Monroe as Lillian Russell for a pictorial feature in the December 22, 1958 issue of Life magazine, photographed by Richard Avedon. The lavender satin, boned leotard has a décolletage neckline trimmed with bouquets of fabric flowers and pink, lavender and cream draped chiffon sashes across the front, embellished with pink satin bows and trimmed in lavender, pink and cream chiffon. The costume has minor post-photoshoot alterations. Monroe also dressed as Theda Bara, Clara Bow, Jean Harlow, and Marlene Dietrich for this series of photographs. Accompanied by a copy of the magazine.
PROVENANCE: Lot 748, “Collectibles & Hollywood Entertainment,” Christie's East, New York, Sale number 7513, December 18, 1993
Estimate: $20,000 - $40,000

Costumes de films & Bijoux
Movies costumes & Jewels

Lot 30: MARILYN MONROE HOW TO MARRY A MILLIONAIRE EARRINGS
A pair of simulated pearl and simulated diamond costume earrings worn by Marilyn Monroe in How To Marry A Millionaire (20th Century, 1953) and in numerous publicity photographs. Monroe also wore the earrings to a St. Jude charity event at the Hollywood Bowl in September 1953 and to Charles Coburn's birthday Party on June 17, 1953. Accompanied by the Christie’s lot card.
Length approximately 2 1/2 inches
PROVENANCE: Lot 230, "The Personal Property of Marilyn Monroe," Christie's, New York, Sale number 9216, October 27 & 28, 1999
Estimate: $80,000 - $100,000

Lot 38: MARILYN MONROE STUDIO EVENING GOWN
A black velvet evening gown with plunging neckline from an unknown production with a bias label inscribed "M. Monroe 1 27 3 0396." Accompanied by a matching black velvet belt.
PROVENANCE: Lot 225, "Collector’s Carrousel, Including Dolls, Toys, Slot Machines, Hollywood and Rock ‘N’ Roll Memorabilia," Sotheby's New York, Sale number 6384, December 17, 1992
Estimate: $20,000 - $30,000

Lot 39: MARILYN MONROE NIAGARA NEGLIGEE
A slender-fitting black chiffon negligee with an applied silk red rose made for Marilyn Monroe as Rose Loomis in the thriller Niagara (20th Century, 1953). The gown is trimmed with lace and has a flesh tone chiffon underlayer. A bias label is inscribed “1-69-1-1180 Marilyn Monroe A-678.” Monroe’s role in this film established her as a star and showcased her dramatic acting abilities. Costume design by Dorothy Jeakins. Post-production alterations are present. The dress is not in the final cut of the film but is documented on Monroe in wardrobe test shots.
PROVENANCE: Lot 224, "Collector’s Carrousel, Including Dolls, Toys, Slot Machines, Hollywood and Rock ‘N’ Roll Memorabilia," Sotheby's New York, Sale number 6384, December 17, 1992
Estimate: $20,000 - $40,000

Lot 40: MARILYN MONROE SOME LIKE IT HOT COCKTAIL DRESS AND STUDIO IMAGE
A figure-hugging sheer black and nude embellished cocktail dress worn by Marilyn Monroe while singing “I’m through with Love” atop a grand piano in Billy Wilder’s Some Like It Hot (United Artists, 1959). The dress is composed of black souffle and nude silk jersey embellished with columns of jet-like beads and sequins, scattered beaded butterfly appliques, and beaded fringes. The dress has a built-in bra and an illusion of a deep plunging back that was considered extremely daring for its’day. Hand finishing work is present to the interior. A Western Costume label inscribed “Marilyn Monroe 1575-1” is attached to the interior of the bra. Legend tells that Monroe had to be lifted to the piano for this scene as the dress was very form fitting. Some Like It Hot is considered to be one of the greatest film comedies of all time. It was voted as the top comedy film by the American Film Institute on their list on AFI's 100 Years...100 Laughs poll in 2000. The film won the 1960 Golden Globe awards for Best Motion Picture-Comedy or Musical, Best Actress in Motion Picture-Comedy or Musical for Monroe, and Best Actor in Motion Picture-Comedy or Musical for Jack Lemmon. Orry-Kelly won the 1959 Academy Award for costume design for his work on this film. Some restoration work is present. Accompanied by a black and white publicity image.
PROVENANCE: Lot 586, “Entertainment, Memorabilia & Collectibles,” Christie's, New York, Sale Number 7327, June 29, 1992
Estimate: $400,000 - $600,000

Lot 41: MARILYN MONROE NIAGARA DRESS
A carnation pink linen halter-style “wiggle dress” made for Marilyn Monroe as Rose Loomis in the thriller Niagara (20th Century, 1953). The dress has pearlized magenta buttons, silk lining and a bias label inscribed “1-27-1-7790 Marilyn Monroe A678-05.” Monroe’s role in this film established her as a star and showcased her dramatic acting abilities. Costume design by Dorothy Jeakins. The dress is not in the final cut of the film but is documented on Monroe in wardrobe test shots, publicity images, and public appearances. Some post production alterations are present.
PROVENANCE: Lot 226, "Collector’s Carrousel, Including Dolls, Toys, Slot Machines, Hollywood and Rock ‘N’ Roll Memorabilia," Sotheby's New York, Sale number 6384, December 17, 1992
Estimate: $30,000 - $50,000

Lot 46: MARILYN MONROE JANE RUSSELL GENTLEMEN PREFER BLONDES EMBELLISHED GOWN AND MAGAZINE COVERS
A ruby red sequin embellished figure-hugging crepe gown worn by Jane Russell in the opening scene of Gentlemen Prefer Blondes (20th Century, 1953) while performing "We're Just Two Little Girls from Little Rock" with Marilyn Monroe. The gown has a built-in leotard with boning, sequins and paillettes in a vermicelli pattern, a high front slit, and a graduated hemline. Hand finishing work is present. Costume design by Academy Award winner William "Billy" Travilla. Accompanied by a cover of the May 25, 1953 issue of Life magazine and a cover of an August 15, 1953, issue of Picture Post. Necklace not included.
PROVENANCE: Lot 245, “Collectors' Carrousel,” Sotheby's, New York, Sale number 5956, December 15, 1989
Estimate: $30,000 - $50,000

Lot 47: MARILYN MONROE JANE RUSSELL GENTLEMEN PREFER BLONDES COSTUME
A black sequined dance leotard made for Jane Russell as Dorothy Shaw in Gentlemen Prefer Blondes (20th Century, 1953). The costume consists of a black satin boned leotard embellished with jet-like sequins in a vermicelli pattern and rhinestone trim and a matching sequin bicorne hat. The costume is not seen in the final cut of the film. Russell and Marilyn Monroe wear the costumes in the film’s official trailer and many publicity images. Post-production alterations present. Costume design by Academy Award winner William “Billy” Travilla.
Estimate: $8,000 - $10,000

Lot 48: MARILYN MONROE GENTLEMEN PREFER BLONDES COSTUME AND STUDIO IMAGE
A black sequined dance leotard worn by Marilyn Monroe as Lorelei Lee in Gentlemen Prefer Blondes (20th Century., 1953). The costume consists of a black satin boned leotard embellished with black sequins in a vermicelli pattern and rhinestone trim with dangling teardrop rhinestones and a matching black sequin covered bicorne hat. The leotard has a bias label inscribed “1-25-1-4288 Marilyn Monroe A698-69." The hat has a bias label inscribed “1-25-1-4288 M. Monroe A698-69." Costume design by Academy Award winner, William “Billy” Travilla. The costume is not in the final cut of the film, but Monroe and costar Jane Russell wear these costumes in the film’s official trailer and several publicity images. Accompanied by artificial pink roses that are not original to the costume and a studio image.
Estimate: $20,000 - $40,000

Lot 49: MARILYN MONROE NO BUSINESS LIKE SHOW BUSINESS GOWN
A figure-hugging embellished gown worn by Marilyn Monroe while singing “After You Get What You Want You Don’t Want It” in the musical There’s No Business Like Show Business (20th Century, 1954). The flesh tone crepe gown has a netting overlay and is generously embellished with silver and pearlized bugle beads in a starburst and foliate motif, scattered rhinestones, bouquets of bugle beads top with sequins and seed beads, with a cluster of monofilament fiber with silver and glittering flowers to the waist-high left leg slit. A sheer pleated vanity panel is present to the slit and was added post production for alternate filming and publicity images for release in countries that forbade such a revealing costume. Hand finishing work and a couture waistband are present to the interior. A 20th Century label with no inscription and a bias label inscribed “1-25-1-4692 M. Monroe A-729-28” are present. Costume design by William Travilla. Accompanied a matching headpiece of silver and glitter flowers, accented with a spray of monofilament fibers with a bias label inscribed “1-25-4-4692 A729-29 M.Monroe.” Accompanied by a pair of strappy satin Pacelle Saks Fifth Avenue high heels that are not original to the costume.
PROVENANCE: Lot 105, “Television and Film Memorabilia and Posters,” Christie's, New York, Sale number 7741, June 28, 1995
Estimate: $100,000 - $200,000

Lot 50: MARILYN MONROE NO BUSINESS LIKE SHOW BUSINESS SWIM COSTUME
An embellished one-piece swim costume made for Marilyn Monroe as Vicky Hoffman in the musical There’s No Business Like Show Business (20th Century, 1954). The costume consists of a black cotton boned bathing suit with scattered polka dots, two matching bows, a matching belt and a wrap of white cotton decorated with black polka dots. The swimsuit has a couture waistband and a bias label inscribed “1-18-3-1221 A729-41 M.Monroe.” Together with an ivory sequined bathing cap in the form of a flower, with edges trimmed in silver bugle beads with a bias label inscribe “1-25-4-4691-A729-29 M.Monroe.” Costume design by Academy Award winner William "Billy" Travilla. Sir Elton John donated this piece to a charity auction in 1990.
PROVENANCE: Lot 104, “Pop,” Christie's, South Kensington, Sale number 4259, April 25, 1991
Estimate: $20,000 - $40,000

Lot 54: MARILYN MONROE BUS STOP COSTUME, STUDIO IMAGE AND TEAR SHEET
A jade green embellished satin leotard worn by Marilyn Monroe while singing “That Old Black Magic” in a saloon scene in Joshua Logan’s Bus Stop (20th Century, 1956). The film was based on William Inge’s play. The boned leotard has black netting overlay to a nude wire brassiere, jet-like sequins in a fish scale pattern, scalloped gold bullion fringe trimmed with topaz-colored faceted glass. A bias label inscribed “Marilyn Monroe” and a 20th Century label inscribed “A-769-03” are present. Post-production alterations are present. The film’s costume designer is Academy Award winner William “Billy” Travilla. Monroe received a Golden Globe nomination for Bus Stop , and the film was nominated for the Best Motion Picture-Musical or Comedy Golden Globe. Accompanied by a studio publicity image and a tear sheet from PhotoPlay magazine.
PROVENANCE: Lot 386, Christie’s Collectibles, Christie's East, New York, Sale number 6841, June 21, 1989
Estimate: $80,000 - $100,000

Lot 55: MARILYN MONROE AND BUS STOP CAST SIGNED STETSON AND FRAMED IMAGE
A tan felt Karam’s Stetson purportedly worn by an extra in the rodeo sequence of Bus Stop (20th Century, 1956) and signed in black ballpoint pen by 11 members of the cast and crew of the film, including Marilyn Monroe, Don Murray, Joshua Logan, George Axelrod, Robert Bray, Arthur O'Connell, Betty Field, Eileen Heckart, and Hans Conried, among others. Accompanied by a copy of a letter from the original consigner regarding the provenance of the Stetson and a framed image of Monroe on the set of the film.
Stetson, approximately 5 by 15 by 13 ½ inches; Framed image, approximately 25 by 25 inches
PROVENANCE: Lot 119, “Film & Entertainment,” Christie's, South Kensington, Sale number 9771, December 16, 2003
Estimate: $8,000 - $10,000

Lot 56: MARILYN MONROE BUS STOP STUDIO PROMOTIONAL BODICE AND MAGAZINE COVER
A pale green bodice with black floral lace overlay created by 20th Century Fox in the style of a bodice worn by Marilyn Monroe in Bus Stop (20th Century, 1956) and given away as a promotional prize. The fitted bodice has ribbon ties to neck and sleeves, a snap back closure, an interior bias label inscribed “Marilyn Monroe,” and a 20th Century Fox label inscribed "A-769-04.” The bodice was offered to Picture Show & Film Pictorial magazine in 1956 as the grand prize for a reader contest and was originally described as the blouse Monroe wore in the film. While the blouse contains a 20th Century Fox studio label with Marilyn’s name the and the studio’s accurate production number for Bus Stop, the blouse does not match the costume Monroe wears in the final production of the film or in publicity photos. Accompanied by an original Picture Show & Film Pictorial magazine cover, a clipping announcing that Mrs. Fulcher had won the bodice, the original letter from the magazine addressed to the contest’s winner, Mrs. A.M. Fulcher, reading, “My very sincere congratulations on your postcard entry which wins this unique prize of Marilyn Monroe’s blouse, worn by her during the filming of 'Bus Stop.' I hope you will tell the friends to whom you show your prize that regularly something worn or used by a British or American star in a film will be offered in a free competition to be won by a reader of Picture Show. Again my congratulations. Yours sincerely, The Editor. P.S. If you would like to send an acknowledgement to Marilyn Monroe I will see that it is delivered to her.”
PROVENANCE Lot 471, “Film and Animation Art,” Sotheby's, London, June 8, 1993
Estimate: $5,000 - $10,000

Lot 57: MARILYN MONROE FUR STOLE
A Russian sable fur stole originally acquired by costume designer Beatrice Dawson for Marilyn Monroe to wear in The Prince and The Showgirl (Warner Bros., 1957). Accompanied by documentation from Betty Highwood, an associate of Dawson’s who purchased the fur post production from Dawson. Highwood notes that, according to Dawson, Monroe declined to wear the fur due to its dark color. In scenes near the end of the film, Monroe wears a white fur that more closely matches her costume, a full-length white evening gown.
PROVENANCE: Lot 246, “Film & Entertainment,” Christie's, South Kensington, Sale number 3577, December 20, 1989
Estimate: $5,000 - $10,000

Lot 59: MARILYN MONROE THE PRINCE AND THE SHOWGIRL GOWN AND WINDOW CARDS
A figure-hugging ivory gown worn by Marilyn Monroe throughout the majority of the romantic drama The Prince and The Showgirl (Warner Bros., 1957). The satin gown has a draped souffle overlay that is adorned with simulated pearls, pearlized bead and faceted glass florets, and beaded fringe and has a weighted mermaid tail. Though Monroe was not nominated for an American Academy Award for this film, she won the French and Italian equivalents for her portrayal of Elsie Marina in this film opposite Sir Laurence Olivier. Costume design by Beatrice Dawson. Accompanied by three window cards.
PROVENANCE Lot 2000, ”Marilyn Monroe: The Red Velvet Images,” Butterfields, Los Angeles, Sale number 7232B, March 22, 2001
BIDDING ON THIS LOT WILL REQUIRE SPECIAL REGISTRATION REQUIREMENTS. Please email info@juliensauctions.com or call 310-8361818 for additional information and approval for this lot.
Estimate: $60,000 - $80,000

Lot 60: MARILYN MONROE SEVEN YEAR ITCH GLOVES
A pair of custom-made opera gloves embellished with graduated rows of jet-like sequins worn by Marilyn Monroe in the "Rachmaninoff" scene of The Seven Year Itch (Warner Bros., 1955). Hand finishing work is present. A leather label reads “Made for Marilyn Monroe by Billi Cheatwood Beverly Hills.” Accompanied by a copy of the film.
PROVENANCE Lot 142, “Entertainment Memorabilia,” Christie's East, New York, Sale number 7565, June 2, 1994
Estimate: $4,000 - $6,000

Lot 64: MARILYN MONROE LET’S MAKE LOVE BLOUSE
A custom-made pale pink silk blouse worn by Marilyn Monroe as Amanda Dell in Let’s Make Love (20th Century, 1960). The fitted blouse is tailored with simulated pearl buttons and hand finishing work to the interior. A Twentieth Century Fox label with no inscription is present. Accompanied by a copy of the fim.
PROVENANCE Lot 238, “Film and Entertainment,” Christie's, South Kensington, Sale number EPH 3127, December 16, 1988
Estimate: $20,000 - $40,000

Lot 65: MARILYN MONROE LET'S MAKE LOVE WRAP SKIRT
A vibrant orange wool wrap skirt worn by Marilyn Monroe in Let's Make Love (20Th Century, 1960). The tailored skirt is lined with pink cotton and has hand finishing work. A Twentieth Century Fox label inscribed “F-13 M. Monroe” is present. Costume design by Dorothy Jeakins. Accompanied by a copy of the film.
PROVENANCE: Lot 143, “Entertainment Memorabilia,” Christie's East, New York, Sale number 7565, June 2, 1994
Estimate: $10,000 - $20,000

Lot 774: MONTGOMERY CLIFT THE MISFITS SHIRT
A western style shirt worn by Montgomery Clift in The Misfits (United Artists, 1961). The shirt has pearlized snap closures and is labeled "Panhandle Slim." Accompanied by a copy of the book The Making of The Misfits by James Goode, a December 1960 issue of Cosmopolitan , and an August 29, 2004, article from the Los Angeles Times .
PROVENANCE From the Estates of Jack Larson and James Bridges
Estimate: $4,000 - $6,000

Chaussures
Shoes

Lot 21: MARILYN MONROE SALVATORE FERRAGAMO HEELS
A pair of white leather heels owned by Marilyn Monroe, originally from the estate of Marilyn Monroe. The three-inch spiked heels have perforated dot detailing. Size 7.5B. The heels were originally donated by Anna Strasberg for the benefit of the Hereditary Disease Foundation in Los Angeles, California. Accompanied by a copy of a letter of authenticity signed by Strasberg, dated March 10, 1986. Previously exhibited at the Victoria and Albert Museum in the “Shoes: Pleasure and Pain” exhibit, June 13, 2015- January 31, 2016.
PROVENANCE: Lot 483, “Entertainment & Sports Memorabilia," Christie's East, Sale number 7073, June 20, 1990
Estimate: $2,000 - $4,000

Lot 101: MARILYN MONROE SANDALS WORN AS A MODEL
A pair of simple brown leather platform sandals with crisscrossing ankle straps by Cabalano, with 3 1/4-inch heels. Monroe can be seen in a number of early modeling photographs wearing these shoes. Impressions of Monroe's feet are well worn onto the insoles, demonstrating how frequently she wore them.
Estimate: $4,000 - $6,000

Lot 276: MARILYN MONROE FERRAGAMO SHOES
A pair of white leather stiletto heels, hand made in Italy by Salvatore Ferragamo. No size is stamped to leather sole of shoe, but handwritten notations on interior of each shoe read, "AL 3678 7 1/2 B 899." The shoes are heavily scuffed, and the uppers have been polished with white shoe polish while the heel is a couple of shades darker.
Size 7.5
Estimate: $3,500 - $4,500

Lot 390: MARILYN MONROE FERRAGAMO SHOES
A pair of white silk satin stiletto heels, hand made in Italy by Salvatore Ferragamo. The number six is stamped to leather sole of each shoe.
Size 6
Estimate: $4,000 - $6,000

Lot 394: MARILYN MONROE WHITE SATIN SHOES
A white satin right-foot shoe by I. Miller Beautiful Shoes with "Marilyn Monroe/ 433/ 22004" handwritten inside and 3 3/4-inch heel. Together with a single white satin shoe by Dal Co. from the Rome boutique, with 3 3/4-inch heel and handwritten notation inside shoe reading "1619."
Estimate: $1,000 - $1,500

Lot 393: MARILYN MONROE FERRAGAMO SHOE
A single white leather left-foot Ferragamo stiletto heel with scuffed heel, sides and toe. Handwritten notation inside shoe reads "PE-925-7 1/2 B- 899."
Estimate: $500 - $700

Lot 396: MARILYN MONROE BURGUNDY SATIN PLATFORM SANDALS
A pair of custom handmade sandals with 1 3/4-inch platforms and a heel measuring more than four inches. The bespoke shoes were made by Anello & Davide of London, perhaps most famous for hand crafting the Beatles boots worn by the Fab 4 in the 1960s. Together with two pink plastic and metal shoe forms. Sole of shoe is stamped with maker's mark and UK size 4 1/2. Monroe custom ordered the shoes to match the dress she wore to the premiere of then husband Arthur Miller's play A View From The Bridge in London in October 1956.
Estimate: $4,000 - $6,000

Lot 397: MARILYN MONROE RED LEATHER DAL CO. HEELS
A pair of red Italian leather heels by Dal Co. listing a boutique address in Rome. Significant wear to heels and soles with nonslip inserts at heel. Leather soles stamped with a "1" and "38," presumably a European size 38.
Estimate: $4,000 - $6,000

Lot 398: MARILYN MONROE RED I. MAGNIN HEELS
A pair of red canvas heels from I. Magnin & Co. of California with 3 1/2-inch heels. Soles of shoes have handwritten notation reading "1-12-3-7440 M Gaynor" and inside strap with handwritten notation reading "5m D6298 01-698."
Estimate: $3,000 - $5,000

Lot 399: MARILYN MONROE BEIGE DAL CO. SHOES
A pair of beige heels by Dal Co. with no-slip heel inserts, worn heels and soles, and very scuffed toes and sides. The shoes are stamped both "38" and "15."
Estimate: $2,500 - $3,500

Lot 400: MARILYN MONROE WHITE LEATHER SANDALS
A pair of white leather open-back sandals with 3 1/2-inch heels. The back of one heel is separating from shoe with multiple scuffs to leather. Handwritten notations inside shoes read "7 1/2 S 30338."
Estimate: $2,500 - $3,500

Lot 404: MARILYN MONROE PURPLE ALIATA SHOES
A pair of handmade Italian purple leather shoes by Aliata with 3 1/3-inch heels. Sole is stamped simply "8."
Estimate: $3,000 - $5,000

Lot 405: MARILYN MONROE GREY ALIATA HEELS
A pair of grey suede stiletto heels with inset cutouts featuring colorful embroidered paisley designs by Aliata. Each shoe, with 4-inch heel, is hand inscribed "ART 705 8 B 899."
Estimate: $3,500 - $4,500

Lot 406: MARILYN MONROE BLACK ALIATA HEELS
A pair of handmade Italian black leather stiletto heels with leather lacing detail and cutaway arch by Aliata. The shoes have a 3 3/4-inch heel and size stamp on interior of shoe reading "7 1/2 with (AA 899)" and lavender and brown leather detail on sole of shoe.
Estimate: $3,000 - $5,000

Lot 407: MARILYN MONROE BLACK SATIN DAL CO. HEELS
A pair of black satin Italian shoes by Dal Co. with 4-inch stiletto heels. The shoes list the address of the company’s Rome boutique, and each shoe contains handwritten notation in black ink reading "1360."
Estimate: $2,500 - $3,500

Lot 408: MARILYN MONROE BLACK OVERSHOE
A single black, snap-front overshoe with manufacturer’s mark on bottom reading “Goodyear’s I.R.G.M. Co. Glove Brand” as well as a size “5 1/2” stamped to bottom. Together with red and grey plastic spring-form shoe stretcher.
Estimate: $300 - $500

Lot 410: MARILYN MONROE PLATFORM SANDALS
A pair of woven straw platform summer sandals by Fortuna Shoe of Trieste, Italy, with 3-inch platform heels. Both uppers completely detached at toes.
Estimate: $400 - $600

Lot 428: MARILYN MONROE WHITE SATIN DELMAN HEELS
A pair of white satin pumps by Delman of New York and Paris with "Especially for Marilyn Miller" embossed in gold inside. Handwritten notation inside each shoe, with 3 1/2-inch heel, reads " BP79741 - 7 1/2 aaa – Venetian."
Estimate: $2,500 - $3,500

Lot 493: MARILYN MONROE FERRAGAMO SHOES
A pair of beige leather stiletto heels, hand made in Italy by Salvatore Ferragamo. No size is stamped to leather sole of shoe, but handwritten notations on interior of each shoe read, "PE 925 7 1/2 B 899." The shoes are heavily worn, and the left shoe is missing the tip to the stiletto heel.
Size 7.5
Estimate: $3,500 - $4,500

Lot 494: MARILYN MONROE FERRAGAMO SHOES
A pair of beige leather stiletto heels, hand made in Italy by Salvatore Ferragamo. No size is stamped to leather sole of shoe, but handwritten notations on interior of each shoe read "PE 925 7 1/2 B 899." The shoes are heavily worn and are missing the tips to the stiletto heels, revealing the inner metal structure of the heels.
Size 7.5
Estimate: $3,000 - $5,000

Lot 395: MARILYN MONROE SHOE FORMS
A pair of quilted champagne silk satin shoe forms.
4 inches
Estimate: $300 - $500

Accessoires
accessories

Lot 303: MARILYN MONROE EVENING GLOVES
A pair of white cotton ladies evening gloves featuring an elaborate floral pattern done in white seed beads, minor 1 1/2-inch area of discoloration on back of left glove, although gloves have been cleaned and pressed.
12 inches
Estimate: $1,500 - $2,000

Lot 304: MARILYN MONROE EVENING GLOVES
A pair of white cotton ladies evening gloves featuring a cuff with white cotton bows. Label reads "K Gloves The Hand of Fashion."
Size 6.5
Estimate: $800 - $1,200

Lot 306: MARILYN MONROE LACE GLOVES
A pair of black lace gloves. The gloves are labeled "Cornelia James Made in England." Size 7 1/2.
Estimate: $3,000 - $5,000

Lot 307: MARILYN MONROE GLOVES
A pair of black cotton ladies evening gloves featuring elaborate custom beading with black seed and bugle beads throughout. Label reads, "100% double woven cotton made in the British Crown."
8 1/2 inches
Estimate: $1,500 - $2,000

Lot 145: MARILYN MONROE FUR HEADBAND
A mink fur headband.
Estimate: $500 - $700

Lot 146: MARILYN MONROE VELVET HAT
A black velvet hat with black satin ribbon trimmed velvet bow at front. Label inside reads "Dawson New York."
Estimate: $2,000 - $3,000

Lot 147: MARILYN MONROE FUR TOQUE
A mink toque, no label present.
Estimate: $4,000 - $6,000

Lot 148: MARILYN MONROE FEATHER HAT
A lace-lined, white feather covered hat. Label inside reads "Emme Boutique."
Estimate: $1,800 - $2,000

Lot 150: MARILYN MONROE OWNED WOOL DRIVING CAP
A houndstooth wool driving cap. The interior has a label that reads "By appointment to the Majesty the Queen Hatters Herbert Johnson (Bond Street) Ltd. Made in England for Brooks Brothers."
Size 6/8.
Estimate: $2,000 - $4,000

Lot 151: MARILYN MONROE HAT BOX
A cardboard hat box with lid from Harryson Fifth Ave. New York. Top of lid is detached from frame.
Estimate: $300 - $500

Lot 152: MARILYN MONROE SATIN HAT
A white satin pillbox hat, with bow at front ornamented with three faux pearl pins. Label inside reads "Fashioned by Ronnie" with two small hair combs sewn to inside brim.
Estimate: $3,000 - $5,000

Lot 153: MARILYN MONROE FEATHER CLOCHE
A two-tone tan wool cloche hat with peach ostrich feather spray. Label printed on hat reads "100% wool, Glenover Henry Pollak, Inc. New York." This was a family business in Manhattan that imported raw materials for hats and knitwear from 1928 to 1958.
Estimate: $3,000 - $5,000

Lot 837: MARILYN MONROE VELVET HAT
A Marilyn Monroe scarlet velvet pillbox hat with pendant hearts trimmed with black beads to either side and combs on the interior. No size present.
PROVENANCE Partial Lot 165, "The Personal Property of Marilyn Monroe," Christie’s, New York, Sale number 9216, October 27 & 28, 1999
Estimate: $1,000 - $2,000

Lot 963: MARILYN MONROE WINTER ITEMS
A group of three Marilyn Monroe winter items: a Scottish maroon wool and cashmere blend scarf, label for Johnstons of Elgin; a grey wool cashmere scarf, label for Frank Brothers of New York; and a cornflower blue wool cap.
PROVENANCE Lot 13, "Property from the Estate of Marilyn Monroe," Julien's, Los Angeles, June 4, 2005
Estimate: $1,000 - $2,000

Lot 16: MARILYN MONROE NUDE STOCKINGS AND PARKSIDE HOUSE TABLE NAPKIN SIGNED BY VISITORS
A pair of sheer, seamed nylon thigh-high stockings gifted by Marilyn Monroe to Marianne Geltner, the cook at Parkside House, Englefield Green, Surrey, where Monroe resided with her husband Arthur Miller during the shooting of the film The Prince and the Showgirl (Warner Bros.,1956). Accompanied by a linen table napkin that was signed for Geltner and her husband by approximately 50 visitors to Parkside House between the years 1956 and 1958, including Lee, Paula, and Susan Strasberg, Jack Cardiff, Mrs. Milton H. Greene, Jean Stein, Barbara Hutton von Cramm, Zachary Scott, Charles Coburn and others; a letter from Geltner stating that Marilyn Monroe gave her several things from her wardrobe, including these stockings; and five reproduction images of Geltner and her husband Frank at Parkside House.
Napkin, 22 by 23 1/2 inches
PROVENANCE: Lot 109, “Film and Entertainment,” Christie's, London, Sale number 9287, December 12, 2001
Estimate: $300 - $500

Lot 34: MARILYN MONROE FISHNET STOCKINGS
A pair of black fishnet thigh-high stockings with elastic leg bands owned by Marilyn Monroe. A Christie’s tag is pinned to garment intended to be sold in 1999 The Personal Property of Marilyn Monroe sale.
PROVENANCE: Lot 85, Property from the Estate of Marilyn Monroe, Julien's Auctions, June 4, 2005
Estimate: $600 - $800

Lot 912: MARILYN MONROE NYLON STOCKING
A Marilyn Monroe sheer nylon stocking with light blue stitching at the top hem and stitchmarked “60.” Monroe gave the stocking to Marianne Geltner, the English cook who worked for Monroe while she was in London shooting The Prince and the Showgirl (Warner Bros., 1957).
PROVENANCE Partial Lot 89, "Film and Entertainment," Christie's, London, Sale number 9538, December 17, 2002
Estimate: $200 - $400

Lot 954: MARILYN MONROE SILK SCARF
A Marilyn Monroe black silk scarf embellished with red and silver beads. Accompanied by Christie's 1999 lot tag.
Approximately, 26 by 26 inches
PROVENANCE Partial Lot 135, "The Personal Property of Marilyn Monroe," Christie's, New York, Sale number 9216, October 27 & 28, 1999
Estimate: $1,000 - $2,000

Lot 568: MARILYN MONROE PURPLE MARABOU FEATHER FAN
With a faux tortoiseshell handle.
Length, 26 inches
Estimate: $600 - $800

Lot 569: MARILYN MONROE GROUP OF FIVE LOOSE BROWN FEATHERS
Vintage marabou.
Length, 16 inches
Estimate: $400 - $600

Lot 570: MARILYN MONROE VINTAGE BLACK OSTRICH FEATHER FAN
A folding hand fan made of ostrich feathers and faux tortoiseshell handle. (Feathers damaged, glass lacking.)
13 1/4 by 21 by 2 inches
Estimate: $400 - $600

Lot 571: MARILYN MONROE WHITE MARABOU FEATHER FAN
Four feathers bound by a gold fabric fastener.
Length, 20 inches
Estimate: $400 - $600

Lot 488: MARILYN MONROE VINTAGE BLACK MINI PARASOL
With a Bakelite tip and wood cane handle, the fabric marked "NYLON" around the edges.
Length, 37 inches; Diameter, 18 inches
Estimate: $600 - $800

Lot 486: MARILYN MONROE GARMENT HANGERS
A pair of gold velvet covered padded hangers with matching ribbon bows.
Estimate: $800 - $1,200

Lot 487: MARILYN MONROE FUR HANGERS
Three hangers from Meshekow Bros. wholesale furs featuring extended hooks to accommodate the bulk of a fur coat. Each is branded with the Meshekow Bros. logo, a Los Angeles based wholesale furrier established in 1937.
Estimate: $1,000 - $1,500

Sacs
Bags

Lot 137: MARILYN MONROE HANDBAG
A gold metal and transparent plastic ladies evening purse bordered with round prong set rhinestones and a rhinestone accented snap closure.
5 by 8 inches
Estimate: $3,000 - $5,000

Lot 215: MARILYN MONROE TRAVEL BAG
A navy vinyl Japan Airlines carry-on bag, with shoulder strap and outside pocket. Bag reads "JAL Japan Air Lines" with white piped trim. Possibly a bag used during Monroe's honeymoon in Japan with Joe DiMaggio.
9 1/2 by 14 1/2 inches
Estimate: $1,500 - $2,000

Lot 237: MARILYN MONROE COIN POUCH
A red satin and gold thread hinged coin pouch.
2 3/4 inches square
Estimate: $100 - $150

Lot 489: MARILYN MONROE CLUTCH
A ladies snap closure evening clutch with silver metal closure mounted with two round rhinestones. Bag is lined with white silk, and a label reading "Hand Made In Japan." Exterior completely beaded in white and clear seed beads in a scalloped pattern.
4 1/2 by 10 1/4 inches
Estimate: $4,000 - $6,000

Lot 490: MARILYN MONROE CLUTCH
A ladies snap closure evening clutch with gold metal closure, mounted with two clear cabochon stones. White silk lining with label reading "Bags by Josef Hand Beaded in France." Bag completely covered in white seed beads with gold bugle bead meandering pattern.
3 1/2 by 8 1/2 inches
Estimate: $4,000 - $6,000

Lot 456: MARILYN MONROE CLUTCH
A silver swirled plastic clutch with metal clasp closure and interior mirror. Clutch is stamped "Wilardy" on interior below mirror.
4 1/4 by 7 1/2 inches
Estimate: $4,000 - $6,000

Lot 453: MARILYN MONROE DESIGNER HANDBAG
A chocolate brown 1950s alligator handbag with interior stamp that reads, "I. Magnin & Co." as well as a metal insignia mounted to the inside of the bag with lions flanking a crest that reads "Elegance" and a banner that reads "Evans" below. The handbag features gold metal hardware and burgundy leather interior with purpose-built pockets to accommodate matching accessories, including faux tortoise plastic comb, matching leather covered gold metal flint lighter, matching lipstick case containing an unused stick of bright red lipstick, and a matching leather powder compact with mirror.
9 by 9 1/2 inches
Estimate: $15,000 - $20,000

Lot 454: MARILYN MONROE DESIGNER HANDBAG
A burgundy leather handbag with interior stamp reading "I. Magnin & Co. Rendl Original." The handbag features gold metal hardware, white leather interior and matching change purse chained to the bag's interior.
9 by 10 inches
Estimate: $8,000 - $12,000

Lot 457: MARILYN MONROE HANDBAG
A green swirled plastic ladies handbag, with gold metal clasp closure and hardware and mirror mounted to the inside lid with "Wilardy" stamped on the inside metal frame.
9 inches
Estimate: $3,000 - $5,000

Lot 491: MARILYN MONROE HANDBAG
A white leather ladies handbag with peach silk interior and gold metal hardware and frame with elastic gold handle. Interior has stamped gold label reading "Duette," which was a model offered by the Evans Company in the late 1940s and early 1950s. Interior pockets hold clear plastic comb and small compact mirror.
10 by 10 inches
Estimate: $3,000 - $5,000

Lot 492: MARILYN MONROE HANDBAG
A confetti box style Lucite ladies handbag with gold metal hardware and interior sticker label that reads "Gilli Originals New York."
8 3/4 by 3 1/2 by 4 inches
Estimate: $3,000 - $5,000

Lot 585: MARILYN MONROE MEXICAN HANDBAG
A grey pony handbag with gold metal front closure and black leather interior with label reading "Productos Overa, S.A. TEL 17.14.99 Hecho En Mexico D.F." The handbag contains a plastic faux crocodile bi-fold wallet containing three one-peso Mexican bills. It is well documented that Monroe made frequent trips to Mexico for holidays and to purchase furnishings for her Los Angeles home.
7 by 13 inches
Estimate: $4,000 - $6,000

Bijoux
Jewels

Lot 29: MARILYN MONROE SIMULATED DIAMOND EARRINGS
A pair of simulated diamond, triple drop, mixed cut fringe ear pendants with clip fitting worn by Marilyn Monroe to the world premiere of The Seven Year Itch (20th Century, 1955) on June 1, 1955, in New York City. Accompanied by the Christie’s lot card.
Length, approximately 3 ½ inches
PROVENANCE: Lot 4, "The Personal Property of Marilyn Monroe," Christie's, New York, Sale number 9216, October 27 & 28, 1999
Estimate: $80,000 - $100,000

Lot 31: MARILYN MONROE SIMULATED DIAMOND BROOCH
A floret styled brooch of simulated diamonds owned by Marilyn Monroe. Accompanied by the Christie’s lot card.
Diameter, 2 inches
PROVENANCE: Lot 249, "The Personal Property of Marilyn Monroe," Christie's, New York, Sale number 9216, October 27 & 28, 1999
Estimate: $5,000 - $10,000

Lot 32: MARILYN MONROE RHINESTONE BRACELET
A rhinestone bracelet owned by Marilyn Monroe and gifted to Vanessa Reis, the sister-in-law to May Reis, Monroe’s personal assistant and secretary. The bracelet has eight rectangular jeweled panels, each centered with a rounded faceted glass and linked with square rhinestone. The clasp is embossed with Bogoff. In a letter to the consigner dated November 28, 1994, Ralph Roberts, Monroe’s masseur, writes, “Reference Marilyn robe and bracelet. As best I recall, late one Saturday afternoon Marilyn and I were in the dining area of the Miller 9th floor suite at the Mapes Hotel. She had just changed into a robe, sitting on one of the chairs and I was massaging her back and shoulders. She showed me a bracelet she’d brought to Reno with thought of possibly wearing it as a [undecipherable comment] for Roslyn [Monroe’s character in The Misfits]. Upon discussing it, she and Paula [Paula Strasberg was Monroe’s acting coach and friend] had decided somehow it wouldn’t be appropriate. Just then May Reis entered with Vanessa Reis (the widow of Irving Reis, May’s greatly loved brother and film director). Vanessa had come up from LA for a long weekend visit – there’d been some talk of our going out to some of the casinos to do a bit of gambling. Vanessa told Marilyn how lovely she looked in that robe. Marilyn thanked her + impulsively held out the bracelet, ‘Take this + wear it as a good luck charm. I was wearing it during dance rehearsals for Let’s Make Love, smashed into a prop, so a stone is loosened. I wish I could go with you, but Raffe is getting some Misfits knots out. And I should go over that scene coming up Monday.’ They left. Marilyn asked me to remind her to have the robe cleaned to give to Vanessa. Whitey, Agnes, May – all of us – knew from experience we couldn’t compliment Marilyn on any personal items or had to be very careful. She’d be compulsive about giving it, or getting a copy – to you.” Accompanied by a copy of the letter.
PROVENANCE Lot 587, “Western Costume ‘Star Collection’ Part II and Entertainment Memorabilia,” Butterfield & Butterfield, Los Angeles, Sale number 6083B, July 17, 18 & 19, 1994
Estimate: $3,000 - $5,000

Lot 227: MARILYN MONROE BLANCPAIN PLATINUM AND DIAMOND WATCH
A ladies platinum and diamond Art Deco cocktail watch by the Swiss watchmaking brand, Blancpain, the oldest watch brand in the world. The watchcase is stamped "KO 900 Plat 100 Irid" and numbered "115557." The watch and bracelet are set with round cut and marquise diamonds. The watch face reads Blancpain and the movement is signed "Blancpain, Rayville Watch Co.” The bracelet has two safety chains with fold over clasp featuring additional round diamonds. Despite her famous portrayal of the diamond obsessed Lorelei Lee in the 1953 film classic Gentlemen Prefer Blondes, Monroe owned very few pieces of fine jewelry.
6 1/4 inches
Estimate: $80,000 - $120,000

Lot 228: MARILYN MONROE ART DECO WATCH
A ladies Art Deco white gold wristwatch set with round cut diamonds. The watch is mounted on a newer gold tone metal bracelet with later movement by Marvin.
5 1/2 inch wrist
Estimate: $15,000 - $20,000

Lot 229: MARILYN MONROE TRIFARI COSTUME NECKLACE
A silver tone metal necklace featuring a single strand of small round rhinestones with a double circle clasp design signed, "Trifari."
15 inches
Estimate: $10,000 - $15,000

Lot 230: MARILYN MONROE WEISS COSTUME NECKLACE
A rhinestone necklace featuring a continual strand of alternating and round prong-set stones set into plated rhodium with hood and chain clasp. Founded in New York City in 1942, Weiss was created by former Coro employee Albert Weiss. Weiss, whose height was during the 1950s and 1960s, offered high-end costume jewelry featuring high-quality Austrian rhinestones with exceptional clarity.
Adjustable 15 3/8 inch maximum length
Estimate: $8,000 - $12,000

Lot 231: MARILYN MONROE SIGNED COSTUME JEWELRY BRACELET
A vintage rhinestone bracelet circa 1940s featuring alternating baguette set rectangles with small round stones, with box clasp and safety chain. Signed "EB Pat Pending" for Engel Bros. of New York founded circa 1931.
7 inches
Estimate: $6,000 - $8,000

Lot 232: MARILYN MONROE COSTUME BRACELET
A vintage rhinestone bracelet with a central row of baguette stones lined on both sides by round cut stones with box clasp closure, unsigned.
7 inches
Estimate: $5,000 - $7,000

Lot 233: MARILYN MONROE NECKLACE
A strand of faux pearls with fishhook clasp.
16 inches
Estimate: $4,000 - $6,000

Lot 234: MARILYN MONROE BRACELET
A four-strand, faux pearl bracelet with four rows pearls with 14k gold stamped clasp featuring ornate foliate engraved surface mounted with a faux pearl.
7 inches
Estimate: $4,000 - $6,000

Lot 235: MARILYN MONROE NECKLACE
A strand of faux 10mm pearls with fishhook clasp.
29 inches
Estimate: $5,000 - $7,000

Lot 236: MARILYN MONROE EARRINGS
A pair of silver tone metal drop earrings with faux pearls and marquis cut stones and screw-post backs.
1 1/16 inches
Estimate: $3,000 - $5,000

Lot 238: MARILYN MONROE EAR CLIPS
A pair of signed Eisenberg ear clips with crystal beads and round cut rhinestones. Block lettering signature dates the earrings to between 1945 and 1950.
1 1/4 inches
Estimate: $3,000 - $5,000

Lot 239: MARILYN MONROE BROOCH
A silver tone metal brooch signed Eisenberg with crystal drops, each terminating in a prong set pear-shaped rhinestone, one drop detached. Bar closure features rhinestone rhondelle.
2 3/4 inches
Estimate: $2,000 - $3,000

Lot 458: MARILYN MONROE HOBE PARURE
A vintage costume parure, signed "Hobe", including wide costume bracelet, ear clips, necklace and brooch featuring fuchsia oval cabochon and emerald and round cut rhinestones. Hobe et Cie was founded in Paris in 1887 by Jacques Hobe. Brought to America in 1915 by his son William, Hobe jewelry was popular not only with everyday customers but also with the Hollywood stars.
Necklace, 8 1/2 inches
Estimate: $15,000 - $20,000

Lot 458A: MARILYN MONROE BRACELET
A costume bracelet featuring round cut rhinestones, with fold over rectangular hook clasp.
6 3/4 inches
Estimate: $4,000 - $6,000

Lot 459: MARILYN MONROE BROOCH
A silver tone metal brooch with rhinestone brooch in a starburst design, including combination of round and marquis cut stones, with bar closure.
3 1/2 inches
Estimate: $3,000 - $5,000

Lot 460: MARILYN MONROE EAR CLIPS
A pair of rhinestone ear clips each with concentric circles of alternating round and oval cut stones.
1 1/4 inches
Estimate: $2,000 - $3,000

Lot 461: MARILYN MONROE NECKLACE
A strand of faux 6mm pearls with fishhook clasp.
17 3/8 inches
Estimate: $2,000 - $3,000

Lot 462: MARILYN MONROE EAR CLIPS
A pair of silver tone metal ear clips signed "Japan" with faux pearls and round cut faux diamonds in a floret design.
1/2 inch
Estimate: $3,000 - $5,000

Lot 463: MARILYN MONROE EAR CLIPS
A pair of curved rectangular rhinestone ear clips each with emerald and round cut stones. One piece missing clip on the back.
1 5/8 inches
Estimate: $1,500 - $2,000

Lot 465: MARILYN MONROE BROOCH
A gold tone metal starburst brooch accented with round cut rhinestones and bar closure.
2 inches
Estimate: $3,000 - $5,000

Lot 466: MARILYN MONROE BRACELET
A costume bracelet featuring round cut rhinestones, with fold over rectangular hook clasp.
6 3/4 inches
Estimate: $4,000 - $6,000

Lot 467 : MARILYN MONROE BROOCH
An ornate foliate brooch of gold tone metal, signed "483/60 Boucher 7704," dating it to between 1955 and 1958, set with round cut stones.
3 inches
Estimate: $8,000 - $12,000

Lot 468: MARILYN MONROE EARRINGS
A pair of 10k gold screw-post earrings with grape and gold foliate design, each featuring faux pearls.
1 1/8 inches
Estimate: $3,000 - $5,000

Lot 469: MARILYN MONROE SUITE OF MIRIAM HASKELL JEWELRY
Includes a triple-strand necklace of jade and coral colored beads and a beaded clasp, a matching bangle, and pair of clip-on earrings. Housed in a vintage embroidered silk travel case.
Strand length, 12 inches
Estimate: $4,000 - $6,000

Lot 470: MARILYN MONROE RED LEATHER-BOUND CARTIER BOX
With a miniature enameled heart stick pin and a beaded heart inside.
4 1/2 by 3 1/2 inches
Estimate: $1,000 - $2,000

Lot 471: MARILYN MONROE VINTAGE GUCCI STERLING HORSEHEAD BANGLE
Marked "16" and "*730/ F1/ 925." 1.84 troy oz.
Diameter, 2 1/4 inches
Estimate: $1,000 - $2,000

Lot 243: MARILYN MONROE HARDSTONE FOO DOG PIN
A bronze pin with pendant ring in the shape of a foo dog made of white hardstone with coral and turquoise accents.
1 3/4 by 1 1/2 inches
Estimate: $1,000 - $2,000

Lot 22: MARILYN MONROE GEMINI PENDANT
A gold and silver tone pendant with a debossed Gemini astrological symbol, from the estate of Marilyn Monroe. Gemini was Marilyn's astrological sign.
Height, 1¼ inches
PROVENANCE: Lot 96, “Fine Manuscripts,” Christie's Los Angeles, Sale 9814, September 20, 2001
Estimate: $300 - $500

Cheveux
Hair

Lot 20: MARILYN MONROE HAIRBRUSH
A vintage gold tone hairbrush with a decorative light-blue enamel back and an image of painterly pink rose. Accompanied by a letter of provenance to the current owner from Anna Strasberg's law firm indicating that some of Marilyn Monroe's possessions were purchased directly from her, this hairbrush being one of them. Anna Strasberg was the second wife of Lee Strasberg, Monroe's acting coach, mentor and inheritor of her estate.
Length, 11 1/2 inches
Estimate: $300 - $500

Lot 140: MARILYN MONROE VINTAGE BAKELITE COMB
With a decorative metal handle.
Length, 7 1/2 inches
Estimate: $600 - $800

Lot 834: MARILYN MONROE HAIR PIN
A Marilyn Monroe star-shaped rhinestone hair pin. The silver tone pin has a star with multiple rhinestones.
Length, 2 inches
PROVENANCE Partial lot 222, “The Personal Property of Marilyn Monroe,” Christie’s, New York, Sale number 9216, October 27 & 28, 1999
Estimate: $3,000 - $5,000

Lot 961: MARILYN MONROE HAIR STYLING ITEMS
A group of Marilyn Monroe hair styling items, including a spring-style wire hair curler, three double-prong curl clips, and three hair pins.
PROVENANCE Partial Lots 244 and 245, "Property from the Estate of Marilyn Monroe," Julien's, Los Angeles, June 4, 2005, and
Partial Lot 112, "Fine Manuscripts," Christie's, Los Angeles, Sale number 9814, September 20, 2001
Estimate: $2,000 - $4,000

Lot 962: MARILYN MONROE HAIR CREAM
A box of Marilyn Monroe's hair cream. The box contains two tubes of Wella Kolestral conditioning cream for dry hair. Both of the tubes have been opened and partially used. Accompanied by a paper hair cap.
2 by 6 by 1 1/2 inches
PROVENANCE Partial Lot 252, "Property from the Estate of Marilyn Monroe," Julien's Auctions, Los Angeles, June 4, 2005
Estimate: $600 - $800

Beauté: Maquillage et Produits de Beauté
Beauty: Make Up & Cosmetics

Lot 136: MARILYN MONROE POWDER COMPACT
An Elizabeth Arden powder compact covered with prong set round rhinestones and an elaborate faux pearl design. The compact contains mirror, powder puff and loose powder.
2 1/2 by 2 1/4 inches
Estimate: $2,000 - $3,000

Lot 139: MARILYN MONROE FOSTER JEWELRY CO. COMPACT WITH MARCASITE FLOWER
Cream colored Bakelite lid with applied marcasite flower. Brass bottom case with embossed floral decoration around the edge. Inside is a mirror, opening to a concealed rouge compartment, and the bottom is an empty powder compartment. Marked "FJ Co." and "1973433" inside the lid.
Diameter, 1 3/4 inches
Estimate: $2,000 - $3,000

Lot 141: MARILYN MONROE BLUE OPAQUE GLASS VANITY JAR
With etched floral parcel gilt decoration and an embossed decorated silverplated lid.
4 1/4 by 4 inches
Estimate: $600 - $800

Lot 144: MARILYN MONROE VINTAGE AVON PERFUME BOTTLE
A blue milk glass perfume bottle with parcel gilt rim. Marked on the base. (Lacking stopper.)
Height, 3 3/4 inches
Estimate: $100 - $200

Lot 333: MARILYN MONROE ERNO LASZLO COSMETICS
A black and marbleized white plastic box once containing Active pHelityl soap from Erno Laszlo.
4 1/4 by 2 3/4 inches
Estimate: $1,000 - $1,500

Lot 335: MARILYN MONROE ERNO LASZLO PHELITONE FACE CREAM
Labeled "Fair/ 128." In vintage 1 oz. black and white original packaging.
1 1/2 by 2 by 2 inches
Estimate: $2,000 - $3,000

Lot 336: MARILYN MONROE ERNO LASZLO DUAL PHASE FACE POWDER
Labeled "Blush/ 1152." In vintage 2.75 oz. black and white original packaging.
2 by 3 by 3 inches
Estimate: $2,000 - $3,000

Lot 341: MARILYN MONROE LIPSTICK CASE WITH MIRROR
An engraved decorated vanity lipstick case with a pop-up mirror and a cabochon turquoise catch. Marked illegibly. .64 troy oz.
2 by 3/4 by 3/4 inches
Estimate: $1,000 - $2,000

Lot 135: MARILYN MONROE LIPSTICK
A gold metal lipstick lid embellished with round prong set rhinestones. The tube contains a used stick of "Bachelor's Carnation" by Revlon, "Non-Smear type, N. 1947, Dist. Revlon N.Y."
2 5/16 inches
Estimate: $3,000 - $5,000

Lot 142: MARILYN MONROE MICHEL LIPSTICK
In a goldtone case marked "Michel Coral Pink."
Length, 2 1/8 inches
Estimate: $1,000 - $2,000

Lot 342: MARILYN MONROE ELIZABETH ARDEN LIPSTICK
In a goldtone case with typewritten label reading "Orange Pink like Miss I./ sample 05022/ May 2, 1960."
Length, 2 1/4 inches
Estimate: $2,000 - $3,000

Lot 343: MARILYN MONROE ELIZABETH ARDEN LIPSTICK
In a goldtone case. Color label marked "Subtle."
Length, 2 inches
Estimate: $1,000 - $2,000

Lot 344: MARILYN MONROE ELIZABETH ARDEN LIPSTICK
In a goldtone case, with lid stuck in place. Label marked "Click Change."
Length, 2 1/2 inches
Estimate: $1,000 - $2,000

Lot 345: MARILYN MONROE MICHEL LIPSTICK
In a goldtone case marked "Michel Pearl No. 1."
Length, 2 1/8 inches
Estimate: $1,000 - $2,000

Lot 331: MARILYN MONROE EYEBROW PENCIL
A clear vinyl snap-closure case with mirror and eyebrow pencil.
Mirror, 2 by 3 inches
Estimate: $200 - $300

Lot 958: MARILYN MONROE COSMETICS
A pair of Marilyn Monroe eye makeup items: an S.H. Swick dark brown eye pencil and an Elizabeth Arden “Eye Stopper” black eyeliner.
Longest, 5 inches
PROVENANCE Partial Lot 275, "Property from the Estate of Marilyn Monroe," Julien's, Los Angeles, June 4, 2005
Estimate: $800 - $1,200

Lot 959: MARILYN MONROE MAKEUP PENCIL
A Marilyn Monroe Maybelline makeup pencil, in light brown.
Length, 3 inches
PROVENANCE Partial Lot 275, "Property from the Estate of Marilyn Monroe," Julien's Auctions, Los Angeles, June 4, 2005
Estimate: $600 - $800

Lot 965: MARILYN MONROE MAKEUP PENCIL
A Marilyn Monroe Glorene of Hollywood makeup pencil in light brown.
Length, 4 3/4 inches
PROVENANCE Partial Lot 275, "Property from the Estate of Marilyn Monroe," Julien's Auctions, Los Angeles, June 4, 2005
Estimate: $600 - $800

Lot 966: MARILYN MONROE MAKEUP BRUSH
A Marilyn Monroe makeup brush with clear plastic handle and black bristles. The brush is typical of the brushes that would accompany cake mascara.
Length, 4 inches
PROVENANCE Partial Lot 275, "Property from the Estate of Marilyn Monroe," Julien's Auctions, Los Angeles, June 4, 2005
Estimate: $600 - $800

Lot 967: MARILYN MONROE ERNO LASZLO MAKEUP
A pair of Marilyn Monroe Erno Laszlo makeup bottles. The plastic bottles have black Laszlo branded caps. One bottle has a sticker affixed to the underside that identifies it as “Normalizer Shake-It/ Shade BLUSH.” The other bottle contains unidentified liquid makeup.
Height, 5 inches
PROVENANCE Partial Lot 112, "Fine Manuscripts," Christie's, Los Angeles, Sale number 9814, September 20, 2001
Estimate: $1,000 - $2,000

Lot 968: MARILYN MONROE ERNO LASZLO MAKEUP
A jar of Marilyn Monroe Erno Laszlo pHelitone makeup. The plastic wide-mouth jar has a black Laszlo branded cap. The jar has a sticker affixed to the underside that identifies it as “pHelitone/ Shade BLUSH” and is additionally stamped “670.”
1 1/4 by 2 1/4 inches
PROVENANCE Partial Lot 112, "Fine Manuscripts," Christie's, Los Angeles, Sale number 9814, September 20, 2001
Estimate: $1,000 - $2,000

Lot 969: MARILYN MONROE ERNO LASZLO LOTION
A Marilyn Monroe owned bottle of Erno Laszlo controlling lotion contained in its original box. According to the Erno Laszlo company website, Monroe and Laszlo were close friends, and he formulated one of his products specifically for her.
2 1/2 by 4 1/2 by 2 1/2 inches
PROVENANCE Partial Lot 112, "Fine Manuscripts," Christie's, Los Angeles, Sale number 9814, September 20, 2001
Estimate: $200 - $400

Lot 138: MARILYN MONROE ACCESSORIES
A pair of ladies accessories covered in prong set round rhinestones, including a card case with brushed metal interior and hinged arm to one side, together with a faux tortoise plastic folding comb with rhinestone covered case.
Case, 3 by 4 inches
Estimate: $1,500 - $2,000

Lot 330: MARILYN MONROE BEVELED GLASS PURSE VANITY MIRROR
With shagreen back.
2 1/4 by 2 inches
Estimate: $400 - $600

Lot 329: MARILYN MONROE MIRRORED TRINKET BOX
A glass and brass box with a floral cut-glass lid and a mirrored base.
1 1/2 by 3 3/4 by 2 1/2 inches
Estimate: $400 - $600

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