10 juillet 2013

Jasper remembers Marilyn Monroe

ctv_news_logoJasper remembers Marilyn Monroe
publié le 21 juin 2013 - par Stewart Shaw
en ligne sur ctvnews

It is part of Jasper’s history that many outside the mountain town don’t even know about.
In August 1953, famed Hollywood director Otto Preminger, along with full cast and crew, descended upon the community to film a big-budget western called “River of No Return”.
In the movie starred veteran actors Robert Mitchum and Rory Calhoun, but for many the most exciting cast member to visit their town would be iconic actress Marilyn Monroe.
Sixty years later, an exhibit in Jasper-Yellowhead Museum entitled “Jasper Remembers Marilyn” has many residents reliving the starlet’s visit to their Rocky Mountain town.
Harry Home and Sandy Robinson, long-time residents of Jasper and young adults at the time, easily recall a day six decades ago as if it was yesterday. “She looked gorgeous the day she stepped off the train”, recalls Robinson.
Cast and crew took in everything the Jasper area had to offer and weren’t afraid to take the time to chat with residents. “She was always visiting with everybody” Home remembers if his personal experience with Monroe.

jasper_1 jasper_2 jasper_3

Val Delill, exhibit designer and coordinator at the Jasper-Yellowhead Museum, was amazed at the response by residents as she and her staff asked people to talk about that special summer in 1953. “It was amazing to watch all these stories come out of the woodwork” said Delill. “Every time you thought you had all the stories you could find, someone else would come forward with a story”. The exhibit features dozens of pictures and stories of people and places, like the dance hall Monroe and co-star Robert Mitchum used to go to after a long day of shooting.
I remember that one night, they came and they danced”, says Harry. “If you had nerve enough to ask them to dance, they’d dance with you.”
Monroe’s death in 1962 was especially sad for Jasper’s residents, but their memories of happier times are being reignited by a unique tribute to the fallen Hollywood Icon and now she touches their lives. The Jasper Remember Marilyn exhibit is now showing at the Jasper-Yellowhead Museum until September 22, 2013.


> captures
video_jasper_cap01 video_jasper_cap02 video_jasper_cap03
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Cette histoire fait partie de Jasper et beaucoup de gens qui vivent en dehors des montagnes n’en sont même pas au courant.
En août 1953, Otto Preminger, le fameux directeur hollywoodien, est descendu sur Jasper avec toute son équipe au complet afin de tourner un western à grand budget « La Rivière Sans Retour ».
Les acteurs vétérans Robert Mitchum et Rory Calhoun jouaient dans le film mais, pour les habitants de l’endroit, la Star qui les attirait vraiment était l’icône du cinéma Marilyn Monroe.
Soixante ans plus tard, une exposition au Musée Jasper-Yellowhead intitulée « Jasper se souvient de Marilyn » replonge les habitants au moment où Marilyn a visité cette ville de montagne.
Harry Home et Sandy Robinson, habitants de longue date à Jasper et adolescents lors du tournage, se souviennent d’un jour il y a soixante ans comme si c’était hier. « Elle était d’une beauté lorsqu’elle est descendue du train ! » se souvient Robinson.
Les acteurs et l’équipe de tournage ont profité de tout ce que Jasper avait à offrir et ils n’hésitaient pas à prendre le temps pour discuter avec les habitants. Home se souvient « Elle rendait toujours visite à tout le monde » d’après l’expérience qu’il a eue avec Marilyn.

Val Dellil, Organisateur et Créateur de l’exposition au Musée Jasper-Yellowhead, a beaucoup été surpris par la réponse des habitants quand elle et son équipe leur ont demandé de parler de cet été spécial en 1953. « Quelle surprise d’entendre toutes ces histoires revenir à la surface » déclare Delill. « A chaque fois qu’on croyait les histoires finies, une nouvelle arrivait. » L’exposition montre des douzaines de photos et d’histoires liées aux gens ou aux endroits de tournage, comme celui du hall de dance où Marilyn et sa co-star Robert Mitchum allaient danser après la journée de travail.
Harry dit « Je me souviens qu’un soir quand ils sont venus danser. Si vous aviez le courage de leur demander, ils dansaient même avec vous. »
Le décès de Marilyn en 1962 a été triste pour les habitants de Jasper mais les souvenirs d’un meilleur passé sont ramenés à la vie grâce à l’exposition dédiée à la Star disparue. L’exposition « Jasper se souvient de Marilyn » sera ouverte jusqu’au 22 septembre 2013.

Posté par ginieland à 20:25 - - Commentaires [1] - Permalien [#]
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23 juin 2013

13/09/1954 Sur le tournage de The Seven Year Itch 15 - partie 1

Sept ans de réflexion
Sur le tournage - scène 15

Le 13 septembre 1954, Marilyn Monroe tourne ce qui sera la scène finale du film "Sept ans de réflexion", celle où elle est en peignoir dans l'appartement de Richard Sherman (Tom Ewell); et lui lance ses chaussures par la fenêtre. Il s'agit de la première scène tournée en extérieur, à New York, dans l'appartement situé au 164 East 61 Street. Près de 1000 personnes (des photographes, gens de la presse et beaucoup de passants et de fans), se sont amassés devant l'immeuble.

In September, 13, 1954, Marilyn Monroe shoots what will be the final scene of "The Seven Year Itch", the one where she is in a white robe in the apartment of Richard Sherman (Tom Ewell); and she throws his shoes from out the window. This is the first scene shot on location in New York, in an apartment located at 164 East 61 Street. Nearly 1,000 people (photographers, press people and a lot of shoppers and fans), were raised in front of the building.

> 1ère partie:
- Tournage de la scène
 
film_7yi_scene_robe_window_out_set_020_014_by_shaw_1   film_7yi_scene_robe_window_out_set_020_015_by_shaw_1
 film_7yi_scene_robe_window_out_set_020_013_by_shaw_1 syi_sc15_on_set_filming_010_1_in_1954_09_13 syi_sc15_on_set_filming_011_1 syi_sc15_on_set_filming_013_1
syi_sc15_on_set_filming_012_1 syi_sc15_on_set_filming_012_1a syi_sc15_on_set_filming_014_1

-Marilyn à la fenêtre
syi_sc15_on_set_window_020_1  syi_sc_window 
syi_sc15_on_set_window_020_2 syi_sc15_on_set_window_010_1
 
syi_sc15_on_set_window_051_1 syi_sc15_on_set_window_021_1 syi_sc15_on_set_window_022_1
syi_sc15_on_set_window_023_1 syi_sc15_on_set_window_024_1
syi_sc15_on_set_window_031_1  
syi_sc15_on_set_window_030_1  syi_sc15_on_set_window_050_1 
 syi_sc15_on_set_window_040_1
film-7yi-window syi_sc15_on_set_window_041_1
 syi_sc15_on_set_window_050_2a syi_sc15_on_set_window_050_2b syi_sc15_on_set_window_050_2c 
syi_sc15_on_set_window_052_1 syi_sc15_on_set_window_052_2 

> photographies de George Barris
syi_sc15_on_set_window_by_barris_010_1 syi_sc15_on_set_window_by_barris_010_2 
syi_sc15_on_set_window_by_barris_011_1 syi_sc15_on_set_window_by_barris_011_2 syi_sc15_on_set_window_by_barris_011_2a
syi_sc15_on_set_window_by_barris_011_3 syi_sc15_on_set_window_by_barris_011_3a
syi_sc15_on_set_window_by_sam_shaw_serie1_013_1 syi_sc15_on_set_window_by_sam_shaw_serie1_013_2
syi_sc15_on_set_window_by_barris_012_1 syi_sc15_on_set_window_by_barris_012_1a syi_sc15_on_set_window_by_barris_013_1
syi_sc15_on_set_window_by_barris_020_1 syi_sc15_on_set_window_by_barris_020_2 syi_sc15_on_set_window_by_barris_020_3
syi_sc15_on_set_window_by_barris_020_4 syi_sc15_on_set_window_by_barris_020_5
syi_sc15_on_set_window_by_barris_020_6 syi_sc15_on_set_window_by_barris_020_7 
syi_sc15_on_set_window_by_barris_021_1 syi_sc15_on_set_window_by_barris_021_2 syi_sc15_on_set_window_by_barris_021_3

> photographies de Bob Henriques
syi_sc15_on_set_window_by_bob_henriques_1_1 syi_sc15_on_set_window_by_bob_henriques_1_2 syi_sc15_on_set_window_by_bob_henriques_1_3

> photographies de Garry Winogrand 
syi_sc15_on_set_window_by_gary_winogrand_1  
syi_sc15_on_set_window_by_gary_winogrand_2  

> photographies de Myron Ehrenberg
film-7yi-by_MYRON_EHRENBERG_SEVEN_YEAR_ITCH176 

> photographies de Milton H. Greene
syi_sc15_on_set_window_by_mhg_020_1  
syi_sc15_on_set_window_by_mhg_010_1

> photographie de Sam Schulman
syi_sc15_on_set_window_by_sam_schulman_1 

 > photographies de Sam Shaw  
syi_sc15_on_set_window_by_sam_shaw_serie1_010_1 syi_sc15_on_set_window_by_sam_shaw_serie1_010_2 syi_sc15_on_set_window_by_sam_shaw_serie1_010_3
syi_sc15_on_set_window_by_sam_shaw_serie1_011_1 syi_sc15_on_set_window_by_sam_shaw_serie1_012_1 syi_sc15_on_set_window_by_sam_shaw_serie1_012_2

syi_sc15_on_set_window_by_sam_shaw_serie1_011_1a syi_sc15_on_set_window_by_sam_shaw_serie1_014_1a
film_7yi_scene_robe_window_out_set_031_010_by_shaw_1 syi_sc15_on_set_window_by_sam_shaw_serie1_017_1a
syi_sc15_on_set_window_by_sam_shaw_serie1_014_1 syi_sc15_on_set_window_by_sam_shaw_serie1_015_1 syi_sc15_on_set_window_by_sam_shaw_serie1_016_1
syi_sc15_on_set_window_by_sam_shaw_serie1_018_1 syi_sc15_on_set_window_by_sam_shaw_serie1_018_1a syi_sc15_on_set_window_by_sam_shaw_serie4_010_1  
syi_sc15_on_set_window_by_sam_shaw_serie2_010_1 syi_sc15_on_set_window_by_sam_shaw_serie2_010_1a syi_sc15_on_set_window_by_sam_shaw_serie2_011_1
syi_sc15_on_set_window_by_sam_shaw_serie2_012_1 syi_sc15_on_set_window_by_sam_shaw_serie3_010_1 syi_sc15_on_set_window_by_sam_shaw_serie3_010_1a

> photographie de Walter Jacobsen 
syi_sc15_on_set_window_by_walter_jacobsen_1 

> photographie de Elliott Erwitt
by_elliott_erwitt-MARILYN-MONROE-NEW-YORK-1956-2-BHC0340 

 


 > planche contact
syi_sc15_set_contact_sevenyear13 


> dans la presse
syi_sc15_on_set_window_mag_danois_norma_ray_04 


> captures
syi_sc15_set_cap_01 syi_sc15_set_cap_02 syi_sc15_set_cap_03
syi_sc15_set_cap_04 syi_sc15_set_cap_05 syi_sc15_set_cap_06
syi_sc15_set_cap_07 syi_sc15_set_cap_08 syi_sc15_set_cap_09
syi_sc15_set_cap_10 syi_sc15_set_cap_11 syi_sc15_set_cap_12
syi_sc15_set_cap_13 syi_sc15_set_cap_14 syi_sc15_set_cap_15
syi_sc15_set_cap_from_the_legend_of_MM_01 syi_sc15_set_cap_from_the_legend_of_MM_02 syi_sc15_set_cap_from_the_legend_of_MM_03
syi_sc15_set_cap_from_the_legend_of_MM_04 syi_sc15_set_cap_from_the_legend_of_MM_05 syi_sc15_set_cap_from_the_legend_of_MM_06
syi_sc15_set_cap_from_marilyn_in_manhattan_01 syi_sc15_set_cap_from_marilyn_in_manhattan_02 syi_sc15_set_cap_from_marilyn_in_manhattan_03
syi_sc15_set_cap_from_marilyn_in_manhattan_04 syi_sc15_set_cap_from_marilyn_in_manhattan_05 syi_sc15_set_cap_from_marilyn_in_manhattan_06
syi_sc15_set_cap_from_marilyn_in_manhattan_07 syi_sc15_set_cap_from_marilyn_in_manhattan_08 syi_sc15_set_cap_from_marilyn_in_manhattan_09
syi_sc15_set_cap_from_the_legend_of_MM_07 syi_sc15_set_cap_from_the_legend_of_MM_08 syi_sc15_set_cap_from_the_legend_of_MM_09 

1954-09-13-ny-tsyi-set-cap_by_jules_schulback-02-1 1954-09-13-ny-tsyi-set-cap_by_jules_schulback-02-2 1954-09-13-ny-tsyi-set-cap_by_jules_schulback-02-3 
1954-09-13-ny-tsyi-set-cap_by_jules_schulback-02-4 1954-09-13-ny-tsyi-set-cap_by_jules_schulback-02-5 1954-09-13-ny-tsyi-set-cap_by_jules_schulback-02-6 


> video

> video (color footage in Kodachrome by Jules Schulback)


> source captures:
Documentaires "The Legend of Marilyn Monroe", "Marilyn in Manhattan".


© All images are copyright and protected by their respective owners, assignees or others.
copyright text by GinieLand.

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22 juin 2013

13/09/1954 Sur le tournage de The Seven Year Itch 15 - partie 2

Sept ans de réflexion
Sur le tournage - scène 15

Le 13 septembre 1954, Marilyn Monroe devant l'immeuble au 164 East 61 Street, à New York, où elle tourne une scène du film "Sept ans de réflexion".

In September, 13, 1954, Marilyn Monroe in front of the the building at 164 East 61 Street, in New York, where she shoots a scene of the movie "The Seven Year Itch".

> 2ème partie: Devant l'immeuble
syi_sc15_set_front_010_1 syi_sc15_set_front_010_1a
syi_sc15_set_front_023_1
syi_sc15_set_front_011_1 
film-7yi-peignoir 
syi_sc15_set_front_021_1 syi_sc15_set_front_022_1 syi_set_peignoir
syi_sc15_set_front_032_1 syi_sc15_set_front_032_1a syi_sc15_set_front_041_1

> photographies de Sam Shaw
syi_sc15_set_front_by_sam_shaw_1 syi_sc15_set_front_by_sam_shaw_1a syi_sc15_set_front_by_sam_shaw_1b

syi_sc15_set_contact_7year 

syi_sc15_set_front_030_1 syi_sc15_set_front_031_1 

> photographies de George Barris
syi_sc15_set_front_by_barris_010_1 syi_sc15_set_front_by_barris_010_2
syi_sc15_set_front_by_barris_011_2 syi_sc15_set_front_by_barris_1_2_in_1954_09_09 syi_sc15_set_front_by_barris_2_2  
syi_sc15_set_front_by_barris_011_1
syi_sc15_set_front_by_barris_1_1 
syi_sc15_set_front_by_barris_012_1 syi_sc15_set_front_by_barris_012_2
syi_sc15_set_front_by_barris_012_3 syi_sc15_set_front_by_barris_012_4
syi_sc15_set_front_by_barris_012_5 syi_sc15_set_front_by_barris_012_6 syi_sc15_set_front_by_barris_012_7
syi_sc15_set_front_by_barris_020_1 syi_sc15_set_front_by_barris_020_2

- avec Billy Wilder
film-7yi-with_wilder

 > photographies de Bob Henriques
1954-by_bob-MONROE__MARILYN_-_BOB_HENRIQUES_1954628  
syi_sc15_set_front_by_bob_henriques_2_1 

 > photographies de Elliott Erwitt
syi_sc15_set_front_by_elliott_erwitt_1 syi_sc15_set_front_by_elliott_erwitt_2 


> captures
syi_sc15_set_cap_front_01 syi_sc15_set_cap_front_02 syi_sc15_set_cap_front_03 
syi_sc15_set_cap_front_04 syi_sc15_set_cap_front_05 syi_sc15_set_cap_front_06
 
1954-09-13-ny-tsyi-set-cap_by_jules_schulback-01-1 1954-09-13-ny-tsyi-set-cap_by_jules_schulback-01-2 1954-09-13-ny-tsyi-set-cap_by_jules_schulback-01-3 


> video


© All images are copyright and protected by their respective owners, assignees or others.
copyright text by GinieLand. 

Enregistrer

Bus Stop caps 12

Arrêt d'Autobus
Captures
 
12ème partie des captures du film  

bs_sc12_cap_01 bs_sc12_cap_02 bs_sc12_cap_03
bs_sc12_cap_04 bs_sc12_cap_05 bs_sc12_cap_06
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bs_sc12_cap_82 bs_sc12_cap_83 bs_sc12_cap_84 
bs_sc12_cap_85 bs_sc12_cap_86 bs_sc12_cap_87
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bs_sc12_cap_94 bs_sc12_cap_95 bs_sc12_cap_96

     >> source captures sur marilynonline.org 

08 juin 2013

Let's make love caps 13

Le milliardaire
Captures

13ème partie des captures du film

lml_sc13_cap01 lml_sc13_cap02 lml_sc13_cap03
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lml_sc13_cap13 lml_sc13_cap14 lml_sc13_cap15
lml_sc13_cap16 lml_sc13_cap17 lml_sc13_cap18
lml_sc13_cap19 lml_sc13_cap20 lml_sc13_cap20
lml_sc13_cap22 lml_sc13_cap23 lml_sc13_cap24

Posté par ginieland à 12:59 - - Commentaires [0] - Permalien [#]
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04 mai 2013

Bus Stop caps 13

Arrêt d'Autobus
Captures
 
13ème partie des captures du film 

bs_sc12_cap_97 bs_sc12_cap_98 bs_sc12_cap_99
sc13_cap01 sc13_cap02 sc13_cap03
sc13_cap04 sc13_cap05 sc13_cap06
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sc13_cap10 sc13_cap11 sc13_cap12
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sc13_cap46 sc13_cap47 sc13_cap48
sc13_cap49 sc13_cap50 sc13_cap51

Posté par ginieland à 19:08 - - Commentaires [0] - Permalien [#]
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29 avril 2013

11/03/1955 Friars Club Testimonial Dinner

1955_03_11_friars_program_1Le 11 mars 1955, Marilyn Monroe participe au dîner annuel du Friars Club, organisé au Waldorf Astoria de New York. Jerry Lewis et Dean Martin sont les invités d'honneur (un prix leur sera remis), et la soirée est consacrée à leur oeuvre caritative au profit de la myopathie (Muscular Dystrophy Association - MDA). Milton Berle officie en tant que maître de cérémonie et Marilyn le rejoindra sur scène. La soirée est ponctuée de numéros fantaisistes. Dans la salle, Marilyn est attablée à côté d'Eddie Fisher; et Milton Greene et sa femme Amy sont à la table de Ruth Berle. Parmi les autres invités, se trouvent Sammy Davis Jr. et Phil Silvers.
Marilyn porte une robe dorée de Norman Norell.

On March 11, 1955, Marilyn Monroe participates to the annual dinner of Friars Club, at the Waldorf Astoria in New York. Jerry Lewis and Dean Martin are the honor guests they are awarded), and the evening is dedicated to their charity for the benefit of myopathy (Muscular Dystrophy Association - MDA). Milton Berle is the master of ceremonies and Marilyn will join him on stage. The evening is punctuated by fanciful numbers. In the dinner room, Marilyn is seated next to Eddie Fisher; and Milton Greene and his wife Amy are at Ruth Berle's table. Other famous guests include Sammy Davis Jr. and Phil Silvers.
Marilyn wears a gold dress by Norman Norell.


> L'arrivée de Marilyn avec Milton H Greene
Marilyn arrival, with Milton H Greene
 
  1955_03_11_friars_010_5 lot1146-H3257-L78857177  1955_03_11_friars_010_3
1955_03_11_friars_011_1
1955-mm 1955_03_11_friars_011_3
1955_03_11_friars_012_1 1955_03_11_friars_012_2 1955_03_11_friars_012_3
1955_03_11_friars_012_4 lot1146-H3257-L78857184 
1955_03_11_friars_012_5a 1955_03_11_friars_012_5 
 
1955_03_11_friars_010_2 lot1146-H3257-L78857179  lot1146-H3257-L78857189 
lot89016k 
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1955_03_11_friars_012_6 1955_03_11_friars_012_6a

1955_03_11_friars_012_7
1955-mm-golden 
lot89016f lot89016h  lot89016j 
1955_03_11_friars_012_8 lot89016g1955_03_11_friars_010_4 
1955_03_11_friars_013_1 1955_03_11_friars_013_1a 1955_03_11_friars_013_2 

lot89016e lot89016d  lot89016b  


> snapshots
1955_03_by_haspiel_candids_1 

> Snapshots
lot89016  
- de la collection de James Collins, un fan des Monroe Six
-from the personal collection of James Collins, one of the 'Monroe Six'


- Marilyn et James Hapiel
1955-03-11-friars_club-collection_frieda_hull-3b 
1955-03-11-friars_club-by_haspiel-1 
1955-03-11-friars_club-collection_frieda_hull-3a   1955-03-11-friars_club-collection_frieda_hull-3 
1955-03-11-friars_club-collection_frieda_hull-3d 1955-03-11-friars_club-collection_frieda_hull-3c  1955-03-11-friars_club-collection_frieda_hull-4 
1955-03-11-friars_club-collection_frieda_hull-1 
1955-03-11-friars_club-collection_frieda_hull-1a 1955-03-11-friars_club-collection_frieda_hull-1b  1955-03-11-friars_club-collection_frieda_hull-5 
1955-03-11-friars_club-collection_frieda_hull-2 
1955-03-11-friars_club-collection_frieda_hull-2a 1955-03-11-friars_club-collection_frieda_hull-2b 1955-03-11-friars_club-collection_frieda_hull-2c 
- de la collection de Frieda Hull, une fan des Monroe Six

-from the personal collection of Frieda Hull, one of the 'Monroe Six'


> Pendant la cérémonie
During the ceremony
1955_03_11_friars_dinner_010_1 

-avec Milton Berle, Jerry Lewis et Dean Martin -> 
1955_03_11_friars_dinner_with_berle_1 1955_03_11_friars_dinner_with_berle_martin_lewis_1_2 

1955-roast-89 Pix with 01  1955-friars-with_milton_berle-Page no date etc 04 
1955_03_11_friars_dinner_with_berle_martin_lewis_1_1 1955_03_11_friars_dinner_with_berle_martin_lewis_1_3 1955_03_11_friars_dinner_with_berle_martin_lewis_1_4
1955_03_11_friars_dinner_with_berle_martin_lewis_1_5 1955_03_11_friars_dinner_with_berle_martin_lewis_1_6 1955_03_11_friars_dinner_with_berle_martin_lewis_1_7
1955_03_11_friars_dinner_with_berle_martin_lewis_2_1 1955_03_11_friars_dinner_with_berle_martin_lewis_2_2 1955_03_11_friars_dinner_with_berle_martin_lewis_3_1 
1955_03_11_friars_dinner_with_berle_martin_lewis_2_3 1955_03_11_friars_dinner_with_berle_martin_lewis_2_4 1955_03_11_friars_dinner_with_berle_martin_lewis_9

-avec Sammy Davis Jr. et Eddie Fisher -> 
1955_03_11_friars_dinner_with_sammy_davis_1 1955_03_11_friars_dinner_with_sammy_davis_3 1955_03_11_friars_dinner_with_sammy_davis_2a 
1955_03_11_friars_dinner_with_sammy_davis_eddie_fisher_1 1955_03_11_friars_dinner_with_sammy_davis_eddie_fisher_1a 1955_03_11_friars_dinner_with_sammy_davis_2 

1955-sammy 

-avec Milton Berle, photographies de Ed Feingersh ->
1955_03_11_friars_dinner_by_feingersh_010_1 1955_03_11_friars_dinner_by_feingersh_011_1 1955_03_11_friars_dinner_by_feingersh_025_1 
1955_03_11_friars_dinner_by_feingersh_023_1 1955_03_11_friars_dinner_by_feingersh_024_1 
1955_03_11_friars_dinner_by_feingersh_020_1 1955_03_11_friars_dinner_by_feingersh_021_1 1955_03_11_friars_dinner_by_feingersh_022_1 


> Sur scène, avec Milton Berle
On stage, with Milton Berle
1955_03_11_friars_stage_1 1955_03_11_friars_stage_with_milton_berle_1_2
1955_03_11_friars_stage_with_milton_berle_2_1 1955_03_11_friars_stage_with_milton_berle_3_1 1955_03_11_friars_stage_with_milton_berle_3_2


Séance "Friars Club"
Friars Club Sitting
- Milton H Greene -


 Photographies de Milton H Greene
Photographer: Milton Greene

1955-03-11-NY-Waldorf_Astoria-Friars_Club-by_mhg-010-1-MHG-MMO-NYC-001  1955-03-11-NY-Waldorf_Astoria-Friars_Club-by_mhg-010-2-MHG-MMO-NYC-002 
1955-03-11-NY-Waldorf_Astoria-Friars_Club-by_mhg-010-2 
1955-03-11-NY-Waldorf_Astoria-Friars_Club-by_mhg-011-1-marilyn_monroe_NYC_024  1955-03-11-NY-Waldorf_Astoria-Friars_Club-by_mhg-012-1-marilyn_monroe_NYC_025 
1955-03-11-NY-Waldorf_Astoria-Friars_Club-by_mhg-014-1-MHG-MMO-NYC-005  1955-03-11-NY-Waldorf_Astoria-Friars_Club-by_mhg-014-2-MHG-MMO-NYC-006 

1955-03-11-NY-Waldorf_Astoria-Friars_Club-by_mhg-013-1-MHG-MMO-NYC-009  1955_03_11_friars_dinner_with_milton_berle_1  H3257_L44538789 
1955-03-11-NY-Waldorf_Astoria-Friars_Club-by_mhg-020-1-MHG-MMO-NYC-003 
1955-03-11-NY-Waldorf_Astoria-Friars_Club-by_mhg-021-1-MHG-MMO-NYC-007  1955-03-11-NY-Waldorf_Astoria-Friars_Club-by_mhg-021-2-MHG-MMO-NYC-004  1955-03-11-NY-Waldorf_Astoria-Friars_Club-by_mhg-021-3-MHG-MMO-NYC-008 

Planches Contact / Contact Sheets
1955-03-11-NY-Waldorf_Astoria-Friars_Club-by_mhg-CS-1 
1955-03-11-NY-Waldorf_Astoria-Friars_Club-by_mhg-CS-2  1955-03-11-NY-Waldorf_Astoria-Friars_Club-by_mhg-CS-3 
1955-03-11-NY-Waldorf_Astoria-Friars_Club-by_mhg-CS-4  1955-03-11-NY-Waldorf_Astoria-Friars_Club-by_mhg-CS-5 


> captures
1955_03_11_friars_cap01_01 1955_03_11_friars_cap01_02 1955_03_11_friars_cap01_03
1955_03_11_friars_cap02_01 1955_03_11_friars_cap02_02 1955_03_11_friars_cap02_03
1955_03_11_friars_cap03_01 1955_03_11_friars_cap03_02 1955_03_11_friars_cap03_03
1955_03_11_friars_cap04_01 1955_03_11_friars_cap04_02 1955_03_11_friars_cap04_03
1955_03_11_friars_cap04_04 1955_03_11_friars_cap04_05 1955_03_11_friars_cap04_06 
1955_03_11_friars_cap04_07 1955_03_11_friars_cap04_08 1955_03_11_friars_cap04_09
1955_03_11_friars_cap04_10 1955_03_11_friars_cap04_11 1955_03_11_friars_cap04_12
1955_03_11_friars_cap04_13 1955_03_11_friars_cap04_14 1955_03_11_friars_cap04_15

1955-friars-cap01 1955-friars-cap02 1955-friars-cap03
1955-friars-cap04 1955-friars-cap05 1955-friars-cap06
1955-friars-cap07 1955-friars-cap08 1955-friars-cap09


> video 1
 

> video 2 (à 5 min 15 sec)
 

> video 3 "I love you Jerry"
 


All photos are copyright and protected by their respective owners. 
copyright text by GinieLand.

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23 avril 2013

Let's make love caps 14

Le milliardaire
Captures

14ème partie des captures du film 

lml_sc14_cap01 lml_sc14_cap02 lml_sc14_cap03
lml_sc14_cap04 lml_sc14_cap05 lml_sc14_cap06
lml_sc14_cap07 lml_sc14_cap08 lml_sc14_cap09
lml_sc14_cap10 lml_sc14_cap11 lml_sc14_cap12
lml_sc14_cap13 lml_sc14_cap14 lml_sc14_cap15
lml_sc14_cap16 lml_sc14_cap17 lml_sc14_cap18
lml_sc14_cap19 lml_sc14_cap20 lml_sc14_cap21
lml_sc14_cap22 lml_sc14_cap23 lml_sc14_cap24
lml_sc14_cap25 lml_sc14_cap26 lml_sc14_cap27
lml_sc14_cap28 lml_sc14_cap29 lml_sc14_cap30
lml_sc14_cap31 lml_sc14_cap32 lml_sc14_cap33

17 avril 2013

Let's make love caps 15

Le milliardaire
Captures

15ème partie des captures du film

lml_sc15_cap01 lml_sc15_cap02 lml_sc15_cap03
lml_sc15_cap04 lml_sc15_cap05 lml_sc15_cap06
lml_sc15_cap07 lml_sc15_cap08 lml_sc15_cap09
lml_sc15_cap10 lml_sc15_cap11 lml_sc15_cap12
lml_sc15_cap13 lml_sc15_cap14 lml_sc15_cap15
lml_sc15_cap16 lml_sc15_cap17 lml_sc15_cap18

16 avril 2013

30/03/1955 Ringling Brothers Circus

Action Caritative

La soirée du 30 mars 1955: Marilyn Monroe participa à la grande cérémonie de bienfaisance organisée par Mike Todd et son cirque (Ringling Brothers Circus) dont les bénéfices étaient reversés à une fondation qui lutte contre l'arthrose et les affections rhumatismales.
C'était la première apparition en publique de Marilyn depuis son départ de Los Angeles. Le contrat de la Fox lui interdisait la participation à des spectacles rémunérés, mais les soirées de bienfaisance n'entraient pas dans cette catégorie.
Marilyn se rendit de son hôtel au Madison Square Garden en limousine avec Dick Sheperd (qui était alors agent au département cinéma de MCA à New York). Elle réussit à se faufiler dans les couloirs de l'établissement, gagna sa loge et put s'habiller dans le calme relatif. 
The evening of March 30, 1955: Marilyn Monroe participated to the great charity ceremony organised by Mike Todd and his circus (Ringling Brothers Circus) to benefit the Arthritis Foundation and Rhumastismales disorders.
It was the first public appearance of Marilyn since her departure from Los Angeles. Fox's contract forbade participation in paid shows, but charity evenings did not fall into this category.  
Marilyn was accompanied by Dick Shepperd for the trip from the hotel to Madison and photographed by Ed Feingersh. She managed to sneak into the corridors of the school, won his lodge and could dress in relative calm.  

> Marilyn et Dick Sheperd (photos de Ed Feingersh)
1955_03_30_ny_madison_square_arrival_01_by_feingersh_1 1955_03_30_ny_madison_square_arrival_02_by_feingersh_1 
1955_03_30_ny_madison_square_arrival_01_by_feingersh_1a MONROE__MARILYN_-_ED_FEINGERSH_1955_REDBOOK_SHOOT_FOU_22092 1955_03_30_ny_madison_square_arrival_04_by_feingersh_1a
1955_03_30_ny_madison_square_arrival_03_by_feingersh_1_with_dick_sheperd 1955_03_30_ny_madison_square_arrival_04_by_feingersh_1 1955_03_30_limousine
1955_03_30_ny_madison_square_arrival_05_by_feingersh_1 1955_03_30_ny_madison_square_arrival_06_by_feingersh_1 1955_03_30_ny_madison_square_arrival_06_by_feingersh_1a
1955_03_30_ny_madison_square_arrival_07_by_feingersh_1a 1955_03_30_ny_madison_square_arrival_08_by_feingersh_1 1955_03_30_ny_madison_square_arrival_08_by_feingersh_1a
1955_03_30_ny_madison_square_arrival_07_by_feingersh_1 1955_03_30_arrive
1955_03_30_ny_madison_square_arrival_09_by_feingersh_1 1955_03_30_ny_madison_square_arrival_10_by_feingersh_1
1955_03_30_ny_madison_square_arrival_11_by_feingersh_1 1955_03_30_ny_madison_square_arrival_12_by_feingersh_1 


1955_03_30_ny_madison_square_circus_044_6_signedDans les coulisses, Marilyn s'est préparée, soutenue par Milton Berle et la jeune Alice Fitzpatrick; Milton Greene et Peter Leonardi (son secrétaire et coiffeur à cette époque) sont aussi présents, dans l'ombre. Elle lui dédicacera une des photos de la soirée (voir ci-contre).
Behind the scenes, Marilyn prepared, supported by Milton Berle, the young Alice Fitzpatrick; but also Milton Greene and Peter Leonardi (his secretary and hairdresser at the time) who were also presents in the shadows. She will dedicate him one of the photos of the evening.   

> Dans les coulisses
1955_03_30_ny_madison_square_circus_backstage_1 1955_03_30_ny_madison_square_circus_backstage_3_by_mhg 1955_03_30_ny_madison_square_circus_backstage_2a

> Arrivée de Marilyn (avec Milton Greene)
1955_03_30_ny_madison_square_circus_010_1 1955_03_30_ny_madison_square_circus_011_1 1955_03_by_haspiel_candids_1 
lot89019a  lot89019b 
1955_03_30_ny_madison_square_circus_020_1_by_weegee 1955_03_30_ny_madison_square_circus_020_2 1955-circus-51 Page no date etc 03
1955_03_30_ny_madison_square_circus_021_1 1955-movieland7552a 1955_03_30_ny_madison_square_circus_021_2 
  1955-circus-movieshow11552  1955-madisonsquare
1955_03_30_ny_madison_square_circus_021_3 1955_03_30_ny_madison_square_circus_021_4 1955_03_30_ny_madison_square_circus_022_1 1955_03_30_ny_madison_square_circus_022_1a 


1955-03-30-madison-collection_frieda_hull-2 
1955-03-30-madison-collection_frieda_hull-2a 1955-03-30-madison-collection_frieda_hull-2b 
- de la collection de Frieda Hull, une fan des Monroe Six
-from the personal collection of Frieda Hull, one of the 'Monroe Six'
 


 - photo de Max Peter Haas ->  
by_max_peter_haas 
- photos de Marvin Scott ->
1955_03_30_ny_madison_square_by_Marvin_Scott_01 1955_03_30_ny_madison_square_by_Marvin_Scott_02 1955_03_30_ny_madison_square_by_Marvin_Scott_03
1955_03_30_ny_madison_square_by_Marvin_Scott_03b 1955_03_30_ny_madison_square_by_Marvin_Scott_04 1955_03_30_ny_madison_square_by_Marvin_Scott_04b
- photo de Weegee ->
1955-03-30-NY-Madison_Square_Garden-circus-by_weegee-010-1 
 - autres photos ->
1955-circus-1  1955-circus-hollywoodconfidential8551
1955_03_30_ny_madison_square_circus_030_1 1955_03_30_ny_madison_square_circus_031_1 1955_03_30_ny_madison_square_circus_033_1a
 - photo de Sam Goldstein ->
1955_03_30_ny_madison_square_circus_032_by_sam_goldstein_1 


Le grand show, qui se tient au Madison Square Garden à New York, était présenté par Milton Berle, qui officiait en tant que "Monsieur Loyal", le 'maître de cérémonie', et qui présente Marilyn en ces termes: "Voici la seule femme au monde à côté de qui Jane Russell ressemble à un homme!", provoquant l'hilarité dans la foule. Plus de 25 000 spectateurs étaient présents; ils avaient payer 50 dollars leurs places; dont Joe DiMaggio, l'ex-époux de Marilyn.
Dans la salle, deux cents photographes s'arrachaient les meilleures places (Ed Feingersh, Milton Greene, Marvin Scott, Walter Carone, Weegee, Sam Goldstein, Erika Stone...). Lorsqu'enfin elle entra en scène, Milton Berle dut leur demander de s'accroupir pour ne pas gêner les autres spectateurs. Marilyn Monroe fit une entrée triomphale, juchée sur le dos d'un éléphant indien peint en rose, nommé Karnaudi (ou Kinardy), appartenant au cirque Barnum & Bailey. Elle déclarera plus tard: "C'était très important pour moi, je n'étais jamais allée au cirque quand j'étais enfant."
The big show, which held at the Madison Square Garden in New York, was presented by Milton Berle, who was the "Master of the Ceremony". More than 25,000 spectators were presents, including Joe DiMaggio in the stands; and two hundred photographers snatched the best seats (Ed Feingersh, Milton Greene, Marvin Scott, Walter Carone, Weegee, Sam Goldstein, Erika Stone...). When finally she came on the stage, Milton Berle, had to ask them to squat to not to interfere with other spectators. Marilyn Monroe made a triumphal entrance, perched on the back of an indian elephant painted pink, named Karnaudi (or Kinardy) and belonging to the Barnum & Bailey circus.

Le magazine Variety écrivit: "Marilyn Monroe juchée sur un pachyderme peint en rose fut le clou de la soirée. Malheureusement, les photographes agglutinés autour de la star à demie nue l'empêchaient d'avancer. On put difficilement admirer les charmes de Miss Monroe, mais en définitive, la foule ne s'était déplacée pas pour rien." Les autres stars présentes furent toute au plus citées.
Variety Magazine said: "Marilyn Monroe perched on an elephant painted pink was the highlight of the evening. Unfortunately, photographers clustered around the half naked star prevented her from advancing. We could hardly see the charms of Miss Monroe, but ultimately, the crowd had not moved for nothing. "Other present stars have not been mentionned. 

> Entrée de Marilyn qui monte sur l'éléphant
- photos de Ed Feingersh ->
1955_03_30_ny_madison_square_circus_040_1_by_feingersh 1955_03_30_ny_madison_square_circus_041_1_1
1955_03_30_ny_madison_square_circus_041_1_2  
1955_03_30_ny_madison_square_circus_041_1_1a 1955_03_30_ny_madison_square_circus_041_1_1b 1955_03_30_ny_madison_square_circus_042_2_by_feingersh_2 
1955_03_30_ny_madison_square_circus_041_1_3 1955_03_30_ny_madison_square_circus_041_1_4 1955_03_30_ny_madison_square_circus_041_1_4a
1955_03_30_ny_madison_square_circus_041_1_5 1955_03_30_ny_madison_square_circus_042_1_by_feingersh 1955_03_30_ny_madison_square_circus_042_2_by_feingersh_1
1955_03_30_ny_madison_square_circus_042_4 1955_03_30_ny_madison_square_circus_042_5
- autres photos (Marvin Scott, Weegee, Sam Goldstein...) ->   
1955_03_30_ny_madison_square_circus_044_1_1_by_weegee_1 1955_03_30_ny_madison_square_circus_044_1_2a 1955_03_30_ny_madison_square_circus_044_1_2 
1955_03_30_ny_madison_square_by_Marvin_Scott_05
1955-movieland7553a 1955_03_30_ny_madison_square_circus_044_1_3 
1955_03_30_ny_madison_square_circus_043_1 1955_03_30_ny_madison_square_circus_043_1a 1955_03_30_ny_madison_square_circus_043_2  
1955_03_30_ny_madison_square_circus_044_2_by_weegee_1 1955_03_30_ny_madison_square_circus_044_5_by_weegee_1 1955_circus_321
1955_03_30_ny_madison_square_circus_044_3 1955_03_30_ny_madison_square_circus_044_4 1955_03_30_ny_madison_square_circus_044_6_by_sam_goldstein_1
1955_03_30_ny_madison_square_circus_045_1 1955_03_30_ny_madison_square_circus_045_2 1955_03_30_ny_madison_square_circus_045_3
1955_03_30_ny_madison_square_circus_045_4 1955_03_30_ny_madison_square_circus_045_5 
1955_03_30_ny_madison_square_circus_050_1 1955_03_30_ny_madison_square_by_Marvin_Scott_06 1955_03_30_ny_madison_square_circus_051_2_by_weegee_1 
1955_03_30_ny_madison_square_circus_052_1_by_weegee_1
1955-movieland7551 1955_03_30_ny_madison_square_circus_052_1_by_weegee_2 
1955_03_30_ny_madison_square_by_Marvin_Scott_07 1955_03_30_ny_madison_square_circus_053_2 1955_03_30_ny_madison_square_circus_081_1 
1955_03_30_ny_madison_square_circus_060_1 1955_03_30_ny_madison_square_circus_053_3 1955_03_30_ny_madison_square_by_Marvin_Scott_08 
1955_03_30_ny_madison_square_circus_061_1 1955_03_30_ny_madison_square_circus_061_1a 1955_03_30_ny_madison_square_circus_061_3
1955_03_30_ny_madison_square_circus_061_3a 1955_03_30_ny_madison_square_circus_062_1
1955_03_30_ny_madison_square_circus_063_1 1955_03_30_ny_madison_square_circus_063_2 1955_03_30_ny_madison_square_circus_063_3a 
1955_03_30_ny_madison_square_circus_063_3 1955_03_30_ny_madison_square_circus_064_1a
1955_03_30_ny_madison_square_circus_064_1 1955_03_30_ny_madison_square_circus_065_1 1955_03_30_ny_madison_square_circus_065_1a
1955_03_30_ny_madison_square_by_Marvin_Scott_09
1955-03-30-madison-01 1955_03_30_ny_madison_square_by_Marvin_Scott_09a 
1955_03_30_ny_madison_square_circus_070_1_by_weegee 1955_03_30_ny_madison_square_circus_070_2 1955_03_30_ny_madison_square_circus_071_1 
1955_03_30_ny_madison_square_circus_070_3
1955-circus-tempo12551 1955_03_30_ny_madison_square_circus_070_4_by_weegee 
1955_03_30_ny_madison_square_circus_071_2 
1955_03_30_ny_madison_square_circus_071_4  1955-movieland7553 
1955-movieland7552 
1955_03_30_ny_madison_square_circus_071_3  1955_madison_1 
1955_03_30_ny_madison_square_circus_080_1 1955_03_30_ny_madison_square_circus_080_2_by_erika_stone 1955_03_30_ny_madison_square_circus_080_3
- photos de Walter Carone -> 
1955_03_30_ny_madison_square_by_walter_carone_01  
1955_03_30_ny_madison_square_by_walter_carone_02_1 
1955_03_30_ny_madison_square_circus_061_4 


- Photographies de Milton H Greene -

1955-03-30-NY-Circus-by_mhg-010-1-MHG-MMO-CS-115 
1955-03-30-NY-Circus-by_mhg-011-1-MHG-MMO-CS-092  1955-03-30-NY-Circus-by_mhg-011-2-MHG-MMO-CS-093  
by_mhg_CS_089 by_mhg_CS_091 

1955-03-30-NY-Circus-by_mhg-012-1-MHG-MMO-CS-090 
1955-03-30-NY-Circus-by_mhg-021-1-MHG-MMO-CS-116  1955-03-30-NY-Circus-by_mhg-022-1-MHG-MMO-CS-088  1955-03-30-NY-Circus-by_mhg-023-1-MHG-MMO-CS-103 
1955-03-30-NY-Circus-by_mhg-024-1-MHG-MMO-CS-005  1955-03-30-NY-Circus-by_mhg-025-1-MHG-MMO-CS-106  1955-03-30-NY-Circus-by_mhg-026-1-MHG-MMO-CS-097 
1955-03-30-NY-Circus-by_mhg-030-1-MHG-MMO-CS-100  1955-03-30-NY-Circus-by_mhg-030-2-MHG-MMO-CS-101  1955-03-30-NY-Circus-by_mhg-030-3-MHG-MMO-CS-102 
1955-03-30-NY-Circus-by_mhg-040-1-MHG-MMO-CS-098  1955-03-30-NY-Circus-by_mhg-040-2-MHG-MMO-CS-108  1955-03-30-NY-Circus-by_mhg-040-3-MHG-MMO-CS-006 
1955-03-30-NY-Circus-by_mhg-040-4-MHG-MMO-CS-107 
1955-03-30-NY-Circus-by_mhg-041-3-MHG-MMO-CS-105  1955-03-30-NY-Circus-by_mhg-041-1-MHG-MMO-CS-004  1955-03-30-NY-Circus-by_mhg-041-2-MHG-MMO-CS-099 
1955-03-30-NY-Circus-by_mhg-041-1 
1955-03-30-NY-Circus-by_mhg-042-1-MHG-MMO-CS-094  1955-03-30-NY-Circus-by_mhg-042-2-MHG-MMO-CS-095  1955-03-30-NY-Circus-by_mhg-042-3 
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Marilyn Madison Square Garden 1955 par MissYria



 > dans la presse
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Le soir du spectacle, Milton Greene loua la suite Cecil Beaton de l'Ambassador Hotel de New York, où lui-même, Amy Greene et Marilyn purent s'habiller et accueillir une poignée de visiteurs en provenance de la Côte Ouest. Michael Todd, toujours généreux avec ses invités, avaient fait venir les stars en avion et en première classe: Jeannette MacDonald et Gene Raymond, James Cagney, Red Buttons, Martha Raye, Terry Moore, Julius LaRosa, Sammy Davis Jr, Sonja Henie et Bess Myerson. Amy Greene avait commandé à Norman Norrel la robe se soie noire que MM devait porter jusqu'au Madison Square Garden et pendant les mondanités.
(> voir les photos de l'essayage de la robe par Ed Feingersh).

The night of the show, Greene rent a room (the 'Cecil Beaton suite') at the Ambassador Hotel in New York, where he himself, Amy and Marilyn dressed and could receive visitors from the West Coast. Michael Todd, always generous with his guests, had made come by plane and first class some movie stars like Jeanette MacDonald and Gene Raymond, James Cagney, Red Buttons, Martha Raye, Terry Moore, Julius LaRosa, Sammy Davis Jr, Sonja Henie and Bess Myerson. Amy Greene commanded the Norman Norrell black silk dress black that Marilyn was wearing at her arrival to the Madison Square Garden and for the party in the hotel.


sources pour l'article: 
Magazines: Paris Match 9 avril 1955 / Redbook 1955, July 
Livres: Marilyn édition de La Martinière, photos de Ed Feingersh

Marilyn Monroe et les caméras  .
web: article "Do you want to see her?" sur le blog / le site d'images corbis
Photos de Milton Greene: a huge thanks to Maarit !


All photos are copyright protected by their respective owners.

 

 

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