Sept ans de réflexion
Sur le tournage - scène 11   

Date: le 15 septembre 1954, à une heure du matin.
Lieu: entre la 51 et 52st Street, au croisement de Lexington Avenue.
Scène: il s'agit d'une scène mythique, l'une des plus célèbres de l'histoire du cinéma, qui reste sans doute la "scène la plus vue au monde", celle où la robe blanche de Marilyn se soulève entraînée par l'air d'une grille de métro. La presse en parla comme de "l'exhibition la plus intéressante depuis Lady Godiva".

Date: September 15, 1954, at one o'clock.
Location: between 51 and 52st Street on the corner of Lexington Avenue.
Scene: it is a mythical scene, one of the most famous in the history of cinema, which is probably the "most scene view in the world," the one where the white dress of Marilyn Monroe rises, driven by the blow of the subway grate. The press spoke of as "the most interesting exhibition since Lady Godiva".

Marilyn Monroe, Tom Ewell, le réalisateur Billy Wilder (homme en noir, chapeau noir), Johnny Graham (homme en costume, chapeau et cigar), manager de production de la Côte Est qui organisa la logistique pour le tournage des scènes à New York, et Natasha Lytess, la coach de Marilyn.

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>> Photographies de Bruno Bernard
  

Extraits du journal de Bruno Bernard:
- Le magazine Redbook engagea Bruno Bernard pour couvrir le tournage de Marilyn dans The Seven Year Itch.
- New York - 14/09/1954. Si cela n'avait pas été pour mon travail (la couverture de Redbook) et Marilyn, dix chevaux ne m'auraient pas traîné sur le tournage de Seven year Itch. Zut. J'ai attendu trois heures au milieu des odeurs transpiration et des cris de la foule et d'une bande de paparazzis (...). Soudain, la foule a poussé un formidable hurlement. Marilyn apparaissait en chair et en os. Lorsque Billy Wilder, le metteur en scène, a dit "On tourne", Marilyn est sortie du théâtre, a fait quatre pas sur la gauche avant de s'arrêter juste au-dessus d'une grille d'aération. A ce moment précis, on doit imaginer qu'un métro quitte la station, l'air qu'il déplace soulevant la jupe de Marilyn. Pour mieux contrôler l'action, les accessoiristes ont disposé un ventilateur directement sous la grille. Dans certaines prises, la jupe blanche de Marilyn s'est soulevée au point de lui couvrir le visage, à la grande joie des spectateurs hystériques. D'après le scénario, Marilyn doit simplement dire: "Ah, quel soulagement ! N'est-ce pas délicieux ?!" tandis qu'elle prend plaisir à sentir cet air frais. 
La scène a été refaite trente fois parce que Marilyn se trompait à chaque fois dans son texte. Sous sa robe, elle ne portait qu'une petite culotte de soie blanche transparente. (...) DiMaggio, qui se trouvait juste en face de moi et près de walter Winchell, regardait le spectacle. Je me rendais nettement compte que la gêne de DiMaggio tournait à la fureur. Je me frayais rapidement un chemin à travers la foule, dans l'espoir de le calmer. Mais, avant que je n'arrive près de lui, il avait déjà quitté les lieux très en colère. Winchell (...) m'a dit que DiMaggio était parti "apaiser son tempérament de macho italien au Toot's Shor's". Roy Croft nous rejoignit: "Nous devrions plutôt nous réjouir qu'elle porte au moins quelque chose dessous".
L'absence de DiMaggio ne la troubla pas, et la déesse de l'amour poursuivit ses interminables prises devant son public new-yorkais extasié.
- J'ai vraiment besoin de faire ces photos de Joe et Marilyn pour boucler mon article. Depuis le couloir de leur appartement du Saint Regis, je peux entendre les éclats d'une querelle passionnée suivie par des pleurs hystériques. Je suis parti et je n'ai pas fait mes photos. (...) J'étais abbatu et silencieux. Rencontrant Roy dans l'ascenceur, il tenta de me consoler: "Tout n'est pas perdu. Comme il y avait trop de bruits de fond en extérieur, Wilder a décidé de refaire toute la scène à Hollywood." 

>> sources:
- Livres: Bernard of Hollywood's Marilyn / De Norma Jean à Marilyn, de Susan Bernard / Marilyn among friends, Sam Shaw / L'Encyclopédie d'Adam Victor / Marilyn Monroe et les caméras, de Georges Belmont / Les trésors de Marilyn Monroe, de Jenna Glatzer / Les vies secrètes de Marilyn Monroe, d'Anthony Summers.

All photos are copyright and protected by their respective owners. 
copyright text by GinieLand.

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 lot n°729: MARILYN MONROE "DANGEROUS YEARS" JUMBO WINDOW CARD
  A jumbo window card for Marilyn Monroe's film debut, Dangerous Years (20th Century Fox, 1947). Printed in black and red on cardstock, the card also features a promotion for The Invisible Wall (20th Century Fox, 1947).
Estimate: $200 - $400
 

lot n°730: MARILYN MONROE 1950 FILM ARCHIVE
  A publicity still and wardrobe archive of Marilyn Monroe's 1950 films including two wardrobe plot book pages from A Ticket To Tomahawk (20th Century, 1950) for Monroe's character, Clara; with 13 publicity stills (10 black and white, 3 colorized) of Anne Baxter, Dan Dailey and Rory Calhoun. All About Eve (20th Century, 1950) publicity image archive containing 11 small black and white images stamped on verso by the Advertising Code Administration of Hollywood with one image of Monroe and 10 of Celeste Holm and four publicity images from the film. Two black and white publicity images from The Asphalt Jungle (MGM, 1950), one of Monroe.
Estimate: $400 - $600 
  

lot n°731: MARILYN MONROE EARLY FILMS PUBLICITY STILLS AND WARDROBE ARCHIVE
  An archive of publicity stills and wardrobe images from three of Marilyn Monroe's early films including a group of 11 black and white publicity images from Ladies of the Chorus (Columbia, 1948), each stamped "Columbia Pictures / Photo by / Lippman" with publicity snipes on verso; three of the images show Monroe's character in an altercation with Marjorie Hoshelle's character. A Monroe wardrobe continuity image, a copy of a Monroe publicity image, and an original publicity image of other cast members from Love Nest (20th Century, 1951). Publicity stills from Clash by Night (RKO, 1952), including approximately 17 black and white publicity stills, some stamped on verso " Photo by Roderick " with RKO information accompanied by publicity snipes; two feature Monroe. Fourteen black and white publicity stills blind stamped "Property of N . S . S . Corp" with two other unstamped publicity stills. As Young As You Feel (20th Century, 1951) wardrobe continuity photo archive containing 14 black and white images; one of Monroe.
Estimate: $600 - $800 
  

lot n°734: "DON'T BOTHER TO KNOCK" WARDROBE AND PUBLICITY PHOTOGRAPH ARCHIVE
  A Marilyn Monroe typed costume continuity sheet for her character Nell Forbes (changes 1 and 2) in the film Don't Bother To Knock (20th Century, 1952). Accompanied by approximately 14 small black and white continuity photographs shot on set and eight black and white publicity photographs, four of which are blind stamped "Property of N.S.S. Corp."
Estimate: $800 - $1 200 
  

 lot n°742: "WE'RE NOT MARRIED" WARDROBE CONTINUITY SHEETS
  A group of four wardrobe continuity sheets for Marilyn Monroe and Ginger Rogers from the film We're Not Married (20th Century Fox, 1952). The typed sheets with some handwritten notations are for Monroe's character, Annabel (changes 1-4), and Rogers' character, Ramona (changes 1-3A). Accompanied by one black and white wardrobe photograph of Rogers in change 3 and eight black and white publicity images, including one of Monroe that has been cut down from its original size.
Estimate: $600 - $800
  

lot n°743: "NIAGARA" WARDROBE AND PUBLICITY ARCHIVE
  An archive of wardrobe sheets, photographs taken on set and publicity photographs from Niagara (20th Century, 1953). Including seven handwritten production wardrobe pages and matching typed pages for Marilyn Monroe's costuming in the film. Approximately 65 black and white photographs intended for publicity or continuity including behind-the-scenes images and photographs marked for cropping. Six Marilyn Monroe wardrobe continuity photographs that appear to have been copied from a color transparency, approximately 13 black and white wardrobe continuity images. Approximately 64 black and white publicity images stamped on verso by the Advertising Code Administration including one noted for a retouch on an image of Jean Peters. Also accompanied by approximately 17 other photographs and copies of photographs for an unknown use.
Estimate: $2 000 - $4 000
  

lot n°744: "MONKEY BUSINESS" PUBLICITY AND WARDROBE ARCHIVE
  An archive of materials relating to the film Monkey Business (20th Century Fox, 1952). The collection includes four pages from a wardrobe plot book relating to Marilyn Monroe's character, Miss Lois Laurel. Approximately 30 wardrobe continuity photographs for Ginger Rogers, who played Mrs. Edwina Fulton in the film. A group of approximately 93 black and white photographs that appear to be from a continuity key book. A group of approximately 53 publicity photographs stamped on verso by the Advertising Code Administration, including one photograph of Ginger Rogers marked for editing. Approximately 14 publicity photographs, three blind stamped as being the property of N.S.S. Corp. And six unmarked black and white photographs for publicity or other purposes.
Estimate: $2 000 - $4 000 
  
 


  

  

lot n°751: "GENTLEMEN PREFER BLONDES" WARDROBE AND PUBLICITY ARCHIVE
  A Gentlemen Prefer Blondes (20th Century Fox, 1953) archive of publicity images and wardrobe photographs. Includes three Marilyn Monroe wardrobe continuity photographs; 11 Jane Russell wardrobe continuity photographs; four wardrobe continuity photographs for other female cast members; approximately 100 black and white production stills stamped on verso by the Advertising Code Administration of Hollywood; two Jane Russell images marked to be retouched for showing too much cleavage; and 12 original and reproduction publicity stills, including an image of Monroe and Russell on stage accompanied by the negative.
Estimate: $800 - $1 200 
  

lot n°752: MARILYN MONROE PHOTOGRAPH BY FRANK WORTH
  A black and white photograph of Marilyn Monroe and Sammy Davis Jr. on the set of How To Marry A Millionaire (20th Century Fox, 1953), taken by Frank Worth circa 1953. Vintage gelatin silver print. Signed (faintly) lower right. Mounted to a photograph of Audie Murphy on the verso.
Estimate: $600 - $800

lot n°753: "HOW TO MARRY A MILLIONAIRE" PUBLICITY STILL ARCHIVE
  A collection of approximately 19 black and white publicity stills from the film How To Marry A Millionaire (20th Century Fox, 1953) and one . Including 15 images that have been stamped "Approved" by the Advertising Code Administration.
Estimate: $300 - $500  
 

lot n°754: MARILYN MONROE "HOW TO MARRY A MILLIONAIRE" PHOTOGRAPH
  A black and white photograph of Marilyn Monroe during the filming of How To Marry A Millionaire (20th Century Fox, 1953).
Estimate: $400 - $600   
 

lot n°755: "RIVER OF NO RETURN" ARCHIVE
  A collection of production and publicity items relating to River of No Return (20th Century, 1954). The lot includes two pages of typed studio wardrobe costume sheets for Marilyn Monroe's costumes covering changes 1, 2 and 3 with information on accessories and under clothing. A large copy negative from a publicity photograph of Monroe with co-star Rory Calhoun and three prints of the photograph. A black and white original publicity photograph of Monroe in one of her saloon costumes. And approximately 19 black and white publicity stills from the film.
Estimate: $800 - $1 200  
  

lot n°758: "THERE'S NO BUSINESS LIKE SHOW BUSINESS" ARCHIVE
  An archive of wardrobe plot book pages, key book photographs, and publicity photographs from the film There's No Business Like Show Business (20th Century, 1954). The collection includes nine pages from the wardrobe plot book for Marilyn Monroe's character in the film, Vicky Parker. The typed and handwritten pages include fabric swatches, scene information and list of accessories worn by Monroe with the costumes. Eight wardrobe continuity photographs appear to be from a key book: four for Ethel Merman, three for Mitzi Gaynor and one for an unknown woman. Approximately 29 black and white photographs are believed to be from a key book with two hole punches at the top of each, six with Monroe and Donald O'Connor. A collection of 15 publicity photographs with studio markings, including four with scenes of Monroe. Seven images of Monroe performing in the film from the collection of John Wind. Twelve copies of studio publicity stills and other stills from the film, most showing Marilyn Monroe. And one colorized still.
Estimate: $4 000 - $6000   
   

lot n°769: MARILYN MONROE PUBLICITY STILL ARCHIVE
   Publicity stills from two of Marilyn Monroe's films, The Prince and the Showgirl (Warner Bros., 1957) and The Misfits (Seven Arts, 1961). The Misfits archive contains three black and white original publicity stills and one black and white scene still reproduction image. The Prince and the Showgirl archive contains six color lobby card (8 by 10 inches) images, seven original black and white promotional images, six black and white scene still reproduction images, and one color scene still reproduction image.
Estimate: $400 - $600

 

lot n°770: "SEVEN YEAR ITCH" AND "SOME LIKE IT HOT" PUBLICITY STILL ARCHIVE
   Two groups of publicity photo stills, one from the film The Seven Year Itch (20th Century, 1955) and one from Some Like It Hot (UA, 1959). The Seven Year Itch archive includes three small black and white photographs shot on set; nine black and white images that are a mixture of publicity stills released to theatres and stills for unknown use; and 10 wardrobe continuity images for actresses Carolyn Jones and Marguerite Chapman. The Some Like It Hot archive includes two black and white images stamped "Photo by Coburn" on verso; two poster artwork images; and 15 black and white publicity images distributed by the studio for reproduction in newspapers and magazines.
Estimate: $600 - $800 
 
   

  

lot n°773: MARILYN MONROE "SOME LIKE IT HOT" PHOTOGRAPH
   A black and white photograph of Marilyn Monroe and Jack Lemmon on the beach filming Some Like It Hot (United Artists, 1959). Gelatin silver print, printed later. Stamp on verso marked "Silver Screen."
Estimate: $200 - $400 
 

lot n°774: "SOME LIKE IT HOT" ITALIAN MOVIE POSTER
   A Some Like It Hot (UA, 1959) Italian 1970s re-release one-sheet movie poster, fully folded.
Estimate: $100 - $200 
 

  lot n°776: "BUS STOP" ARCHIVE
   An archive of continuity and publicity photographs for the film Bus Stop (20th Century, 1956). The collection includes approximately 100 publicity photographs stamped on verso by the Advertising Code Administration. Twelve of these photographs have been additionally stamped "Retouch as Indicated" in red ink, and the surface of the photo has been drawn on where censors indicated to make Marilyn Monroe's wardrobe less revealing in the photographs. Nineteen small black and white prints also stamped by the Advertising Code Administration of Hollywood. Three black and white small prints stamped "Marilyn Monroe Productions Approved by _______" on verso. Nineteen black and white snapshots taken on and off the set. Sixteen black and white publicity images. Two wardrobe shots with the transparencies of Don Murray. A small number of other photographs for unknown use. And nine color publicity clips that would have been sent to newspapers and magazines for promotion of the film.
Estimate: $1 000 - $1 500
  
   





 
 
  

lot n°780: "LET'S MAKE LOVE" PUBLICITY PHOTOGRAPH ARCHIVE
   An archive of publicity images from the film Let's Make Love (20th Century, 1960). The archive includes four small black and white photographs from the set of the film: two of Marilyn Monroe in her revealing black costume, one with notations on where to phototouch the image, and two of co-star Yves Montand. Approximately 45 stills from the set have been stamped on verso by the Advertising Code Administration of Hollywood. Seven publicity stills distributed to newspapers and other print media to publicize the film. And two additional images for an unknown use.
Estimate: $500 - $700 
 

lot n°526: MARILYN MONROE YEARBOOK
  A Chiefton 1942 Yearbook from University High School in Los Angeles. Marilyn Monroe appears on page 48 as a tenth grade student. Some notations written in pencil within the book by the student who owned the book.
Estimate: $600 - $800

lot n°527: MARILYN MONROE PHOTOGRAPHS AND SLIDES BY DAVID CONOVER
 A group of four color photographs and two Kodachrome transparency slides of Marilyn Monroe, taken by David Conover in 1945. These photographs represent some of Monroe's earliest modeling images. Photographs printed circa 1987.
Photogaphs, 10 by 8 inches
Estimate: $300 - $500

lot n°528: MARILYN MONROE PIN-UP POSTER
Color lithograph poster showing an almost life-size full-length image of Marilyn Monroe in a bath suit from a photograph taken in the 1940s. Reads at bottom right " 'Marilyn Monroe Pin-Up,'/write: Pin-Ups, Dept. X, Box 86, Boston Mass./ Printed in U.S.A."
62 by 21 1/2 inches
Estimate: $600 - $800 
 

lot n°547: MARILYN MONROE GOLDEN DREAMS CALENDAR
A Marilyn Monroe "Golden Dreams" calendar from 1953. The calendar reads "Souvenir of New York City."
17 by 11 inches, framedcc
Estimate:  $200 - $400

lot n°550: MARILYN MONROE LAS VEGAS PHOTOGRAPH
 A black and white photograph of Marilyn Monroe circa 1947. The photograph is stamped on verso "Ullom Studio Photo Las Vegas, Nev." The reason for Monroe's appearance in Nevada is explained by Monroe's former boyfriend, Bill Pursel, in the book Marilyn Monroe : Private and Undisclosed by Michelle Morgan. Pursel explains that Monroe was in Las Vegas for a show at the Flamingo Hotel. Monroe is seen in the photograph, second from right, in a one-piece bathing suit. The photograph was obtained from the estate of a former Flamingo Hotel housekeeping manager.
8 by 10 inches
Estimate: $400 - $600

lot n°562: MARILYN MONROE NEGATIVES AND COPYRIGHT
   A group of five negatives of Marilyn Monroe taken circa 1952 by photographer William Kotler and sold with the copyrights. During the filming of How to Marry a Millionaire (20th Century Fox, 1953), Monroe posed for publicity photographs at Greenacres, the home of actor and photographer Harold Lloyd. It was there that Kotler took these photographs showing Monroe in various poses, reclining on a lounge chair poolside. Rights to these images will be transferred to the winning bidder.
4 by 5 inches each
Estimate: $2 000 - $3 000
  

lot n°563: MARILYN MONROE PHOTOGRAPH BY FRANK WORTH
   A black and white photograph of Marilyn Monroe on the set of How to Marry a Millionaire (20th Century Fox, 1953), taken by Frank Worth circa 1953. Gelatin silver print, printed later in a limited edition. Embossed in margin with Frank Worth Estate copyright stamp and numbered 100/195.
16 by 20 inches
Estimate: $400 - $600 
 

lot n°564: MARILYN MONROE PHOTOGRAPH BY PHILIPPE HALSMAN
   "Marilyn Monroe Laughing," taken by Philippe Halsman in 1954. Gelatin silver print, printed 1978. Artist's blind stamp lower right, titled and dated in pencil on verso, artist's copyright stamp on verso.
14 by 11 inches; 20 1/2 by 16 1/2 inches
Estimate: $1 000 - $2 000
 

lot n°565: MARILYN MONROE INSCRIBED MAGAZINE COVER
  A Marilyn Monroe signed magazine cover from the August 1954 issue of Modern Photography. Inscribed by Monroe "To Roy Green/ Love & Kisses/ Marilyn Monroe."
15 1/2 by 12 3/4 inches, framed
Estimate: $3 000 - $5 000 
  

lot n°566: MARILYN MONROE PHOTOGRAPH BY FRANK WORTH
  A black and white photograph of Marilyn Monroe, taken by Frank Worth circa 1949. Gelatin silver print, printed later in a limited edition. Embossed in margin with Frank Worth Estate copyright stamp and numbered 100/195.
20 by 16 inches
Estimate: $400 - $600
 

lot n°567: MARILYN MONROE SIGNED CUT SHEET AND CANDID PHOTOGRAPHS
  A scrapbook containing original vintage candid black and white photographs of the cast on the set of River of No Return (20th Century Fox, 1954) accompanied by three cut sheets with the signatures of Marilyn Monroe, Robert Mitchum, and Rory Calhoun.
7 1/2 by 10 inches
Estimate: $1 000 - $2 000

lot n°568:  MARILYN MONROE GROUP OF PHOTOGRAPHS AND NEGATIVES
   A group comprised of five photographs and five copy negatives of Marilyn Monroe, from the archive of Monroe's makeup artist, Allan "Whitey" Snyder. Taken by various photographers at varying sets and locations.
Largest, 8 by 10 inches
PROVENANCE From the estate of Allan "Whitey" Snyder
Estimate: $200 - $400
 
 

lot n°571: MARILYN MONROE PHOTOGRAPH
  A candid black and white photograph of Marilyn Monroe while filming The Seven Year Itch (20th Century Fox, 1955). The photograph was taken by an unknown photographer on September 15, 1954, outside the Trans-Lux Theatre on 52nd and Lexington in New York City. It is believed that this photograph has never before been published.
5 by 3 1/4 inches
Estimate: $400 - $600

lot n°597: MARILYN MONROE PHOTOGRAPH FROM THE SET OF SOMETHING'S GOT TO GIVE
  A black and white photograph of Marilyn Monroe taken by Lawrence Schiller. The photograph shows Monroe in the pool on the set of Something's Got to Give (20th Century, 1962). Stamped on verso with copyright information as well as a sticker from The New Ingot Company.
10 by 6 3/4 inches
PROVENANCE Lot 359, "Summer Entertainment Sale," Julien's Auctions, Las Vegas, June 21, 2008
Estimate: $800 - $1 200
 

 lot n°458: MARILYN MONROE VINTAGE PHOTOGRAPHS
Two vintage black and white photographs, taken circa 1940, depicting Marilyn Monroe, dressed as a pilgrim, and a turkey. Accompanied by a typed letter relating to "Tom," the turkey, and Curly Twiford, the animal trainer used for the photo shoot.
Photographs, 10 by 8 1/4 inches each
Estimate: $400 - $600 
 

lot n°459: MARILYN MONROE MILTON GREENE SILKSCREEN PRINT
A limited edition silkscreen print of a Milton Greene photograph of Marilyn Monroe, taken during the famed "Black Sitting" photo session in New York in 1956. Printed later. Signed by the artist in pencil lower right, numbered 106/300 lower left. 46 by 35 inches; 48 by 37 inches, framed
Estimate: $600 - $800 
  

 lot n°465: MARILYN MONROE PHOTOGRAPH BY FRANK WORTH
A black and white photograph of Marilyn Monroe on the set of How to Marry a Millionaire (20th Century Fox, 1953), taken by Frank Worth, circa 1953. Gelatin silver print, printed later in a limited edition. Embossed in margin with Frank Worth Estate copyright stamp and numbered 135/195. Accompanied by a Certificate of Authenticity from the Frank Worth Estate.
20 by 16 inches
Estimate: $400 - $600 
 

 lot n°467: MARILYN MONROE PHOTOGRAPH BY FRANK WORTH
A black and white photograph of Marilyn Monroe, taken by Frank Worth, circa 1949. Gelatin silver print, printed later in a limited edition. Embossed in margin with Frank Worth Estate copyright stamp and numbered 135/195. Accompanied by a Certificate of Authenticity from the Frank Worth Estate.
20 by 16 inches
Estimate: $400 - $600
 

lot n°486: MARILYN MONROE PHOTOGRAPHS
A pair of black and white photographs of Marilyn Monroe. The first is a head and shoulders image of Monroe behind an NBC microphone. The second shows Monroe at a restaurant sipping from a cup. 10 by 8 inches.
PROVENANCE Lot 281, "Property from the Estate of Marilyn Monroe," Julien's Auctions, Los Angeles, June 4, 2005
Estimate: $200 - $400 
 

 lot n°514: MARILYN MONROE GROUP OF PHOTOGRAPHS AND NEGATIVES
A group comprised of six photographs and six copy negatives of Marilyn Monroe, from the archive of Monroe's makeup artist, Allan "Whitey" Snyder.
Largest, 10 by 8 inches
PROVENANCE From the Estate of Allan "Whitey" Snyder
Estimate: $600 - $800 

 
 

lot n°524: MARILYN MONROE COLOR PHOTOGRAPHS ON CANVAS
Two color images of Marilyn Monroe, printed on canvas.
Largest, 20 by 24 inches
PROVENANCE From the Estate of Allan "Whitey" Snyder
Estimate: $300 - $500 

lot n°525: MARILYN MONROE COLOR PHOTOGRAPH ON CANVAS
A color image of Marilyn Monroe, printed on canvas.
30 by 20 inches
PROVENANCE From the Estate of Allan "Whitey" Snyder
Estimate: $300 - $500